No More Learning

_the Royal Saint_: Henry VI.




INDEX OF WRITERS.


WITH DATES OF BIRTH AND DEATH.


ALEXANDER, William (1580-1640) 22

BACON, Francis (1561-1626) 57
BARBAULD, Anna Laetitia (1743-1825) 165
BARNEFIELD, Richard (16th Century) 34
BEAUMONT, Francis (1586-1616) 67
BURNS, Robert (1759-1796) 125, 132, 139, 144, 148, 149, 150, 151, 153,
155, 156
BYRON, George Gordon Noel (1788-1824) 169, 171, 173 190, 202; 209, 222,
232

CAMPBELL, Thomas (1777-1844) 181, 183, 187, 197, 206, 207, 215, 256,
262, 267, 283
CAREW, Thomas (1589-1639) 87
CAREY, Henry (-- -1743) 131
CIBBER, Colley (1671-1757) 119
COLERIDGE, Hartley (1796-1849) 175
COLERIDGE, Samuel Taylor (1772-1834) 168, 280
COLLINS, William (1720-1756) 124, 141, 146
COLLINS, --- (18th Century) 164
CONSTABLE, Henry (156-? -1604? ) 15
COWLEY, Abraham (1618-1667) 102
COWPER, William (1731-1800) 129, 134, 143, 160, 161, 162
CRASHAW, Richard (1615? -1652) 79
CUNNINGHAM, Allan (1784-1842) 205

DANIEL, Samuel (1562-1619) 35
DEKKER, Thomas (-- -1638? ) 54
DRAYTON, Michael (1563-1631) 37
DRUMMOND, William (1585-1649) 2, 38, 43, 55, 58, 59, 61
DRYDEN, John (1631-1700) 63, 116

ELLIOTT, Jane (18th Century) 126

FLETCHER, John (1576-1625) 104

GAY, John (1688-1732) 130
GOLDSMITH, Oliver (1728-1774) 138
GRAHAM, --- (1735-1797) 133
GRAY, Thomas (1716-1771) 117, 120, 123, 140, 142, 147, 158, 159

HERBERT, George (1593-1632) 74
HERRICK, Robert (1591-1674? ) 82, 88, 92, 93, 96, 109, 110
HEYWOOD, Thomas (-- -1649? ) 52
HOOD, Thomas (1798-1845) 224, 231, 235

JONSON, Ben (1574-1637) 73, 78, 90

KEATS, John (1795-1821) 166, 167, 191, 193, 198, 229, 244, 255, 270, 284

LAMB, Charles (1775-1835) 220, 233, 237
LINDSAY, Anne (1750-1825) 152
LODGE, Thomas (1556-1625) 16
LOGAN, John (1748-1788) 127
LOVELACE, Richard (1618-1658) 83, 99, 100
LYLYE, John (1554-1600) 51

MARLOWE, Christopher (1562-1593) 5
MARVELL, Andrew (1620-1678) 65, 111, 114
MICKLE, William Julius (1734-1788) 154
MILTON, John (1608-1674) 62, 64, 66, 70, 71, 76, 77, 85, 112, 113, 115
MOORE, Thomas (1780-1852) 185, 201, 217, 221, 225

NAIRN, Carolina (1766-1845) 157
NASH, Thomas (1567-1601? ) 1

PHILIPS, Ambrose (1671-1749) 121
POPE, Alexander (1688-1744) 118
PRIOR, Matthew (1664-1721) 137

ROGERS, Samuel (1762-1855) 135, 145

SCOTT, Walter (1771-1832) 105, 170, 182, 186, 192, 194, 196, 204, 230,
234, 236, 239, 263
SEDLEY, Charles (1639-1701) 81, 98
SEWELL, George (-- -1726) 163
SHAKESPEARE, William (1564-1616) 3, 4, 6, 7, 8, 10, 11, 12, 13, 14, 18,
19, 20, 23, 24, 27, 28, 29, 30, 31, 32, 36, 39, 42, 44, 45, 46, 48, 49
50, 56, 60
SHELLEY, Percy Bysshe (1792-1822) 172, 176, 184, 188, 195, 203, 226,
227, 241, 246, 252, 259, 260, 264, 265, 268, 271, 274, 275, 277, 285,
288
SHIRLEY, James (1596-1666) 68, 69
SIDNEY, Philip (1554-1586) 24
SOUTHEY, Robert (1774-1843) 216, 228
SPENSER, Edmund (1553-1598/9) 53
SUCKLING, John (1608/9-1641) 101
SYLVESTER, Joshua (1563-1618) 25
THOMSON, James (1700-1748) 122, 136

VAUGHAN, Henry (1621-1695) 75
VERE, Edward (1534-1604) 41

WALLER, Edmund (1605-1687) 89, 95
WEBSTER, John (-- -1638? ) 47
WITHER, George (1588-1667) 103
WOLFE, Charles (1791-1823) 218
WORDSWORTH, William (1770-1850) 174, 177, 178, 179, 180, 189, 200, 208,
210, 211, 212, 213, 214, 219, 223, 238, 240, 242, 243, 245, 247, 248,
249, 250, 251, 253, 254, 257, 258, 261, 266, 269, 272, 273, 276, 278,
279, 281, 282, 286, 287
WOTTON, Henry (1568-1639) 72, 84
WYAT, Thomas (1503-1542) 21, 33

UNKNOWN: 9, 17, 40, 80, 86, 91, 94, 97, 106, 107, 108, 128





INDEX OF FIRST LINES.

Absence, hear thou my protestation
A Chieftain to the Highlands bound
A flock of sheep that leisurely pass by
Ah, Chloris! could I now but sit
Ah! County Guy, the hour is nigh
All in the Downs the fleet was moor'd
All thoughts, all passions, all delights
And are ye sure the news is true?
And is this Yarrow? --This the Stream
And thou art dead, as young and fair
And wilt thou leave me thus?
Ariel to Miranda:--Take
Art thou pale for weariness
Art thou poor, yet hast thou golden slumbers?
As it fell upon a day
As I was walking all alane
A slumber did my spirit seal
As slow our ship her foamy track
A sweet disorder in the dress
At the corner of Wood Street, when daylight appears
At the mid hour of night, when stars are weeping, I fly
Avenge, O Lord! Thy slaughter'd Saints, whose bones
Awake, Aeolian lyre, awake
Awake, awake, my Lyre!
A weary lot is thine, fair maid
A wet sheet and a flowing sea
A widow bird sate mourning for her Love


Bards of Passion and of Mirth
Beauty sat bathing by a spring
Behold her, single in the field
Being your slave, what should I do but tend
Beneath these fruit-tree boughs that shed
Best and brightest, come away
Bid me to live, and I will live
Blest pair of Sirens, pledges of Heaven's joy
Blow, blow, thou winter wind
Bright Star! would I were steadfast as thou art


Call for the robin-redbreast and the wren
Calm was the day, and through the trembling air
Captain, or Colonel, or Knight in Arms
Care-charmer Sleep, son of the sable Night
Come away, come away, death
Come live with me and be my Love
Crabbed Age and Youth
Cupid and my Campaspe play'd
Cyriack, whose grandsire, on the royal bench


Daughter of Jove, relentless power
Daughter to that good earl, once President
Degenerate Douglas! O the unworthy lord!
Diaphenia like the daffadowndilly
Doth then the world go thus, doth all thus move?
Down in yon garden sweet and gay
Drink to me only with thine eyes
Duncan Gray cam here to woo


Earl March look'd on his dying child
Earth has not anything to show more fair
Eternal Spirit of the chainless Mind!
Ethereal Minstrel! Pilgrim of the sky!
Ever let the Fancy roam


Fair Daffodils, we weep to see
Fair pledges of a fruitful tree
Farewell! thou art too dear for my possessing
Fear no more the heat o' the sun
For ever, Fortune, wilt thou prove
Forget not yet the tried intent
Four Seasons fill the measure of the year
From Harmony, from heavenly Harmony
From Stirling Castle we had seen
Full fathom five thy father lies


Gather ye rose-buds while ye may
Gem of the crimson-colour'd Even
Go fetch to me a pint o' wine
Go, lovely Rose!


Hail to thee, blithe Spirit!
Happy the man, whose wish and care
Happy those early days, when I
He is gone on the mountain
He that loves a rosy cheek
Hence, all you vain delights
Hence, loathed Melancholy
Hence, vain deluding Joys
How delicious is the winning
How happy is he born and taught
How like a winter hath my absence been
How sleep the Brave, who sink to rest
How sweet the answer Echo makes
How vainly men themselves amaze


I am monarch of all I survey
I arise from dreams of thee
I dream'd that as I wander'd by the way
If aught of oaten stop or pastoral song
If doughty deeds my lady please
I fear thy kisses, gentle maiden
If Thou survive my well-contented day
If to be absent were to be
If women could be fair, and yet not fond
I have had playmates, I have had companions
I heard a thousand blended notes
I met a traveller from an antique land
I'm wearing awa', Jean
In a drear-nighted December
In the downhill of life, when I find I'm declining
In the sweet shire of Cardigan
I remember, I remember
I saw where in the shroud did lurk
It is a beauteous evening, calm and free
It is not Beauty I demand
It is not growing like a tree
I travell'd among unknown men
It was a lover and his lass
It was a summer evening
I've heard them lilting at our ewe-milking
I wander'd lonely as a cloud
I was thy neighbour once, thou rugged Pile!
I wish I were where Helen lies


John Anderson, my jo, John


Lawrence, of virtuous father virtuous son
Let me not to the marriage of true minds
Life! I know not what thou art
Life of Life! thy lips enkindle
Like as the waves make towards the pebbled shore
Like to the clear in highest sphere
Love not me for comely grace
Lo! where the rosy-bosom'd Hours


Many a green isle needs must be
Mary! I want a lyre with other strings
Milton! thou shouldst be living at this hour
Mine be a cot beside the hill
Mortality, behold and fear
Most sweet it is with unuplifted eyes
Much have I travell'd in the realms of gold
Music, when soft voices die
My days among the Dead are past
My heart aches, and a drowsy numbness pains
My heart leaps up when I behold
My Love in her attire doth show her wit
My lute, be as thou wert when thou didst grow
My thoughts hold mortal strife
My true-love hath my heart, and I have his


No longer mourn for me when I am dead
Not a drum was heard, not a funeral note
Not, Celia, that I juster am
Now the golden Morn aloft
Now the last day of many days


O blithe new-comer! I have heard
O Brignall banks are wild and fair
Of all the girls that are so smart
Of a' the airts the wind can blaw
Of Nelson and the North
O Friend! I know not which way I must look
Of this fair volume which we World do name
Oft in the stilly night
O if thou knew'st how thou thyself dost harm
Oh, lovers' eyes are sharp to see
Oh, snatch'd away in beauty's bloom!
O listen, listen, ladies gay!
O Mary, at thy window be
O me! what eyes hath love put in my head
O mistress mine, where are you roaming?
O my Luve's like a red, red rose
On a day, alack the day!
On a Poet's lips I slept
Once did She hold the gorgeous East in fee
One more Unfortunate
One word is too often profaned
O never say that I was false of heart
On Linden, when the sun was low
O saw ye bonnie Lesley
O say what is that thing call'd Light
O talk not to me of a name great in story
Our bugles sang truce, for the night-cloud had lower'd
Over the mountains
O waly waly up the bank
O what can ail thee, knight-at-arms
O Wild West Wind, thou breath of Autumn's being
O World! O Life! O Time!


Pack, clouds, away, and welcome day
Phoebus, arise!
Pibroch of Donuil Dhu
Poor Soul, the centre of my sinful earth
Proud Maisie is in the wood


Queen and Huntress, chaste and fair


Rarely, rarely, comest thou
Ruin seize thee, ruthless King!


Season of mists and mellow fruitfulness
Shall I compare thee to a summer's day?
Shall I, wasting in despair
She dwelt among the untrodden ways
She is not fair to outward view
She walks in beauty, like the night
She was a phantom of delight
Since brass, nor stone, nor earth, nor boundless sea
Since there's no help, come let us kiss and part
Sleep on, and dream of Heaven awhile
Souls of Poets dead and gone
Spring, the sweet Spring, is the year's pleasant king
Star that bringest home the bee
Stern Daughter of the voice of God!
Surprised by joy--impatient as the wind
Sweet, be not proud of those two eyes
Sweet Highland Girl, a very shower
Sweet stream, that winds through yonder glade
Swiftly walk over the western wave


Take, O take those lips away
Tax not the royal Saint with vain expense
Tell me not, Sweet, I am unkind
Tell me where is Fancy bred
That time of year thou may'st in me behold
That which her slender waist confined
The curfew tolls the knell of parting day
The forward youth that would appear
The fountains mingle with the river
The glories of our blood and state
The last and greatest Herald of Heaven's King
The lovely lass o' Inverness
The merchant, to secure his treasure
The more we live, more brief appear
The poplars are fell'd! farewell to the shade
The sun is warm, the sky is clear
The sun upon the lake is low
The twentieth year is well-nigh past
The World is too much with us; late and soon
The World's a bubble, and the Life of Man
There be none of Beauty's daughters
There is a flower, the lesser Celandine
There is a garden in her face
There's not a joy the world can give like that it takes away
There was a time when meadow, grove, and stream
They that have power to hurt, and will do none
This is the month, and this the happy morn
This life, which seems so fair
Three years she grew in sun and shower
Thy braes were bonnie, Yarrow stream
Thy hue, dear pledge, is pure and bright
Timely blossom, Infant fair
Tired with all these, for restful death I cry
Toll for the brave
To me, fair Friend, you never can be old
'Twas at the royal feast for Persia won
'Twas on a lofty vase's side
Two Voices are there, one is of the Sea


Under the greenwood tree


Verse, a breeze 'mid blossoms straying
Victorious men of earth, no more


Waken, lords and ladies gay
Wee, sleekit, cow'rin', tim'rous beastie
Were I as base as is the lowly plain
We talk'd with open heart, and tongue
We walk'd along, while bright and red
We watch'd her breathing thro' the night
Whenas in silks my Julia goes
When Britain first at Heaven's command
When first the fiery-mantled Sun
When God at first made Man
When he who adores thee has left but the name
When icicles hang by the wall
When I consider how my light is spent
When I have borne in memory what has tamed
When I have fears that I may cease to be
When I have seen by Time's fell hand defaced
When in disgrace with fortune and men's eyes
When in the chronicle of wasted time
When lovely woman stoops to folly
When Love with unconfined wings
When maidens such as Hester die
When Music, heavenly maid, was young
When Ruth was left half desolate
When the lamp is shatter'd
When the sheep are in the fauld, and the kye at hame
When to the sessions of sweet silent thought
When we two parted
Where art thou, my beloved Son
Where shall the lover rest
Where the remote Bermudas ride
While that the sun with his beams hot
Whoe'er she be
Why art thou silent? Is thy love a plant
Why, Damon, with the forward day
Why so pale and wan, fond lover?
Why weep ye by the tide, ladie?
With little here to do or see


Ye banks and braes and streams around
Ye banks and braes o' bonnie Doon
Ye distant spires, ye antique towers
Ye Mariners of England
Yes, there is holy pleasure in thine eye!
Yet once more, O ye laurels, and once more
You meaner beauties of the night





Corrections to Collins edition:

Poem 143--"W. COUPER" to "W. COWPER"
Poem 274--"like a green see" to "like a green sea"
Poem 280--"woful Ere" to "woeful Ere"
Palgrave's Notes--Poem 62: "mythe" to "myth"
Palgrave's Notes--Poem 85: "Parliamant" to "Parliament"
Palgrave's Notes--Poem 140: "Acolian lyre" to "Aeolian lyre"
Palgrave's Notes--Poem 140: "were Cytheria" to "where Cytheria"
Palgrave's Notes--Poem 275: "Geeek" to "Greek"





End of the Project Gutenberg EBook of The Golden Treasury, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK THE GOLDEN TREASURY ***

***** This file should be named 19221-8. txt or 19221-8. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/1/9/2/2/19221/

Produced by James Tenison

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. org/license).


Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.

1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.

1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1. E. Unless you have removed all references to Project Gutenberg:

1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org

1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.

1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.

1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.

1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "

- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.

- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.

1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.

1. F.

1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.
If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1. F. 4. Except for the limited right of replacement or refund set forth
in paragraph 1. F. 3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1. F. 5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1. F. 6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www. pglaf. org.


Section 3. Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf. org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U. S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712. , but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf. org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf. org

For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf. org


Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf. org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U. S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf. org/donate


Section 5. General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U. S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

http://www. gutenberg. org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.