Thou wast absent, sent before
To our kin in Sidmouth town.
To our kin in Sidmouth town.
Elizabeth Browning - 2
_
And he kissed her twice and thrice, for that look within her eyes
Which he could not bear to see.
LXXIV.
Quoth he, "Get thee from this strife, and the sweet saints bless thy
life! "
_Toll slowly. _
"In this hour I stand in need of my noble red-roan steed,
But no more of my noble wife. "
LXXV.
Quoth she, "Meekly have I done all thy biddings under sun":
_Toll slowly. _
"But by all my womanhood, which is proved so, true and good,
I will never do this one.
LXXVI.
"Now by womanhood's degree and by wifehood's verity"--
_Toll slowly. _
"In this hour if thou hast need of thy noble red-roan steed,
Thou hast also need of _me_.
LXXVII.
"By this golden ring ye see on this lifted hand pardiè"--
_Toll slowly. _
"If, this hour, on castle-wall can be room for steed from stall,
Shall be also room for _me_.
LXXVIII.
"So the sweet saints with me be," (did she utter solemnly)--
_Toll slowly. _
"If a man, this eventide, on this castle wall will ride,
He shall ride the same with _me_. "
LXXIX.
Oh, he sprang up in the selle and he laughed out bitter-well--
_Toll slowly. _
"Wouldst thou ride among the leaves, as we used on other eves,
To hear chime a vesper-bell? "
LXXX.
She clung closer to his knee--"Ay, beneath the cypress-tree! "
_Toll slowly. _
"Mock me not, for otherwhere than along the greenwood fair
Have I ridden fast with thee.
LXXXI.
"Fast I rode with new-made vows from my angry kinsman's house":
_Toll slowly. _
"What, and would you men should reck that I dared more for love's sake
As a bride than as a spouse?
LXXXII.
"What, and would you it should fall, as a proverb, before all"--
_Toll slowly. _
"That a bride may keep your side while through castle-gate you ride,
Yet eschew the castle-wall? "
LXXXIII.
Ho! the breach yawns into ruin and roars up against her suing--
_Toll slowly. _
With the inarticulate din and the dreadful falling in--
Shrieks of doing and undoing!
LXXXIV.
Twice he wrung her hands in twain, but the small hands closed again.
_Toll slowly. _
Back he reined the steed--back, back! but she trailed along his track
With a frantic clasp and strain.
LXXXV.
Evermore the foemen pour through the crash of window and door--
_Toll slowly. _
And the shouts of Leigh and Leigh, and the shrieks of "kill! " and
"flee! "
Strike up clear amid the roar.
LXXXVI.
Thrice he wrung her hands in twain, but they closed and clung again--
_Toll slowly. _
While she clung, as one, withstood, clasps a Christ upon the rood,
In a spasm of deathly pain.
LXXXVII.
She clung wild and she clung mute with her shuddering lips half-shut.
_Toll slowly. _
Her head fallen as half in swound, hair and knee swept on the ground,
She clung wild to stirrup and foot.
LXXXVIII.
Back he reined his steed back-thrown on the slippery coping-stone:
_Toll slowly. _
Back the iron hoofs did grind on the battlement behind
Whence a hundred feet went down:
LXXXIX.
And his heel did press and goad on the quivering flank bestrode--
_Toll slowly. _
"Friends and brothers, save my wife! Pardon, sweet, in change for
life,--
But I ride alone to God. "
XC.
Straight as if the Holy name had upbreathed her like a flame--
_Toll slowly. _
She upsprang, she rose upright, in his selle she sate in sight,
By her love she overcame.
XCI.
And her head was on his breast where she smiled as one at rest--
_Toll slowly. _
"Ring," she cried, "O vesper-bell in the beechwood's old chapelle--
But the passing-bell rings best! "
XCII.
They have caught out at the rein which Sir Guy threw loose--in vain--
_Toll slowly. _
For the horse in stark despair, with his front hoofs poised in air,
On the last verge rears amain.
XCIII.
Now he hangs, he rocks between, and his nostrils curdle in--
_Toll slowly. _
Now he shivers head and hoof and the flakes of foam fall off,
And his face grows fierce and thin:
XCIV.
And a look of human woe from his staring eyes did go:
_Toll slowly. _
And a sharp cry uttered he, in a foretold agony
Of the headlong death below,--
XCV.
And, "Ring, ring, thou passing-bell," still she cried, "i' the old
chapelle! "
_Toll slowly. _
Then, back-toppling, crashing back--a dead weight flung out to wrack,
Horse and riders overfell.
* * * * *
Oh, the little birds sang east, and the little birds sang west--
_Toll slowly. _
And I read this ancient Rhyme, in the churchyard, while the chime
Slowly tolled for one at rest.
II.
The abeles moved in the sun, and the river smooth did run--
_Toll slowly. _
And the ancient Rhyme rang strange, with its passion and its change,
Here, where all done lay undone.
III.
And beneath a willow tree I a little grave did see--
_Toll slowly_--
Where was graved--HERE, UNDEFILED, LIETH MAUD, A THREE-YEAR CHILD,
EIGHTEEN HUNDRED FORTY-THREE.
IV.
Then O spirits, did I say, ye who rode so fast that day--
_Toll slowly. _
Did star-wheels and angel wings with their holy winnowings
Keep beside you all the way?
V.
Though in passion ye would dash, with a blind and heavy crash--
_Toll slowly_--
Up against the thick-bossed shield of God's judgment in the field,--
Though your heart and brain were rash,--
VI.
Now, your will is all unwilled; now, your pulses are all stilled:
_Toll slowly. _
Now, ye lie as meek and mild (whereso laid) as Maud the child
Whose small grave was lately filled.
VII.
Beating heart and burning brow, ye are very patient now--
_Toll slowly. _
And the children might be bold to pluck the kingcups from your mould
Ere a month had let them grow.
VIII.
And you let the goldfinch sing in the alder near in spring--
_Toll slowly. _
Let her build her nest and sit all the three weeks out on it,
Murmuring not at anything.
IX.
In your patience ye are strong, cold and heat ye take not wrong--
_Toll slowly. _
When the trumpet of the angel blows eternity's evangel,
Time will seem to you not long.
X.
Oh, the little birds sang east, and the little birds sang west--
_Toll slowly. _
And I said in underbreath,--All our life is mixed with death,
And who knoweth which is best?
XI.
Oh, the little birds sang east, and the little birds sang west--
_Toll slowly. _
And I smiled to think God's greatness flowed around our
incompleteness,--
Round our restlessness, His rest.
_THE ROMANCE OF THE SWAN'S NEST. _
So the dreams depart,
So the fading phantoms flee,
And the sharp reality
Now must act its part.
WESTWOOD'S _Beads from a Rosary_
I.
Little Ellie sits alone
'Mid the beeches of a meadow,
By a stream-side on the grass,
And the trees are showering down
Doubles of their leaves in shadow
On her shining hair and face.
II.
She has thrown her bonnet by,
And her feet she has been dipping
In the shallow water's flow:
Now she holds them nakedly
In her hands, all sleek and dripping,
While she rocketh to and fro.
III.
Little Ellie sits alone,
And the smile she softly uses
Fills the silence like a speech
While she thinks what shall be done,
And the sweetest pleasure chooses
For her future within reach.
IV.
Little Ellie in her smile
Chooses--"I will have a lover
Riding on a steed of steeds:
He shall love me without guile,
And to _him_ I will discover
The swan's nest among the reeds.
V.
"And the steed shall be red-roan,
And the lover shall be noble,
With an eye that takes the breath:
And the lute he plays upon
Shall strike ladies into trouble,
As his sword strikes men to death.
VI.
"And the steed it shall be shod
All in silver, housed in azure,
And the mane shall swim the wind;
And the hoofs along the sod
Shall flash onward and keep measure,
Till the shepherds look behind.
VII.
"But my lover will not prize
All the glory that he rides in,
When he gazes in my face:
He will say, 'O Love, thine eyes
Build the shrine my soul abides in,
And I kneel here for thy grace! '
VIII.
"Then, ay, then he shall kneel low,
With the red-roan steed anear him
Which shall seem to understand,
Till I answer, 'Rise and go!
For the world must love and fear him
Whom I gift with heart and hand. '
IX.
"Then he will arise so pale,
I shall feel my own lips tremble
With a _yes_ I must not say,
Nathless maiden-brave, 'Farewell,'
I will utter, and dissemble--
'Light to-morrow with to-day! '
X.
"Then he'll ride among the hills
To the wide world past the river,
There to put away all wrong;
To make straight distorted wills,
And to empty the broad quiver
Which the wicked bear along.
XI.
"Three times shall a young foot-page
Swim the stream and climb the mountain
And kneel down beside my feet--
'Lo, my master sends this gage,
Lady, for thy pity's counting!
What wilt thou exchange for it? '
XII.
"And the first time I will send
A white rosebud for a guerdon,
And the second time, a glove;
But the third time--I may bend
From my pride, and answer--'Pardon
If he comes to take my love. '
XIII.
"Then the young foot-page will run,
Then my lover will ride faster,
Till he kneeleth at my knee:
'I am a duke's eldest son,
Thousand serfs do call me master,
But, O Love, I love but _thee_! '
XIV.
"He will kiss me on the mouth
Then, and lead me as a lover
Through the crowds that praise his deeds;
And, when soul-tied by one troth,
Unto _him_ I will discover
That swan's nest among the reeds. "
XV.
Little Ellie, with her smile
Not yet ended, rose up gaily,
Tied the bonnet, donned the shoe,
And went homeward, round a mile,
Just to see, as she did daily,
What more eggs were with the two.
XVI.
Pushing through the elm-tree copse,
Winding up the stream, light-hearted,
Where the osier pathway leads,
Past the boughs she stoops--and stops.
Lo, the wild swan had deserted,
And a rat had gnawed the reeds!
XVII.
Ellie went home sad and slow.
If she found the lover ever,
With his red-roan steed of steeds,
Sooth I know not; but I know
She could never show him--never,
That swan's nest among the reeds!
_BERTHA IN THE LANE. _
I.
Put the broidery-frame away,
For my sewing is all done:
The last thread is used to-day,
And I need not join it on.
Though the clock stands at the noon
I am weary. I have sewn,
Sweet, for thee, a wedding-gown.
II.
Sister, help me to the bed,
And stand near me, Dearest-sweet.
Do not shrink nor be afraid,
Blushing with a sudden heat!
No one standeth in the street? --
By God's love I go to meet,
Love I thee with love complete.
III.
Lean thy face down; drop it in
These two hands, that I may hold
'Twixt their palms thy cheek and chin,
Stroking back the curls of gold:
'T is a fair, fair face, in sooth--
Larger eyes and redder mouth
Than mine were in my first youth.
IV.
Thou art younger by seven years--
Ah! --so bashful at my gaze,
That the lashes, hung with tears,
Grow too heavy to upraise?
I would wound thee by no touch
Which thy shyness feels as such.
Dost thou mind me, Dear, so much?
V.
Have I not been nigh a mother
To thy sweetness--tell me, Dear?
Have we not loved one another
Tenderly, from year to year,
Since our dying mother mild
Said with accents undefiled,
"Child, be mother to this child"!
VI.
Mother, mother, up in heaven,
Stand up on the jasper sea,
And be witness I have given
All the gifts required of me,--
Hope that blessed me, bliss that crowned,
Love that left me with a wound,
Life itself that turneth round!
VII.
Thou art standing in the room,
In a molten glory shrined
That rays off into the gloom!
But thy smile is bright and bleak
Like cold waves--I cannot speak,
I sob in it, and grow weak.
VIII.
Ghostly mother, keep aloof
One hour longer from my soul,
For I still am thinking of
Earth's warm-beating joy and dole!
On my finger is a ring
Which I still see glittering
When the night hides everything.
IX.
Little sister, thou art pale!
Ah, I have a wandering brain--
But I lose that fever-bale,
And my thoughts grow calm again.
Lean down closer--closer still!
I have words thine ear to fill,
And would kiss thee at my will.
X.
Dear, I heard thee in the spring,
Thee and Robert--through the trees,--
When we all went gathering
Boughs of May-bloom for the bees.
Do not start so! think instead
How the sunshine overhead
Seemed to trickle through the shade.
XI.
What a day it was, that day!
Hills and vales did openly
Seem to heave and throb away
At the sight of the great sky:
And the silence, as it stood
In the glory's golden flood,
Audibly did bud, and bud.
XII.
Through the winding hedgerows green,
How we wandered, I and you,
With the bowery tops shut in,
And the gates that showed the view!
How we talked there; thrushes soft
Sang our praises out, or oft
Bleatings took them from the croft:
XIII.
Till the pleasure grown too strong
Left me muter evermore,
And, the winding road being long,
I walked out of sight, before,
And so, wrapt in musings fond,
Issued (past the wayside pond)
On the meadow-lands beyond.
XIV.
I sate down beneath the beech
Which leans over to the lane,
And the far sound of your speech
Did not promise any pain;
And I blessed you full and free,
With a smile stooped tenderly
O'er the May-flowers on my knee.
XV.
But the sound grew into word
As the speakers drew more near--
Sweet, forgive me that I heard
What you wished me not to hear.
Do not weep so, do not shake,
Oh,--I heard thee, Bertha, make
Good true answers for my sake.
XVI.
Yes, and HE too! let him stand
In thy thoughts, untouched by blame.
Could he help it, if my hand
He had claimed with hasty claim?
That was wrong perhaps--but then
Such things be--and will, again.
Women cannot judge for men.
XVII.
Had he seen thee when he swore
He would love but me alone?
Thou wast absent, sent before
To our kin in Sidmouth town.
When he saw thee who art best
Past compare, and loveliest.
He but judged thee as the rest.
XVIII.
Could we blame him with grave words,
Thou and I, Dear, if we might?
Thy brown eyes have looks like birds
Flying straightway to the light:
Mine are older. --Hush! --look out--
Up the street! Is none without?
How the poplar swings about!
XIX.
And that hour--beneath the beech,
When I listened in a dream,
And he said in his deep speech
That he owed me all _esteem_,--
Each word swam in on my brain
With a dim, dilating pain,
Till it burst with that last strain.
XX.
I fell flooded with a dark,
In the silence of a swoon.
When I rose, still cold and stark,
There was night; I saw the moon
And the stars, each in its place,
And the May-blooms on the grass,
Seemed to wonder what I was.
XXI.
And I walked as if apart
From myself, when I could stand,
And I pitied my own heart,
As if I held it in my hand--
Somewhat coldly, with a sense
Of fulfilled benevolence,
And a "Poor thing" negligence.
XXII.
And I answered coldly too,
When you met me at the door;
And I only _heard_ the dew
Dripping from me to the floor:
And the flowers, I bade you see,
Were too withered for the bee,--
As my life, henceforth, for me.
XXIII.
Do not weep so--Dear,--heart-warm!
All was best as it befell.
If I say he did me harm,
I speak wild,--I am not well.
All his words were kind and good--
_He esteemed me. _ Only, blood
Runs so faint in womanhood!
XXIV.
Then I always was too grave,--
Liked the saddest ballad sung,--
With that look, besides, we have
In our faces, who die young.
I had died, Dear, all the same;
Life's long, joyous, jostling game
Is too loud for my meek shame.
XXV.
We are so unlike each other,
Thou and I, that none could guess
We were children of one mother,
But for mutual tenderness.
Thou art rose-lined from the cold,
And meant verily to hold
Life's pure pleasures manifold.
XXVI.
I am pale as crocus grows
Close beside a rose-tree's root;
Whosoe'er would reach the rose,
Treads the crocus underfoot.
_I_, like May-bloom on thorn-tree,
Thou, like merry summer-bee,--
Fit that I be plucked for thee!
XXVII.
Yet who plucks me? --no one mourns,
I have lived my season out,
And now die of my own thorns
Which I could not live without.
Sweet, be merry! How the light
Comes and goes! If it be night,
Keep the candles in my sight.
XXVIII.
Are there footsteps at the door?
Look out quickly. Yea, or nay?
Some one might be waiting for
Some last word that I might say.
Nay? So best! --so angels would
Stand off clear from deathly road,
Not to cross the sight of God.
XXIX.
Colder grow my hands and feet.
When I wear the shroud I made,
Let the folds lie straight and neat,
And the rosemary be spread,
That if any friend should come,
(To see _thee_, Sweet! ) all the room
May be lifted out of gloom.
XXX.
And, dear Bertha, let me keep
On my hand this little ring,
Which at nights, when others sleep,
I can still see glittering!
Let me wear it out of sight,
In the grave,--where it will light
All the dark up, day and night.
XXXI.
On that grave drop not a tear!
Else, though fathom-deep the place,
Through the woollen shroud I wear
I shall feel it on my face.
Rather smile there, blessèd one,
Thinking of me in the sun,
Or forget me--smiling on!
XXXII.
Art thou near me? nearer! so--
Kiss me close upon the eyes,
That the earthly light may go
Sweetly, as it used to rise
When I watched the morning-grey
Strike, betwixt the hills, the way
He was sure to come that day.
XXXIII.
So,--no more vain words be said!
The hosannas nearer roll.
Mother, smile now on thy Dead,
I am death-strong in my soul.
Mystic Dove alit on cross,
Guide the poor bird of the snows
Through the snow-wind above loss!
XXXIV.
Jesus, Victim, comprehending
Love's divine self-abnegation,
Cleanse my love in its self-spending,
And absorb the poor libation!
Wind my thread of life up higher,
Up, through angels' hands of fire!
I aspire while I expire.
_LADY GERALDINE'S COURTSHIP:_
A ROMANCE OF THE AGE.
_A Poet writes to his Friend. _ PLACE--_A Room in Wycombe Hall. _
TIME--_Late in the evening. _
I.
Dear my friend and fellow-student, I would lean my spirit o'er you!
Down the purple of this chamber tears should scarcely run at will.
I am humbled who was humble. Friend, I bow my head before you:
You should lead me to my peasants, but their faces are too still.
II.
There's a lady, an earl's daughter,--she is proud and she is noble,
And she treads the crimson carpet and she breathes the perfumed air,
And a kingly blood sends glances up, her princely eye to trouble,
And the shadow of a monarch's crown is softened in her hair.
III.
She has halls among the woodlands, she has castles by the breakers,
She has farms and she has manors, she can threaten and command:
And the palpitating engines snort in steam across her acres,
As they mark upon the blasted heaven the measure of the land.
IV.
There are none of England's daughters who can show a prouder presence;
Upon princely suitors' praying she has looked in her disdain.
She was sprung of English nobles, I was born of English peasants;
What was _I_ that I should love her, save for competence to pain?
V.
I was only a poor poet, made for singing at her casement,
As the finches or the thrushes, while she thought of other things.
Oh, she walked so high above me, she appeared to my abasement,
In her lovely silken murmur, like an angel clad in wings!
VI.
Many vassals bow before her as her carriage sweeps their doorways;
She has blest their little children, as a priest or queen were she:
Far too tender, or too cruel far, her smile upon the poor was,
For I thought it was the same smile which she used to smile on _me_.
VII.
She has voters in the Commons, she has lovers in the palace,
And, of all the fair court-ladies, few have jewels half as fine;
Oft the Prince has named her beauty 'twixt the red wine and the
chalice:
Oh, and what was _I_ to love her? my beloved, my Geraldine!
VIII.
Yet I could not choose but love her: I was born to poet-uses,
To love all things set above me, all of good and all of fair.
Nymphs of mountain, not of valley, we are wont to call the Muses;
And in nympholeptic climbing, poets pass from mount to star.
IX.
And because I was a poet, and because the public praised me,
With a critical deduction for the modern writer's fault,
I could sit at rich men's tables,--though the courtesies that raised
me,
Still suggested clear between us the pale spectrum of the salt.
X.
And they praised me in her presence--"Will your book appear this
summer? "
Then returning to each other--"Yes, our plans are for the moors. "
Then with whisper dropped behind me--"There he is! the latest comer.
Oh, she only likes his verses! what is over, she endures.
XI.
"Quite low-born, self-educated! somewhat gifted though by nature,
And we make a point of asking him,--of being very kind.
You may speak, he does not hear you! and, besides, he writes no
satire,--
All these serpents kept by charmers leave the natural sting behind. "
XII.
I grew scornfuller, grew colder, as I stood up there among them,
Till as frost intense will burn you, the cold scorning scorched my
brow;
When a sudden silver speaking, gravely cadenced, over-rung them,
And a sudden silken stirring touched my inner nature through.
XIII.
I looked upward and beheld her: with a calm and regnant spirit,
Slowly round she swept her eyelids, and said clear before them all--
"Have you such superfluous honour, sir, that able to confer it
You will come down, Mister Bertram, as my guest to Wycombe Hall? "
XIV.
Here she paused; she had been paler at the first word of her speaking,
But, because a silence followed it, blushed somewhat, as for shame:
Then, as scorning her own feeling, resumed calmly--"I am seeking
More distinction than these gentlemen think worthy of my claim.
XV.
"Ne'ertheless, you see, I seek it--not because I am a woman,"
(Here her smile sprang like a fountain and, so, overflowed her mouth)
"But because my woods in Sussex have some purple shades at gloaming
Which are worthy of a king in state, or poet in his youth.
XVI.
"I invite you, Mister Bertram, to no scene for worldly speeches--
Sir, I scarce should dare--but only where God asked the thrushes first:
And if _you_ will sing beside them, in the covert of my beeches,
I will thank you for the woodlands,--for the human world, at worst. "
XVII.
Then she smiled around right childly, then she gazed around right
queenly,
And I bowed--I could not answer; alternated light and gloom--
While as one who quells the lions, with a steady eye serenely,
She, with level fronting eyelids, passed out stately from the room.
XVIII.
Oh, the blessèd woods of Sussex, I can hear them still around me,
With their leafy tide of greenery still rippling up the wind!
Oh, the cursèd woods of Sussex! where the hunter's arrow found me,
When a fair face and a tender voice had made me mad and blind!
XIX.
In that ancient hall of Wycombe thronged the numerous guests invited,
And the lovely London ladies trod the floors with gliding feet;
And their voices low with fashion, not with feeling, softly freighted
All the air about the windows with elastic laughters sweet.
XX.
For at eve the open windows flung their light out on the terrace
Which the floating orbs of curtains did with gradual shadow sweep,
While the swans upon the river, fed at morning by the heiress,
Trembled downward through their snowy wings at music in their sleep.
XXI.
And there evermore was music, both of instrument and singing,
Till the finches of the shrubberies grew restless in the dark;
But the cedars stood up motionless, each in a moonlight's ringing,
And the deer, half in the glimmer, strewed the hollows of the park.
XXII.
And though sometimes she would bind me with her silver-corded speeches
To commix my words and laughter with the converse and the jest,
Oft I sat apart and, gazing on the river through the beeches,
Heard, as pure the swans swam down it, her pure voice o'erfloat the
rest.
XXIII.
In the morning, horn of huntsman, hoof of steed and laugh of rider,
Spread out cheery from the courtyard till we lost them in the hills,
While herself and other ladies, and her suitors left beside her,
Went a-wandering up the gardens through the laurels and abeles.
XXIV.
Thus, her foot upon the new-mown grass, bareheaded, with the flowing
Of the virginal white vesture gathered closely to her throat,
And the golden ringlets in her neck just quickened by her going,
And appearing to breathe sun for air, and doubting if to float,--
XXV.
With a bunch of dewy maple, which her right hand held above her,
And which trembled a green shadow in betwixt her and the skies,
As she turned her face in going, thus, she drew me on to love her,
And to worship the divineness of the smile hid in her eyes.
XXVI.
For her eyes alone smile constantly; her lips have serious sweetness,
And her front is calm, the dimple rarely ripples on the cheek;
But her deep blue eyes smile constantly, as if they in discreetness
Kept the secret of a happy dream she did not care to speak.
XXVII.
Thus she drew me the first morning, out across into the garden,
And I walked among her noble friends and could not keep behind.
Spake she unto all and unto me--"Behold, I am the warden
Of the song-birds in these lindens, which are cages to their mind.
XXVIII.
"But within this swarded circle into which the lime-walk brings us,
Whence the beeches, rounded greenly, stand away in reverent fear,
I will let no music enter, saving what the fountain sings us
Which the lilies round the basin may seem pure enough to hear.
XXIX.
"The live air that waves the lilies waves the slender jet of water
Like a holy thought sent feebly up from soul of fasting saint:
Whereby lies a marble Silence, sleeping (Lough the sculptor wrought
her),
So asleep she is forgetting to say Hush! --a fancy quaint.
XXX.
"Mark how heavy white her eyelids! not a dream between them lingers;
And the left hand's index droppeth from the lips upon the cheek:
While the right hand,--with the symbol-rose held slack within the
fingers,--
Has fallen backward in the basin--yet this Silence will not speak!
XXXI.
"That the essential meaning growing may exceed the special symbol,
Is the thought as I conceive it: it applies more high and low.
Our true noblemen will often through right nobleness grow humble,
And assert an inward honour by denying outward show. "
XXXII.
"Nay, your Silence," said I, "truly, holds her symbol-rose but slackly,
Yet _she holds it_, or would scarcely be a Silence to our ken:
And your nobles wear their ermine on the outside, or walk blackly
In the presence of the social law as mere ignoble men.
XXXIII.
"Let the poets dream such dreaming! madam, in these British islands
'T is the substance that wanes ever, 't is the symbol that exceeds.
Soon we shall have nought but symbol: and, for statues like this
Silence,
Shall accept the rose's image--in another case, the weed's. "
XXXIV.
"Not so quickly," she retorted,--"I confess, where'er you go, you
Find for things, names--shows for actions, and pure gold for honour
clear:
But when all is run to symbol in the Social, I will throw you
The world's book which now reads dryly, and sit down with Silence
here. "
XXXV.
Half in playfulness she spoke, I thought, and half in indignation;
Friends, who listened, laughed her words off, while her lovers deemed
her fair:
A fair woman, flushed with feeling, in her noble-lighted station
Near the statue's white reposing--and both bathed in sunny air!
XXXVI.
With the trees round, not so distant but you heard their vernal murmur,
And beheld in light and shadow the leaves in and outward move,
And the little fountain leaping toward the sun-heart to be warmer,
Then recoiling in a tremble from the too much light above.
XXXVII.
'T is a picture for remembrance. And thus, morning after morning,
Did I follow as she drew me by the spirit to her feet.
Why, her greyhound followed also! dogs--we both were dogs for
scorning--
To be sent back when she pleased it and her path lay through the wheat.
XXXVIII.
And thus, morning after morning, spite of vows and spite of sorrow,
Did I follow at her drawing, while the week-days passed along,--
Just to feed the swans this noontide, or to see the fawns to-morrow,
Or to teach the hill-side echo some sweet Tuscan in a song.
XXXIX.
Ay, for sometimes on the hill-side, while we sate down in the gowans,
With the forest green behind us and its shadow cast before,
And the river running under, and across it from the rowans
A brown partridge whirring near us till we felt the air it bore,--
XL.
There, obedient to her praying, did I read aloud the poems
Made to Tuscan flutes, or instruments more various of our own;
Read the pastoral parts of Spenser, or the subtle interflowings
Found in Petrarch's sonnets--here's the book, the leaf is folded down!
XLI.
Or at times a modern volume, Wordsworth's solemn-thoughted idyl,
Howitt's ballad-verse, or Tennyson's enchanted reverie,--
Or from Browning some "Pomegranate," which, if cut deep down the
middle,
Shows a heart within blood-tinctured, of a veined humanity.
XLII.
Or at times I read there, hoarsely, some new poem of my making:
Poets ever fail in reading their own verses to their worth,
For the echo in you breaks upon the words which you are speaking,
And the chariot wheels jar in the gate through which you drive them
forth.
XLIII.
After, when we were grown tired of books, the silence round us flinging
A slow arm of sweet compression, felt with beatings at the breast
She would break out on a sudden in a gush of woodland singing,
Like a child's emotion in a god--a naiad tired of rest.
XLIV.
Oh, to see or hear her singing! scarce I know which is divinest,
For her looks sing too--she modulates her gestures on the tune,
And her mouth stirs with the song, like song; and when the notes are
finest,
'T is the eyes that shoot out vocal light and seem to swell them on.
XLV.
Then we talked--oh, how we talked! her voice, so cadenced in the
talking,
Made another singing--of the soul! a music without bars:
While the leafy sounds of woodlands, humming round where we were
walking,
Brought interposition worthy-sweet,--as skies about the stars.
XLVI.
And she spake such good thoughts natural, as if she always thought
them;
She had sympathies so rapid, open, free as bird on branch,
Just as ready to fly east as west, whichever way besought them,
In the birchen-wood a chirrup, or a cock-crow in the grange.
XLVII.
In her utmost lightness there is truth--and often she speaks lightly,
Has a grace in being gay which even mournful souls approve,
For the root of some grave earnest thought is understruck so rightly
As to justify the foliage and the waving flowers above.
XLVIII.
And she talked on--_we_ talked, rather! upon all things, substance,
shadow,
Of the sheep that browsed the grasses, of the reapers in the corn,
Of the little children from the schools, seen winding through the
meadow,
Of the poor rich world beyond them, still kept poorer by its scorn.
XLIX.
And he kissed her twice and thrice, for that look within her eyes
Which he could not bear to see.
LXXIV.
Quoth he, "Get thee from this strife, and the sweet saints bless thy
life! "
_Toll slowly. _
"In this hour I stand in need of my noble red-roan steed,
But no more of my noble wife. "
LXXV.
Quoth she, "Meekly have I done all thy biddings under sun":
_Toll slowly. _
"But by all my womanhood, which is proved so, true and good,
I will never do this one.
LXXVI.
"Now by womanhood's degree and by wifehood's verity"--
_Toll slowly. _
"In this hour if thou hast need of thy noble red-roan steed,
Thou hast also need of _me_.
LXXVII.
"By this golden ring ye see on this lifted hand pardiè"--
_Toll slowly. _
"If, this hour, on castle-wall can be room for steed from stall,
Shall be also room for _me_.
LXXVIII.
"So the sweet saints with me be," (did she utter solemnly)--
_Toll slowly. _
"If a man, this eventide, on this castle wall will ride,
He shall ride the same with _me_. "
LXXIX.
Oh, he sprang up in the selle and he laughed out bitter-well--
_Toll slowly. _
"Wouldst thou ride among the leaves, as we used on other eves,
To hear chime a vesper-bell? "
LXXX.
She clung closer to his knee--"Ay, beneath the cypress-tree! "
_Toll slowly. _
"Mock me not, for otherwhere than along the greenwood fair
Have I ridden fast with thee.
LXXXI.
"Fast I rode with new-made vows from my angry kinsman's house":
_Toll slowly. _
"What, and would you men should reck that I dared more for love's sake
As a bride than as a spouse?
LXXXII.
"What, and would you it should fall, as a proverb, before all"--
_Toll slowly. _
"That a bride may keep your side while through castle-gate you ride,
Yet eschew the castle-wall? "
LXXXIII.
Ho! the breach yawns into ruin and roars up against her suing--
_Toll slowly. _
With the inarticulate din and the dreadful falling in--
Shrieks of doing and undoing!
LXXXIV.
Twice he wrung her hands in twain, but the small hands closed again.
_Toll slowly. _
Back he reined the steed--back, back! but she trailed along his track
With a frantic clasp and strain.
LXXXV.
Evermore the foemen pour through the crash of window and door--
_Toll slowly. _
And the shouts of Leigh and Leigh, and the shrieks of "kill! " and
"flee! "
Strike up clear amid the roar.
LXXXVI.
Thrice he wrung her hands in twain, but they closed and clung again--
_Toll slowly. _
While she clung, as one, withstood, clasps a Christ upon the rood,
In a spasm of deathly pain.
LXXXVII.
She clung wild and she clung mute with her shuddering lips half-shut.
_Toll slowly. _
Her head fallen as half in swound, hair and knee swept on the ground,
She clung wild to stirrup and foot.
LXXXVIII.
Back he reined his steed back-thrown on the slippery coping-stone:
_Toll slowly. _
Back the iron hoofs did grind on the battlement behind
Whence a hundred feet went down:
LXXXIX.
And his heel did press and goad on the quivering flank bestrode--
_Toll slowly. _
"Friends and brothers, save my wife! Pardon, sweet, in change for
life,--
But I ride alone to God. "
XC.
Straight as if the Holy name had upbreathed her like a flame--
_Toll slowly. _
She upsprang, she rose upright, in his selle she sate in sight,
By her love she overcame.
XCI.
And her head was on his breast where she smiled as one at rest--
_Toll slowly. _
"Ring," she cried, "O vesper-bell in the beechwood's old chapelle--
But the passing-bell rings best! "
XCII.
They have caught out at the rein which Sir Guy threw loose--in vain--
_Toll slowly. _
For the horse in stark despair, with his front hoofs poised in air,
On the last verge rears amain.
XCIII.
Now he hangs, he rocks between, and his nostrils curdle in--
_Toll slowly. _
Now he shivers head and hoof and the flakes of foam fall off,
And his face grows fierce and thin:
XCIV.
And a look of human woe from his staring eyes did go:
_Toll slowly. _
And a sharp cry uttered he, in a foretold agony
Of the headlong death below,--
XCV.
And, "Ring, ring, thou passing-bell," still she cried, "i' the old
chapelle! "
_Toll slowly. _
Then, back-toppling, crashing back--a dead weight flung out to wrack,
Horse and riders overfell.
* * * * *
Oh, the little birds sang east, and the little birds sang west--
_Toll slowly. _
And I read this ancient Rhyme, in the churchyard, while the chime
Slowly tolled for one at rest.
II.
The abeles moved in the sun, and the river smooth did run--
_Toll slowly. _
And the ancient Rhyme rang strange, with its passion and its change,
Here, where all done lay undone.
III.
And beneath a willow tree I a little grave did see--
_Toll slowly_--
Where was graved--HERE, UNDEFILED, LIETH MAUD, A THREE-YEAR CHILD,
EIGHTEEN HUNDRED FORTY-THREE.
IV.
Then O spirits, did I say, ye who rode so fast that day--
_Toll slowly. _
Did star-wheels and angel wings with their holy winnowings
Keep beside you all the way?
V.
Though in passion ye would dash, with a blind and heavy crash--
_Toll slowly_--
Up against the thick-bossed shield of God's judgment in the field,--
Though your heart and brain were rash,--
VI.
Now, your will is all unwilled; now, your pulses are all stilled:
_Toll slowly. _
Now, ye lie as meek and mild (whereso laid) as Maud the child
Whose small grave was lately filled.
VII.
Beating heart and burning brow, ye are very patient now--
_Toll slowly. _
And the children might be bold to pluck the kingcups from your mould
Ere a month had let them grow.
VIII.
And you let the goldfinch sing in the alder near in spring--
_Toll slowly. _
Let her build her nest and sit all the three weeks out on it,
Murmuring not at anything.
IX.
In your patience ye are strong, cold and heat ye take not wrong--
_Toll slowly. _
When the trumpet of the angel blows eternity's evangel,
Time will seem to you not long.
X.
Oh, the little birds sang east, and the little birds sang west--
_Toll slowly. _
And I said in underbreath,--All our life is mixed with death,
And who knoweth which is best?
XI.
Oh, the little birds sang east, and the little birds sang west--
_Toll slowly. _
And I smiled to think God's greatness flowed around our
incompleteness,--
Round our restlessness, His rest.
_THE ROMANCE OF THE SWAN'S NEST. _
So the dreams depart,
So the fading phantoms flee,
And the sharp reality
Now must act its part.
WESTWOOD'S _Beads from a Rosary_
I.
Little Ellie sits alone
'Mid the beeches of a meadow,
By a stream-side on the grass,
And the trees are showering down
Doubles of their leaves in shadow
On her shining hair and face.
II.
She has thrown her bonnet by,
And her feet she has been dipping
In the shallow water's flow:
Now she holds them nakedly
In her hands, all sleek and dripping,
While she rocketh to and fro.
III.
Little Ellie sits alone,
And the smile she softly uses
Fills the silence like a speech
While she thinks what shall be done,
And the sweetest pleasure chooses
For her future within reach.
IV.
Little Ellie in her smile
Chooses--"I will have a lover
Riding on a steed of steeds:
He shall love me without guile,
And to _him_ I will discover
The swan's nest among the reeds.
V.
"And the steed shall be red-roan,
And the lover shall be noble,
With an eye that takes the breath:
And the lute he plays upon
Shall strike ladies into trouble,
As his sword strikes men to death.
VI.
"And the steed it shall be shod
All in silver, housed in azure,
And the mane shall swim the wind;
And the hoofs along the sod
Shall flash onward and keep measure,
Till the shepherds look behind.
VII.
"But my lover will not prize
All the glory that he rides in,
When he gazes in my face:
He will say, 'O Love, thine eyes
Build the shrine my soul abides in,
And I kneel here for thy grace! '
VIII.
"Then, ay, then he shall kneel low,
With the red-roan steed anear him
Which shall seem to understand,
Till I answer, 'Rise and go!
For the world must love and fear him
Whom I gift with heart and hand. '
IX.
"Then he will arise so pale,
I shall feel my own lips tremble
With a _yes_ I must not say,
Nathless maiden-brave, 'Farewell,'
I will utter, and dissemble--
'Light to-morrow with to-day! '
X.
"Then he'll ride among the hills
To the wide world past the river,
There to put away all wrong;
To make straight distorted wills,
And to empty the broad quiver
Which the wicked bear along.
XI.
"Three times shall a young foot-page
Swim the stream and climb the mountain
And kneel down beside my feet--
'Lo, my master sends this gage,
Lady, for thy pity's counting!
What wilt thou exchange for it? '
XII.
"And the first time I will send
A white rosebud for a guerdon,
And the second time, a glove;
But the third time--I may bend
From my pride, and answer--'Pardon
If he comes to take my love. '
XIII.
"Then the young foot-page will run,
Then my lover will ride faster,
Till he kneeleth at my knee:
'I am a duke's eldest son,
Thousand serfs do call me master,
But, O Love, I love but _thee_! '
XIV.
"He will kiss me on the mouth
Then, and lead me as a lover
Through the crowds that praise his deeds;
And, when soul-tied by one troth,
Unto _him_ I will discover
That swan's nest among the reeds. "
XV.
Little Ellie, with her smile
Not yet ended, rose up gaily,
Tied the bonnet, donned the shoe,
And went homeward, round a mile,
Just to see, as she did daily,
What more eggs were with the two.
XVI.
Pushing through the elm-tree copse,
Winding up the stream, light-hearted,
Where the osier pathway leads,
Past the boughs she stoops--and stops.
Lo, the wild swan had deserted,
And a rat had gnawed the reeds!
XVII.
Ellie went home sad and slow.
If she found the lover ever,
With his red-roan steed of steeds,
Sooth I know not; but I know
She could never show him--never,
That swan's nest among the reeds!
_BERTHA IN THE LANE. _
I.
Put the broidery-frame away,
For my sewing is all done:
The last thread is used to-day,
And I need not join it on.
Though the clock stands at the noon
I am weary. I have sewn,
Sweet, for thee, a wedding-gown.
II.
Sister, help me to the bed,
And stand near me, Dearest-sweet.
Do not shrink nor be afraid,
Blushing with a sudden heat!
No one standeth in the street? --
By God's love I go to meet,
Love I thee with love complete.
III.
Lean thy face down; drop it in
These two hands, that I may hold
'Twixt their palms thy cheek and chin,
Stroking back the curls of gold:
'T is a fair, fair face, in sooth--
Larger eyes and redder mouth
Than mine were in my first youth.
IV.
Thou art younger by seven years--
Ah! --so bashful at my gaze,
That the lashes, hung with tears,
Grow too heavy to upraise?
I would wound thee by no touch
Which thy shyness feels as such.
Dost thou mind me, Dear, so much?
V.
Have I not been nigh a mother
To thy sweetness--tell me, Dear?
Have we not loved one another
Tenderly, from year to year,
Since our dying mother mild
Said with accents undefiled,
"Child, be mother to this child"!
VI.
Mother, mother, up in heaven,
Stand up on the jasper sea,
And be witness I have given
All the gifts required of me,--
Hope that blessed me, bliss that crowned,
Love that left me with a wound,
Life itself that turneth round!
VII.
Thou art standing in the room,
In a molten glory shrined
That rays off into the gloom!
But thy smile is bright and bleak
Like cold waves--I cannot speak,
I sob in it, and grow weak.
VIII.
Ghostly mother, keep aloof
One hour longer from my soul,
For I still am thinking of
Earth's warm-beating joy and dole!
On my finger is a ring
Which I still see glittering
When the night hides everything.
IX.
Little sister, thou art pale!
Ah, I have a wandering brain--
But I lose that fever-bale,
And my thoughts grow calm again.
Lean down closer--closer still!
I have words thine ear to fill,
And would kiss thee at my will.
X.
Dear, I heard thee in the spring,
Thee and Robert--through the trees,--
When we all went gathering
Boughs of May-bloom for the bees.
Do not start so! think instead
How the sunshine overhead
Seemed to trickle through the shade.
XI.
What a day it was, that day!
Hills and vales did openly
Seem to heave and throb away
At the sight of the great sky:
And the silence, as it stood
In the glory's golden flood,
Audibly did bud, and bud.
XII.
Through the winding hedgerows green,
How we wandered, I and you,
With the bowery tops shut in,
And the gates that showed the view!
How we talked there; thrushes soft
Sang our praises out, or oft
Bleatings took them from the croft:
XIII.
Till the pleasure grown too strong
Left me muter evermore,
And, the winding road being long,
I walked out of sight, before,
And so, wrapt in musings fond,
Issued (past the wayside pond)
On the meadow-lands beyond.
XIV.
I sate down beneath the beech
Which leans over to the lane,
And the far sound of your speech
Did not promise any pain;
And I blessed you full and free,
With a smile stooped tenderly
O'er the May-flowers on my knee.
XV.
But the sound grew into word
As the speakers drew more near--
Sweet, forgive me that I heard
What you wished me not to hear.
Do not weep so, do not shake,
Oh,--I heard thee, Bertha, make
Good true answers for my sake.
XVI.
Yes, and HE too! let him stand
In thy thoughts, untouched by blame.
Could he help it, if my hand
He had claimed with hasty claim?
That was wrong perhaps--but then
Such things be--and will, again.
Women cannot judge for men.
XVII.
Had he seen thee when he swore
He would love but me alone?
Thou wast absent, sent before
To our kin in Sidmouth town.
When he saw thee who art best
Past compare, and loveliest.
He but judged thee as the rest.
XVIII.
Could we blame him with grave words,
Thou and I, Dear, if we might?
Thy brown eyes have looks like birds
Flying straightway to the light:
Mine are older. --Hush! --look out--
Up the street! Is none without?
How the poplar swings about!
XIX.
And that hour--beneath the beech,
When I listened in a dream,
And he said in his deep speech
That he owed me all _esteem_,--
Each word swam in on my brain
With a dim, dilating pain,
Till it burst with that last strain.
XX.
I fell flooded with a dark,
In the silence of a swoon.
When I rose, still cold and stark,
There was night; I saw the moon
And the stars, each in its place,
And the May-blooms on the grass,
Seemed to wonder what I was.
XXI.
And I walked as if apart
From myself, when I could stand,
And I pitied my own heart,
As if I held it in my hand--
Somewhat coldly, with a sense
Of fulfilled benevolence,
And a "Poor thing" negligence.
XXII.
And I answered coldly too,
When you met me at the door;
And I only _heard_ the dew
Dripping from me to the floor:
And the flowers, I bade you see,
Were too withered for the bee,--
As my life, henceforth, for me.
XXIII.
Do not weep so--Dear,--heart-warm!
All was best as it befell.
If I say he did me harm,
I speak wild,--I am not well.
All his words were kind and good--
_He esteemed me. _ Only, blood
Runs so faint in womanhood!
XXIV.
Then I always was too grave,--
Liked the saddest ballad sung,--
With that look, besides, we have
In our faces, who die young.
I had died, Dear, all the same;
Life's long, joyous, jostling game
Is too loud for my meek shame.
XXV.
We are so unlike each other,
Thou and I, that none could guess
We were children of one mother,
But for mutual tenderness.
Thou art rose-lined from the cold,
And meant verily to hold
Life's pure pleasures manifold.
XXVI.
I am pale as crocus grows
Close beside a rose-tree's root;
Whosoe'er would reach the rose,
Treads the crocus underfoot.
_I_, like May-bloom on thorn-tree,
Thou, like merry summer-bee,--
Fit that I be plucked for thee!
XXVII.
Yet who plucks me? --no one mourns,
I have lived my season out,
And now die of my own thorns
Which I could not live without.
Sweet, be merry! How the light
Comes and goes! If it be night,
Keep the candles in my sight.
XXVIII.
Are there footsteps at the door?
Look out quickly. Yea, or nay?
Some one might be waiting for
Some last word that I might say.
Nay? So best! --so angels would
Stand off clear from deathly road,
Not to cross the sight of God.
XXIX.
Colder grow my hands and feet.
When I wear the shroud I made,
Let the folds lie straight and neat,
And the rosemary be spread,
That if any friend should come,
(To see _thee_, Sweet! ) all the room
May be lifted out of gloom.
XXX.
And, dear Bertha, let me keep
On my hand this little ring,
Which at nights, when others sleep,
I can still see glittering!
Let me wear it out of sight,
In the grave,--where it will light
All the dark up, day and night.
XXXI.
On that grave drop not a tear!
Else, though fathom-deep the place,
Through the woollen shroud I wear
I shall feel it on my face.
Rather smile there, blessèd one,
Thinking of me in the sun,
Or forget me--smiling on!
XXXII.
Art thou near me? nearer! so--
Kiss me close upon the eyes,
That the earthly light may go
Sweetly, as it used to rise
When I watched the morning-grey
Strike, betwixt the hills, the way
He was sure to come that day.
XXXIII.
So,--no more vain words be said!
The hosannas nearer roll.
Mother, smile now on thy Dead,
I am death-strong in my soul.
Mystic Dove alit on cross,
Guide the poor bird of the snows
Through the snow-wind above loss!
XXXIV.
Jesus, Victim, comprehending
Love's divine self-abnegation,
Cleanse my love in its self-spending,
And absorb the poor libation!
Wind my thread of life up higher,
Up, through angels' hands of fire!
I aspire while I expire.
_LADY GERALDINE'S COURTSHIP:_
A ROMANCE OF THE AGE.
_A Poet writes to his Friend. _ PLACE--_A Room in Wycombe Hall. _
TIME--_Late in the evening. _
I.
Dear my friend and fellow-student, I would lean my spirit o'er you!
Down the purple of this chamber tears should scarcely run at will.
I am humbled who was humble. Friend, I bow my head before you:
You should lead me to my peasants, but their faces are too still.
II.
There's a lady, an earl's daughter,--she is proud and she is noble,
And she treads the crimson carpet and she breathes the perfumed air,
And a kingly blood sends glances up, her princely eye to trouble,
And the shadow of a monarch's crown is softened in her hair.
III.
She has halls among the woodlands, she has castles by the breakers,
She has farms and she has manors, she can threaten and command:
And the palpitating engines snort in steam across her acres,
As they mark upon the blasted heaven the measure of the land.
IV.
There are none of England's daughters who can show a prouder presence;
Upon princely suitors' praying she has looked in her disdain.
She was sprung of English nobles, I was born of English peasants;
What was _I_ that I should love her, save for competence to pain?
V.
I was only a poor poet, made for singing at her casement,
As the finches or the thrushes, while she thought of other things.
Oh, she walked so high above me, she appeared to my abasement,
In her lovely silken murmur, like an angel clad in wings!
VI.
Many vassals bow before her as her carriage sweeps their doorways;
She has blest their little children, as a priest or queen were she:
Far too tender, or too cruel far, her smile upon the poor was,
For I thought it was the same smile which she used to smile on _me_.
VII.
She has voters in the Commons, she has lovers in the palace,
And, of all the fair court-ladies, few have jewels half as fine;
Oft the Prince has named her beauty 'twixt the red wine and the
chalice:
Oh, and what was _I_ to love her? my beloved, my Geraldine!
VIII.
Yet I could not choose but love her: I was born to poet-uses,
To love all things set above me, all of good and all of fair.
Nymphs of mountain, not of valley, we are wont to call the Muses;
And in nympholeptic climbing, poets pass from mount to star.
IX.
And because I was a poet, and because the public praised me,
With a critical deduction for the modern writer's fault,
I could sit at rich men's tables,--though the courtesies that raised
me,
Still suggested clear between us the pale spectrum of the salt.
X.
And they praised me in her presence--"Will your book appear this
summer? "
Then returning to each other--"Yes, our plans are for the moors. "
Then with whisper dropped behind me--"There he is! the latest comer.
Oh, she only likes his verses! what is over, she endures.
XI.
"Quite low-born, self-educated! somewhat gifted though by nature,
And we make a point of asking him,--of being very kind.
You may speak, he does not hear you! and, besides, he writes no
satire,--
All these serpents kept by charmers leave the natural sting behind. "
XII.
I grew scornfuller, grew colder, as I stood up there among them,
Till as frost intense will burn you, the cold scorning scorched my
brow;
When a sudden silver speaking, gravely cadenced, over-rung them,
And a sudden silken stirring touched my inner nature through.
XIII.
I looked upward and beheld her: with a calm and regnant spirit,
Slowly round she swept her eyelids, and said clear before them all--
"Have you such superfluous honour, sir, that able to confer it
You will come down, Mister Bertram, as my guest to Wycombe Hall? "
XIV.
Here she paused; she had been paler at the first word of her speaking,
But, because a silence followed it, blushed somewhat, as for shame:
Then, as scorning her own feeling, resumed calmly--"I am seeking
More distinction than these gentlemen think worthy of my claim.
XV.
"Ne'ertheless, you see, I seek it--not because I am a woman,"
(Here her smile sprang like a fountain and, so, overflowed her mouth)
"But because my woods in Sussex have some purple shades at gloaming
Which are worthy of a king in state, or poet in his youth.
XVI.
"I invite you, Mister Bertram, to no scene for worldly speeches--
Sir, I scarce should dare--but only where God asked the thrushes first:
And if _you_ will sing beside them, in the covert of my beeches,
I will thank you for the woodlands,--for the human world, at worst. "
XVII.
Then she smiled around right childly, then she gazed around right
queenly,
And I bowed--I could not answer; alternated light and gloom--
While as one who quells the lions, with a steady eye serenely,
She, with level fronting eyelids, passed out stately from the room.
XVIII.
Oh, the blessèd woods of Sussex, I can hear them still around me,
With their leafy tide of greenery still rippling up the wind!
Oh, the cursèd woods of Sussex! where the hunter's arrow found me,
When a fair face and a tender voice had made me mad and blind!
XIX.
In that ancient hall of Wycombe thronged the numerous guests invited,
And the lovely London ladies trod the floors with gliding feet;
And their voices low with fashion, not with feeling, softly freighted
All the air about the windows with elastic laughters sweet.
XX.
For at eve the open windows flung their light out on the terrace
Which the floating orbs of curtains did with gradual shadow sweep,
While the swans upon the river, fed at morning by the heiress,
Trembled downward through their snowy wings at music in their sleep.
XXI.
And there evermore was music, both of instrument and singing,
Till the finches of the shrubberies grew restless in the dark;
But the cedars stood up motionless, each in a moonlight's ringing,
And the deer, half in the glimmer, strewed the hollows of the park.
XXII.
And though sometimes she would bind me with her silver-corded speeches
To commix my words and laughter with the converse and the jest,
Oft I sat apart and, gazing on the river through the beeches,
Heard, as pure the swans swam down it, her pure voice o'erfloat the
rest.
XXIII.
In the morning, horn of huntsman, hoof of steed and laugh of rider,
Spread out cheery from the courtyard till we lost them in the hills,
While herself and other ladies, and her suitors left beside her,
Went a-wandering up the gardens through the laurels and abeles.
XXIV.
Thus, her foot upon the new-mown grass, bareheaded, with the flowing
Of the virginal white vesture gathered closely to her throat,
And the golden ringlets in her neck just quickened by her going,
And appearing to breathe sun for air, and doubting if to float,--
XXV.
With a bunch of dewy maple, which her right hand held above her,
And which trembled a green shadow in betwixt her and the skies,
As she turned her face in going, thus, she drew me on to love her,
And to worship the divineness of the smile hid in her eyes.
XXVI.
For her eyes alone smile constantly; her lips have serious sweetness,
And her front is calm, the dimple rarely ripples on the cheek;
But her deep blue eyes smile constantly, as if they in discreetness
Kept the secret of a happy dream she did not care to speak.
XXVII.
Thus she drew me the first morning, out across into the garden,
And I walked among her noble friends and could not keep behind.
Spake she unto all and unto me--"Behold, I am the warden
Of the song-birds in these lindens, which are cages to their mind.
XXVIII.
"But within this swarded circle into which the lime-walk brings us,
Whence the beeches, rounded greenly, stand away in reverent fear,
I will let no music enter, saving what the fountain sings us
Which the lilies round the basin may seem pure enough to hear.
XXIX.
"The live air that waves the lilies waves the slender jet of water
Like a holy thought sent feebly up from soul of fasting saint:
Whereby lies a marble Silence, sleeping (Lough the sculptor wrought
her),
So asleep she is forgetting to say Hush! --a fancy quaint.
XXX.
"Mark how heavy white her eyelids! not a dream between them lingers;
And the left hand's index droppeth from the lips upon the cheek:
While the right hand,--with the symbol-rose held slack within the
fingers,--
Has fallen backward in the basin--yet this Silence will not speak!
XXXI.
"That the essential meaning growing may exceed the special symbol,
Is the thought as I conceive it: it applies more high and low.
Our true noblemen will often through right nobleness grow humble,
And assert an inward honour by denying outward show. "
XXXII.
"Nay, your Silence," said I, "truly, holds her symbol-rose but slackly,
Yet _she holds it_, or would scarcely be a Silence to our ken:
And your nobles wear their ermine on the outside, or walk blackly
In the presence of the social law as mere ignoble men.
XXXIII.
"Let the poets dream such dreaming! madam, in these British islands
'T is the substance that wanes ever, 't is the symbol that exceeds.
Soon we shall have nought but symbol: and, for statues like this
Silence,
Shall accept the rose's image--in another case, the weed's. "
XXXIV.
"Not so quickly," she retorted,--"I confess, where'er you go, you
Find for things, names--shows for actions, and pure gold for honour
clear:
But when all is run to symbol in the Social, I will throw you
The world's book which now reads dryly, and sit down with Silence
here. "
XXXV.
Half in playfulness she spoke, I thought, and half in indignation;
Friends, who listened, laughed her words off, while her lovers deemed
her fair:
A fair woman, flushed with feeling, in her noble-lighted station
Near the statue's white reposing--and both bathed in sunny air!
XXXVI.
With the trees round, not so distant but you heard their vernal murmur,
And beheld in light and shadow the leaves in and outward move,
And the little fountain leaping toward the sun-heart to be warmer,
Then recoiling in a tremble from the too much light above.
XXXVII.
'T is a picture for remembrance. And thus, morning after morning,
Did I follow as she drew me by the spirit to her feet.
Why, her greyhound followed also! dogs--we both were dogs for
scorning--
To be sent back when she pleased it and her path lay through the wheat.
XXXVIII.
And thus, morning after morning, spite of vows and spite of sorrow,
Did I follow at her drawing, while the week-days passed along,--
Just to feed the swans this noontide, or to see the fawns to-morrow,
Or to teach the hill-side echo some sweet Tuscan in a song.
XXXIX.
Ay, for sometimes on the hill-side, while we sate down in the gowans,
With the forest green behind us and its shadow cast before,
And the river running under, and across it from the rowans
A brown partridge whirring near us till we felt the air it bore,--
XL.
There, obedient to her praying, did I read aloud the poems
Made to Tuscan flutes, or instruments more various of our own;
Read the pastoral parts of Spenser, or the subtle interflowings
Found in Petrarch's sonnets--here's the book, the leaf is folded down!
XLI.
Or at times a modern volume, Wordsworth's solemn-thoughted idyl,
Howitt's ballad-verse, or Tennyson's enchanted reverie,--
Or from Browning some "Pomegranate," which, if cut deep down the
middle,
Shows a heart within blood-tinctured, of a veined humanity.
XLII.
Or at times I read there, hoarsely, some new poem of my making:
Poets ever fail in reading their own verses to their worth,
For the echo in you breaks upon the words which you are speaking,
And the chariot wheels jar in the gate through which you drive them
forth.
XLIII.
After, when we were grown tired of books, the silence round us flinging
A slow arm of sweet compression, felt with beatings at the breast
She would break out on a sudden in a gush of woodland singing,
Like a child's emotion in a god--a naiad tired of rest.
XLIV.
Oh, to see or hear her singing! scarce I know which is divinest,
For her looks sing too--she modulates her gestures on the tune,
And her mouth stirs with the song, like song; and when the notes are
finest,
'T is the eyes that shoot out vocal light and seem to swell them on.
XLV.
Then we talked--oh, how we talked! her voice, so cadenced in the
talking,
Made another singing--of the soul! a music without bars:
While the leafy sounds of woodlands, humming round where we were
walking,
Brought interposition worthy-sweet,--as skies about the stars.
XLVI.
And she spake such good thoughts natural, as if she always thought
them;
She had sympathies so rapid, open, free as bird on branch,
Just as ready to fly east as west, whichever way besought them,
In the birchen-wood a chirrup, or a cock-crow in the grange.
XLVII.
In her utmost lightness there is truth--and often she speaks lightly,
Has a grace in being gay which even mournful souls approve,
For the root of some grave earnest thought is understruck so rightly
As to justify the foliage and the waving flowers above.
XLVIII.
And she talked on--_we_ talked, rather! upon all things, substance,
shadow,
Of the sheep that browsed the grasses, of the reapers in the corn,
Of the little children from the schools, seen winding through the
meadow,
Of the poor rich world beyond them, still kept poorer by its scorn.
XLIX.
