No More Learning

3 Ibid. p. 75. Cf. the passage in Cynthia's Revels, act v, ad fin. , satirising the
'pargetting, painting, sticking, glazing and renewing old rivelled faces. '


## p. 360 (#384) ############################################

360 Political and Social Aspects of the Age
of some of our plaiers, which stand at reversion of vis. by the
weeke, jet under gentlemens noses in sutes of silke'
Thus, the increase of luxury and the desire of securing as large
a share of it as money could buy must be reckoned among the
chief causes of the auri sacra fames which contributed to the
unrest of the Elizabethan age, and which, in the next age, re-
mained a strong motive of private, and, too often, of public,
action.
In queen Elizabeth's time the military and naval professions can
hardly be said to have played any part in the social history of the
country. No standing army was kept up for foreign warfare; when
a force was required for that purpose, it was collected partly by
feudal obligation or impressment, and partly by the enlist-
ment of volunteers the last-named, for political reasons, a very
convenient form for collecting a body of troops. It is true that,
already under James I, such forces were often not disbanded
immediately on their return home. Meanwhile, the defensive
force of the land, in principle, and (at all events till the reign of
Charles I) in fact, was a county militia, called under arms by means
of commissions of array, officered by country gentlemen and under
the command of lords lieutenant-though the name 'militia'
was only coming into use at the time when the civil war broke
out on the question of the command of the body so called. The
composition of the force, the numbers of which looked magnificent
on papers, depended largely on the high constables of the hundreds
and the petty constables of the parishes, who seem to have taken
good care to draft into it all the disreputable elements of which
they were fain to get rid", as well as the unemployed 'Shadows'
and “Mouldies' of their generation". Recruits were supplied
with arms-armour proper was falling out of use, and, by the close
of the century, the bow had been entirely superseded by the
musket. Munition was kept in readiness under some sort of
inspection in every town and considerable village; for there were
no garrisons existing except in a few coast towns. The navy was
1 The School of Abuse, p. 29. In Part II of The Returne from Pernassus, act v, sc. 1,
Studioso complains of the glaring satten sutes' in which actors rode through the
gazing streets.
>
6
2 Maitland, F. W. , The Constitutional History of England, pp. 278—9.
3 According to Harrison, the number of able-bodied men on the roll in 1574 and
1575 was 1,172,674, though one-third of this total were not called out.
* See • The Maner of chosing Souldiers in England' cited from Barnabe Rich's
A Right Exelent and pleasaunt Dialogue, between Mercury and an English Souldier, etc.
(1574), in P. Cunningham's ed. of the same writer's Honestie of the Age, p. 48.
o Part II of Henry IV, act iii, sc. 2.
6


## p. 361 (#385) ############################################

Soldiers and Sailors
361
made up of a growing number of ships of war, besides merchant
vessels (including ships chartered by the various trading com-
panies) and fishing boats. Harrison reckons, with pride, that
queen Elizabeth could have afloat as many as from 9,000 to 10,000
seamen; and a census held for the purpose a few years before the
coming of the Armada reckoned more than 16,000 persons in
England (exclusive of Wales) in some sort accustomed to the sea? .
The wonderful year itself proved a great deal more than that
England had the winds and the waves for allies—it also proved
that her ships were much superior to those of her arch-foe in both
manning and gunnery. Though shipbuilding was much improved
in the later years of the century, when the queen built about
one ship a year, much needed reforms in what had now become
a regular profession did not begin till 1618. Thus, in the
Elizabethan age proper, the military, and, here and there, the
naval types which dramatists, in this period, were fond of
presenting were largely of an exceptional sort-men in whom a
mixture of volunteer or privateer and patriot lends itself to
picturesque treatment. Besides these, there must have been in
real life many swaggerers and pretenders, of the Pistol and Bobadill
sort, who on the stage furnished variations of the time-honoured
classical or Italian types“; and there was, especially as a legacy of
the struggle in the Low Countries, a constant influx of discharged
soldiers, quite as often objects of satire as of sympathy, because
of the counterfeits who were largely mixed up with them and
who were one of the pests of the age. No doubt, too, Harrison's
observation was correct, that soldiers who had seen service in the
field could not easily be prevailed upon to resume the habit of
ordinary daily labour, and thus became a disturbing element in
the population. For the rest, in London and elsewhere, order
was kept by watchmen with their brown bills-a familiar type of
1
p. 291.
2 See the section by Oman, C. W. E. , on The Art of War,' ap. Traill, u. 8.
vol. III, where will be found much valuable information concerning the navy under
Elizabeth.
3 E. g. Young Forest in Thomas Heywood's Fortune by Land and Sea, lord
Momford, in Day and Chettle's Blind Beggar of Bednal Green, etc. , etc.
* Jonson, who had himself seen service, preserved a sincere respect for true
soldiers. (Cf. Epigram cviii. )
co Of these, who generally represented themselves as wounded in the Low Countries
when fighting against Spinola, with Essex at Cadiz, or Drake in St Domingo,' see a
graphic account in G. W. Thornbury's amusing Shakespeare's England (1856), vol. I,
pp. 279--30.
* p. 231
6
>
8
A


## p. 362 (#386) ############################################

362 Political and Social Aspects of the Age
Elizabethan comedy? The general security of the country, no
doubt, was greater than of old; but it was still necessary for serving-
men to be armed when going out at night time, and highway
robberies were not uncommon, especially about Christmas time?
More surprising, perhaps, than the smallness of the share
belonging to army and navy in the life of the Elizabethan age is
the relative depression of the position held about this time-
certainly so far as the evidence of the contemporary drama goes-
by the clergy. As is well known, the recovery of that body, in-
cluding part of the episcopate, from the disrepute into which they
had sunk in the earlier part of the reign, was gradual and, for a
long time, uncertain. A considerable proportion of the episcopate
remained for many years in a position of degrading dependence or
absolute insignificance alike unworthy of their order, while of the
parsonages a large number were not filled up at all, or, in more
ways than one, most unsuitably. As the reign wore on, and the
prudent exertions of the sorely tried archbishop Parker and others
gradually bore fruit, an increasing activity and devotion to their
duties manifested themselves on the part of the bishops; and an
advance was also visible in the case of the inferior or parish clergy,
alike in parochial zeal and in scholarly attainments. Knowledge
of Latin was again becoming universal, and that of Hebrew and
Greek was growing common, among clergymen. The recovery in
question, which as quite distinct from the puritan movement,
though each, in its way, helped to leaven the lump of academical,
as well as of national, life, led, indeed, only very slowly and very
partially to the awakening, in high ecclesiastical places or in quiet
country parsonages, of higher and deeper conceptions of religion.
Yet this tardiness of progress was by no means wholly due to the
decline of the political and social position of the church, and to
1 See among the various counterparts to Dogberry and Verges, those in Samuel
Rowley's When you see me, etc. , in Marston's Insatiate Countesse, in Beaumont and
Fletcher's Cozcombe, and, above all, Blurt and his attendant Stubber in Middleton's
Blurt Master-Constable.
* Harrison, p. 284. Hall, Hubert, u. s. p. 74, gives a number of cases of armed
violence which ended fatally; but they only occasionally come under the above
category.
3 For a highly coloured picture of this condition of things, see Hall, H. ,
in his chapter. The Churchman. ' Harrison's account of the condition of things in his
own day conveys the impression of being written with both knowledge and judgment;
though not puritan in spirit, he is, on the whole, favourable to moderate reform. He
is, however, very acutely sensible of the hardships of various kinds to which his cloth
was subject, and fully alive to the perennial experience that the common sort' are
always ready to cast reproaches on the clergy. In high places, few were quite fair to
their griefs, although Burghley was an exception.
u. 8.
6


## p. 363 (#387) ############################################

The Universities
363
the many alterations in its formularies. It was also due to the
changes which had for some time been at work in
Englands two eyes, Englands two Nurceries,
Englands two nests, Englands two holy mounts,
I meane, Englands two Universities 1.
6
To all appearance, in the middle of queen Elizabeth's reign,
Oxford and Cambridge were in a flourishing condition ; their joint
attendance of students was reckoned at 3000, and, according to
modern notions, it may seem a healthy sign that, in far larger pro-
portions than in earlier times, the sons of the nobility and gentry
were resorting to these places of learning in common with a poorer
class of young men or boys. As a matter of fact, however, more
especially at Cambridge, which, for the better part of two genera-
tions, had taken the lead in the intellectual life of the country,
learning, after having, as elsewhere, become largely absorbed in
theology, was, in the latter half of the century, exposed to a new
danger. The sons of the gentry, whose importance in the general
social system of the country and in its government was, as has
been seen, steadily rising, now frequented the universities for the
purpose of acquiring what may be called 'general culture' rather
than theological or other professed learning. In a word, a new
conception of the work of the national universities was forming
itself which, in more ways than one, was to become of great
importance for the future of the nation as well as for that of the
universities. On the one hand, the risk was being run that deeper
study and research would be elbowed out of existence by
endeavours to gratify the wish for a higher education which
should suit a young gentleman desirous of making his mark in
some recognised public or professional capacity, and which
should not take up too much of his time? And this risk was
materially increased by the introduction into the colleges of
the universities and into the schools which were their feeders of
the system of jobbery which was one of the bad features of the
age: both school and college elections were packed or otherwise
influenced in favour of the well-to-do against the poor, and, more
especially, the best prizes of the university, fellowships, were awarded
in obedience to mandates obtained by fair means or other at
1 Tell-Trothes Message and his Pens Complaint (1600). New Shaksp. Soc. Publ. ,
1876.
? See, on this bead, a very striking passage in William Stafford's Dialogues, cited
above, pp. 20—21.


## p. 364 (#388) ############################################

364 Political and Social Aspects of the Age
court', or as the result of other corrupt methods. This endeavour
to appropriate the universities and their endowments for the
advantage of particular sections of society had many unsatisfactory
consequences-among them an increase of riotous living at college,
in deference to gentlemanlike tastes. Against this was to be set the
fact that a very considerable proportion of the classes whose sons
now frequented the universities was tinged with such general
culture as was to be found there, while many of these young men
acquired something of a real love of learning--and a few some-
thing of learning itself-into the bargain. The later Elizabethan
and Jacobean dramatists take little or no notice of these results-
the academical enthusiasm fostered by the 'university wits' died
out with them, and the usual playhouse type of the university
student was now the feebler variety of undergraduate, whose chief
occupation was to spend his father's money. At the same time, the
public interest benefited directly by the encouragement given by
the queen's government, desirous of attracting nobility and gentry
into the service of the state, to the study of law at the universities,
scholarships being instituted for the support of favoured students
of this subject. The class of students whom these changes hit
hard were the poorer youths, especially those who intended to
devote themselves to the study of theology, with a view to ordina-
tion, and on the training of whom the universities, for some time
previously, had concentrated their activity. Complaints are
constant that, in the bestowal of livings, the same system of
corruption prevailed, in favour of the dependents of nobility and
gentry, or of those who had gained the goodwill of patrons by
illicit means
In general, there can be no doubt that the intellectual
condition of Cambridge, in the later years of the century, was
Letters of commendations-
Why, 'tis reported that they are grown stale
When places fall i' th’ University.
Webster, The Devils Law-case, act 1, sc. 5.
? So Greene . consumed the flower of his youth' at Cambridge amongst wags as
lewd’as himself. The habit of drinking to excess long remained a reproach to the
universities; readers of Clarendon's Life will remember how its prevalence at Oxford,
about 1625, afterwards led him to rejoice that his father had soon removed him from
residence there.
3 So, for instance, Credulous Oldcraft in Fletcher's Wit At severall Weapons.
* A very unattractive account of the methods by which advancement can be best
secured in universities and colleges, as well as in other walks of life, showing how
the system endured and progressed, is given in Tom of all Trades, or the Plaine Path-
Way to Projessions (1631). The reader will, of course, compare the graphio picture of
these things in Part II of The Returne from Pernassus.
6
6


## p. 365 (#389) ############################################

ในใจ
es
ba
Puritanism and Protestantism 365
superior to that of the sister university, and reflects itself
as such in our literature. Puritanism, after being repressed at
Cambridge, largely through the influence of Whitgift, held its
ground at Oxford under the patronage of Leicester as chancellor",
and, in the later part of the period under survey, recovered much
of its ground in Cambridge also. To the reaction against Calvinism
at Cambridge in the later part of the reign of James I, and at
Oxford under Laud, a mere reference must suffice. It is curious to
notice the impression of a foreign observer like Paul Hentzner that
the puritan form of faith or religion was distinct from that of the
church as by law established ; in his account of the universities,
he expresses his astonishment that puritans (whom he describes
as entirely abhorring all difference of rank among churchmen ')
do not live separate, but mix with those of the church of England
in the colleges' Such was not the position taken up by those
consistent adversaries of puritanism, the English dramatists of the
Elizabethan and subsequent ages. It has been well pointed out by
Creizenach that, of course with exceptions, it was not so much the
doctrine of the puritans as their conduct of life and treatment of
its outward forms which dramatists visited with their contempt
and ridicule. The satire which puritanism provoked from them was
that which has always directed itself against the assertion, actual or
supposed, by any class, profession or association of men or women,
of a claim to an exceptional degree of moral excellence or virtue, and
against the hypocrisy which this assertion seems to involve. This
was a sort of pretension or 'humour' which robust commonsense,
coupled with keen insight into character, such as signalised Jonson",
would be certain to expose to ridicule and censure, quite apart from
any religious party feeling. Protestant sentiment proper was hardly
a marked characteristic of the Elizabethan or Jacobean drama,
except when it formed an integral part of anti-Spanish or anti-
Jesuit patriotism, and thus directed itself, as a matter of course,
against a representative of the Marian reaction like Gardiner or
an agent of Spanish policy like Gondomars. In a general way,
however, it was natural that this political protestantism should
grow weaker in the Stewart days, when the court was no longer
3
URL
21
>
1 Cf. Mollinger, J. Bass, History of the University of Cambridge, vol. II, p. 283. To
this standard work, the reader must be referred for a complete treatment of the subject.
* Travels in England, English transl. by Horace Walpole (1797), p. 41.
• Vol. iv, part 1, pp. 123–4.
• See The Alchemist, Bartholomew Fayre, eto. The drift of the ridicale in
Middleton's Famelie of Love is equally unspecifio.
o Seo Hoywood's Part I of If you know not me, eto. , and Middleton's A Game at Chesse.


## p. 366 (#390) ############################################

366 Political and Social Aspects of the Age
responsive to this kind of popular sentiment. In a few dramatists,
such as Massinger and Shirley, personal reasons contributed to
favour Roman Catholic ideas and views ; but it cannot be said
that these received from them anything beyond platonic goodwill.
It may, perhaps, be added that the popular feeling which prevailed
in England against Jews cannot be set down as more than the
continued unthinking and undiscriminating acceptance of a popular
prejudice of ancient standing; for Jews in London, during the
whole of this period, were only few in number and very little known,
and neither Shakespeare nor Marlowe is likely to have made the
acquaintance of any Jews abroad!
Except in the fields, now narrowing rather than expanding, of
purely academical scholarship and religious education, London had
more than ever become the centre of the life of the community.
Here, alone, politics, society and intellectual pursuits and diver-
sions of all kinds were at the full height of activity; and here was
the great market for the supply of the luxuries, as well as of the
necessaries, of existence. The influx of inhabitants into London
and its suburbs was very notable. The overgrowth of the popula-
tion beyond the walls was, indeed, arrested by drastic provisions,
dating from 1580; but the total of the metropolitan population
increased with extraordinary rapidity, and, in the century after
the accession of Elizabeth, probably, at least quintupled—and this
notwithstanding the ravages of the plague, which,at times, decimated
-and even decimated twice over-the number of inhabitants.
But it was not numbers only which gave to London its supremacy.
The pulse of life beat more rapidly here than elsewhere; character
and talent-individuality, in short--here had the best chance of
asserting itself. This was largely due, as has been seen, to the court
and, in the same connection, to the great houses of the nobility built
along the pleasant Strand, with the river, London's great high-
way, running by the side of fields and gardens on the way to
Westminster. It was due, in the second place, to the city as the
centre and representative of the mercantile and industrial life of
the nation, with Cheapside, and Goldsmiths' row on its southern
frontage, displaying the magnificence of that life to an admiring
1 Cf. Koeppel, E. , “Konfessionelle Strömungen in d. dramat. Dichtung d. Zeitalters
des beiden ersten Stuart Könige,' in Shakespeare Jahrbuch, vol. XL, pp. xvi ff. , where the
victorious Jewish money-lender in R. Wilson's Three Ladies of London is contrasted
with Barabas, Shylock and the villainous Jewish figures in Daborne's A Christian
turned Turke, Day and William Rowley's Travailes of The three English Brothers, and
Fletcher's Custome of the Countrey. As to the attempt to identify Shylock with an
actual personage, of. ante, chap. VIII.
+


## p. 367 (#391) ############################################

The Legal Profession
367
world. But it was also due to the various colleges of law and
physic, as well as to cathedral and abbey, and the great
schools.
Among the professions which had their proper seat in London,
none, perhaps, in the Elizabethan age and that which followed,
played a more important part in the social system of the country
than the profession of the law. There has assuredly been no
period of English history in which the relations between law
and politics have been more intimate than the age of Bacon and
Coke; and the study of the history of even a single inn of
court, such as Gray's inn, would show how far back in the later
Tudor period this important connection extends. But, apart
from this, though Harrison was of opinion that an excess of
lawyers, like one of merchants, was a clog in the commonwealth
-'all the money in the land' he says 'goes to the lawyers? '-
it was quite inevitable that two characteristics of the age—the
frequent change of ownership in landed property and the frequent
establishment of new trading concerns—should be accompanied by
a large increase of legal practice. This practice was of a kind
which did not necessarily bring its reward in a great harvest of
fees to the London barrister, for there was much more self-help in
that
age
than has been held admissible in later days either in law
or in medicine; and, with regard to the former at all events,
every man was expected to know some law,
so that
many
dramatists with Shakespeare at their head-were, more or less,
of our
1 Nothing can be said here of other favourite centres of intellectual and social
intercourse, among which the taverns—to be distinguished carefully from lesser and
more evanescent places of entertainment did duty for the clubs of later London life.
T. Heywood gives a short list of them in one of the songs inserted in The Rape of
Lucrece, in another of which the cries of Loudon are reproduced. By 1633, the
- number of these taverns was reckoned at 211. Cf. Sandys, W. , Festive Songs, etc. , U. S.
(introduction), and see Vatke, T. , 'Wirthshäuser und Wirthshausleben'in Culturbilder
aus Alt-England. As to 'ordinaries' (the fashionable tables d'hôte of the day), see
the amusing tract The Meeting of Gallants at an Ordinarie, or The Walkes in Powles,
1604 (Percy Soc. Publ. , 1845, vol. v). To the main walk of the great gothic church of
St Paul's, a club open to all—even to those who came only to dine with duke Humphrey
-there are frequent allusions in our dramatists. (Bobadill was a 'Paul's man,' and
Falstaff 'bought Bardolph in Paul's. ' See, also, L. Barry's Ram-Alley, act iv, so. 1,
and Mayne's City. Match, act mi, so. 3.
) These and other features of London life are
described in numerous works of easy access; for a graphic picture of Elizabethan
;
London, drawn with the author's usual felicity of touch, the reader may be referred
to the section ‘Le Pays Anglais' in vol. I of Jusserand's Histoire Littéraire du Peuple
Anglais. Creizenach, vol. iv, part 1, p. 486, goes so far as to assert that, with the
exception of university and school plays, not a single dramatic work of consequence
saw the light of day anywhere else than in London town.
? p. 204.


## p. 368 (#392) ############################################

368 Political and Social Aspects of the Age
familiar with its terms and processes! It was with landed property
that litigation, so far as lawyers were called in, seriously concerned
itself; and it was through the management, direct or indirect, of
country estates, and through speculation as well as litigation
respecting them, that fortunes were made and, as already noticed,
county families were founded by Elizabethan lawyers? If we
glance at the other end of the professional ladder, it will appear
that at no time before or since has a legal training been so clearly
recognised as the necessary complement of the school and university
education of a man called upon to play a part in public life. The
inns of court were one of the great social as well as educational
institutions of the Elizabethan and early Stewart period; and
within their walls, in their halls and gardens, in their libraries and
chambers, was pre-eminently fostered that spirit of devoted loyalty
towards the crown, as well as that traditional enthusiasm for
literary and other intellectual interests, which in other periods
of our national life have been habitually associated with the
universities. The occasional ‘brawls' in the streets by gentlemen
of the inns of court, like those of their democratic antipodes, the
city 'prentices, were demonstrations of self-reliance as well as of
youthful spirits. To the Elizabethan regular drama, whose be-
ginnings the inns of court had nurtured, and to some of whose
masterpieces they had extended a cordial welcome, as well as to
the lesser growths of the masque and cognate devices, these
societies stood in relations of enduring intimacy.
1 Cf. Sturge, L. J. , ‘Webster and the Law: a Parallel,' in Shakespeare Jahrbuch,
vol. XXII (1906); where it is pointed out that Webster, like Shakespeare, displays :
very extensive and, generally speaking, accurate knowledge both of the theory and
practice of the law, and the construction of the plot of The Dutchesse of Malfy is cited as
a striking instance of the extent of Webster's legal knowledge. The writer cites the
observation of Sidney Lee, in his Great Englishmen of the Sixteenth Century, that
Ben Jonson and Spenser, Massinger and Webster, employed law terms with no less
frequency and facility than Shakespeare, though none of them was engaged in the
legal profession. It would, perbaps, be fanciful to ascribe the predilection for trial
soenes, which the Elizabethan bequeathed to the later English drama, to anything
more than a sure instinct for dramatio effect.
See, on this head, the section The Lawyer'-perhaps the most instructive of
all the sections in Hubert Hall's Society in the Elizabethan Age.
3 In the letter from England,' to her three daughters, Cambridge, Oxford, Indes of
Court, appended to Polimanteia (Cambridge, 1595), while the inns of court are
acquitted of disrespect towards the universities, and of having, received some of
their children and. . . made them wanton, the Inns are admonished not to regard their
training as sufficient without that of their elder sisters. '
* In his English Dramatic Literature, vol. II, p. 223, note 7, the present writer has
cited a passage from 'A Player' in Earle's Microcosmographie (1628), which suggests a
very natural secondary reason for the interest taken in the acting drama by members
of the inns of court : ‘Your Inns of Court men were undone but for the player); hee
6


## p. 369 (#393) ############################################

The Medical Profession
369
1
d:
ris!
The physician's profession, about this time, was being dis-
entangled, on the one hand, from that of the clergyman, with
which of old it had been frequently combined, and, on the other,
from the trade of the apothecary-a purveyor of many things
besides drugs, who was more comfortably and fashionably housed
in London 1 than was his fellow at Mantua--and from that of the
barber, who united to his main functions those of dentist and yet
others, announced by his long pole, painted red? The pretensions
of both physicians and surgeons to a knowledge of which they fell
far short were still a subject of severe censures ; but little or
nothing was said in or outside the profession against what was
still the chief impediment to the progress of medical science—its
intimate association with astrology. The physician took every
care to preserve the dignity which lay at the root of much of his
power, attiring himself in the furred gown and velvet cap of his
doctor's degree, and riding about the streets, like his predecessor
in the Middle Ages, with long foot-cloths hanging down by the side
of his horse or mule. The education of physicians was carried
on much like that of lawyers, with care and comfort, and seems,
at least sometimes, to have been deemed a suitable stage in the
complete training of a gentleman. The scientific and practical
value of the medical training of the day is a theme beyond the
purpose of this sketch. Medical treatment, in many respects, was
oldfashioned in no flattering sense of the term ; in the case of
new diseases, it was savage; in the case of mental disease,
barbarous'a dark house and a whip? '
It is unnecessary to make a more than passing reference here
to another profession, which in the Elizabethan age already
existed, although it might be said to have only recently come into
ܐ ܬܐ
! *
Groen
6
is their chiefe Guest and imployment, and the sole businesse that makes them
Afternoones men. '
1 See The Merry Wives, act iii, sc. 3: 'these lisping hawthorn-buds that. . . smell
like Bucklersbury in simple time. '
? On this subject, see Vatke, T. , 1. 8. p. 172. A dentist-barber appears in Lyly's
Midas.
3 So, in the pious Joseph Halle's The Chyrurgens Book.
• An honest, though futile, attempt to distinguish between true and false, valuable
and frustrate,' astrology is made in Polimanteia, & curious tract printed at
Cambridge in 1595.
5 Cf. The Alchemist, act 1, sc. 1, where Subtle takes care to appear in this costume.
6 Paul Hentzner (u. 8. p. 31) asserts that in the fifteen colleges within and without
the city of London. members of the young nobility, gentry and others, are educated,
and chiefly in the study of physio ; for very few apply themselves to that of the law;
they are allowed a very good table, and silver cups to drink out of. '
? As You Like It, act III, sc. 2, ad fin.
E. L. V. CH. XIV.
24


## p. 370 (#394) ############################################

370 Political and Social Aspects of the Age
1
existence. The general conditions which affected the publication
of books, and, with it, the exercise of the profession of author,
have been discussed in a previous volume and more will be said
in a later chapter as to the special conditions of the writing of
plays. The number of playwrights who, at the same time, were
stage actors, probably, was by no means so large as has sometimes
been assumed; Miss Sheavyn reckons that, to our knowledge,
not more than nine combined the 'equality' of actor with
authorship? Thus, there was no reason why 'gentlemen and
scholars' should extend to dramatic or other authors as such the
scorn which, at different times, they were wont to manifest for
the profession of the actor, despised by them as, traditionally,
a menial or envied as the well paid and gorgeously apparelled
favourite of the public. Yet the professional author-the man,
that is, who sought to live by his pen, or, at least, to make it
contribute appreciably to his means of earning a livelihood, had
no easy life of it in the Elizabethan age. Patrons were rare
who gave sums of money--especially large sums such as that
which Southampton is held to have bestowed on Shakespeare--or
provided hospitality on a large scale, such as Jonson enjoyed from
lord d'Aubigny; though there may have been other cases of
quasi-hereditary support, such as that granted by the Herberts
to Massinger, or of spontaneous generosity like that extended to
Greene by a successful player. Fewer still were those to whom,
as to Munday and Jonson, the goodwill of city or crown secured an
official salary by the side of their literary earnings. The uni-
versities reserved none of their emoluments for the 'university
wits,' whose flattering dedications were more profitably addressed
to the goodwill of individual magnates. The laborious gains
of proof correcting and the like hardly came into account, as they
had done in the earlier days of the renascence, when such accom-
plishments were still confined to a small number of scholars. It
was more tempting to take to the writing of pamphlets, even if
these often really only hovered on the outskirts of literature,
* See ante, vol. iv, chap. XVIII ( The Book-trade, 1557–1625').
9 See post, vol. vi, chap. x (* The Elizabethan Theatre ').
3 The names given by her are Field, Greene, Heywood (Thomas), Jonson, Peele,
Munday, Rowley (William), Shakespeare and Wilson (Robert). The order is alpha-
betical; but a comparison of the names will show that Miss Sheavyn is right in her
conclusion that it seems to have become in time less usual to unite the two
professions, though Marlowe and Kyd, of the earlier writers, probably never acted. '
See Sheavyn, Phoebe, The Literary Profession in the Elizabethan Age (p. 93)-
valuable piece of work, of which free use has been made in the text.
• Cl. ante, vol. iv, chap. xvi, and bibl. There is no reason, in the Elizabethan
4
!
1


## p. 371 (#395) ############################################

Authors and their Troubles
371
if not to descend into other depths and enter upon one or more
of the harassing employments of the news factor, the prophetic
almanac maker, the ballad and jig writer, or the craftsman who
composed lascivious verse to suit the taste of his public.
It has been shown abovel that, though the charter of the
Stationers' company was confirmed in the first year of Elizabeth's
reign, and the licensing and censorship of books was instituted
by the injunctions issued in that year, the actual operation of this
censorship did not begin till near the middle of the last decade
but one of the sixteenth century-an epoch of intense public
anxiety. In 1586, when the agitation largely due to Jesuit
missions and their actual or supposed results was at its height
and the so-called 'discovery' of the Babyngton conspiracy was
calling forth wild alarm, the Star chamber issued the decree
which confined printing, with the exception of the two uni-
versities, to the liberties of the city of London, and subjected all
books and pamphlets before publication to the licence of the
archbishop of Canterbury and the bishop of London. Those
licensing regulations were enforced by the court of High Com-
mission (though the actual process of licensing, in part, was handed
over to particular expert authorities-as, in the case of plays,
to the master of the revels), and the activity of the court was
easily set in motion wherever the interests or susceptibilities of
church or state seemed to call for its interference. The drama,
of course, most frequently and most readily laid itself open to
official suspicion. Thus, on the single occasion of the imminence
of trouble on the part of Essex and his supporters, the authors of
at least two plays, Philotas and Sejanus, were in some danger,
and the performance of a third (Richard II) led to further
official enquiry? As in the days of the early Roman empire, a
class of informers rose into being, called, in Elizabethan parlance,
moralisers' or 'state decipherers,' whose business it was to dis-
cover and denounce passages, situations and even single words
6
6
7
age for distinguishing translators from the general body of authors, among whom
their position was one of honour and distinction. Cf. ante, vol. iv, chap. I.
1 Ante, vol. iv, pp. 381–2.
3 • Application,' says the dedication of Volpone, “is now given a trade with many,
and there are that profess to have a key for the decyphering of everything. '
Miss Sheavyn (p. 67) has drawn up a list of writers who suffered from the interference
of authorities moved by information of the above or of other sorts; it comprises
the names of Cartwright, Chapman, Daniel, Dekker, Drayton, Fletcher, Heywood,
Holinshed, Jonson, Kyd, Lodge, Marlowe, Marston, Middleton, Munday, Nashe,
Rowlands, Selden, Shakespeare, Smith, Stowe, Stubbes and Wither. Of course, the
24 - 2


## p. 372 (#396) ############################################

372
Political and Social Aspects of the Age
which seemed to betray a dangerous meaning. The spirit of
Jacobean government did not fail to carry further a system con-
genial to its mode of working. Such, in this age, were a few
,
among the troubles of authors-troubles in which dramatists had
more than their share.
The attention bestowed in this period upon the fine arts should
not be overlooked, though it cannot be discussed here. The cultiva-
tion of music, indeed, was one of the most attractive features of
Shakespeare's age and seems to have been common to both sexes!
The subject of Elizabethan and Jacobean architecture has been
already touched upon, but cannot here be pursued further. Paint-
ing, with the exception of miniature painting, was mainly left in
foreign hands. The external conditions of the drama proper were
such that it could owe little or nothing to architect, sculptor or
painter; the achievements of Inigo Jones belong to the history of
the masque?
At the lower end of the social scale, in the Elizabethan age,
a very marked division is observable between those who, more
or less, were moving upward and those whose doom it seemed
to lag behind. The smaller tradesmen and manufacturers of the
towns, though they could not, like the great city merchants, have
any claim to be of the councils of the sovereign or of those
who carried on the government, still found themselves occasionally
chosen to represent in parliament the interests of the communities
in which they lived, though, in the new boroughs established
under the influence of the crown, that influence was powerful in
securing the election of persons belonging to the gentry on whom
it could directly depend. In other ways, too, the industrial element
was asserting its right to the social advantages within its reach;
probably, such a case as that of Gabriel Harvey's father, the rope-
maker of Saffron Walden, who sent not less than four sons to the
neighbouring university, was not a very unusual one in the social
whirligig of time brought its revenges on both sides; and, finally, the Star chamber,
which, in 1634, had ordered the burning of Prynne's Histrio-Mastit, and inflicted
what shame, it could inflict upon the author of that work, was, seven years later, swept
away with the High Commission court, and several other tyrannical tribunals.
i As to Elizabethan music, and its association with the drama, see chap. vi of
vol. IV of this work, cf. also Schelling's chapter, u. 8. When Music and sweet Poetry
agree. As to the favourite composers of the period between 1589 and 1600, see
Lyrical Poems selected from musical publications, 1589-1680, ed. Collier, J. P. , Percy
Soc. Publ. (1844), vol. XIII. See, also, the note of Rockstro, W. , on "The Sixth English
School,' ap. Traill, H. D. , U. s. vol. II, p. 309.
3. Painting and carpentry are the soul of mask' is Ben Jonson's aneer in his
Expostulation with Inigo Jones.


## p. 373 (#397) ############################################

Yeomen. Labourers
373
er
6
6
6
>
bai
&
history of the times? Many yeomen, too, although their class was
supposed to be marked by a definite limit of income, and although
it was customary to address them and their wives as 'goodman' or
'goodwife' instead of 'master' or 'mistress,' were, by their clever-
ness and industry, constantly raising themselves on the social
ladder— buying up poor gentlemen's land, educating their sons
for professions and learning them how to become gentlemen. '
* These were they,' adds Harrison', in picturesque remembrance
of the days of Henry V, that in times past made all France
afraid. ' An admirable dramatic type, dated still further back,
of the stalwart yeomen of whom many an example must have
remained in Elizabethan England, is George-a-Greene, the pinner
of Wakefield, in the play named after him? Hobs the tanner, in
Heywood's Edward IV, may serve as a companion picture of the
honest handicraftsman, imperturbable alike in his good sense and
in his good humour 4.
Neither traders nor yeomen were to be confounded with the
labouring class proper, still a part of the population which Harrison,
as well as Shakespeare and his fellow dramatists, regarded as
proper to be ruled, not to rule others. It has been seen that
their condition during the Elizabethan age and the ensuing period
cannot be described as one of advance, although the social misery
which had resulted from the break-up of the old agrarian system
and the widespread substitution of pasture for tillage abated with
the practical recovery of arable farming. The labouring classes,
generally, remained in a condition of depression, or not far removed
from it. Yet they were not altogether ignored in the working
of the machinery of church and state, labouring men being
occasionally summoned on juries or even chosen to hold office as
churchwardens. But, though it would not be impossible to cite
exceptions in which human sympathy or humorous insight assert
their rights, men and women of this class were usually counted
only by heads, and, as individuals, they failed to interest the
dramatists, who were content to use them as an obscure background
or colourless substratum. It is not just to illustrate the contempt
of the Elizabethan drama for the masses either by satirical
pictures of mobs and popular rebellions, or by particular phrases
1 Marlowe's father was a shoe-maker ; but this, perhaps, is hardly a case in point.
p. 133.
Another, wbich seems to have attained to great popularity, was that of old
Tom Strowd in Day's Blind Beggar of Bednal Green.
4 Dekker's Shomakers Holiday is a genial glorification of the craft, founded on one
of the stories in Thomas Deloney's Gentle Craft (the second title of the play).
BE
1
ទី
2
3


## p. 374 (#398) ############################################

374 Political and Social Aspects of the Age
‘in character' with the personages employing them! But the
want of sympathy towards the inarticulate classes with which
the dramatists, as a body, are chargeable, must indisputably be
regarded as a limitation of the range of their art, which they
only accepted to their own disadvantage.
Wholly distinct from labouring men proper were the serving-
men, whose large numbers in the Elizabethan age are the
subject of frequent comment, and who were a legacy of medieval
times and conditions. Harrison dwells on the 'swarmes of
idle serving-men, who are an evil to everyone<,' and observes
that, while many of them brought their young masters to grief
by their wastefulness, not a few of them fell into bad ways them-
selves, and ended as highway robbers. It was easier to insist,
in the interests of society in general, that the numbers of these
hangers-on should be lessened, when not only was service con-
tinually passed on from generation to generation, but many sons
of yeomen and husbandmen entered into the condition of serving-
men, in order to escape the obligation of military service, and,
generally, to secure easier and more comfortable conditions of life.
On the part of the gentry, the custom of keeping up a large
show of servants was by no means confined to the wealthy, and
the author of that interesting tract The Serving-man's Comfort
draws a humorous picture of the needy Sir Daniel Debet, pacing
the middle walk at St Paul's, with six or seven tall hungry fellows
in attendance.
We pass to a yet different stratum of the population. It is well
known how the most important of the poor laws of Elizabeth®,
1 The queen, e. g. , in Richard II, act 11, sc. 3, addresses the gardener as 'thou
little better thing than earth' (Vatke, u. 8. p. 221).
? Harrison, p. 151, gives a kindly picture of the friendliness and geniality of the
lower classes of his age, which is justly commended by Furnivall. Sympathetic
touches of the same kind are not frequent in the plays of Shakespeare and his fellow
dramatists, though, in the phrase of the old shepherd in The Winter's Tale, they
contain plenty of homely foolery. '
3
p. 135.
• Combining the turbulence of those in Romeo and Juliet with the roguery of those
in Coriolanus. But these do not exhaust Shakespeare's gallery of servants, good, bad
and indifferent.
5A Health to the Gentlemanly profession of Servingmen or the Serving-man's
Comfort (1598). In Hazlitt's Inedited Tracts. Serving-men, though some varieties of
them did not escape the satire, may be said to have largely attracted the goodwill
of Elizabethan playwrights, including Shakespeare, who, according to a tradition said
to have been current at Stratford, himself performed the part Adam in As You
Like It.
6 of these and Elizabethan pauperism there is a masterly account by Hewins,
W. A. S. , ap. Traill, H. D. , U. 8. vol. III.