He
stood at once as a prophet emerging apparently from a
dark and unlearned crowd.
stood at once as a prophet emerging apparently from a
dark and unlearned crowd.
Poland - 1881 - Poets and Poetry of Poland
handle.
net/2027/loc.
ark:/13960/t04x6gz3d Public Domain / http://www.
hathitrust.
org/access_use#pd
? 356 POETS AND POETEY OF POLAND.
Man agrees with truths of eternal birth;
He who but once loved truly on this earth
From doubt of Heaven's joy is free.
(He becomes thoughtful, sits down slowly, and leans his head
on his hands. After a short interval of silence he raises his
head, as if awakened from a dream. )
Beethoven (continues).
And the pain?
Music.
Pain? It is not needful that a mortal
Call for it from Heaven's portal.
He will find it here.
Beethoven.
Every day it will appear,
In every-day tear, in his daily bread,
In that which is changing, in that which is dead;
But it is most fearful with conscience in its face.
(Long silence. )
Music.
Up to this time man everything has tried,
But since in Love sublime harmony he perceived
He ends all there. His symphony's run achieved
Great Finale and is glorified!
In life it is long and difficult to bear,
But the end receives its reward ev'rywhere.
The longer the years the stiller are they grown,
And remembrances speak in the loudest tone.
Some weep bitter tears, that bitter tears succeed;
Others in prayer watch beside the dear ones' tomb.
The days flit away, . . . time flies with the greatest speed,
And the soul hastes on to the sfaol of its doom.
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? DEOTYMA. 357
It clasps it, and with mantle o'er it spread
It raises it by funeral bells' deep tones,
And while on its way worlds rise from their thrones
With emotions of expectation and dread.
Then Destiny before the heavenly gates
Halted. Now it knocks, but not alone it waits.
This time it brings with its return a soul.
Beethoven.
Happy spirits! Will you not open the door?
Then, my beloved one, tell me.
Music.
No. As to this
I am silent. This laurel for witness I take.
I promised to reveal life by song, but more
Beyond that is a problem
That death can break.
Beethoven {folding his
I will reveal God's mystery so great!
Even if o'er an abyss the spirit stood,^--
Even if love and pain followed her. They would
Of themselves ope the heavenly gate!
{He grasps the pen and writes. Music sits doivn on the steps
of the column and finishes the wreath. During this time
the orchestra plays Scherzo and the Finale of the symphony.
As the last strains of the Finale die away Beethoven throws
his pen aside and, weary, hides his face in his hands, and
falls into a deep reverie.
Music arises, and with the laurel wreath, lohich is finished,
crowns Beethoven's bust on the column. She looks once
more upon Beethoven, and, throwing him a hand-kiss, dis-
appears. )
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? 358 POETS AND POETRY OF POLAND.
BERWIN? SKI.
Richard Vincent Beuwinski was born in Great
Poland in 1819; finished his education at the Lyceum
of Leszno, and at the Universities of Breslau and Ber-
lin. He was for a long time a contributor to several
periodicals published in Great Poland, and was himself
the editor of a daily journal at Posen.
In 1845, while traveling toward Galicia, he was ar-
rested, and thrown into a political prison at Wisnica,
where he was kept for a year, and being given up to
Prussia he was again imprisoned at Berlin. In 1847
he was released, and in 1848 made a member of the
National Committee. In 1852 he was sent to the Diet
in Berlin.
Leaving Polish soil he went to Turkey, and from
1856 served as an officer in the Ottoman army, under
the command of Sadyk Pasha (Michael Czaykowski).
He wrote a work entitled " The Book of Light and
Illusions;" "The Book of Life and Death;" "The
Last Confession at the Old Church;" "The Tower of
the Mice;" "Don Juan of Posen;" "Wawel;" "Cra-
cow;" "Duma of a Polish Soldier in the Turkish
Army in February, 1863. " Part I of his poems was
published at Posen, 1844, and Part II at Brussels the
same year; also in the "Collective Almanack," 1854,
and in "The Friend of the People" at Leszno and
Posen. Still another was published at Breslau, 1840.
He died toward the end of 1879 at Constantinople.
Berwinski was a man of high poetic talents, and a true
lover of his country.
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? BERWIN? SKI. 359
THE EXILE'S SONG.
Within my mother's orchard wide
The rose and lily drank the dews,
Field poppies and blue-bottles vied
. To blend with sweeter flowers their hues.
The nightingale poured out its song
In many a sad, harmonious note;
The brooklet's murmur all day long
Through dream and waking seemed to float.
I wandered here in childhood's hours,
To me a paradise it seemed;
Lightly I ran amid the flowers
Or on the earth's soft carpet dreamed.
But now, a homeless refugee
Of bitter fate, I feel the smart ;
Footsore I wander wearily,
And bleeding is my exiled heart.
I think how there at home to-day,
The poppies and the cornflowers bloom;
Perchance the roses breathe away
Their sweetness on my mother's tomb.
Shall I again those blossoms see,
Or kiss my mother as of yore?
A voice prophetic answers me:
Thou shalt behold thy home no more.
ON THE LAKE GOP? O. *
Amid my native waters deep,
From a shattered bark,
* A large lake in Prussia-Poland, about thirty-five miles long and
eleven miles broad, by the cities Strzelno and Kruszwice.
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? 360 POETS AND POETRY OF POLAND.
Among the billows wild I leap
Into the distance dark.
Around, above me, boundless space,
I swim in distance vast;
In all the world I hold no place,
My thoughts are on the Past.
Above me moon and stars are bright,
Here is a somber grave;
Dark doubt enshrouds me with its night,
Corpses are 'neath the wave.
Where do I swim I ask? Oh, where?
With pain to earth I bend;
A living corpse am I -- Despair
And Hope my bosom rend.
Where'er I go Hope's falcon goes,
Oh, bark swim safe and sure!
If I must die I would repose
In native waters pure.
In elements of native waves
Fly my good bark away;
Oh, rise, ye corpses, from your graves,
All in my star's dim ray.
Eise, and sepulchral fragrance send
Through the chill air to me,
And star above thy glory lend
That I some hope may see.
The star now shines; the corpses fast
Beneath my feet arise --
The corpse majestic of the Past
Most fearful in my eyes.
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? BEKWIN? SKI. 361
He rises, looks, and all around
Now one by one they stand;
Deep saber-cut and bullet-wound,
And paws of lion's grand.
Dread shapes and colors strange are these,
Many a gory spot;
The dreadful masks my life-blood freeze --
Avaunt! I know you not.
Away from me! for my sad heart
Is pierc'd with icy pain;
Bid all your threat ning looks depart,
And never come again.
Take them away, and then to me
Direct your steps, I plead;
Why gaze you sadly, angrily,
Nor my entreaties heed?
Lions of life eternal -- vain
I call on you to go.
From me what do you wish to gain?
Speak quick ! for I would know.
Give back our household gods once more --
The countless hosts that knew
Our might and strength in days of yore --
'Tis this we ask of you.
They bent to us and prayed for us,
O horror! can it be?
Our people sunk in waters thus,
Poor reptiles tread to see.
Our people? shine with hopeful gleam,
O star in clouded sky!
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? 362 POETS AND POETRY OF POLAND.
All household gods a trouble seem --
Fly fast, my bark -- oh, fly !
Oh, shine my star! 'tis not for me
'Neath native surge to lie;
Old household gods may perish, we
Immortals cannot die.
Hark! their sepulchral voices hear
In hollow, humming sound;
In fault they think me -- far and near
With frowns they gather round.
O household gods! what is your want?
And corpse, what is your will?
Avaunt! old gods, and corpse avaunt!
O bark, fly faster still!
Onward, onward, without delay;
The old god, what is he?
But weak and old -- he need not stay
To bar youth's pathway free.
Against the ^urge in crowds they swim ;
My words are all in vain --
Then peace be with you phantoms grim,
These tears and all this pain.
In vain, in vain, you wish to stem
Time's stern, relentless tide,
Since fate does to this world condemn
By laws that fix'd abide.
O ancient god ! forgetfulness
No hope for thee can lend;
New light of faith that shines to bless
Descend on me -- descend.
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? BERWIN? SKI. 363
Night's shadows all shall vanish fast
If thou descend on me ;
And ere another day is past
The people sav'd shall be.
'Tvvas thus I spoke, and like a knell
I heard a moaning rise;
On the grave of the god there fell
Two tear-drops from my eyes.
Oh, lightly may the earth, I pray,
Lie on thee evermore;
So shines my morn a little way
And sweet salvation's shore.
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? 364 POETS AND POETRY OF POLAND.
MALCZEWSKI.
Anthon Malczewski is one of the brightest stars in
the horizon of Polish literature. It is a curious fact in
the annals of Polish poetry that, without any previous
efforts, unaided by anyone, unheralded by any poetical
composition of his own, he sprung into celebrity at
once, simultaneously with his "Marya" (Mary).
He
stood at once as a prophet emerging apparently from a
dark and unlearned crowd. He sent upon the world a
poem of great power and beauty, founded upon a tra-
dition of great significance, and left the crowd without
being understood or appreciated by them. " Mary a "
is a poem of Ukraine, and there is not now a single
dissenting voice in the praise of that extraordinary
poetical production, replete with so many beauties and
touching incidents; the boldness of expression strangely
commingling with unsurpassed pathos and faultless ver-
sification placed him at once in the first rank of the most
distinguished Polish poets.
The plot of " Mary a" is this: A proud old Palatine
betroth s his son to the daughter of a friend, and, as is
usual in such cases, neglects to ascertain previously
the mind of the young count. The son falls in love
with the daughter of a noble of inferior rank, be-
tween whom and his own father a hereditary hatred
exists. The father of " Marya," seeing that his daugh-
ter's happiness is at stake, reluctantly overcomes his
ancient enmity, and allows a marriage to take place be-
tween the young couple, which, though concealed for a
long time, is finally discovered by the old Palatine.
He hides his burning anger under the mask of appro-
bation, and invites Marya to his castle. His son is
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? MALCZEWSKI. 365
then, in company with Marya's father, sent to repel the
invasion of the Pagan Tartars at some distance from
the castle. On his return, after having conquered the
enemy, he finds that his wife is murdered. He deserts
his home, and is never heard of more.
This remarkable poem created but a feeble impres-
sion at first. The critics of the day alleged against the
poet that his taste was unrefined, and that the way he
chose was a way leading only to error, but it was not
long before these impressions were dispelled and utterly
annihilated.
This poem, woven on the circulating local tradition,
was written in a bold and artistic style; the scenes and
incidents painted as with the brush of a great master.
Here we see, for the first time, on the Russian back-
ground, led out into sight two figures, after the ancient
Polish fashion -- the ideals of Polish feelings, truly na-
tional, presented as if taken living from the history,
sinking rapidly into the past, -- an apparition, as it were,
of a Polish Palatine, -- the ideal of a Polish aristocrat --
and a sword-bearer, the father of Mary, also an ideal of
a Polish nobleman. Mary, again, is the ideal of a
Polish young woman who, with a pure and lofty feel-
ing, unites resolution and extraordinary courage, then
adding to it the thought of the invasion of the Tar-
tars, taken from the very heart of the annals of Polish
history -- magnificent picture of Ukraine and its de-
lightful scenery, all brought out in almost tangible
shapes and embellished by the deepest feelings and
loftiest thoughts and nicest shadings, makes one think
that Lord Byron, whom Malczewski knew personally,
had exerted powerful influence over the Polish poet.
In "Marya" there is a tearing of the spirit to pieces
by strokes of adversity and grief that characterize some
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? 366 POETS AND POETEY OF POLAND.
of Lord Byron's poems; but still it is not the grief of an
English lord, but of a deep and earnest thought over the
misfortunes of native land, and a reecho of the intense
feeling and the sorrows of Ukraine's vast steppes,*
all this being brought out in the beautiful Ukraine.
With poetical feeling and native qualifications he was,
as it were, permeated by surrounding nature; he
dreamed himself into the local traditions and souvenirs,
and turned their native hues into poetry -- and there
we see the first strong impressions of romanticism.
This great poem breathes with pure feelings of religion
and morality, overspread with the expression of plaint-
ive and painful sadness which the readers see through
their tears. Mishaps and disappointments of life are
the intrinsic strength and charm of the poem. Fresh-
ness, coloring, and almost tangible plasticity are the ex-
ternal qualities. A strange historical reverie, introduced
for the first time into Polish poetry by Malczewski,
became the characteristic of other poets; not only the
mystery of the scene which, besides the hidden objects
and gradual unfolding adds to it a great power, but
also the avoiding of the elucidation, as if on purpose,
by scattering the particulars, and fantastic visions
are interspersed throughout this renowned produc-
tion. When this poem was once understood it spread
throughout the nation by several successive editions,
and finally became so popular it mattered not where a
Pole's foot trod he could not do without it. " Marya "
is written after the manner of an epopee. Malczewski
wrote also other compositions in verse: "A Journey
to Mont Blanc;" "The Carnival of Warsaw;" "To
Julia; " "To Peter and Paul. " Besides, he wrote the
tales of "Iphigenia," "Atenais," and "The Journey. "
* Prairies.
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? MALCZEWSKI. 367
Malczewski was born in 1792, in the province of
Volhynia, and came from a distinguished family. His
father was a general in the Polish army. He received
his initiatory education at Dubno, and then went to
college at Krzemieniec, where he attended lectures on
mathematics by Joseph Czech. In 1811 he entered
the army, and in a few years became quite distinguished
as engineer under Col. Malet; but breaking one of his
legs, he in 1816 left the ranks. During the following
five years he gave himself up to literary pursuits, and
traveled in France, Switzerland, Italy and Germany.
In 1824 he returned to Warsaw, but the experience of
living in a large city taught him to appreciate the mode
of life that was not degenerate ; hence he quitted Warsaw
and rented an estate, the village of Hryno? w, in the county
of W? odzimierz, and thus avoiding noisy amusements
and social gatherings, he gave up his time to literature.
An interesting love affair between himself and a
Polish lady by the name of Kuczyn? ska forms quite an
episode in the distinguished poet's life. Having for a
long time lived in a state of magnificence he finally, by
being very generous to those who needed his assistance,
became reduced in circumstances. He died in 1826.
His "Marya" went through thirty different edi-
tions; the last was published (illustrated) by Z? upan? ski in
1865. The poem was translated into several languages.
EXTRACTS FROM " MARYA. "
The Kozak* passing through the ravine wide,
Where only howling wolves and Tartars hide,
* Here "Kozak does not mean Cossack, a Russian soldier, but a
sort of an attache of noblemen in Ukraine, and we may add in the
provinces of Podolia and Volhynia. These Kozaks were generally
selected from the comeliest and best developed young peasants, and
being traioed as messengers to duty, were, as occasions required, sent
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? 368 POETS AND POETKY OF POLAND.
. Approached the statue where dark shadows throw
Likeness of specters buried long ago;
Took off his cap, and thrice the cross he signed,
Then with his message hastening like the wind
Upon his snorting horse away he flew
Where Buh glides on, a streak of silvery blue.
As the bold Kozak fleetly rides along
He hears the hidden foes that round him throng;
But his good horse, as though he understands,
Bears him through blooming fields and thistly lands.
Naught speeds more swiftly underneath the sun;
Like to an arrow from the bow he wings,
His head bent low his horse's neck upon.
And through wild causeways rush these desert kings,
Rider and steed -- two forces blent in one.
Thus loses Wac? aw* all -- no more to find
His happiness and faith in human kind.
He cannot wake his loved one from her rest --
She who was all to him of dear and best;
Whose noble spirit and angelic grace
Could shed illusion over falsehood's face.
How dark her death makes all the world appear!
Alone he strays, as in a desert drear,
Or by the statue on his loved one's tomb
He mourns the malice that has wrought her doom
And chased all tenderness from out his soul.
One bitter thought therein holds dark control --
even to distant places with important dispatches and messages of all
sorts, also carrying letters to and from postoffices. They had a pecu-
liarly picturesque dress, and were the heroes of many interesting
love affairs among the pretty girls of those beautiful provinces.
Each Kozak had a fine horse and a splendid equipment, including
a "nalmyka," a sort of a short whip made of several strands of
leather woven together, and a fancy handle. These Kozaks were
also the heroes of many love songs and Durrikas, and form an inter-
esting chapter, especially in the history of the Ukraine.
* Wac? aw, the betrothed of Mary ; pronounce Vatz-? av.
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? MALCZEWSKI. 3()9
" Why did I leave her to another's care? "
When in the pallid face that greets him there
He reads of all the struggles she has known.
Then deep reproaches make his heart their own.
Of her destruction and his own, the cause,
Before this thought his life's pulsations pause --
Then in his hands he hides his face to weep.
This mood is over soon, but all too deep
The wound within him festers, poison-frought;
Leaves in his once exalted soul a thought --
Shared by the exiles -- that will never sleep.
This noble youth, is he the earth's disgrace?
Ah! rather ask wherefore hath goodness place
Here, where all good with evil is denied,
Where death of parents profits to the child,
Where love of fellow beings is assumed
By those with envy of their joy consumed.
Where lofty roles and aspirations fail,
Revealing hypocrisies 'neath the veil,
And where but few the faithful hearts that blend
In love's divine ecstasy to end.
In describing "Marya" the poet says:
Though young, the winds of earthly pain
Have cast their breath upon her soul,
And, like the weary autumn blasts
That o'er the earth in anger roll
And wither flowers within the grove,
Have robbed her early hopes of love !
Within her beaming eye no more
Conflicting war of thought we see;
The flame that burned from lamp of love
And shone so happily on me
Now beams not, shows not e'en one spark,
Though with its smoke her brow is dark.
24
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? GOSZCZYN? SKI.
370
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? GOSZCZYN? SKI. 371
GOSZCZYN? SKI.
Seyerin Goszczyn? ski is different in qualifications
as a poet from other bards of the Ukraine. The choice
of his genius was the more gloomy side of her history
and the inherent qualities of her nature. It is the
creative spirit leading vice to a feast of revenge. Dark
clouds of fantasy ever avoiding the serene sky and
searching everywhere charms overcast with dismal-
ness, are his characteristics. Wild transports of pas-
sion, battles, treason and murders are the usual themes
of his poesy. His pictures and figures are not put
forth as the ideals of a mere illusion, as Zaleski's; not
in any melancholy, dissolving itself over a landscape,
as in Malczewski, but they are thrown on the back-
ground of wild nature with a complete truthfulness
and reality. Such elements he has introduced in his
poetry with impassioned delight, and yet he does not
offend aesthetic feeling nor morality. We have no
poet who could excel him in painting so truthfully the
scenery of nature -- nor one who could more admire
and appreciate its beauties. His genius is still more
to be appreciated when we lean; the fact that it is not
given to one and the same individual to excel in two
different things. -- to fathom the depths of passion and
to comprehend the grand and sublime respiration of
nature. "The Castle of Kanio? w " represents scenes
of bloody adventures which filled the whole of Ukraine
with horror and pain. Here the poet brought together
all the horrible events of that painfully memorable
epoch. He dramatized this tale, interweaving into it
incidents at which the soul is horrified, not at all re-
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? 372 POETS AND POETRY OF POLAND.
lieved by introduction of any of the softening influ-
ences of heroic love at least burning faintly in the
depth of grief and revenge. He delineated, however,
the appalling reality, and placed its pictures in the
sight of his own poetical fastasy, illumed only by a
flame of a night's conflagration. Yet these wild and
terrible beauties are in fact the true beauties of a crea-
tive artist, -- the conception of the poem and its finish
of genius -- but perhaps its most striking features con-
sist in the prominence of figures and characters, --
uncommon individuality. Only great mental powers
could produce a poem like it.
Goszczynski's poetic spirit is strong, inflexible, deep
and fiery; wide as the river Dnieper, and boundless as
the limitless steppes: hence his poetic creations are
likenesses unto himself. Occasional incorrectness of
expression and the lack of clearness in the elucidation
of subjects is alleged against him, as also great haste
and precipitancy, but his buoyant spirit would not at
all times submit to certain precisions in composition.
While soaring through his beloved Ukraine, with its
beautiful scenes engraved upon his heart, he breathed
forth his inspirations untrammeled by any small obsta-
cles that lay in his way. Ukraine was his mother,
who nursed and fostered his poetic spirit; and it was
there where he spent his youth.
When Goszczyn? ski came into the Carpathian Moun-
tains, and having surveyed their gigantic proportions,
their scenery and their beauty, -- a lone wanderer
amidst this grandeur, -- he wrote a poem, " St John's
Eve," and proved himself, as in "The Castle of
Kanio? w," to be a master artist in the delineation of
nature's grandeur.
Severin had a different task from almost any other
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? GOSZCZYN? SKI. 373
poet before him. He cut loose from despondency and
ideals, and was the first to approach reality in the
spiritual world. He w T as the forerunner of bloody
and violent commotions; and Mickiewicz's "Ode to
Youth" was a sort of a political manifesto; so was
Goszczyn? ski^ ;% Feast of Revenge," -- a watchword
calling to action. His ''Three Strings" is also a
poem of great inspiration, of loftiness and harmony.
His latest poem, "The Mother of God, 1 ' turns the
heart and mind to those blessed sources whence flow
faith and life.
Besides these he wrote "The King of the Castle,"
in which he has shown that even in our prosaic age
and in every-day spheres of our lives there is poetry;
but the genius of the poet is here intensified to bring
into plain sight poetry where a common eye cannot
see it, by representing objects in charming and en-
chanting colors.
Goszczyn? ski belongs to that class of bards who,
whenever they strike with their rods there immediately
appear rich treasures of poesy. If he had not written
anything else beside "The King of the Castle," it
would be enough testimony that the soul of the author
possessed the power of the enchanter's wand, who has
awakened poesy in stones, and, like the second Moses,
can draw a spring of pure water to refresh and strength-
en the enfeebled and waning vital powers of the dying
Israelites.
His talent of presenting his characters in bold re-
lief is worthy of great admiration. With the artistic
brush of a Shakspeare he takes objects of ordinary
kind and lifts them up to higher ideal powers. In
some of his poems we can see a certain degree of ex-
aggeration, but he is never deficient in presenting facts
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? 356 POETS AND POETEY OF POLAND.
Man agrees with truths of eternal birth;
He who but once loved truly on this earth
From doubt of Heaven's joy is free.
(He becomes thoughtful, sits down slowly, and leans his head
on his hands. After a short interval of silence he raises his
head, as if awakened from a dream. )
Beethoven (continues).
And the pain?
Music.
Pain? It is not needful that a mortal
Call for it from Heaven's portal.
He will find it here.
Beethoven.
Every day it will appear,
In every-day tear, in his daily bread,
In that which is changing, in that which is dead;
But it is most fearful with conscience in its face.
(Long silence. )
Music.
Up to this time man everything has tried,
But since in Love sublime harmony he perceived
He ends all there. His symphony's run achieved
Great Finale and is glorified!
In life it is long and difficult to bear,
But the end receives its reward ev'rywhere.
The longer the years the stiller are they grown,
And remembrances speak in the loudest tone.
Some weep bitter tears, that bitter tears succeed;
Others in prayer watch beside the dear ones' tomb.
The days flit away, . . . time flies with the greatest speed,
And the soul hastes on to the sfaol of its doom.
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? DEOTYMA. 357
It clasps it, and with mantle o'er it spread
It raises it by funeral bells' deep tones,
And while on its way worlds rise from their thrones
With emotions of expectation and dread.
Then Destiny before the heavenly gates
Halted. Now it knocks, but not alone it waits.
This time it brings with its return a soul.
Beethoven.
Happy spirits! Will you not open the door?
Then, my beloved one, tell me.
Music.
No. As to this
I am silent. This laurel for witness I take.
I promised to reveal life by song, but more
Beyond that is a problem
That death can break.
Beethoven {folding his
I will reveal God's mystery so great!
Even if o'er an abyss the spirit stood,^--
Even if love and pain followed her. They would
Of themselves ope the heavenly gate!
{He grasps the pen and writes. Music sits doivn on the steps
of the column and finishes the wreath. During this time
the orchestra plays Scherzo and the Finale of the symphony.
As the last strains of the Finale die away Beethoven throws
his pen aside and, weary, hides his face in his hands, and
falls into a deep reverie.
Music arises, and with the laurel wreath, lohich is finished,
crowns Beethoven's bust on the column. She looks once
more upon Beethoven, and, throwing him a hand-kiss, dis-
appears. )
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? 358 POETS AND POETRY OF POLAND.
BERWIN? SKI.
Richard Vincent Beuwinski was born in Great
Poland in 1819; finished his education at the Lyceum
of Leszno, and at the Universities of Breslau and Ber-
lin. He was for a long time a contributor to several
periodicals published in Great Poland, and was himself
the editor of a daily journal at Posen.
In 1845, while traveling toward Galicia, he was ar-
rested, and thrown into a political prison at Wisnica,
where he was kept for a year, and being given up to
Prussia he was again imprisoned at Berlin. In 1847
he was released, and in 1848 made a member of the
National Committee. In 1852 he was sent to the Diet
in Berlin.
Leaving Polish soil he went to Turkey, and from
1856 served as an officer in the Ottoman army, under
the command of Sadyk Pasha (Michael Czaykowski).
He wrote a work entitled " The Book of Light and
Illusions;" "The Book of Life and Death;" "The
Last Confession at the Old Church;" "The Tower of
the Mice;" "Don Juan of Posen;" "Wawel;" "Cra-
cow;" "Duma of a Polish Soldier in the Turkish
Army in February, 1863. " Part I of his poems was
published at Posen, 1844, and Part II at Brussels the
same year; also in the "Collective Almanack," 1854,
and in "The Friend of the People" at Leszno and
Posen. Still another was published at Breslau, 1840.
He died toward the end of 1879 at Constantinople.
Berwinski was a man of high poetic talents, and a true
lover of his country.
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? BERWIN? SKI. 359
THE EXILE'S SONG.
Within my mother's orchard wide
The rose and lily drank the dews,
Field poppies and blue-bottles vied
. To blend with sweeter flowers their hues.
The nightingale poured out its song
In many a sad, harmonious note;
The brooklet's murmur all day long
Through dream and waking seemed to float.
I wandered here in childhood's hours,
To me a paradise it seemed;
Lightly I ran amid the flowers
Or on the earth's soft carpet dreamed.
But now, a homeless refugee
Of bitter fate, I feel the smart ;
Footsore I wander wearily,
And bleeding is my exiled heart.
I think how there at home to-day,
The poppies and the cornflowers bloom;
Perchance the roses breathe away
Their sweetness on my mother's tomb.
Shall I again those blossoms see,
Or kiss my mother as of yore?
A voice prophetic answers me:
Thou shalt behold thy home no more.
ON THE LAKE GOP? O. *
Amid my native waters deep,
From a shattered bark,
* A large lake in Prussia-Poland, about thirty-five miles long and
eleven miles broad, by the cities Strzelno and Kruszwice.
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? 360 POETS AND POETRY OF POLAND.
Among the billows wild I leap
Into the distance dark.
Around, above me, boundless space,
I swim in distance vast;
In all the world I hold no place,
My thoughts are on the Past.
Above me moon and stars are bright,
Here is a somber grave;
Dark doubt enshrouds me with its night,
Corpses are 'neath the wave.
Where do I swim I ask? Oh, where?
With pain to earth I bend;
A living corpse am I -- Despair
And Hope my bosom rend.
Where'er I go Hope's falcon goes,
Oh, bark swim safe and sure!
If I must die I would repose
In native waters pure.
In elements of native waves
Fly my good bark away;
Oh, rise, ye corpses, from your graves,
All in my star's dim ray.
Eise, and sepulchral fragrance send
Through the chill air to me,
And star above thy glory lend
That I some hope may see.
The star now shines; the corpses fast
Beneath my feet arise --
The corpse majestic of the Past
Most fearful in my eyes.
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? BEKWIN? SKI. 361
He rises, looks, and all around
Now one by one they stand;
Deep saber-cut and bullet-wound,
And paws of lion's grand.
Dread shapes and colors strange are these,
Many a gory spot;
The dreadful masks my life-blood freeze --
Avaunt! I know you not.
Away from me! for my sad heart
Is pierc'd with icy pain;
Bid all your threat ning looks depart,
And never come again.
Take them away, and then to me
Direct your steps, I plead;
Why gaze you sadly, angrily,
Nor my entreaties heed?
Lions of life eternal -- vain
I call on you to go.
From me what do you wish to gain?
Speak quick ! for I would know.
Give back our household gods once more --
The countless hosts that knew
Our might and strength in days of yore --
'Tis this we ask of you.
They bent to us and prayed for us,
O horror! can it be?
Our people sunk in waters thus,
Poor reptiles tread to see.
Our people? shine with hopeful gleam,
O star in clouded sky!
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? 362 POETS AND POETRY OF POLAND.
All household gods a trouble seem --
Fly fast, my bark -- oh, fly !
Oh, shine my star! 'tis not for me
'Neath native surge to lie;
Old household gods may perish, we
Immortals cannot die.
Hark! their sepulchral voices hear
In hollow, humming sound;
In fault they think me -- far and near
With frowns they gather round.
O household gods! what is your want?
And corpse, what is your will?
Avaunt! old gods, and corpse avaunt!
O bark, fly faster still!
Onward, onward, without delay;
The old god, what is he?
But weak and old -- he need not stay
To bar youth's pathway free.
Against the ^urge in crowds they swim ;
My words are all in vain --
Then peace be with you phantoms grim,
These tears and all this pain.
In vain, in vain, you wish to stem
Time's stern, relentless tide,
Since fate does to this world condemn
By laws that fix'd abide.
O ancient god ! forgetfulness
No hope for thee can lend;
New light of faith that shines to bless
Descend on me -- descend.
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? BERWIN? SKI. 363
Night's shadows all shall vanish fast
If thou descend on me ;
And ere another day is past
The people sav'd shall be.
'Tvvas thus I spoke, and like a knell
I heard a moaning rise;
On the grave of the god there fell
Two tear-drops from my eyes.
Oh, lightly may the earth, I pray,
Lie on thee evermore;
So shines my morn a little way
And sweet salvation's shore.
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? 364 POETS AND POETRY OF POLAND.
MALCZEWSKI.
Anthon Malczewski is one of the brightest stars in
the horizon of Polish literature. It is a curious fact in
the annals of Polish poetry that, without any previous
efforts, unaided by anyone, unheralded by any poetical
composition of his own, he sprung into celebrity at
once, simultaneously with his "Marya" (Mary).
He
stood at once as a prophet emerging apparently from a
dark and unlearned crowd. He sent upon the world a
poem of great power and beauty, founded upon a tra-
dition of great significance, and left the crowd without
being understood or appreciated by them. " Mary a "
is a poem of Ukraine, and there is not now a single
dissenting voice in the praise of that extraordinary
poetical production, replete with so many beauties and
touching incidents; the boldness of expression strangely
commingling with unsurpassed pathos and faultless ver-
sification placed him at once in the first rank of the most
distinguished Polish poets.
The plot of " Mary a" is this: A proud old Palatine
betroth s his son to the daughter of a friend, and, as is
usual in such cases, neglects to ascertain previously
the mind of the young count. The son falls in love
with the daughter of a noble of inferior rank, be-
tween whom and his own father a hereditary hatred
exists. The father of " Marya," seeing that his daugh-
ter's happiness is at stake, reluctantly overcomes his
ancient enmity, and allows a marriage to take place be-
tween the young couple, which, though concealed for a
long time, is finally discovered by the old Palatine.
He hides his burning anger under the mask of appro-
bation, and invites Marya to his castle. His son is
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? MALCZEWSKI. 365
then, in company with Marya's father, sent to repel the
invasion of the Pagan Tartars at some distance from
the castle. On his return, after having conquered the
enemy, he finds that his wife is murdered. He deserts
his home, and is never heard of more.
This remarkable poem created but a feeble impres-
sion at first. The critics of the day alleged against the
poet that his taste was unrefined, and that the way he
chose was a way leading only to error, but it was not
long before these impressions were dispelled and utterly
annihilated.
This poem, woven on the circulating local tradition,
was written in a bold and artistic style; the scenes and
incidents painted as with the brush of a great master.
Here we see, for the first time, on the Russian back-
ground, led out into sight two figures, after the ancient
Polish fashion -- the ideals of Polish feelings, truly na-
tional, presented as if taken living from the history,
sinking rapidly into the past, -- an apparition, as it were,
of a Polish Palatine, -- the ideal of a Polish aristocrat --
and a sword-bearer, the father of Mary, also an ideal of
a Polish nobleman. Mary, again, is the ideal of a
Polish young woman who, with a pure and lofty feel-
ing, unites resolution and extraordinary courage, then
adding to it the thought of the invasion of the Tar-
tars, taken from the very heart of the annals of Polish
history -- magnificent picture of Ukraine and its de-
lightful scenery, all brought out in almost tangible
shapes and embellished by the deepest feelings and
loftiest thoughts and nicest shadings, makes one think
that Lord Byron, whom Malczewski knew personally,
had exerted powerful influence over the Polish poet.
In "Marya" there is a tearing of the spirit to pieces
by strokes of adversity and grief that characterize some
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? 366 POETS AND POETEY OF POLAND.
of Lord Byron's poems; but still it is not the grief of an
English lord, but of a deep and earnest thought over the
misfortunes of native land, and a reecho of the intense
feeling and the sorrows of Ukraine's vast steppes,*
all this being brought out in the beautiful Ukraine.
With poetical feeling and native qualifications he was,
as it were, permeated by surrounding nature; he
dreamed himself into the local traditions and souvenirs,
and turned their native hues into poetry -- and there
we see the first strong impressions of romanticism.
This great poem breathes with pure feelings of religion
and morality, overspread with the expression of plaint-
ive and painful sadness which the readers see through
their tears. Mishaps and disappointments of life are
the intrinsic strength and charm of the poem. Fresh-
ness, coloring, and almost tangible plasticity are the ex-
ternal qualities. A strange historical reverie, introduced
for the first time into Polish poetry by Malczewski,
became the characteristic of other poets; not only the
mystery of the scene which, besides the hidden objects
and gradual unfolding adds to it a great power, but
also the avoiding of the elucidation, as if on purpose,
by scattering the particulars, and fantastic visions
are interspersed throughout this renowned produc-
tion. When this poem was once understood it spread
throughout the nation by several successive editions,
and finally became so popular it mattered not where a
Pole's foot trod he could not do without it. " Marya "
is written after the manner of an epopee. Malczewski
wrote also other compositions in verse: "A Journey
to Mont Blanc;" "The Carnival of Warsaw;" "To
Julia; " "To Peter and Paul. " Besides, he wrote the
tales of "Iphigenia," "Atenais," and "The Journey. "
* Prairies.
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? MALCZEWSKI. 367
Malczewski was born in 1792, in the province of
Volhynia, and came from a distinguished family. His
father was a general in the Polish army. He received
his initiatory education at Dubno, and then went to
college at Krzemieniec, where he attended lectures on
mathematics by Joseph Czech. In 1811 he entered
the army, and in a few years became quite distinguished
as engineer under Col. Malet; but breaking one of his
legs, he in 1816 left the ranks. During the following
five years he gave himself up to literary pursuits, and
traveled in France, Switzerland, Italy and Germany.
In 1824 he returned to Warsaw, but the experience of
living in a large city taught him to appreciate the mode
of life that was not degenerate ; hence he quitted Warsaw
and rented an estate, the village of Hryno? w, in the county
of W? odzimierz, and thus avoiding noisy amusements
and social gatherings, he gave up his time to literature.
An interesting love affair between himself and a
Polish lady by the name of Kuczyn? ska forms quite an
episode in the distinguished poet's life. Having for a
long time lived in a state of magnificence he finally, by
being very generous to those who needed his assistance,
became reduced in circumstances. He died in 1826.
His "Marya" went through thirty different edi-
tions; the last was published (illustrated) by Z? upan? ski in
1865. The poem was translated into several languages.
EXTRACTS FROM " MARYA. "
The Kozak* passing through the ravine wide,
Where only howling wolves and Tartars hide,
* Here "Kozak does not mean Cossack, a Russian soldier, but a
sort of an attache of noblemen in Ukraine, and we may add in the
provinces of Podolia and Volhynia. These Kozaks were generally
selected from the comeliest and best developed young peasants, and
being traioed as messengers to duty, were, as occasions required, sent
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? 368 POETS AND POETKY OF POLAND.
. Approached the statue where dark shadows throw
Likeness of specters buried long ago;
Took off his cap, and thrice the cross he signed,
Then with his message hastening like the wind
Upon his snorting horse away he flew
Where Buh glides on, a streak of silvery blue.
As the bold Kozak fleetly rides along
He hears the hidden foes that round him throng;
But his good horse, as though he understands,
Bears him through blooming fields and thistly lands.
Naught speeds more swiftly underneath the sun;
Like to an arrow from the bow he wings,
His head bent low his horse's neck upon.
And through wild causeways rush these desert kings,
Rider and steed -- two forces blent in one.
Thus loses Wac? aw* all -- no more to find
His happiness and faith in human kind.
He cannot wake his loved one from her rest --
She who was all to him of dear and best;
Whose noble spirit and angelic grace
Could shed illusion over falsehood's face.
How dark her death makes all the world appear!
Alone he strays, as in a desert drear,
Or by the statue on his loved one's tomb
He mourns the malice that has wrought her doom
And chased all tenderness from out his soul.
One bitter thought therein holds dark control --
even to distant places with important dispatches and messages of all
sorts, also carrying letters to and from postoffices. They had a pecu-
liarly picturesque dress, and were the heroes of many interesting
love affairs among the pretty girls of those beautiful provinces.
Each Kozak had a fine horse and a splendid equipment, including
a "nalmyka," a sort of a short whip made of several strands of
leather woven together, and a fancy handle. These Kozaks were
also the heroes of many love songs and Durrikas, and form an inter-
esting chapter, especially in the history of the Ukraine.
* Wac? aw, the betrothed of Mary ; pronounce Vatz-? av.
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? MALCZEWSKI. 3()9
" Why did I leave her to another's care? "
When in the pallid face that greets him there
He reads of all the struggles she has known.
Then deep reproaches make his heart their own.
Of her destruction and his own, the cause,
Before this thought his life's pulsations pause --
Then in his hands he hides his face to weep.
This mood is over soon, but all too deep
The wound within him festers, poison-frought;
Leaves in his once exalted soul a thought --
Shared by the exiles -- that will never sleep.
This noble youth, is he the earth's disgrace?
Ah! rather ask wherefore hath goodness place
Here, where all good with evil is denied,
Where death of parents profits to the child,
Where love of fellow beings is assumed
By those with envy of their joy consumed.
Where lofty roles and aspirations fail,
Revealing hypocrisies 'neath the veil,
And where but few the faithful hearts that blend
In love's divine ecstasy to end.
In describing "Marya" the poet says:
Though young, the winds of earthly pain
Have cast their breath upon her soul,
And, like the weary autumn blasts
That o'er the earth in anger roll
And wither flowers within the grove,
Have robbed her early hopes of love !
Within her beaming eye no more
Conflicting war of thought we see;
The flame that burned from lamp of love
And shone so happily on me
Now beams not, shows not e'en one spark,
Though with its smoke her brow is dark.
24
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? GOSZCZYN? SKI.
370
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? GOSZCZYN? SKI. 371
GOSZCZYN? SKI.
Seyerin Goszczyn? ski is different in qualifications
as a poet from other bards of the Ukraine. The choice
of his genius was the more gloomy side of her history
and the inherent qualities of her nature. It is the
creative spirit leading vice to a feast of revenge. Dark
clouds of fantasy ever avoiding the serene sky and
searching everywhere charms overcast with dismal-
ness, are his characteristics. Wild transports of pas-
sion, battles, treason and murders are the usual themes
of his poesy. His pictures and figures are not put
forth as the ideals of a mere illusion, as Zaleski's; not
in any melancholy, dissolving itself over a landscape,
as in Malczewski, but they are thrown on the back-
ground of wild nature with a complete truthfulness
and reality. Such elements he has introduced in his
poetry with impassioned delight, and yet he does not
offend aesthetic feeling nor morality. We have no
poet who could excel him in painting so truthfully the
scenery of nature -- nor one who could more admire
and appreciate its beauties. His genius is still more
to be appreciated when we lean; the fact that it is not
given to one and the same individual to excel in two
different things. -- to fathom the depths of passion and
to comprehend the grand and sublime respiration of
nature. "The Castle of Kanio? w " represents scenes
of bloody adventures which filled the whole of Ukraine
with horror and pain. Here the poet brought together
all the horrible events of that painfully memorable
epoch. He dramatized this tale, interweaving into it
incidents at which the soul is horrified, not at all re-
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? 372 POETS AND POETRY OF POLAND.
lieved by introduction of any of the softening influ-
ences of heroic love at least burning faintly in the
depth of grief and revenge. He delineated, however,
the appalling reality, and placed its pictures in the
sight of his own poetical fastasy, illumed only by a
flame of a night's conflagration. Yet these wild and
terrible beauties are in fact the true beauties of a crea-
tive artist, -- the conception of the poem and its finish
of genius -- but perhaps its most striking features con-
sist in the prominence of figures and characters, --
uncommon individuality. Only great mental powers
could produce a poem like it.
Goszczynski's poetic spirit is strong, inflexible, deep
and fiery; wide as the river Dnieper, and boundless as
the limitless steppes: hence his poetic creations are
likenesses unto himself. Occasional incorrectness of
expression and the lack of clearness in the elucidation
of subjects is alleged against him, as also great haste
and precipitancy, but his buoyant spirit would not at
all times submit to certain precisions in composition.
While soaring through his beloved Ukraine, with its
beautiful scenes engraved upon his heart, he breathed
forth his inspirations untrammeled by any small obsta-
cles that lay in his way. Ukraine was his mother,
who nursed and fostered his poetic spirit; and it was
there where he spent his youth.
When Goszczyn? ski came into the Carpathian Moun-
tains, and having surveyed their gigantic proportions,
their scenery and their beauty, -- a lone wanderer
amidst this grandeur, -- he wrote a poem, " St John's
Eve," and proved himself, as in "The Castle of
Kanio? w," to be a master artist in the delineation of
nature's grandeur.
Severin had a different task from almost any other
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? GOSZCZYN? SKI. 373
poet before him. He cut loose from despondency and
ideals, and was the first to approach reality in the
spiritual world. He w T as the forerunner of bloody
and violent commotions; and Mickiewicz's "Ode to
Youth" was a sort of a political manifesto; so was
Goszczyn? ski^ ;% Feast of Revenge," -- a watchword
calling to action. His ''Three Strings" is also a
poem of great inspiration, of loftiness and harmony.
His latest poem, "The Mother of God, 1 ' turns the
heart and mind to those blessed sources whence flow
faith and life.
Besides these he wrote "The King of the Castle,"
in which he has shown that even in our prosaic age
and in every-day spheres of our lives there is poetry;
but the genius of the poet is here intensified to bring
into plain sight poetry where a common eye cannot
see it, by representing objects in charming and en-
chanting colors.
Goszczyn? ski belongs to that class of bards who,
whenever they strike with their rods there immediately
appear rich treasures of poesy. If he had not written
anything else beside "The King of the Castle," it
would be enough testimony that the soul of the author
possessed the power of the enchanter's wand, who has
awakened poesy in stones, and, like the second Moses,
can draw a spring of pure water to refresh and strength-
en the enfeebled and waning vital powers of the dying
Israelites.
His talent of presenting his characters in bold re-
lief is worthy of great admiration. With the artistic
brush of a Shakspeare he takes objects of ordinary
kind and lifts them up to higher ideal powers. In
some of his poems we can see a certain degree of ex-
aggeration, but he is never deficient in presenting facts
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