No More Learning

The whistle again:
It is double and loud!
The leaves are splashing,
And water is dashing
Over those creepers, for they are shrouds;
And men are running up them to furl the sails,
For there is a capful of wind to-day,
And we are already well under way.
The deck is aslant in the bubbling breeze.
"Theodore, please.
Oh, Dear, how you tease! "
And the boatswain's whistle sounds again,
And the men pull on the sheets:
"My name is Hanging Johnny,
Away-i-oh;
They call me Hanging Johnny,
So hang, boys, hang. "
The trees of the forest are masts, tall masts;
They are swinging over
Her and her lover.
Almost swooning
Under the ballooning canvas,
She lies
Looking up in his eyes
As he bends farther over.
Theodore, still her lover!

The suds were dried upon Charlotta's hands,
She leant against the table for support,
Wholly forgotten. Theodore's eyes were brands
Burning upon his music. He stopped short.
Charlotta almost heard the sound of bands
Snapping. She put one hand up to her heart,
Her fingers touched the locket with a start.

Herr Altgelt put his violin away
Listlessly. "Lotta, I must have some rest.
The strain will be a hideous one to-day.
Don't speak to me at all. It will be best
If I am quiet till I go. " And lest
She disobey, he left her. On the stairs
She heard his mounting steps. What use were prayers!

He could not hear, he was not there, for she
Was married to a mummy, a machine.
Her hand closed on the locket bitterly.
Before her, on a chair, lay the shagreen
Case of his violin. She saw the clean
Sun flash the open clasp. The locket's edge
Cut at her fingers like a pushing wedge.

A heavy cart went by, a distant bell
Chimed ten, the fire flickered in the grate.
She was alone. Her throat began to swell
With sobs. What kept her here, why should she wait?
The violin she had begun to hate
Lay in its case before her. Here she flung
The cover open. With the fiddle swung

Over her head, the hanging clock's loud ticking
Caught on her ear. 'Twas slow, and as she paused
The little door in it came open, flicking
A wooden cuckoo out: "Cuckoo! " It caused
The forest dream to come again. "Cuckoo! "
Smashed on the grate, the violin broke in two.

"Cuckoo! Cuckoo! " the clock kept striking on;
But no one listened. Frau Altgelt had gone.




The Cross-Roads



A bullet through his heart at dawn. On the table a letter signed with a
woman's name. A wind that goes howling round the house, and weeping as
in shame. Cold November dawn peeping through the windows, cold dawn
creeping over the floor, creeping up his cold legs, creeping over his
cold body, creeping across his cold face. A glaze of thin yellow
sunlight on the staring eyes. Wind howling through bent branches. A
wind which never dies down. Howling, wailing. The gazing eyes glitter
in the sunlight. The lids are frozen open and the eyes glitter.


The thudding of a pick on hard earth. A spade grinding and crunching.
Overhead, branches writhing, winding, interlacing, unwinding,
scattering; tortured twinings, tossings, creakings. Wind flinging
branches apart, drawing them together, whispering and whining among
them. A waning, lopsided moon cutting through black clouds. A stream
of pebbles and earth and the empty spade gleams clear in the moonlight,
then is rammed again into the black earth. Tramping of feet. Men and
horses. Squeaking of wheels.

"Whoa! Ready, Jim? "

"All ready. "

Something falls, settles, is still. Suicides have no coffin.

"Give us the stake, Jim. Now. "

Pound! Pound!

"He'll never walk. Nailed to the ground. "

An ash stick pierces his heart, if it buds the roots will hold him. He
is a part of the earth now, clay to clay. Overhead the branches sway,
and writhe, and twist in the wind. He'll never walk with a bullet in
his heart, and an ash stick nailing him to the cold, black ground.


Six months he lay still. Six months. And the water welled up in his
body, and soft blue spots chequered it. He lay still, for the ash stick
held him in place. Six months! Then her face came out of a mist of
green. Pink and white and frail like Dresden china, lilies-of-the-valley
at her breast, puce-coloured silk sheening about her. Under the young
green leaves, the horse at a foot-pace, the high yellow wheels of the
chaise scarcely turning, her face, rippling like grain a-blowing, under
her puce-coloured bonnet; and burning beside her, flaming within his
correct blue coat and brass buttons, is someone. What has dimmed the
sun? The horse steps on a rolling stone; a wind in the branches makes a
moan. The little leaves tremble and shake, turn and quake, over and
over, tearing their stems. There is a shower of young leaves, and a
sudden-sprung gale wails in the trees.

The yellow-wheeled chaise is rocking--rocking, and all the branches
are knocking--knocking. The sun in the sky is a flat, red plate, the
branches creak and grate. She screams and cowers, for the green foliage
is a lowering wave surging to smother her. But she sees nothing. The
stake holds firm. The body writhes, the body squirms. The blue spots
widen, the flesh tears, but the stake wears well in the deep, black
ground. It holds the body in the still, black ground.


Two years! The body has been in the ground two years. It is worn away;
it is clay to clay. Where the heart moulders, a greenish dust, the
stake is thrust. Late August it is, and night; a night flauntingly
jewelled with stars, a night of shooting stars and loud insect noises.
Down the road to Tilbury, silence--and the slow flapping of large
leaves. Down the road to Sutton, silence--and the darkness of
heavy-foliaged trees. Down the road to Wayfleet, silence--and the
whirring scrape of insects in the branches. Down the road to
Edgarstown, silence--and stars like stepping-stones in a pathway
overhead. It is very quiet at the cross-roads, and the sign-board
points the way down the four roads, endlessly points the way where
nobody wishes to go.

A horse is galloping, galloping up from Sutton. Shaking the wide, still
leaves as he goes under them. Striking sparks with his iron shoes;
silencing the katydids. Dr. Morgan riding to a child-birth over Tilbury
way; riding to deliver a woman of her first-born son. One o'clock from
Wayfleet bell tower, what a shower of shooting stars! And a breeze all
of a sudden, jarring the big leaves and making them jerk up and down.
Dr. Morgan's hat is blown from his head, the horse swerves, and curves
away from the sign-post. An oath--spurs--a blurring of grey mist. A
quick left twist, and the gelding is snorting and racing down the
Tilbury road with the wind dropping away behind him.

The stake has wrenched, the stake has started, the body, flesh from
flesh, has parted. But the bones hold tight, socket and ball, and
clamping them down in the hard, black ground is the stake, wedged
through ribs and spine. The bones may twist, and heave, and twine, but
the stake holds them still in line. The breeze goes down, and the round
stars shine, for the stake holds the fleshless bones in line.


Twenty years now! Twenty long years! The body has powdered itself
away; it is clay to clay. It is brown earth mingled with brown earth.
Only flaky bones remain, lain together so long they fit, although not
one bone is knit to another. The stake is there too, rotted through,
but upright still, and still piercing down between ribs and spine in a
straight line.

Yellow stillness is on the cross-roads, yellow stillness is on the
trees. The leaves hang drooping, wan. The four roads point four yellow
ways, saffron and gamboge ribbons to the gaze. A little swirl of dust
blows up Tilbury road, the wind which fans it has not strength to do
more; it ceases, and the dust settles down. A little whirl of wind
comes up Tilbury road. It brings a sound of wheels and feet. The wind
reels a moment and faints to nothing under the sign-post. Wind again,
wheels and feet louder. Wind again--again--again. A drop of rain,
flat into the dust. Drop! --Drop! Thick heavy raindrops, and a
shrieking wind bending the great trees and wrenching off their leaves.

Under the black sky, bowed and dripping with rain, up Tilbury road,
comes the procession. A funeral procession, bound for the graveyard at
Wayfleet. Feet and wheels--feet and wheels. And among them one who
is carried.

The bones in the deep, still earth shiver and pull. There is a quiver
through the rotted stake. Then stake and bones fall together in a
little puffing of dust.

Like meshes of linked steel the rain shuts down behind the procession,
now well along the Wayfleet road.

He wavers like smoke in the buffeting wind. His fingers blow out like
smoke, his head ripples in the gale. Under the sign-post, in the
pouring rain, he stands, and watches another quavering figure drifting
down the Wayfleet road. Then swiftly he streams after it. It flickers
among the trees. He licks out and winds about them. Over, under,
blown, contorted. Spindrift after spindrift; smoke following smoke.
There is a wailing through the trees, a wailing of fear, and after it
laughter--laughter--laughter, skirling up to the black sky.
Lightning jags over the funeral procession. A heavy clap of thunder.
Then darkness and rain, and the sound of feet and wheels.





A Roxbury Garden



I

Hoops

Blue and pink sashes,
Criss-cross shoes,
Minna and Stella run out into the garden
To play at hoop.

Up and down the garden-paths they race,
In the yellow sunshine,
Each with a big round hoop
White as a stripped willow-wand.

Round and round turn the hoops,
Their diamond whiteness cleaving the yellow sunshine.
The gravel crunches and squeaks beneath them,
And a large pebble springs them into the air
To go whirling for a foot or two
Before they touch the earth again
In a series of little jumps.

Spring, Hoops!
Spit out a shower of blue and white brightness.
The little criss-cross shoes twinkle behind you,
The pink and blue sashes flutter like flags,
The hoop-sticks are ready to beat you.
Turn, turn, Hoops! In the yellow sunshine.
Turn your stripped willow whiteness
Along the smooth paths.

Stella sings:
"Round and round, rolls my hoop,
Scarcely touching the ground,
With a swoop,
And a bound,
Round and round.
With a bumpety, crunching, scattering sound,
Down the garden it flies;
In our eyes
The sun lies.
See it spin
Out and in;
Through the paths it goes whirling,
About the beds curling.
Sway now to the loop,
Faster, faster, my hoop.
Round you come,
Up you come,
Quick and straight as before.
Run, run, my hoop, run,
Away from the sun. "

And the great hoop bounds along the path,
Leaping into the wind-bright air.

Minna sings:
"Turn, hoop,
Burn hoop,
Twist and twine
Hoop of mine.
Flash along,
Leap along,
Right at the sun.
Run, hoop, run.
Faster and faster,
Whirl, twirl.
Wheel like fire,
And spin like glass;
Fire's no whiter
Glass is no brighter.
Dance,
Prance,
Over and over,
About and about,
With the top of you under,
And the bottom at top,
But never a stop.
Turn about, hoop, to the tap of my stick,
I follow behind you
To touch and remind you.
Burn and glitter, so white and quick,
Round and round, to the tap of a stick. "

The hoop flies along between the flower-beds,
Swaying the flowers with the wind of its passing.

Beside the foxglove-border roll the hoops,
And the little pink and white bells shake and jingle
Up and down their tall spires;
They roll under the snow-ball bush,
And the ground behind them is strewn with white petals;
They swirl round a corner,
And jar a bee out of a Canterbury bell;
They cast their shadows for an instant
Over a bed of pansies,
Catch against the spurs of a columbine,
Jostle the quietness from a cluster of monk's-hood.
Pat! Pat! behind them come the little criss-cross shoes,
And the blue and pink sashes stream out in flappings of colour.

Stella sings:
"Hoop, hoop,
Roll along,
Faster bowl along,
Hoop.
Slow, to the turning,
Now go! --Go!
Quick!
Here's the stick.
Rat-a-tap-tap it,
Pat it, flap it.
Fly like a bird or a yellow-backed bee,
See how soon you can reach that tree.
Here is a path that is perfectly straight.
Roll along, hoop, or we shall be late. "

Minna sings:
"Trip about, slip about, whip about
Hoop.
Wheel like a top at its quickest spin,
Then, dear hoop, we shall surely win.
First to the greenhouse and then to the wall
Circle and circle,
And let the wind push you,
Poke you,
Brush you,
And not let you fall.
Whirring you round like a wreath of mist.
Hoopety hoop,
Twist,
Twist. "

Tap! Tap! go the hoop-sticks,
And the hoops bowl along under a grape arbour.
For an instant their willow whiteness is green,
Pale white-green.
Then they are out in the sunshine,
Leaving the half-formed grape clusters
A-tremble under their big leaves.

"I will beat you, Minna," cries Stella,
Hitting her hoop smartly with her stick.
"Stella, Stella, we are winning," calls Minna,
As her hoop curves round a bed of clove-pinks.
A humming-bird whizzes past Stella's ear,
And two or three yellow-and-black butterflies
Flutter, startled, out of a pillar rose.
Round and round race the little girls
After their great white hoops.

Suddenly Minna stops.
Her hoop wavers an instant,
But she catches it up on her stick.
"Listen, Stella! "
Both the little girls are listening;
And the scents of the garden rise up quietly about them.
"It's the chaise! It's Father!
Perhaps he's brought us a book from Boston. "
Twinkle, twinkle, the little criss-cross shoes
Up the garden path.
Blue--pink--an instant, against the syringa hedge.
But the hoops, white as stripped willow-wands,
Lie in the grass,
And the grasshoppers jump back and forth
Over them.


II

Battledore and Shuttlecock

The shuttlecock soars upward
In a parabola of whiteness,
Turns,
And sinks to a perfect arc.
Plat! the battledore strikes it,
And it rises again,
Without haste,
Winged and curving,
Tracing its white flight
Against the clipped hemlock-trees.
Plat!
Up again,
Orange and sparkling with sun,
Rounding under the blue sky,
Dropping,
Fading to grey-green
In the shadow of the coned hemlocks.
"Ninety-one. " "Ninety-two. " "Ninety-three. "
The arms of the little girls
Come up--and up--
Precisely,
Like mechanical toys.
The battledores beat at nothing,
And toss the dazzle of snow
Off their parchment drums.
"Ninety-four. " Plat!
"Ninety-five. " Plat!
Back and forth
Goes the shuttlecock,
Icicle-white,
Leaping at the sharp-edged clouds,
Overturning,
Falling,
Down,
And down,
Tinctured with pink
From the upthrusting shine
Of Oriental poppies.

The little girls sway to the counting rhythm;
Left foot,
Right foot.
Plat! Plat!
Yellow heat twines round the handles of the battledores,
The parchment cracks with dryness;
But the shuttlecock
Swings slowly into the ice-blue sky,
Heaving up on the warm air
Like a foam-bubble on a wave,
With feathers slanted and sustaining.
Higher,
Until the earth turns beneath it;
Poised and swinging,
With all the garden flowing beneath it,
Scarlet, and blue, and purple, and white--
Blurred colour reflections in rippled water--
Changing--streaming--
For the moment that Stella takes to lift her arm.
Then the shuttlecock relinquishes,
Bows,
Descends;
And the sharp blue spears of the air
Thrust it to earth.

Again it mounts,
Stepping up on the rising scents of flowers,
Buoyed up and under by the shining heat.
Above the foxgloves,
Above the guelder-roses,
Above the greenhouse glitter,
Till the shafts of cooler air
Meet it,
Deflect it,
Reject it,
Then down,
Down,
Past the greenhouse,
Past the guelder-rose bush,
Past the foxgloves.

"Ninety-nine," Stella's battledore springs to the impact.
Plunk! Like the snap of a taut string.
"Oh! Minna! "
The shuttlecock drops zigzagedly,
Out of orbit,
Hits the path,
And rolls over quite still.
Dead white feathers,
With a weight at the end.


III

Garden Games

The tall clock is striking twelve;
And the little girls stop in the hall to watch it,
And the big ships rocking in a half-circle
Above the dial.
Twelve o'clock!
Down the side steps
Go the little girls,
Under their big round straw hats.
Minna's has a pink ribbon,
Stella's a blue,
That is the way they know which is which.
Twelve o'clock!
An hour yet before dinner.
Mother is busy in the still-room,
And Hannah is making gingerbread.

Slowly, with lagging steps,
They follow the garden-path,
Crushing a leaf of box for its acrid smell,
Discussing what they shall do,
And doing nothing.

"Stella, see that grasshopper
Climbing up the bank!
What a jump!
Almost as long as my arm. "
Run, children, run.
For the grasshopper is leaping away,
In half-circle curves,
Shuttlecock curves,
Over the grasses.
Hand in hand, the little girls call to him:
"Grandfather, grandfather gray,
Give me molasses, or I'll throw you away. "

The grasshopper leaps into the sunlight,
Golden-green,
And is gone.

"Let's catch a bee. "
Round whirl the little girls,
And up the garden.
Two heads are thrust among the Canterbury bells,
Listening,
And fingers clasp and unclasp behind backs
In a strain of silence.

White bells,
Blue bells,
Hollow and reflexed.
Deep tunnels of blue and white dimness,
Cool wine-tunnels for bees.
There is a floundering and buzzing over Minna's head.

"Bend it down, Stella. Quick! Quick! "
The wide mouth of a blossom
Is pressed together in Minna's fingers.
The stem flies up, jiggling its flower-bells,
And Minna holds the dark blue cup in her hand,
With the bee
Imprisoned in it.
Whirr! Buzz! Bump!
Bump! Whiz! Bang!
BANG! !
The blue flower tears across like paper,
And a gold-black bee darts away in the sunshine.

"If we could fly, we could catch him. "
The sunshine is hot on Stella's upturned face,
As she stares after the bee.
"We'll follow him in a dove chariot.
Come on, Stella. "
Run, children,
Along the red gravel paths,
For a bee is hard to catch,
Even with a chariot of doves.

Tall, still, and cowled,
Stand the monk's-hoods;
Taller than the heads of the little girls.
A blossom for Minna.
A blossom for Stella.
Off comes the cowl,
And there is a purple-painted chariot;
Off comes the forward petal,
And there are two little green doves,
With green traces tying them to the chariot.
"Now we will get in, and fly right up to the clouds.
Fly, Doves, up in the sky,
With Minna and me,
After the bee. "

Up one path,
Down another,
Run the little girls,
Holding their dove chariots in front of them;
But the bee is hidden in the trumpet of a honeysuckle,
With his wings folded along his back.

The dove chariots are thrown away,
And the little girls wander slowly through the garden,
Sucking the salvia tips,
And squeezing the snapdragons
To make them gape.
"I'm so hot,
Let's pick a pansy
And see the little man in his bath,
And play we're he. "
A royal bath-tub,
Hung with purple stuffs and yellow.
The great purple-yellow wings
Rise up behind the little red and green man;
The purple-yellow wings fan him,
He dabbles his feet in cool green.
Off with the green sheath,
And there are two spindly legs.
"Heigho! " sighs Minna.
"Heigho! " sighs Stella.
There is not a flutter of wind,
And the sun is directly overhead.

Along the edge of the garden
Walk the little girls.
Their hats, round and yellow like cheeses,
Are dangling by the ribbons.
The grass is a tumult of buttercups and daisies;
Buttercups and daisies streaming away
Up the hill.
The garden is purple, and pink, and orange, and scarlet;
The garden is hot with colours.
But the meadow is only yellow, and white, and green,
Cool, and long, and quiet.
The little girls pick buttercups
And hold them under each other's chins.
"You're as gold as Grandfather's snuff-box.
You're going to be very rich, Minna. "
"Oh-o-o! Then I'll ask my husband to give me a pair of garnet earrings
Just like Aunt Nancy's.
I wonder if he will.
I know. We'll tell fortunes.
That's what we'll do. "
Plump down in the meadow grass,
Stella and Minna,
With their round yellow hats,
Like cheeses,
Beside them.
Drop,
Drop,
Daisy petals.
"One I love,
Two I love,
Three I love I say. . . "
The ground is peppered with daisy petals,
And the little girls nibble the golden centres,
And play it is cake.

A bell rings.
Dinner-time;
And after dinner there are lessons.




1777



I

The Trumpet-Vine Arbour

The throats of the little red trumpet-flowers are wide open,
And the clangour of brass beats against the hot sunlight.
They bray and blare at the burning sky.
Red! Red! Coarse notes of red,
Trumpeted at the blue sky.
In long streaks of sound, molten metal,
The vine declares itself.
Clang! --from its red and yellow trumpets.
Clang! --from its long, nasal trumpets,
Splitting the sunlight into ribbons, tattered and shot with noise.

I sit in the cool arbour, in a green-and-gold twilight.
It is very still, for I cannot hear the trumpets,
I only know that they are red and open,
And that the sun above the arbour shakes with heat.
My quill is newly mended,
And makes fine-drawn lines with its point.
Down the long, white paper it makes little lines,
Just lines--up--down--criss-cross.
My heart is strained out at the pin-point of my quill;
It is thin and writhing like the marks of the pen.
My hand marches to a squeaky tune,
It marches down the paper to a squealing of fifes.
My pen and the trumpet-flowers,
And Washington's armies away over the smoke-tree to the Southwest.
"Yankee Doodle," my Darling! It is you against the British,
Marching in your ragged shoes to batter down King George.
What have you got in your hat? Not a feather, I wager.
Just a hay-straw, for it is the harvest you are fighting for.
Hay in your hat, and the whites of their eyes for a target!
Like Bunker Hill, two years ago, when I watched all day from the house-top
Through Father's spy-glass.
The red city, and the blue, bright water,
And puffs of smoke which you made.
Twenty miles away,
Round by Cambridge, or over the Neck,
But the smoke was white--white!
To-day the trumpet-flowers are red--red--
And I cannot see you fighting,
But old Mr. Dimond has fled to Canada,
And Myra sings "Yankee Doodle" at her milking.
The red throats of the trumpets bray and clang in the sunshine,
And the smoke-tree puffs dun blossoms into the blue air.


II

The City of Falling Leaves

Leaves fall,
Brown leaves,
Yellow leaves streaked with brown.
They fall,
Flutter,
Fall again.
The brown leaves,
And the streaked yellow leaves,
Loosen on their branches
And drift slowly downwards.
One,
One, two, three,
One, two, five.
All Venice is a falling of Autumn leaves--
Brown,
And yellow streaked with brown.

"That sonnet, Abate,
Beautiful,
I am quite exhausted by it.
Your phrases turn about my heart
And stifle me to swooning.
Open the window, I beg.
Lord! What a strumming of fiddles and mandolins!
'Tis really a shame to stop indoors.
Call my maid, or I will make you lace me yourself.
Fie, how hot it is, not a breath of air!
See how straight the leaves are falling.
Marianna, I will have the yellow satin caught up with silver fringe,
It peeps out delightfully from under a mantle.
Am I well painted to-day, 'caro Abate mio'?
You will be proud of me at the 'Ridotto', hey?
Proud of being 'Cavalier Servente' to such a lady? "
"Can you doubt it, 'Bellissima Contessa'?
A pinch more rouge on the right cheek,
And Venus herself shines less. . . "
"You bore me, Abate,
I vow I must change you!
A letter, Achmet?
Run and look out of the window, Abate.
I will read my letter in peace. "
The little black slave with the yellow satin turban
Gazes at his mistress with strained eyes.
His yellow turban and black skin
Are gorgeous--barbaric.
The yellow satin dress with its silver flashings
Lies on a chair
Beside a black mantle and a black mask.
Yellow and black,
Gorgeous--barbaric.
The lady reads her letter,
And the leaves drift slowly
Past the long windows.
"How silly you look, my dear Abate,
With that great brown leaf in your wig.
Pluck it off, I beg you,
Or I shall die of laughing. "

A yellow wall
Aflare in the sunlight,
Chequered with shadows,
Shadows of vine leaves,
Shadows of masks.
Masks coming, printing themselves for an instant,
Then passing on,
More masks always replacing them.
Masks with tricorns and rapiers sticking out behind
Pursuing masks with plumes and high heels,
The sunlight shining under their insteps.
One,
One, two,
One, two, three,
There is a thronging of shadows on the hot wall,
Filigreed at the top with moving leaves.
Yellow sunlight and black shadows,
Yellow and black,
Gorgeous--barbaric.
Two masks stand together,
And the shadow of a leaf falls through them,
Marking the wall where they are not.
From hat-tip to shoulder-tip,
From elbow to sword-hilt,
The leaf falls.