No More Learning

Adam, Antoine. The Art ofPaul Verlaine. Tr. Carl Morse. New York: New York University Press, 1963.
Adler, Alfred. The Neurotic Constitution: Outlines of a Comparative Individualistic Psychology and Psychotherapy. Tr. Bernard Glueck and John E. Lind.
New York: Moffat, 1916. Rpt. London: Kegan Paul, 1921.
Adler, Jankel. Janke! Adler. Intro. Stanley William Hayter. London: Nicholson and Watson, 1948.
Aldington, Richard. The Complete Poems ofRichard Aldington. London: Allan Wingate, 1948.
"James Joyce. " Rev. ofFinnegans Wake, by James Joyce. The Atlantic 163 Uune 1939) [supplement] "The Bookshelf' [17, 19, 21].
Life for Life's Sake: A Book of Reminiscences. London: Cassell, 1941. Alphant, Marianne, and Nathalie Leger, eds. Objet: Beckett. Paris: Centre
Pompidou, IMEC-Editeur, 2007.
Andre Lhote, 1885-1962: Cubism. New York: Leonard Hutton Galleries, 1976. Andrews, Keith. Adam Elsheimer: Paintings - Drawings - Prints. New York:
Rizzoli, 1977.
Annuaire diplomatique et consulaire de la Republique Fran�aise. Nouvelle serie. Vol.
49. Paris: Imprimerie Nationale, 1938.
Anon. "Gontcharov's [sic] 'Oblomov. " Rev. ofOblomov, by Ivan Goncharov.
Times Literary Supplement (14 November 1929) 919.
"Murphy. By Samuel Beckett. " Rev. ofMurphy, by Samuel Beckett. Times
Literary Supplement (12 March 1938) 172.
Rev. ofJames Joyce's "Ulysses," by Stuart Gilbert. Dublin Magazine 6. 2
(April-June 1931) 64-65.
Rev. ofMurphy, by Samuel Beckett. Dublin Magazine 14. 2 (April-June 1939) 98.
719
Bibliography of works cited
Arnheim, Rudolf. Film. Tr. L. M. Sieveking and Ian F. D. Morrow. London: Faber and Faber, 1933.
Association amicale des anciens eleves de ! 'Ecole normale superieure. Paris: Hachette­ Universite, 1973. Supplement historique. Paris: Hachette-Universite, 1990.
Atik, Anne. How It Was: A Memoir ofSamuel Beckett. London: Faber and Faber, 2003.
Augustine. Confessions. Tr. E. B. Pusey. Everyman's Library. London: Dent, 1907.
Baedeker, Karl. Das Deutsche Reich und einige Grenzgebiete, Reisehandbuch fiir Bahn und Auto. Leipzig: Karl Baedeker, 1936.
Bair, Deirdre. Samuel Beckett: A Biography. New York: Harcourt Brace Jovanovich, 1978.
Bald, Wambly. On the Left Bank, 1929-1933. Ed. Benjamin Franklin, V. Athens: Ohio University Press, 1987.
Barbera, Gioacchino. "The Life and Works of Antonello da Messina. " Antonello da Messina: Sicily's Renaissance Master. Ed. Gioacchino Barbera. New York: Metropolitan Museum of Art, 2006. 17-30.
Barnett, Vivian Endicott. Kandinsky Watercolours: Catalogue Raisonne. Ithaca, NY: Cornell University Press, 1992-1994. 2 vols.
Barron, Stephanie, ed. "Degenerate Art": The Fate of the Avant-Garde in Nazi Germany. Los Angeles: Los Angeles County Museum of Art, 1991.
Bate, W. Jackson. SamuelJohnson. New York: Harcourt Brace Jovanovich, 1975. Baudelaire, Charles. Les Fleurs du mal, The Flowers ofEvil. Tr. Richard Howard.
Boston: David R. Godine, 1982.
Oeuvres completes. Ed. Claude Pichois and Jean Ziegler. Bibliotheque de la
Pleiade. Paris: Gallimard, 1975-1976. 2 vols.
Beach, Sylvia, ed. Our Exagmination Round His Factificationfor Incamination of
Work in Progress. Paris: Shakespeare and Company, 1929. Rpt. London:
Faber and Faber, 1936.
Beauvoir, Simone de. La Force de l'dge. Paris: Gallimard, 1960.
Letters to Sartre. Ed. and tr. Quintin Hoare. New York: Arcade, 1992. The Prime ofLife. Tr. Peter Green. Cleveland, OH: World Publishing Co. ,
1962.
Beckett, Samuel. "Alba. " Dublin Magazine 6. 4 (October-December 1931) 4.
"Alba. " Tr. A[lfred] R. Peron. Soutes 9 (1938) 41.
Alles kommt auf so viel an: Das Hamburg-Kapitel aus den "German Diaries" 2.
Oktober-4. Dezember 1936. Transcribed by Erika Tophoven. Schenefeld:
Raamin-Press, 2003.
"Assumption. " transition 16-17 Uune 1929) 268-271.
"Beckett's Letters on 'Endgame': Extracts from His Correspondence with
Director Alan Schneider. " The Village Voice 19 March 1958: 8, 15. 720
Bibliography ofworks cited
"Cascando. " Dublin Magazine 11. 4 (October-December 1936) 3-4.
"Dante . . . Bruno. Vico . . Joyce. " Our Exagmination Round His Factification for
Incamination of Work in Progress. Paris: Shakespeare and Company,
1929. 1-22.
"Dante . . . Bruno. Vico . . Joyce. " transition 16-17 Uune 1929) 242-253. "Dante and the Lobster. " This Quarter 5. 2 (December 1932) 222-236. "Denis Devlin. " Rev. ofintercessions, by Denis Devlin. transition 27
(April-May 1938) 289-294.
Disjecta: Miscellaneous Writings and a Dramatic Fragment. Ed. Ruby Cohn.
New York: Grove Press, 1984.
"Dortmunder. " transition 24 Uune 1936) 10.
Dream ofFair to Middling Women. Ed. Eoin O'Brien and Edith Fournier.
London: Calder, 1992. Rpt.
New York: Arcade Publishing in association
with Riverrun Press, 1993.
Drunken Boat. Ed. James Knowlson and Felix Leakey. Reading: Whiteknights
Press, 1976.
Echo's Bones and Other Precipitates. Europa Poets 3. Paris: Europa Press, 1935. "Enueg 2. " transition 24 Uune 1936) 9.
First Love and Other Shorts. New York: Grove Press, 1974.
"From the Only Poet to a Shining Whore: for Henry Crowder to Sing. "
Henry-Music. Paris: Hours Press, 1930. [6, 12-14. J
"Geer van Velde. " London Bulletin 2 (May 1938) 15.
"German Letter of 1937. " Disjecta: Miscellaneous Writings and a Dramatic
Fragment. Ed. Ruby Cohn. Tr. Martin Esslin. New York: Grove Press,
1984. German text, 51-54; English text, 170-173.
"Home Olga. " Contempo 3. 13 (February 1934) 3.
"AnImaginativeWork! " Rev. ofTheAmaranthers,byJackB. Yeats. Dublin
Magazine 11. 3 Uuly-September 1936) 80-81.
"In Memoriam: George Reavey. " Journal ofBeckett Studies 2 (Summer 1977). "Le Concentrisme. " Disjecta: Miscellaneous Writings and a Dramatic Fragment.
Ed. Ruby Cohn. New York: Grove Press, 1984. 35-42.
"Letters to Barney Rasset. " The Review ofContemporary Fiction 10. 3 (Fall 1990)
64-71.
"Malacoda. " transition 24 Uune 1936) 8.
More Pricks Than Kicks. London: Chatto and Windus, 1934.
More Pricks Than Kicks. New York: Grove Press, 1972.
Murphy. London: Routledge, 1938. Rpt. New York: Grove Press, 1957.
No Author Better Served: The Correspondence ofSamuel Beckett and Alan Schneider.
Ed. Maurice Harmon. Cambridge, MA: Harvard University Press, 1998. "Ooftish. " transition 27 (April-May 1938) 33.
"Poemes 38-39. " Les Temps Modernes 2. 14 (November 1946) 288-293.
721
Bibliography of works cited
Poemes, suivi de mirlitonnades. Paris: Les Editions de Minuit, 1978.
Poems 1930-1989. London: Calder Publications, 2002.
Premier Amour. Paris: Les Editions de Minuit, 1970.
Proust. The Dolphin Books. London: Chatto and Windus, 1931. Rpt. New
York: Grove Press, 1957.
"Return to the Vestry. " The New Review 1. 3 (August-September-October
1931) 98-99.
"Sedendo et Quiesciendo [for Quiescendo]. " transition 21 (March 1932) 13-20. "Three Dialogues with Georges Duthuit. " Disjecta: Miscellaneous Writings
and a Dramatic Fragment. Ed. Ruby Cohn. New York: Grove Press, 1984.
138-145.
Whoroscope. Paris: Hours Press, 1930.
[Beckett, Samuel. ] Andrew Belis, pseud. "Recent Irish Poetry. " The Bookman 86. 515 (August 1934) 235-236.
Beckett, Samuel, and Erich Franzen. "Correspondence on Translating MOLLOY. " Babel 3 (Spring 1984) 21-35.
Beckett, Samuel, and Barney Rosset. "The Godot Letters: A Lasting Effect" (Letters of Samuel Beckett and Barney Rosset). The New Theater Review [now Lincoln Center Theater Review] 12 (Spring 1995) 10-13.
Bell, J. Bowyer. "Waiting for Mario: The Espositos, Joyce, and Beckett. " Eire-Ireland 30. 2 (1995) 7-26.
Belmont, Georges. Souvenirs d'outre-monde: Histoire d'une naissance. Paris: Calmann-Ikvy, 2001.
Benezit, Emmanuel, ed. Dictionnaire critique et documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs de tous les temps et de taus les pays. 3rd edn. Paris: Grund, 1976.
Bentley, Edmund. Far Horizon: A Biography ofHester Dowden, Medium and Psychic Investigator. London: Rider and Company, 1951.
Bergson, Henri. Creative Evolution. Tr. Arthur Mitchell. London: Macmillan, 1920.
L'Evo! ution creatrice. Paris: Felix Alcan, 1907.
"Introduction a la metaphysique. " Revue de Metaphysique et de Morale 11
(1903) 1-36.
Berkeley, George. Berkeley's Commonplace Book. Ed. G. A. Johnston. London:
Faber and Faber, 1931.
Bessy, Maurice, and Jean-Louis Chardans. Dictionnaire du cinema et de la
television. Paris: Pauvert, 1967-1971. 4 vols.
Bidwell, Bruce, and Linda Heffer. TheJoycean Way. Baltimore: Johns Hopkins
University Press, 1981.
Biermann, Georg. Heinrich Campendonk. Junge Kunst. Leipzig: Verlag von
Klinkhardt und Biermann, 1921.
722
Bibliography ofworks dted
Bock, Henning, Irene Geismeier, Rainald Grosshans, et al. , eds. Gemiildegalerie Berlin: Gesamtverzeichnis. Berlin: Staatliche Museen zu Berlin, Preussischer Kulturbesitz, 1996.
Boetzkes, Ottilie G. Salvator Rosa: Seventeenth-Century Painter, Poet and Patriot. New York: Vantage Press, 1960.
Bonfand, Alain, Christophe Duvivier, Edda Maillet, Jerome Serri, and Guy Tosatto. Otto Freundlich. Rochechouart: Musee Departemental de Rochechouart, 1988.
The Book of Common Prayer . . . The Church of Ireland. Dublin: Association for Promoting Christian Knowledge, Church oflreland, 1927.
"Books and Authors. " Everyman 75 (3 July 1930) 728.
Boswell, James. Boswell's Life of]ohnson, Together with Boswell'sJournal ofa Tour to the
Hebrides andJohnson's Diary ofaJourney into North Wales. Ed. George Birkbeck
Hill. Rev. and enlarged. L. F. Powell. Oxford: Clarendon Press, 1934. 6 vols. Boussinot, Roger, ed. L'Encyclopedie du cinema. Paris: Bordas, 1967.
Bowe, Nicola Gordon. The Life and Work ofHarry Clarke. Dublin: Irish Academic
Press, 1989.
Boylan, Patricia. All Cultivated People: A History of the United Arts Club, Dublin.
Gerrards Cross, Bucks. , UK: Colin Smythe, 1988.
Bredsdorff, Elias. Hans Christian Andersen: The Story ofHis Life and Work, 1805-75.
London: Phaidon Press, 1975.
Breton, Andre. "Wolfgang Paalen. " Tr. Samuel Beckett. London Bulletin 10
(February 1939) 16-17.
Brewer, Ebenezer Cobham. Brewer's Dictionary ofPhrase and Fable. Rev. Adrian
Room. 16th edn. New York: HarperResource-HarperCollins, 1999. Briggs, John. The Collector's Beethoven. Westport, CT: Greenwood Press, 1978. Brown, Beverly Louise, and Paola Marini. Jacopo Bassano, c. 1510-1592.