No More Learning

It was objected, that the
successor of Muley Molucco sent a corpse to Portugal which had been
owned as that of the king by the Portuguese nobility who survived the
battle. To this he replied, that his _valet de chambre_ had produced
that body to facilitate his escape, and that the nobility acted upon the
same motive, and Mesa and Baena confess, that some of this nobility,
after their return to Portugal acknowledged that the corpse was so
disfigured with wounds that it was impossible to know it. He showed
natural marks on his body, which many remembered on the person of the
king whose name he assumed. He entered into a minute detail of the
transactions that had passed between himself and the republic, and
mentioned the secrets of several conversations with the Venetian
ambassadors in the palace of Lisbon. He fell into the hands of the
Spaniards, who conducted him to Naples, where they treated him with the
most barbarous indignities. After they had often exposed him, mounted on
an ass, to the cruel insults of the brutal mob, he was shipped on board
a galley, as a slave. He was then carried to St. Lucar, from thence to a
castle in the heart of Castile, and never was heard of more. The
firmness of his behaviour, his singular modesty and heroical patience,
are mentioned with admiration by Le Clede. To the last he maintained the
truth of his assertions: a word never slipped from his lips which might
countenance the charge of imposture, or justify the cruelty of his
persecutors.

[71] Portugal, when Camoens wrote his Lusiad, was at the zenith of its
power and splendour. The glorious successes which had attended the arms
of the Portuguese in Africa, had gained them the highest military
reputation. Their fleets covered the ocean. Their dominions and
settlements extended along the western and eastern sides of the vast
African continent. From the Red Sea to China and Japan, they were sole
masters of the riches of the East; and in America, the fertile and
extensive regions of Brazil completed their empire.

[72] Lusitania is the Latin name of a Roman province which comprised the
greater part of the modern kingdom of Portugal, besides a considerable
portion of Leon and Spanish Estremadura. --_Ed. _

[73] _The sun. _--Imitated, perhaps, from Rutilius, speaking of the Roman
Empire--

_Volvitur ipse tibi, qui conspicit omnia, Phoebus,
Atque tuis ortos in tua condit equos;_

or, more probably, from these lines of Buchanan, addressed to John III.
King of Portugal, the grandfather of Sebastian--

_Inque tuis Phoebus regnis oriensque cadensque
Vix longum fesso conderet axe diem.
Et quaecunque vago se circumvolvit Olympo
Affulget ratibus flamma ministra tuis. _


[74] _i. e. _ poetic. Aonia was the ancient name of Boeotia, in which
country was a fountain sacred to the Muses, whence Juvenal sings of a
poet--

"Enamoured of the woods, and fitted for drinking
At the fountains of the Aonides. "

JUV. Sat. vii. 58. --_Ed. _


[75] _To match the Twelve so long by bards renown'd. _--The Twelve Peers
of France, often mentioned in the old romances. For the episode of
Magricio and his eleven companions, see the sixth Lusiad.

[76] Afonso in Portuguese. In the first edition Mickle had Alfonso,
which he altered to Alonzo in the second edition.

[77] _Thy grandsires. _--John III. King of Portugal, celebrated for a
long and peaceful reign; and the Emperor Charles V. , who was engaged in
almost continual wars.

[78] Some critics have condemned Virgil for stopping his narrative to
introduce even a short observation of his own. Milton's beautiful
complaint of his blindness has been blamed for the same reason, as being
no part of the subject of his poem. The address of Camoens to Don
Sebastian at the conclusion of the tenth Lusiad has not escaped the same
censure; though in some measure undeservedly, as the poet has had the
art to interweave therein some part of the general argument of his poem.

[79] This brave Lusitanian, who was first a shepherd and a famous
hunter, and afterwards a captain of banditti, exasperated at the tyranny
of the Romans, encouraged his countrymen to revolt and shake off the
yoke. Being appointed general, he defeated Vetilius the praetor, who
commanded in Lusitania, or farther Spain. After this he defeated, in
three pitched battles, the praetors, C. Plautius Hypsaeus and Claudius
Unimanus, though they led against him very numerous armies. For six
years he continued victorious, putting the Romans to flight wherever he
met them, and laying waste the countries of their allies. Having
obtained such advantages over the proconsul, Servilianus, that the only
choice which was left to the Roman army was death or slavery, the brave
Viriatus, instead of putting them all to the sword, as he could easily
have done, sent a deputation to the general, offering to conclude a
peace with him on this single condition, _That he should continue master
of the country now in his power, and that the Romans should remain
possessed of the rest of Spain_.

The proconsul, who expected nothing but death or slavery, thought these
very favourable and moderate terms, and without hesitation concluded a
peace, which was soon after ratified by the Roman senate and people.
Viriatus, by this treaty, completed the glorious design he had always in
view, which was to erect a kingdom in the vast country he had conquered
from the republic. And, had it not been for the treachery of the Romans,
he would have become, as Florus calls him, the Romulus of Spain.

The senate, desirous to revenge their late defeat, soon after this
peace, ordered Q. Servilius Caepio to exasperate Viriatus, and force him,
by repeated affronts, to commit the first acts of hostility. But this
mean artifice did not succeed: Viriatus would not be provoked to a
breach of the peace. On this the Conscript Fathers, to the eternal
disgrace of their republic, ordered Caepio to declare war, and to
proclaim Viriatus, who had given no provocation, an enemy to Rome. To
this baseness Caepio added one still greater; he corrupted the
ambassadors whom Viriatus had sent to negotiate with him, who, at the
instigation of the Roman, treacherously murdered their protector and
general while he slept. --UNIV. HISTORY.

[80] Sertorius, who was invited by the Lusitanians to defend them
against the Romans. He had a tame white hind, which he had accustomed to
follow him, and from which he pretended to receive the instructions of
Diana. By this artifice he imposed upon the superstition of that people.

[81] _No more in Nysa. _--An ancient city in India sacred to Bacchus.

[82] _Urania-Venus. _--An Italian poet has given the following
description of the celestial Venus--

_Questa e vaga di Dio Venere bella
Vicina al Sole, e sopra ogni altra estella
Questa e quella beata, a cui s'inchina,
A cui si volge desiando amore,
Chiamata cui del Ciel rara e divina
Belta che vien tra noi per nostro honore,
Per far le menti desiando al Cielo
Obliare l'altrui col proprio velo. _--MARTEL.


[83] See the note in the Second Book on the following passage--

_As when in Ida's bower she stood of yore, etc. _


[84] _The manly music of their tongue the same. _--Camoens says:

_E na lingoa, na qual quando imagina,
Com pouca corrupcao cre que he Latina. _

Qualifications are never elegant in poetry. Fanshaw's translation and
the original both prove this:

----_their tongue
Which she thinks Latin, with small dross among. _


[85] _i. e. _ helmet.

[86]---- _and the light turn'd pale. _--The thought in the original has
something in it wildly great, though it is not expressed in the happiest
manner of Camoens--

_O ceo tremeo, e Apollo detorvado
Hum pauco a luz perdeo, como infiado. _


[87] Mercury, the messenger of the gods. --_Ed. _

[88] _And pastoral Madagascar. _--Called by the ancient geographers,
Menuthia and Cerna Ethiopica; by the natives, the Island of the Moon;
and by the Portuguese, the Isle of St. Laurence, on whose festival they
discovered it.

[89] _Praso. _--Name of a promontory near the Red Sea. --_Ed. _

[90] _Lav'd by the gentle waves. _--The original says, the sea showed
them new islands, which it encircled and laved. Thus rendered by
Fanshaw--

_Neptune disclos'd new isles which he did play
About, and with his billows danc't the hay. _


[91] The historical foundation of the fable of Phaeton is this. Phaeton
was a young enterprising prince of Libya. Crossing the Mediterranean in
quest of adventures, he landed at Epirus, from whence he went to Italy
to see his intimate friend Cygnus. Phaeton was skilled in astrology,
from whence he arrogated to himself the title of the son of Apollo. One
day in the heat of summer, as he was riding along the banks of the Po,
his horses took fright at a clap of thunder, and plunged into the river,
where, together with their master, they perished. Cygnus, who was a
poet, celebrated the death of his friend in verse, from whence the
fable. --Vid. Plutarch, in Vit. Pyrr.

[92] _Acheron. _--The river of Hades, or hell. --_Ed. _

[93] _From Abram's race our holy prophet sprung. _--Mohammed, who was
descended from Ishmael, the son of Abraham by Hagar.

[94] The Hydaspes was a tributary of the river Indus. --_Ed. _

[95] _Calm twilight now. _--Camoens, in this passage, has imitated Homer
in the manner of Virgil: by diversifying the scene he has made the
description his own. The passage alluded to is in the eighth Iliad--

? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? , etc.

Thus elegantly translated by Pope:--

_As when the moon, refulgent lamp of night,
O'er heaven's clear azure spreads her sacred light,
When not a breath disturbs the deep serene,
And not a cloud o'ercasts the solemn scene;
Around her throne the vivid planets roll,
And stars unnumber'd gild the glowing pole,
O'er the dark trees a yellower verdure shed,
And tip with silver every mountain's head;
Then shine the vales, the rocks in prospect rise,
A flood of glory bursts from all the skies:
The conscious swains, rejoicing in the sight,
Eye the blue vault, and bless the useful light. _


[96] The Turks, or Osmanli Turcomans. --_Ed. _

[97] Constantinople.

[98] _Straight as he spoke. _--The description of the armoury, and
account which Vasco de Gama gives of his religion, consists, in the
original, of thirty-two lines, which M. Castera has reduced into the
following sentence: _Leur Governeur fait differentes questions au
Capitaine, qui pour le satisfaire lui explique en peu des mots la
Religion que les Portugais suivent, l'usage des armes dont ils se
servent dans la guerre, et le dessein qui les amene. _

[99] _i. e. _, helmets.

[100] Coats of mail.

[101] _When Gama's lips Messiah's name confess'd. _--This, and the reason
of the Moor's hate, is entirely omitted by Castera. The original is, the
Moor conceived hatred, "knowing they were followers of the truth which
the Son of David taught. " Thus rendered by Fanshaw:--

_Knowing they follow that unerring light,
The Son of David holds out in his Book. _

Zacocia (governor of Mozambique) made no doubt but our people were of
some Mohammedan country. The mutual exchange of good offices between our
people and these islanders promised a long continuance of friendship,
but it proved otherwise. No sooner did Zacocia understand they were
Christians, than all his kindness was turned into the most bitter
hatred; he began to meditate their ruin, and sought to destroy the
fleet. --OSORIO, Bp. of Sylves, Hist. of the Portug. Discov.

[102] Bacchus, god of wine.

[103] _Whom nine long months his father's thigh conceal'd. _--Bacchus was
nourished during his infancy in a cave of mount Meros, which in Greek
signifies a _thigh_. Hence the fable.

[104] Alexander the Great, who on visiting the temple of Jupiter Ammon,
was hailed as son of that deity by his priests. --_Ed. _

[105] Bacchus.

[106] _His form divine he cloth'd in human shape_--

_Alecto torvam faciem et furialia membra
Exuit: in vultus sese transformat aniles,
Et frontem obscaenum rugis arat. _

VIR. AEn. vii.


[107] To be identified with the Sun, in the opinion of later
mythologists; but not so in Homer, with whom Helios (the Sun) is himself
a deity. --_Ed. _

[108]

_Thus, when to gain his beauteous charmer's smile,
The youthful lover dares the bloody toil. _

This simile is taken from a favourite exercise in Spain, where it is
usual to see young gentlemen of the best families entering the lists to
fight with a bull, adorned with ribbons, and armed with a javelin or
kind of cutlass, which the Spaniards call _Machete_.

[109]

------------_e maldizia
O velho inerte, e a m? y, que o filho cria. _

Thus translated by Fanshaw--

------------_curst their ill luck,
Th' old Devil and the Dam that gave them suck.
_


[110]

_Flints, clods, and javelins hurling as they fly,
As rage, &c. --

Jamque faces et saxa volant, furor arma ministrat. _

VIRG. AEn. i.

The Spanish commentator on this place relates a very extraordinary
instance of the _furor arma ministrans_. A Portuguese soldier at the
siege of Diu in the Indies, being surrounded by the enemy, and having no
ball to charge his musket, pulled out one of his teeth, and with it
supplied the place of a bullet.

[111] The italics indicate that there is nothing in the original
corresponding to these lines. --_Ed. _

[112] See Virgil's AEneid, bk. ii. --_Ed. _

[113] Quiloa is an island, with a town of the same name, on the east
coast of Africa. --_Ed. _

[114] _But heavenly Love's fair queen. _--When GAMA arrived in the East,
the Moors were the only people who engrossed the trade of those parts.
Jealous of such formidable rivals as the Portuguese, they employed every
artifice to accomplish the destruction of GAMA'S fleet. As the Moors
were acquainted with these seas and spoke the Arabic language, GAMA was
obliged to employ them both as pilots and interpreters. The circumstance
now mentioned by Camoens is an historical fact. "The Moorish pilot,"
says De Barros, "intended to conduct the Portuguese into Quiloa, telling
them that place was inhabited by Christians; but a sudden storm arising,
drove the fleet from that shore, where death or slavery would have been
the certain fate of GAMA and his companions. The villainy of the pilot
was afterwards discovered. As GAMA was endeavouring to enter the port of
Mombaz his ship struck on a sand-bank, and finding their purpose of
bringing him into the harbour defeated, two of the Moorish pilots leaped
into the sea and swam ashore. Alarmed at this tacit acknowledgment of
guilt, GAMA ordered two other Moorish pilots who remained on board to be
examined by whipping, who, after some time, made a full confession of
their intended villainy. This discovery greatly encouraged GAMA and his
men, who now interpreted the sudden storm which had driven them from
Quiloa as a miraculous interposition of Divine Providence in their
favour.

[115] _i. e. _ Mohammed. --_Ed. _

[116] After GAMA had been driven from Quiloa by a sudden storm, the
assurances of the Mozambique pilot, that the city was chiefly inhabited
by Christians, strongly inclined him to enter the harbour of Mombas.

[117] "There were," says Osorius, "ten men in the fleet under sentence
of death, whose lives had been spared on condition that, wherever they
might be landed, they should explore the country and make themselves
acquainted with the manners and laws of the people. "

During the reign of Emmanuel, and his predecessor John II. , few
criminals were executed in Portugal. These great and political princes
employed the lives which were forfeited to the public in the most
dangerous undertakings of public utility. In their foreign expeditions
the condemned criminals were sent upon the most hazardous undertakings.
If death was their fate, it was the punishment they had merited: if
successful in what was required, their crimes were expiated; and often
they rendered their country the greatest atonement for their guilt which
men in their circumstances could possibly make. What multitudes every
year, in the prime of their life, end their days in Great Britain by the
hands of the executioner! That the legislature _might_ devise means to
make the greatest part of these lives useful to society is a fact, which
surely cannot be disputed; though, perhaps, the remedy of an evil so
shocking to humanity may be at some distance.

[118] Semele was the mother of Bacchus, but, as he was prematurely born,
Jupiter, his father, sewed him up in his thigh until he came to
maturity. --_Ed. _

[119]

_On it, the picture of that shape he placed,
In which the Holy Spirit did alight,
The picture of the dove, so white, so chaste,
On the blest Virgin's head, so chaste, so white. _

In these lines, the best of all Fanshaw's, the happy repetition "so
chaste, so white," is a beauty which, though not contained in the
original, the present translator was unwilling to lose.

[120] See the Preface.

[121] When GAMA lay at anchor among the islands of St. George, near
Mozambique, "there came three Ethiopians on board (says Faria y Sousa)
who, seeing St. Gabriel painted on the poop, fell on their knees in
token of their Christianity, which had been preached to them in the
primitive times, though now corrupted. " Barros, c. 4, and Castaneda, l.
i. c. 9, report, that the Portuguese found two or three Abyssinian
Christians in the city of Mombas, who had an oratory in their house. The
following short account of the Christians of the East may perhaps be
acceptable. In the south parts of Malabar, about 200,000 of the
inhabitants professed Christianity before the arrival of the Portuguese.
They use the Syriac language in their services, and read the Scriptures
in that tongue, and call themselves Christians of St. Thomas, by which
apostle their ancestors had been converted. For 1300 years they had been
under the Patriarch of Babylon, who appointed their _Mutran_, or
archbishop. Dr. Geddes, in his History of the Church of Malabar, relates
that Francisco Roz, a Jesuit missionary, complained to Menezes, the
Portuguese archbishop of Goa, that when he showed these people an image
of the Virgin Mary, they cried out, "Away with that filthiness, we are
Christians, and do not adore idols. "

Dom Frey Aleixo de Menezes, archbishop of Goa, "endeavoured to thrust
upon the church of Malabar the whole mass of popery, which they were
before unacquainted with. "--Millar's History of the Propag. of
Christianity.

[122] Venus.

[123] _Proud of her kindred birth. _--The French translator has the
following note on this place:--"This is one of the places which discover
our author's intimate acquaintance with mythology, and at the same time
how much attention his allegory requires. Many readers, on finding that
the protectress of the Lusians sprung from the sea, would be apt to
exclaim, Behold, the birth of the terrestrial Venus! How can a nativity
so infamous be ascribed to the celestial Venus, who represents Religion?
I answer, that Camoens had not his eye on those fables, which derive the
birth of Venus from the foam of the waves, mixed with the blood which
flowed from the dishonest wound of Saturn: he carries his views higher;
his Venus is from a fable more noble. Nigidius relates that two fishes
one day conveyed an egg to the seashore. This egg was hatched by two
pigeons whiter than snow, and gave birth to the Assyrian Venus, which,
in the pagan theology, is the same with the celestial. She instructed
mankind in religion, gave them the lessons of virtue and the laws of
equity. Jupiter, in reward of her labours, promised to grant her
whatever she desired. She prayed him to give immortality to the two
fishes, who had been instrumental in her birth, and the fishes were
accordingly placed in the Zodiac, the sign Pisces. . . . This fable agrees
perfectly with Religion, as I could clearly show; but I think it more
proper to leave to the ingenious reader the pleasure of tracing the
allegory. "

[124] _Doto, Nyse, and Nerine. _--Cloto, or Clotho, as Castera observes,
has by some error crept into almost all the Portuguese editions of the
Lusiad. Clotho was one of the Fates, and neither Hesiod, Homer, nor
Virgil has given such a name to any of the Nereids; but in the ninth
AEneid Doto is mentioned--

----_magnique jubebo
AEquoris esse Deas, qualis Nereia Doto
Et Galatea secant spumantem pectore pontum. _

The Nereids, in the Lusiad, says Castera, are the virtues divine and
human. In the first book they accompany the Portuguese fleet--

----_before the bounding prows
The lovely forms of sea-born nymphs arose. _


[125] The ants are a people not strong, yet they prepare their meat in
the summer. --PROVERBS xxx. 25. --_Ed. _

[126] Imitated from Virgil--

_Cymothoe simul, et Triton adnixus acuto
Detrudunt naves scopulo. _--VIRG. AEn. i.


[127] Latona, says the fable, flying from the serpent Python, and faint
with thirst, came to a pond, where some Lycian peasants were cutting the
bulrushes. In revenge of the insults which they offered her in
preventing her to drink, she changed them into frogs. This fable, says
Castera, like almost all the rest, is drawn from history. Philocorus, as
cited by Boccace, relates, that the Rhodians having declared war against
the Lycians, were assisted by some troops from Delos, who carried the
image of Latona on their standards. A detachment of these going to drink
at a lake in Lycia, a crowd of peasants endeavoured to prevent them. An
encounter ensued; the peasants fled to the lake for shelter, and were
there slain. Some months afterwards their companions came in search of
their corpses, and finding an unusual quantity of frogs, imagined,
according to the superstition of their age, that the souls of their
friends appeared to them under that metamorphosis.

To some it may, perhaps, appear needless to vindicate Camoens, in a
point wherein he is supported by the authority of Homer and Virgil. Yet,
as many readers are infected with the _sang froid_ of a Bossu or a
Perrault, an observation in defence of our poet cannot be thought
impertinent. If we examine the finest effusions of genius, we shall find
that the most genuine poetical feeling has often dictated those similes
which are drawn from familiar and low objects. The sacred writers, and
the greatest poets of every nation, have used them. We may, therefore,
conclude that the criticism which condemns them is a refinement not
founded on nature. But, allowing them admissible, it must be observed,
that to render them pleasing requires a peculiar happiness and delicacy
of management. When the poet attains this indispensable point, he gives
a striking proof of his elegance, and of his mastership in his art. That
the similes of the emmets and of the frogs in Camoens are happily
expressed and applied, is indisputable. In that of the frogs there is a
peculiar propriety, both in the comparison itself, and in the allusion
to the fable, as it was the intent of the poet to represent not only the
flight, but the baseness of the Moors. The simile he seems to have
copied from Dante, Inf. Cant. 9--

_Come le rane innanzi a la nemica
Biscia per l'acqua si dileguan tutte
Fin che a la terra ciascuna s'abbica. _

And Cant. 22--

_E come a l'orlo de l'acqua d'un fosso
Stan li ranocchi pur col muso fuori
Si che celano i piedi, e l'altro grosso. _


[128] Barros and Castaneda, in relating this part of the voyage of Gama,
say that the fleet, just as they were entering the port of Mombas, were
driven back as it were by an invisible hand. By a subsequent note it
will appear that the safety of the Armada depended upon this
circumstance.

[129] Venus.

[130] As the planet of Jupiter is in the sixth heaven, the author has
with propriety there placed the throne of that god. --CASTERA.

[131] "I am aware of the objection, that this passage is by no means
applicable to the celestial Venus. I answer once for all, that the names
and adventures of the pagan divinities are so blended and uncertain in
mythology, that a poet is at great liberty to adapt them to his allegory
as he pleases. Even the fables, which may appear as profane, even these
contain historical, physical, and moral truths, which fully atone for
the seeming licentiousness of the letter. I could prove this in many
instances, but let the present suffice. Paris, son of Priam, king of
Troy, spent his first years as a shepherd in the country. At this time
Juno, Minerva, and Venus disputed for the apple of gold, which was
destined to be given to the most beautiful goddess. They consented that
Paris should be their judge. His equity claimed this honour. He saw them
all naked. Juno promised him riches, Minerva the sciences, but he
decided in favour of Venus, who promised him the possession of the most
beautiful woman. What a ray of light is contained in this philosophical
fable! Paris represents a studious man, who, in the silence of solitude,
seeks the supreme good. Juno is the emblem of riches and dignities;
Minerva, that of the sciences purely human; Venus is that of religion,
which contains the sciences both human and divine; the charming female,
which she promises to the Trojan shepherd, is that divine wisdom which
gives tranquillity of heart. A judge so philosophical as Paris would not
hesitate a moment to whom to give the apple of gold. "--CASTERA.

[132] "The allegory of Camoens is here obvious. If Acteon, and the
slaves of their violent passions, could discover the beauties of true
religion, they would be astonished and reclaimed: according to the
expression of Seneca, 'Si virtus cerni posset oculis corporeis, omnes ad
amorem suum pelliceret. '"--CASTERA.

[133] "That is Divine love, which always accompanies religion. Behold
how our author insinuates the excellence of his moral! "--CASTERA.

As the French translator has acknowledged, there is no doubt but several
readers will be apt to decry this allegorical interpretation of the
machinery of Camoens. Indeed there is nothing more easy than to discover
a system of allegory in the simplest narrative. The reign of Henry VIII.
is as susceptible of it as any fable in the heathen mythology. Nay,
perhaps, more so. Under the names of Henry, More, Wolsey, Cromwell,
Pole, Cranmer, etc. , all the war of the passions, with their different
catastrophes, might be delineated. Though it may be difficult to
determine how far, yet one may venture to affirm that Homer and Virgil
sometimes allegorised. The poets, however, who wrote on the revival of
letters have left us in no doubt; we have their own authority for it
that their machinery is allegorical. Not only the pagan deities, but the
more modern adventures of enchantment were used by them to delineate the
affections, and the trials and rewards of the virtues and vices. Tasso
published a treatise to prove that his _Gerusalemme Liberata_ is no
other than the Christian spiritual warfare. And Camoens, as observed in
the preface, has twice asserted that his machinery is allegorical. The
poet's assertion, and the taste of the age in which he wrote,
sufficiently vindicate and explain the allegory of the Lusiad.

[134] The following speech of Venus and the reply of Jupiter, are a fine
imitation from the first AEneid, and do great honour to the classical
taste of the Portuguese poet.

[135] Imitated from Virg. AEn. i. --

_Olli subridens hominum sator atque Deorum,
Vultu, quo coelum tempestatesque serenat,
Oscula libavit natae_----


[136] Ulysses, king of Ithaka. --_Ed. _

[137] _i. e. _, the slave of Calypso, who offered Ulysses immortality on
condition that he would live with her.

[138] AEneas. --_Ed. _

[139]

"Far on the right her dogs foul Scylla hides,
Charybdis roaring on the left presides,
And in her greedy whirlpool sucks the tides. "

DRYDEN'S Virg. AEn. iii. --_Ed. _


[140] After the Portuguese had made great conquests in India, GAMA had
the honour to be appointed Viceroy. In 1524, when sailing thither to
take possession of his government, his fleet was so becalmed on the
coast of Cambaya that the ships stood motionless on the water, when in
an instant, without the least change of the weather, the waves were
shaken with a violent agitation, like trembling. The ships were tossed
about, the sailors were terrified, and in the utmost confusion, thinking
themselves lost. Gama, perceiving it to be the effect of an earthquake,
with his wonted heroism and prudence, exclaimed, "_Of what are you
afraid? Do you not see how the ocean trembles under its sovereigns! _"
Barros, l. 9, c. 1, and Faria, c. 9, say, that such as lay sick of
fevers were cured by the fright.

[141] Ormuz, or Hormuz, an island at the entrance of the Persian Gulf,
once a great commercial depot. --_Ed. _

[142] Both Barros and Castaneda relate this fact. Albuquerque, during
the war of Ormuz, having given battle to the Persians and Moors, by the
violence of a sudden wind the arrows of the latter were driven back upon
themselves, whereby many of their troops were wounded.

[143] Calicut was a seaport town of Malabar, more properly _Colicodu_.

[144]

_Hinc ope barbarica, variisque Antonius armis,
Victor ab Aurorae populis et littore rubro,
AEgyptum, viresque Orientis, et ultima secum
Bactra vehit: sequiturque nefas! AEgyptia conjux.
Una omnes ruere, ac totum spumare, reductis
Convulsum remis rostrisque tridentibus, aequor.
Alta petunt: pelago credas innare revulsas
Cycladas, aut montes concurrere montibus altos:
Tanta mole viri turritis puppibus instant.
Stuppea flamma manu telisque volatile ferrum
Spargitur: arva nova Neptunia caede rubescunt.
----Saevit medio in certamine Maxors. _

VIRG. AEn. viii.


[145] Antony.

[146] Gades, now Cadiz, an ancient and still flourishing seaport of
Spain. --_Ed. _

[147] _The Lusian pride, etc. _--Magalhaens, a most celebrated navigator,
neglected by Emmanuel, king of Portugal, offered his service to the king
of Spain, under whom he made most important discoveries round the
Straits which bear his name, and in parts of South America. Of this hero
see further, Lusiad X. , in the notes.

[148] Mercury.

[149] Mombas, a seaport town on an island of the same name off the coast
of Zanguebar, East Africa. --_Ed. _

[150] Mercury, so called from Cyll? n? , the highest mountain in the
Peloponnesus, where he had a temple, and on which spot he is said to
have been born. --_Ed.