No More Learning

LUCRETIUS.
(Furiously) I'll none of it, I say -- I'll none of it.
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? EUNOMIA.
Yet such a match would please me much, and might
please Hermia.
LUCRETIUS.
I'll none of it, no, by the gods! (He crosses to Caius
Memmius. ) Where is this paragon of virtue called thy
son?
CAIUS MEMMIUS.
(Surprised) In Rome, but what in that to thee?
LUCRETIUS.
Thinkest thou that he is worth three thousand Phillip-
peans? Ha, ha, ha, three thousand Phillippeans.
CAIUS MEMMIUS.
He's drunk
CATULLUS.
Nay! for he's a water drinker. But listeri -- (The voices
of Julian and Hermia are heard off scene singing. )
JULIAN AND HERMIA SING.
O, thou fair lake where waters quaff,
The light of heaven like Lydia's sea.
Rejoice my beautiful, my own.
Sweet Sirmio, greet me back to thee.
r As they sing, they cross the peristyle from right to 1
[ left, their arms about each other's necks in perfect j
? { content, oblivious of the presence of their parents. 1"
I All turn and regard the lovers in amazement. Ca-
I tuUus points to them as the music dies away. J
CAIUS MEMMIUS.
(Exclaims) Julian! !
LUCRETIUS AND EUNOMIA.
(Exclaim) Hermia! !
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? LUCRETIUS.
Can I believe mine eyes? Yet there she walks in love's
embrace and flouts me spite of all. (Crossing to Caius
Memmius. ) Was that thy son?
CAIUS MEMMIUS.
(Perplexed) It was.
LUCRETIUS.
I thought he was in Rome. How comes it then that
here I find him with my daughter in his arms?
CAIUS MEMMIUS.
(Dumfounded) I know not.
LUCRETIUS.
(Tauntingly) Oh, ha, ha, ha, he does know, ha, ha, ha, --
Avaunt, thou rogue, I see the trick, -- my daughter for thy
son; three thousand Phillippeans for thee. Then might
thou mock me to my face, and bid the world be merry. I'll
none of it, no, by the gods, I'll none of it.
CAIUS MEMMIUS.
Thou fool, thou dolt, thou knave, thou babbling water
drinker, thou. No kith or kin of thine are equal to my
family.
LUCRETIUS.
Oh, ha, ha, ha, and now he flaunts his family in my face.
Enough, I say.
CATULLUS.
(Interrupting both) Aye, enough! Now list to me.
This morn he came to me and begged me for my counsel.
(To Caius Memmius) I have found thee a worthy wife
for thy son. (To Lucretius) And thou a worthy husband
for thy daughter. If now ye do not both consent and
sanctify this union, then m. ay the gods in wrath and anger
punish ye. (Seriously) Have a care, for there is a power
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? greater than man, aye, greater than the gods themselves.
The power of Fate, -- and whatsoe'er is planned by Fate
no man may ever hinder.
LUCRETIUS.
I'll not consent!
(Exit Lucretius, left. )
CAIUS MEMMIUS.
Nor I!
(Exit Caius Memmius, right. )
CATULLUS.
Then may ye both be punished by the gods, for as I live>>
I'll plead with ye no more. Come hither Eunomia, Thou
hast a gentle heart; essay to calm thy husband's wrath.
EUNOMIA.
I'll add my plea to thine, good friend, for well I know
that wherever love holds sway the will of man is impotent.
CATULLUS.
Thou art a noble soul, Eunomia. Be firm, be brave, and
fortune favor thee, for if these children be not in love and
honor wed, their hearts will break, and sighs and tears will
rend our home, where joy should hold full sway. Fare-
well! ! (Exit Eunomia, left. )
r Catullus seats himself despondently upon the couch, 1
J when suddenly Julian and Hermia run to him and [
I fall upon their knees before him, imploring his bless- j
L ing. J
SCENE XIV.
Re-enter Julian and Hermia from chamber, right.
JULIAN.
Thy blessing, Catullus.
HERMIA.
Thy blessing, gentle friend, and say the gods have fa-
vored our design.
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? (Catullus arises, places his hand gently upon the head
of each and bids them rise. )
CATULLUS.
Alas! my children, my plea has been in vain, but there
is still a greater power on high, that guides our lives and
destinies. Then join with me, and in a glad refrain, we'll
chant a hymn of praise, to Jove and all the gods above,
and pray that they may hear our Plea of Love.
Sing
JULIAN AND HERMIA.
No. 8.
HYMN TO JOVE.
O, great and glorious Jove,
Who from thy throne above,
In majesty this wondrous world doth sway.
Hear thou our plaintive plea,
Made in sincerity.
And bid thy servants seek thy righteous way.
Two lovers haply met.
Who now are sore beset.
In pity seek thy all abiding care.
Our fathers torn with rage.
No reason can assuage.
Deny our wish and drive us to despair.
Then great and gracious Jove,
Hear thou our plea of love,
And bid our parents give their free consent.
Then shall we sing thy praise.
Who guidest all our ways.
And love shall guide our lives in sweet content.
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? At the conclusion of the chanting of the hymn to '
Jove, Catullus, who has remained standing, passes
behind the couch, upon which Julian and Hermia
have seated themselves, and in a low voice filled
with emotion, recites the Incantation to Love here-
with. The lovers are oblivious of his presence and
much too content to heed his words or comprehend
their meaning.
CATULLUS.
(Speaking to soft music. )
O, gentle Eros, god of Love,
Whose power is sent thee from above.
Come hither now and cast thou magic spell.
The day is gone, the night has come,
And here I leave them all alone.
Come hither thou and all their cares dispell.
Cast over them a mystic sleep.
Yet o'er them both a vigil keep.
And v/reathe about them garlands fair as May.
Then hither bring the Graces three,
Thyself and all fair company.
And wake them with a merry rondelay.
Ho! Eros, hither! ! (Exit Catullus. )
SCENE XV.
Enter Eros, and later
-- The Three Graces. --
Enter Eros.
Eros is a pretty child about fourteen years of age,
dressed as Cupid, bearing in his hand a bow and
arrow, and on his back a quiver of darts; he runs
noiselessly up behind the lovers and touches them
with one of his darts. The touch of Cupid inspires
them and they arise and sing the Love Duo here-
with. Eros exits silently during the song, but returns
again as it concludes.
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? No. g.
LOVE DUO-- JULIAN AND HERMIA.
" 'Tis Love That Conquers All the World. "
HERMIA.
Recit. Behold the moon upon the lake its
silver radiance shedding,
JULIAN.
Recit. And lo! the evening star ascends,
its trembling light dispelling,
HERMIA.
Recit. Propitious omens these,
JULIAN.
Recit. Bright omens for a wedding.
JULIAN.
Sings. O, Even Star, O, star of love,
Shed on us thy tranquil ray.
Queen of all the stars above.
Be our beacon till the day.
Weary wanderers are we all.
Lost in loves enticing wiles,
None resist thy ardent call,
None withstand thy gracious smiles.
HERMIA.
Sings. O, glorious moon, O, beauteous night,
List thou to our fervent plea.
Mother of all glories bright.
Guide us in sincerity.
Goddess of the realms on high.
Bid us drink of love's full store,
And we'll sing thy praise alway.
We shall bless thee evermore.
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? REFRAIN.
Duo.
'Tis love that conquers all the world.
To all mankind appealing,
His gentle sway, we feel alway.
As softly it comes stealing.
None can foretell, whence comes this spell,
Which naught but death can sever.
This joy divine, that doth entwine.
Our hearts and lives forever.
As the Love Duo concludes, Eros reappears silently
behind the lovers and casts his mystic spell over
them; they appear to be overcome by sleep. Julian
falls upon the couch and reclines his head upon his
arm, holding Hermia's hand. Hermia falls at his
feet and reclines her head upon his knee in a grace-
ful attitude. They fall asleep and remain thus until
awakened by Eros and the Graces. The music which
has accompanied this scene, now bursts into a sym-
phonic dream motive, which is supposed to portray
the beautiful thoughts of their dream. During the
performance of this important number, Eros runs to
right and left, and touches the flambeaus with his
dart; they light immediately, and cast a weird glare
upon the scene. At his command the Graces, three
pretty children, bring garlands of flowers and
wreathe them about the lovers -- festoons of ivy and
bay deck the peristyle as if by magic -- flowers de-
scend from above at the call of Eros, who, now
elated at his success runs hither and thither, crying --
Hi-up, Hi-up, touching a flower here and another
there with his magic dart, until the whole scene is
aglow with luminous flowers. The new moon has
ascended on the horizon and casts its radiance on
the lake, and as the symphony concludes, the three
Graces group themselves about the lovers. Then
Eros withdraws to right and regards the scene with
satisfaction; at this instant a powerful light illumines
the lovers and the Graces, and the divided curtains
descend until the symphony is concluded.
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? When the curtains are raised a moment later, Eros
and the Graces have disappeared and the lovers are
discovered alone, covered with flowers, but still
asleep. The flambeaus and magic flowers have been
extinguished and the scene remains as Eros and the
Graces left it. Decorated for the lovers' wedding.
SCENE XVI.
Re-enter Caius Memmius, right; Lucretius and Eunomia,
left.
LUCRETIUS.
(To Eunomia) What miracle is this! These garlands
of ivy and bay! These flowers! all! some festal scene por-
tend.
EUNOMIA.
(Impatiently) Lead me to my child -- My Hermia, oh,
where is she (calling), Hermia, Hermia!
As she descends the steps of peristyle, she observes v
Julian and Hermia lying covered with flowers. She
gives a cry of joy and runs to them, takes Hermia's
hand and covers it with kisses. She then attempts I
to awaken her, but Hermia falls back lifelessly.
CAIUS MEMMIUS.
(Attempts to bestir Julian, but he also falls back appar-
ently lifeless. ) Alas! alas! what evil deed is this! They're
dead!
EUNOMIA.
Aye; they're dead (she falls upon her child weeping).
Oh, my Hermia, my Hermia! (Now arises and stands be-
tween Caius Memmius and Lucretius, and in a furious rage
denounces them both. ) Oh, evil day. Oh, evil deed, behold
to what your enmity hath brought us. (Pause) Now may
the gods in anger smite ye both, for as there's justice in
high heaven, ye'U rue this day,' -- ye'U rue this day. (She
rushes out left. (Exit Eunomia)
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? CAIUS MEMMIUS.
Approaches Lucretius; they regard the children sorrow-
fully.
LUCRETIUS.
(To Caius Memmius) Give me thine hand, the fault
was mine.
CAIUS MEMMIUS.
Nay, 'twas mine. Let bye genes pass, for in this all
there is the hand of Fate.
LUCRETIUS.
(Pitifully) Ah, if my child were now alive, how gladly
would I grant thy just demand.
CAIUS MEMMIUS.
(Kindly) Come Lucretius, cur sorrows make us friends.
(Exeunt Caius Memmius and Lucretius, left. )
SCENE XVIL
Re-enter Catullus from his chamber, right, later Eros
from left.
CATULLUS.
Ho, Eros hither, remove thy mystic spell.
Re-enter Eros and the Graces
-- Music --
(They circle about the lovers mystically. )
EROS.
Recit. Awake! Awake! the dawn of love is breaking.
THE GRACES.
Recit. Rejoice with us our happiness partaking.
(They all sing this fairy rondelay. )
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? No. 10.
THE RONDELAY OF THE GRACES.
PART I.
Sing we merrily,
Chant we cherrily,
Life is fleeting as the day,
Dance we daintily.
Prance we playfully,
Happy,, happy we alway.
PART II.
Spring hath come again.
Love shall never wane,
Join our merry, mystic throng.
Omens bright foretell.
Sorrows all dispel,
Sing with us our merry song.
PART III.
Sing we merrily.
Chant we cherrily.
Life is fleeting as the day.
Dance we daintily.
Prance we playfully,
Happy, happy, we alway.
(Exeunt Eros and the Graces, chamber, right. )
r Eros and the Graces having disappeared, the lovers 1
! awake, arouse themselves and look about in amaze- '
I ment. Then perceiving Catullus they give a cry of |
t joy and run to him. J
CATULLUS.
(He puts his right arm around Hermia and his left
about Julian and comes down the stage. ) At last ye
awake, and not too soon, for lo, the festal day hath come,
ye are betrothed and e're the evening star hath set, shall
be in honor wed.
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? HERMIA.
O, Catullus, O, gentle friend, our trembling lips can
ne'er bespeak our gratitude.
CATULLUS.
(Interrupting) Make haste, fly unto they mother and
say that Catullus prepares the wedding feast. (To Julian)
and thou unto thy father straightway proclaim the joyful
news.
(Exeunt Hermia and Julian. )
CATULLUS.
Ho, Davus, prepare the marriage feast -- ^the guests will
soon be here, then may they say that Sirmio greets them
joyfully today.
(Exit Catullus, left, to his chamber. )
SCENE XVIIL
r As Catullus passes into his chamber, servants come -)
I from right and left, via peristyle, and remove the I
-\ couch and set two long tables upon the peristyle, y
I These they decorate with fruit and flowers. While j
I this is taking place, the minstral enters and sings. J
No. II.
THE LAY OF THE MINSTRAL.
PART I.
The Spring hath come, the Spring hath come,
Oh, welcome happy day.
We greet thy reign, with sweet refrain,
And welcome thee alway,
To thee all nature's bountiful.
To thee the wood nymphs sing.
For here is naught more beautiful
Than bright and lithesome spring?
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? PART II.
Behold the dainty violet,
Steals out the sun to greet,
And lo! among his longed for showers,
Narcissus smiles so sweet,
'Tis now the lilies upland born.
Frequent the slopes of green.
And there the flower that lovers love.
The rose of all the queen.
Without an equal anywhere.
In full blown beauty glows.
For well we know that everywhere,
Persuasion's flower's the rose.
Then sing ye hills and meadows all,
And let your laughter ring.
And we shall seek thy flowery haunts.
And greet thee gentle Spring.
PART III.
The Spring hath come, the Spring hath come,
Oh welcome, happy day.
We greet thy reign, with sweet refrain.
And welcome thee alway.
To thee all Nature's bountiful,
To thee the wood nymphs sing.
For there is naught more beautiful
Than bright and lithesome Spring.
SCENE XIX.
Music.
Davus announces the wedding procession, and the
party enter to the strains of a triumphal wedding
march. The order of their entrance is as follows:
First come eight Vestal Virgins bearing wreathes of
flowers. Then follow eight youths bearing torches.
After them come the bride and bridegroom, resplen-
dent in their wedding costume. They are followed
by Lucretius and Eunomia, and Caius Memmius and
Catullus. The minstral is the last to enter, and re-
mains upon the peristyle centre. After the party
have grouped themselves on the fore-stage, the
women on right, the men on left, Catullus comes
down and says:
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