No More Learning

rab-tu snang- ba), prelude (amukha), one-act drama (vfthf) and comedy (prahasana); gran- dure (satvatf) which includes haughty provocation (utthdpaka), change (parivartaka), dialogue with or without threats (san:zZapa) and the end of an alliance (sanghatya); grace (kaisikf) which includes amorous play (narman), the partial expression of love combined with other emotions such as fear
(narmasphota), the disguise of a lover (narmagarbha) and           union with a lover which has troublesome consequences (narmasphurja); and conflict or
Fourteen-s' t
IX een 173
en change of characters (samksip and tumultuous situations the supernatural
SIXTEEN ASPECTS OF TH
E FOUR TRUTHS bd b'"
These are the SIXTEEN en- Zhl 1 rnam-pa bcu-drug
MINOR TRUTHS.