No More Learning

He did love her, love
her adoringly, as he loved what was great and lofty in art. At her
wedding he was the merriest among the guests, but in the stillness
of night he wept: if the public had seen his distorted face then, they
would have applauded rapturously.

"And a few days ago, Columbine died. On the day of the funeral,
Harlequin was not required to show himself on the boards, for he was a
disconsolate widower. The director had to give a very merry piece,
that the public might not too painfully miss the pretty Columbine
and the agile Harlequin. Therefore Pulcinella had to be more
boisterous and extravagant than ever; and he danced and capered,
with despair in his heart; and the audience yelled, and shouted
'bravo, bravissimo! ' Pulcinella was actually called before the
curtain. He was pronounced inimitable.

"But last night the hideous little fellow went out of the town,
quite alone, to the deserted churchyard. The wreath of flowers on
Columbine's grave was already faded, and he sat down there. It was a
study for a painter. As he sat with his chin on his hands, his eyes
turned up towards me, he looked like a grotesque monument--a Punch
on a grave--peculiar and whimsical! If the people could have seen
their favourite, they would have cried as usual, 'Bravo, Pulcinella;
bravo, bravissimo! '"


SIXTEENTH EVENING

Hear what the Moon told me. "I have seen the cadet who had just
been made an officer put on his handsome uniform for the first time; I
have seen the young bride in her wedding dress, and the princess
girl-wife happy in her gorgeous robes; but never have I seen a
felicity equal to that of a little girl of four years old, whom I
watched this evening. She had received a new blue dress, and a new
pink hat, the splendid attire had just been put on, and all were
calling for a candle, for my rays, shining in through the windows of
the room, were not bright enough for the occasion, and further
illumination was required. There stood the little maid, stiff and
upright as a doll, her arms stretched painfully straight out away from
the dress, and her fingers apart; and oh, what happiness beamed from
her eyes, and from her whole countenance! 'To-morrow you shall go
out in your new clothes,' said her mother; and the little one looked
up at her hat, and down at her frock, and smiled brightly. 'Mother,'
she cried, 'what will the little dogs think, when they see me in these
splendid new things? '"


SEVENTEENTH EVENING

"I have spoken to you of Pompeii," said the Moon; "that corpse
of a city, exposed in the view of living towns: I know another sight
still more strange, and this is not the corpse, but the spectre of a
city. Whenever the jetty fountains splash into the marble basins, they
seem to me to be telling the story of the floating city. Yes, the
spouting water may tell of her, the waves of the sea may sing of her
fame! On the surface of the ocean a mist often rests, and that is
her widow's veil. The bridegroom of the sea is dead, his palace and
his city are his mausoleum! Dost thou know this city? She has never
heard the rolling of wheels or the hoof-tread of horses in her
streets, through which the fish swim, while the black gondola glides
spectrally over the green water. I will show you the place," continued
the Moon, "the largest square in it, and you will fancy yourself
transported into the city of a fairy tale. The grass grows rank
among the broad flagstones, and in the morning twilight thousands of
tame pigeons flutter around the solitary lofty tower. On three sides
you find yourself surrounded by cloistered walks. In these the
silent Turk sits smoking his long pipe, the handsome Greek leans
against the pillar and gazes at the upraised trophies and lofty masts,
memorials of power that is gone. The flags hang down like mourning
scarves. A girl rests there: she has put down her heavy pails filled
with water, the yoke with which she has carried them rests on one of
her shoulders, and she leans against the mast of victory. That is
not a fairy palace you see before you yonder, but a church: the gilded
domes and shining orbs flash back my beams; the glorious bronze horses
up yonder have made journeys, like the bronze horse in the fairy tale:
they have come hither, and gone hence, and have returned again. Do you
notice the variegated splendour of the walls and windows? It looks
as if Genius had followed the caprices of a child, in the adornment of
these singular temples. Do you see the winged lion on the pillar?
The gold glitters still, but his wings are tied--the lion is dead, for
the king of the sea is dead; the great halls stand desolate, and where
gorgeous paintings hung of yore, the naked wall now peers through. The
lazzarone sleeps under the arcade, whose pavement in old times was
to be trodden only by the feet of high nobility. From the deep
wells, and perhaps from the prisons by the Bridge of Sighs, rise the
accents of woe, as at the time when the tambourine was heard in the
gay gondolas, and the golden ring was cast from the Bucentaur to
Adria, the queen of the seas. Adria! shroud thyself in mists; let
the veil of thy widowhood shroud thy form, and clothe in the weeds
of woe the mausoleum of thy bridegroom--the marble, spectral Venice. "


EIGHTEENTH EVENING

"I looked down upon a great theatre," said the Moon. "The house
was crowded, for a new actor was to make his first appearance that
night. My rays glided over a little window in the wall, and I saw a
painted face with the forehead pressed against the panes. It was the
hero of the evening. The knighly beard curled crisply about the
chin; but there were tears in the man's eyes, for he had been hissed
off, and indeed with reason. The poor Incapable! But Incapables cannot
be admitted into the empire of Art. He had deep feeling, and loved his
art enthusiastically, but the art loved not him. The prompter's bell
sounded; 'the hero enters with a determined air,' so ran the stage
direction in his part, and he had to appear before an audience who
turned him into ridicule. When the piece was over, I saw a form
wrapped in a mantle, creeping down the steps: it was the vanquished
knight of the evening. The scene-shifters whispered to one another,
and I followed the poor fellow home to his room. To hang one's self is
to die a mean death, and poison is not always at hand, I know; but
he thought of both. I saw how he looked at his pale face in the glass,
with eyes half closed, to see if he should look well as a corpse. A
man may be very unhappy, and yet exceedingly affected. He thought of
death, of suicide; I believe he pitied himself, for he wept
bitterly, and when a man has had his cry out he doesn't kill himself.

"Since that time a year had rolled by. Again a play was to be
acted, but in a little theatre, and by a poor strolling company. Again
I saw the well-remembered face, with the painted cheeks and the
crisp beard. He looked up at me and smiled; and yet he had been hissed
off only a minute before--hissed off from a wretched theatre, by a
miserable audience. And tonight a shabby hearse rolled out of the
town-gate. It was a suicide--our painted, despised hero. The driver of
the hearse was the only person present, for no one followed except
my beams. In a corner of the churchyard the corpse of the suicide
was shovelled into the earth, and nettles will soon be growing
rankly over his grave, and the sexton will throw thorns and weeds from
the other graves upon it. "


NINETEENTH EVENING

"I come from Rome," said the Moon. "In the midst of the city, upon
one of the seven hills, lie the ruins of the imperial palace. The wild
fig tree grows in the clefts of the wall, and covers the nakedness
thereof with its broad grey-green leaves; trampling among heaps of
rubbish, the ass treads upon green laurels, and rejoices over the rank
thistles. From this spot, whence the eagles of Rome once flew
abroad, whence they 'came, saw, and conquered,' our door leads into
a little mean house, built of clay between two pillars; the wild
vine hangs like a mourning garland over the crooked window. An old
woman and her little granddaughter live there: they rule now in the
palace of the Caesars, and show to strangers the remains of its past
glories. Of the splendid throne-hall only a naked wall yet stands, and
a black cypress throws its dark shadow on the spot where the throne
once stood. The dust lies several feet deep on the broken pavement;
and the little maiden, now the daughter of the imperial palace,
often sits there on her stool when the evening bells ring. The keyhole
of the door close by she calls her turret window; through this she can
see half Rome, as far as the mighty cupola of St. Peter's.

"On this evening, as usual, stillness reigned around; and in the
full beam of my light came the little granddaughter. On her head she
carried an earthen pitcher of antique shape filled with water. Her
feet were bare, her short frock and her white sleeves were torn. I
kissed her pretty round shoulders, her dark eyes, and black shining
hair. She mounted the stairs; they were steep, having been made up
of rough blocks of broken marble and the capital of a fallen pillar.
The coloured lizards slipped away, startled, from before her feet, but
she was not frightened at them. Already she lifted her hand to pull
the door-bell--a hare's foot fastened to a string formed the
bell-handle of the imperial palace. She paused for a moment--of what
might she be thinking? Perhaps of the beautiful Christ-child,
dressed in gold and silver, which was down below in the chapel,
where the silver candlesticks gleamed so bright, and where her
little friends sung the hymns in which she also could join? I know
not. Presently she moved again--she stumbled: the earthen vessel
fell from her head, and broke on the marble steps. She burst into
tears. The beautiful daughter of the imperial palace wept over the
worthless broken pitcher; with her bare feet she stood there
weeping; and dared not pull the string, the bell-rope of the
imperial palace! "


TWENTIETH EVENING

It was more than a fortnight since the Moon had shone. Now he
stood once more, round and bright, above the clouds, moving slowly
onward. Hear what the Moon told me.

"From a town in Fezzan I followed a caravan. On the margin of
the sandy desert, in a salt plain, that shone like a frozen lake,
and was only covered in spots with light drifting sand, a halt was
made. The eldest of the company--the water gourd hung at his girdle,
and on his head was a little bag of unleavened bread--drew a square in
the sand with his staff, and wrote in it a few words out of the Koran,
and then the whole caravan passed over the consecrated spot. A young
merchant, a child of the East, as I could tell by his eye and his
figure, rode pensively forward on his white snorting steed. Was he
thinking, perchance, of his fair young wife? It was only two days
ago that the camel, adorned with furs and with costly shawls, had
carried her, the beauteous bride, round the walls of the city, while
drums and cymbals had sounded, the women sang, and festive shots, of
which the bridegroom fired the greatest number, resounded round the
camel; and now he was journeying with the caravan across the desert.

"For many nights I followed the train. I saw them rest by the
wellside among the stunted palms; they thrust the knife into the
breast of the camel that had fallen, and roasted its flesh by the
fire. My beams cooled the glowing sands, and showed them the black
rocks, dead islands in the immense ocean of sand. No hostile tribes
met them in their pathless route, no storms arose, no columns of
sand whirled destruction over the journeying caravan. At home the
beautiful wife prayed for her husband and her father. 'Are they dead? '
she asked of my golden crescent; 'Are they dead? ' she cried to my full
disc. Now the desert lies behind them. This evening they sit beneath
the lofty palm trees, where the crane flutters round them with its
long wings, and the pelican watches them from the branches of the
mimosa. The luxuriant herbage is trampled down, crushed by the feet of
elephants. A troop of negroes are returning from a market in the
interior of the land: the women, with copper buttons in their black
hair, and decked out in clothes dyed with indigo, drive the
heavily-laden oxen, on whose backs slumber the naked black children. A
negro leads a young lion which he has brought, by a string. They
approach the caravan; the young merchant sits pensive and
motionless, thinking of his beautiful wife, dreaming, in the land of
the blacks, of his white lily beyond the desert. He raises his head,
and--" But at this moment a cloud passed before the Moon, and then
another. I heard nothing more from him this evening.


TWENTY-FIRST EVENING

"I saw a little girl weeping," said the Moon; "she was weeping
over the depravity of the world. She had received a most beautiful
doll as a present. Oh, that was a glorious doll, so fair and delicate!
She did not seem created for the sorrows of this world. But the
brothers of the little girl, those great naughty boys, had set the
doll high up in the branches of a tree and had run away.

"The little girl could not reach up to the doll, and could not
help her down, and that is why she was crying. The doll must certainly
have been crying too, for she stretched out her arms among the green
branches, and looked quite mournful. Yes, these are the troubles of
life of which the little girl had often heard tell. Alas, poor doll!
it began to grow dark already; and suppose night were to come on
completely! Was she to be left sitting on the bough all night long?
No, the little maid could not make up her mind to that. 'I'll stay
with you,' she said, although she felt anything but happy in her mind.
She could almost fancy she distinctly saw little gnomes, with their
high-crowned hats, sitting in the bushes; and further back in the long
walk, tall spectres appeared to be dancing. They came nearer and
nearer, and stretched out their hands towards the tree on which the
doll sat; they laughed scornfully, and pointed at her with their
fingers. Oh, how frightened the little maid was! 'But if one has not
done anything wrong,' she thought, 'nothing evil can harm one. I
wonder if I have done anything wrong? ' And she considered. 'Oh, yes! I
laughed at the poor duck with the red rag on her leg; she limped along
so funnily, I could not help laughing; but it's a sin to laugh at
animals. ' And she looked up at the doll. 'Did you laugh at the duck
too? ' she asked; and it seemed as if the doll shook her head. "


TWENTY-SECOND EVENING

"I looked down upon Tyrol," said the Moon, "and my beams caused
the dark pines to throw long shadows upon the rocks. I looked at the
pictures of St. Christopher carrying the Infant Jesus that are painted
there upon the walls of the houses, colossal figures reaching from the
ground to the roof. St. Florian was represented pouring water on the
burning house, and the Lord hung bleeding on the great cross by the
wayside. To the present generation these are old pictures, but I saw
when they were put up, and marked how one followed the other. On the
brow of the mountain yonder is perched, like a swallow's nest, a
lonely convent of nuns. Two of the sisters stood up in the tower
tolling the bell; they were both young, and therefore their glances
flew over the mountain out into the world. A travelling coach passed
by below, the postillion wound his horn, and the poor nuns looked
after the carriage for a moment with a mournful glance, and a tear
gleamed in the eyes of the younger one. And the horn sounded faint and
more faintly, and the convent bell drowned its expiring echoes. "


TWENTY-THIRD EVENING

Hear what the Moon told me. "Some years ago, here in Copenhagen, I
looked through the window of a mean little room. The father and mother
slept, but the little son was not asleep. I saw the flowered cotton
curtains of the bed move, and the child peep forth. At first I thought
he was looking at the great clock, which was gaily painted in red
and green. At the top sat a cuckoo, below hung the heavy leaden
weights, and the pendulum with the polished disc of metal went to
and fro, and said 'tick, tick. ' But no, he was not looking at the
clock, but at his mother's spinning wheel, that stood just
underneath it. That was the boy's favourite piece of furniture, but he
dared not touch it, for if he meddled with it he got a rap on the
knuckles. For hours together, when his mother was spinning, he would
sit quietly by her side, watching the murmuring spindle and the
revolving wheel, and as he sat he thought of many things. Oh, if he
might only turn the wheel himself! Father and mother were asleep; he
looked at them, and looked at the spinning wheel, and presently a
little naked foot peered out of the bed, and then a second foot, and
then two little white legs. There he stood. He looked round once more,
to see if father and mother were still asleep--yes, they slept; and
now he crept softly, softly, in his short little nightgown, to the
spinning wheel, and began to spin. The thread flew from the wheel, and
the wheel whirled faster and faster. I kissed his fair hair and his
blue eyes, it was such a pretty picture.

"At that moment the mother awoke. The curtain shook, she looked
forth, and fancied she saw a gnome or some other kind of little
spectre. 'In Heaven's name! ' she cried, and aroused her husband in a
frightened way. He opened his eyes, rubbed them with his hands, and
looked at the brisk little lad. 'Why, that is Bertel,' said he. And my
eye quitted the poor room, for I have so much to see. At the same
moment I looked at the halls of the Vatican, where the marble gods are
enthroned. I shone upon the group of the Laocoon; the stone seemed
to sigh. I pressed a silent kiss on the lips of the Muses, and they
seemed to stir and move. But my rays lingered longest about the Nile
group with the colossal god. Leaning against the Sphinx, he lies there
thoughtful and meditative, as if he were thinking on the rolling
centuries; and little love-gods sport with him and with the
crocodiles. In the horn of plenty sat with folded arms a little tiny
love-god, contemplating the great solemn river-god, a true picture
of the boy at the spinning wheel--the features were exactly the
same. Charming and life-like stood the little marble form, and yet the
wheel of the year has turned more than a thousand times since the time
when it sprang forth from the stone. Just as often as the boy in the
little room turned the spinning wheel had the great wheel murmured,
before the age could again call forth marble gods equal to those he
afterwards formed.

"Years have passed since all this happened," the Moon went on to
say. "Yesterday I looked upon a bay on the eastern coast of Denmark.
Glorious woods are there, and high trees, an old knightly castle
with red walls, swans floating in the ponds, and in the background
appears, among orchards, a little town with a church. Many boats,
the crews all furnished with torches, glided over the silent
expanse--but these fires had not been kindled for catching fish, for
everything had a festive look. Music sounded, a song was sung, and
in one of the boats the man stood erect to whom homage was paid by the
rest, a tall sturdy man, wrapped in a cloak. He had blue eyes and long
white hair. I knew him, and thought of the Vatican, and of the group
of the Nile, and the old marble gods. I thought of the simple little
room where little Bertel sat in his night-shirt by the spinning wheel.
The wheel of time has turned, and new gods have come forth from the
stone. From the boats there arose a shout: 'Hurrah, hurrah for
Bertel Thorwaldsen! '"


TWENTY-FOURTH EVENING

"I will now give you a picture from Frankfort," said the Moon.
"I especially noticed one building there. It was not the house in
which Goethe was born, nor the old Council House, through whose grated
windows peered the horns of the oxen that were roasted and given to
the people when the emperors were crowned. No, it was a private house,
plain in appearance, and painted green. It stood near the old Jews'
Street. It was Rothschild's house.

"I looked through the open door. The staircase was brilliantly
lighted: servants carrying wax candles in massive silver
candlesticks stood there, and bowed low before an old woman, who was
being brought downstairs in a litter. The proprietor of the house
stood bare-headed, and respectfully imprinted a kiss on the hand of
the old woman. She was his mother. She nodded in a friendly manner
to him and to the servants, and they carried her into the dark
narrow street, into a little house, that was her dwelling. Here her
children had been born, from hence the fortune of the family had
arisen. If she deserted the despised street and the little house,
fortune would also desert her children. That was her firm belief. "

The Moon told me no more; his visit this evening was far too
short.
But I thought of the old woman in the narrow despised street.
It would have cost her but a word, and a brilliant house would have
arisen for her on the banks of the Thames--a word, and a villa would
have been prepared in the Bay of Naples.

"If I deserted the lowly house, where the fortunes of my sons
first began to bloom, fortune would desert them! " It was a
superstition, but a superstition of such a class, that he who knows
the story and has seen this picture, need have only two words placed
under the picture to make him understand it; and these two words
are: "A mother. "


TWENTY-FIFTH EVENING

"It was yesterday, in the morning twilight"--these are the words
the Moon told me--"in the great city no chimney was yet smoking--and
it was just at the chimneys that I was looking. Suddenly a little head
emerged from one of them, and then half a body, the arms resting on
the rim of the chimney-pot. 'Ya-hip! ya-hip! ' cried a voice. It was
the little chimney-sweeper, who had for the first time in his life
crept through a chimney, and stuck out his head at the top. 'Ya-hip!
ya-hip' Yes, certainly that was a very different thing to creeping
about in the dark narrow chimneys! the air blew so fresh, and he could
look over the whole city towards the green wood. The sun was just
rising. It shone round and great, just in his face, that beamed with
triumph, though it was very prettily blacked with soot.

"'The whole town can see me now,' he exclaimed, 'and the moon
can see me now, and the sun too. Ya-hip! ya-hip! ' And he flourished
his broom in triumph. "


TWENTY-SIXTH EVENING

"Last night I looked down upon a town in China," said the Moon.
"My beams irradiated the naked walls that form the streets there.
Now and then, certainly, a door is seen; but it is locked, for what
does the Chinaman care about the outer world? Close wooden shutters
covered the windows behind the walls of the houses; but through the
windows of the temple a faint light glimmered. I looked in, and saw
the quaint decorations within. From the floor to the ceiling
pictures are painted, in the most glaring colours, and richly
gilt--pictures representing the deeds of the gods here on earth. In
each niche statues are placed, but they are almost entirely hidden by the
coloured drapery and the banners that hang down. Before each idol (and
they are all made of tin) stood a little altar of holy water, with
flowers and burning wax lights on it. Above all the rest stood Fo, the
chief deity, clad in a garment of yellow silk, for yellow is here
the sacred colour. At the foot of the altar sat a living being, a
young priest. He appeared to be praying, but in the midst of his
prayer he seemed to fall into deep thought, and this must have been
wrong, for his cheeks glowed and he held down his head. Poor
Soui-Hong! Was he, perhaps, dreaming of working in the little flower
garden behind the high street wall? And did that occupation seem
more agreeable to him than watching the wax lights in the temple? Or
did he wish to sit at the rich feast, wiping his mouth with silver
paper between each course? Or was his sin so great that, if he dared
utter it, the Celestial Empire would punish it with death? Had his
thoughts ventured to fly with the ships of the barbarians, to their
homes in far distant England? No, his thoughts did not fly so far, and
yet they were sinful, sinful as thoughts born of young hearts,
sinful here in the temple, in the presence of Fo and the other holy
gods.

"I know whither his thoughts had strayed. At the farther end of
the city, on the flat roof paved with porcelain, on which stood the
handsome vases covered with painted flowers, sat the beauteous Pu,
of the little roguish eyes, of the full lips, and of the tiny feet.
The tight shoe pained her, but her heart pained her still more. She
lifted her graceful round arm, and her satin dress rustled. Before her
stood a glass bowl containing four gold-fish. She stirred the bowl
carefully with a slender lacquered stick, very slowly, for she, too,
was lost in thought. Was she thinking, perchance, how the fishes
were richly clothed in gold, how they lived calmly and peacefully in
their crystal world, how they were regularly fed, and yet how much
happier they might be if they were free? Yes, that she could well
understand, the beautiful Pu. Her thoughts wandered away from her
home, wandered to the temple, but not for the sake of holy things.
Poor Pu! Poor Soui-hong!

"Their earthly thoughts met, but my cold beam lay between the two,
like the sword of the cherub. "


TWENTY-SEVENTH EVENING

"The air was calm," said the Moon; "the water was transparent as
the purest ether through which I was gliding, and deep below the
surface I could see the strange plants that stretched up their long
arms towards me like the gigantic trees of the forest. The fishes swam
to and fro above their tops. High in the air a flight of wild swans
were winging their way, one of which sank lower and lower, with
wearied pinions, his eyes following the airy caravan, that melted
farther and farther into the distance. With outspread wings he sank
slowly, as a soap bubble sinks in the still air, till he touched the
water. At length his head lay back between his wings, and silently
he lay there, like a white lotus flower upon the quiet lake. And a
gentle wind arose, and crisped the quiet surface, which gleamed like
the clouds that poured along in great broad waves; and the swan raised
his head, and the glowing water splashed like blue fire over his
breast and back. The morning dawn illuminated the red clouds, the swan
rose strengthened, and flew towards the rising sun, towards the bluish
coast whither the caravan had gone; but he flew alone, with a
longing in his breast. Lonely he flew over the blue swelling billows. "


TWENTY-EIGHTH EVENING

"I will give you another picture of Sweden," said the Moon. "Among
dark pine woods, near the melancholy banks of the Stoxen, lies the old
convent church of Wreta. My rays glided through the grating into the
roomy vaults, where kings sleep tranquilly in great stone coffins.
On the wall, above the grave of each, is placed the emblem of
earthly grandeur, a kingly crown; but it is made only of wood, painted
and gilt, and is hung on a wooden peg driven into the wall. The
worms have gnawed the gilded wood, the spider has spun her web from
the crown down to the sand, like a mourning banner, frail and
transient as the grief of mortals. How quietly they sleep! I can
remember them quite plainly. I still see the bold smile on their lips,
that so strongly and plainly expressed joy or grief. When the
steamboat winds along like a magic snail over the lakes, a stranger
often comes to the church, and visits the burial vault; he asks the
names of the kings, and they have a dead and forgotten sound. He
glances with a smile at the worm-eaten crowns, and if he happens to be
a pious, thoughtful man, something of melancholy mingles with the
smile. Slumber on, ye dead ones! The Moon thinks of you, the Moon at
night sends down his rays into your silent kingdom, over which hangs
the crown of pine wood. "


TWENTY-NINTH EVENING

"Close by the high-road," said the Moon, "is an inn, and
opposite to it is a great waggon-shed, whose straw roof was just being
re-thatched. I looked down between the bare rafters and through the
open loft into the comfortless space below. The turkey-cock slept on
the beam, and the saddle rested in the empty crib. In the middle of
the shed stood a travelling carriage; the proprietor was inside,
fast asleep, while the horses were being watered. The coachman
stretched himself, though I am very sure that he had been most
comfortably asleep half the last stage. The door of the servants' room
stood open, and the bed looked as if it had been turned over and over;
the candle stood on the floor, and had burnt deep down into the
socket. The wind blew cold through the shed: it was nearer to the dawn
than to midnight. In the wooden frame on the ground slept a wandering
family of musicians. The father and mother seemed to be dreaming of
the burning liquor that remained in the bottle. The little pale
daughter was dreaming too, for her eyes were wet with tears. The harp
stood at their heads, and the dog lay stretched at their feet. "


THIRTIETH EVENING

"It was in a little provincial town," the Moon said; "it certainly
happened last year, but that has nothing to do with the matter. I
saw it quite plainly. To-day I read about it in the papers, but
there it was not half so clearly expressed. In the taproom of the
little inn sat the bear leader, eating his supper; the bear was tied
up outside, behind the wood pile--poor Bruin, who did nobody any harm,
though he looked grim enough. Up in the garret three little children
were playing by the light of my beams; the eldest was perhaps six
years old, the youngest certainly not more than two. 'Tramp,
tramp'--somebody was coming upstairs: who might it be? The door was
thrust open--it was Bruin, the great, shaggy Bruin! He had got tired of
waiting down in the courtyard, and had found his way to the stairs.
I saw it all," said the Moon. "The children were very much
frightened at first at the great shaggy animal; each of them crept
into a corner, but he found them all out, and smelt at them, but did
them no harm. 'This must be a great dog,' they said, and began to
stroke him. He lay down upon the ground, the youngest boy clambered on
his back, and bending down a little head of golden curls, played at
hiding in the beast's shaggy skin. Presently the eldest boy took his
drum, and beat upon it till it rattled again; the bear rose upon his
hind legs, and began to dance. It was a charming sight to behold. Each
boy now took his gun, and the bear was obliged to have one too, and he
held it up quite properly. Here was a capital playmate they had found;
and they began marching--one, two; one, two.

"Suddenly some one came to the door, which opened, and the
mother of the children appeared. You should have seen her in her
dumb terror, with her face as white as chalk, her mouth half open, and
her eyes fixed in a horrified stare. But the youngest boy nodded to
her in great glee, and called out in his infantile prattle, 'We're
playing at soldiers. ' And then the bear leader came running up. "


THIRTY-FIRST EVENING

The wind blew stormy and cold, the clouds flew hurriedly past;
only for a moment now and then did the Moon become visible. He said,
"I looked down from the silent sky upon the driving clouds, and saw
the great shadows chasing each other across the earth. I looked upon a
prison. A closed carriage stood before it; a prisoner was to be
carried away. My rays pierced through the grated window towards the
wall; the prisoner was scratching a few lines upon it, as a parting
token; but he did not write words, but a melody, the outpouring of his
heart. The door was opened, and he was led forth, and fixed his eyes
upon my round disc. Clouds passed between us, as if he were not to see
his face, nor I his. He stepped into the carriage, the door was
closed, the whip cracked, and the horses gallopped off into the
thick forest, whither my rays were not able to follow him; but as I
glanced through the grated window, my rays glided over the notes,
his last farewell engraved on the prison wall--where words fail,
sounds can often speak. My rays could only light up isolated notes, so
the greater part of what was written there will ever remain dark to
me. Was it the death-hymn he wrote there? Were these the glad notes of
joy? Did he drive away to meet death, or hasten to the embraces of his
beloved? The rays of the Moon do not read all that is written by
mortals. "


THIRTY-SECOND EVENING

"I love the children," said the Moon, "especially the quite little
ones--they are so droll. Sometimes I peep into the room, between the
curtain and the window frame, when they are not thinking of me. It
gives me pleasure to see them dressing and undressing. First, the
little round naked shoulder comes creeping out of the frock, then
the arm; or I see how the stocking is drawn off, and a plump little
white leg makes its appearance, and a white little foot that is fit to
be kissed, and I kiss it too.

"But about what I was going to tell you. This evening I looked
through a window, before which no curtain was drawn, for nobody
lives opposite. I saw a whole troop of little ones, all of one family,
and among them was a little sister. She is only four years old, but
can say her prayers as well as any of the rest. The mother sits by her
bed every evening, and hears her say her prayers; and then she has a
kiss, and the mother sits by the bed till the little one has gone to
sleep, which generally happens as soon as ever she can close her eyes.

"This evening the two elder children were a little boisterous. One
of them hopped about on one leg in his long white nightgown, and the
other stood on a chair surrounded by the clothes of all the
children, and declared he was acting Grecian statues. The third and
fourth laid the clean linen carefully in the box, for that is a
thing that has to be done; and the mother sat by the bed of the
youngest, and announced to all the rest that they were to be quiet,
for little sister was going to say her prayers.

"I looked in, over the lamp, into the little maiden's bed, where
she lay under the neat white coverlet, her hands folded demurely and
her little face quite grave and serious. She was praying the Lord's
prayer aloud. But her mother interrupted her in the middle of her
prayer. 'How is it,' she asked, 'that when you have prayed for daily
bread, you always add something I cannot understand? You must tell
me what that is. ' The little one lay silent, and looked at her
mother in embarrassment. 'What is it you say after our daily bread? '
'Dear mother, don't be angry: I only said, and plenty of butter on
it. '"




THE NEIGHBOURING FAMILIES

One would have thought that something important was going on in
the duck-pond, but it was nothing after all. All the ducks lying
quietly on the water or standing on their heads in it--for they
could do that--at once swarm to the sides; the traces of their feet
were seen in the wet earth, and their cackling was heard far and wide.
The water, which a few moments before had been as clear and smooth
as a mirror, became very troubled. Before, every tree, every
neighbouring bush, the old farmhouse with the holes in the roof and
the swallows' nest, and especially the great rose-bush full of
flowers, had been reflected in it. The rose-bush covered the wall
and hung out over the water, in which everything was seen as if in a
picture, except that it all stood on its head; but when the water
was troubled everything got mixed up, and the picture was gone. Two
feathers which the fluttering ducks had lost floated up and down;
suddenly they took a rush as if the wind were coming, but as it did
not come they had to lie still, and the water once more became quiet
and smooth. The roses were again reflected; they were very
beautiful, but they did not know it, for no one had told them. The sun
shone among the delicate leaves; everything breathed forth the
loveliest fragrance, and all felt as we do when we are filled with joy
at the thought of our happiness.

"How beautiful existence is! " said each rose. "The only thing that
I wish for is to be able to kiss the sun, because it is so warm and
bright. I should also like to kiss those roses down in the water,
which are so much like us, and the pretty little birds down in the
nest. There are some up above too; they put out their heads and pipe
softly; they have no feathers like their father and mother. We have
good neighbours, both below and above. How beautiful existence is! "

The young ones above and below--those below were really only
shadows in the water--were sparrows; their parents were sparrows
too, and had taken possession of the empty swallows' nest of last
year, and now lived in it as if it were their own property.

"Are those the duck's children swimming here? " asked the young
sparrows when they saw the feathers on the water.

"If you must ask questions, ask sensible ones," said their mother.
"Don't you see that they are feathers, such as I wear and you will
wear too? But ours are finer. Still, I should like to have them up
in the nest, for they keep one warm. I am very curious to know what
the ducks were so startled about; not about us, certainly, although
I did say 'peep' to you pretty loudly. The thick-headed roses ought to
know why, but they know nothing at all; they only look at themselves
and smell. I am heartily tired of such neighbours. "

"Listen to the dear little birds up there," said the roses;
"they begin to want to sing too, but are not able to manage it yet.
But it will soon come. What a pleasure that must be! It is fine to
have such cheerful neighbours. "

Suddenly two horses came galloping up to be watered. A peasant boy
rode on one, and he had taken off all his clothes except his large
broad black hat. The boy whistled like a bird, and rode into the
pond where it was deepest, and as he passed the rose-bush he plucked a
rose and stuck it in his hat. Now he looked dressed, and rode on.
The other roses looked after their sister, and asked each other,
"Where can she be going to? " But none of them knew.

"I should like to go out into the world for once," said one;
"but here at home among our green leaves it is beautiful too. The
whole day long the sun shines bright and warm, and in the night the
sky shines more beautifully still; we can see that through all the
little holes in it. "

They meant the stars, but they knew no better.

"We make it lively about the house," said the sparrow-mother; "and
people say that a swallows' nest brings luck; so they are glad of
us. But such neighbours as ours! A rose-bush on the wall like that
causes damp. I daresay it will be taken away; then we shall,
perhaps, have some corn growing here. The roses are good for nothing
but to be looked at and to be smelt, or at most to be stuck in a
hat. Every year, as I have been told by my mother, they fall off.
The farmer's wife preserves them and strews salt among them; then they
get a French name which I neither can pronounce nor care to, and are
put into the fire to make a nice smell. You see, that's their life;
they exist only for the eye and the nose. Now you know. "

In the evening, when the gnats were playing about in the warm
air and in the red clouds, the nightingale came and sang to the
roses that the beautiful was like sunshine to the world, and that
the beautiful lived for ever. The roses thought that the nightingale
was singing about itself, and that one might easily have believed;
they had no idea that the song was about them. But they were very
pleased with it, and wondered whether all the little sparrows could
become nightingales.

"I understand the song of that bird very well," said the young
sparrows. "There was only one word that was not clear to me. What does
'the beautiful' mean? "

"Nothing at all," answered their mother; "that's only something
external. Up at the Hall, where the pigeons have their own house,
and corn and peas are strewn before them every day--I have dined
with them myself, and that you shall do in time, too; for tell me what
company you keep and I'll tell you who you are--up at the Hall they
have two birds with green necks and a crest upon their heads; they can
spread out their tails like a great wheel, and these are so bright
with various colours that it makes one's eyes ache. These birds are
called peacocks, and that is 'the beautiful. ' If they were only
plucked a little they would look no better than the rest of us. I
would have plucked them already if they had not been so big. "

"I'll pluck them," piped the young sparrow, who had no feathers
yet.

In the farmhouse lived a young married couple; they loved each
other dearly, were industrious and active, and everything in their
home looked very nice. On Sundays the young wife came down early,
plucked a handful of the most beautiful roses, and put them into a
glass of water, which she placed upon the cupboard.

"Now I see that it is Sunday," said the husband, kissing his
little wife. They sat down, read their hymn-book, and held each
other by the hand, while the sun shone down upon the fresh roses and
upon them.

"This sight is really too tedious," said the sparrow-mother, who
could see into the room from her nest; and she flew away.

The same thing happened on the following Sunday, for every
Sunday fresh roses were put into the glass; but the rose-bush
bloomed as beautifully as ever. The young sparrows now had feathers,
and wanted very much to fly with their mother; but she would not allow
it, and so they had to stay at home. In one of her flights, however it
may have happened, she was caught, before she was aware of it, in a
horse-hair net which some boys had attached to a tree. The
horse-hair was drawn tightly round her leg--as tightly as if the
latter were to be cut off; she was in great pain and terror.