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POEMS
by EMILY DICKINSON
Series One
Edited by two of her friends
MABEL LOOMIS TODD and T. W. HIGGINSON
PREFACE.
THE verses of Emily Dickinson belong emphatically to what Emerson
long since called "the Poetry of the Portfolio,"--something produced
absolutely without the thought of publication, and solely by way of
expression of the writer's own mind. Such verse must inevitably
forfeit whatever advantage lies in the discipline of public criticism
and the enforced conformity to accepted ways. On the other hand, it
may often gain something through the habit of freedom and the
unconventional utterance of daring thoughts. In the case of the
present author, there was absolutely no choice in the matter; she
must write thus, or not at all. A recluse by temperament and habit,
literally spending years without setting her foot beyond the
doorstep, and many more years during which her walks were strictly
limited to her father's grounds, she habitually concealed her mind,
like her person, from all but a very few friends; and it was with
great difficulty that she was persuaded to print, during her
lifetime, three or four poems. Yet she wrote verses in great
abundance; and though brought curiously indifferent to all
conventional rules, had yet a rigorous literary standard of her own,
and often altered a word many times to suit an ear which had its own
tenacious fastidiousness.
Miss Dickinson was born in Amherst, Mass. , Dec. 10, 1830, and died
there May 15, 1886. Her father, Hon. Edward Dickinson, was the
leading lawyer of Amherst, and was treasurer of the well-known
college there situated. It was his custom once a year to hold a large
reception at his house, attended by all the families connected with
the institution and by the leading people of the town. On these
occasions his daughter Emily emerged from her wonted retirement and
did her part as gracious hostess; nor would any one have known from
her manner, I have been told, that this was not a daily occurrence.
The annual occasion once past, she withdrew again into her seclusion,
and except for a very few friends was as invisible to the world as if
she had dwelt in a nunnery. For myself, although I had corresponded
with her for many years, I saw her but twice face to face, and
brought away the impression of something as unique and remote as
Undine or Mignon or Thekla.
This selection from her poems is published to meet the desire of her
personal friends, and especially of her surviving sister. It is
believed that the thoughtful reader will find in these pages a
quality more suggestive of the poetry of William Blake than of
anything to be elsewhere found,--flashes of wholly original and
profound insight into nature and life; words and phrases exhibiting
an extraordinary vividness of descriptive and imaginative power, yet
often set in a seemingly whimsical or even rugged frame. They are
here published as they were written, with very few and superficial
changes; although it is fair to say that the titles have been
assigned, almost invariably, by the editors. In many cases these
verses will seem to the reader like poetry torn up by the roots, with
rain and dew and earth still clinging to them, giving a freshness and
a fragrance not otherwise to be conveyed. In other cases, as in the
few poems of shipwreck or of mental conflict, we can only wonder at
the gift of vivid imagination by which this recluse woman can
delineate, by a few touches, the very crises of physical or mental
struggle. And sometimes again we catch glimpses of a lyric strain,
sustained perhaps but for a line or two at a time, and making the
reader regret its sudden cessation. But the main quality of these
poems is that of extraordinary grasp and insight, uttered with an
uneven vigor sometimes exasperating, seemingly wayward, but really
unsought and inevitable. After all, when a thought takes one's
breath away, a lesson on grammar seems an impertinence. As Ruskin
wrote in his earlier and better days, "No weight nor mass nor beauty
of execution can outweigh one grain or fragment of thought. "
---Thomas Wentworth Higginson
TRANSCRIBER'S NOTE
As is well documented, Emily Dickinson's poems were edited in these
early editions by her friends, better to fit the conventions of the
times. In particular, her dashes, often small enough to appear
as dots, became commas and semi-colons.
In the second series of poems published, a facsimile of her
handwritten poem which her editors titled "Renunciation" is given,
and I here transcribe that manuscript as faithfully as I can,
showing _underlined_ words thus.
There came a day - at Summer's full -
Entirely for me -
I thought that such were for the Saints -
Where Resurrections - be -
The sun - as common - went abroad -
The flowers - accustomed - blew,
As if no soul - that solstice passed -
Which maketh all things - new -
The time was scarce profaned - by speech -
The falling of a word
Was needless - as at Sacrament -
The _Wardrobe_ - of our Lord!
Each was to each - the sealed church -
Permitted to commune - _this_ time -
Lest we too awkward show
At Supper of "the Lamb. "
The hours slid fast - as hours will -
Clutched tight - by greedy hands -
So - faces on two Decks look back -
Bound to _opposing_ lands.
And so, when all the time had leaked,
Without external sound,
Each bound the other's Crucifix -
We gave no other bond -
Sufficient troth - that we shall _rise_,
Deposed - at length the Grave -
To that new marriage -
_Justified_ - through Calvaries - of Love!
From the handwriting, it is not always clear which are dashes,
which are commas and which are periods, nor it is entirely
clear which initial letters are capitalized.
However, this transcription may be compared with the edited
version in the main text to get a flavor of the changes made
in these early editions.
---JT
This is my letter to the world,
That never wrote to me, --
The simple news that Nature told,
With tender majesty.
Her message is committed
To hands I cannot see;
For love of her, sweet countrymen,
Judge tenderly of me!
I.
LIFE.
I.
SUCCESS.
[Published in "A Masque of Poets"
at the request of "H. H. ," the author's
fellow-townswoman and friend. ]
Success is counted sweetest
By those who ne'er succeed.
To comprehend a nectar
Requires sorest need.
Not one of all the purple host
Who took the flag to-day
Can tell the definition,
So clear, of victory,
As he, defeated, dying,
On whose forbidden ear
The distant strains of triumph
Break, agonized and clear!
II.
Our share of night to bear,
Our share of morning,
Our blank in bliss to fill,
Our blank in scorning.
Here a star, and there a star,
Some lose their way.
Here a mist, and there a mist,
Afterwards -- day!
III.
ROUGE ET NOIR.
Soul, wilt thou toss again?
By just such a hazard
Hundreds have lost, indeed,
But tens have won an all.
Angels' breathless ballot
Lingers to record thee;
Imps in eager caucus
Raffle for my soul.
IV.
ROUGE GAGNE.
'T is so much joy! 'T is so much joy!
If I should fail, what poverty!
And yet, as poor as I
Have ventured all upon a throw;
Have gained! Yes! Hesitated so
This side the victory!
Life is but life, and death but death!
Bliss is but bliss, and breath but breath!
And if, indeed, I fail,
At least to know the worst is sweet.
Defeat means nothing but defeat,
No drearier can prevail!
And if I gain, -- oh, gun at sea,
Oh, bells that in the steeples be,
At first repeat it slow!
For heaven is a different thing
Conjectured, and waked sudden in,
And might o'erwhelm me so!
V.
Glee! The great storm is over!
Four have recovered the land;
Forty gone down together
Into the boiling sand.
Ring, for the scant salvation!
Toll, for the bonnie souls, --
Neighbor and friend and bridegroom,
Spinning upon the shoals!
How they will tell the shipwreck
When winter shakes the door,
Till the children ask, "But the forty?
Did they come back no more? "
Then a silence suffuses the story,
And a softness the teller's eye;
And the children no further question,
And only the waves reply.
VI.
If I can stop one heart from breaking,
I shall not live in vain;
If I can ease one life the aching,
Or cool one pain,
Or help one fainting robin
Unto his nest again,
I shall not live in vain.
VII.
ALMOST!
Within my reach!
I could have touched!
I might have chanced that way!
Soft sauntered through the village,
Sauntered as soft away!
So unsuspected violets
Within the fields lie low,
Too late for striving fingers
That passed, an hour ago.
VIII.
A wounded deer leaps highest,
I've heard the hunter tell;
'T is but the ecstasy of death,
And then the brake is still.
The smitten rock that gushes,
The trampled steel that springs;
A cheek is always redder
Just where the hectic stings!
Mirth is the mail of anguish,
In which it cautions arm,
Lest anybody spy the blood
And "You're hurt" exclaim!
IX.
The heart asks pleasure first,
And then, excuse from pain;
And then, those little anodynes
That deaden suffering;
And then, to go to sleep;
And then, if it should be
The will of its Inquisitor,
The liberty to die.
X.
IN A LIBRARY.
A precious, mouldering pleasure 't is
To meet an antique book,
In just the dress his century wore;
A privilege, I think,
His venerable hand to take,
And warming in our own,
A passage back, or two, to make
To times when he was young.
His quaint opinions to inspect,
His knowledge to unfold
On what concerns our mutual mind,
The literature of old;
What interested scholars most,
What competitions ran
When Plato was a certainty.
And Sophocles a man;
When Sappho was a living girl,
And Beatrice wore
The gown that Dante deified.
Facts, centuries before,
He traverses familiar,
As one should come to town
And tell you all your dreams were true;
He lived where dreams were sown.
His presence is enchantment,
You beg him not to go;
Old volumes shake their vellum heads
And tantalize, just so.
XI.
Much madness is divinest sense
To a discerning eye;
Much sense the starkest madness.
'T is the majority
In this, as all, prevails.
Assent, and you are sane;
Demur, -- you're straightway dangerous,
And handled with a chain.
XII.
I asked no other thing,
No other was denied.
I offered Being for it;
The mighty merchant smiled.
Brazil? He twirled a button,
Without a glance my way:
"But, madam, is there nothing else
That we can show to-day? "
XIII.
EXCLUSION.
The soul selects her own society,
Then shuts the door;
On her divine majority
Obtrude no more.
Unmoved, she notes the chariot's pausing
At her low gate;
Unmoved, an emperor is kneeling
Upon her mat.
I've known her from an ample nation
Choose one;
Then close the valves of her attention
Like stone.
XIV.
THE SECRET.
Some things that fly there be, --
Birds, hours, the bumble-bee:
Of these no elegy.
Some things that stay there be, --
Grief, hills, eternity:
Nor this behooveth me.
There are, that resting, rise.
Can I expound the skies?
How still the riddle lies!
XV.
THE LONELY HOUSE.
I know some lonely houses off the road
A robber 'd like the look of, --
Wooden barred,
And windows hanging low,
Inviting to
A portico,
Where two could creep:
One hand the tools,
The other peep
To make sure all's asleep.
Old-fashioned eyes,
Not easy to surprise!
How orderly the kitchen 'd look by night,
With just a clock, --
But they could gag the tick,
And mice won't bark;
And so the walls don't tell,
None will.
A pair of spectacles ajar just stir --
An almanac's aware.
Was it the mat winked,
Or a nervous star?
The moon slides down the stair
To see who's there.
There's plunder, -- where?
Tankard, or spoon,
Earring, or stone,
A watch, some ancient brooch
To match the grandmamma,
Staid sleeping there.
Day rattles, too,
Stealth's slow;
The sun has got as far
As the third sycamore.
Screams chanticleer,
"Who's there? "
And echoes, trains away,
Sneer -- "Where? "
While the old couple, just astir,
Fancy the sunrise left the door ajar!
XVI.
To fight aloud is very brave,
But gallanter, I know,
Who charge within the bosom,
The cavalry of woe.
Who win, and nations do not see,
Who fall, and none observe,
Whose dying eyes no country
Regards with patriot love.
We trust, in plumed procession,
For such the angels go,
Rank after rank, with even feet
And uniforms of snow.
XVII.
DAWN.
When night is almost done,
And sunrise grows so near
That we can touch the spaces,
It 's time to smooth the hair
And get the dimples ready,
And wonder we could care
For that old faded midnight
That frightened but an hour.
XVIII.
THE BOOK OF MARTYRS.
Read, sweet, how others strove,
Till we are stouter;
What they renounced,
Till we are less afraid;
How many times they bore
The faithful witness,
Till we are helped,
As if a kingdom cared!
Read then of faith
That shone above the fagot;
Clear strains of hymn
The river could not drown;
Brave names of men
And celestial women,
Passed out of record
Into renown!
XIX.
THE MYSTERY OF PAIN.
Pain has an element of blank;
It cannot recollect
When it began, or if there were
A day when it was not.
It has no future but itself,
Its infinite realms contain
Its past, enlightened to perceive
New periods of pain.
XX.
I taste a liquor never brewed,
From tankards scooped in pearl;
Not all the vats upon the Rhine
Yield such an alcohol!
Inebriate of air am I,
And debauchee of dew,
Reeling, through endless summer days,
From inns of molten blue.
When landlords turn the drunken bee
Out of the foxglove's door,
When butterflies renounce their drams,
I shall but drink the more!
Till seraphs swing their snowy hats,
And saints to windows run,
To see the little tippler
Leaning against the sun!
XXI.
A BOOK.
He ate and drank the precious words,
His spirit grew robust;
He knew no more that he was poor,
Nor that his frame was dust.
He danced along the dingy days,
And this bequest of wings
Was but a book. What liberty
A loosened spirit brings!
XXII.
I had no time to hate, because
The grave would hinder me,
And life was not so ample I
Could finish enmity.
Nor had I time to love; but since
Some industry must be,
The little toil of love, I thought,
Was large enough for me.
XXIII.
UNRETURNING.
'T was such a little, little boat
That toddled down the bay!
'T was such a gallant, gallant sea
That beckoned it away!
'T was such a greedy, greedy wave
That licked it from the coast;
Nor ever guessed the stately sails
My little craft was lost!
XXIV.
Whether my bark went down at sea,
Whether she met with gales,
Whether to isles enchanted
She bent her docile sails;
By what mystic mooring
She is held to-day, --
This is the errand of the eye
Out upon the bay.
XXV.
Belshazzar had a letter, --
He never had but one;
Belshazzar's correspondent
Concluded and begun
In that immortal copy
The conscience of us all
Can read without its glasses
On revelation's wall.
XXVI.
The brain within its groove
Runs evenly and true;
But let a splinter swerve,
'T were easier for you
To put the water back
When floods have slit the hills,
And scooped a turnpike for themselves,
And blotted out the mills!
II.
LOVE.
I.
MINE.
Mine by the right of the white election!
Mine by the royal seal!
Mine by the sign in the scarlet prison
Bars cannot conceal!
Mine, here in vision and in veto!
Mine, by the grave's repeal
Titled, confirmed, -- delirious charter!
Mine, while the ages steal!
II.
BEQUEST.
You left me, sweet, two legacies, --
A legacy of love
A Heavenly Father would content,
Had He the offer of;
You left me boundaries of pain
Capacious as the sea,
Between eternity and time,
Your consciousness and me.
III.
Alter? When the hills do.
Falter? When the sun
Question if his glory
Be the perfect one.
Surfeit? When the daffodil
Doth of the dew:
Even as herself, O friend!
I will of you!
IV.
SUSPENSE.
Elysium is as far as to
The very nearest room,
If in that room a friend await
Felicity or doom.
What fortitude the soul contains,
That it can so endure
The accent of a coming foot,
The opening of a door!
V.
SURRENDER.
Doubt me, my dim companion!
Why, God would be content
With but a fraction of the love
Poured thee without a stint.
The whole of me, forever,
What more the woman can, --
Say quick, that I may dower thee
With last delight I own!
It cannot be my spirit,
For that was thine before;
I ceded all of dust I knew, --
What opulence the more
Had I, a humble maiden,
Whose farthest of degree
Was that she might,
Some distant heaven,
Dwell timidly with thee!
VI.
IF you were coming in the fall,
I'd brush the summer by
With half a smile and half a spurn,
As housewives do a fly.
If I could see you in a year,
I'd wind the months in balls,
And put them each in separate drawers,
Until their time befalls.
If only centuries delayed,
I'd count them on my hand,
Subtracting till my fingers dropped
Into Van Diemen's land.
If certain, when this life was out,
That yours and mine should be,
I'd toss it yonder like a rind,
And taste eternity.
But now, all ignorant of the length
Of time's uncertain wing,
It goads me, like the goblin bee,
That will not state its sting.
VII.
WITH A FLOWER.
I hide myself within my flower,
That wearing on your breast,
You, unsuspecting, wear me too --
And angels know the rest.
I hide myself within my flower,
That, fading from your vase,
You, unsuspecting, feel for me
Almost a loneliness.
VIII.
PROOF.
That I did always love,
I bring thee proof:
That till I loved
I did not love enough.
That I shall love alway,
I offer thee
That love is life,
And life hath immortality.
This, dost thou doubt, sweet?
Then have I
Nothing to show
But Calvary.
IX.
Have you got a brook in your little heart,
Where bashful flowers blow,
And blushing birds go down to drink,
And shadows tremble so?
And nobody knows, so still it flows,
That any brook is there;
And yet your little draught of life
Is daily drunken there.
Then look out for the little brook in March,
When the rivers overflow,
And the snows come hurrying from the hills,
And the bridges often go.
And later, in August it may be,
When the meadows parching lie,
Beware, lest this little brook of life
Some burning noon go dry!
X.
TRANSPLANTED.
As if some little Arctic flower,
Upon the polar hem,
Went wandering down the latitudes,
Until it puzzled came
To continents of summer,
To firmaments of sun,
To strange, bright crowds of flowers,
And birds of foreign tongue!
I say, as if this little flower
To Eden wandered in --
What then? Why, nothing, only,
Your inference therefrom!
XI.
THE OUTLET.
My river runs to thee:
Blue sea, wilt welcome me?
My river waits reply.
Oh sea, look graciously!
I'll fetch thee brooks
From spotted nooks, --
Say, sea,
Take me!
XII.
IN VAIN.
I CANNOT live with you,
It would be life,
And life is over there
Behind the shelf
The sexton keeps the key to,
Putting up
Our life, his porcelain,
Like a cup
Discarded of the housewife,
Quaint or broken;
A newer Sevres pleases,
Old ones crack.
I could not die with you,
For one must wait
To shut the other's gaze down, --
You could not.
And I, could I stand by
And see you freeze,
Without my right of frost,
Death's privilege?
Nor could I rise with you,
Because your face
Would put out Jesus',
That new grace
Glow plain and foreign
On my homesick eye,
Except that you, than he
Shone closer by.
They'd judge us -- how?
For you served Heaven, you know,
Or sought to;
I could not,
Because you saturated sight,
And I had no more eyes
For sordid excellence
As Paradise.
And were you lost, I would be,
Though my name
Rang loudest
On the heavenly fame.
And were you saved,
And I condemned to be
Where you were not,
That self were hell to me.
So we must keep apart,
You there, I here,
With just the door ajar
That oceans are,
And prayer,
And that pale sustenance,
Despair!
XIII.
RENUNCIATION.
There came a day at summer's full
Entirely for me;
I thought that such were for the saints,
Where revelations be.
The sun, as common, went abroad,
The flowers, accustomed, blew,
As if no soul the solstice passed
That maketh all things new.
The time was scarce profaned by speech;
The symbol of a word
Was needless, as at sacrament
The wardrobe of our Lord.
Each was to each the sealed church,
Permitted to commune this time,
Lest we too awkward show
At supper of the Lamb.
The hours slid fast, as hours will,
Clutched tight by greedy hands;
So faces on two decks look back,
Bound to opposing lands.
And so, when all the time had failed,
Without external sound,
Each bound the other's crucifix,
We gave no other bond.
Sufficient troth that we shall rise --
Deposed, at length, the grave --
To that new marriage, justified
Through Calvaries of Love!
XIV.
LOVE'S BAPTISM.
I'm ceded, I've stopped being theirs;
The name they dropped upon my face
With water, in the country church,
Is finished using now,
And they can put it with my dolls,
My childhood, and the string of spools
I've finished threading too.
Baptized before without the choice,
But this time consciously, of grace
Unto supremest name,
Called to my full, the crescent dropped,
Existence's whole arc filled up
With one small diadem.
My second rank, too small the first,
Crowned, crowing on my father's breast,
A half unconscious queen;
But this time, adequate, erect,
With will to choose or to reject.
And I choose -- just a throne.
XV.
RESURRECTION.
'T was a long parting, but the time
For interview had come;
Before the judgment-seat of God,
The last and second time
These fleshless lovers met,
A heaven in a gaze,
A heaven of heavens, the privilege
Of one another's eyes.
No lifetime set on them,
Apparelled as the new
Unborn, except they had beheld,
Born everlasting now.
Was bridal e'er like this?
A paradise, the host,
And cherubim and seraphim
The most familiar guest.
XVI.
APOCALYPSE.
I'm wife; I've finished that,
That other state;
I'm Czar, I'm woman now:
It's safer so.
How odd the girl's life looks
Behind this soft eclipse!
I think that earth seems so
To those in heaven now.
This being comfort, then
That other kind was pain;
But why compare?
I'm wife! stop there!
XVII.
THE WIFE.
She rose to his requirement, dropped
The playthings of her life
To take the honorable work
Of woman and of wife.
If aught she missed in her new day
Of amplitude, or awe,
Or first prospective, or the gold
In using wore away,
It lay unmentioned, as the sea
Develops pearl and weed,
But only to himself is known
The fathoms they abide.
XVIII.
APOTHEOSIS.
Come slowly, Eden!
Lips unused to thee,
Bashful, sip thy jasmines,
As the fainting bee,
Reaching late his flower,
Round her chamber hums,
Counts his nectars -- enters,
And is lost in balms!
III.
NATURE.
I.
New feet within my garden go,
New fingers stir the sod;
A troubadour upon the elm
Betrays the solitude.
New children play upon the green,
New weary sleep below;
And still the pensive spring returns,
And still the punctual snow!
II.
MAY-FLOWER.
Pink, small, and punctual,
Aromatic, low,
Covert in April,
Candid in May,
Dear to the moss,
Known by the knoll,
Next to the robin
In every human soul.
Bold little beauty,
Bedecked with thee,
Nature forswears
Antiquity.
III.
WHY?
THE murmur of a bee
A witchcraft yieldeth me.
If any ask me why,
'T were easier to die
Than tell.
The red upon the hill
Taketh away my will;
If anybody sneer,
Take care, for God is here,
That's all.
The breaking of the day
Addeth to my degree;
If any ask me how,
Artist, who drew me so,
Must tell!
IV.
Perhaps you'd like to buy a flower?
But I could never sell.
If you would like to borrow
Until the daffodil
Unties her yellow bonnet
Beneath the village door,
Until the bees, from clover rows
Their hock and sherry draw,
Why, I will lend until just then,
But not an hour more!
V.
The pedigree of honey
Does not concern the bee;
A clover, any time, to him
Is aristocracy.
VI.
A SERVICE OF SONG.
Some keep the Sabbath going to church;
I keep it staying at home,
With a bobolink for a chorister,
And an orchard for a dome.
Some keep the Sabbath in surplice;
I just wear my wings,
And instead of tolling the bell for church,
Our little sexton sings.
God preaches, -- a noted clergyman, --
And the sermon is never long;
So instead of getting to heaven at last,
I'm going all along!
VII.
The bee is not afraid of me,
I know the butterfly;
The pretty people in the woods
Receive me cordially.
The brooks laugh louder when I come,
The breezes madder play.
Wherefore, mine eyes, thy silver mists?
Wherefore, O summer's day?
VIII.
SUMMER'S ARMIES.
Some rainbow coming from the fair!
Some vision of the world Cashmere
I confidently see!
Or else a peacock's purple train,
Feather by feather, on the plain
Fritters itself away!
The dreamy butterflies bestir,
Lethargic pools resume the whir
Of last year's sundered tune.
From some old fortress on the sun
Baronial bees march, one by one,
In murmuring platoon!
The robins stand as thick to-day
As flakes of snow stood yesterday,
On fence and roof and twig.
The orchis binds her feather on
For her old lover, Don the Sun,
Revisiting the bog!
Without commander, countless, still,
The regiment of wood and hill
In bright detachment stand.
Behold! Whose multitudes are these?
The children of whose turbaned seas,
Or what Circassian land?
IX.
THE GRASS.
The grass so little has to do, --
A sphere of simple green,
With only butterflies to brood,
And bees to entertain,
And stir all day to pretty tunes
The breezes fetch along,
And hold the sunshine in its lap
And bow to everything;
And thread the dews all night, like pearls,
And make itself so fine, --
A duchess were too common
For such a noticing.
And even when it dies, to pass
In odors so divine,
As lowly spices gone to sleep,
Or amulets of pine.
And then to dwell in sovereign barns,
And dream the days away, --
The grass so little has to do,
I wish I were the hay!
X.
A little road not made of man,
Enabled of the eye,
Accessible to thill of bee,
Or cart of butterfly.
If town it have, beyond itself,
'T is that I cannot say;
I only sigh, -- no vehicle
Bears me along that way.
XI.
SUMMER SHOWER.
A drop fell on the apple tree,
Another on the roof;
A half a dozen kissed the eaves,
And made the gables laugh.
A few went out to help the brook,
That went to help the sea.
Myself conjectured, Were they pearls,
What necklaces could be!
The dust replaced in hoisted roads,
The birds jocoser sung;
The sunshine threw his hat away,
The orchards spangles hung.
The breezes brought dejected lutes,
And bathed them in the glee;
The East put out a single flag,
And signed the fete away.
XII.
PSALM OF THE DAY.
A something in a summer's day,
As sIow her flambeaux burn away,
Which solemnizes me.
A something in a summer's noon, --
An azure depth, a wordless tune,
Transcending ecstasy.
And still within a summer's night
A something so transporting bright,
I clap my hands to see;
Then veil my too inspecting face,
Lest such a subtle, shimmering grace
Flutter too far for me.
The wizard-fingers never rest,
The purple brook within the breast
Still chafes its narrow bed;
Still rears the East her amber flag,
Guides still the sun along the crag
His caravan of red,
Like flowers that heard the tale of dews,
But never deemed the dripping prize
Awaited their low brows;
Or bees, that thought the summer's name
Some rumor of delirium
No summer could for them;
Or Arctic creature, dimly stirred
By tropic hint, -- some travelled bird
Imported to the wood;
Or wind's bright signal to the ear,
Making that homely and severe,
Contented, known, before
The heaven unexpected came,
To lives that thought their worshipping
A too presumptuous psalm.
XIII.
THE SEA OF SUNSET.
This is the land the sunset washes,
These are the banks of the Yellow Sea;
Where it rose, or whither it rushes,
These are the western mystery!
Night after night her purple traffic
Strews the landing with opal bales;
Merchantmen poise upon horizons,
Dip, and vanish with fairy sails.
XIV.
PURPLE CLOVER.
There is a flower that bees prefer,
And butterflies desire;
To gain the purple democrat
The humming-birds aspire.
And whatsoever insect pass,
A honey bears away
Proportioned to his several dearth
And her capacity.
Her face is rounder than the moon,
And ruddier than the gown
Of orchis in the pasture,
Or rhododendron worn.
She doth not wait for June;
Before the world is green
Her sturdy little countenance
Against the wind is seen,
Contending with the grass,
Near kinsman to herself,
For privilege of sod and sun,
Sweet litigants for life.
And when the hills are full,
And newer fashions blow,
Doth not retract a single spice
For pang of jealousy.
Her public is the noon,
Her providence the sun,
Her progress by the bee proclaimed
In sovereign, swerveless tune.
The bravest of the host,
Surrendering the last,
Nor even of defeat aware
When cancelled by the frost.
XV.
THE BEE.
Like trains of cars on tracks of plush
I hear the level bee:
A jar across the flowers goes,
Their velvet masonry
Withstands until the sweet assault
Their chivalry consumes,
While he, victorious, tilts away
To vanquish other blooms.
His feet are shod with gauze,
His helmet is of gold;
His breast, a single onyx
With chrysoprase, inlaid.
His labor is a chant,
His idleness a tune;
Oh, for a bee's experience
Of clovers and of noon!
XVI.
Presentiment is that long shadow on the lawn
Indicative that suns go down;
The notice to the startled grass
That darkness is about to pass.
XVII.
As children bid the guest good-night,
And then reluctant turn,
My flowers raise their pretty lips,
Then put their nightgowns on.
As children caper when they wake,
Merry that it is morn,
My flowers from a hundred cribs
Will peep, and prance again.
XVIII.
Angels in the early morning
May be seen the dews among,
Stooping, plucking, smiling, flying:
Do the buds to them belong?
Angels when the sun is hottest
May be seen the sands among,
Stooping, plucking, sighing, flying;
Parched the flowers they bear along.
XIX.
So bashful when I spied her,
So pretty, so ashamed!
So hidden in her leaflets,
Lest anybody find;
So breathless till I passed her,
So helpless when I turned
And bore her, struggling, blushing,
Her simple haunts beyond!
