No More Learning

You who grant the condemned that calm, proud look

that damns a whole people crowding the scaffold,

O Satan, take pity on my long misery!

You who know in what corners of envious countries

a jealous God hid those stones that are precious,

O Satan, take pity on my long misery!

You whose clear eye knows the deep caches

where, buried, the race of metals slumbers,

O Satan, take pity on my long misery!

You whose huge hands hide the precipice,

from the sleepwalker on the sky-scraper's cliff,

O Satan, take pity on my long misery!

You who make magically supple the bones

of the drunkard, out late, who's trampled by horses,

O Satan, take pity on my long misery!

You who taught us to mix saltpetre with sulphur

to console the frail human being who suffers,

O Satan, take pity on my long misery!

You who set your mark, o subtle accomplice,

on the forehead of Croesus, the vile and pitiless,

O Satan, take pity on my long misery!

You who set in the hearts and eyes of young girls

the cult of the wound, adoration of rags,

O Satan, take pity on my long misery!

The exile's staff, the light of invention,

confessor to those to be hanged, to conspirators,

O Satan, take pity on my long misery!

Father, adopting those whom God the Father

drove in dark anger from the earthly paradise,

O Satan, take pity on my long misery!

Note: Croesus was the king of Lydia (c560-546BC), famed for his wealth. He was defeated and captured by Cyrus of Persia at the taking of Sardis, and rescued by his conqueror from the pyre (Herodotus 1. 86)

Beauty

O mortals, I am beautiful, like a stone dream,

and my breast, where each man has bruised his soul,

is created to inspire in poets a goal

as eternal and mute as matter might seem.

An inscrutable Sphinx, I am throned in blue sky:

I unite the swan's white with a heart of snow:

I hate all movement that ruffles the flow,

and I never cry and I never smile.

The poets, in front of my poses, so grand

they seem borrowed from ancient tomb-covers,

will exhaust their days in studying a hand,

since I, to fascinate my docile lovers,

have pure mirrors that magnify everything's beauty:

my eyes, my huge eyes, bright with eternity.

Letter to Sainte-Beuve

On the old oak benches, more shiny and polished

than links of a chain that were, each day, burnished

rubbed by our human flesh, we, still un-bearded,

trailed our ennui, hunched, round-shouldered,

under the four-square heaven of solitude,

where a child drinks study's tart ten-year brew.

It was in those days, outstanding and memorable,

when the teachers, forced to loosen our classical

fetters, yet all still hostile to your rhyming,

succumbed to the pressure of our mad duelling,

and allowed a triumphant, mutinous, pupil

to make Triboulet howl in Latin, at will.

Which of us in those days of pale adolescence

didn't share the weary torpor of confinement,

- eyes lost in the dreary blue of a summer sky

or the snowfall's whiteness, we were dazzled by,

ears pricked, eager, waiting - a pack of hounds

drinking some book's far echo, a riot's sound?

Most of all in summer, that melted the leads,

the walls high, blackened, filled with dread,

with the scorching heat, or when autumn haze

lit the sky with its one monotonous blaze

and made the screeching falcons fall asleep,

white pigeons' terrors, in their slender keep:

the season of reverie when the Muse clings

through the endless day to some bell that rings:

when Melancholy at noon when all is drowsing

at the corridor's end, chin in hand, dragging -

eyes bluer and darker than Diderot's Nun,

that sad, obscene tale known to everyone,

- her feet weighed down by premature ennui,

her brow from night's moist languor un-free.

- and unhealthy evenings, then, feverish nights,

that make young girls love their bodies outright,

and, sterile pleasure, gaze in their mirrors to see

the ripening fruits of their own nubility: -

Italian evenings of thoughtless lethargy,

when knowledge of false delights is revealed

when sombre Venus, on her high black balcony,

out of cool censers, waves of musk sets free.

In this war of enervating circumstances,

matured by your sonnets, prepared by your stanzas,

one evening, having sensed the soul of your art,

I transported Amaury's story into my heart.

Every mystical void is but two steps away

from doubt. - The potion, drop by drop, day by day,

filtering through me, I, drawn to the abyss since I

was fifteen, who swiftly deciphered Rene's sigh,

I parched by some strange thirst for the unknown,

within the smallest of arteries, made its home.

I absorbed it all, the perfumes, the miasmas,

the long-vanished memories' sweetest whispers,

the drawn-out tangle of phrases, their symbols,

the rosaries murmuring in mystical madrigals,

- a voluptuous book, if ever one was brewed.

Now, whether I'm deep in some leafy refuge,

or in the sun of a second hemispheres' days,

the eternal swell swaying the ocean waves,

the view of endless horizons always re-born,

draw my heart to the dream divine, once more,

be it in heavy languor of burning summer,

or shivering idleness of early December,

beneath tobacco-smoke clouds, hiding the ceiling,

through the book's subtle mystery, always leafing,

a book so dear to those numb souls whose destiny

has, one and all, stamped them with that same malady,

in front of the mirror, I've perfected the cruelty

of the art that, at birth, some demon granted me,

- art of that pain that creates true voluptuousness, -

scratching the wound, to draw blood from my distress.

Poet, is it an insult, or a well-turned compliment?

For regarding you I'm like a lover, to all intent,

faced with a ghost whose gestures are caresses,

with hand, eye of unknown charms, who blesses,

in order to drain one's strength. - All loved beings

are cups of venom one drinks with eyes unseeing,

and the heart that's once transfixed, seduced by pain,

finds death, while still blessing the arrow, every day.

Notes: Baudelaire in 1844 sent this poem to Saint-Beuve, whose novel Volupte has Amaury as its hero. Triboulet (c1479-1536), was the court jester of Louis XII, and Francois 1st, who inspired a scene in Rabelais' Gargantua and Pantagruel. Diderot was the author of La Religieuse, Chateaubriand of Rene.

Elevation

High over the ponds, high over the vales,

the mountains, clouds, woods and meres,

beyond the sun, beyond the ethereal veils,

beyond the confines of the starry spheres,

you ride, my spirit, ride with agility,

swooning with joy, at the wave, strong swimmer

and take your ineffable masculine pleasure,

cutting through that endless immensity.

Fly far away from this deathly miasma:

go, purify yourself in the upper air,

and drink like a pure and divine liquor,

what fills limpid space, that lucid fire.

Behind him the boredoms, the vast distress,

that imposes its weight on fog-bound beings,

happy the man, who on vigorous wings

mounts towards fields, serene and luminous!

He whose thoughts, like larks, go soaring,

flying freely towards dawn air, -

who glides above life: grasps, easily, there,

the language of flowers and silent Things!

Correspondences

Nature is a temple, where, from living pillars, a flux

of confused words is, sometimes, allowed to fall:

Man travels it, through forests of symbols, that all

observe him, with familiar looks.

Like far echoes that distantly congregate,

in a shadowy and profound unity,

vast as the night air, in its clarity,

perfumes, colours, sounds reverberate.

There are fresh perfumes, like the flesh of children,

mellow as oboes, green as prairies,

- and others, rich, glorious and forbidden,

having the expansive power of infinities,

amber, musk, benjamin and incense,

that sing of the ecstasies of spirit and sense.

The Jewels

My sweetheart was naked, knowing my desire,

she wore only her tinkling jewellery,

whose splendour yields her the rich conquering fire

of Moorish slave-girls in the days of their beauty.

When, dancing, it gives out its sharp sound of mockery,

that glistening world of metal and stone,

I am ravished by ecstasy, love like fury

those things where light mingles with sound.

So she lay there, let herself be loved,

and, from the tall bed, she smiled with delight

on my love deep and sweet as the sea is moved,

rising to her as toward a cliff's height.

Like a tamed tigress, her eyes fixed on me

with a vague dreamy air, she tried out her poses,

so wantonly and so innocently,

it gave a new charm to her metamorphoses:

and her arm and her leg, and her back and her thigh,

shining like oil, undulating like a swan's,

passed in front of my calm, clairvoyant eye:

and her belly and breasts, those vine-clustered ones,

thrust out, more seductively than Angels of evil,

to trouble the repose where my soul had its throne,

and topple it from the crystal hill,

where it was seated, calm and alone.

I thought I saw Antiope's hips placed

on a youth's bust, with a new design's grace,

her pelvis accentuated so by her waist.

The rouge was superb on that wild, tawny face!

- And the lamp resigning itself to dying,

as only the fire in the hearth lit the chamber,

each time it gave out a flame in sighing,

it flooded with blood that skin of amber!

The Snake That Dances

How I love to watch, dear indolence,

like a bright shimmer,

of fabric, the skin of your elegant

body glimmer!

Over the bitter-tasting perfume,

the depths of your hair,

odorous, restless spume,

blue, and brown, waves, there,

like a vessel that stirs, awake

when dawn winds rise,

my dreaming soul sets sail

for those distant skies.

Your eyes where nothing's revealed

either acrid or sweet,

are two cold jewels where steel

and gold both meet.

Seeing your rhythmic advance,

your fine abandon,

one might speak of a snake that danced

at the end of the branch it's on.

Under its burden of languidness,

your head at a child-like slant,

rocks with weak listlessness

like a young elephant's,

and your body heels and stretches

like some trim vessel,

that, rocking from side to side, plunges

its yards in the swell.

As when the groaning glacier's thaw

fills the flowing stream,

so when your mouth's juices pour

to the tip of your teeth,

I fancy I'm drinking overpowering, bitter,

Bohemian wine,

that over my heart will scatter

its stars, a liquid sky!

'Je t'adore a l'egal de la voute nocturne'

I adore you, the nocturnal vault's likeness,

o vast taciturnity, o vase of sadness:

I love you, my beauty, the more you flee,

grace of my nights, the more you seem,

to multiply distances, ah ironically,

that bar my arms from the blue immensity.

I advance to the attack, climb to the assault

like a swarm of worms attacking a corpse,

and I cherish, o creature cruel, and implacable,

your coldness that makes you, for me, more beautiful!

A Rotting Carcase

My soul, do you remember the object we saw

on what was a fine summer's day:

at the path's far corner, a shameful corpse

on the gravel-bed, darkly lay,

legs in the air, like a lecherous woman,

burning and oozing with poisons,

revealing, with nonchalance, cynicism,

the belly ripe with its exhalations.

The sun shone down on that rot and mould,

as if to grill it completely,

and render to Nature a hundredfold

what she'd once joined so sweetly:

and the sky gazed at that noble carcass,

like a flower, now blossoming.

The stench was so great, that there, on the grass,

you almost considered fainting.

The flies buzzed away on its putrid belly,

from which black battalions slid,

larvae, that flowed in thickening liquid

the length of those seething shreds.

All of the thing rose and fell like a wave,

surging and glittering:

you'd have said the corpse, swollen with vague

breath, multiplied, was living.

And that 'world' gave off a strange music,

like the wind, or the flowing river,

or the grain, tossed and turned with a rhythmic

motion, by the winnower.

Its shape was vanishing, no more than a dream,

a slowly-formed rough sketch

on forgotten canvas, the artist's gleam

of memory alone perfects.

From behind the rocks a restless bitch

glared with an angry eye,

judging the right moment to snatch

some morsel she'd passed by.

- And yet you too will resemble that ordure,

that terrible corruption,

star of my eyes, sun of my nature,

my angel, and my passion!

Yes! Such you'll become, o queen of grace,

after the final sacraments,

when you go under the flowering grass

to rot among the skeletons.

O my beauty! Tell the worms, then, as

with kisses they eat you away,

how I preserved the form, divine essence

of my loves in their decay !

Beatrice

Through fields of ash, burnt, without verdure,

where I was complaining one day to Nature,

and slowly sharpened the knife of my thought,

as I wandered aimlessly, against my heart,

I saw descend, at noon, on my brow,

a storm-filled and sinister cloud,

holding a vicious demonic horde,

resembling cruel, and curious dwarfs.

Gazing at me, considering me, as cool

as passers-by admiring a fool,

I heard them laughing and whispering in synch,

exchanging many a nudge and a wink:

' Let's contemplate this caricature,

this Hamlet's shadow, echoing his posture,

his indecisive looks, and wild hair.

It's a shame to see that epicure there,

that pauper, that actor on holiday, that droll

fellow, because he can play a fine role,

trying to interest with his tears

the eagles, the grasshoppers, streams and flowers,

and even proclaiming his public tirades

to us who invented those ancient parades? '

I might (since my pride, high as the mountains,

overtops clouds and the cries of demons)

simply have turned my regal head,

if I'd not seen, to that obscene crowd wed,

a crime that failed to make the sun rock,

the queen of my heart, with her matchless look,

laughing with them at my dark distress,

and now and then yielding a filthy caress.

The Balcony

Mother of memories, mistress of mistresses,

O you, all my pleasures! O you, all my learning!

You will remember the joy of caresses,

the sweetness of home and the beauty of evening,

Mother of memories, mistress of mistresses!

On evenings lit by the glow of the ashes

and on the balcony, veiled, rose-coloured, misted,

how gentle your breast was, how good your heart to me!

We have said things meant for eternity,

on evenings lit by the glow of the ashes.

How lovely the light is on sultry evenings!

How deep the void grows! How powerful the heart is!

As I leaned towards you, queen of adored ones

I thought I breathed perfume from your blood's kiss.

How lovely the light is on sultry evenings!

The night it was thickening and closing around us,

and my eyes in the dark were divining your glance,

and I drank your nectar. Oh sweetness! Oh poison!

your feet held, here, in these fraternal hands.

The night it was thickening and closing around us.

I know how to summon up happiest moments,

and relive my past, there, curled, touching your knees.

What good to search for your languorous beauties

but in your dear body, and your heart so sweet?

I know how to summon up happiest moments!

Those vows, those perfumes, those infinite kisses,

will they be reborn, from gulfs beyond soundings,

as the suns that are young again climb in the sky,

after they've passed through the deepest of drownings?

- O vows! O perfumes! O infinite kisses!

Exotic Perfume

When, in Autumn, on a sultry evening,

eyes closed, I breathe your warm breasts' odour,

I see the shore of bliss uncovered,

in the monotonous sun's fierce gleaming:

a languorous island where Nature has come,

bringing rare trees and luscious fruits:

the bodies of lean and vigorous brutes,

and women with eyes of astounding freedom.

Led by your odour to magic climes

I see a harbour, of masts, sails, lines,

worn down by the sea's waves still,

while the green tamarinds' perfume mounts,

circling in air, and filling my nostrils,

and blends, in my soul, with the sailors' chants.

The Head of Hair

O fleece, billowing down to the shoulders!

O curls! O perfume charged with languor!

Ecstasy! To populate love's dark alcove,

with memories sleeping tonight in your hair,

I'd wave it, like a handkerchief, in the air!

Languid Asia and burning Africa,

absent worlds, far-off, almost dead,

live in your forest-depths of aromas!

As music floats other spirits away,

mine, my love, sails your fragrance instead.

I'll go where, full of sap, trees and men

Swoon endlessly in that ardent climate:

Thick tresses, be my tide! You contain,

O sea of ebony, the dazzling dream,

of masts, flames, sails, and oarsmen:

an echoing port where my soul's a drinker

of sound, colour, scent in rolling waves:

where vessels, gliding through silk and amber,

open wide their arms to clasp the splendour

of a pure sky quivering with eternal day.

I'll plunge my head, in love with drunkenness,

in this dark ocean which encloses the other:

and my subtle spirit the breakers caress

will know how to find you, fertile indolence!

Infinite lullaby, full of the balm of leisure!

Hair of blue, that hangs like a shadowy tent,

you bring me the round, immense sky's azure:

in your plaited tresses' feathery descent

I grow fervently drunk with the mingled scent

of coconut-oil, of musk, and coal-tar.

Now! Always! My hand in your heavy mane sowing

jewels, the sapphire, the pearl, and the ruby,

so that you'll not remain deaf to my longing!

Oasis of dream, the gourd where I'm drinking,

of you, long draughts of the wine of memory?

A Phantom II: The Perfume

Reader, have you ever breathed deeply,

with slow savour and intoxicated sense,

a church's saturating grain of incense,

or the long-lasting musk in a sachet?

Profound magical spell where we

are drunk on the past restored in the present.

So lovers on an adored body scent

the exquisite flower of memory.

From her pliant and heavy hair,

living sachet, censer of the alcoves,

a fragrance, wild and savage, rose,

and from her clothes, velvet or muslin, there,

impregnated with her pure years,

emanated a perfume of furs.

Afternoon Song

Though your eyebrows surprise,

and give you an air of strangeness,

which isn't that of the angels,

witch with seductive eyes,

I adore my frivolous girl,

my terrible passion,

with the devotion

of a priest for his idol!

The forest and the desert

perfume your wild hair:

your head has an air

of the enigma, the secret.

Round your flesh, perfume sweet

swirls like a censer's cloud:

you bewitch like the twilight's shroud,

nymph of shadows and heat.

Ah! The strongest potions made

can't match your idleness,

and you know the caress

that resurrects the dead.

Your hips are enamoured

of your back and your breasts,

and the cushions are ravished

with your poses, so languid.

Sometimes to appease

your rage, mysteriously,

you lavish, gravely

your bites and your kisses.

You tear me, my dark-haired one,

with a mocking smile's art,

and then cast on my heart

your gaze sweet as the moon.

Under your shoes so satiny,

your graceful silken feet,

I lay my genius, my wit,

my joy, and my destiny,

restorer of my health's sweetness,

you, all colour and light,

explosion of warmth, bright

in my Siberian darkness.

The Death of Lovers

We will have beds filled with light scent, and

couches deep as a tomb,

and strange flowers in the room,

blooming for us under skies so pleasant.

Vying to exhaust their last fires

our hearts will be two vast flares,

reflecting their double glares

in our two spirits, twin mirrors.

One evening of mystic blue and rose

we'll exchange a single brief glow

like a long sob, heavy with goodbye,

and later, opening the doors, the angel who came

faithful and joyful, will revive

the lustreless mirrors, and the lifeless flame.

The Flawed Bell

It's bitter, yet sweet, on wintry nights,

near to the fire that crackles and fumes,

listening while, far-off, slow memories rise

to echoing chimes that ring through the gloom.

Lucky indeed, the loud-tongued bell

still hale and hearty despite its age,

repeating its pious call, true and well,

like an old trooper in the sentry's cage!

My soul is flawed: when, at boredom's sigh,

it would fill the chill night air with its cry,

it often happens that its voice, enfeebled,

thickens like a wounded man's death-rattle

by a lake of blood, vast heaps of the dying,

who ends, without moving, despite his trying.

The Owls

Among the black yews, their shelter,

the owls are ranged in a row,

like alien deities, the glow,

of their red eyes pierces. They ponder.

They perch there without moving,

till that melancholy moment

when quenching the falling sun,

the shadows are growing.

Their stance teaches the wise

to fear, in this world of ours,

all tumult, and all movement:

Mankind, drunk on brief shadows,

always incurs a punishment

for his longing to stir, and go.

To A Red-headed Beggar-girl

Pale girl with fiery hair,

whose tattered dress shows there

glimpses of your poverty

and your beauty,

a wretched poet, for me,

your young skinny body

with its freckled brownness

has its sweetness.

You wear, more stylishly

than a queen in story

wears her velvet shoe

your heavy two.

Instead of your dress, ripped, short,

may a fine robe of court

trail in long folds to greet

your slender feet:

in place of your torn hose

may daggers of gold,

down your legs, blaze

for the eyes of roues:

may ribbons loosely tied

unveil in your pride

your two lovely breasts, bright

as your eyes:

may your arms be coaxed too,

to sweetly undress you,

and with pert blows

discourage those

impish fingers, pearls that glow,

sonnets of master Belleau,

by your captive lovers,

endlessly offered.

The poets, in pursuit,

dedicating to you their fruit,

and gazing at your shoes, there

from beneath the stair:

many a page-boy's game,

many a famous name,

would spy, still hoping,

on your cool lodging!

You, in your bed, would count

more kisses than lilies no doubt,

and subject to your law

a Valois or more!

- Meanwhile you go seeking

any old scraps, cadging,

outside the back door

of some shabby store:

you go gazing, from afar,

at valueless beads that are

still, alas, so much more

than I can afford!

Go then, with no ornament,

perfume, pearl or diamond,

only your slender nudity,

O my beauty!

Wandering Gypsies

The prophetic tribe with burning eyes

yesterday took to the highway, carrying

children slung on their backs, or offering

proud hunger the breast's ever-ripe prize.

The men go on foot, with shining weapons,

by the carts where their folk huddle together,

sweeping the heavens, eyes grown heavier

with mournful regret for absent visions.

The cricket, deep in his sandy retreat,

redoubles his call, on seeing their passing feet:

Cybele, who loves them, re-leafs the glades,

makes the rocks gush, the desert bloom,

before these voyagers, thrown wide to whom

is the intimate kingdom of future shades.

Note: Cybele was the Phrygian great goddess, personifying the earth in its savage state, worshipped in caves and on mountaintops.

Bad Luck

To roll the rock you fought

takes your courage, Sisyphus!

No matter what effort from us,

Art is long, and Time is short.

Far from the grave of celebrity,

my heart, like a muffled drum,

taps out its funereal thrum

towards some lonely cemetery.

- Many a long-buried gem

sleeps in shadowy oblivion

far from pickaxes and drills:

in profound solitude set,

many a flower, with regret,

its sweet perfume spills.


The Death of the Poor

It is Death, alas, persuades us to keep on living:

the goal of life and the only hope we have,

like an elixir, rousing, intoxicating, giving

the strength to march on towards the grave:

through the frost and snow and storm-wind, look

it's the vibrant light on our black horizon:

the fabulous inn, written of in the book,

where one can eat, and sleep and sit oneself down:

it's an Angel, who holds in his magnetic beams,

sleep and the gift of ecstatic dreams,

who makes the bed where the poor and naked lie:

it's the glory of the Gods, the mystic granary,

it's the poor man's purse, his ancient country,

it's the doorway opening on an unknown sky!

Music

Music, like an ocean, often carries me away!

Through the ether far,

or under a canopy of mist, I set sail

for my pale star.

Breasting the waves, my lungs swollen

like a ship's canvas,

night veils from me the long rollers,

I ride their backs:

I sense all a suffering vessel's passions

vibrating within me:

while fair winds or the storm's convulsions

on the immense deep

cradle me. Or else flat calm, vast mirror there

of my despair!

The Ransom

Man, with which to pay his ransom,

has two fields of deep rich earth,

which he must dig and bring to birth,

with the iron blade of reason.

To obtain the smallest rose,

to garner a few ears of wheat,

he must wet them without cease,

with briny tears from his grey brow.

One is Art: Love is the other.

- To render his propitiation,

on the day of conflagration,

when the last strict reckoning's here,

full of crops' and flowers' displays

he will have to show his barns,

with those colours and those forms

that gain the Angels' praise.

Voyage to Cythera

My heart soared with joy, like a bird in flight,

haunting the rigging sliding by:

the ship swayed under a cloudless sky,

like an angel, dazed by radiant light.

What island is that, dark and sad? - Cythera,

in verse, it's famous you understand,

every aged child's golden land.

Look, after all, there's nothing here.

- Isle of sweet secrets and the heart's delight!

Ancient Venus's marvellous shadow,

like perfume, covers the sea, around you,

fills the mind with love, and the languorous night.

Isle of green myrtle and flowers, wide open,

beautiful, revered by every nation,

where the sighs, of the heart's adoration,

glide like incense, over a rose garden,

or are cooing, like doves, in scented air!

- Cythera, now a desert, to mock,

full of piercing calls, a barren rock.

But I saw a strange thing there!

It was not a temple, shaded by trees,

where the young priestess, with flower-like desires,

her body alight with secret fires,

goes, opening her robes to the passing breeze.

But a shore where our white sails moving by

disturbed the birds, and we saw, like jet,

the black of a cypress tree's silhouette,

a three-branched gibbet, against the sky.

A fierce bird, perching, on the head

of a hanged man, rent him, surely,

planting its impure beak, in fury,

in the bloody corners of the dead.

The eyes were two holes: from the cavernous belly

the weight of his guts poured down his sides,

and his torturers, gorged on hideous delights,

had castrated him, most efficiently.

Beneath his feet, circling, spun a jealous pack

their muzzles lifted, of whirling beasts,

one large one, leaping in their midst,

an executioner, with cohorts at his back.

Inhabitant of Cythera, son, of that lovely sky,

you suffered their insults, silently,

to expiate your infamy,

lacking the tomb your crimes deny.

Hanged man, grotesque sufferer, your pain is mine!

I felt at the sight of your dangling limbs,

the long stream of gall, old sufferings,

rise to my teeth like acid bile.

Before you, poor devil, of dear memory,

I felt all the beaks, and ravening claws,

of swooping ravens, dark panthers' jaws,

that were once so fond of tearing at me.

- The sky was entrancing, so calm the sea,

but, to me, all was dark, and smeared with blood.

Alas! My heart was buried, for good,

in the depths, the winding sheet, of an allegory.

O Venus, what I found, in your island, was just

a symbolic gallows, with my image, in suspense.

O God! Give me the courage, and the strength,

to contemplate my heart, and body, without disgust!

Note: The island of Cythera in the Aegean Sea is the symbolic isle of Venus Aphrodite, who was born from the sea-foam, near the island.

Evening Twilight

Here's the criminal's friend, delightful evening:

come like an accomplice, with a wolf's loping:

slowly the sky's vast vault hides each feature,

and restless man becomes a savage creature.

Evening, sweet evening, desired by him who can say

without his arms proving him a liar: 'Today

we've worked! ' - It refreshes, this evening hour,

those spirits that savage miseries devour,

the dedicated scholar with heavy head,

the bowed workman stumbling home to bed.

Yet now unhealthy demons rise again

clumsily, in the air, like busy men,

beat against sheds and arches in their flight.

And among the wind-tormented gas-lights

Prostitution switches on through the streets

opening her passageways like an ant-heap:

weaving her secret tunnels everywhere,

like an enemy planning a coup, she's there

burrowing into the wombs of the city's mires,

like a worm stealing from Man what it desires.

Here, there, you catch the kitchens' whistles,

the orchestras' droning, the theatres' yells,

low dives where gambling's all the pleasure,

filling with whores, and crooks, their partners,

and the thieves who show no respite or mercy,

will soon be setting to work, as they tenderly,

they too, toil at forcing safes and doorways,

to live, clothe their girls, for a few more days.

Collect yourself, my soul, at this grave hour,

and close your ears to the rising howl.

It's now that the pains of the sick increase!

Dark Night clasps them by the throat: they reach

their journey's end, the common pit's abandon:

the hospital fills with their sighs. - Many a one,

will never return to their warm soup by the fire,

by the hearth, at evening, next to their heart's desire.

And besides the majority have never known

never having lived, the gentleness of home!

Morning Twilight

Reveille was sounding on barrack-squares,

and the wind of dawn blew on lighted stairs.

It was the hour when a swarm of evil visions

torments swarthy adolescents, when pillows hum:

when, a bloodshot eye, throbbing and quivering,

the lamp makes a reddened stain on the morning:

when the soul, by dull sour body, bowed down,

enacts the struggle between lamp and dawn.

Like a tearful face that the breeze wipes dry,

the air's filled with the frisson of things that fly,

and man is tired of writing, woman with loving.

The chimneys, here and there, began smoking.

The women of pleasure, with their bleary eyes,

and gaping mouths, were sleeping stupefied:

poor old women, with chilled and meagre breasts,

blew the embers, then fingers, roused from rest.

It was the hour, when frozen, with money scarcer,

the pains of women in childbirth grew fiercer:

and like a sob cut short by a surge of blood

a cock-crow far away broke through the fog:

a sea of mist bathed the buildings, dying men,

in the depths of the workhouse, groaned again

emitting their death-rattles in ragged breaths.

Debauchees, tired by their efforts, headed for rest.
Shivering dawn in a robe of pink and green

made her way slowly along the deserted Seine,

and sombre Paris, eyes rubbed and watering,

groped for its tools, an old man, labouring.

The Invitation to the Voyage

My sister, my child

imagine, exiled,

The sweetness, of being there, we two!

To live and to sigh,

to love and to die,

In the land that mirrors you!

The misted haze

of its clouded days

Has the same charm to my mind,

as mysterious,

as your traitorous

Eyes, behind glittering blinds.

There everything's order and beauty,

calm, voluptuousness, and luxury.

The surface gleams

are polished it seems,

Through the years, to grace our room.

The rarest flowers

mix, with fragrant showers,

The vague, amber perfume.

The dark, painted halls,

the deep mirrored walls,

With Eastern splendour hung,

all secretly speak,

to the soul, its discrete,

Sweet, native tongue.

There, everything's order and beauty,

calm, voluptuousness and luxury.

See, down the canals,

the sleeping vessels,

Those nomads, their white sails furled:

Now, to accomplish

your every wish,

They come from the ends of the world.

- The deep sunsets

surround the west,

The canals, the city, entire,

with blue-violet and gold;

and the Earth grows cold

In an incandescent fire.

There, everything's order and beauty,

calm, voluptuousness and luxury.

The Invitation to the Voyage (Prose Poem)

There's a magnificent land, a land of Cockaigne, they say,

that I've dreamed of visiting with a dear mistress. A unique land, drowned in our Northern mists, that you might call the Orient of the West, the China of Europe, so freely is warm and capricious Fantasy expressed there, so patiently and thoroughly has she adorned it with learned and luxuriant plants.

A true land of Cockaigne, where all is lovely, rich, tranquil, honest: where luxury delights in reflecting itself as order: where life is full and sweet to breathe: from which disorder, turbulence, the unforeseen are banished: where happiness is married to silence: where the cooking itself is poetic, both rich and exciting: where everything resembles you, my sweet angel.

Do you know that fevered malady that seizes us in our cold misery, that nostalgia for an unknown land, that anguish of curiosity? There's a country you resemble, where everything is lovely, tranquil and honest, where Fantasy has built and adorned a western China, where life is sweet to breathe, where happiness is married to silence. There we must go and live, there we must go to die!

Yes, there we must go to breathe, dream, prolong the hours with an infinity of sensations. Some musician has composed The Invitation to the Waltz: who shall compose The Invitation to the Voyage, one can offer to the beloved, the sister of their choice?

Yes, it would be good to be alive in that atmosphere, - there where the hours that pass more slowly contain more thought, where the clocks chime happiness with a deeper, more significant solemnity.

On shining wall-panels, on walls lined with gilded leather, of sombre richness, blissful paintings live discreetly, calm and deep as the souls of the artists who created them. The sunsets that colour the dining-room, the salon, so richly, are softened by fine fabrics, or those high latticed windows divided in sections by leading. The furniture, vast, curious, bizarre, is armed with locks and secrets like refined souls. The mirrors, metals, fabrics, plate and ceramics play a mute, mysterious symphony for the eyes: and from every object, every corner, the gaps in the drawers, the folds of fabric, a unique perfume escapes: the call of Sumatra, that is like the soul of the apartment.

A true land of Cockaigne, I tell you, where all is rich, clean and bright like a clear conscience, like a splendid battery of kitchenware, like magnificent jewellery, like a multi-coloured gem! The treasures of the world enrich it, as in the home of some hard-working man, who's deserved well of the whole world. A unique land, superior to others, as art is to Nature, re-shaped here by dream, corrected, adorned, remade.

Let them search and search again, tirelessly extending the frontiers of their happiness, those alchemists of the gardener's art! Let them offer sixty, a hundred thousand florins reward to whoever realises their ambitious projects! I though, have found my black tulip, my blue dahlia!

Incomparable bloom, tulip re-found, allegorical dahlia, it is there, is it not, to that beautiful land so calm and full of dreams, that you must go to live and flower? Would you not be surrounded by your own analogue, could you not mirror yourself, to speak as the mystics do, in your own correspondence?

Dreams! Always dreams! And the more aspiring and fastidious the soul, the more its dreams exceed the possible. Every man has within him his does of natural opium, endlessly secreted and renewed, and how many hours do we count, from birth to death, that are filled with positive pleasure, by successful deliberate action? Shall we ever truly live, ever enter this picture my mind has painted, this picture that resembles you?

Those treasures, items of furniture, that luxury, order, those perfumes, miraculous flowers, are you. They are you also, those great rivers and tranquil canals. Those huge ships they carry charged with riches, from which rise monotonous sailors chants, those are my thoughts that sleep or glide over your breast. You conduct them gently towards that sea, the Infinite, while reflecting the depths of the sky in your sweet soul's clarity: - and when, wearied by the swell, gorged with Oriental wares, they re-enter their home port, they are my thoughts still, enriched, returning from the Infinite to you.

The Irreparable

Can we stifle the old, long-lived Remorse,

that lives, writhes, heaves,

feeds on us, like a worm on a corpse,

like oak-gall on the oak-trees?

Can we stifle the old, long-lived Remorse?

In what potion, in what wine, in what brew,

shall we drown this old enemy.

greedy, destructive as a prostitute,

ant-like always filled with tenacity?

In what potion? - In what wine? - In what brew?

Tell us, lovely witch, oh, tell us, if you know,

tell the spirit filled with anguish

as if dying crushed by the wounded, oh,

crumpled beneath the horses,

tell us, lovely witch, oh, tell us, if you know,

tell the one in agony the wolf's already scented

whom the raven now surveys,

tell the shattered soldier! Say, if he's intended

to despair of cross and grave:

poor soul in agony the wolf's already scented!

Can we illuminate a black and muddied sky?

can we pierce the shadowy evening,

denser than pitch, with neither day or night,

star-less, with no funereal lightning?

Can we illuminate a black and muddied sky?

The Hope that shone in the Tavern window

is quenched, is dead forever!

How to find without sunlight, without moon-glow,

for the foul road's martyrs, ah, shelter!

The Devil's quenched all in the Tavern window!

Adorable witch, do you love the damned?

Say, do you know the unforgivable?

Do you understand Remorse, its poisoned hand,

for which our heart serves as target?

Adorable witch, do you love the damned?

The Irreparable, with its accursed tooth bites

at our soul, this pitiful monument,

and often gnaws away like a termite,

below the foundations of the battlement.

The Irreparable, with its accursed tooth, bites!

- Sometimes on the boards of a cheap stage

lit up by the sonorous orchestra,

I've seen a fairy kindling miraculous day,

in the infernal sky above her:

sometimes on the boards of a cheap stage,

a being, who is nothing but light, gold, gauze,

flooring the enormous Satan:

but my heart, that no ecstasy ever saw,

is a stage where ever and again

one awaits in vain the Being with wings of gauze!

The Poison

Wine can clothe the most sordid hole

in miraculous luxury,

and let many a fabulous portico float free

in the gold of its red glow,

like a setting sun in the sky's cloudy sea.

Opium expands things without boundaries,

extends the limitless,

makes time profounder, deepens voluptuousness,

fills the soul beyond its capacities,

with the pleasures of gloom and of darkness.

None of that equals the poison that flows

from your eyes, your eyes of green,

lakes where, mirrored, my trembling soul is seen. . .

my dreams come flocking, a host,

to quench their thirst in the bitter stream.

None of that equals the dreadful marvel though

of your saliva's venom,

that plunges my soul, remorseless, into oblivion,

and causing vertigo,

rolls it swooning towards the shores of doom!

Clouded Sky

One would say your gaze was a misted screen:

your strange eyes (are they blue, grey or green? )

changeable, tender, dreamy, cruel, and again

echoing the indolence and pallor of heaven.

You bring me those blank days, mild and hazy,

that melt bewitched hearts into weeping,

when twisted, stirred by some unknown hurt,

our over-stretched nerves mock the numbed spirit.

Often you resemble the loveliest horizons

lit by the suns of foggy seasons. . . .

how splendid you are, a dew-wet country,

inflamed by the rays of a misted sky!

O dangerous woman, o seductive glow,

will I someday adore your frost and snow,

and learn to draw, from implacable winter

sharp-edged as steel or ice, new pleasure?

The Cat

I

A fine cat prowls about in my brain,

as if in his own apartment,

he's charming, gentle, confident,

when he mews you have to strain

to hear the discreet and tender tone:

whether it soothes or scolds its sound

is always rich, always profound.

It's his secret charm, and his alone.

This voice which purls and filters

to the darkest depths of my being

swells in me like verse multiplying

and delights me like a magic philtre.

It comprehends all ecstasy,

calms my cruellest suffering:

and has no need of words to sing

the longest sentences to me.

No, there's no bow that gliding

over my heart's pure instrument,

could make its most sensitive string

deliver more noble tidings,

than your voice, which as

in an angel, cat of mystery,

seraphic, extraordinary,

is as subtle as it's harmonious!

II

From its light-brownish fur, such

a sweet perfume gathers,

I was scented by it after

stroking it once, one touch.

It's the room's familiar spirit:

it judges, presides, inspires,

all things within its empire:

a god perhaps, a faery is it?

When my eyes are obediently

drawn to this cat I love,

like a magnet, and I look

into myself profoundly,

I see with pure amazement

the fire of his pale pupils,

bright lamps, living opals,

fixed on me, in contemplation.

Monologue

You are a lovely autumn sky, rose-clear!

But sadness is flowing in me like the sea,

And leaves on my sullen lip, as it disappears,

of its bitter slime the painful memory.

- Your hand glides over my numb breast in vain:

what it seeks, dear friend, is a place made raw

by woman's ferocious fang and claw, refrain:

seek this heart, the wild beasts tear, no more.

My heart is a palace defiled by the rabble,

they drink, and murder, and clutch each other's hair!

- About your naked throat a perfume hovers! . . .

O Beauty, harsh scourge of souls, this is your care!

With your eyes of fire, dazzling as at our feasts,

Burn these scraps to ashes, spared by the beasts!

Autumn Song

I

Soon we'll plunge into the bitter shadows:

Goodbye bright sunlit summers, all too short!

Already I can hear the gloomy blows:

the wood reverberates in some paved court.

Winter once more will enter in my being: anger,

shuddering, horror, hate, forced labour's shock,

like the sun in its deep hell, northern, polar,

my heart no more than a red, frozen block.

Trembling, I hear every log that falls:

building a scaffold makes no duller echoes.

My spirit's like a shattered tower, its walls

split by the battering ram's slow tireless blows.

Rocked by monotonous thuds, I feel it's done,

a coffin's being nailed in haste somewhere.

For whom? - Yesterday summer, now it's autumn!

The mysterious noise rings of departure there.

II

I love the greenish light of your almond eyes,

gentle beauty, but all's bitter to me today,

and nothing, your love, the boudoir, your fire,

matches the sun, for me, glittering on the waves.

Yet tender heart, love me still! Be like a mother

however ungrateful, however unworthy I am:

be the short-lived sweetness, sister or lover,

of a glorious autumn or the setting sun.

Short task! The grave waits: it is greedy!

Ah, let me rest my forehead on your knees,

regretting summer, white and torrid, let me

enjoy the late season's gentle yellow rays!

Autumn Sonnet

Your eyes, clear as crystal, ask me: 'Strange lover,

what do I mean to you? '- Hush, and be charming!

My heart, irritated by all but the one thing,

the primitive creature's absolute candour,

is unwilling to show its infernal secret to you,

cradler whose hand invites to deep slumber,

and its black inscription written in fire,

I hate passion, the spirit sickens me too!

Let us love gently. Love in hiding, discreet,

in shadowy ambush, bends his fatal bow.

The weapons of his ancient arsenal I know:

Crime, horror, madness! - My pale marguerite!

are you not, as I am, an autumn sun though,

O my so white, my so cold Marguerite?

To She Who Is Too Light-hearted

Your head, your gesture, your air,

are lovely, like a lovely landscape:

laughter's alive, in your face,

a fresh breeze in a clear atmosphere.

The dour passer-by you brush past there,

is dazzled by health in flight,

flashing like a brilliant light

from your arms and shoulders.

The resounding colours

with which you sprinkle your dress,

inspire the spirits of poets

with thoughts of dancing flowers.

Those wild clothes are the emblem

of your brightly-hued mind:

madcap by whom I'm terrified,

I hate you, and love you, the same!

Sometimes in a lovely garden

where I trailed my listlessness,

I've felt the sunlight sear my breast

like some ironic weapon:

and Spring's green presence

brought such humiliation

I've levied retribution on

a flower, for Nature's insolence.

So through some night, when the hour

of sensual pleasure sounds,

I'd like to slink, mute coward, bound

for your body's treasure,

to bruise your sorry breast,

to punish your joyful flesh,

form in your startled side, a fresh

wound's yawning depth,

and - breath-taking rapture! -

through those lips, new and full

more vivid and more beautiful

infuse my venom, my sister!

Reversibility

Angel of joyfulness, do you know anguish,

shame, remorse, sobbing, despondency,

those dreadful nights of vague anxiety,

when, like crumpled paper, the heart's crushed?

Angel of joyfulness, do you know anguish,

Angel of goodness, do you know hatred,

fists clenched in the darkness, tears of gall,

when vengeance taps out its infernal call,

and takes control of thoughts in the head?

Angel of goodness, do you know hatred?

Angel of health, do you know the fevers,

that the length of the dingy workhouse wall,

like exiles, dragging their feet along, all

moving their lips, seek absent summers?

Angel of health, do you know the fevers?

Angel of beauty, do you know those furrows,

and fears of old-age, and the hideous torture

of reading devotion's intimate horror,

in eyes where for years our greedy eyes burrowed?

Angel of beauty, do you know those furrows?

Angel of happiness, of joy's bright flares,

King David would have found life, near the tomb,

in your enchanted body's perfume:

but, angel, all I ask of you is your prayers,

Angel of happiness, of joy's bright flares!

Note: The servants of King David sought for a young virgin to warm him in his old age, because he could get no heat. See The First Book of Kings 1-4.

Confession

Once, once only, sweet and lovable woman,

you leant your smooth arm on mine

(that memory has never faded a moment

from the shadowy depths of my mind):

it was late: the full moon spread its light

like a freshly minted disc,

and like a river, the solemnity of night

flowed over sleeping Paris.

Along the houses, under carriage gates,

cats crept past furtively,

ears pricked, or else like familiar shades,

accompanied us slowly.

Suddenly, in our easy intimacy,

that flower of the pale light,

from you, rich, sonorous instrument, eternally

quivering gaily, bright,

from you, clear and joyous as a fanfare

in the glittering dawn

a strange, plaintive sigh escaped

a faltering tone

as from some stunted child, detestable, sullen, foul,

whose family in shame

hide it for years, to conceal it from the world

in the cellar's dark cave.

My poor angel, that harsh voice of yours cried:

'That nothing on earth is certain,

and however carefully it's disguised,

human selfishness rips the curtain:

it's a hard life being a lovely woman,

it's the banal occupation

of a cold, crazed dancer who summons

the mechanical smile's occasion:

it's stupid to build on the mortal heart:

everything shatters, love and beauty,

till Oblivion hurls them into its cart,

and returns them to Eternity! '

I've often recalled that enchanted silence,

its moon, and its languor: all

of that dreadful whispered confidence

in the heart's confessional.

For Madame Sabatier

What will you say tonight, poor soul in solitude,

what will you say my heart, withered till now,

to the so beautiful, so sweet, so dear one,

whose divine gaze recreated the flower?

- We will set Pride now to singing her praises:

nothing outdoes her sweet air of authority.

Her spiritual flesh has the perfume of angels,

and her eye surrounds us in robes of infinity.

Whether in the night, and alone, and in solitude,

whether in the street, and among the multitude,

her phantom dances in air, like a flame.

Sometimes it speaks and it says 'I am beautiful.

You, for the love of me, must love beauty alone:

for I am your Madonna, Muse, Guardian Angel.

The Living Torch

They go before me, those Eyes full of light

that some wise Angel has magnetised,

those divine brothers, my brothers, go, bright,

flashing their diamond fires in my eyes.

Leading my steps on Beauty's way,

saving me from snares, from grievous crime,

they are my servants and I am their slave:

all my being obeys that living flame.

Charmed Eyes, you shine with the mystic glow

of candles lighted in broad day, the sun

reddens, fails to quench, their eerie flow:

they celebrate Death: you sing the Resurrection:

you sing the resurrection of my soul,

Stars whose fires no sun can ever cool!

Hymn

To the too-dear, to the too-beautiful,

who fills my heart with clarity,

to the angel, to the immortal idol,

All hail, in immortality!

She flows through my reality,

air, mixed with the salt sea-swell:

into my soul's ecstasy,

pours the essence of the eternal;

Ever-fresh sachet, that scents

the dear corner's atmospheric light,

hidden smoke, of the burning censer,

in the secret paths of night.

How, incorruptible love,

to express your endless verities?

Grain of musk, unseen, above,

in the depths of my infinities!

To the too-dear, to the too-beautiful,

who is my joy and sanity,

to the angel, to the immortal idol,

All hail in immortality!

Moesta et Errabunda

Tell me, does your heart sometimes soar, Agathe,

far from the dark sea of the sordid city,

towards another sea, a blaze of splendour that

is blue, bright, deep as virginity?

Tell me, does your heart sometimes soar, Agathe?

The sea, the vast sea, consoles us for our efforts!

What demon entrusted the sea, that hoarse singer

that accompanies the immense roar of tempests,

with being the sublime sleep-bringer?

The sea, the vast sea, consoles us for our efforts!

Carry me wagons! Take me, frigate!

Far, far! Here the city slime is made of our weeping!

Is it true that your sad heart, Agathe,

cries: 'Far from remorse, from crime, from suffering,

carry me wagons, take me frigate!

How far perfumed paradise, you are removed

from us, where the clear blue is all love and happiness,

where what one loves is worthy of being loved,

where the heart drowns in pure voluptuousness!

How far, perfumed paradise, you are removed!

But the green paradise of childhood's thrill,

the games, the songs, the kisses, and the flowers,

the violin making music behind the hill,

and the wine glass, under the trees, in twilight hours,

- But the green paradise of childhood's thrill,

the innocent paradise full of secret yearning,

is it already further than India or China?

Can we call it back, with cries of longing,

and re-create it, with its voice of silver,

the innocent paradise full of secret yearning?

Note: Moesta et Errabunda: Sad and Restless. 'Agathe' is pronounced as 'Agat', to rhyme with 'that'.

Harmony of Evening

Now those days arrive when, stem throbbing,

each flower sheds its fragrance like a censer:

sounds and scents twine in the evening air:

languorous dizziness, Melancholy dancing!

Each flower sheds its fragrance like a censer:

the violin quivers, a heart that's suffering:

languorous dizziness, Melancholy dancing!

the sky is lovely, sad like a huge altar.

The violin quivers, a heart that's suffering:

a heart, hating the vast black void, so tender!

the sky is lovely, sad like a huge altar:

the sun is drowned, in its own blood congealing.

A heart, hating the vast black void, so tender:

each trace of the luminous past it's gathering!

The sun is drowned, in its own blood congealing. . .

A vessel of the host, your memory shines there.


Semper Eadem

'Where does it come from,' you ask, 'this strange sadness,

that climbs, like the sea, over black, bare stone? '

- When our heart has once reaped the harvest,

life is an evil. That's known,

as the simplest of miseries, and nothing mysterious,

and seen by everyone, like your ecstasy.

Stop searching, you, beauty, so curious!

And, though your voice is sweet, sit, silently!

Be quiet, fool! Ever-ravished soul!

Lips of childish laughter! Often, more than the whole

of Life, Death grips us, with subtle ties we have made.

Let me, let my heart, then, be drunk on its lies,

plunge as into a beautiful dream, into your eyes,

and, forever, sleep, in your eyelids' shade.

To the Reader

Stupidity and error, avarice and vice,

possess our spirits, batten on our flesh,

we feed that fond remorse, our guest,

like ragged beggars nourishing their lice.

Our sins are mulish, our repentance vain:

we make certain our confessions pay,

we'll happily retrace the muddied way,

thinking vile tears will wash away the stain.

Satan Trismegistes rocks the bewitched

Mind, endlessly, on evil's pillow, till,

all the precious metal of our will's

vaporised by that knowing alchemist.

The Devil pulls the strings that make us move!

We take delight in such disgusting things:

one step nearer Hell each new day brings

us, void of horror, to the stinking gloom.

We clutch at furtive pleasure as we pass,

like the debauchee whose lips are pressed

to some antique whore's battered breast,

squeezing the rotten orange that we grasp.

Packed, and seething like a million worms,

a host of Demons riot in our brains,

and when we breathe, invisibly, Death drains

into our lungs, stream full of silent groans.

If poison, arson, knives, base desire,

haven't yet embroidered deft designs

on the dull canvas of our pitiful lives

it's only, alas, because our souls lack fire.