from the
tentenee
which follow.
Hart-Clive-1962-Structure-and-Motif-in-Finnegans-Wake
29, 2~2"9, 35{?
~3, 381,'5, 5~?
04
the weaketl goes to the wall (the wall with the hole in it i. , in part, the pier. :t. :d dyke of lhe Dutch ,tory; Earwicur'. plugging of it ;, ob,e<:ne), 79. 33, 587. 14
we are not amuoed (QU""II Victoria', reputed ,df'l'evdalioll),
107. 23, '58. 03, 365. 07
weather permiuing, [' 3. 23, ? Io. o? , 564. 07
wdl how are you? (tt. 'Let~r')
We'll me<:t again, we'll part on"" more (Stt 'Anna Livia
Motif,')
wend, went will w<:nd a way, 2~? [3, ~67. 27
wet the ~a, [2. [6, [11. 18,585,3'
We've heard it olnse lung tbousandtimet, 2. ~1. 36, 338. 01
what ia &au"" fur the g<><>se ia sauce for the gander, 186. ,6,
366. 2 [, 31l9? 3 [, 450? 30, 53'? 05
what', the time? 127. 07, 154. 16, [76. [ " ~13. [4, 275. 2{, 378. ,8,
50,. ? 5, 603_15
what the di<:ken1? 157. 27, 239. 25, 26'. 3', 423. 06, {~4"9,
428? 05
when vuiting . . " be sure to see _ . _,334. 35,367. [2,54? . "9
when you sell, get my prle<: (Parnell), [1. 30, 7'. '4, [4S. II, 280. 24, 327. 28, 366,01, 375. 33, 421. 08, 433? 33, (458. 06), (458. 28), (47S? 30), 500. 2[, 500. 25, 500. 30, 502. "9, 521. 35, 571? 12,579. [9,6'4. ,6,6[6. 11
where ignorance;" bliso . . . , 50. 33, 446. 24
which ofher moutlu? (referring to Anna Livia', delta, but also
bearing overtone. of sexual pervenioll), '02. 27, 208. 28 whitha whisha! [9. 05, ~03. 29, 4<>7. 1', 499. 35, 6[6. 3'
who am I to . . . y? (_ 'hook and I may') who'll buy? 273. F5, 291. 12
Why? . . , 118. '7,4'5. 34,597. 09
why do I am alook alike . . . {m 'The Riddle'}
wild g""'" chase (refen also to 'the flight ofthe wild geese'- tJu: . df-expatriation of ImhJarobite. 011 the abdication ofJame.
II, and later), 71. 04, [85. 06, 197. '4,233. 12
the wish is father to the thought (cf. 2 Hen. IV, iV:4), '47. 20,
&:10 . 27
,,6
? An lnda t. ifMotifs in Finmgans Wake
~,oh woe! '59. '7, 447. ~9
the woods of Focliut (whcnCt! Patrick thought he heard voice,
calling 'Come to us, 0 hilly youth, and walk amcng u,'. The motif alan I<<1tU to inwl"" the three 'wa. ves of Erin'. These were Rurle, Tuailhe and acena_! i4. 02 ond it wa:! said tha. t when danger threatened Ireland they would ,mite
upon the shores with . . foreboding roar), 290. ,8, ~78. S4,
479? 'S, ? la. 04,
woolly throat, S81. 26, 454. 11
the w<>rd was made flesh and dwelt ,mumg us (John I: 14),
73. 06,75. 19, (79. 02), '38. 08,205. 08, '39" 5, 067. ,6, 336. '7,
. f. 68. 06. 56, . 27, 597. 011, 6? 4. 23
the world. the ftah and the devil (a diabolical "'I. uivalent of
Father, Son and Holy GhOilt), 000. 28, 5? 5. 3' would to GOO . . " 434. 35, 600? 09
the writing On th<: wall (ef. Dan. 5). ,8. 20, ,[8? [9. '35. '5 XXXX ('" 'I. . . lter)
Yes (s<< " . . . . 1 Monologue Motif. ')
Ycs. tid (Itt 'Lan Monologue Motill')
yon can't make a "jjk pUnIC ont of a sow', ear, '54. [0, 376. 03 you devil, you! (applied to Hooty, and to Shaun in the latter',
oacrifidal role), 46. 25, '47. <n, 473. 21, (522. 11) you're but a puny, 374. 20, 627. 24
Your evenlooe (Itt 'Anna Livia Motifs')
'<7
? APPENDIX B
THE IRISH UNIVERSE
hile the diagram on pag<: 293 is intended to be a Wsymbol of the COIIlllOI, its two <:ardinal points, A and 1. , an: litu. ted in lreland, . u . hown in Figure I V,lOllowing. 1"ht: mo", important ofthae poinu, the ' priune 0 ' (287. 10), it io:k:ntia. . l "itl> the ~ of 111,3, Shaun', navcl in the centre of Irdand. "I"hls poim is ddined . u 'the Great
Ulm (with Mearingstone in Fore ground)' (~. I4; that is, ',hoe Glut Elm with the Mooring-stone in the fureground'). Tha, the centre of Iuland and the Stone of Division, au intended is cle,. ,.
from the tentenee which follow. : 'Gi""n now ann linch you take enn all'. The word. 'enn all' include an aIlwion to Lough EnneU, whkh ujwt IOUth of Mullingar in Central Ireland, and only a r"", miles from the Stone of Divisions. Poin, I, is reached . . . . hen a horizontal 'oopynginlt nnyedine' (29-. . . . 0<I)isdrawn"",t from Point A, until it n:3Ch<:s'Lambday', or f. . mbay f. rand, which is thrtt miks offobore,jmt nonh of Dublin and on preci5e1y the u. me latitude . u Lough EnneU. aeafly the finl, wholly trw>, circle is Shaun'. , while the other,
half in I reland and half outside it, il Shem's.
,. ,
? ? ? Appmdix B
r__ lv 'Mod&T iIaod'
'<9
? APPENDIX C
THE 'PEN' LETTER
T he fOllowing;' the full text of Davitt'. 'Pen' Letter:
'D<:ar Friend,-I havejwt returned from Dundee, which place I hav<: left all right. Your letter of Monday! have just read, ! have 110 doubt but what the account i. correct. In ",ference to
lh~ olher albir, I ho~ yon won't tak~ any part in it whatever-
I meaO io the carrying ofit out. Ifit;' decided upon, and you ",oxivc y m'. and, through him, Fia'. cornent, let it k done by all mo,,"' ; but one thing you mmt ",memkr, and that ;' that you a", of 100 mru;h importance to our family to k spared, ~v~n at the rid. ofallowing a rotten meep to exist among th~ flock. You mUlt know that ifanything hap~ned to you the toil and trouble of the Jalt six montru. will have ! >ttn al"""l in vain. Whoever;' employed, don't let him """ the pen we are and have ! >ttn . . ! ling; ~{ another for the purpooe, a common one. ! ho~ and trust when I ",rum to Man! may not he", that every man, woman, and child know all about it ere it occu1T1:d'.
(F. Sheehy? Skeffington, Miduul Dtwiu, London, ,goB, pp. ~. s-6. )
'5'
? [
[
APPENDIX D
L,
L,
L,
L,
L,
L6
L7 L8
11. 1
Ib
II? 3
1I'4
III. I lIb
m? s III. 4
[ [ [IV
Fwc"" V
The Prin. ,;pal Coonterpoinled Cy<l. .
'"
? BIBL IOGRAPHY
I have divided the following lisl inlO Ihru main . ectiOn! :
A: BIBLIOGRAPHIES ru"\D CHECKLISTS;
n: PRIMARY SOURCl:S;
C: SECONDARYSOURCES{criticalmaterialOnjoyce
and oth. ". sourc", quoled or referrM to}.
Cue-titks and symbols are given in parentht$Cs after enlri. . .
A: BIBLIOGRAPHIES AND CHF. CKLISTS The primary texU have been ooUated with grea. t care and
intdligence in a fine volume:
Slocum, J. j. and Cahoon, H. A BihlillgTaphy ~fJ(IhIn joY"
188'1-194" London, '9! >3.
and a virtually complete cheddut of critical material on joyce
is now available in the following publication! :
Parker, A. Jam"" Joyce: A Bibli~g,ap1ty "f His Wriling. , CriJicai MaitrW. 1lNl Misul/allta. l\o;ston, '948.
Whit<:, W. 'Jameojoyce: Addenda to Alan Parker', Biblio- graphy. ' Till Papm if IIu J1ihlillgTaphi<:"J St>tU! ! cf Amtrita,
vol. XLIII. Fourth Quarter, '949.
Whit<:, W. 'Addenda to j ames j nycr. Bibliography, '9S<>-
'953. ' TIIl]amtS JoJ<. iUvim! , voL I, 00. ~. '9! >7?
~. 'Addenda to jam. . Joyce BibliGgraphy, '9! >4-'9! >7. '
TIot]tv/W ]0Y" R. ww, voL I, no. 3. '957.
Kain, R. M. 'Supplement to james j<:>y<:e nibliogra. phy,
'9~-'957. ' TM Janus JOYCI ~"" vol. I, no. 4? '957? Cohn, A. M. 'Further Supplelnent to Joyce Bibliography,
'9. ';0-'957 . ' Tht J(IhIn Jqyu &oimJ, vol. II, noo. ' -2, '9s8? '5'
? Bibliography
Cohn, A. M. and Croessman, H. K. 'Additional Supplement toJam. . JOYe( Bibliogcaphy, 1950-1959. ' TIu]amu]oyu lUuitw, wi. HI, I\0Il. . 1-<1. '959.
The checldi'IlI in Tiu ]11lM? ]oyt. &,Nw will continue to apl"'u.
H: PRIMARY SOURCES (i) W. . ,k, PtdJ/i,IuJ Bifm"' '94'
Chamber Mum. Ed. W. Y. '",daH. New Yorl<, Columbia Univenity Pres', '954.
. D. . hli"ers. H. Levin, (ed. ). Tiu Esu/ili. >J]11lM? Joy". wndon, Jonathan Cal"', 19-4,6. pp. 2[-174. (D)
A p. . ,lTail iftkt A,tisl <IS a roung M"". JAndon,Jonathan Cal"', '9? . (A1')
&iit. ! , a Play in Thr. . Act! , with tkt AutMr's OWl! Nota IlIIi1 <III I~timt 6yPlJdrllicColum. London,Jonathan Cal"', '952. U{yms. London, j ohn Lane, '949. (1 have ~d the standard English edition for convenience ofrcferen<< but it is text_
ually corrupt; where neca'arr I have emended it by collation with the following edition, generally recognised to be the best:
U/ysm. Hamburg, The Od)'MCY PreM, 1939. ) (U) PinNS PtII)tIKh. London, Faber and Faber, '952. (PP) Fill1lt! g! 1JU W,w. London, Faber and Faber, '939.
(Ii) p",/JwmwJ Pl4hl;,;,u;o",
EpipfuurUs. Ed. O. A. S11""rman. Buffalo, Lockwood Memorial J. ibrary, 1956.
TIu Crilit4i Writing" if ]amu ]oy<'. F. d. f. . MalOn and R. Ellmann. London, Faber and Faber, '959.
S~p/v;n H = . E d .
the weaketl goes to the wall (the wall with the hole in it i. , in part, the pier. :t. :d dyke of lhe Dutch ,tory; Earwicur'. plugging of it ;, ob,e<:ne), 79. 33, 587. 14
we are not amuoed (QU""II Victoria', reputed ,df'l'evdalioll),
107. 23, '58. 03, 365. 07
weather permiuing, [' 3. 23, ? Io. o? , 564. 07
wdl how are you? (tt. 'Let~r')
We'll me<:t again, we'll part on"" more (Stt 'Anna Livia
Motif,')
wend, went will w<:nd a way, 2~? [3, ~67. 27
wet the ~a, [2. [6, [11. 18,585,3'
We've heard it olnse lung tbousandtimet, 2. ~1. 36, 338. 01
what ia &au"" fur the g<><>se ia sauce for the gander, 186. ,6,
366. 2 [, 31l9? 3 [, 450? 30, 53'? 05
what', the time? 127. 07, 154. 16, [76. [ " ~13. [4, 275. 2{, 378. ,8,
50,. ? 5, 603_15
what the di<:ken1? 157. 27, 239. 25, 26'. 3', 423. 06, {~4"9,
428? 05
when vuiting . . " be sure to see _ . _,334. 35,367. [2,54? . "9
when you sell, get my prle<: (Parnell), [1. 30, 7'. '4, [4S. II, 280. 24, 327. 28, 366,01, 375. 33, 421. 08, 433? 33, (458. 06), (458. 28), (47S? 30), 500. 2[, 500. 25, 500. 30, 502. "9, 521. 35, 571? 12,579. [9,6'4. ,6,6[6. 11
where ignorance;" bliso . . . , 50. 33, 446. 24
which ofher moutlu? (referring to Anna Livia', delta, but also
bearing overtone. of sexual pervenioll), '02. 27, 208. 28 whitha whisha! [9. 05, ~03. 29, 4<>7. 1', 499. 35, 6[6. 3'
who am I to . . . y? (_ 'hook and I may') who'll buy? 273. F5, 291. 12
Why? . . , 118. '7,4'5. 34,597. 09
why do I am alook alike . . . {m 'The Riddle'}
wild g""'" chase (refen also to 'the flight ofthe wild geese'- tJu: . df-expatriation of ImhJarobite. 011 the abdication ofJame.
II, and later), 71. 04, [85. 06, 197. '4,233. 12
the wish is father to the thought (cf. 2 Hen. IV, iV:4), '47. 20,
&:10 . 27
,,6
? An lnda t. ifMotifs in Finmgans Wake
~,oh woe! '59. '7, 447. ~9
the woods of Focliut (whcnCt! Patrick thought he heard voice,
calling 'Come to us, 0 hilly youth, and walk amcng u,'. The motif alan I<<1tU to inwl"" the three 'wa. ves of Erin'. These were Rurle, Tuailhe and acena_! i4. 02 ond it wa:! said tha. t when danger threatened Ireland they would ,mite
upon the shores with . . foreboding roar), 290. ,8, ~78. S4,
479? 'S, ? la. 04,
woolly throat, S81. 26, 454. 11
the w<>rd was made flesh and dwelt ,mumg us (John I: 14),
73. 06,75. 19, (79. 02), '38. 08,205. 08, '39" 5, 067. ,6, 336. '7,
. f. 68. 06. 56, . 27, 597. 011, 6? 4. 23
the world. the ftah and the devil (a diabolical "'I. uivalent of
Father, Son and Holy GhOilt), 000. 28, 5? 5. 3' would to GOO . . " 434. 35, 600? 09
the writing On th<: wall (ef. Dan. 5). ,8. 20, ,[8? [9. '35. '5 XXXX ('" 'I. . . lter)
Yes (s<< " . . . . 1 Monologue Motif. ')
Ycs. tid (Itt 'Lan Monologue Motill')
yon can't make a "jjk pUnIC ont of a sow', ear, '54. [0, 376. 03 you devil, you! (applied to Hooty, and to Shaun in the latter',
oacrifidal role), 46. 25, '47. <n, 473. 21, (522. 11) you're but a puny, 374. 20, 627. 24
Your evenlooe (Itt 'Anna Livia Motifs')
'<7
? APPENDIX B
THE IRISH UNIVERSE
hile the diagram on pag<: 293 is intended to be a Wsymbol of the COIIlllOI, its two <:ardinal points, A and 1. , an: litu. ted in lreland, . u . hown in Figure I V,lOllowing. 1"ht: mo", important ofthae poinu, the ' priune 0 ' (287. 10), it io:k:ntia. . l "itl> the ~ of 111,3, Shaun', navcl in the centre of Irdand. "I"hls poim is ddined . u 'the Great
Ulm (with Mearingstone in Fore ground)' (~. I4; that is, ',hoe Glut Elm with the Mooring-stone in the fureground'). Tha, the centre of Iuland and the Stone of Division, au intended is cle,. ,.
from the tentenee which follow. : 'Gi""n now ann linch you take enn all'. The word. 'enn all' include an aIlwion to Lough EnneU, whkh ujwt IOUth of Mullingar in Central Ireland, and only a r"", miles from the Stone of Divisions. Poin, I, is reached . . . . hen a horizontal 'oopynginlt nnyedine' (29-. . . . 0<I)isdrawn"",t from Point A, until it n:3Ch<:s'Lambday', or f. . mbay f. rand, which is thrtt miks offobore,jmt nonh of Dublin and on preci5e1y the u. me latitude . u Lough EnneU. aeafly the finl, wholly trw>, circle is Shaun'. , while the other,
half in I reland and half outside it, il Shem's.
,. ,
? ? ? Appmdix B
r__ lv 'Mod&T iIaod'
'<9
? APPENDIX C
THE 'PEN' LETTER
T he fOllowing;' the full text of Davitt'. 'Pen' Letter:
'D<:ar Friend,-I havejwt returned from Dundee, which place I hav<: left all right. Your letter of Monday! have just read, ! have 110 doubt but what the account i. correct. In ",ference to
lh~ olher albir, I ho~ yon won't tak~ any part in it whatever-
I meaO io the carrying ofit out. Ifit;' decided upon, and you ",oxivc y m'. and, through him, Fia'. cornent, let it k done by all mo,,"' ; but one thing you mmt ",memkr, and that ;' that you a", of 100 mru;h importance to our family to k spared, ~v~n at the rid. ofallowing a rotten meep to exist among th~ flock. You mUlt know that ifanything hap~ned to you the toil and trouble of the Jalt six montru. will have ! >ttn al"""l in vain. Whoever;' employed, don't let him """ the pen we are and have ! >ttn . . ! ling; ~{ another for the purpooe, a common one. ! ho~ and trust when I ",rum to Man! may not he", that every man, woman, and child know all about it ere it occu1T1:d'.
(F. Sheehy? Skeffington, Miduul Dtwiu, London, ,goB, pp. ~. s-6. )
'5'
? [
[
APPENDIX D
L,
L,
L,
L,
L,
L6
L7 L8
11. 1
Ib
II? 3
1I'4
III. I lIb
m? s III. 4
[ [ [IV
Fwc"" V
The Prin. ,;pal Coonterpoinled Cy<l. .
'"
? BIBL IOGRAPHY
I have divided the following lisl inlO Ihru main . ectiOn! :
A: BIBLIOGRAPHIES ru"\D CHECKLISTS;
n: PRIMARY SOURCl:S;
C: SECONDARYSOURCES{criticalmaterialOnjoyce
and oth. ". sourc", quoled or referrM to}.
Cue-titks and symbols are given in parentht$Cs after enlri. . .
A: BIBLIOGRAPHIES AND CHF. CKLISTS The primary texU have been ooUated with grea. t care and
intdligence in a fine volume:
Slocum, J. j. and Cahoon, H. A BihlillgTaphy ~fJ(IhIn joY"
188'1-194" London, '9! >3.
and a virtually complete cheddut of critical material on joyce
is now available in the following publication! :
Parker, A. Jam"" Joyce: A Bibli~g,ap1ty "f His Wriling. , CriJicai MaitrW. 1lNl Misul/allta. l\o;ston, '948.
Whit<:, W. 'Jameojoyce: Addenda to Alan Parker', Biblio- graphy. ' Till Papm if IIu J1ihlillgTaphi<:"J St>tU! ! cf Amtrita,
vol. XLIII. Fourth Quarter, '949.
Whit<:, W. 'Addenda to j ames j nycr. Bibliography, '9S<>-
'953. ' TIIl]amtS JoJ<. iUvim! , voL I, 00. ~. '9! >7?
~. 'Addenda to jam. . Joyce BibliGgraphy, '9! >4-'9! >7. '
TIot]tv/W ]0Y" R. ww, voL I, no. 3. '957.
Kain, R. M. 'Supplement to james j<:>y<:e nibliogra. phy,
'9~-'957. ' TM Janus JOYCI ~"" vol. I, no. 4? '957? Cohn, A. M. 'Further Supplelnent to Joyce Bibliography,
'9. ';0-'957 . ' Tht J(IhIn Jqyu &oimJ, vol. II, noo. ' -2, '9s8? '5'
? Bibliography
Cohn, A. M. and Croessman, H. K. 'Additional Supplement toJam. . JOYe( Bibliogcaphy, 1950-1959. ' TIu]amu]oyu lUuitw, wi. HI, I\0Il. . 1-<1. '959.
The checldi'IlI in Tiu ]11lM? ]oyt. &,Nw will continue to apl"'u.
H: PRIMARY SOURCES (i) W. . ,k, PtdJ/i,IuJ Bifm"' '94'
Chamber Mum. Ed. W. Y. '",daH. New Yorl<, Columbia Univenity Pres', '954.
. D. . hli"ers. H. Levin, (ed. ). Tiu Esu/ili. >J]11lM? Joy". wndon, Jonathan Cal"', 19-4,6. pp. 2[-174. (D)
A p. . ,lTail iftkt A,tisl <IS a roung M"". JAndon,Jonathan Cal"', '9? . (A1')
&iit. ! , a Play in Thr. . Act! , with tkt AutMr's OWl! Nota IlIIi1 <III I~timt 6yPlJdrllicColum. London,Jonathan Cal"', '952. U{yms. London, j ohn Lane, '949. (1 have ~d the standard English edition for convenience ofrcferen<< but it is text_
ually corrupt; where neca'arr I have emended it by collation with the following edition, generally recognised to be the best:
U/ysm. Hamburg, The Od)'MCY PreM, 1939. ) (U) PinNS PtII)tIKh. London, Faber and Faber, '952. (PP) Fill1lt! g! 1JU W,w. London, Faber and Faber, '939.
(Ii) p",/JwmwJ Pl4hl;,;,u;o",
EpipfuurUs. Ed. O. A. S11""rman. Buffalo, Lockwood Memorial J. ibrary, 1956.
TIu Crilit4i Writing" if ]amu ]oy<'. F. d. f. . MalOn and R. Ellmann. London, Faber and Faber, '959.
S~p/v;n H = . E d .
