The lovely lass o' Inverness,
Nae joy nor pleasure can she see;
For e'en and morn she cries, Alas!
Nae joy nor pleasure can she see;
For e'en and morn she cries, Alas!
Golden Treasury
MILTON.
114. SONG OF THE EMIGRANTS IN BERMUDA.
Where the remote Bermudas ride
In the ocean's bosom unespied,
From a small boat that row'd along
The listening woods received this song.
"What should we do but sing His praise
That led us through the watery maze
Where He the huge sea-monsters wracks,
That lift the deep upon their backs,
Unto an isle so long unknown,
And yet far kinder than our own?
He lands us on a grassy stage,
Safe from the storms, and prelate's rage:
He gave us this eternal spring
Which here enamels everything,
And sends the fowls to us in care
On daily visits through the air.
He hangs in shades the orange bright
Like golden lamps in a green night,
And does in the pomegranates close
Jewels more rich than Ormus shows:
He makes the figs our mouths to meet,
And throws the melons at our feet;
But apples plants of such a price,
No tree could ever bear them twice.
With cedars chosen by His hand
From Lebanon He stores the land;
And makes the hollow seas that roar
Proclaim the ambergris on shore.
He cast (of which we rather boast)
The Gospel's pearl upon our coast;
And in these rocks for us did frame
A temple where to sound His name.
O let our voice His praise exalt
Till it arrive at Heaven's vault,
Which then perhaps rebounding may
Echo beyond the Mexique bay! "
--Thus sung they in the English boat
A holy and a cheerful note:
And all the way, to guide their chime,
With falling oars they kept the time.
A. MARVELL.
115. AT A SOLEMN MUSIC.
Blest pair of Sirens, pledges of Heaven's joy,
Sphere-born harmonious Sisters, Voice, and Verse,
Wed your divine sounds, and mixt power employ
Dead things with inbreathed sense able to pierce,
And to our high-raised phantasy present
That undisturbed Song of pure concent,
Ay sung before the sapphire-colour'd throne
To Him that sits thereon,
With saintly shout and solemn jubilee;
Where the bright Seraphim in burning row
Their loud uplifted angel-trumpets blow;
And the Cherubic host in thousand quires
Touch their immortal harps of golden wires,
With those just Spirits that wear victorious palms
Hymns devout and holy psalms
Singing everlastingly:
That we on earth, with undiscording voice
May rightly answer that melodious noise;
As once we did, till disproportion'd sin
Jarr'd against nature's chime, and with harsh din
Broke the fair music that all creatures made
To their great Lord, whose love their motion sway'd
In perfect diapason, whilst they stood
In first obedience, and their state of good.
O may we soon again renew that Song,
And keep in tune with Heaven, till God ere long
To His celestial consort us unite,
To live with Him, and sing in endless morn of light!
J. MILTON.
116. ALEXANDER'S FEAST, OR, THE POWER OF MUSIC.
'Twas at the royal feast for Persia won
By Philip's warlike son--
Aloft in awful state
The godlike hero sate
On his imperial throne;
His valiant peers were placed around;
Their brows with roses and with myrtles bound
(So should desert in arms be crown'd).
The lovely Thais by his side
Sate like a blooming eastern bride
In flower of youth and beauty's pride:--
Happy, happy, happy pair!
None but the brave
None but the brave
None but the brave deserves the fair.
Timotheus placed on high
Amid the tuneful quire
With flying fingers touch'd the lyre:
The trembling notes ascend the sky
And heavenly joys inspire.
The song began from Jove
Who left his blissful seats above--
Such is the power of mighty love!
A dragon's fiery form belied the god;
Sublime on radiant spires he rode
When he to fair Olympia prest,
And while he sought her snowy breast;
Then round her slender waist he curl'd,
And stamp'd an image of himself, a sovereign of the world.
--The listening crowd admire the lofty sound!
A present deity! they shout around:
A present deity! the vaulted roofs rebound!
With ravish'd ears
The monarch hears,
Assumes the god;
Affects to nod
And seems to shake the spheres.
The praise of Bacchus then the sweet musician sung:
Of Bacchus ever fair and ever young:
The jolly god in triumph comes!
Sound the trumpets, beat the drums!
Flush'd with a purple grace
He shows his honest face:
Now give the hautboys breath; he comes, he comes!
Bacchus, ever fair and young,
Drinking joys did first ordain;
Bacchus' blessings are a treasure,
Drinking is the soldier's pleasure:
Rich the treasure,
Sweet the pleasure,
Sweet is pleasure after pain.
Soothed with the sound, the king grew vain;
Fought all his battles o'er again,
And thrice he routed all his foes; and thrice he slew the slain!
The master saw the madness rise,
His glowing cheeks, his ardent eyes;
And while he Heaven and Earth defied
Changed his hand and check'd his pride.
He chose a mournful Muse
Soft pity to infuse:
He sung Darius great and good,
By too severe a fate
Fallen, fallen, fallen, fallen,
Fallen from his high estate,
And weltering in his blood;
Deserted, at his utmost need,
By those his former bounty fed;
On the bare earth exposed he lies
With not a friend to close his eyes.
--With downcast looks the joyless victor sate,
Revolving in his alter'd soul
The various turns of Chance below;
And now and then a sigh he stole;
And tears began to flow.
The mighty master smiled to see
That love was in the next degree;
'Twas but a kindred-sound to move,
For pity melts the mind to love.
Softly sweet, in Lydian measures,
Soon he soothed his soul to pleasures.
War, he sung, is toil and trouble,
Honour but an empty bubble,
Never ending, still beginning;
Fighting still, and still destroying;
If the world be worth thy winning,
Think, O think, it worth enjoying:
Lovely Thais sits beside thee,
Take the good the gods provide thee!
--The many rend the skies with loud applause;
So Love was crown'd, but Music won the cause.
The prince, unable to conceal his pain,
Gazed on the fair
Who caused his care,
And sigh'd and look'd, sigh'd and look'd,
Sigh'd and look'd, and sigh'd again:
At length, with love and wine at once opprest
The vanquish'd victor sunk upon her breast.
Now strike the golden lyre again:
A louder yet, and yet a louder strain!
Break his bands of sleep asunder,
And rouse him, like a rattling peal of thunder.
Hark, hark! the horrid sound
Has raised up his head:
As awaked from the dead,
And amazed he stares around.
Revenge, revenge, Timotheus cries,
See the Furies arise!
See the snakes that they rear
How they hiss in their hair,
And the sparkles that flash from their eyes!
Behold a ghastly band
Each a torch in his hand!
Those are Grecian ghosts, that in battle were slain
And unburied remain
Inglorious on the plain:
Give the vengeance due
To the valiant crew!
Behold how they toss their torches on high,
How they point to the Persian abodes
And glittering temples of their hostile gods.
--The princes applaud with a furious joy:
And the king seized a flambeau with zeal to destroy;
Thais led the way,
To light him to his prey,
And like another Helen, fired another Troy!
--Thus, long ago,
Ere heaving bellows learn'd to blow,
While organs yet were mute,
Timotheus, to his breathing flute
And sounding lyre
Could swell the soul to rage, or kindle soft desire.
At last divine Cecilia came,
Inventress of the vocal frame;
The sweet enthusiast from her sacred store
Enlarged the former narrow bounds,
And added length to solemn sounds,
With Nature's mother-wit, and arts unknown before.
--Let old Timotheus yield the prize
Or both divide the crown;
He raised a mortal to the skies;
She drew an angel down!
J. DRYDEN.
THIRD BOOK.
SUMMARY.
It is more difficult to characterise the English Poetry of the
eighteenth century than that of any other. For it was an age not only of
spontaneous transition, but of bold experiment: it includes not only
such divergences of thought as distinguished the "Rape of the Lock" from
the "Parish Register," but such vast contemporaneous differences as lie
between Pope and Collins, Burns and Cowper. Yet we may clearly trace
three leading moods or tendencies:--the aspects of courtly or educated
life represented by Pope and carried to exhaustion by his followers; the
poetry of Nature and of Man, viewed through a cultivated, and at the
same time an impassioned frame of mind by Collins and Gray:--lastly, the
study of vivid and simple narrative, including natural description,
begun by Gay and Thomson, pursued by Burns and others in the north, and
established in England by Goldsmith, Percy, Crabbe, and Cowper. Great
varieties in style accompanied these diversities in aim: poets could not
always distinguish the manner suitable for subjects so far apart; and
the union of the language of courtly and of common life, exhibited most
conspicuously by Burns, has given a tone to the poetry of that century
which is better explained by reference to its historical origin than by
naming it, in the common criticism of our day, artificial. There is
again, a nobleness of thought, a courageous aim at high and, in a strict
sense manly, excellence in many of the writers:--nor can that period be
justly termed tame and wanting in originality, which produced poems such
as Pope's Satires, Gray's Odes and Elegy, the ballads of Gay and Carey,
the songs of Burns and Cowper. In truth Poetry at this as at all times
was a more or less unconscious mirror of the genius of the age; and the
brave and admirable spirit of Enquiry which made the eighteenth century
the turning-time in European civilisation is reflected faithfully in its
verse. An intelligent reader will find the influence of Newton as
markedly in the poems of Pope, as of Elizabeth in the plays of
Shakespeare. On this great subject, however, these indications must here
be sufficient.
117. ODE ON THE PLEASURE ARISING FROM VICISSITUDE.
Now the golden Morn aloft
Waves her dew-bespangled wing,
With vermeil cheek and whisper soft
She woos the tardy Spring:
Till April starts, and calls around
The sleeping fragrance from the ground,
And lightly o'er the living scene
Scatters his freshest, tenderest green.
New-born flocks, in rustic dance,
Frisking ply their feeble feet;
Forgetful of their wintry trance
The birds his presence greet:
But chief, the sky-lark warbles high
His trembling thrilling ecstasy;
And lessening from the dazzled sight,
Melts into air and liquid light.
Yesterday the sullen year
Saw the snowy whirlwind fly;
Mute was the music of the air,
The herd stood drooping by:
Their raptures now that wildly flow
No yesterday nor morrow know;
'Tis Man alone that joy descries
With forward and reverted eyes.
Smiles on past Misfortune's brow
Soft Reflection's hand can trace,
And o'er the cheek of Sorrow throw
A melancholy grace;
While Hope prolongs our happier hour,
Or deepest shades, that dimly lour
And blacken round our weary way,
Gilds with a gleam of distant day.
Still, where rosy Pleasure leads,
See a kindred Grief pursue;
Behind the steps that Misery treads
Approaching Comfort view:
The hues of bliss more brightly glow
Chastised by sabler tints of woe,
And blended form, with artful strife,
The strength and harmony of life.
See the wretch that long has tost
On the thorny bed of pain,
At length repair his vigour lost
And breathe and walk again:
The meanest floweret of the vale,
The simplest note that swells the gale,
The common sun, the air, the skies,
To him are opening Paradise.
T. GRAY.
118. SOLITUDE.
Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air
In his own ground.
Whose herds with milk, whose fields with bread,
Whose flocks supply him with attire;
Whose trees in summer yield him shade
In winter, fire.
Blest, who can unconcern'dly find
Hours, days, and years, slide soft away
In health of body, peace of mind,
Quiet by day,
Sound sleep by night; study and ease
Together mix'd; sweet recreation,
And innocence, which most does please
With meditation.
Thus let me live, unseen, unknown;
Thus unlamented let me die;
Steal from the world, and not a stone
Tell where I lie.
A. POPE.
119. THE BLIND BOY.
O say what is that thing call'd Light,
Which I must ne'er enjoy;
What are the blessings of the sight,
O tell your poor blind boy!
You talk of wondrous things you see,
You say the sun shines bright;
I feel him warm, but how can he
Or make it day or night?
My day or night myself I make
Whene'er I sleep or play;
And could I ever keep awake
With me 'twere always day.
With heavy sighs I often hear
You mourn my hapless woe;
But sure with patience I can bear
A loss I ne'er can know.
Then let not what I cannot have
My cheer of mind destroy:
Whilst thus I sing, I am a king,
Although a poor blind boy.
C. CIBBER.
120. ON A FAVOURITE CAT, DROWNED IN A TUB OF GOLD FISHES.
'Twas on a lofty vase's side
Where China's gayest art had dyed
The azure flowers that blow,
Demurest of the tabby kind
The pensive Selima, reclined,
Gazed on the lake below.
Her conscious tail her joy declared:
The fair round face, the snowy beard,
The velvet of her paws,
Her coat that with the tortoise vies,
Her ears of jet, and emerald eyes--
She saw, and purr'd applause.
Still had she gazed, but 'midst the tide
Two angel forms were seen to glide,
The Genii of the stream:
Their scaly armour's Tyrian hue
Through richest purple, to the view
Betray'd a golden gleam.
The hapless Nymph with wonder saw;
A whisker first, and then a claw
With many an ardent wish
She stretch'd, in vain, to reach the prize--
What female heart can gold despise?
What cat's averse to fish?
Presumptuous maid! with looks intent
Again she stretch'd, again she bent,
Nor knew the gulf between--
Malignant Fate sat by and smiled--
The slippery verge her feet beguiled;
She tumbled headlong in!
Eight times emerging from the flood,
She mew'd to every watery God
Some speedy aid to send:--
No Dolphin came, no Nereid stirr'd,
Nor cruel Tom nor Susan heard--
A favourite has no friend!
From hence, ye Beauties! undeceived
Know one false step is ne'er retrieved,
And be with caution bold:
Not all that tempts your wandering eyes
And heedless hearts, is lawful prize,
Nor all that glisters, gold!
T. GRAY.
121. TO CHARLOTTE PULTENEY.
Timely blossom, Infant fair,
Fondling of a happy pair,
Every morn and every night
Their solicitous delight,
Sleeping, waking, still at ease,
Pleasing, without skill to please
Little gossip, blithe and hale,
Tattling many a broken tale,
Singing many a tuneless song.
Lavish of a heedless tongue;
Simple maiden, void of art,
Babbling out the very heart,
Yet abandon'd to thy will,
Yet imagining no ill,
Yet too innocent to blush,
Like the linnet in the bush
To the mother-linnet's note
Moduling her slender throat;
Chirping forth thy petty joys,
Wanton in the change of toys,
Like the linnet green, in May
Flitting to each bloomy spray;
Wearied then and glad of rest,
Like the linnet in the nest:--
This thy present happy lot
This, in time will be forgot:
Other pleasures, other cares,
Ever-busy Time prepares;
And thou shalt in thy daughter see,
This picture, once, resembled thee.
A. PHILIPS.
122. RULE BRITANNIA.
When Britain first at Heaven's command
Arose from out the azure main,
This was the charter of her land,
And guardian angels sung the strain:
Rule Brittania! Brittania rules the waves!
Britons never shall be slaves.
The nations not so blest as thee
Must in their turn to tyrants fall,
Whilst thou shalt flourish great and free
The dread and envy of them all.
Still more majestic shalt thou rise,
More dreadful from each foreign stroke;
As the loud blast that tears the skies
Serves but to root thy native oak.
Thee haughty tyrants ne'er shall tame;
All their attempts to bend thee down
Will but arouse thy generous flame,
And work their woe and thy renown.
To thee belongs the rural reign;
Thy cities shall with commerce shine;
All thine shall be the subject main,
And every shore it circles thine!
The Muses, still with Freedom found,
Shall to thy happy coast repair;
Blest Isle, with matchless beauty crown'd,
And manly hearts to guard the fair:--
Rule Britannia! Brittania rules the waves!
Britons never shall be slaves!
J. THOMSON.
123. THE BARD.
_Pindaric Ode. _
"Ruin seize thee, ruthless King!
Confusion on thy banners wait!
Tho' fann'd by Conquest's crimson wing
They mock the air with idle state.
Helm, nor hauberk's twisted mail
Nor e'en thy virtues, tyrant, shall avail
To save thy secret soul from nightly fears,
From Cambria's curse, from Cambria's tears! "
--Such were the sounds that o'er the crested pride
Of the first Edward scatter'd wild dismay,
As down the steep of Snowdon's shaggy side
He wound with toilsome march his long array:--
Stout Glo'ster stood aghast in speechless trance;
"To arms! " cried Mortimer, and couch'd quivering lance.
On a rock, whose haughty brow
Frowns o'er old Conway's foaming flood,
Robed in the sable garb of woe
With haggard eyes the Poet stood;
(Loose his beard and hoary hair
Stream'd like a meteor to the troubled air)
And with a master's hand and prophet's fire
Struck the deep sorrows of his lyre:
"Hark, how each giant oak and desert-cave
Sighs to the torrent's awful voice beneath!
O'er thee, O King! their hundred arms they wave,
Revenge on thee in hoarser murmurs breathe;
Vocal no more, since Cambria's fatal day,
To high-born Hoel's harp, or soft Llewellyn's lay.
"Cold is Cadwallo's tongue
That hush'd the stormy main;
Brave Urien sleeps upon his craggy bed:
Mountains, ye mourn in vain
Modred, whose magic song
Made huge Plinlimmon bow his cloud-topt head.
On dreary Arvon's shore they lie
Smear'd with gore and ghastly pale:
Far, far aloof the affrighted ravens sail;
The famish'd eagle screams, and passes by.
Dear lost companions of my tuneful art,
Dear as the light that visits these sad eyes,
Dear as the ruddy drops that warm my heart,
Ye died amidst your dying country's cries--
No more I weep; They do not sleep;
On yonder cliffs, a griesly band,
I see them sit; They linger yet,
Avengers of their native land:
With me in dreadful harmony they join,
And weave with bloody hands the tissue of thy line.
"Weave the warp and weave the woof
The winding-sheet of Edward's race:
Give ample room and verge enough
The characters of hell to trace.
Mark the year and mark the night
When Severn shall re-echo with affright
The shrieks of death thro' Berkley's roof that ring,
Shrieks of an agonising king!
She-wolf of France, with unrelenting fangs
That tear'st the bowels of thy mangled mate,
From thee be born, who o'er thy country hangs
The scourge of Heaven! What terrors round him wait!
Amazement in his van, with Flight combined,
And Sorrow's faded form, and Solitude behind.
"Mighty Victor, mighty lord,
Low on his funeral couch he lies!
No pitying heart, no eye, afford
A tear to grace his obsequies.
Is the sable warrior fled?
Thy son is gone. He rests among the dead.
The swarm that in thy noon-tide beam were born?
--Gone to salute the rising morn.
Fair laughs the Morn, and soft the zephyr blows,
While proudly riding o'er the azure realm
In gallant trim the gilded Vessel goes:
Youth on the prow, and Pleasure at the helm:
Regardless of the sweeping Whirlwind's sway,
That hush'd in grim repose expects his evening prey.
"Fill high the sparkling bowl,
The rich repast prepare;
Reft of a crown, he yet may share the feast.
Close by the regal chair
Fell Thirst and Famine scowl
A baleful smile upon their baffled guest.
Heard ye the din of battle bray,
Lance to lance, and horse to horse?
Long years of havock urge their destined course,
And thro' the kindred squadrons mow their way.
Ye Towers of Julius! London's lasting shame,
With many a foul and midnight murder fed,
Revere his Consort's faith, his Father's fame,
And spare the meek usurper's holy head!
Above, below, the rose of snow,
Twined with her blushing foe, we spread:
The bristled boar in infant gore
Wallows beneath the thorny shade.
Now, brothers, bending o'er the accursed loom,
Stamp we our vengeance deep, and ratify his doom.
"Edward, lo! to sudden fate
(Weave we the woof; the thread is spun;)
Half of thy heart we consecrate.
(The web is wove; the work is done;)
Stay, O stay! nor thus forlorn
Leave me unbless'd, unpitied, here to mourn:
In yon bright track that fires the western skies
They melt, they vanish from my eyes.
But O! what solemn scenes on Snowdon's height
Descending slow, their glittering skirts unroll?
Visions of glory, spare my aching sight,
Ye unborn ages, crowd not on my soul!
No more our long-lost Arthur we bewail:--
All hail, ye genuine Kings! Britannia's issue, hail!
"Girt with many a baron bold,
Sublime their starry fronts they rear;
And gorgeous dames, and statesmen old
In bearded majesty, appear.
In the midst a form divine!
Her eye proclaims her of the Briton-Line:
Her lion-port, her awe-commanding face
Attemper'd sweet to virgin-grace.
What strings symphonious tremble in the air,
What strains of vocal transport round her play?
Hear from the grave, great Taliessin, hear;
They breathe a soul to animate thy clay.
Bright Rapture calls, and soaring as she sings,
Waves in the eye of Heaven her many-colour'd wings.
"The verse adorn again,
Fierce War and faithful Love,
And Truth severe, by fairy Fiction drest.
In buskin'd measures move
Pale Grief, and pleasing Pain,
With Horror, tyrant of the throbbing breast.
A voice as of the cherub-choir
Gales from blooming Eden bear,
And distant warblings lessen on my ear
That lost in long futurity expire.
Fond impious man, think'st thou yon sanguine cloud
Raised by thy breath, has quench'd the orb of day?
To-morrow he repairs the golden flood
And warms the nations with redoubled ray.
Enough for me: with joy I see
The different doom our fates assign:
Be thine Despair and sceptred Care;
To triumph and to die are mine. "
He spoke, and headlong from the mountain's height
Deep in the roaring tide he plunged to endless night.
T. GRAY.
124. ODE WRITTEN IN MDCCXLVI.
How sleep the brave, who sink to rest
By all their Country's wishes blest!
When Spring, with dewy fingers cold,
Returns to deck their hallow'd mould,
She there shall dress a sweeter sod
Than Fancy's feet have ever trod.
By fairy hands their knell is rung,
By forms unseen their dirge is sung:
There Honour comes, a pilgrim gray,
To bless the turf that wraps their clay,
And Freedom shall awhile repair
To dwell a weeping hermit, there!
W. COLLINS.
125. LAMENT FOR CULLODEN.
The lovely lass o' Inverness,
Nae joy nor pleasure can she see;
For e'en and morn she cries, Alas!
And aye the saut tear blink's her ee:
Drumossie moor--Drumossie day--
A waefu' day it was to me!
For there I lost my father dear,
My father dear, and brethren three.
Their winding-sheet the bluidy clay,
Their graves are growing green to see:
And by them lies the dearest lad
That ever blest a woman's ee!
Now wae to thee, thou cruel lord,
A bluidy man I trow thou be;
For mony a heart thou hast made sair
That ne'er did wrong to thine or thee.
R. BURNS.
126. LAMENT FOR FLODDEN.
I've heard them lilting at our ewe-milking,
Lasses a' lilting before dawn o' day;
But now they are moaning on ilka green loaning--
The Flowers of the Forest are a' wede away.
At bughts, in the morning, nae blythe lads are scorning,
Lasses are lonely and dowie and wae;
Nae daffin', nae gabbin', but sighing and sabbing,
Ilk ane lifts her leglin and hies her away.
In har'st, at the shearing, nae youths now are jeering,
Bandsters are lyart, and runkled and gray;
At fair or at preaching, nae wooing, nae fleeching--
The Flowers of the Forest are a' wede away.
At e'en, in the gloaming, nae younkers are roaming
'Bout stacks wi' the lasses at bogle to play;
But ilk ane sits drearie, lamenting her dearie--
The Flowers of the Forest are weded away.
Dool and wae for the order, sent out lads to the border!
The English, for ance, by guile wan the day;
The Flowers of the Forest, that fought aye the foremost,
The prime of our land, are cauld in the clay.
We'll hear nae mair lilting at the ewe-milking;
Women and bairns are heartless and wae;
Sighing and moaning on ilka green loaning--
The Flowers of the Forest are a' wede away.
J. ELLIOTT.
127. THE BRAES OF YARROW.
Thy braes were bonny, Yarrow stream,
When first on them I met my lover;
Thy braes how dreary, Yarrow stream,
When now thy waves his body cover!
For ever now, O Yarrow stream!
Thou art to me a stream of sorrow;
For never on thy banks shall I
Behold my Love, the flower of Yarrow!
He promised me a milk-white steed
To bear me to his father's bowers;
He promised me a little page
To squire me to his father's towers;
He promised me a wedding-ring,--
The wedding-day was fix'd to-morrow;--
Now he is wedded to his grave,
Alas, his watery grave, in Yarrow!
Sweet were his words when last we met;
My passion I as freely told him;
Clasp'd in his arms, I little thought
That I should never more behold him!
Scarce was he gone, I saw his ghost;
It vanish'd with a shriek of sorrow;
Thrice did the water-wraith ascend,
And gave a doleful groan thro' Yarrow.
His mother from the window look'd
With all the longing of a mother;
His little sister weeping walk'd
The green-wood path to meet her brother;
They sought him east, they sought him west,
They sought him all the forest thorough;
They only saw the cloud of night,
They only heard the roar of Yarrow.
No longer from thy window look--
Thou hast no son, thou tender mother!
No longer walk, thou lovely maid;
Alas, thou hast no more a brother!
No longer seek him east or west
And search no more the forest thorough;
For, wandering in the night so dark,
He fell a lifeless corpse in Yarrow.
The tear shall never leave my cheek,
No other youth shall be my marrow--
I'll seek thy body in the stream,
And then with thee I'll sleep in Yarrow.
--The tear did never leave her cheek,
No other youth became her marrow;
She found his body in the stream,
And now with him she sleeps in Yarrow.
J. LOGAN.
128. WILLIE DROWNED IN YARROW.
Down in yon garden sweet and gay
Where bonnie grows the lily,
I heard a fair maid sighing say
"My wish be wi' sweet Willie!
"Willie's rare, and Willie's fair,
And Willie's wondrous bonny;
And Willie hecht to marry me
Gin e'er he married ony.
"O gentle wind, that bloweth south,
From where my Love repaireth,
Convey a kiss frae his dear mouth
And tell me how he fareth!
"O tell sweet Willie to come doon
And hear the mavis singing,
And see the birds on ilka bush
And leaves around them hinging.
"The lav'rock there, wi' her white breast
And gentle throat sae narrow;
There's sport eneuch for gentlemen
On Leader haughs and Yarrow.
"O Leader haughs are wide and braid
And Yarrow haughs are bonny;
There Willie hecht to marry me
If e'er he married ony.
"But Willie's gone, whom I thought on,
And does not hear me weeping;
Draws many a tear frae true love's e'e
When other maids are sleeping.
"Yestreen I made my bed fu' braid,
The night I'll mak' it narrow,
For a' the live-lang winter night
I lie twined o' my marrow.
"O came ye by yon water-side?
Pou'd you the rose or lily?
Or came you by yon meadow green,
Or saw you my sweet Willie? "
She sought him up, she sought him down,
She sought him braid and narrow;
Syne, in the cleaving of a craig,
She found him drown'd in Yarrow!
ANON.
129. LOSS OF THE _ROYAL GEORGE_.
Toll for the Brave!
The brave that are no more!
All sunk beneath the wave
Fast by their native shore!
Eight hundred of the brave
Whose courage well was tried,
Had made the vessel heel
And laid her on her side.
A land-breeze shook the shrouds
And she was overset;
Down went the _Royal George_,
With all her crew complete.
Toll for the brave!
Brave Kempenfelt is gone:
His last sea-fight is fought,
His work of glory done.
It was not in the battle;
No tempest gave the shock;
She sprang no fatal leak,
She ran upon no rock.
His sword was in its sheath,
His fingers held the pen,
When Kempenfeld went down
With twice four hundred men.
Weigh the vessel up
Once dreaded by our foes!
And mingle with our cup
The tear that England owes.
Her timbers yet are sound,
And she may float again
Full charged with England's thunder,
And plough the distant main:
But Kempenfeld is gone,
His victories are o'er;
And he and his eight hundred
Shall plough the wave no more.
W. COWPER.
130. BLACK-EYED SUSAN.
All in the Downs the fleet was moor'd,
The streamers waving in the wind,
When black-eyed Susan came aboard;
"O! where shall I my true-love find?
Tell me, ye jovial sailors, tell me true
If my sweet William sails among the crew. "
William, who high upon the yard
Rock'd with the billow to and fro,
Soon as her well-known voice he heard
He sigh'd, and cast his eyes below;
The cord slides swiftly through his glowing hands,
And quick as lightning on the deck he stands.
So the sweet lark, high poised in air,
Shuts close his pinions to his breast
If chance his mate's shrill call he hear,
And drops at once into her nest:--
The noblest captain in the British fleet
Might envy William's lip those kisses sweet
"O Susan, Susan, lovely dear,
My vows shall ever true remain
Let me kiss off that falling tear;
We only part to meet again.
Change as ye list, ye winds; my heart shall be
The faithful compass that still points to thee.
"Believe not what the landmen say
Who tempt with doubts thy constant mind:
They'll tell thee, sailors, when away,
In every port a mistress find:
Yes, yes, believe them when they tell thee so,
For Thou art present wheresoe'er I go.
"If to fair India's coast we sail,
Thy eyes are seen in diamonds bright,
Thy breath is Afric's spicy gale,
Thy skin is ivory so white.
Thus every beauteous object that I view
Wakes in my soul some charm of lovely Sue.
"Though battle call me from thy arms
Let not my pretty Susan mourn;
Though cannons roar, yet safe from harms
William shall to his Dear return.
Love turns aside the balls that round me fly,
Lest precious tears should drop from Susan's eye. "
The boatswain gave the dreadful word,
The sails their swelling bosom spread;
No longer must she stay aboard;
They kiss'd, she sigh'd, he hung his head.
Her lessening boat unwilling rows to land;
"Adieu! " she cries; and waved her lily hand.
J. GAY.
131. SALLY IN OUR ALLEY.
Of all the girls that are so smart
There's none like pretty Sally;
She is the darling of my heart,
And she lives in our alley.
There is no lady in the land
Is half so sweet as Sally;
She is the darling of my heart,
And she lives in our alley.
Her father he makes cabbage-nets,
And through the streets does cry 'em;
Her mother she sells laces long
To such as please to buy 'em;
But sure such folks could ne'er beget
So sweet a girl as Sally!
She is the darling of my heart,
And she lives in our alley.
When she is by, I leave my work,
I love her so sincerely;
My master comes like any Turk,
And bangs me most severely--
But let him bang his bellyful,
I'll bear it all for Sally;
She is the darling of my heart,
And she lives in our alley.
Of all the days that's in the week
I dearly love but one day--
And that's the day that comes betwixt
A Saturday and Monday;
For then I'm drest all in my best
To walk abroad with Sally:
She is the darling of my heart,
And she lives in our alley.
My master carries me to church,
And often am I blamed
Because I leave him in the lurch
As soon as text is named;
I leave the church in sermon-time
And slink away to Sally;
She is the darling of my heart,
And she lives in our alley.
When Christmas comes about again,
O then I shall have money;
I'll hoard it up, and box it all,
I'll give it to my honey:
I would it were ten thousand pound,
I'd give it all to Sally;
She is the darling of my heart,
And she lives in our alley.
My master and the neighbours all
Make game of me and Sally,
And, but for her, I'd better be
A slave and row a galley;
But when my seven long years are out
O then I'll marry Sally,--
O then we'll wed, and then we'll bed,
But not in our alley!
H. CAREY.
132. A FAREWELL.
Go fetch to me a pint o' wine,
And fill it in a silver tassie;
That I may drink before I go
A service to my bonnie lassie:
The boat rocks at the pier of Leith,
Fu' loud the wind blaws frae the Ferry,
The ship rides by the Berwick-law,
And I maun leave my bonnie Mary.
The trumpets sound, the banners fly,
The glittering spears are ranked ready;
The shouts o' war are heard afar,
The battle closes thick and bloody;
But it's not the roar o' sea or shore
Wad make me langer wish to tarry;
Nor shouts o' war that's heard afar--
It's leaving thee, my bonnie Mary.
R. BURNS.
133.
If doughty deeds my lady please
Right soon I'll mount my steed;
And strong his arm, and fast his seat
That bears frae me the meed.
I'll wear thy colours in my cap
Thy picture in my heart;
And he that bends not to thine eye
Shall rue it to his smart!
Then tell me how to woo thee, Love;
O tell me how to woo thee!
For thy dear sake, nae care I'll take
Tho' ne'er another trow me.
If gay attire delight thine eye
I'll dight me in array;
I'll tend thy chamber door all night,
And squire thee all the day.
If sweetest sounds can win thine ear,
These sounds I'll strive to catch;
Thy voice I'll steal to woo thysell,
That voice that nane can match.
But if fond love thy heart can gain,
I never broke a vow;
Nae maiden lays her skaith to me,
I never loved but you.
For you alone I ride the ring,
For you I wear the blue;
For you alone I strive to sing,
O tell me how to woo!
Then tell me how to woo thee, Love;
O tell me how to woo thee!
For thy dear sake, nae care I'll take,
Tho' ne'er another trow me.
GRAHAM OF GARTMORE.
134. TO A YOUNG LADY.
Sweet stream, that winds through yonder glade,
Apt emblem of a virtuous maid--
Silent and chaste she steals along,
Far from the world's gay busy throng:
With gentle yet prevailing force,
Intent upon her destined course;
Graceful and useful all she does,
Blessing and blest where'er she goes;
Pure-bosom'd as that watery glass,
And Heaven reflected in her face.
W. COWPER.
135. THE SLEEPING BEAUTY.
Sleep on, and dream of Heaven awhile--
Tho' shut so close thy laughing eyes,
Thy rosy lips still wear a smile
And move, and breathe delicious sighs!
Ah, now soft blushes tinge her cheeks
And mantle o'er her neck of snow:
Ah, now she murmurs, now she speaks
What most I wish--and fear to know!
She starts, she trembles, and she weeps!
Her fair hands folded on her breast:
--And now, how like a saint she sleeps!
A seraph in the realms of rest!
Sleep on secure! Above controul
Thy thoughts belong to Heaven and thee:
And may the secret of thy soul
Remain within its sanctuary!
S. ROGERS.
136.
For ever, Fortune, wilt thou prove
An unrelenting foe to Love,
And when we meet a mutual heart
Come in between, and bid us part?
Bid us sigh on from day to day,
And wish and wish the soul away;
Till youth and genial years are flown,
And all the life of life is gone?
But busy, busy, still art thou,
To bind the loveless joyless vow,
The heart from pleasure to delude,
To join the gentle to the rude.
For once, O Fortune, hear my prayer,
And I absolve thy future care;
All other blessings I resign,
Make but the dear Amanda mine.
J. THOMSON.
137.
The merchant, to secure his treasure,
Conveys it in a borrow'd name:
Euphelia serves to grace my measure,
But Cloe is my real flame.
My softest verse, my darling lyre
Upon Euphelia's toilet lay--
When Cloe noted her desire
That I should sing, that I should play.
My lyre I tune, my voice I raise,
But with my numbers mix my sighs:
And whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.
Fair Cloe blush'd: Euphelia frown'd:
I sung, and gazed; I play'd, and trembled:
And Venus to the Loves around
Remark'd how ill we all dissembled.
M. PRIOR.
138.
When lovely woman stoops to folly
And finds too late that men betray,--
What charm can soothe her melancholy,
What art can wash her guilt away?
The only art her guilt to cover,
To hide her shame from every eye,
To give repentance to her lover
And wring his bosom, is--to die.
O. GOLDSMITH.
139.
Ye banks and braes o' bonnie Doon
How can ye blume sae fair!
How can ye chant, ye little birds,
And I sae fu' o' care!
Thou'll break my heart, thou bonnie bird
That sings upon the bough;
Thou minds me o' the happy days
When my fause Luve was true.
Thou'll break my heart, thou bonnie bird
That sings beside thy mate;
For sae I sat, and sae I sang,
And wist na o' my fate.
Aft hae I roved by bonnie Doon
To see the woodbine twine,
And ilka bird sang o' its love;
And sae did I o' mine.
Wi' lightsome heart I pu'd a rose,
Frae aff its thorny tree;
And my fause luver staw the rose,
But left the thorn wi' me.
R. BURNS.
140. THE PROGRESS OF POESY.
_A Pindaric Ode. _
Awake, Aeolian lyre, awake,
And give to rapture all thy trembling strings.
From Helicon's harmonious springs
A thousand rills their mazy progress take:
The laughing flowers that round them blow
Drink life and fragrance as they flow.
Now the rich stream of Music winds along
Deep, majestic, smooth, and strong,
Through verdant vales, and Ceres' golden reign;
Now rolling down the steep amain
Headlong, impetuous, see it pour:
The rocks and nodding groves re-bellow to the roar.
O Sovereign of the willing soul,
Parent of sweet and solemn-breathing airs,
Enchanting shell! the sullen Cares
And frantic Passions hear thy soft control.
On Thracia's hills the Lord of War
Has curb'd the fury of his car
And dropt his thirsty lance at thy command.
Perching on the sceptred hand
Of Jove, thy magic lulls the feather'd king
With ruffled plumes, and flagging wing:
Quench'd in dark clouds of slumber lie
The terror of his beak, and lightnings of his eye.
Thee the voice, the dance, obey,
Temper'd to thy warbled lay.
O'er Idalia's velvet-green
The rosy-crowned Loves are seen
On Cytherea's day,
With antic Sport, and blue-eyed Pleasures,
Frisking light in frolic measures;
Now pursuing, now retreating,
Now in circling troops they meet:
To brisk notes in cadence beating
Glance their many-twinkling feet.
Slow-melting strains their Queen's approach declare:
Where'er she turns the Graces homage pay:
With arms sublime that float upon the air
In gliding state she wins her easy way:
O'er her warm cheek and rising bosom move
The bloom of young Desire and purple light of Love.
Man's feeble race what ills await!
Labour, and Penury, the racks of Pain,
Disease, and Sorrow's weeping train,
And Death, sad refuge from the storms of Fate!
The fond complaint, my song, disprove,
And justify the laws of Jove.
Say, has he given in vain the heavenly Muse?
Night, and all her sickly dews,
Her spectres wan, and birds of boding cry
He gives to range the dreary sky:
Till down the eastern cliffs afar
Hyperion's march they spy, and glittering shafts of war.
In climes beyond the solar road
Where shaggy forms o'er ice-built mountains roam,
The Muse has broke the twilight gloom
To cheer the shivering native's dull abode.
And oft, beneath the odorous shade
Of Chili's boundless forests laid,
She deigns to hear the savage youth repeat
In loose numbers wildly sweet
Their feather-cinctured chiefs, and dusky loves.
Her track, where'er the Goddess roves,
Glory pursue, and generous Shame,
Th' unconquerable Mind, and Freedom's holy flame.
Woods, that wave o'er Delphi's steep,
Isles, that crown th' Aegean deep,
Fields that cool Ilissus laves
Or where Maeander's amber waves
In lingering lab'rinths creep,
How do your tuneful echoes languish,
Mute, but to the voice of anguish!
Where each old poetic mountain
Inspiration breathed around;
Every shade and hallow'd fountain
Murmur'd deep a solemn sound:
Till the sad Nine, in Greece's evil hour
Left their Parnassus for the Latian plains.
Alike they scorn the pomp of tyrant Power,
And coward Vice, that revels in her chains.
When Latium had her lofty spirit lost,
They sought, O Albion! next, thy sea-encircled coast.
Far from the sun and summer-gale
In thy green lap was Nature's Darling laid,
What time, where lucid Avon stray'd,
To him the mighty Mother did unveil
Her awful face: the dauntless Child
Stretch'd forth his little arms, and smiled.
This pencil take (she said) whose colours clear
Richly paint the vernal year:
Thine, too, these golden keys, immortal Boy!
This can unlock the gates of Joy;
Of Horror that, and thrilling Fears,
Or ope the sacred source of sympathetic Tears.
Nor second He, that rode sublime
Upon the seraph-wings of Ecstasy
The secrets of the Abyss to spy:
He pass'd the flaming bounds of Place and Time:
The living Throne, the sapphire-blaze
Where Angels tremble while they gaze,
He saw; but blasted with excess of light,
Closed his eyes in endless night.
Behold where Dryden's less presumptuous car
Wide o'er the fields of Glory bear
Two coursers of ethereal race
With necks in thunder clothed, and long-resounding pace.
Hark! his hands the lyre explore!
Bright-eyed Fancy, hovering o'er,
Scatters from her pictured urn
Thoughts that breathe, and words that burn.
But ah! 'tis heard no more--
O! Lyre divine, what daring Spirit
Wakes thee now! Tho' he inherit
Nor the pride, nor ample pinion
That the Theban Eagle bear,
Sailing with supreme dominion
Thro' the azure deep of air:
Yet oft before his infant eyes would run
Such forms as glitter in the Muse's ray
With orient hues, unborrow'd of the sun:
Yet shall he mount, and keep his distant way
Beyond the limits of a vulgar fate:
Beneath the Good how far--but far above the Great.
T. GRAY.
141. THE PASSIONS.
_An Ode for Music.
114. SONG OF THE EMIGRANTS IN BERMUDA.
Where the remote Bermudas ride
In the ocean's bosom unespied,
From a small boat that row'd along
The listening woods received this song.
"What should we do but sing His praise
That led us through the watery maze
Where He the huge sea-monsters wracks,
That lift the deep upon their backs,
Unto an isle so long unknown,
And yet far kinder than our own?
He lands us on a grassy stage,
Safe from the storms, and prelate's rage:
He gave us this eternal spring
Which here enamels everything,
And sends the fowls to us in care
On daily visits through the air.
He hangs in shades the orange bright
Like golden lamps in a green night,
And does in the pomegranates close
Jewels more rich than Ormus shows:
He makes the figs our mouths to meet,
And throws the melons at our feet;
But apples plants of such a price,
No tree could ever bear them twice.
With cedars chosen by His hand
From Lebanon He stores the land;
And makes the hollow seas that roar
Proclaim the ambergris on shore.
He cast (of which we rather boast)
The Gospel's pearl upon our coast;
And in these rocks for us did frame
A temple where to sound His name.
O let our voice His praise exalt
Till it arrive at Heaven's vault,
Which then perhaps rebounding may
Echo beyond the Mexique bay! "
--Thus sung they in the English boat
A holy and a cheerful note:
And all the way, to guide their chime,
With falling oars they kept the time.
A. MARVELL.
115. AT A SOLEMN MUSIC.
Blest pair of Sirens, pledges of Heaven's joy,
Sphere-born harmonious Sisters, Voice, and Verse,
Wed your divine sounds, and mixt power employ
Dead things with inbreathed sense able to pierce,
And to our high-raised phantasy present
That undisturbed Song of pure concent,
Ay sung before the sapphire-colour'd throne
To Him that sits thereon,
With saintly shout and solemn jubilee;
Where the bright Seraphim in burning row
Their loud uplifted angel-trumpets blow;
And the Cherubic host in thousand quires
Touch their immortal harps of golden wires,
With those just Spirits that wear victorious palms
Hymns devout and holy psalms
Singing everlastingly:
That we on earth, with undiscording voice
May rightly answer that melodious noise;
As once we did, till disproportion'd sin
Jarr'd against nature's chime, and with harsh din
Broke the fair music that all creatures made
To their great Lord, whose love their motion sway'd
In perfect diapason, whilst they stood
In first obedience, and their state of good.
O may we soon again renew that Song,
And keep in tune with Heaven, till God ere long
To His celestial consort us unite,
To live with Him, and sing in endless morn of light!
J. MILTON.
116. ALEXANDER'S FEAST, OR, THE POWER OF MUSIC.
'Twas at the royal feast for Persia won
By Philip's warlike son--
Aloft in awful state
The godlike hero sate
On his imperial throne;
His valiant peers were placed around;
Their brows with roses and with myrtles bound
(So should desert in arms be crown'd).
The lovely Thais by his side
Sate like a blooming eastern bride
In flower of youth and beauty's pride:--
Happy, happy, happy pair!
None but the brave
None but the brave
None but the brave deserves the fair.
Timotheus placed on high
Amid the tuneful quire
With flying fingers touch'd the lyre:
The trembling notes ascend the sky
And heavenly joys inspire.
The song began from Jove
Who left his blissful seats above--
Such is the power of mighty love!
A dragon's fiery form belied the god;
Sublime on radiant spires he rode
When he to fair Olympia prest,
And while he sought her snowy breast;
Then round her slender waist he curl'd,
And stamp'd an image of himself, a sovereign of the world.
--The listening crowd admire the lofty sound!
A present deity! they shout around:
A present deity! the vaulted roofs rebound!
With ravish'd ears
The monarch hears,
Assumes the god;
Affects to nod
And seems to shake the spheres.
The praise of Bacchus then the sweet musician sung:
Of Bacchus ever fair and ever young:
The jolly god in triumph comes!
Sound the trumpets, beat the drums!
Flush'd with a purple grace
He shows his honest face:
Now give the hautboys breath; he comes, he comes!
Bacchus, ever fair and young,
Drinking joys did first ordain;
Bacchus' blessings are a treasure,
Drinking is the soldier's pleasure:
Rich the treasure,
Sweet the pleasure,
Sweet is pleasure after pain.
Soothed with the sound, the king grew vain;
Fought all his battles o'er again,
And thrice he routed all his foes; and thrice he slew the slain!
The master saw the madness rise,
His glowing cheeks, his ardent eyes;
And while he Heaven and Earth defied
Changed his hand and check'd his pride.
He chose a mournful Muse
Soft pity to infuse:
He sung Darius great and good,
By too severe a fate
Fallen, fallen, fallen, fallen,
Fallen from his high estate,
And weltering in his blood;
Deserted, at his utmost need,
By those his former bounty fed;
On the bare earth exposed he lies
With not a friend to close his eyes.
--With downcast looks the joyless victor sate,
Revolving in his alter'd soul
The various turns of Chance below;
And now and then a sigh he stole;
And tears began to flow.
The mighty master smiled to see
That love was in the next degree;
'Twas but a kindred-sound to move,
For pity melts the mind to love.
Softly sweet, in Lydian measures,
Soon he soothed his soul to pleasures.
War, he sung, is toil and trouble,
Honour but an empty bubble,
Never ending, still beginning;
Fighting still, and still destroying;
If the world be worth thy winning,
Think, O think, it worth enjoying:
Lovely Thais sits beside thee,
Take the good the gods provide thee!
--The many rend the skies with loud applause;
So Love was crown'd, but Music won the cause.
The prince, unable to conceal his pain,
Gazed on the fair
Who caused his care,
And sigh'd and look'd, sigh'd and look'd,
Sigh'd and look'd, and sigh'd again:
At length, with love and wine at once opprest
The vanquish'd victor sunk upon her breast.
Now strike the golden lyre again:
A louder yet, and yet a louder strain!
Break his bands of sleep asunder,
And rouse him, like a rattling peal of thunder.
Hark, hark! the horrid sound
Has raised up his head:
As awaked from the dead,
And amazed he stares around.
Revenge, revenge, Timotheus cries,
See the Furies arise!
See the snakes that they rear
How they hiss in their hair,
And the sparkles that flash from their eyes!
Behold a ghastly band
Each a torch in his hand!
Those are Grecian ghosts, that in battle were slain
And unburied remain
Inglorious on the plain:
Give the vengeance due
To the valiant crew!
Behold how they toss their torches on high,
How they point to the Persian abodes
And glittering temples of their hostile gods.
--The princes applaud with a furious joy:
And the king seized a flambeau with zeal to destroy;
Thais led the way,
To light him to his prey,
And like another Helen, fired another Troy!
--Thus, long ago,
Ere heaving bellows learn'd to blow,
While organs yet were mute,
Timotheus, to his breathing flute
And sounding lyre
Could swell the soul to rage, or kindle soft desire.
At last divine Cecilia came,
Inventress of the vocal frame;
The sweet enthusiast from her sacred store
Enlarged the former narrow bounds,
And added length to solemn sounds,
With Nature's mother-wit, and arts unknown before.
--Let old Timotheus yield the prize
Or both divide the crown;
He raised a mortal to the skies;
She drew an angel down!
J. DRYDEN.
THIRD BOOK.
SUMMARY.
It is more difficult to characterise the English Poetry of the
eighteenth century than that of any other. For it was an age not only of
spontaneous transition, but of bold experiment: it includes not only
such divergences of thought as distinguished the "Rape of the Lock" from
the "Parish Register," but such vast contemporaneous differences as lie
between Pope and Collins, Burns and Cowper. Yet we may clearly trace
three leading moods or tendencies:--the aspects of courtly or educated
life represented by Pope and carried to exhaustion by his followers; the
poetry of Nature and of Man, viewed through a cultivated, and at the
same time an impassioned frame of mind by Collins and Gray:--lastly, the
study of vivid and simple narrative, including natural description,
begun by Gay and Thomson, pursued by Burns and others in the north, and
established in England by Goldsmith, Percy, Crabbe, and Cowper. Great
varieties in style accompanied these diversities in aim: poets could not
always distinguish the manner suitable for subjects so far apart; and
the union of the language of courtly and of common life, exhibited most
conspicuously by Burns, has given a tone to the poetry of that century
which is better explained by reference to its historical origin than by
naming it, in the common criticism of our day, artificial. There is
again, a nobleness of thought, a courageous aim at high and, in a strict
sense manly, excellence in many of the writers:--nor can that period be
justly termed tame and wanting in originality, which produced poems such
as Pope's Satires, Gray's Odes and Elegy, the ballads of Gay and Carey,
the songs of Burns and Cowper. In truth Poetry at this as at all times
was a more or less unconscious mirror of the genius of the age; and the
brave and admirable spirit of Enquiry which made the eighteenth century
the turning-time in European civilisation is reflected faithfully in its
verse. An intelligent reader will find the influence of Newton as
markedly in the poems of Pope, as of Elizabeth in the plays of
Shakespeare. On this great subject, however, these indications must here
be sufficient.
117. ODE ON THE PLEASURE ARISING FROM VICISSITUDE.
Now the golden Morn aloft
Waves her dew-bespangled wing,
With vermeil cheek and whisper soft
She woos the tardy Spring:
Till April starts, and calls around
The sleeping fragrance from the ground,
And lightly o'er the living scene
Scatters his freshest, tenderest green.
New-born flocks, in rustic dance,
Frisking ply their feeble feet;
Forgetful of their wintry trance
The birds his presence greet:
But chief, the sky-lark warbles high
His trembling thrilling ecstasy;
And lessening from the dazzled sight,
Melts into air and liquid light.
Yesterday the sullen year
Saw the snowy whirlwind fly;
Mute was the music of the air,
The herd stood drooping by:
Their raptures now that wildly flow
No yesterday nor morrow know;
'Tis Man alone that joy descries
With forward and reverted eyes.
Smiles on past Misfortune's brow
Soft Reflection's hand can trace,
And o'er the cheek of Sorrow throw
A melancholy grace;
While Hope prolongs our happier hour,
Or deepest shades, that dimly lour
And blacken round our weary way,
Gilds with a gleam of distant day.
Still, where rosy Pleasure leads,
See a kindred Grief pursue;
Behind the steps that Misery treads
Approaching Comfort view:
The hues of bliss more brightly glow
Chastised by sabler tints of woe,
And blended form, with artful strife,
The strength and harmony of life.
See the wretch that long has tost
On the thorny bed of pain,
At length repair his vigour lost
And breathe and walk again:
The meanest floweret of the vale,
The simplest note that swells the gale,
The common sun, the air, the skies,
To him are opening Paradise.
T. GRAY.
118. SOLITUDE.
Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air
In his own ground.
Whose herds with milk, whose fields with bread,
Whose flocks supply him with attire;
Whose trees in summer yield him shade
In winter, fire.
Blest, who can unconcern'dly find
Hours, days, and years, slide soft away
In health of body, peace of mind,
Quiet by day,
Sound sleep by night; study and ease
Together mix'd; sweet recreation,
And innocence, which most does please
With meditation.
Thus let me live, unseen, unknown;
Thus unlamented let me die;
Steal from the world, and not a stone
Tell where I lie.
A. POPE.
119. THE BLIND BOY.
O say what is that thing call'd Light,
Which I must ne'er enjoy;
What are the blessings of the sight,
O tell your poor blind boy!
You talk of wondrous things you see,
You say the sun shines bright;
I feel him warm, but how can he
Or make it day or night?
My day or night myself I make
Whene'er I sleep or play;
And could I ever keep awake
With me 'twere always day.
With heavy sighs I often hear
You mourn my hapless woe;
But sure with patience I can bear
A loss I ne'er can know.
Then let not what I cannot have
My cheer of mind destroy:
Whilst thus I sing, I am a king,
Although a poor blind boy.
C. CIBBER.
120. ON A FAVOURITE CAT, DROWNED IN A TUB OF GOLD FISHES.
'Twas on a lofty vase's side
Where China's gayest art had dyed
The azure flowers that blow,
Demurest of the tabby kind
The pensive Selima, reclined,
Gazed on the lake below.
Her conscious tail her joy declared:
The fair round face, the snowy beard,
The velvet of her paws,
Her coat that with the tortoise vies,
Her ears of jet, and emerald eyes--
She saw, and purr'd applause.
Still had she gazed, but 'midst the tide
Two angel forms were seen to glide,
The Genii of the stream:
Their scaly armour's Tyrian hue
Through richest purple, to the view
Betray'd a golden gleam.
The hapless Nymph with wonder saw;
A whisker first, and then a claw
With many an ardent wish
She stretch'd, in vain, to reach the prize--
What female heart can gold despise?
What cat's averse to fish?
Presumptuous maid! with looks intent
Again she stretch'd, again she bent,
Nor knew the gulf between--
Malignant Fate sat by and smiled--
The slippery verge her feet beguiled;
She tumbled headlong in!
Eight times emerging from the flood,
She mew'd to every watery God
Some speedy aid to send:--
No Dolphin came, no Nereid stirr'd,
Nor cruel Tom nor Susan heard--
A favourite has no friend!
From hence, ye Beauties! undeceived
Know one false step is ne'er retrieved,
And be with caution bold:
Not all that tempts your wandering eyes
And heedless hearts, is lawful prize,
Nor all that glisters, gold!
T. GRAY.
121. TO CHARLOTTE PULTENEY.
Timely blossom, Infant fair,
Fondling of a happy pair,
Every morn and every night
Their solicitous delight,
Sleeping, waking, still at ease,
Pleasing, without skill to please
Little gossip, blithe and hale,
Tattling many a broken tale,
Singing many a tuneless song.
Lavish of a heedless tongue;
Simple maiden, void of art,
Babbling out the very heart,
Yet abandon'd to thy will,
Yet imagining no ill,
Yet too innocent to blush,
Like the linnet in the bush
To the mother-linnet's note
Moduling her slender throat;
Chirping forth thy petty joys,
Wanton in the change of toys,
Like the linnet green, in May
Flitting to each bloomy spray;
Wearied then and glad of rest,
Like the linnet in the nest:--
This thy present happy lot
This, in time will be forgot:
Other pleasures, other cares,
Ever-busy Time prepares;
And thou shalt in thy daughter see,
This picture, once, resembled thee.
A. PHILIPS.
122. RULE BRITANNIA.
When Britain first at Heaven's command
Arose from out the azure main,
This was the charter of her land,
And guardian angels sung the strain:
Rule Brittania! Brittania rules the waves!
Britons never shall be slaves.
The nations not so blest as thee
Must in their turn to tyrants fall,
Whilst thou shalt flourish great and free
The dread and envy of them all.
Still more majestic shalt thou rise,
More dreadful from each foreign stroke;
As the loud blast that tears the skies
Serves but to root thy native oak.
Thee haughty tyrants ne'er shall tame;
All their attempts to bend thee down
Will but arouse thy generous flame,
And work their woe and thy renown.
To thee belongs the rural reign;
Thy cities shall with commerce shine;
All thine shall be the subject main,
And every shore it circles thine!
The Muses, still with Freedom found,
Shall to thy happy coast repair;
Blest Isle, with matchless beauty crown'd,
And manly hearts to guard the fair:--
Rule Britannia! Brittania rules the waves!
Britons never shall be slaves!
J. THOMSON.
123. THE BARD.
_Pindaric Ode. _
"Ruin seize thee, ruthless King!
Confusion on thy banners wait!
Tho' fann'd by Conquest's crimson wing
They mock the air with idle state.
Helm, nor hauberk's twisted mail
Nor e'en thy virtues, tyrant, shall avail
To save thy secret soul from nightly fears,
From Cambria's curse, from Cambria's tears! "
--Such were the sounds that o'er the crested pride
Of the first Edward scatter'd wild dismay,
As down the steep of Snowdon's shaggy side
He wound with toilsome march his long array:--
Stout Glo'ster stood aghast in speechless trance;
"To arms! " cried Mortimer, and couch'd quivering lance.
On a rock, whose haughty brow
Frowns o'er old Conway's foaming flood,
Robed in the sable garb of woe
With haggard eyes the Poet stood;
(Loose his beard and hoary hair
Stream'd like a meteor to the troubled air)
And with a master's hand and prophet's fire
Struck the deep sorrows of his lyre:
"Hark, how each giant oak and desert-cave
Sighs to the torrent's awful voice beneath!
O'er thee, O King! their hundred arms they wave,
Revenge on thee in hoarser murmurs breathe;
Vocal no more, since Cambria's fatal day,
To high-born Hoel's harp, or soft Llewellyn's lay.
"Cold is Cadwallo's tongue
That hush'd the stormy main;
Brave Urien sleeps upon his craggy bed:
Mountains, ye mourn in vain
Modred, whose magic song
Made huge Plinlimmon bow his cloud-topt head.
On dreary Arvon's shore they lie
Smear'd with gore and ghastly pale:
Far, far aloof the affrighted ravens sail;
The famish'd eagle screams, and passes by.
Dear lost companions of my tuneful art,
Dear as the light that visits these sad eyes,
Dear as the ruddy drops that warm my heart,
Ye died amidst your dying country's cries--
No more I weep; They do not sleep;
On yonder cliffs, a griesly band,
I see them sit; They linger yet,
Avengers of their native land:
With me in dreadful harmony they join,
And weave with bloody hands the tissue of thy line.
"Weave the warp and weave the woof
The winding-sheet of Edward's race:
Give ample room and verge enough
The characters of hell to trace.
Mark the year and mark the night
When Severn shall re-echo with affright
The shrieks of death thro' Berkley's roof that ring,
Shrieks of an agonising king!
She-wolf of France, with unrelenting fangs
That tear'st the bowels of thy mangled mate,
From thee be born, who o'er thy country hangs
The scourge of Heaven! What terrors round him wait!
Amazement in his van, with Flight combined,
And Sorrow's faded form, and Solitude behind.
"Mighty Victor, mighty lord,
Low on his funeral couch he lies!
No pitying heart, no eye, afford
A tear to grace his obsequies.
Is the sable warrior fled?
Thy son is gone. He rests among the dead.
The swarm that in thy noon-tide beam were born?
--Gone to salute the rising morn.
Fair laughs the Morn, and soft the zephyr blows,
While proudly riding o'er the azure realm
In gallant trim the gilded Vessel goes:
Youth on the prow, and Pleasure at the helm:
Regardless of the sweeping Whirlwind's sway,
That hush'd in grim repose expects his evening prey.
"Fill high the sparkling bowl,
The rich repast prepare;
Reft of a crown, he yet may share the feast.
Close by the regal chair
Fell Thirst and Famine scowl
A baleful smile upon their baffled guest.
Heard ye the din of battle bray,
Lance to lance, and horse to horse?
Long years of havock urge their destined course,
And thro' the kindred squadrons mow their way.
Ye Towers of Julius! London's lasting shame,
With many a foul and midnight murder fed,
Revere his Consort's faith, his Father's fame,
And spare the meek usurper's holy head!
Above, below, the rose of snow,
Twined with her blushing foe, we spread:
The bristled boar in infant gore
Wallows beneath the thorny shade.
Now, brothers, bending o'er the accursed loom,
Stamp we our vengeance deep, and ratify his doom.
"Edward, lo! to sudden fate
(Weave we the woof; the thread is spun;)
Half of thy heart we consecrate.
(The web is wove; the work is done;)
Stay, O stay! nor thus forlorn
Leave me unbless'd, unpitied, here to mourn:
In yon bright track that fires the western skies
They melt, they vanish from my eyes.
But O! what solemn scenes on Snowdon's height
Descending slow, their glittering skirts unroll?
Visions of glory, spare my aching sight,
Ye unborn ages, crowd not on my soul!
No more our long-lost Arthur we bewail:--
All hail, ye genuine Kings! Britannia's issue, hail!
"Girt with many a baron bold,
Sublime their starry fronts they rear;
And gorgeous dames, and statesmen old
In bearded majesty, appear.
In the midst a form divine!
Her eye proclaims her of the Briton-Line:
Her lion-port, her awe-commanding face
Attemper'd sweet to virgin-grace.
What strings symphonious tremble in the air,
What strains of vocal transport round her play?
Hear from the grave, great Taliessin, hear;
They breathe a soul to animate thy clay.
Bright Rapture calls, and soaring as she sings,
Waves in the eye of Heaven her many-colour'd wings.
"The verse adorn again,
Fierce War and faithful Love,
And Truth severe, by fairy Fiction drest.
In buskin'd measures move
Pale Grief, and pleasing Pain,
With Horror, tyrant of the throbbing breast.
A voice as of the cherub-choir
Gales from blooming Eden bear,
And distant warblings lessen on my ear
That lost in long futurity expire.
Fond impious man, think'st thou yon sanguine cloud
Raised by thy breath, has quench'd the orb of day?
To-morrow he repairs the golden flood
And warms the nations with redoubled ray.
Enough for me: with joy I see
The different doom our fates assign:
Be thine Despair and sceptred Care;
To triumph and to die are mine. "
He spoke, and headlong from the mountain's height
Deep in the roaring tide he plunged to endless night.
T. GRAY.
124. ODE WRITTEN IN MDCCXLVI.
How sleep the brave, who sink to rest
By all their Country's wishes blest!
When Spring, with dewy fingers cold,
Returns to deck their hallow'd mould,
She there shall dress a sweeter sod
Than Fancy's feet have ever trod.
By fairy hands their knell is rung,
By forms unseen their dirge is sung:
There Honour comes, a pilgrim gray,
To bless the turf that wraps their clay,
And Freedom shall awhile repair
To dwell a weeping hermit, there!
W. COLLINS.
125. LAMENT FOR CULLODEN.
The lovely lass o' Inverness,
Nae joy nor pleasure can she see;
For e'en and morn she cries, Alas!
And aye the saut tear blink's her ee:
Drumossie moor--Drumossie day--
A waefu' day it was to me!
For there I lost my father dear,
My father dear, and brethren three.
Their winding-sheet the bluidy clay,
Their graves are growing green to see:
And by them lies the dearest lad
That ever blest a woman's ee!
Now wae to thee, thou cruel lord,
A bluidy man I trow thou be;
For mony a heart thou hast made sair
That ne'er did wrong to thine or thee.
R. BURNS.
126. LAMENT FOR FLODDEN.
I've heard them lilting at our ewe-milking,
Lasses a' lilting before dawn o' day;
But now they are moaning on ilka green loaning--
The Flowers of the Forest are a' wede away.
At bughts, in the morning, nae blythe lads are scorning,
Lasses are lonely and dowie and wae;
Nae daffin', nae gabbin', but sighing and sabbing,
Ilk ane lifts her leglin and hies her away.
In har'st, at the shearing, nae youths now are jeering,
Bandsters are lyart, and runkled and gray;
At fair or at preaching, nae wooing, nae fleeching--
The Flowers of the Forest are a' wede away.
At e'en, in the gloaming, nae younkers are roaming
'Bout stacks wi' the lasses at bogle to play;
But ilk ane sits drearie, lamenting her dearie--
The Flowers of the Forest are weded away.
Dool and wae for the order, sent out lads to the border!
The English, for ance, by guile wan the day;
The Flowers of the Forest, that fought aye the foremost,
The prime of our land, are cauld in the clay.
We'll hear nae mair lilting at the ewe-milking;
Women and bairns are heartless and wae;
Sighing and moaning on ilka green loaning--
The Flowers of the Forest are a' wede away.
J. ELLIOTT.
127. THE BRAES OF YARROW.
Thy braes were bonny, Yarrow stream,
When first on them I met my lover;
Thy braes how dreary, Yarrow stream,
When now thy waves his body cover!
For ever now, O Yarrow stream!
Thou art to me a stream of sorrow;
For never on thy banks shall I
Behold my Love, the flower of Yarrow!
He promised me a milk-white steed
To bear me to his father's bowers;
He promised me a little page
To squire me to his father's towers;
He promised me a wedding-ring,--
The wedding-day was fix'd to-morrow;--
Now he is wedded to his grave,
Alas, his watery grave, in Yarrow!
Sweet were his words when last we met;
My passion I as freely told him;
Clasp'd in his arms, I little thought
That I should never more behold him!
Scarce was he gone, I saw his ghost;
It vanish'd with a shriek of sorrow;
Thrice did the water-wraith ascend,
And gave a doleful groan thro' Yarrow.
His mother from the window look'd
With all the longing of a mother;
His little sister weeping walk'd
The green-wood path to meet her brother;
They sought him east, they sought him west,
They sought him all the forest thorough;
They only saw the cloud of night,
They only heard the roar of Yarrow.
No longer from thy window look--
Thou hast no son, thou tender mother!
No longer walk, thou lovely maid;
Alas, thou hast no more a brother!
No longer seek him east or west
And search no more the forest thorough;
For, wandering in the night so dark,
He fell a lifeless corpse in Yarrow.
The tear shall never leave my cheek,
No other youth shall be my marrow--
I'll seek thy body in the stream,
And then with thee I'll sleep in Yarrow.
--The tear did never leave her cheek,
No other youth became her marrow;
She found his body in the stream,
And now with him she sleeps in Yarrow.
J. LOGAN.
128. WILLIE DROWNED IN YARROW.
Down in yon garden sweet and gay
Where bonnie grows the lily,
I heard a fair maid sighing say
"My wish be wi' sweet Willie!
"Willie's rare, and Willie's fair,
And Willie's wondrous bonny;
And Willie hecht to marry me
Gin e'er he married ony.
"O gentle wind, that bloweth south,
From where my Love repaireth,
Convey a kiss frae his dear mouth
And tell me how he fareth!
"O tell sweet Willie to come doon
And hear the mavis singing,
And see the birds on ilka bush
And leaves around them hinging.
"The lav'rock there, wi' her white breast
And gentle throat sae narrow;
There's sport eneuch for gentlemen
On Leader haughs and Yarrow.
"O Leader haughs are wide and braid
And Yarrow haughs are bonny;
There Willie hecht to marry me
If e'er he married ony.
"But Willie's gone, whom I thought on,
And does not hear me weeping;
Draws many a tear frae true love's e'e
When other maids are sleeping.
"Yestreen I made my bed fu' braid,
The night I'll mak' it narrow,
For a' the live-lang winter night
I lie twined o' my marrow.
"O came ye by yon water-side?
Pou'd you the rose or lily?
Or came you by yon meadow green,
Or saw you my sweet Willie? "
She sought him up, she sought him down,
She sought him braid and narrow;
Syne, in the cleaving of a craig,
She found him drown'd in Yarrow!
ANON.
129. LOSS OF THE _ROYAL GEORGE_.
Toll for the Brave!
The brave that are no more!
All sunk beneath the wave
Fast by their native shore!
Eight hundred of the brave
Whose courage well was tried,
Had made the vessel heel
And laid her on her side.
A land-breeze shook the shrouds
And she was overset;
Down went the _Royal George_,
With all her crew complete.
Toll for the brave!
Brave Kempenfelt is gone:
His last sea-fight is fought,
His work of glory done.
It was not in the battle;
No tempest gave the shock;
She sprang no fatal leak,
She ran upon no rock.
His sword was in its sheath,
His fingers held the pen,
When Kempenfeld went down
With twice four hundred men.
Weigh the vessel up
Once dreaded by our foes!
And mingle with our cup
The tear that England owes.
Her timbers yet are sound,
And she may float again
Full charged with England's thunder,
And plough the distant main:
But Kempenfeld is gone,
His victories are o'er;
And he and his eight hundred
Shall plough the wave no more.
W. COWPER.
130. BLACK-EYED SUSAN.
All in the Downs the fleet was moor'd,
The streamers waving in the wind,
When black-eyed Susan came aboard;
"O! where shall I my true-love find?
Tell me, ye jovial sailors, tell me true
If my sweet William sails among the crew. "
William, who high upon the yard
Rock'd with the billow to and fro,
Soon as her well-known voice he heard
He sigh'd, and cast his eyes below;
The cord slides swiftly through his glowing hands,
And quick as lightning on the deck he stands.
So the sweet lark, high poised in air,
Shuts close his pinions to his breast
If chance his mate's shrill call he hear,
And drops at once into her nest:--
The noblest captain in the British fleet
Might envy William's lip those kisses sweet
"O Susan, Susan, lovely dear,
My vows shall ever true remain
Let me kiss off that falling tear;
We only part to meet again.
Change as ye list, ye winds; my heart shall be
The faithful compass that still points to thee.
"Believe not what the landmen say
Who tempt with doubts thy constant mind:
They'll tell thee, sailors, when away,
In every port a mistress find:
Yes, yes, believe them when they tell thee so,
For Thou art present wheresoe'er I go.
"If to fair India's coast we sail,
Thy eyes are seen in diamonds bright,
Thy breath is Afric's spicy gale,
Thy skin is ivory so white.
Thus every beauteous object that I view
Wakes in my soul some charm of lovely Sue.
"Though battle call me from thy arms
Let not my pretty Susan mourn;
Though cannons roar, yet safe from harms
William shall to his Dear return.
Love turns aside the balls that round me fly,
Lest precious tears should drop from Susan's eye. "
The boatswain gave the dreadful word,
The sails their swelling bosom spread;
No longer must she stay aboard;
They kiss'd, she sigh'd, he hung his head.
Her lessening boat unwilling rows to land;
"Adieu! " she cries; and waved her lily hand.
J. GAY.
131. SALLY IN OUR ALLEY.
Of all the girls that are so smart
There's none like pretty Sally;
She is the darling of my heart,
And she lives in our alley.
There is no lady in the land
Is half so sweet as Sally;
She is the darling of my heart,
And she lives in our alley.
Her father he makes cabbage-nets,
And through the streets does cry 'em;
Her mother she sells laces long
To such as please to buy 'em;
But sure such folks could ne'er beget
So sweet a girl as Sally!
She is the darling of my heart,
And she lives in our alley.
When she is by, I leave my work,
I love her so sincerely;
My master comes like any Turk,
And bangs me most severely--
But let him bang his bellyful,
I'll bear it all for Sally;
She is the darling of my heart,
And she lives in our alley.
Of all the days that's in the week
I dearly love but one day--
And that's the day that comes betwixt
A Saturday and Monday;
For then I'm drest all in my best
To walk abroad with Sally:
She is the darling of my heart,
And she lives in our alley.
My master carries me to church,
And often am I blamed
Because I leave him in the lurch
As soon as text is named;
I leave the church in sermon-time
And slink away to Sally;
She is the darling of my heart,
And she lives in our alley.
When Christmas comes about again,
O then I shall have money;
I'll hoard it up, and box it all,
I'll give it to my honey:
I would it were ten thousand pound,
I'd give it all to Sally;
She is the darling of my heart,
And she lives in our alley.
My master and the neighbours all
Make game of me and Sally,
And, but for her, I'd better be
A slave and row a galley;
But when my seven long years are out
O then I'll marry Sally,--
O then we'll wed, and then we'll bed,
But not in our alley!
H. CAREY.
132. A FAREWELL.
Go fetch to me a pint o' wine,
And fill it in a silver tassie;
That I may drink before I go
A service to my bonnie lassie:
The boat rocks at the pier of Leith,
Fu' loud the wind blaws frae the Ferry,
The ship rides by the Berwick-law,
And I maun leave my bonnie Mary.
The trumpets sound, the banners fly,
The glittering spears are ranked ready;
The shouts o' war are heard afar,
The battle closes thick and bloody;
But it's not the roar o' sea or shore
Wad make me langer wish to tarry;
Nor shouts o' war that's heard afar--
It's leaving thee, my bonnie Mary.
R. BURNS.
133.
If doughty deeds my lady please
Right soon I'll mount my steed;
And strong his arm, and fast his seat
That bears frae me the meed.
I'll wear thy colours in my cap
Thy picture in my heart;
And he that bends not to thine eye
Shall rue it to his smart!
Then tell me how to woo thee, Love;
O tell me how to woo thee!
For thy dear sake, nae care I'll take
Tho' ne'er another trow me.
If gay attire delight thine eye
I'll dight me in array;
I'll tend thy chamber door all night,
And squire thee all the day.
If sweetest sounds can win thine ear,
These sounds I'll strive to catch;
Thy voice I'll steal to woo thysell,
That voice that nane can match.
But if fond love thy heart can gain,
I never broke a vow;
Nae maiden lays her skaith to me,
I never loved but you.
For you alone I ride the ring,
For you I wear the blue;
For you alone I strive to sing,
O tell me how to woo!
Then tell me how to woo thee, Love;
O tell me how to woo thee!
For thy dear sake, nae care I'll take,
Tho' ne'er another trow me.
GRAHAM OF GARTMORE.
134. TO A YOUNG LADY.
Sweet stream, that winds through yonder glade,
Apt emblem of a virtuous maid--
Silent and chaste she steals along,
Far from the world's gay busy throng:
With gentle yet prevailing force,
Intent upon her destined course;
Graceful and useful all she does,
Blessing and blest where'er she goes;
Pure-bosom'd as that watery glass,
And Heaven reflected in her face.
W. COWPER.
135. THE SLEEPING BEAUTY.
Sleep on, and dream of Heaven awhile--
Tho' shut so close thy laughing eyes,
Thy rosy lips still wear a smile
And move, and breathe delicious sighs!
Ah, now soft blushes tinge her cheeks
And mantle o'er her neck of snow:
Ah, now she murmurs, now she speaks
What most I wish--and fear to know!
She starts, she trembles, and she weeps!
Her fair hands folded on her breast:
--And now, how like a saint she sleeps!
A seraph in the realms of rest!
Sleep on secure! Above controul
Thy thoughts belong to Heaven and thee:
And may the secret of thy soul
Remain within its sanctuary!
S. ROGERS.
136.
For ever, Fortune, wilt thou prove
An unrelenting foe to Love,
And when we meet a mutual heart
Come in between, and bid us part?
Bid us sigh on from day to day,
And wish and wish the soul away;
Till youth and genial years are flown,
And all the life of life is gone?
But busy, busy, still art thou,
To bind the loveless joyless vow,
The heart from pleasure to delude,
To join the gentle to the rude.
For once, O Fortune, hear my prayer,
And I absolve thy future care;
All other blessings I resign,
Make but the dear Amanda mine.
J. THOMSON.
137.
The merchant, to secure his treasure,
Conveys it in a borrow'd name:
Euphelia serves to grace my measure,
But Cloe is my real flame.
My softest verse, my darling lyre
Upon Euphelia's toilet lay--
When Cloe noted her desire
That I should sing, that I should play.
My lyre I tune, my voice I raise,
But with my numbers mix my sighs:
And whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.
Fair Cloe blush'd: Euphelia frown'd:
I sung, and gazed; I play'd, and trembled:
And Venus to the Loves around
Remark'd how ill we all dissembled.
M. PRIOR.
138.
When lovely woman stoops to folly
And finds too late that men betray,--
What charm can soothe her melancholy,
What art can wash her guilt away?
The only art her guilt to cover,
To hide her shame from every eye,
To give repentance to her lover
And wring his bosom, is--to die.
O. GOLDSMITH.
139.
Ye banks and braes o' bonnie Doon
How can ye blume sae fair!
How can ye chant, ye little birds,
And I sae fu' o' care!
Thou'll break my heart, thou bonnie bird
That sings upon the bough;
Thou minds me o' the happy days
When my fause Luve was true.
Thou'll break my heart, thou bonnie bird
That sings beside thy mate;
For sae I sat, and sae I sang,
And wist na o' my fate.
Aft hae I roved by bonnie Doon
To see the woodbine twine,
And ilka bird sang o' its love;
And sae did I o' mine.
Wi' lightsome heart I pu'd a rose,
Frae aff its thorny tree;
And my fause luver staw the rose,
But left the thorn wi' me.
R. BURNS.
140. THE PROGRESS OF POESY.
_A Pindaric Ode. _
Awake, Aeolian lyre, awake,
And give to rapture all thy trembling strings.
From Helicon's harmonious springs
A thousand rills their mazy progress take:
The laughing flowers that round them blow
Drink life and fragrance as they flow.
Now the rich stream of Music winds along
Deep, majestic, smooth, and strong,
Through verdant vales, and Ceres' golden reign;
Now rolling down the steep amain
Headlong, impetuous, see it pour:
The rocks and nodding groves re-bellow to the roar.
O Sovereign of the willing soul,
Parent of sweet and solemn-breathing airs,
Enchanting shell! the sullen Cares
And frantic Passions hear thy soft control.
On Thracia's hills the Lord of War
Has curb'd the fury of his car
And dropt his thirsty lance at thy command.
Perching on the sceptred hand
Of Jove, thy magic lulls the feather'd king
With ruffled plumes, and flagging wing:
Quench'd in dark clouds of slumber lie
The terror of his beak, and lightnings of his eye.
Thee the voice, the dance, obey,
Temper'd to thy warbled lay.
O'er Idalia's velvet-green
The rosy-crowned Loves are seen
On Cytherea's day,
With antic Sport, and blue-eyed Pleasures,
Frisking light in frolic measures;
Now pursuing, now retreating,
Now in circling troops they meet:
To brisk notes in cadence beating
Glance their many-twinkling feet.
Slow-melting strains their Queen's approach declare:
Where'er she turns the Graces homage pay:
With arms sublime that float upon the air
In gliding state she wins her easy way:
O'er her warm cheek and rising bosom move
The bloom of young Desire and purple light of Love.
Man's feeble race what ills await!
Labour, and Penury, the racks of Pain,
Disease, and Sorrow's weeping train,
And Death, sad refuge from the storms of Fate!
The fond complaint, my song, disprove,
And justify the laws of Jove.
Say, has he given in vain the heavenly Muse?
Night, and all her sickly dews,
Her spectres wan, and birds of boding cry
He gives to range the dreary sky:
Till down the eastern cliffs afar
Hyperion's march they spy, and glittering shafts of war.
In climes beyond the solar road
Where shaggy forms o'er ice-built mountains roam,
The Muse has broke the twilight gloom
To cheer the shivering native's dull abode.
And oft, beneath the odorous shade
Of Chili's boundless forests laid,
She deigns to hear the savage youth repeat
In loose numbers wildly sweet
Their feather-cinctured chiefs, and dusky loves.
Her track, where'er the Goddess roves,
Glory pursue, and generous Shame,
Th' unconquerable Mind, and Freedom's holy flame.
Woods, that wave o'er Delphi's steep,
Isles, that crown th' Aegean deep,
Fields that cool Ilissus laves
Or where Maeander's amber waves
In lingering lab'rinths creep,
How do your tuneful echoes languish,
Mute, but to the voice of anguish!
Where each old poetic mountain
Inspiration breathed around;
Every shade and hallow'd fountain
Murmur'd deep a solemn sound:
Till the sad Nine, in Greece's evil hour
Left their Parnassus for the Latian plains.
Alike they scorn the pomp of tyrant Power,
And coward Vice, that revels in her chains.
When Latium had her lofty spirit lost,
They sought, O Albion! next, thy sea-encircled coast.
Far from the sun and summer-gale
In thy green lap was Nature's Darling laid,
What time, where lucid Avon stray'd,
To him the mighty Mother did unveil
Her awful face: the dauntless Child
Stretch'd forth his little arms, and smiled.
This pencil take (she said) whose colours clear
Richly paint the vernal year:
Thine, too, these golden keys, immortal Boy!
This can unlock the gates of Joy;
Of Horror that, and thrilling Fears,
Or ope the sacred source of sympathetic Tears.
Nor second He, that rode sublime
Upon the seraph-wings of Ecstasy
The secrets of the Abyss to spy:
He pass'd the flaming bounds of Place and Time:
The living Throne, the sapphire-blaze
Where Angels tremble while they gaze,
He saw; but blasted with excess of light,
Closed his eyes in endless night.
Behold where Dryden's less presumptuous car
Wide o'er the fields of Glory bear
Two coursers of ethereal race
With necks in thunder clothed, and long-resounding pace.
Hark! his hands the lyre explore!
Bright-eyed Fancy, hovering o'er,
Scatters from her pictured urn
Thoughts that breathe, and words that burn.
But ah! 'tis heard no more--
O! Lyre divine, what daring Spirit
Wakes thee now! Tho' he inherit
Nor the pride, nor ample pinion
That the Theban Eagle bear,
Sailing with supreme dominion
Thro' the azure deep of air:
Yet oft before his infant eyes would run
Such forms as glitter in the Muse's ray
With orient hues, unborrow'd of the sun:
Yet shall he mount, and keep his distant way
Beyond the limits of a vulgar fate:
Beneath the Good how far--but far above the Great.
T. GRAY.
141. THE PASSIONS.
_An Ode for Music.
