No More Learning

This description makes
of her a rather doll-like girl; but doll-like girls are just the sort to
attract an inexperienced young man who has yet to learn that beauty and
charm are quite distinct from prettiness, and infinitely superior to it.

In addition to her prettiness, Harriet Westbrook had a vivacious manner
and talked quite pleasingly. She was likewise not a bad listener;
and she would listen by the hour to Shelley in his rhapsodies about
chemistry, poetry, the failure of Christianity, the national debt, and
human liberty, all of which he jumbled up without much knowledge, but in
a lyric strain of impassioned eagerness which would probably have made
the multiplication-table thrilling.

For Shelley himself was a creature of extraordinary fascination, both
then and afterward. There are no likenesses of him that do him justice,
because they cannot convey that singular appeal which the man himself
made to almost every one who met him.

The eminent painter, Mulready, once said that Shelley was too beautiful
for portraiture; and yet the descriptions of him hardly seem to bear
this out. He was quite tall and slender, but he stooped so much as
to make him appear undersized. His head was very small-quite
disproportionately so; but this was counteracted to the eye by his
long and tumbled hair which, when excited, he would rub and twist in a
thousand different directions until it was actually bushy. His eyes and
mouth were his best features. The former were of a deep violet blue, and
when Shelley felt deeply moved they seemed luminous with a wonderful
and almost unearthly light. His mouth was finely chiseled, and might be
regarded as representing perfection.

One great defect he had, and this might well have overbalanced his
attractive face. The defect in question was his voice. One would have
expected to hear from him melodious sounds, and vocal tones both rich
and penetrating; but, as a matter of fact, his voice was shrill at the
very best, and became actually discordant and peacock-like in moments of
emotion.

Such, then, was Shelley, star-eyed, with the delicate complexion of a
girl, wonderfully mobile in his features, yet speaking in a voice high
pitched and almost raucous. For the rest, he arrayed himself with care
and in expensive clothing, even though he took no thought of neatness,
so that his garments were almost always rumpled and wrinkled from his
frequent writhings on couches and on the floor. Shelley had a strange
and almost primitive habit of rolling on the earth, and another of
thrusting his tousled head close up to the hottest fire in the house,
or of lying in the glaring sun when out of doors. It is related that he
composed one of his finest poems--"The Cenci"--in Italy, while stretched
out with face upturned to an almost tropical sun.

But such as he was, and though he was not yet famous, Harriet Westbrook,
the rosy-faced schoolgirl, fell in love with him, and rather plainly
let him know that she had done so. There are a thousand ways in which
a woman can convey this information without doing anything un-maidenly;
and of all these little arts Miss Westbrook was instinctively a
mistress.

She played upon Shelley's feelings by telling him that her father was
cruel to her, and that he contemplated actions still more cruel. There
is something absurdly comical about the grievance which she brought to
Shelley; but it is much more comical to note the tremendous seriousness
with which he took it. He wrote to his friend Hogg:

Her father has persecuted her in a most horrible way, by endeavoring
to compel her to go to school. She asked my advice; resistance was the
answer. At the same time I essayed to mollify Mr. Westbrook, in vain! I
advised her to resist. She wrote to say that resistance was useless, but
that she would fly with me and throw herself on my protection.

Some letters that have recently come to light show that there was a
dramatic scene between Harriet Westbrook and Shelley--a scene in the
course of which she threw her arms about his neck and wept upon his
shoulder. Here was a curious situation. Shelley was not at all in love
with her. He had explicitly declared this only a short time before. Yet
here was a pretty girl about to suffer the "horrible persecution" of
being sent to school, and finding no alternative save to "throw herself
on his protection"--in other words, to let him treat her as he would,
and to become his mistress.

The absurdity of the situation makes one smile. Common sense should have
led some one to box Harriet's ears and send her off to school without a
moment's hesitation; while as for Shelley, he should have been told how
ludicrous was the whole affair. But he was only nineteen, and she was
only sixteen, and the crisis seemed portentous. Nothing could be more
flattering to a young man's vanity than to have this girl cast herself
upon him for protection. It did not really matter that he had not
loved her hitherto, and that he was already half engaged to another
Harriet--his cousin, Miss Grove. He could not stop and reason with
himself. He must like a true knight rescue lovely girlhood from the
horrors of a school!

It is not unlikely that this whole affair was partly managed or
manipulated by the girl's father. Jew Westbrook knew that Shelley was
related to rich and titled people, and that he was certain, if he lived,
to become Sir Percy, and to be the heir of his grandfather's estates.
Hence it may be that Harriet's queer conduct was not wholly of her own
prompting.

In any case, however, it proved to be successful. Shelley's ardent and
impulsive nature could not bear to see a girl in tears and appealing
for his help. Hence, though in his heart she was very little to him, his
romantic nature gave up for her sake the affection that he had felt for
his cousin, his own disbelief in marriage, and finally the common sense
which ought to have told him not to marry any one on two hundred pounds
a year.

So the pair set off for Edinburgh by stagecoach. It was a weary and most
uncomfortable journey. When they reached the Scottish capital, they
were married by the Scottish law. Their money was all gone; but their
landlord, with a jovial sympathy for romance, let them have a room, and
treated them to a rather promiscuous wedding-banquet, in which every one
in the house participated.

Such is the story of Shelley's marriage, contracted at nineteen with a
girl of sixteen who most certainly lured him on against his own better
judgment and in the absence of any actual love.

The girl whom he had taken to himself was a well-meaning little thing.
She tried for a time to meet her husband's moods and to be a real
companion to him. But what could one expect from such a union? Shelley's
father withdrew the income which he had previously given. Jew Westbrook
refused to contribute anything, hoping, probably, that this course would
bring the Shelleys to the rescue. But as it was, the young pair drifted
about from place to place, getting very precarious supplies, running
deeper into debt each day, and finding less and less to admire in each
other.

Shelley took to laudanum. Harriet dropped her abstruse studies, which
she had taken up to please her husband, but which could only puzzle her
small brain. She soon developed some of the unpleasant traits of the
class to which she belonged. In this her sister Eliza--a hard and
grasping middle-aged woman--had her share. She set Harriet against her
husband, and made life less endurable for both. She was so much older
than the pair that she came in and ruled their household like a typical
stepmother.

A child was born, and Shelley very generously went through a second
form of marriage, so as to comply with the English law; but by this
time there was little hope of righting things again. Shelley was much
offended because Harriet would not nurse the child. He believed her hard
because she saw without emotion an operation performed upon the infant.

Finally, when Shelley at last came into a considerable sum of money,
Harriet and Eliza made no pretense of caring for anything except the
spending of it in "bonnet-shops" and on carriages and display. In
time--that is to say, in three years after their marriage--Harriet
left her husband and went to London and to Bath, prompted by her elder
sister.

This proved to be the end of an unfortunate marriage. Word was brought
to Shelley that his wife was no longer faithful to him. He, on his
side, had carried on a semi-sentimental platonic correspondence with a
schoolmistress, one Miss Hitchener. But until now his life had been
one great mistake--a life of restlessness, of unsatisfied longing, of a
desire that had no name. Then came the perhaps inevitable meeting with
the one whom he should have met before.

Shelley had taken a great interest in William Godwin, the writer and
radical philosopher. Godwin's household was a strange one. There was
Fanny Imlay, a child born out of wedlock, the offspring of Gilbert
Imlay, an American merchant, and of Mary Wollstonecraft, whom Godwin had
subsequently married. There was also a singularly striking girl who
then styled herself Mary Jane Clairmont, and who was afterward known
as Claire Clairmont, she and her brother being the early children of
Godwin's second wife.

One day in 1814, Shelley called on Godwin, and found there a beautiful
young girl in her seventeenth year, "with shapely golden head, a
face very pale and pure, a great forehead, earnest hazel eyes, and an
expression at once of sensibility and firmness about her delicately
curved lips. " This was Mary Godwin--one who had inherited her mother's
power of mind and likewise her grace and sweetness.

From the very moment of their meeting Shelley and this girl were fated
to be joined together, and both of them were well aware of it. Each felt
the other's presence exert a magnetic thrill. Each listened eagerly
to what the other said. Each thought of nothing, and each cared for
nothing, in the other's absence. It was a great compelling elemental
force which drove the two together and bound them fast. Beside this
marvelous experience, how pale and pitiful and paltry seemed the
affectations of Harriet Westbrook!

In little more than a month from the time of their first meeting,
Shelley and Mary Godwin and Miss Clairmont left Godwin's house at four
o 'clock in the morning, and hurried across the Channel to Calais. They
wandered almost like vagabonds across France, eating black bread and
the coarsest fare, walking on the highways when they could not afford to
ride, and putting up with every possible inconvenience. Yet it is worth
noting that neither then nor at any other time did either Shelley or
Mary regret what they had done. To the very end of the poet's brief
career they were inseparable.

Later he was able to pension Harriet, who, being of a morbid
disposition, ended her life by drowning--not, it may be said, because
of grief for Shelley. It has been told that Fanny Imlay, Mary's sister,
likewise committed suicide because Shelley did not care for her, but
this has also been disproved. There was really nothing to mar the inner
happiness of the poet and the woman who, at the very end, became his
wife. Living, as they did, in Italy and Switzerland, they saw much of
their own countrymen, such as Landor and Leigh Hunt and Byron, to whose
fascinations poor Miss Clairmont yielded, and became the mother of the
little girl Allegra.

But there could have been no truer union than this of Shelley's with
the woman whom nature had intended for him. It was in his love-life, far
more than in his poetry, that he attained completeness. When he died
by drowning, in 1822, and his body was burned in the presence of Lord
Byron, he was truly mourned by the one whom he had only lately made his
wife. As a poet he never reached the same perfection; for his genius was
fitful and uncertain, rare in its flights, and mingled always with that
which disappoints.

As the lover and husband of Mary Godwin, there was nothing left to wish.
In his verse, however, the truest word concerning him will always be
that exquisite sentence of Matthew Arnold:

"A beautiful and ineffectual angel beating his luminous wings against
the void in vain. "





THE STORY OF THE CARLYLES


To most persons, Tennyson was a remote and romantic figure. His homes in
the Isle of Wight and at Aldworth had a dignified seclusion about them
which was very appropriate to so great a poet, and invested him with a
certain awe through which the multitude rarely penetrated. As a matter
of fact, however, he was an excellent companion, a ready talker, and
gifted with so much wit that it is a pity that more of his sayings have
not been preserved to us.

One of the best known is that which was drawn from him after he and a
number of friends had been spending an hour in company with Mr. and Mrs.
Carlyle. The two Carlyles were unfortunately at their worst, and gave a
superb specimen of domestic "nagging. " Each caught up whatever the other
said, and either turned it into ridicule, or tried to make the author of
it an object of contempt.

This was, of course, exceedingly uncomfortable for such strangers as
were present, and it certainly gave no pleasure to their friends. On
leaving the house, some one said to Tennyson:

"Isn't it a pity that such a couple ever married? "

"No, no," said Tennyson, with a sort of smile under his rough beard.
"It's much better that two people should be made unhappy than four. "

The world has pretty nearly come around to the verdict of the poet
laureate. It is not probable that Thomas Carlyle would have made any
woman happy as his wife, or that Jane Baillie Welsh would have made any
man happy as her husband.

This sort of speculation would never have occurred had not Mr. Froude,
in the early eighties, given his story about the Carlyles to the world.
Carlyle went to his grave, an old man, highly honored, and with no
trail of gossip behind him. His wife had died some sixteen years before,
leaving a brilliant memory. The books of Mr. Froude seemed for a moment
to have desecrated the grave, and to have shed a sudden and sinister
light upon those who could not make the least defense for themselves.

For a moment, Carlyle seemed to have been a monster of harshness,
cruelty, and almost brutish feeling. On the other side, his wife took
on the color of an evil-speaking, evil-thinking shrew, who tormented the
life of her husband, and allowed herself to be possessed by some demon
of unrest and discontent, such as few women of her station are ever
known to suffer from.

Nor was it merely that the two were apparently ill-mated and unhappy
with each other. There were hints and innuendos which looked toward some
hidden cause for this unhappiness, and which aroused the curiosity of
every one. That they might be clearer, Froude afterward wrote a book,
bringing out more plainly--indeed, too plainly--his explanation of the
Carlyle family skeleton. A multitude of documents then came from every
quarter, and from almost every one who had known either of the Carlyles.
Perhaps the result to-day has been more injurious to Froude than to the
two Carlyles.

Many persons unjustly speak of Froude as having violated the confidence
of his friends in publishing the letters of Mr. and Mrs. Carlyle. They
take no heed of the fact that in doing this he was obeying Carlyle's
express wishes, left behind in writing, and often urged on Froude while
Carlyle was still alive. Whether or not Froude ought to have accepted
such a trust, one may perhaps hesitate to decide. That he did so is
probably because he felt that if he refused, Carlyle might commit the
same duty to another, who would discharge it with less delicacy and less
discretion.

As it is, the blame, if it rests upon any one, should rest upon Carlyle.
He collected the letters. He wrote the lines which burn and scorch with
self-reproach. It is he who pressed upon the reluctant Froude the duty
of printing and publishing a series of documents which, for the most
part, should never have been published at all, and which have done equal
harm to Carlyle, to his wife, and to Froude himself.

Now that everything has been written that is likely to be written by
those claiming to possess personal knowledge of the subject, let us
take up the volumes, and likewise the scattered fragments, and seek to
penetrate the mystery of the most ill-assorted couple known to modern
literature.

It is not necessary to bring to light, and in regular order, the
external history of Thomas Carlyle, or of Jane Baillie Welsh, who
married him. There is an extraordinary amount of rather fanciful gossip
about this marriage, and about the three persons who had to do with it.

Take first the principal figure, Thomas Carlyle. His life until that
time had been a good deal more than the life of an ordinary country-man.
Many persons represent him as a peasant; but he was descended from the
ancient lords of a Scottish manor. There was something in his eye, and
in the dominance of his nature, that made his lordly nature felt. Mr.
Froude notes that Carlyle's hand was very small and unusually well
shaped. Nor had his earliest appearance as a young man been commonplace,
in spite of the fact that his parents were illiterate, so that his
mother learned to read only after her sons had gone away to Edinburgh,
in order that she might be able to enjoy their letters.

At that time in Scotland, as in Puritan New England, in each family the
son who had the most notable "pairts" was sent to the university that
he might become a clergyman. If there were a second son, he became an
advocate or a doctor of medicine, while the sons of less distinction
seldom went beyond the parish school, but settled down as farmers,
horse-dealers, or whatever might happen to come their way.

In the case of Thomas Carlyle, nature marked him out for something
brilliant, whatever that might be. His quick sensibility, the way in
which he acquired every sort of learning, his command of logic, and,
withal, his swift, unerring gift of language, made it certain from the
very first that he must be sent to the university as soon as he had
finished school, and could afford to go.

At Edinburgh, where he matriculated in his fourteenth year, he
astonished every one by the enormous extent of his reading, and by
the firm hold he kept upon it. One hesitates to credit these so-called
reminiscences which tell how he absorbed mountains of Greek and immense
quantities of political economy and history and sociology and various
forms of metaphysics, as every Scotsman is bound to do. That he read all
night is a common story told of many a Scottish lad at college. We may
believe, however, that Carlyle studied and read as most of his fellow
students did, but far beyond them, in extent.

When he had completed about half of his divinity course, he assured
himself that he was not intended for the life of a clergyman. One who
reads his mocking sayings, or what seemed to be a clever string of jeers
directed against religion, might well think that Carlyle was throughout
his life an atheist, or an agnostic. He confessed to Irving that he did
not believe in the Christian religion, and it was vain to hope that he
ever would so believe.

Moreover, Carlyle had done something which was unusual at that time.
He had taught in several local schools; but presently he came back to
Edinburgh and openly made literature his profession. It was a daring
thing to do; but Carlyle had unbounded confidence in himself--the
confidence of a giant, striding forth into a forest, certain that he can
make his way by sheer strength through the tangled meshes and the
knotty branches that he knows will meet him and try to beat him back.
Furthermore, he knew how to live on very little; he was unmarried; and
he felt a certain ardor which beseemed his age and gifts.

Through the kindness of friends, he received some commissions to write
in various books of reference; and in 1824, when he was twenty-nine
years of age, he published a translation of Legendre's Geometry. In the
same year he published, in the London Magazine, his Life of Schiller,
and also his translation of Goethe's Wilhelm Meister. This successful
attack upon the London periodicals and reviews led to a certain
complication with the other two characters in this story. It takes us to
Jane Welsh, and also to Edward Irving.

Irving was three years older than Carlyle. The two men were friends, and
both of them had been teaching in country schools, where both of them
had come to know Miss Welsh. Irving's seniority gave him a certain
prestige with the younger men, and naturally with Miss Welsh. He had
won honors at the university, and now, as assistant to the famous Dr.
Chalmers, he carried his silk robes in the jaunty fashion of one who has
just ceased to be an undergraduate. While studying, he met Miss Welsh at
Haddington, and there became her private instructor.

This girl was regarded in her native town as something of a personage.
To read what has been written of her, one might suppose that she was
almost a miracle of birth and breeding, and of intellect as well. As a
matter of fact, in the little town of Haddington she was simply prima
inter pares. Her father was the local doctor, and while she had a
comfortable home, and doubtless a chaise at her disposal, she was
very far from the "opulence" which Carlyle, looking up at her from his
lowlier surroundings, was accustomed to ascribe to her. She was, no
doubt, a very clever girl; and, judging from the portraits taken of her
at about this time, she was an exceedingly pretty one, with beautiful
eyes and an abundance of dark glossy hair.

Even then, however, Miss Welsh had traits which might have made it
certain that she would be much more agreeable as a friend than as a
wife. She had become an intellectuelle quite prematurely--at an age, in
fact, when she might better have been thinking of other things than the
inwardness of her soul, or the folly of religious belief.

Even as a young girl, she was beset by a desire to criticize and to
ridicule almost everything and every one that she encountered. It was
only when she met with something that she could not understand, or
some one who could do what she could not, that she became comparatively
humble. Unconsciously, her chief ambition was to be herself
distinguished, and to marry some one who could be more distinguished
still.

When she first met Edward Irving, she looked up to him as her superior
in many ways. He was a striking figure in her small world. He was known
in Edinburgh as likely to be a man of mark; and, of course, he had had
a careful training in many subjects of which she, as yet, knew very
little. Therefore, insensibly, she fell into a sort of admiration
for Irving--an admiration which might have been transmuted into love.
Irving, on his side, was taken by the young girl's beauty, her vivacity,
and the keenness of her intellect. That he did not at once become her
suitor is probably due to the fact that he had already engaged himself
to a Miss Martin, of whom not much is known.

It was about this time, however, that Carlyle became acquainted with
Miss Welsh. His abundant knowledge, his original and striking manner of
commenting on it, his almost gigantic intellectual power, came to her
as a revelation. Her studies with Irving were now interwoven with her
admiration for Carlyle.

Since Irving was a clergyman, and Miss Welsh had not the slightest
belief in any form of theology, there was comparatively little that
they had in common. On the other hand, when she saw the profundities of
Carlyle, she at once half feared, and was half fascinated. Let her speak
to him on any subject, and he would at once thunder forth some striking
truth, or it might be some puzzling paradox; but what he said could
never fail to interest her and to make her think. He had, too, an
infinite sense of humor, often whimsical and shot through with sarcasm.

It is no wonder that Miss Welsh was more and more infatuated with the
nature of Carlyle. If it was her conscious wish to marry a man whom she
could reverence as a master, where should she find him--in Irving or in
Carlyle?

Irving was a dreamer, a man who, she came to see, was thoroughly
one-sided, and whose interests lay in a different sphere from hers.
Carlyle, on the other hand, had already reached out beyond the little
Scottish capital, and had made his mark in the great world of London,
where men like De Quincey and Jeffrey thought it worth their while to
run a tilt with him. Then, too, there was the fascination of his talk,
in which Jane Welsh found a perpetual source of interest:

The English have never had an artist, except in poetry; no musician; no
painter. Purcell and Hogarth are not exceptions, or only such as confirm
the rule.
Is the true Scotchman the peasant and yeoman--chiefly the former?

Every living man is a visible mystery; he walks between two eternities
and two infinitudes. Were we not blind as molea we should value
our humanity at infinity, and our rank, influence and so forth--the
trappings of our humanity--at nothing. Say I am a man, and you say all.
Whether king or tinker is a mere appendix.

Understanding is to reason as the talent of a beaver--which can build
houses, and uses its tail for a trowel--to the genius of a prophet and
poet. Reason is all but extinct in this age; it can never be altogether
extinguished.

The devil has his elect.

Is anything more wonderful than another, if you consider it maturely?
I have seen no men rise from the dead; I have seen some thousands rise
from nothing. I have not force to fly into the sun, but I have force to
lift my hand, which is equally strange.

Is not every thought properly an inspiration? Or how is one thing more
inspired than another?

Examine by logic the import of thy life, and of all lives. What is it?
A making of meal into manure, and of manure into meal. To the cui bono
there is no answer from logic.

In many ways Jane Welsh found the difference of range between Carlyle
and Irving. At one time, she asked Irving about some German works, and
he was obliged to send her to Carlyle to solve her difficulties. Carlyle
knew German almost as well as if he had been born in Dresden; and
the full and almost overflowing way in which he answered her gave her
another impression of his potency. Thus she weighed the two men who
might become her lovers, and little by little she came to think of
Irving as partly shallow and partly narrow-minded, while Carlyle loomed
up more of a giant than before.

It is not probable that she was a woman who could love profoundly.
She thought too much about herself. She was too critical. She had too
intense an ambition for "showing off. " I can imagine that in the end
she made her choice quite coolly. She was flattered by Carlyle's strong
preference for her. She was perhaps repelled by Irving's engagement to
another woman; yet at the time few persons thought that she had chosen
well.

Irving had now gone to London, and had become the pastor of the
Caledonian chapel in Hatton Garden. Within a year, by the extraordinary
power of his eloquence, which, was in a style peculiar to himself, he
had transformed an obscure little chapel into one which was crowded
by the rich and fashionable. His congregation built for him a handsome
edifice on Regent Square, and he became the leader of a new cult, which
looked to a second personal advent of Christ. He cared nothing for
the charges of heresy which were brought against him; and when he was
deposed his congregation followed him, and developed a new Christian
order, known as Irvingism.

Jane Welsh, in her musings, might rightfully have compared the two men
and the future which each could give her. Did she marry Irving, she was
certain of a life of ease in London, and an association with men and
women of fashion and celebrity, among whom she could show herself to be
the gifted woman that she was. Did she marry Carlyle, she must go with
him to a desolate, wind-beaten cottage, far away from any of the things
she cared for, working almost as a housemaid, having no company save
that of her husband, who was already a dyspeptic, and who was wont to
speak of feeling as if a rat were tearing out his stomach.

Who would have said that in going with Carlyle she had made the better
choice? Any one would have said it who knew the three--Irving, Carlyle,
and Jane Welsh.

She had the penetration to be certain that whatever Irving might possess
at present, it would be nothing in comparison to what Carlyle would have
in the coming future. She understood the limitations of Irving, but to
her keen mind the genius of Carlyle was unlimited; and she foresaw that,
after he had toiled and striven, he would come into his great reward,
which she would share. Irving might be the leader of a petty sect,
but Carlyle would be a man whose name must become known throughout the
world.

And so, in 1826, she had made her choice, and had become the bride of
the rough-spoken, domineering Scotsman who had to face the world with
nothing but his creative brain and his stubborn independence. She had
put aside all immediate thought of London and its lures; she was going
to cast in her lot with Carlyle's, largely as a matter of calculation,
and believing that she had made the better choice.

She was twenty-six and Carlyle was thirty-two when, after a brief
residence in Edinburgh, they went down to Craigenputtock. Froude has
described this place as the dreariest spot in the British dominions:

The nearest cottage is more than a mile from it; the elevation, seven
hundred feet above the sea, stunts the trees and limits the garden
produce; the house is gaunt and hungry-looking. It stands, with the
scanty fields attached, as an island in a sea of morass. The landscape
is unredeemed by grace or grandeur--mere undulating hills of grass and
heather, with peat bogs in the hollows between them.

Froude's grim description has been questioned by some; yet the actual
pictures that have been drawn of the place in later years make it
look bare, desolate, and uninviting. Mrs. Carlyle, who owned it as an
inheritance from her father, saw the place for the first time in March,
1828. She settled there in May; but May, in the Scottish hills, is
almost as repellent as winter. She herself shrank from the adventure
which she had proposed. It was her husband's notion, and her own, that
they should live there in practical solitude. He was to think and write,
and make for himself a beginning of real fame; while she was to hover
over him and watch his minor comforts.

It seemed to many of their friends that the project was quixotic to a
degree. Mrs. Carlyle delicate health, her weak chest, and the beginning
of a nervous disorder, made them think that she was unfit to dwell in
so wild and bleak a solitude. They felt, too, that Carlyle was too
much absorbed with his own thought to be trusted with the charge of a
high-spirited woman.

However, the decision had been made, and the newly married couple went
to Craigenputtock, with wagons that carried their household goods and
those of Carlyle's brother, Alexander, who lived in a cottage near by.
These were the two redeeming features of their lonely home--the presence
of Alexander Carlyle, and the fact that, although they had no servants
in the ordinary sense, there were several farmhands and a dairy-maid.

Before long there came a period of trouble, which is easily explained
by what has been already said. Carlyle, thinking and writing some of
the most beautiful things that he ever thought or wrote, could not make
allowance for his wife's high spirit and physical weakness. She, on her
side--nervous, fitful, and hard to please--thought herself a slave,
the servant of a harsh and brutal master. She screamed at him when her
nerves were too unstrung; and then, with a natural reaction, she called
herself "a devil who could never be good enough for him. " But most of
her letters were harsh and filled with bitterness, and, no doubt, his
conduct to her was at times no better than her own.

But it was at Craigenputtock that he really did lay fast and firm the
road to fame. His wife's sharp tongue, and the gnawings of his own
dyspepsia, were lived down with true Scottish grimness. It was here that
he wrote some of his most penetrating and sympathetic essays, which were
published by the leading reviews of England and Scotland. Here, too, he
began to teach his countrymen the value of German literature.

The most remarkable of his productions was that strange work entitled
Sartor Resartus (1834), an extraordinary mixture of the sublime and the
grotesque. The book quivers and shakes with tragic pathos, with inward
agonies, with solemn aspirations, and with riotous humor.

In 1834, after six years at Craigenputtock, the Carlyles moved to
London, and took up their home in Cheyne Row, Chelsea, a far from
fashionable retreat, but one in which the comforts of life could be more
readily secured. It was there that Thomas Carlyle wrote what must
seem to us the most vivid of all his books, the History of the French
Revolution. For this he had read and thought for many years; parts of
it he had written in essays, and parts of it he had jotted down in
journals. But now it came forth, as some one has said, "a truth clad in
hell-fire," swirling amid clouds and flames and mist, a most wonderful
picture of the accumulated social and political falsehoods which
preceded the revolution, and which were swept away by a nemesis that was
the righteous judgment of God.

Carlyle never wrote so great a book as this. He had reached his middle
style, having passed the clarity of his early writings, and not having
yet reached the thunderous, strange-mouthed German expletives which
marred his later work. In the French Revolution he bursts forth, here
and there, into furious Gallic oaths and Gargantuan epithets; yet this
apocalypse of France seems more true than his hero-worshiping of old
Frederick of Prussia, or even of English Cromwell.

All these days Thomas Carlyle lived a life which was partly one
of seclusion and partly one of pleasure. At all times he and his
dark-haired wife had their own sets, and mingled with their own friends.
Jane had no means of discovering just whether she would have been
happier with Irving; for Irving died while she was still digging
potatoes and complaining of her lot at Craigenputtock.

However this may be, the Carlyles, man and wife, lived an existence that
was full of unhappiness and rancor. Jane Carlyle became an invalid, and
sought to allay her nervous sufferings with strong tea and tobacco and
morphin. When a nervous woman takes to morphin, it almost always means
that she becomes intensely jealous; and so it was with Jane Carlyle.

A shivering, palpitating, fiercely loyal bit of humanity, she took it
into her head that her husband was infatuated with Lady Ashburton, or
that Lady Ashburton was infatuated with him. She took to spying on them,
and at times, when her nerves were all a jangle, she would lie back
in her armchair and yell with paroxysms of anger. On the other hand,
Carlyle, eager to enjoy the world, sought relief from his household
cares, and sometimes stole away after a fashion that was hardly
guileless. He would leave false addresses at his house, and would dine
at other places than he had announced.

In 1866 Jane Carlyle suddenly died; and somehow, then, the conscience
of Thomas Carlyle became convinced that he had wronged the woman whom he
had really loved. His last fifteen years were spent in wretchedness and
despair. He felt that he had committed the unpardonable sin. He recalled
with anguish every moment of their early life at Craigenputtock--how she
had toiled for him, and waited upon him, and made herself a slave;
and how, later, she had given herself up entirely to him, while he had
thoughtlessly received the sacrifice, and trampled on it as on a bed of
flowers.

Of course, in all this he was intensely morbid, and the diary which he
wrote was no more sane and wholesome than the screamings with which his
wife had horrified her friends. But when he had grown to be a very old
man, he came to feel that this was all a sort of penance, and that the
selfishness of his past must be expiated in the future. Therefore, he
gave his diary to his friend, the historian, Froude, and urged him to
publish the letters and memorials of Jane Welsh Carlyle. Mr. Froude,
with an eye to the reading world, readily did so, furnishing them with
abundant footnotes, which made Carlyle appear to the world as more or
less of a monster.

First, there was set forth the almost continual unhappiness of the pair.
In the second place, by hint, by innuendo, and sometimes by explicit
statement, there were given reasons to show why Carlyle made his wife
unhappy. Of course, his gnawing dyspepsia, which she strove with all her
might to drive away, was one of the first and greatest causes. But again
another cause of discontent was stated in the implication that Carlyle,
in his bursts of temper, actually abused his wife. In one passage there
is a hint that certain blue marks upon her arm were bruises, the result
of blows.

Most remarkable of all these accusations is that which has to do with
the relations of Carlyle and Lady Ashburton. There is no doubt that Jane
Carlyle disliked this brilliant woman, and came to have dark suspicions
concerning her. At first, it was only a sort of social jealousy. Lady
Ashburton was quite as clever a talker as Mrs. Carlyle, and she had a
prestige which brought her more admiration.

Then, by degrees, as Jane Carlyle's mind began to wane, she transferred
her jealousy to her husband himself. She hated to be out-shone, and
now, in some misguided fashion, it came into her head that Carlyle had
surrendered to Lady Ashburton his own attention to his wife, and had
fallen in love with her brilliant rival.

On one occasion, she declared that Lady Ashburton had thrown herself at
Carlyle's feet, but that Carlyle had acted like a man of honor, while
Lord Ashburton, knowing all the facts, had passed them over, and had
retained his friendship with Carlyle.

Now, when Froude came to write My Relations with Carlyle, there were
those who were very eager to furnish him with every sort of gossip.
The greatest source of scandal upon which he drew was a woman named
Geraldine Jewsbury, a curious neurotic creature, who had seen much of
the late Mrs. Carlyle, but who had an almost morbid love of offensive
tattle. Froude describes himself as a witness for six years, at Cheyne
Row, "of the enactment of a tragedy as stern and real as the story of
Oedipus. " According to his own account:

I stood by, consenting to the slow martyrdom of a woman whom I have
described as bright and sparkling and tender, and I uttered no word
of remonstrance. I saw her involved in a perpetual blizzard, and did
nothing to shelter her.

But it is not upon his own observations that Froude relies for his most
sinister evidence against his friend. To him comes Miss Jewsbury with
a lengthy tale to tell. It is well to know what Mrs. Carlyle thought of
this lady. She wrote:

It is her besetting sin, and her trade of novelist has aggravated
it--the desire of feeling and producing violent emotions. . . . Geraldine
has one besetting weakness; she is never happy unless she has a grande
passion on hand.

There were strange manifestations on the part of Miss Jewsbury toward
Mrs. Carlyle. At one time, when Mrs. Carlyle had shown some preference
for another woman, it led to a wild outburst of what Miss Jewsbury
herself called "tiger jealousy. " There are many other instances of
violent emotions in her letters to Mrs. Carlyle. They are often highly
charged and erotic. It is unusual for a woman of thirty-two to write to
a woman friend, who is forty-three years of age, in these words, which
Miss Jewsbury used in writing to Mrs. Carlyle:

You are never out of my thoughts one hour together. I think of you much
more than if you were my lover. I cannot express my feelings, even to
you--vague, undefined yearnings to be yours in some way.

Mrs. Carlyle was accustomed, in private, to speak of Miss Jewsbury as
"Miss Gooseberry," while Carlyle himself said that she was simply "a
flimsy tatter of a creature. " But it is on the testimony of this
one woman, who was so morbid and excitable, that the most serious
accusations against Carlyle rest. She knew that Froude was writing a
volume about Mrs. Carlyle, and she rushed to him, eager to furnish any
narratives, however strange, improbable, or salacious they might be.

Thus she is the sponsor of the Ashburton story, in which there is
nothing whatsoever. Some of the letters which Lady Ashburton wrote
Carlyle have been destroyed, but not before her husband had perused
them. Another set of letters had never been read by Lord Ashburton at
all, and they are still preserved--friendly, harmless, usual letters.
Lord Ashburton always invited Carlyle to his house, and there is no
reason to think that the Scottish philosopher wronged him.

There is much more to be said about the charge that Mrs. Carlyle
suffered from personal abuse; yet when we examine the facts, the
evidence resolves itself into practically nothing. That, in his
self-absorption, he allowed her to Sending Completed Page, Please
Wait. . . overflowed toward a man who must have been a manly, loving
lover. She calls him by the name by which he called her--a homely
Scottish name.

GOODY, GOODY, DEAR GOODY:

You said you would weary, and I do hope in my heart you are wearying. It
will be so sweet to make it all up to you in kisses when I return. You
will take me and hear all my bits of experiences, and your heart will
beat when you find how I have longed to return to you. Darling, dearest,
loveliest, the Lord bless you! I think of you every hour, every moment.
I love you and admire you, like--like anything. Oh, if I was there,
I could put my arms so close about your neck, and hush you into the
softest sleep you have had since I went away. Good night. Dream of me. I
am ever YOUR OWN GOODY.

It seems most fitting to remember Thomas Carlyle as a man of strength,
of honor, and of intellect; and his wife as one who was sorely tried,
but who came out of her suffering into the arms of death, purified and
calm and worthy to be remembered by her husband's side.





THE STORY OF THE HUGOS


Victor Hugo, after all criticisms have been made, stands as a literary
colossus. He had imaginative power which makes his finest passages
fairly crash upon the reader's brain like blasting thunderbolts. His
novels, even when translated, are read and reread by people of every
degree of education. There is something vast, something almost Titanic,
about the grandeur and gorgeousness of his fancy. His prose resembles
the sonorous blare of an immense military band. Readers of English care
less for his poetry; yet in his verse one can find another phase of his
intellect. He could write charmingly, in exquisite cadences, poems
for lovers and for little children. His gifts were varied, and he knew
thoroughly the life and thought of his own countrymen; and, therefore,
in his later days he was almost deified by them.

At the same time, there were defects in his intellect and character
which are perceptible in what he wrote, as well as in what he did. He
had the Gallic wit in great measure, but he was absolutely devoid of any
sense of humor. This is why, in both his prose and his poetry, his most
tremendous pages often come perilously near to bombast; and this is why,
again, as a man, his vanity was almost as great as his genius. He had
good reason to be vain, and yet, if he had possessed a gleam of humor,
he would never have allowed his egoism to make him arrogant. As it was,
he felt himself exalted above other mortals. Whatever he did or said or
wrote was right because he did it or said it or wrote it.

This often showed itself in rather whimsical ways. Thus, after he had
published the first edition of his novel, The Man Who Laughs, an English
gentleman called upon him, and, after some courteous compliments,
suggested that in subsequent editions the name of an English peer who
figures in the book should be changed from Tom Jim-Jack.

"For," said the Englishman, "Tom Jim-Jack is a name that could not
possibly belong to an English noble, or, indeed, to any Englishman. The
presence of it in your powerful story makes it seem to English readers a
little grotesque. "

Victor Hugo drew himself up with an air of high disdain.

"Who are you? " asked he.

"I am an Englishman," was the answer, "and naturally I know what names
are possible in English. "

Hugo drew himself up still higher, and on his face there was a smile of
utter contempt.

"Yes," said he. "You are an Englishman; but I--I am Victor Hugo. "

In another book Hugo had spoken of the Scottish bagpipes as "bugpipes. "
This gave some offense to his Scottish admirers. A great many persons
told him that the word was "bagpipes," and not "bugpipes. " But he
replied with irritable obstinacy:

"I am Victor Hugo; and if I choose to write it 'bugpipes,' it IS
'bugpipes. ' It is anything that I prefer to make it. It is so, because I
call it so! "

So, Victor Hugo became a violent republican, because he did not wish
France to be an empire or a kingdom, in which an emperor or a king
would be his superior in rank. He always spoke of Napoleon III as "M.
Bonaparte. " He refused to call upon the gentle-mannered Emperor of
Brazil, because he was an emperor; although Dom Pedro expressed an
earnest desire to meet the poet.

When the German army was besieging Paris, Hugo proposed to fight a duel
with the King of Prussia, and to have the result of it settle the war;
"for," said he, "the King of Prussia is a great king, but I am Victor
Hugo, the great poet. We are, therefore, equal. "

In spite, however, of his ardent republicanism, he was very fond of
speaking of his own noble descent. Again and again he styled himself "a
peer of France;" and he and his family made frequent allusions to the
knights and bishops and counselors of state with whom he claimed an
ancestral relation.