)
Sidgwick
and Jackson.
Abercrombie - Georgian Poetry 1920-22
' What do I give?
to whom?
Words to the air, and balm to my own heart,
To its old luxurious and commanded smart.
An end to all this tuning,
This cynical masquerading;
What comfort now in that far final gloom
Can any song impart?
O yet I see you dawning from some heaven,
Who would not suffer self-reproach to live
In one to whom your friendship once was given.
I catch a vision, faint and fugitive,
Of a dark face with eyes contemplative,
Deep eyes that smile in silence,
And parted lips that whisper,
'Say nothing more, old friend, of being forgiven,
There is nothing to forgive. '
MEDITATION IN LAMPLIGHT
What deaths men have died, not fighting but impotent.
Hung on the wire, between trenches, burning and freezing,
Groaning for water with armies of men so near;
The fall over cliff, the clutch at the rootless grass,
The beach rushing up, the whirling, the turning headfirst;
Stiff writhings of strychnine, taken in error or haste,
Angina pectoris, shudders of the heart;
Failure and crushing by flying weight to the ground,
Claws and jaws, the stink of a lion's breath;
Swimming, a white belly, a crescent of teeth,
Agony, and a spirting shredded limb,
And crimson blood staining the green water;
And, horror of horrors, the slow grind on the rack,
The breaking bones, the stretching and bursting skin,
Perpetual fainting and waking to see above
The down-thrust mocking faces of cruel men,
With the power of mercy, who gloat upon shrieks for mercy.
O pity me, God! O God, make tolerable,
Make tolerable the end that awaits for me,
And give me courage to die when the time comes,
When the time comes as it must, however it comes,
That I shrink not nor scream, gripped by the jaws of the vice;
For the thought of it turns me sick, and my heart stands still,
Knocks and stands still. O fearful, fearful Shadow,
Kill me, let me die to escape the terror of thee!
A tap. Come in! Oh, no, I am perfectly well,
Only a little tired. Take this one, it's softer.
How are things going with you? Will you have some coffee?
Well, of course it's trying sometimes, but never mind,
It will probably be all right. Carry on, and keep cheerful.
I shouldn't, if I were you, meet trouble half-way,
It is always best to take everything as it comes.
LATE SNOW
The heavy train through the dim country went rolling, rolling,
Interminably passing misty snow-covered plough-land ridges
That merged in the snowy sky; came turning meadows, fences,
Came gullies and passed, and ice-coloured streams under frozen bridges.
Across the travelling landscape evenly drooped and lifted
The telegraph wires, thick ropes of snow in the windless air;
They drooped and paused and lifted again to unseen summits,
Drawing the eyes and soothing them, often, to a drowsy stare.
Singly in the snow the ghosts of trees were softly pencilled,
Fainter and fainter, in distance fading, into nothingness gliding,
But sometimes a crowd of the intricate silver trees of fairyland
Passed, close and intensely clear, the phantom world hiding.
O untroubled these moving mantled miles of shadowless shadows,
And lovely the film of falling flakes; so wayward and slack;
But I thought of many a mother-bird screening her nestlings,
Sitting silent with wide bright eyes, snow on her back.
* * * * *
FRANCIS BRETT YOUNG
SEASCAPE
Over that morn hung heaviness, until,
Near sunless noon, we heard the ship's bell beating
A melancholy staccato on dead metal;
Saw the bare-footed watch come running aft;
Felt, far below, the sudden telegraph jangle
Its harsh metallic challenge, thrice repeated:
'Stand to. Half-speed ahead. Slow. Stop her! '
They stopped.
The plunging pistons sank like a stopped heart:
She held, she swayed, a hulk, a hollow carcass
Of blistered iron that the grey-green, waveless,
Unruffled tropic waters slapped languidly.
And, in that pause, a sinister whisper ran:
Burial at Sea! a Portuguese official . . .
Poor fever-broken devil from Mozambique:
Came on half tight: the doctor calls it heat-stroke.
Why do they travel steerage? It's the exchange:
So many million 'reis' to the pound!
What did he look like? No one ever saw him:
Took to his bunk, and drank and drank and died.
They're ready! Silence!
We clustered to the rail,
Curious and half-ashamed. The well-deck spread
A comfortable gulf of segregation
Between ourselves and death. 'Burial at sea' . . .
The master holds a black book at arm's length;
His droning voice comes for'ard: 'This our brother . . .
We therefore commit his body to the deep
To be turned into corruption' . . . The bo's'n whispers
Hoarsely behind his hand: 'Now, all together! '
The hatch-cover is tilted; a mummy of sailcloth
Well ballasted with iron shoots clear of the poop;
Falls, like a diving gannet. The green sea closes
Its burnished skin; the snaky swell smoothes over . . .
While he, the man of the steerage, goes down, down,
Feet foremost, sliding swiftly down the dim water,
Swift to escape
Those plunging shapes with pale, empurpled bellies
That swirl and veer about him. He goes down
Unerringly, as though he knew the way
Through green, through gloom, to absolute watery darkness,
Where no weed sways nor curious fin quivers:
To the sad, sunless deeps where, endlessly,
A downward drift of death spreads its wan mantle
In the wave-moulded valleys that shall enfold him
Till the sea give up its dead.
There shall he lie dispersed amid great riches:
Such gold, such arrogance, so many bold hearts!
All the sunken armadas pressed to powder
By weight of incredible seas! That mingled wrack
No livening sun shall visit till the crust
Of earth be riven, or this rolling planet
Reel on its axis; till the moon-chained tides,
Unloosed, deliver up that white Atlantis
Whose naked peaks shall bleach above the slaked
Thirst of Sahara, fringed by weedy tangles
Of Atlas's drown'd cedars, frowning eastward
To where the sands of India lie cold,
And heap'd Himalaya's a rib of coral
Slowly uplifted, grain on grain. . . .
We dream
Too long! Another jangle of alarum
Stabs at the engines: 'Slow. Half-speed. Full-speed! '
The great bearings rumble; the screw churns, frothing
Opaque water to downward-swelling plumes
Milky as wood-smoke. A shoal of flying-fish
Spurts out like animate spray. The warm breeze wakens;
And we pass on, forgetting,
Toward the solemn horizon of bronzed cumulus
That bounds our brooding sea, gathering gloom
That, when night falls, will dissipate in flaws
Of watery lightning, washing the hot sky,
Cleansing all hearts of heat and restlessness,
Until, with day, another blue be born.
SCIROCCO
Out of that high pavilion
Where the sick, wind-harassed sun
In the whiteness of the day
Ghostly shone and stole away--
Parchèd with the utter thirst
Of unnumbered Libyan sands,
Thou, cloud-gathering spirit, burst
Out of arid Africa
To the tideless sea, and smote
On our pale, moon-coolèd lands
The hot breath of a lion's throat.
And that furnace-heated breath
Blew into my placid dreams
The heart of fire from whence it came:
Haunt of beauty and of death
Where the forest breaks in flame
Of flaunting blossom, where the flood
Of life pulses hot and stark,
Where a wing'd death breeds in mud
And tumult of tree-shadowed streams--
Black waters, desolately hurled
Through the uttermost, lost, dark,
Secret places of the world.
There, O swift and terrible
Being, wast thou born; and thence,
Like a demon loosed from hell,
Stripped with rending wings the dense
Echoing forests, till their bowed
Plumes of trees like tattered cloud
Were toss'd and torn, and cried aloud
As the wood were rack'd with pain:
Thence thou freed'st thy wings, and soon
From the moaning, stricken plain
In whorled eagle-soarings rose
To melt the sun-defeating snows
Of the Mountains of the Moon,
To dull their glaciers with fierce breath,
To slip the avalanches' rein,
To set the laughing torrents free
On the tented desert beneath,
Where men of thirst must wither and die
While the vultures stare in the sun's eye;
Where slowly sifting sands are strown
On broken cities, whose bleaching bones
Whiten in moonlight stone on stone.
Over their pitiful dust thy blast
Passed in columns of whirling sand,
Leapt the desert and swept the strand
Of the cool and quiet sea,
Gathering mighty shapes, and proud
Phantoms of monstrous, wave-born cloud,
And northward drove this panoply
Till the sky seemed charging on the land. . . .
Yet, in that plumèd helm, the most
Of thy hot power was cooled or lost,
So that it came to me at length,
Faint and tepid and shorn of strength,
To shiver an olive-grove that heaves
A myriad moonlight-coloured leaves,
And in the stone-pine's dome set free
A murmur of the middle sea:
A puff of warm air in the night
So spent by its impetuous flight
It scarce invades my pillar'd closes,--
To waft their fragrance from the sweet
Buds of my lemon-coloured roses
Or strew blown petals at my feet:
To kiss my cheek with a warm sigh
And in the tired darkness die.
THE QUAILS
(In the south of Italy the peasants put out the eyes of a captured quail
so that its cries may attract the flocks of spring migrants into their
nets. )
All through the night
I have heard the stuttering call of a blind quail,
A caged decoy, under a cairn of stones,
Crying for light as the quails cry for love.
Other wanderers,
Northward from Africa winging on numb pinions, dazed
With beating winds and the sobbing of the sea,
Hear, in a breath of sweet land-herbage, the call
Of the blind one, their sister. . . .
Hearing, their fluttered hearts
Take courage, and they wheel in their dark flight,
Knowing that their toil is over, dreaming to see
The white stubbles of Abruzzi smitten with dawn,
And spilt grain lying in the furrows, the squandered gold
That is the delight of quails in their spring mating.
Land-scents grow keener,
Penetrating the dank and bitter odour of brine
That whitens their feathers;
Far below, the voice of their sister calls them
To plenty, and sweet water, and fulfilment.
Over the pallid margin of dim seas breaking,
Over the thickening in the darkness that is land,
They fly. Their flight is ended. Wings beat no more.
Downward they drift, one by one, like dark petals,
Slowly, listlessly falling
Into the mouth of horror:
The nets. . . .
Where men come trampling and crying with bright lanterns,
Plucking their weak, entangled claws from the meshes of net,
Clutching the soft brown bodies mottled with olive,
Crushing the warm, fluttering flesh, in hands stained with blood,
Till their quivering hearts are stilled, and the bright eyes,
That are like a polished agate, glaze in death.
But the blind one, in her wicker cage, without ceasing
Haunts this night of spring with her stuttering call,
Knowing nothing of the terror that walks in darkness,
Knowing only that some cruelty has stolen the light
That is life, and that she must cry until she dies.
I, in the darkness,
Heard, and my heart grew sick. But I know that to-morrow
A smiling peasant will come with a basket of quails
Wrapped in vine-leaves, prodding them with blood-stained fingers,
Saying, 'Signore, you must cook them thus, and thus,
With a sprig of basil inside them. ' And I shall thank him,
Carrying the piteous carcases into the kitchen
Without a pang, without shame.
'Why should I be ashamed? Why should I rail
Against the cruelty of men? Why should I pity,
Seeing that there is no cruelty which men can imagine
To match the subtle dooms that are wrought against them
By blind spores of pestilence: seeing that each of us,
Lured by dim hopes, flutters in the toils of death
On a cold star that is spinning blindly through space
Into the nets of time? '
So cried I, bitterly thrusting pity aside,
Closing my lids to sleep. But sleep came not,
And pity, with sad eyes,
Crept to my side, and told me
That the life of all creatures is brave and pityful
Whether they be men, with dark thoughts to vex them,
Or birds, wheeling in the swift joys of flight,
Or brittle ephemerids, spinning to death in the haze
Of gold that quivers on dim evening waters;
Nor would she be denied.
The harshness died
Within me, and my heart
Was caught and fluttered like the palpitant heart
Of a brown quail, flying
To the call of her blind sister,
And death, in the spring night.
SONG AT SANTA CRUZ
Were there lovers in the lanes of Atlantis:
Meeting lips and twining fingers
In the mild Atlantis springtime?
How should I know
If there were lovers in the lanes of Atlantis
When the dark sea drowned her mountains
Many ages ago?
Were there poets in the paths of Atlantis:
Eager poets, seeking beauty
To adorn the women they worshipped?
How can I say
If there were poets in the paths of Atlantis?
For the waters that drowned her mountains
Washed their beauty away.
Were there women in the ways of Atlantis:
Foolish women, who loved, as I do,
Dreaming that mortal love was deathless?
Ask me not now
If there were women in the ways of Atlantis:
There was no woman in all her mountains
Wonderful as thou!
* * * * *
BIBLIOGRAPHY
(Some of these lists are incomplete. They include poetical works only. )
LASCELLES ABERCROMBIE
Interludes and Poems. John Lane. 1908
Mary and the Bramble. ('Out of print'. ) 1910
The Sale of St. Thomas. [1] " " 1911
Emblems of Love. John Lane. 1912
Deborah (play). " " 1913
Four Short Plays. Martin Seeker. 1922
MARTIN ARMSTRONG
Exodus and Other Poems. Lynwood and Co. 1912
Thirty New Poems. Chapman and Hall. 1918
The Buzzards. Martin Seeker. 1921
EDMUND BLUNDEN
The Waggoner. Sidgwick and Jackson. 1920
The Shepherd. R. Cobden-Sanderson. 1922
WILLIAM H. DAVIES
The Soul's Destroyer. Jonathan Cape. 1906
New Poems. " " 1907
Nature Poems. " " 1908
Farewell to Poesy. " " 1910
Songs of Joy. " " 1911
Foliage. " " 1913
The Bird of Paradise. Methuen. 1914
Child Lovers. Jonathan Cape. 1916
Collected Poems. " " 1916
Raptures. [2] Beaumont Press. 1918
Forty New Poems. Jonathan Cape. 1918
The Song of Life. " " 1920
The Hour of Magic. " " 1922
WALTER DE LA MARE
Poems. Murray. 1906
The Listeners. Constable. 1912
A Child's Day. " 1912
Peacock Pie. " 1913
Songs of Childhood. (New Edition. ) Longmans. 1916
The Sunken Garden. [3] Beaumont Press. 1917
Motley. Constable. 1917
Poems, 1901-1918. " 1920
Flora. Heinemann. 1919
The Veil. Constable. 1921
JOHN DRINKWATER
Poems of Men and Hours. (Out of print. ) 1911
Cophetua (play). " " 1911
Poems of Love and Earth. " " 1912
Cromwell, and Other Poems. David Nutt. 1913
Rebellion (play). (Out of-print. ) 1914
Swords and Ploughshares. Sidgwick and Jackson. 1915
Olton Pools. " " 1916
Poems, 1908-1914. " " 1917
Tides. Beaumont Press. 1917
Tides (with additions). Sidgwick and Jackson. 1917
Loyalties. Beaumont Press. 1918
Loyalties (with additions). Sidgwick and Jackson. 1918
Abraham Lincoln (Prose Play with Chorus). Sidgwick and Jackson. 1918
Seeds of Time. " " 1921
Selected Poems. " " 1922
Pawns and Cophetua
(Four Poetic Plays). (New Edition.
) Sidgwick and Jackson. 1922
Preludes, 1921-1922 (in preparation)
JOHN FREEMAN
Twenty Poems. Gay and Hancock. 1909
Fifty Poems. (New Edition. ) Selwyn and Blount. 1916
Stone Trees. " " 1916
Presage of Victory. " " 1916
Memories of Childhood. Morland Press. 1918
Memories, and Other Poems. Selwyn and Blount. 1919
Poems New and Old. " " 1920
Music. " " 1921
Two Poems. " " 1921
WILFRID GIBSON
Stonefolds. Elkin Mathews. 1907
Akra the Slave. " " 1910
Daily Bread. " " 1910
Fires. " " 1913
Borderlands. " " 1914
Thoroughfares. " " 1914
Battle. " " 1915
Friends. " " 1916
Livelihood. Macmillan. 1917
Collected Poems. New York: Macmillan Co. 1917
Whin. Macmillan. 1918
Home. Beaumont Press. 1919
Neighbours. Macmillan. 1920
Krindlesyke (play). " 1922
ROBERT GRAVES
Over the Brazier. Poetry Bookshop. 1916
Fairies and Fusiliers. Heinemann. 1917
Country Sentiment. Martin Seeker. 1919
The Pier-glass. " " 1921
On English Poetry
(Critical work containing new poems) Heinemann. 1922
Whipperginny (in preparation)
RICHARD HUGHES
Gipsy-Night. Golden Cockerel Press. 1922
D. H. LAWRENCE
Love Poems. Duckworth. 1913
Amores. " 1916
Look! We have Come Through! (Out of print. ) 1917
New Poems. Martin Seeker. 1918
HAROLD MONRO
Judas. Sampson Low. 1908
Before Dawn. (Out of print. ) 1911
Children of Love. Poetry Bookshop. 1914
Strange Meetings. " " 1917
Real Property. {London " "
{New York: Macmillan Co. 1922
ROBERT NICHOLS.
Invocation. Elkin Mathews. 1915
Ardours and Endurances. Chatto and Windus. 1917
The Budded Branch. Beaumont Press. 1918
Aurelia. Chatto and Windus. 1920
FRANK PREWETT
Poems. Hogarth Press. 1921
PETER QUENNELL
Masques and Poems (in preparation). Golden Cockerel Press
V. SACKVILLE-WEST
Orchard and Vineyard. John Lane. 1921
EDWARD SHANKS
Songs. (Out of print. ) 1915
Poems. Sidgwick and Jackson. 1916
The Queen of China. Martin Seeker. 1919
The Island of Youth. Collins. 1921
J. C. SQUIRE
Steps to Parnassus. Allen and Unwin. 1913
The Three Hills. " " 1913
The Survival of the Fittest. " " 1916
Tricks of the Trade. Hodder and Stoughton. 1917
Poems: First Series. " " 1918
The Birds, and Other Poems. Hodder and Stoughton. 1919
Poems: Second Series. " " 1922
FRANCIS BRETT YOUNG
Five Degrees South. Martin Seeker. 1917
Poems, 1916-1918. Collins. 1919
[Footnote 1: Reprinted in 'Georgian Poetry, 1911-1912'. ]
[Footnote 2: Reprinted, with additions, in 'Forty New Poems'. ]
[Footnote 3: Reprinted, with additions, in 'Motley'. ]
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Words to the air, and balm to my own heart,
To its old luxurious and commanded smart.
An end to all this tuning,
This cynical masquerading;
What comfort now in that far final gloom
Can any song impart?
O yet I see you dawning from some heaven,
Who would not suffer self-reproach to live
In one to whom your friendship once was given.
I catch a vision, faint and fugitive,
Of a dark face with eyes contemplative,
Deep eyes that smile in silence,
And parted lips that whisper,
'Say nothing more, old friend, of being forgiven,
There is nothing to forgive. '
MEDITATION IN LAMPLIGHT
What deaths men have died, not fighting but impotent.
Hung on the wire, between trenches, burning and freezing,
Groaning for water with armies of men so near;
The fall over cliff, the clutch at the rootless grass,
The beach rushing up, the whirling, the turning headfirst;
Stiff writhings of strychnine, taken in error or haste,
Angina pectoris, shudders of the heart;
Failure and crushing by flying weight to the ground,
Claws and jaws, the stink of a lion's breath;
Swimming, a white belly, a crescent of teeth,
Agony, and a spirting shredded limb,
And crimson blood staining the green water;
And, horror of horrors, the slow grind on the rack,
The breaking bones, the stretching and bursting skin,
Perpetual fainting and waking to see above
The down-thrust mocking faces of cruel men,
With the power of mercy, who gloat upon shrieks for mercy.
O pity me, God! O God, make tolerable,
Make tolerable the end that awaits for me,
And give me courage to die when the time comes,
When the time comes as it must, however it comes,
That I shrink not nor scream, gripped by the jaws of the vice;
For the thought of it turns me sick, and my heart stands still,
Knocks and stands still. O fearful, fearful Shadow,
Kill me, let me die to escape the terror of thee!
A tap. Come in! Oh, no, I am perfectly well,
Only a little tired. Take this one, it's softer.
How are things going with you? Will you have some coffee?
Well, of course it's trying sometimes, but never mind,
It will probably be all right. Carry on, and keep cheerful.
I shouldn't, if I were you, meet trouble half-way,
It is always best to take everything as it comes.
LATE SNOW
The heavy train through the dim country went rolling, rolling,
Interminably passing misty snow-covered plough-land ridges
That merged in the snowy sky; came turning meadows, fences,
Came gullies and passed, and ice-coloured streams under frozen bridges.
Across the travelling landscape evenly drooped and lifted
The telegraph wires, thick ropes of snow in the windless air;
They drooped and paused and lifted again to unseen summits,
Drawing the eyes and soothing them, often, to a drowsy stare.
Singly in the snow the ghosts of trees were softly pencilled,
Fainter and fainter, in distance fading, into nothingness gliding,
But sometimes a crowd of the intricate silver trees of fairyland
Passed, close and intensely clear, the phantom world hiding.
O untroubled these moving mantled miles of shadowless shadows,
And lovely the film of falling flakes; so wayward and slack;
But I thought of many a mother-bird screening her nestlings,
Sitting silent with wide bright eyes, snow on her back.
* * * * *
FRANCIS BRETT YOUNG
SEASCAPE
Over that morn hung heaviness, until,
Near sunless noon, we heard the ship's bell beating
A melancholy staccato on dead metal;
Saw the bare-footed watch come running aft;
Felt, far below, the sudden telegraph jangle
Its harsh metallic challenge, thrice repeated:
'Stand to. Half-speed ahead. Slow. Stop her! '
They stopped.
The plunging pistons sank like a stopped heart:
She held, she swayed, a hulk, a hollow carcass
Of blistered iron that the grey-green, waveless,
Unruffled tropic waters slapped languidly.
And, in that pause, a sinister whisper ran:
Burial at Sea! a Portuguese official . . .
Poor fever-broken devil from Mozambique:
Came on half tight: the doctor calls it heat-stroke.
Why do they travel steerage? It's the exchange:
So many million 'reis' to the pound!
What did he look like? No one ever saw him:
Took to his bunk, and drank and drank and died.
They're ready! Silence!
We clustered to the rail,
Curious and half-ashamed. The well-deck spread
A comfortable gulf of segregation
Between ourselves and death. 'Burial at sea' . . .
The master holds a black book at arm's length;
His droning voice comes for'ard: 'This our brother . . .
We therefore commit his body to the deep
To be turned into corruption' . . . The bo's'n whispers
Hoarsely behind his hand: 'Now, all together! '
The hatch-cover is tilted; a mummy of sailcloth
Well ballasted with iron shoots clear of the poop;
Falls, like a diving gannet. The green sea closes
Its burnished skin; the snaky swell smoothes over . . .
While he, the man of the steerage, goes down, down,
Feet foremost, sliding swiftly down the dim water,
Swift to escape
Those plunging shapes with pale, empurpled bellies
That swirl and veer about him. He goes down
Unerringly, as though he knew the way
Through green, through gloom, to absolute watery darkness,
Where no weed sways nor curious fin quivers:
To the sad, sunless deeps where, endlessly,
A downward drift of death spreads its wan mantle
In the wave-moulded valleys that shall enfold him
Till the sea give up its dead.
There shall he lie dispersed amid great riches:
Such gold, such arrogance, so many bold hearts!
All the sunken armadas pressed to powder
By weight of incredible seas! That mingled wrack
No livening sun shall visit till the crust
Of earth be riven, or this rolling planet
Reel on its axis; till the moon-chained tides,
Unloosed, deliver up that white Atlantis
Whose naked peaks shall bleach above the slaked
Thirst of Sahara, fringed by weedy tangles
Of Atlas's drown'd cedars, frowning eastward
To where the sands of India lie cold,
And heap'd Himalaya's a rib of coral
Slowly uplifted, grain on grain. . . .
We dream
Too long! Another jangle of alarum
Stabs at the engines: 'Slow. Half-speed. Full-speed! '
The great bearings rumble; the screw churns, frothing
Opaque water to downward-swelling plumes
Milky as wood-smoke. A shoal of flying-fish
Spurts out like animate spray. The warm breeze wakens;
And we pass on, forgetting,
Toward the solemn horizon of bronzed cumulus
That bounds our brooding sea, gathering gloom
That, when night falls, will dissipate in flaws
Of watery lightning, washing the hot sky,
Cleansing all hearts of heat and restlessness,
Until, with day, another blue be born.
SCIROCCO
Out of that high pavilion
Where the sick, wind-harassed sun
In the whiteness of the day
Ghostly shone and stole away--
Parchèd with the utter thirst
Of unnumbered Libyan sands,
Thou, cloud-gathering spirit, burst
Out of arid Africa
To the tideless sea, and smote
On our pale, moon-coolèd lands
The hot breath of a lion's throat.
And that furnace-heated breath
Blew into my placid dreams
The heart of fire from whence it came:
Haunt of beauty and of death
Where the forest breaks in flame
Of flaunting blossom, where the flood
Of life pulses hot and stark,
Where a wing'd death breeds in mud
And tumult of tree-shadowed streams--
Black waters, desolately hurled
Through the uttermost, lost, dark,
Secret places of the world.
There, O swift and terrible
Being, wast thou born; and thence,
Like a demon loosed from hell,
Stripped with rending wings the dense
Echoing forests, till their bowed
Plumes of trees like tattered cloud
Were toss'd and torn, and cried aloud
As the wood were rack'd with pain:
Thence thou freed'st thy wings, and soon
From the moaning, stricken plain
In whorled eagle-soarings rose
To melt the sun-defeating snows
Of the Mountains of the Moon,
To dull their glaciers with fierce breath,
To slip the avalanches' rein,
To set the laughing torrents free
On the tented desert beneath,
Where men of thirst must wither and die
While the vultures stare in the sun's eye;
Where slowly sifting sands are strown
On broken cities, whose bleaching bones
Whiten in moonlight stone on stone.
Over their pitiful dust thy blast
Passed in columns of whirling sand,
Leapt the desert and swept the strand
Of the cool and quiet sea,
Gathering mighty shapes, and proud
Phantoms of monstrous, wave-born cloud,
And northward drove this panoply
Till the sky seemed charging on the land. . . .
Yet, in that plumèd helm, the most
Of thy hot power was cooled or lost,
So that it came to me at length,
Faint and tepid and shorn of strength,
To shiver an olive-grove that heaves
A myriad moonlight-coloured leaves,
And in the stone-pine's dome set free
A murmur of the middle sea:
A puff of warm air in the night
So spent by its impetuous flight
It scarce invades my pillar'd closes,--
To waft their fragrance from the sweet
Buds of my lemon-coloured roses
Or strew blown petals at my feet:
To kiss my cheek with a warm sigh
And in the tired darkness die.
THE QUAILS
(In the south of Italy the peasants put out the eyes of a captured quail
so that its cries may attract the flocks of spring migrants into their
nets. )
All through the night
I have heard the stuttering call of a blind quail,
A caged decoy, under a cairn of stones,
Crying for light as the quails cry for love.
Other wanderers,
Northward from Africa winging on numb pinions, dazed
With beating winds and the sobbing of the sea,
Hear, in a breath of sweet land-herbage, the call
Of the blind one, their sister. . . .
Hearing, their fluttered hearts
Take courage, and they wheel in their dark flight,
Knowing that their toil is over, dreaming to see
The white stubbles of Abruzzi smitten with dawn,
And spilt grain lying in the furrows, the squandered gold
That is the delight of quails in their spring mating.
Land-scents grow keener,
Penetrating the dank and bitter odour of brine
That whitens their feathers;
Far below, the voice of their sister calls them
To plenty, and sweet water, and fulfilment.
Over the pallid margin of dim seas breaking,
Over the thickening in the darkness that is land,
They fly. Their flight is ended. Wings beat no more.
Downward they drift, one by one, like dark petals,
Slowly, listlessly falling
Into the mouth of horror:
The nets. . . .
Where men come trampling and crying with bright lanterns,
Plucking their weak, entangled claws from the meshes of net,
Clutching the soft brown bodies mottled with olive,
Crushing the warm, fluttering flesh, in hands stained with blood,
Till their quivering hearts are stilled, and the bright eyes,
That are like a polished agate, glaze in death.
But the blind one, in her wicker cage, without ceasing
Haunts this night of spring with her stuttering call,
Knowing nothing of the terror that walks in darkness,
Knowing only that some cruelty has stolen the light
That is life, and that she must cry until she dies.
I, in the darkness,
Heard, and my heart grew sick. But I know that to-morrow
A smiling peasant will come with a basket of quails
Wrapped in vine-leaves, prodding them with blood-stained fingers,
Saying, 'Signore, you must cook them thus, and thus,
With a sprig of basil inside them. ' And I shall thank him,
Carrying the piteous carcases into the kitchen
Without a pang, without shame.
'Why should I be ashamed? Why should I rail
Against the cruelty of men? Why should I pity,
Seeing that there is no cruelty which men can imagine
To match the subtle dooms that are wrought against them
By blind spores of pestilence: seeing that each of us,
Lured by dim hopes, flutters in the toils of death
On a cold star that is spinning blindly through space
Into the nets of time? '
So cried I, bitterly thrusting pity aside,
Closing my lids to sleep. But sleep came not,
And pity, with sad eyes,
Crept to my side, and told me
That the life of all creatures is brave and pityful
Whether they be men, with dark thoughts to vex them,
Or birds, wheeling in the swift joys of flight,
Or brittle ephemerids, spinning to death in the haze
Of gold that quivers on dim evening waters;
Nor would she be denied.
The harshness died
Within me, and my heart
Was caught and fluttered like the palpitant heart
Of a brown quail, flying
To the call of her blind sister,
And death, in the spring night.
SONG AT SANTA CRUZ
Were there lovers in the lanes of Atlantis:
Meeting lips and twining fingers
In the mild Atlantis springtime?
How should I know
If there were lovers in the lanes of Atlantis
When the dark sea drowned her mountains
Many ages ago?
Were there poets in the paths of Atlantis:
Eager poets, seeking beauty
To adorn the women they worshipped?
How can I say
If there were poets in the paths of Atlantis?
For the waters that drowned her mountains
Washed their beauty away.
Were there women in the ways of Atlantis:
Foolish women, who loved, as I do,
Dreaming that mortal love was deathless?
Ask me not now
If there were women in the ways of Atlantis:
There was no woman in all her mountains
Wonderful as thou!
* * * * *
BIBLIOGRAPHY
(Some of these lists are incomplete. They include poetical works only. )
LASCELLES ABERCROMBIE
Interludes and Poems. John Lane. 1908
Mary and the Bramble. ('Out of print'. ) 1910
The Sale of St. Thomas. [1] " " 1911
Emblems of Love. John Lane. 1912
Deborah (play). " " 1913
Four Short Plays. Martin Seeker. 1922
MARTIN ARMSTRONG
Exodus and Other Poems. Lynwood and Co. 1912
Thirty New Poems. Chapman and Hall. 1918
The Buzzards. Martin Seeker. 1921
EDMUND BLUNDEN
The Waggoner. Sidgwick and Jackson. 1920
The Shepherd. R. Cobden-Sanderson. 1922
WILLIAM H. DAVIES
The Soul's Destroyer. Jonathan Cape. 1906
New Poems. " " 1907
Nature Poems. " " 1908
Farewell to Poesy. " " 1910
Songs of Joy. " " 1911
Foliage. " " 1913
The Bird of Paradise. Methuen. 1914
Child Lovers. Jonathan Cape. 1916
Collected Poems. " " 1916
Raptures. [2] Beaumont Press. 1918
Forty New Poems. Jonathan Cape. 1918
The Song of Life. " " 1920
The Hour of Magic. " " 1922
WALTER DE LA MARE
Poems. Murray. 1906
The Listeners. Constable. 1912
A Child's Day. " 1912
Peacock Pie. " 1913
Songs of Childhood. (New Edition. ) Longmans. 1916
The Sunken Garden. [3] Beaumont Press. 1917
Motley. Constable. 1917
Poems, 1901-1918. " 1920
Flora. Heinemann. 1919
The Veil. Constable. 1921
JOHN DRINKWATER
Poems of Men and Hours. (Out of print. ) 1911
Cophetua (play). " " 1911
Poems of Love and Earth. " " 1912
Cromwell, and Other Poems. David Nutt. 1913
Rebellion (play). (Out of-print. ) 1914
Swords and Ploughshares. Sidgwick and Jackson. 1915
Olton Pools. " " 1916
Poems, 1908-1914. " " 1917
Tides. Beaumont Press. 1917
Tides (with additions). Sidgwick and Jackson. 1917
Loyalties. Beaumont Press. 1918
Loyalties (with additions). Sidgwick and Jackson. 1918
Abraham Lincoln (Prose Play with Chorus). Sidgwick and Jackson. 1918
Seeds of Time. " " 1921
Selected Poems. " " 1922
Pawns and Cophetua
(Four Poetic Plays). (New Edition.
) Sidgwick and Jackson. 1922
Preludes, 1921-1922 (in preparation)
JOHN FREEMAN
Twenty Poems. Gay and Hancock. 1909
Fifty Poems. (New Edition. ) Selwyn and Blount. 1916
Stone Trees. " " 1916
Presage of Victory. " " 1916
Memories of Childhood. Morland Press. 1918
Memories, and Other Poems. Selwyn and Blount. 1919
Poems New and Old. " " 1920
Music. " " 1921
Two Poems. " " 1921
WILFRID GIBSON
Stonefolds. Elkin Mathews. 1907
Akra the Slave. " " 1910
Daily Bread. " " 1910
Fires. " " 1913
Borderlands. " " 1914
Thoroughfares. " " 1914
Battle. " " 1915
Friends. " " 1916
Livelihood. Macmillan. 1917
Collected Poems. New York: Macmillan Co. 1917
Whin. Macmillan. 1918
Home. Beaumont Press. 1919
Neighbours. Macmillan. 1920
Krindlesyke (play). " 1922
ROBERT GRAVES
Over the Brazier. Poetry Bookshop. 1916
Fairies and Fusiliers. Heinemann. 1917
Country Sentiment. Martin Seeker. 1919
The Pier-glass. " " 1921
On English Poetry
(Critical work containing new poems) Heinemann. 1922
Whipperginny (in preparation)
RICHARD HUGHES
Gipsy-Night. Golden Cockerel Press. 1922
D. H. LAWRENCE
Love Poems. Duckworth. 1913
Amores. " 1916
Look! We have Come Through! (Out of print. ) 1917
New Poems. Martin Seeker. 1918
HAROLD MONRO
Judas. Sampson Low. 1908
Before Dawn. (Out of print. ) 1911
Children of Love. Poetry Bookshop. 1914
Strange Meetings. " " 1917
Real Property. {London " "
{New York: Macmillan Co. 1922
ROBERT NICHOLS.
Invocation. Elkin Mathews. 1915
Ardours and Endurances. Chatto and Windus. 1917
The Budded Branch. Beaumont Press. 1918
Aurelia. Chatto and Windus. 1920
FRANK PREWETT
Poems. Hogarth Press. 1921
PETER QUENNELL
Masques and Poems (in preparation). Golden Cockerel Press
V. SACKVILLE-WEST
Orchard and Vineyard. John Lane. 1921
EDWARD SHANKS
Songs. (Out of print. ) 1915
Poems. Sidgwick and Jackson. 1916
The Queen of China. Martin Seeker. 1919
The Island of Youth. Collins. 1921
J. C. SQUIRE
Steps to Parnassus. Allen and Unwin. 1913
The Three Hills. " " 1913
The Survival of the Fittest. " " 1916
Tricks of the Trade. Hodder and Stoughton. 1917
Poems: First Series. " " 1918
The Birds, and Other Poems. Hodder and Stoughton. 1919
Poems: Second Series. " " 1922
FRANCIS BRETT YOUNG
Five Degrees South. Martin Seeker. 1917
Poems, 1916-1918. Collins. 1919
[Footnote 1: Reprinted in 'Georgian Poetry, 1911-1912'. ]
[Footnote 2: Reprinted, with additions, in 'Forty New Poems'. ]
[Footnote 3: Reprinted, with additions, in 'Motley'. ]
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