No More Learning

'
demands for subtlety and intuition of pany in the second act of Mr. Macdonald
Hastings's comedy 'Love — and What No architectural library can be considered complete
representation than the Playboy' Then ? '
without these two volumes on the French Renaissance by
Prof. Blomfield. ”—Building News.
made upon them. But taken as a com-
posite body of actors, they were well. Bernard Shaw, is to be performed by the
MRS. WARREN'S PROFESSION,' by G.
Post 8vo, with numerous Illustrations, Bs. net.
nigh faultless. Not even our repertory Pioneer Players on June 16th.
GOTHIC ARCHITECTURE
companies compare with their
freshness, their actuality, restraint, and
IN ENGLAND AND FRANCE.
exceptional faculty of working in with
TO CORRESPONDENTS. -S. H. -R. A. -J. T. R. -Received.
By G. H. WEST, D. D. A. R. I. B. A.
each other. Their acting is,
No notice can be taken of anonymous communications.
were, structural in the way that the com- We cannot undertake to reply to inquiries concerning the
"Dr. West's work on English and French Gothic is
differentiated from the other 99 per cent of books which
appearance of reviews of books.
ponent parts of a good picture are struc-
same subjects separately, because he is
tural. Miss Sara Allgood, who quickened pictures, &c.
We do not undertake to give the value of books, china, apparently one of those rare individuals who can regard
this complex subject from the many necessary points of
Ann into instantaneous life, is, in our
view, and can treat it as a whole. . . . We hope this thought.
ful and illuminating little book may serve to clear away
opinion, the best actress at present in
some of the misunderstandings which are so prevalent in
this relation. "—Westminster Gazette.
London. Her versatility has no limita- | MUNICIPAL SECONDARY SCHOOL,
WANTED, for SEPTEMBER next, a SENIOR MISTRESS, with
tions. She can play the tragic or the special qualifications for the teaching of English and Latin:
NOW READY. Post 8vo, 78. Ed. net.
comic part in such a way that, except for of 8 British University, and be willing to assist in supervising Games.
A CHRONICLE OF THE POPES.
the inflexions of the voice, it is impossible 1701 with supplementary remuneration of 201. a year for special
to recognize the same woman in each. Previous successful experience in Secondary School work is
From St. Peter to Pius X.
essential, and such experience will be considered in fixing the initial
Her audacity of presentment is superb ; salary
By A. E. McKILLIAM, M. A.
she possesses resources of emotion at her JONE 23, may be obtained from 1. 8. AITKEN, Esq. . Towa “A valuable outline of the career of every Pope to the
Clerk,
present date. The facts are well selected, chosen without
command, which are never meretricious,
bias, and agreeably set forth. "--Tablet.
and always poignantly realized. Mr.
AT MESSRS. KNIGHT, FRANK & RUTLEY'S ROOMS,
“It is too much to expect that such a summary should
James Sinclair played the busybody,
20, HANOVER SQUARE, W.
be not only without bias, but also without mistakes; yet
Miss McKilliam has avoided both as far as human natare
Paintings and Drawings.
womanish Bob with delightful verve
may. " -Athenæum.
By direction of the Right Hon. the EARL OF CRANBROOK ;
and ease.
The text of Patriots' has the Executors of the late Admiral the Hon. Sir ASSHETON
To be completed in 6 vols. demy 8vo, 108. 6d. Det each.
GORE CURZON-HOWE; and from other sources.
just been issued by Messrs. Maunsel in a
Including Raeburn's fipe Portrait of Mrs. Balfour-The Red Boy,
Vol IIL NOW READY.
shilling edition.
Portrait of Master Standish by Sir Thomas Lawrence, P. R. A. ,
Vols. I. and II. previously published.
formerly in the Collection of Louis Philippe-The Young Anglers,
On the same evening Lady Gregory's by David Cox-e three-quarter length Portrait of Boy. by THE CORRESPONDENCE OF
Gainsborough-a Portrait of a Lady, by Moroni-a Lock, with
exquisite comedy The Jackdaw
was
Figures and Cattle, by Constable-Abingdon, by J. M. W. Turner,
played, with Miss Sara Allgood as the R. A. -Two Drawings by F. Wheatley, R. A. Also, by order of the
JONATHAN SWIFT.
old woman to be sold up for debt; Mr. by Frith, R. A. -Beveral important Landscapes by J. W. Oakes, Edited by F. ELRINGTON BALL Litt. D.
A. R. A. -The Spanish Armistice, by Edwin Long, R. A. ; and other
Sinclair as her brother, who turns up to
Properties, comprising Mezzotint Engravings, Coloured Prints,
With an Introduction by
relieve her; and Mr. O'Donovan as the Miniatures, &c. , which MESSRS.
The Right Rev. the BISHOP OF OSSORY.
foolish, virtuoso Mr. Nestor. The comedy KNIGHT, FRANK & RUTLEY will SELL by
“One of the best annotated editions of any author that
we know. The notes are a treasury of information on all
throws out innumerable facets of droll view two days prior trom 10 to 5 o'clock. Catalogues free of Messrs.
points. . . . In short, we have here for tbe first time the
and reckless wit, and was acted with Street, end. Solicitors; or of the Auctioneers, at their offices, 20, promise of a complete edition of Swift's Correspondence,
Square
both to and from, arranged in chronological order, printed
rare abandon. It has not received the
from the purest texts, and annotated with a learning and
notice it deserved.
accuracy that cannot be surpassed. "-Athenæum.
INDEX TO ADVERTISERS.
Crown 8vo, 3s. Bd. net.
THE AGE OF ALFRED
ALLEN & CO.
Dramatic Gossip.
(A. D. 664-1154).
Bell & SONS
By F. J. SNELL, M. A.
A TUMULTUOUS RECEPTION was accorded | BLACKWOOD & SONS
New Volume in “ Handbooks of English Literature. "
by a crowded theatre to Sir Herbert Tree's
revival of ‘Oliver Twist' at His Majesty's | CONSTABLE & Co.
on Tuesday evening. As we intimated in EDUCATIONAL
669
WEBSTER'S
our notice of July 15th, 1905, p. 91, the EXHIBITIONS
NEW INTERNATIONAL
grim sordidness and melodrama of the HAM-SMITH
piece overshadow its comedy and love- HEINEMANN
DICTIONARY
making. The suggestions of the murder of LECTURES :
Nancy are horrible, though, of course, it
MACMILLAN & 00.
672, 689
takes place off the stage. The play could MAGAZINES, &c.
THE MOST UP-TO-DATE,
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scarcely have been better cast, Sir Herbert
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690
Mr. Frank Stanmore, Mr. Basil Gill, and
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Miss Constance Collier gave finished per-
SITUATIONS VACANT
formances as Bill Sikes, The Artful Dodger,
Encyclopædic Dictionary on the Market.
SITUATIONS WANTED
Harry Maylie, and Nancy respectively. The
SOCIETIES . .
Write for Illustrated Prospectus and Specimen Pages.
introduction of a boy as Oliver was a marked TYPE-WRITERS, &c.
improvement, Master Alfred Willmore play- UNWIN
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ing the part well.
YosT TYPEWRITER
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:::
i: : : :
PAGE
671
690
688
692
690
691
CATALOGUES
669
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691
669
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::
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No. 4417, JUNE 22, 1912
THE ATHENÆUM
697
CONTENTS.
PAGE
697
. .
698
. .
699
700
701
702
702
704–708
LITERARY GOSSIP
NEXT MONTH'S MAGAZINES
710
ANCES NEXT WEEK
. .
was
of the properties of Rosa setigera, not character would be revealed clearly. The
SATURDAY, JUNE 22, 1912.
forgetting to mention the urn-shaped subjects of his plays are often problems,
calyx-tube, the five imbricated lobes, or because he was interested in people who
the open corolla of five obovate petals. only when problems" arise are seen to
To an Ibsen or a Cézanne one account be essentially different from one another,
HENRIK IBSEN
would appear as irrelevant as the other, or, indeed, from the furniture with which
THE "RETURN TO NATURE” (The Treatment of since both omitted the thing that mattered, they live.
There is no reason to suppose
Nature in English Poetry between Pope and Words-
worth)
what philosophers used to call “ the thing that Ibsen had any love for "problems
POETRY AND ITS ABSTRACT PRINCIPLES (Essentials in itself,” what now they would call “ the as such ; and we are tempted to believe
of Poetry)
essential reality":
that some modern" problems" are nothing
A GREAT PARLIAMENTARIAN (John Pym)
PYGMIES AND PAPUANS
more than situations from Ibsen's plays.
Solness. . . . . Do you read much ?
SOCIAL INSURANCE IN GERMANY
Ibsen's method is the true artist's method.
Hilda. No, never ! I have given it up. For
NOTES PROM CAMBRIDGE
it all seems so irrelevant.
The realist writing about people tends
NOTICES OF NEW BOOKS (Theology-Law-Poetry- Solness. That is just my feeling.
to give an inventory of personal pecu-
Bibliography-History and Biography, 704; Geo.
graphy and Travel-Sports and Pastimes-Éduca.
It was just what the books left out that is said and done. The romantic hopes,
liarities, and a faithful report of all that
tion, 705;
Philology-School. Books, 708 ; Fiction-
General, 707 ; Foreign, 708)
Ibsen wanted to express.
He soon worked through the romantic
somehow, to
PROF. VERRALL; SHADWORTH HOLLWAY HODGSON;
create an atmosphere
* ENGLAND IN THE MIDDLE AGES'; THE AUTH
by suggesting what he once felt for some-
LIBRARY
709 tradition. It hampered him long enough thing not altogether unlike the matter in
710 to prevent 'Peer Gynt from becoming a hand. Ibsen sets himself to discover
SCIENCE-THE CHILD AND ITS AILMENTS (The Diseases
truly great poem; after that he found the halfpennyworth of significance in all
of Children; The Healthy Baby); SOCIETIES ;
himself on the threshold of a world where this intolerable deal of irrelevance. Which
MEETINGS NEXT WERK ; GOSSIP
709–712 everything mattered too much in itself is the word, which the gesture, that,
FINE ARTY-NOTICES OF NEW BOOKS; GOSSIP 712-718 for its associations to be of consequence. springing directly from the depths of one
MUSIC—'THE CHILDREN OF DON'; GOSSIP;PERFORM-
713–714 Attempting to analyze Ibsen's characters character, penetrates to the depths of
DRAMA PLAYS BY AUGUST STRINDBERG; FOUR used to be a pastime for fools ; to-day, we another ? What is the true cause of this
IRISH PLAYS; NOTICES OF NEW BOOKS ; GOSSIP
714—718 all know that they come from that world
hubbub of inconsequent words and con-
INDEX TO ADVERTISERS
718 where everything has been reduced to an tradictory actions ? Nothing less remote
essence that defies analysis. There Ibsen than the true cause will serve, nothing else
never so completely at home as is firmly rooted in reality. Is that man
Cézanne; he lacked the imagination by expressing what he feels or what he thinks
LITERATURE
which alone one arrives and remains in he is expected to feel ? Have I pushed
the world of reality. His vision was more simplification as far as it will go? Are
uncertain, and so his faith was weaker. there no trappings, no over-tones, nothing
He was a less ferociously sincere artist. but what is essential to express my
When vision began to fail he took vision of reality? And, above all, is
IBSEN.
refuge in a catalogue of facts or in un- my vision absolutely sharp and sure?
Was it chance made Mr. Ellis Roberts convincing symbolism : Cézanne tossed These were the questions Ibsen had to
mention Cézanne on the fourth page of his picture into a bush. Perhaps that answer. When he succeeded he was a
a book about Ibsen ? We cannot
think is why a new generation, hungry for great great artist, not, as Mr. Roberts suggests,
80. Similarities in the work and cir- contemporary art, turns more hopefully to
in the manner of Shakespeare, but in the
cumstances of the two men can hardly painting than to literature.
manner of Æschylus.
have escaped him. Born within a dozen Thirty years ago it would have been
There is no more obvious proof of the
years of each other (Ibsen was born in misleading to say, what is undoubtedly greatness of Ibsen's art than the perfection
1828), both matured in a period when the true, that it is as an artist that Ibsen is of its form. To assert that fine form
professions of writing and painting were great. To call a man a good artist came always enfolds fine thought and feeling
laboriously cultivated at the expense of to much the same thing as calling him a would imply a knowledge of literature
art. Each, unguided except by his own good ping-pong player : it implied that to which it would be effrontery in a critic
sense of dissatisfaction with his surround- he was proficient in his own business ; to pretend. He may be allowed, how-
ings, found a way through the sloughs it did not imply that he was a great man ever, to advise any one who is ready with
of romance and the deserts of realism, to who affected life greatly. Therefore an instance of great form enclosing a void
the high country beyond them. Both many people who understood Ibsen and to verify his impressions : it was thus
sought and both found the same thing, were moved by his plays preferred to that the present writer came to appreciate
the thing above literature and painting, call him a political thinker or a social | Goldoni and Alfieri. In any case, this
the stuff out of which great literature reformer ; while
the is certain : a perfectly conceived idea
and painting are made.
æsthetes, were very willing to call him
never fails to express itself in perfect
The Romantics and Realists were like a great artist, since by doing so they form. Ibsen did not shirk the labour
people quarrelling as to which is the more
themselves from paying the of making his conceptions as hard, and
important thing about an orange, the slightest attention to anything that he definite, and self-supporting as possible.
history of Spain or the number of pips. said. Ibsen was a reformer in the sense No matter how autobiographical some
The instinct of the romantic, invited to that all great artists are reformers; of his best plays may be, he is too good
say what he felt about anything, was to it is impossible to speak of reality without an artist to allow them to lean on his
recall its associations. A rose made him criticizing civilization. In the same way personal experience; they have to stand
think of quaint gardens and gracious he was a politician; it is impossible to firmly on their own feet. Ibsen, there-
ladies and Edmund Waller and sundials, care passionately about art without caring fore, worked his conceptions to such a
and a thousand pleasant things that, at about the fate of mankind. But Mr. degree of hardness and self-consistency
one time or another, had befallen him Roberts is certainly right in holding that that he could detach them from himself
or somebody else. A rose touched life to appreciate Ibsen we must consider him and study them impersonally. That is
at a hundred pretty points. A rose was
as an artist.
why his plays are models of form. And
interesting because it had a past. On Ibsen approached humanity in the if there be an Academy of Letters that
this the realist's comment was "Mush! ” spirit of an artist. He sought that takes its duties seriously, Rosmersholm
or words to that effect. In like predica- essential thing, in men and women by and Ghosts' are, we presume, in the
ment, he would give a detailed account which we should know them if the devil hands of every young person within its
came one night and stole away their sphere of influence. The students are
Henrils Ibsen: a Critical Study, By R. Ellis bodies ; we may call it character if we shown, we hope that Ibsen's form is
Roberts. (Secker. )
choose. He imagined situations in which superb, not because Ibsen paid any


## p. 698 (#520) ############################################

698
THE ATHENÆUM
No. 4417, JUNE 22, 1912
8
particular attention to the precepts of he never doubted that there were such him from the one black note of senti-
Aristotle, but because, like Sophocles, things; and he went beneath the surface mentality in this book :
who had the misfortune to predecease to find them. It was Ibsen's revelation
the Stagirite, he knew precisely what of a new world, in which moral values “Ellida might be Solveig analysed—but
he wanted to say, and addressed himself were real and convincing, that thrilled analysed with how loving a touch, how
exclusively to the task of saying it. To the nineteenth century, and thrills us
unerring a kindness; it is as if a great
woman he
achieve great form is needed neither yet. Can any one read sedately that surgeon were operating on
science nor tradition, but intense feeling, scene in Ghosts' in which Mrs. Alving
vigorous thinking, and imagination. shows with bewildering simplicity that, Such things, we had imagined, could only
Formlessness is not a sign of spirited however respectable the Pastor's morality be said by members of the French Aca-
revolt against superstition; it is a mere may be, it is pure wickedness ?
demy.
indication of muddle-headedness.
Pastor Manders. You call it “ cowardice to
The subject matter of Ibsen's plays is
do your plain duty ? Have you forgotten that a
reality; unfortunately, his imagination son ought to love and honour his father and
mother?
was not always strong enough to keep a
THE “ RETURN TO NATURE. ”
sure hold on it. When the vision faded
Mrs. Alving. Do not let us talk in such general
terms. Let us ask: Ought Oswald to love and
he took refuge in symbolism or literality: honour Chamberlain Alving ?
A BOOK on nature in English poetry from
There was a commonplace background Manders. Is there no voice in your mother's Pope to Wordsworth is necessarily some-
to his mind, of which we see too much in heart that forbids you to destroy your son's what academic in texture. It has more
ideals ?
such plays as ' An Enemy of the People
limitations than the subject of our next
Mrs. Alving. But what about the truth ?
and “Pillars of Society. It is this com-
article, with its fund of potential specula-
Manders. But what about the ideals ?
monplace and rather suburban quality Mrs. Alving. Oh-ideals, ideals! If only I lecture room. A professor, after making
tion. It smells unmistakably of class and
that tempts us occasionally to explain were not such a coward !
Ibsen's popularity by the fact that he
a few more or less happy and spontaneous
Ibsen's social and political ideas follow suggestions, throws out a casual remark
represented the revolt of the supremely necessarily from the nature of his art. to the effect that it would be interesting
unimportant, of whom there happen to He knew too much about the depths of to develope such and such a subject which
be quite a number in the world. With character to suppose that people could writers and students so far have singularly
the symbolism of The Master-Builder'
be improved from without. He agreed neglected. The idea is taken seriously
no fault can be found.
It is a legitimate with our grandmothers that what men by one of his class, it germinates, and a
and effective means of expressing a sense
of reality. The theme is never lost. need are new hearts. It is good feeling professor - prompted book is eventually
that makes good men, and the sole check the result.
The artist who sacrifices his human
The transformation of the
bad feeling is conscience. Laws, classical framework of English letters into
relations, but dare not give all, dare not
customs, and social conventions he re-
give his vanity or his life to the ideal
, garded 'as ineffectual means to good. and Coleridge seems to have a special
the romantic inspiration of Chatterton
moves steadily to his inevitable doom. There is no virtue in one who is restrained attraction for American students. Mr.
Whether he moves in the form of Halvard from evil by fear. He went further : he Beers has developed the whole subject
Solness, the cowardly architect of genius, regarded external restraints as means to in a more or less summarized form. Miss
in the form of the symbolical master- bad, since they come between a man and Reynolds is well qualified to work out
his conscience and blunt the moral sense. this particular chapter of the theme in
builder, the artist who tries to have the
So long as I keep to the rules,” says the detail, having devoted many years to an
best of both worlds, matters not a straw.
The medium of expression changes, but smug citizen," I am one of the righteous. ” elaborate monograph on Lady Winchilsea,
the theme is constant : the conception is virtues, its mean standards, its mediocrity, Chicago University Press. The result of
Ibsen loathed the State, with its negative which was published recently by the
whole. That is more than can be said of
and its spiritual squalor. He was
The Lady from the Sea,' where the
her labours was not calculated, in our
passionate individualist.
symbolism comes perilously near padding;
opinion, greatly to enhance the reputation
or of “When We Dead Awaken,' where it
Whether Ibsen was in the right is not of the poet of the 'Nocturnal Reverie. '
often expresses nothing relevant, merely for a reviewer to decide. Mr. Roberts The reputation of that lady is largely
standing picturesquely for commonplaces, has strong views on the subject, which due to the fact that Wordsworth,
and filling up gaps.
he is at no pains to conceal. For this we who knew very few of her poems, imagined
To read one of Ibsen's great plays is feel that the personal note imported by with his own. The resemblance was
are far from blaming him. Indeed, we that these had a kind of secret affinity
first time is an event. If a savage who the author's intellectual bias gives some slight enough, for Rousseau and his ideas
took locomotives and motor-cars for flavour to a book which, owing to the had intervened, supplying Wordsworth
granted, as inexplicable creatures of complete absence of charm or distinction, with a conception of nature to which
whim and fancy, suddenly were shown, petent, but woefully uninspiring, piece of stranger. But the lead of Wordsworth
would be otherwise insipid. It is a com- Lady Winchilsea had been altogether a
not by vague adumbration, but by work. " Above all things, Mr. Roberts
straightforward exposition, that they were
was sufficient to entangle several critical
expressions of intelligible laws controlled lacks humour—a quality indispensable in quidnuncs in an absurdly inflated vision
by comprehensible machinery, he could
a writer on Ibsen. For Ibsen, like other of a lady's influence and priority in a new
of genius, is slightly ridiculous. kind of appreciation of natural beauties-
teenth century by Ibsen. For Ibsen took Undeniably, there is something comic particularly when that lady happened
Now that we
about the picture of the Norwegian to be a countess.
nothing for granted. He saw little on
the surface of life that corresponded with dramatist,, spectacled and frock-coated, observe her poems in a collective edition,
reality ; but he did not cease to believe
looking,” Mr. Archer tells us,
we see that her one preoccupation was
in reality. That was where he differed distinguished diplomat,” at work amongst to imitate, with a certain small measure
both from the Philistines and the elect.
the orange-groves
of Sorrento on 'Ghosts. ' of success, two such convinced olassicists
He saw that the universe was something
as Prior and Pope. Her nature poems
Ibsen was keenly sensitive to place,
very different from what it was generally and if we would get the utmost feeling out
are few, enumerative in character, and
supposed to be : he saw the futility of of his plays we must remember how large a quaint rather than salient in quality.
popular morals and popular metaphysics ; part was played by fortunate or unfortunate One would willingly give all she ever
but he neither swallowed the conventions position and circumstances in contributing wrote for a couplet of Andrew Marvell.
to the wonderful
nor threw up his hands in despair, declaring
atmosphere' of the
dramas. "
The Treatment of Nature in English Poetry
the whole thing to be an idiotic farce.
between Pope and Wordsworth. By Myra
He knew that truth and goodness had That is what Mr. Roberts thinks. A Reynolds. Second Edition. (Chicago
nothing to do with law and custom ; but sense of humour would also have saved University Press. )
66
a
men
can
66
like a


## p. 699 (#521) ############################################

No. 4417, JUNE 22, 1912
THE ATHENÆUM
699
corner.
own:
Miss Reynolds has incurred a somewhat not by abstract reasoning, but by the down of tall hedges, the opening up of
similar penalty in developing her present provision of substitutes. Moreover, among vistas, was
vistas, was another symptom of the
thesis. As
& generality the idea is the new and increasingly defined class of growing revolt against boundaries, the
sound enough. În detail it does not work brain - workers romantic travel and the deepening love of the wilderness. Hence-
out well. The starting - point and the wilderness were gradually becoming a forth new images of nature rapidly
goal can be indieated fairly satisfactorily, more and more indispensable means of multiplied—to reach the acme of minute-
but the process evades definite analysis. recuperation. Dr. Johnson himself, who ness in Tennyson, and an almost Shake-
Many of the links prove illusive upon professed to regard a mountain as no spearian pith and economy of expression
investigation. You can sum up a cha- more than a considerable protuberance, in the nature poems of George Meredith.
racteristic attitude towards nature as
as conceived a passion for travelling, by pre-
dislike of grandeur and mystery; affection ference apparently in isolated and pictur-
for tame, domestic kinds of scenery, for esque regions. The reaction against the POETRY AND ITS ABSTRACT
formal gardens and parks; generalized old exaggerated contempt for uninhabited
PRINCIPLES.
descriptions; abhorrence of local colour ; places felt by dwellers in a sparsely popu- PROF. NEILSON has written a book which
and queer affectations and paraphrases, lated country reached its climax in our
such as “gelid cistern” for cold tub. eyes, not in the current of English poetry reveals him as a very sympathetic judge
But you cannot limit the nature poetry at all, but in the movements inaugurated of poetry, both by temperament and by
of the classical period within the bounds by Rousseau and Gilbert White. These two study of the best criticism : few books
of such a definition. The exceptions are between them were the major prophets could better justify the position of Pro-
too destructive. One of the special cha- of the simple life, back to the land, nature fessor of English which he holds at Har-
racteristics of the classical period is study, and curse of civilization movements. vard University. As well as temperament
narrow and uninterested observation of The new attitude towards nature in and a wide knowledge of poetry and
nature.
English poetry is therefore just merely one criticism, he has a clear mind, eager for
stretches the poet Gray, one of the small strand in the great rope of resent- lucidity and for the tasks of analysis,
With
minutest and most sympathetic observers ment against the accumulating artificiality simplification, and definition.
of nature and natural beauty that our of the new conditions which the eighteenth Bacon's division of human learning, in
literature has ever produced. There is, century was industriously weaving. Miss which history “has reference to the
too, the exquisite Collins. Another serious Reynolds may have felt that the narrow- Memory, poesy to the Imagination, and
difficulty is invited by narrowing the ness of her investigation somewhat limited philosophy to the Reason,” he proceeds
area of inquiry to England. Thomson the area of her appeal. At any rate, to consider“ imagination, reason, and the
and Dyer may in some respects have been when in 1909 she revised her original elements of poetry. He makes admirable
the evangels of the new nature poetry; essay of 1899 she added two illustrative elements of poetry. He makes admirable
but it is fatal to neglect the power of chapters on gardening and landscape use of this threefold foundation. For
Rousseau, who acted as focusser and painting. These will probably now be example, he illustrates the familiar terms
transmitter of the whole school of forces, regarded as two of the most interesting Romanticism, Classicism, and Realism
of which nature poetry occupied a mere chapters in the book. Nothing enables by showing how they correspond with his
us better to appreciate the formation in
Miss Reynolds hardly seems to realize England of a special taste for picturesque "If a correspondence between them and
what an enormous amount of work has and romantic scenery than the growth
threefold division of the faculties
been done in development of this par- of the great water-colour and topographical employed in poetry can be discerned, we
shall have made some progress towards
ticular field by students of Thomson and school. When men and mountains meet, definite conceptions.