No More Learning

further afield, the author has attempted, axe"; this points, he thinks, to a parallel Membrane and a New Method of determining Osmotic
by means of a wide search amongst evolution from some earlier form which London Institution, 6. - * Beethoven : the Man and his Music,
literary sources of information, to map out
can only have been a cult of the stone- Institution of Electrical Engineers, 8. - 'Some General
the distribution of this type of belief for
Principles involved in the Electric Driving of Rolling Mills,
axe.
On the whole, however, it is perhaps
the entire world. It is thereupon found to
wiser to aim at solidity rather than
be held almost universally in Europe brilliancy of handling in a subject so
(including ancient Greece and Rome) intricate and obscure. By building broad
and in Asia (including Indonesia). In rather than high, Dr. Blinkenberg has
Africa it is not rare, being well represented, built to last.
Science Gossip .
for instance, on the Guinea Coast. The
THE New Year Knights include Dr.
author, by the way, knows the bronze
E. B. Tylor, the honoured leader and master
imitations of stone-axes from Benin, but
SOCIETIES.
in anthropology ; Dr. W. F. Barrett, a
does not appear to know the actual stone-
physical and
BRITISH ACADEMY. —Dec. 15, 18, and 22. - distinguished exponent of
axe from the same place, which is to be Prof. R. A. Stewart Macalister,' late Director of psychical research ; Dr. J. H. Benson, Presi-
seen in the special showcase devoted to Excavations for the Palestine Exploration Fund,
dent of the Royal College of Physicians,
this class of cult-object in the Pitt-Rivers Archeology, his subject being The Philistines, writer on the medical side of workmen's
delivered the Schweich Lectures on Biblical Ireland; Dr. R. J. Collie, well known as a
Museum at Oxford. As for the examples their History and Civilization.
compensation; Dr. J. M. Davidson,
reported from America, he is probably
In the first lecture he dealt with recent re-
right in supposing the idea to have been searches and discoveries, and briefly traced the specialist in X-ray work; and Mr. A. B.
development of Cretan civilization as the source Kempe, a barrister who has devoted much
introduced by Europeans, since no native from which the Philistine nation had most pro- time to mathematics.
In the second lecture he
term for the thunderstone has ever yet bably sprung.
the problem of the Philistines MESSRS. MACMILLAN & Co. have arranged
come to hand.
with reference to the Old Testament and
to publish shortly a
volume of
Assyrian records, and the traditions of the people their "Science Monographs,” entitled 'Ro-
When we turn to the theoretical side
among the modern peasants of Palestine.
of the book, we have only to complain the last lecture the organization of the Philistines, searches in Terrestrial Magnetism,' by Dr.
that the author's scientific caution and
their country and cities, their language, religion, c. Chree; 'Spices,' by Mr. Henry N.
moderation are almost too great; SO
and art, were discussed from the point of view Ridley, Director of Botanic Gardens, Straits
of recent investigations.
Settlements; and 'Milk and the Public
that, whilst indicating a new interpreta-
The lectures will be issued in extenso as one
Health,' by Dr. William G. Savage, County
tion of the facts, he perhaps hardly pushes of the volumes of the series of Schweich Lectures.
Medical Officer of Health, Somerset.
it home. The usual explanation has been LINNEAN. -Dec. 21. -Dr. D. H. Scott, Presi-
the one so well set forth in Tylor's ' Early dent, in the chair. -Miss R. M. Cardew, the Rev. THE total rainfall at Greenwich in Decem-
History of Mankind,' to the effect that
H. Friend, and Miss E. M. Wakefield were ad- ber was 4:02 in. , which goes far to make up
mitted Fellows. —Sir J. M'Crone Douie, Mr. J. W.
people who had passed out of the stone- Haigh Johnson, and Miss B. Lindsay were elected
the deficiency that might have been caused
on the year's whole record by the four dry
age, and forgotten the original use of the Fellows. - The Rev. H. Friend read his paper
flint implements, perceived them to be which was discussed by Prof. A. Dendy and the produced only 5:04 in. of rain, as compared
entitled 'Some Annelids of the Thames Valley, months, June to September, which together
mysterious when they came upon them Rev. T. R. R. Stebbing, the author briefly
with an average fall for the period of 8. 93 in.
by chance, and hit upon this theory of replying: Mr. W. C. Worsdell gave a lantern
The total fall in the last three months of
their connexion with the thunder. Dr. malities in fungi, and explained his views on the
1911 was, however, nearly 4 in. in excess,
Blinkenberg's facts about the distribu- causes which produce them. Prof. F. 0. Bower, and the yearly average, deduced from the
tion of the belief would certainly seem to
Prof. D. T. MacDougal (visitor), the Rev. T. R. R. records of the sixty-five years 1841–1905,
Stebbing, Prof. A. Dendy, Dr. Stapf, Miss E. M. has been all but reached. The average fall
show that, where stone-weapons are still Wakefield, Miss E. N. Thomas, and the President
in December is 1. 83 in. , so that 4. 02 in. is
in their hey-day, as in Australia, America, joined in a discussion, and the exhibitor replied. -
Dr. A. B. Rendle showed specimens obtained in unusually high for the month; but a
and the Pacific, there is no tendency to 1911 of the dissected leaf-form of horseradish, slightly greater amount was recorded in
connect them with the thunder. He Cochlearia Armoracia, and Dr. Stapf referred to 1872; and in 1868, which was a year with a
one or two points suggested by the specimens.
argues, however, from the wide distribu-
hot and dry summer like that of last year, the
tion in the Old World that the super-
December rainfall reached 5. 45 in.
MICROSCOPICAL. -Dec. 20. --Mr. H. G. Plimmer,
stition must go back to the stone-age. President, in the chair. --Mr. Rousselet described
THE sunshine record at Greenwich during
His notion is that primitive man likened a reflecting microscope by John Cuthbert, which
had been presented to the Society by the Com-
December was also in excess of the average,
the effects of the lightning to the crash
mittee of the Quekett Microscopical Club. Mr. I and the month generally was warm-the
8
new
o of


## p. 19 (#31) ##############################################

. No. 4393, Jan. 6, 1912
THE ATHENÆUM
19
mean
66
an
daily temperature being 440. 5. or four sittings. ” Speaking, as he ex- student it possesses an obvious advantage
Again in comparison with the year 1868, it pressly does here, of the quantity and over its predecessor in the larger number
the
is found that the mean daily temperature of complexity of a work, and not of its of . works chosen for reproduction;
quality, the writer is likely to mislead variety of its contents and their wealth of
46°. 1. In fact, the winter of 1868–9 was
generally
warm, the coldest of its months the ignorant, while the initiated will be of plates of the four Duccios from Mr. n. an.
tempted to smile at yet another critic Benson's collection, of three Signorellis,
being March
determined to exalt the art of the past five Rembrandts, and four plates of the wings
A DATUM that should be fundamental in at his contemporaries' expense. Neither of the Van der Goes altarpiece lent by His
the solar constant of radiation, or the number in scale nor in complexity, of course—but Majesty the King from Holyrood.
The editing of the work has been ad-
of heat-units that would be received from in quality only—is this three days' work
mirably done.
The names of both Mr.
the sun in each unit of time by a square unit at all extraordinary. As for scale, a
Roger Fry and Mr. Maurice Brockwell
of the earth's surface when the sun is in scene-painter can do a complete set
appear on the title-page, the latter being
the zenith, if cloud and atmosphere generally in forty-eight hours; and, in the matter mainly responsible for the compilation
were absent. This quantity is difficult of of complexity, think of the “double of the catalogue, which contains
exact
though these results, obtained by different pages" done in half that time, and crowded descriptions and discussions of questions as
physicists, are diverse, there is a broad with figures, which the weekly illustrated to provenance. The results of recent re-
uniformity. It is now pretty generally papers gave us a few years back. What search are stated with considerable detail
recognized that the solar constant varies is rare in our days is the power of painting active. Perhaps at times, as in the case of
in cases where criticism has been most
by about 5 per cent of its value ; but no a figure thus cold bloodedly in sections the picture at Brant Broughton, which Mr.
effect, such as might be ascribed to this as without loss of spirit. Of two impossi- Berenson claims to be the central panel of
cause, has been detected in meteorological bilities, we could more readily believe in an altarpiece executed by Masaccio for the
records.
a modern artist who should throw off church of the Carmine at Pisa, the citation
Adam in one day, than in one
of extracts from various opinions may leave
who should build it up in three.
the decision rather unnecessarily involved,
but this in a catalogue is preferable to the
FINE ARTS
In this new edition the translation of dogmatic note which may be, and often is,
Condivi has been retouched by the light the alternative. The time of issue of the
of Mr. Herbert Horne’s published version ; volume has also allowed of the
insertion of
and it is pleasant also to find acknow-
some expressions of opinion from various
Michel Angelo Buonarroti. By Sir Charles ledgment that several suggestions made thereby enhancing the completeness of the
Holroyd. (Duckworth & Co. )
in the first edition-notably, the removal record. We should add that the book is
“I HAVE finished the chapel
which I painted. formerly in the Boboli Gardens—have tents.
to the Academy of the unfinished statues not dear in view of the quality of its con-
The Pope is well satisfied, but other things been carried out by the authorities at
do not happen as I wished. Lay blame on
the times, which are unfavourable to Art. ”
Florence. These half-disengaged figures The Book of Bridges, by Edme Arcambeau,
are among the finest results of the great, with eighteen illustrations in colour by
Thus during the height of the Renaissance, but much-disturbed activity on which Jessie M. King (Gowans & Gray), is a picture-
while supremely accomplished master-
we can imagine the artist looking back book of considerable interest, the letterpress,
pieces were in the making, we find the with so divine a discontent. A phrase which has an interest of its own, being sub-
which we are familiar to-day; nor will is so typical of a severe intellect afflicted sketches are remarkable examples of sub-
artist uttering the same complaint with in his letters deserves quoting because it ordinate to, and merely descriptive of, the
any one who reads Buonarroti's life, with
its record of wars and other violent
jective impressionism.
material interruptions, doubt that the “ About the staircase of the library,'
The book describes and depicts a portion
complaint was justified. Sir Charles Hol- he writes, “ of which so much has been said of the Seine as it flows through Paris, from
royd does not paint Michel Angelo as, to me, there comes into my mind, as in a
the Pont d'Alfort, near the junction with the
under stress of danger, the definitely dream, the image of a certain staircase, but Marne, to the Pont de Solferino, opposite
I do not believe this can be the one I then
the Tuileries Gardens.
Some of the pictures
craven character depicted by M. Rolland thought of, for it seems so stupid. ”
are more recognizable as views of riverine
in his recent biography. The present work
Paris than that of the Pont Neuf, and many
simply adds a running commentary to
of them are beautiful, however fanciful the
Condivi's life, with copious extracts from
artist's vision. Especially pleasing are
the master's letters (mainly demonstrative
peep through an arch of the Pont Royal
of filial piety), and an appreciation of his
OUR LIBRARY TABLE.
towards the Pont de Solferino-a peaceful
rural study with flowers and trees in the
art which, while it hardly shows lack of The issue of A Catalogue of an Exhibition foreground and a line of rocks barring the
insight, yet, through generously neglecting of Old Masters in Aid of the National horizon, and the Pont de Tolbiac, giving
to pry into the occasional instructive Art - Collections Fund, Grafton Galleries, the impression of a tidal estuary sweeping
weakness of a genius, fails somewhat to
1911 (Lee Warner), impels us to refer to the out to sea beneath the walls of a feudal
make clear to the ordinary reader the the Committee of Selection. The Exhibition the accomplished artist had put side by
great success which attended the efforts of castle. It would have been interesting if
precise nature of his strength. From an
formed a less sensational triumph than | side with each of her studies a photograph of
artist like Sir Charles Holroyd we could that held in the same galleries two years the same view, to show what appeals
have tolerated greater detail in the treat-previously, but was hardly, if at all, inferior specially to the educated eye of the expert.
ment of technical matters, and a franker to it in the high standard of quality and note Miss Jessie King must, we think, have made
acknowledgment of those secret irreverent of distinction of the pictures, a large propor- her sketches soon after dawn on spring
reservations which qualify even the most tion of which were previously quite
unknown mornings. This would account for the
hearty admirations of the actual practi- to the general public. The student of the tender green verdure in a smokeless atmos-
tioners of an art. The desire above all would do well to avail himself of such oppor- life from the busy banks of the Seine in
prevented from seeing them, phere, but not for the complete absence of
things to do justice to the greatness of his tunity of acquaintance as the issue of the matutinal Paris.
theme even leads him to exaggeration present Catalogue affords. It contains eighty
M. Edme Arcambeau's share in the volume
when, dealing with the three successive full-page plates in collotype and one in photo-
days on which the Adam of The Creation gravure, and they are on a scale sufficient is an admirable description of the scenes
portrayed, illustrated by quotations from
If
was painted-first down to the collar. to afford a just impression of tones.
M. Georges Cain and other writers who
bone, then down to the hips, and the legs it had then been possible to produce such know their Paris. His own protest against
a record, what a treasure to its fortunate
last of all-he declares :
Such power of
the projected demolition of the Pont des
work and of finish is utterly inconceivable | Chester Exhibition of 1857 be to-day !
possessors would the catalogue of the Man-
Arts is forcible and just. If he is a French-
to any artist of to-day.
Some will even
man, and the text as it stands is written by
excuse the imperfection of the study of exhibition of two years earlier, is emphatically of English. If it is a translation, we offer
The present Catalogue, like that of the him, he has acquired a marvellous command
a head by saying that they had only miee
for the collector to cherish. For the our compliments to the translator.
by age.
8
one


## p. 20 (#32) ##############################################

20
No. 4393, Jan. 6, 1912
THE ATHENÆUM
van
OLD MASTERS AT THE ACADEMY.
of the master upon a less masculine mind; art more logical, more unified, more truly
yet it is in many respects more satisfactory homogeneous, than the brilliant compilations
** Ar present it is probable that these exhi- than the Portrait of a Man (52), which seems of Mr. Abbey, which are, after all, but a
bitions, like those at the Grafton, do but evidently authentic, but presents a viva- clever compromise. At the same time, just
facilitate the departure (which all alike ciously modelled mask rather than a head. because we believe his work will speedily
deplore) of reputed masterpieces from this That handling so eloquent as that of this face become out of date, we anticipate for him a
country. The question of State interference and hand should be to some extent irrelevant niche in art history, though principally
with this exodus, which Mr. MacColl has to the purpose of the picture as a whole is for the pen drawings of the period of the
recently raised once more, is doubtless not quite uncharacteristic of Rembrandt, 'English Songs. ' It is easy to say that such
economic rather than artistic. On the face whose intense interest in humanity often works as The Noble Patron (298), or the
of it, it appears that the million of potential overrode his respect for pictorial coherence. drawings for The Leather Bottel (307), for
expenditure he asks for would almost Many will prefer this spontaneous if un- Sally in our Alley (302 and 308), for Phyllida
certainly prove a profitable investment from principled grappling with the difficulties Flouts Me (271), lack concentration and
the national point of view. From the of presentment to the brilliant and plausible, coherence if judged from a severe standard
standpoint of one primarily interested in but somewhat empty Portrait of a Cavalier of æsthetics ; but they are superbly true
contemporary artistic activity, however, (81), which, while conceivably a poor original
(81), which, while conceivably a poor original to the artist's standard of æsthetics, which
it appears possible that, once effectively work, might almost equally well be a sufficed to keep his touch at once eager and
denuded of its stores of inherited art, the supremely
capable forgery.
delicate, so that there are perhaps a score
country might display a more active interest
Only less great than that of Rembrandt, or more of drawings to be picked out of this
in the work of modern schools, and that
the names of Rubens (113 and 140) and collection which should have an interest
this work warmed by patronage and with Tintoretto (103 and 107) may be found akin to Watteau's as an historically exact
the cliché of European critical approbation attached to works of considerable size, but record of a phase of fancy. The beauty of
upon it, might cross the Atlantic at an
very moderate merit. One of the most these drawings and of fragments in the
enhanced price when duly matured.
pressing duties of criticism is to discredit others is a little lost in so large an exhibition,
From neither point of view need we mourn the prejudices due to the vulgar worship which gives an impression of mere restless
unduly if the collection of Sir Joshua's
of signatures which stands in the way of copiousness. The group of oil paintings
works in the first room at Burlington House any sincere appreciation of art to-day.
in the Octagon Room, on the other hand, is
finds & home outside these islands. In
It is doubtful whether any of the works admirably arranged. The pictures never
the full-length of Anne, Duchess of Grafton hitherto cited occupy the place in our
looked so well before, and we should not be
(12), the gorgeousness of costume is decently affection which is won by certain minor surprised if they were to provoke a recru-
subordinated to the simple backward sweep canvases by admittedly minor artists. First descence of imitation by the younger
of line which is the raison d'étre of the among these are a series of landscapes of exhibitors at the Royal Academy.
picture. The Dr. Johnson (2) is wonderful extraordinary beauty-two by Jan
as a replica, but still by no means equal to Goyen (78 and 82), two by Claude Vernet
the original in the National Gallery. The (139 and 141), and one by Hogarth (118).
Portrait of Frederick Howard, fifth Earl of All these are expressed in terms of a con-
LANDSCAPES AT THE ROYAL WATER-
Carlisle (4), is adroit and expressive, with vention with which we have long been
COLOUR SOCIETY'S GALLERY.
the failing (typical of the school) of a head
familiar, but in each the painter uses his At the seventeenth of these annual
somewhat empty in comparison with the idiom with a high degree of spontaneity landscape exhibitions a group of pictures
elaboration of the accessories.
There are to deal with subject-matter in which he is by the late J. Aumonier recalls to us that
other capable things, yet the general effect completely absorbed. Only a little less the death of Mr. Abbey is not the only loss
of the painting in the room is at once perfect are two figure pieces by Hogarth: art and the Academy sustained during the
dull and pretentious, as fashionable portrait- The Painter in his Studio (153), in the vein past year, and it seems an odd oversight
painting naturally tends to be.
of Vermeer, and an example of childish that the institution which for so long a term
The group of Primitives in the next room portraiture, Gerard Anne Edwards (151). of years could count upon the assistance of
is also not of the first importance, in spite of Romney's Mrs. Canning and Child (124) is so accomplished and sensitive a painter
the great names displayed. The Giovanni the most sincere example of the fashionable should not have included memorial
Bellini (St. Francis of Assisi, 41) appears to portraiture of the eighteenth century ; group of his work in the present exhibition
be generally admired, and certainly the while of the other portraits, Lely's Young at Burlington House. Wrangle (6) is the
details of landscape and accessories are Widow (85) captures us by sheer compact- best picture now showing in Pall Mall,
very interesting and well painted; but it ness and craftsman's skill
, and Cuyp's delightfully dainty in texture, with the
has neither the technical beauty of Bellini's Portrait of a Young Girl (77), if less varied resourcefulness of touch which comes
best work-being, indeed, singularly oily brilliant than the portraits shown in the of long experience taxed to the utmost by
in quality-nor the plastic simplicity and same galleries a few years back, holds the
an eye which sees in nature a great deal to
massiveness which in an occasional design attention by its intimacy of characteriza-
suggest. The larger Handborough Farm (7),
make us think of this painter as uncon- tion.
if not quite so easy and spontaneous, has
sciously among the greatest of masters.
the same wonderful quality of execution-
Nevertheless, it is clearly an important Necessarily to be considered apart from notably in the sky, with its extraordinarily
work, with a certain stark blackness more the rest of the exhibition, and indeed con- bold use of dragged paint. This subtle
reminiscent of his altarpiece in the Frari stituting an exhibition in itself, is the collec- technical variety is the hall-mark of the
than of his other more sensuous vein, which tion of the work of the late E. A. Abbey in best nineteenth-century painting, and for
would have seemed more suitable for the the last four rooms. The Academy has a time at least we shall almost inevitably
subject. The little Mantegna alongside (42) is generously represented the achievement of
generously represented the achievement of lose it in our search after greater simplicity
rather small and dry-not perhaps on that the artist, who, by as generous a bequest, of design. Ambersham Common (1) and
account uncharacteristic of the master in demonstrated his belief in the continued Handborough Mill (3) are other excellent
works of this character; but neither as decora- usefulness of the institution. It is examples of the painter whose work con-
tion nor as drama does it do justice to the apotheosis of the art of drawing from the stitutes the most important exhibit in the
powers of a master of both.
The Virgin and model, which, after all, is probably what
Child with St. John (40), ascribed to Botticelli,
present show.
the majority of Academicians are most The list of exhibitors on this occasion
is much less admirable. The choice of type honestly united in believing in. It is
differs considerably from that of the
is conceivably that of the painter alleged, probably a general, and on the whole bene- last year or so. We have no longer the
but the draughtsmanship is hardly that of
ficent, poverty which has been the prime work of Messrs. Peppercorn, Mark Fisher,
Botticelli in any of its various phases. factor in forcing artists to choose one of two and Austen Brown; and it cannot be
Another Virgin and Child (44), attributed methods of cheapening the cost of producing said that Mr. John Lavery, Mr. Adrian
to Cima, is very characterless, but with a
& painting. They have either been obliged Stokes, and Mr. Lamorna Birch are adequate
certain technical accomplishment. A third to reduce their subjects to such a simple substitutes. Of the original group of
Madonna and Child (43), ascribed to Lorenzo and everyday affair as can really be studied painters, Mr. James Hill (in 12, Wareham)
di Credi, is indifferently painted, but shows all together at no great expense, or more and Mr. Leslie Thomson (with Near Wrox-
a good sense of pattern. Even Gheeraert rarely they have embarked on the art of ham, 47) have each one admirable picture.
David's Descent from the Cross (47) is not
using for purposes of design such stock of Mr. Hill shows still in his other work the
quite a first-rate example, careful and
knowledge — knowledge of structure, of besetting sin of concentrating his attention
modest painting as it is.
character and environment, of the principles as a draughtsman upon such form-often
Of the seven canvases exhibited under of light and shade, of perspective, and of small and trivial enough-as profiles sharply,
the name of Rembrandt, Mr. Boughton-movement—as a life of generalized study to the neglect of the line of cleavage between
Knight's Cradle (51) appears to us the may store up within them. There can be the general mass of light and shade, which,
finest. Elisha and the Shunammite Woman little doubt that in the long run both these vaguely defined perhaps to the eye, is
(59) is an attractive example of the influence courses of action will be seen to evolve an essentially structural to the sense.
a
an


## p. 21 (#33) ##############################################

No. 4393, Jan. 6, 1912
THE ATHENÆUM
21
IS
new
6
He was especially successful as a painter of case of tunes which are not altogether
WATER-COLOUR DRAWINGS
horses and hunting scenes, and he was also unknown in previous collections. He
AT MESSRS. TOOTH'S GALLERIES. a clever illustrator.
also has developed a style of accompani-
Shanklin, Isle of Wight (28), by F. William- A FORETASTE of M. Rodin's shortly ment for his folk-songs which is both
son, is, in its rather dry fashion, so accom- | expected volume on ‘Les Cathédrales tasteful and ingenious : a mixture of
plished and sincere as to be on the whole given in the current number of the Revue
modern feeling with ancient modal har-
the most estimable work in this collection Française, which contains
of somewhat uninspired water-colours. Amid Madame Judith Cladel based on unpublished mony, the result of which justifies a certain
şuch surroundings we can understand how notes by Rodin about the cathedrals of anachronism in the method.
Israëls (13), Fortuny (17), and W. Hunt (36) France.
There is no field more suited for the
got their reputations. The catalogue con-
A ROMANCE MUSEUM is being founded at display of the best qualities of folk-music,
tains many respectable names, like those of Lausanne by a society recently formed to its sincerity and directness, than the carol.
('allow, J. Syer, and Sir John Gilbert, but collect old furniture, arms, glass, and other certainly among Mr. Sharp's examples
the actual drawings are disappointing.
objects having an artistic or historical value we have many charming specimens of
in relation to French Switzerland.
the unconscious art of the country-side.
THE COMMITTEE OF OLD-PARIS has peti- | Such modal melodies as “King Herod
tioned the Ministry of Fine Arts to transfer and the Cock' (i. ), The Sinner's Re-
Fine Art Gossip.
to the Louvre Carpeaux's sculptured group demption' (viii. ), and 'The Little Room'
* La Danse, considered to be his master- (xvii. ), or vigorous tunes like. Come, all
With the generous assistance of Lord piece, which, owing to its present position you True Good Christians' (ix. ), and 'On
Strathcona, Sir Julius Wernher, Lady in the open, is exposed to the danger of being Christmas Night' (x. ), of a more modern
Wantage, and others, Mr. A. G. Temple permanently injured by the weather.
has been able to acquire for the permanent
type, are all delightful, and there are
collection at the Guildhall the Pre-Raphaelite
SIR GUY LAKING has acquired for the others equally good.
picture of The Cavalier and the Puritan,'
Historical Museum of London the
by W. S. Burton.
greater portion of the collection of historical
There is, however, a strain of pedantry in
costumes and armour formed by the late
these collections which appeals, perhaps,
We congratulate Mr. Frederick Wedmore, Ernest Crofts, R. A.
to the expert in folk-music, but is a little
an art critic and writer of distinction, on
his knighthood.
THE NEW CAMPANILE at Venice, recon-
annoying to the plain musician. Mr.
structed on the model and on the site of the Sharp makes it his boast that he obtains
MURILLO'S ‘Immaculate Conception,' at old tower, is now almost completed, and a true text by taking his tunes down
the Museum of Seville, has been partially will be formally opened on April 25th. from the lips of old men and old women
destroyed through careless cleaning. The
A SocitTÉ DES AMIS DU MONT-SAINT- living in country villages, yet we are not
resh tints of the cherubs, painted by thin Michel has been formed with the following always sure that we can take these authori-
glazes, have been completely dissolved by objects : (1) To watch over the safety of ties quite so seriously as he does. The
i spirit employed by the restorer, Virgilio the Mount; (2) to prevent the demolition tune of the second version of ‘I Saw
lattoni, who has been arrested, and is
row awaiting trial under the Spanish law into execution the decisions of the Ministry
of the ancient houses thereon; (3) to put Three Ships'is plainly the childish ditty
which forbids any person to attempt to
Here We Go Round the Mulberry Bush,'
ristore a painting in a public gallery without in its “primitive insularity”; and ; (4) to
of Fine Arts for the preservation of the rock
with a slight variation. No harm in that,
formal authority from the Academy of Fine study all questions of interest to tourists because the same folk-tunes have often
Arts.
in the neighbourhood.
many uses; but the different fourth verse
AN IMPORTANT EXHIBITION of drawings
opens in a manner which certainly sounds
and water-colours, opened last week at
as if the old ranter's hymn, 'Here We
the Galerie Druet, 20, Rue Royale, Paris,
EXHIBITIONS,
Suffer Grief and Pain,' had got mixed with
reveals the increasing attention paid to SAT. (Jan. 6. -Mr. 8. Bagehot, De la Bere's Water-Colours, Private it. Are we to assume that such an acci-
water-colour by modern French artists.
Sir Alfred East's Paintings and Drawings, Private View, dental admixture is improbable among
M. Marquet's luminous impressions of
Mr. Alexander Jamiesop's Paintings, Carfax Gallery:
Morocco, M. K. X. Roussel's pastoral idylls,
these village musicians ? If not, no tune
Mr. Roger Fry's Puintings, Alpine Club Gallery, Mill
and the nude studies of M. Francis Jourdain
can be beyond question. Mr. Sharp's
and M. Manguin are notable contributions
experience is great, and doubtless his
to a collection which also contains lyrical
judgment in such matters is mature, but
charcoal drawings by M. Paul Signac, some
there is no other criterion of what is true
curiously expressive studies of cats by M.
Kees van Dougеn, and characteristic works
tradition, and what is mere scattered
MUSIC
by MM. Alcide Le Beau, Bonnard, Camoin,
reminiscence. Among so much that is
Maurice Denis, Georges d'Espagnat, Jules
excellent, we should hardly raise the
Flandrin, Othon Friesz, Hermann Paul,
question were it not for a rather pro-
Valotton, and Valtat.
English Folk-Carols. With Pianoforte Ac- nounced flourish of trumpets in the
companiment, and an Introduction and Preface with which this volume is intro-
VISITORS to the important exhibition of
Notes. Collected in Various Parts of duced. We think that it is as unnecessary
Italian portraits held at Florence recently
will be glad to have a permanent and illus-
England by Cecil J. Sharp. (Novello to call upon us “to note the noble sweep
trated record which appears in the new
& Co. )
and severe grandeur of tunes which,
number of Les Arts, and in which over forty This is another of those volumes by which of selection and suitable setting, as it is
after all depend upon the editor's power
of the portraits and portrait groups are
reproduced.
Mr. Cecil Sharp has materially enriched to repeat the statement that no musician
M. ROLL has decided to retire from the our knowledge of the ancient folk-music could write such airs. The discovery of
presidency of the Société Nationale des of England. It contains carols which are
their manifold beauties, which we do not
Beaux-Arts, which he has held since for the most part new in form, if not wish to deny, should be left to the musical
Carolus Duran took over the direction of the entirely unknown by name in previous public.
Villa Médicis. It is expected that his suc- collections. Four of them, God Bless
cessor will be either M. Rodin or M. Albert You, Merry Gentlemen' (a title deliber-
Besnard.
ately adopted in preference to the more
THE friends and admirers of the late Prof. usual ‘God Rest You Merry, Gentlemen'),
OUR LIBRARY TABLE.
Legros will be gratified to hear that his The Virgin Unspotted,' As I Sat on a Music and Nationalism : a Study of English
family has arranged to hold an exhibition Sunny Bank ' (better known by its second Opera. By Cecil Forsyth. (Macmillan. )
“No book," says our author, “has been
crayons, medallions, and sculpture left by stanza, “I Saw Three Ships come Sailing
him. It will open at the Fine Art Society's, By'), and 'The Ten Joys of Mary'-have a wholly devoted to giving an account of the
New Bond Street, on Friday in next week. familiar text, but there, except in the first forces which have influenced the Musical
The well-known painter Ludwig Voltz, case, the familiarity ceases. Mr. Sharp he has attempted to fill that gap, but le
whose death in his 87th year is announced always has some new form of melody, has extended his scheme and briefly dis-
from Munich, was one of a family of artists. some new scale to propose, even in the Icussed “the more general relationships of
View, Fine Art Society's Gallery.
Leicester Galleries.
Street, w.
Mr. Walter Tyndale's Water Colours, 'An Artist in Egypt,'
Private View, Leicester Galleries.
66


## p. 22 (#34) ##############################################

22
THE ATHENÆUM
No. 4393, JAN. 6, 1912
one
or
66
our
as
over-
is of
National life and Musical Productivity. " style, but they do not call for serious MR. JOSEF HOLBROOKE announces his
This wider subject naturally comes first. criticism. We shall refer to
eleventh year of Modern English Chamber
“Why,” asks Mr. Forsyth, does one two of the papers just to show whom Music. The three concerts will take place
nation develope musically while another Mr. Graves respects, whom he admires, and at the Æolian Hall on Thursday evenings,
remains musically undeveloped ? " For he of whom he disapproves. Mendelssohn will January 25th and February 22nd, and
declares that « all nations are equally serve for the first. The part which he Monday afternoon, March 25th. At the
musical,” & statement, however, open to played in the revival of Bach's music second some choral songs by Mr. Holbrooke
question.
is enough to win him immortal gratitude, will be given for the first time; and at the
Outside chronic poverty," says says our author, and we heartily agree third his new Miniature Suite for five wind
author, “there is only one factor which with him, we do when he states instruments.
can have any deterrent effect on national
that the composer
at his best main-
MESSRS. MESSAGER AND BROUSSAN will
musical development, and that is the acqui- tained an even perfection which few of give next May at the Paris Opéra two per-
sition of world-power. ” And, again,“ It is Eng- the immortals have reached. We feel formances of" Tristan et Isolde,' under the
land who has, since Elizabethan days, most that he has here pointed out the essential direction of Arthur Nikisch ; two of the
devoted herself to the aim of World-Empire. ” difference between talent and genius ; for
- Maîtres Chanteurs,' probably under that
Was there, then, no musical development even perfection” is the very hall-mark of of Hans Richter ; and one cycle of the
when Byrd, Bull, Dowland, and Morley talent. He admires Debussy's art work, Tétralogie,' with Weingartner as conductor.