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2, and Gupta, A Critical Study ofDa1J4in and his Works, these are: natural description (svabhavokti), simile (upama), metaphor (rilpaka), poetic association (dzpaka), repetition (avrtti), denial corroboration (arthantaranyasa), contrast (vyatireka), pecu- liar causation (vibhiivana) , concise suggestion (samasoktz) , hyperbole (atiSayoktt), poetic fancy cause (hetu), misrepresentation (lesa), sub- tlety relative order (yathasarrtkhya), flattery (preyas), demeanour (rasa- vat),           (samahita) , vigour (urjasVl), periphrastic speech (paryayokta) , exaltation (udatta), obfuscation (apahnutz) , double entendre statement of difference equal pairing (turyayogitii), incongruity (virodha), art- ful praise (vya-jastutz) , damning with faint praise (aprastutapraSarrzsi1), co-men- tion (sahoktt) , illustrative simile (nidarsana) , benediction (&is), barter (parivrttz), description of the past or future as if it were the present (bhavika) and a con- junction of poetic figures (sarrzkirlJa).