No More Learning

Medical instruction, it will be perceived, was the ostensible motive for
this visit to the Continent, but the real one, in all probability, was his
long-cherished desire to see foreign parts. This, however, he would not
acknowledge even to himself, but sought to reconcile his roving
propensities with some grand moral purpose. "I esteem the traveler who
instructs the heart," says he, in one of his subsequent writings, "but
despise him who only indulges the imagination. A man who leaves home to
mend himself and others is a philosopher; but he who goes from country to
country, guided by the blind impulse of curiosity, is only a vagabond. " He,
of course, was to travel as a philosopher, and in truth his outfits for a
continental tour were in character. "I shall carry just £33 to France,"
said he, "with good store of clothes, shirts, etc. , and that with economy
will suffice. " He forgot to make mention of his flute, which it will be
found had occasionally to come in play when economy could not replenish his
purse, nor philosophy find him a supper. Thus slenderly provided with
money, prudence, or experience, and almost as slightly guarded against
"hard knocks" as the hero of La Mancha, whose head-piece was half iron,
half pasteboard, he made his final sally forth upon the world; hoping all
things; believing all things; little anticipating the checkered ills in
store for him; little thinking when he penned his valedictory letter to his
good uncle Contarine that he was never to see him more; never to return
after all his wandering to the friend of his infancy; never to revisit his
early and fondly-remembered haunts at "sweet Lissoy" and Ballymahon.




CHAPTER FIVE

THE AGREEABLE FELLOW-PASSENGERS--RISKS FROM FRIENDS PICKED UP BY THE
WAYSIDE--SKETCHES OF HOLLAND AND THE DUTCH--SHIFTS WHILE A POOR STUDENT AT
LEYDEN--THE TULIP SPECULATION--THE PROVIDENT FLUTE--SOJOURN AT
PARIS--SKETCH OF VOLTAIRE--TRAVELING SHIFTS OF A PHILOSOPHIC VAGABOND


His usual indiscretion attended Goldsmith at the very outset of his foreign
enterprise. He had intended to take shipping at Leith for Holland, but on
arriving at that port he found a ship about to sail for Bordeaux, with six
agreeable passengers, whose acquaintance he had probably made at the inn.
He was not a man to resist a sudden impulse; so, instead of embarking for
Holland, he found himself plowing the seas on his way to the other side of
the Continent. Scarcely had the ship been two days at sea when she was
driven by stress of weather to Newcastle-upon-Tyne. Here "of course"
Goldsmith and his agreeable fellow-passengers found it expedient to go on
shore and "refresh themselves after the fatigues of the voyage. " "Of
course" they frolicked and made merry until a late hour in the evening,
when, in the midst of their hilarity, the door was burst open, and a
sergeant and twelve grenadiers entered with fixed bayonets, and took the
whole convivial party prisoners.

It seems that the agreeable companions with whom our greenhorn had struck
up such a sudden intimacy were Scotchmen in the French service, who had
been in Scotland enlisting recruits for the French army.

In vain Goldsmith protested his innocence; he was marched off with his
fellow-revelers to prison, whence he with difficulty obtained his release
at the end of a fortnight. With his customary facility, however, at
palliating his misadventures, he found everything turn out for the best.
His imprisonment saved his life, for during his detention the ship
proceeded on her voyage, but was wrecked at the mouth of the Garonne, and
all on board perished.

Goldsmith's second embarkation was for Holland direct, and in nine days he
arrived at Rotterdam, whence he proceeded, without any more deviations, to
Leyden. He gives a whimsical picture, in one of his letters, of the
appearance of the Hollanders. "The modern Dutchman is quite a different
creature from him of former times; he in everything imitates a Frenchman
but in his easy, disengaged air. He is vastly ceremonious, and is, perhaps,
exactly what a Frenchman might have been in the reign of Louis XIV. Such
are the better bred. But the downright Hollander is one of the oddest
figures in nature. Upon a lank head of hair he wears a half-cocked narrow
hat, laced with black ribbon; no coat, but seven waistcoats and nine pair
of breeches, so that his hips reach up almost to his armpits. This
well-clothed vegetable is now fit to see company or make love. But what a
pleasing creature is the object of his appetite! why, she wears a large fur
cap, with a deal of Flanders lace; and for every pair of breeches he
carries, she puts on two petticoats.

"A Dutch lady burns nothing about her phlegmatic admirer but his tobacco.
You must know, sir, every woman carries in her hand a stove of coals,
which, when she sits, she snugs under her petticoats, and at this chimney
dozing Strephon lights his pipe. "

In the same letter, he contrasts Scotland and Holland. "There hills and
rocks intercept every prospect; here it is all a continued plain. There you
might see a well-dressed duchess issuing from a dirty close, and here a
dirty Dutchman inhabiting a palace. The Scotch may be compared to a tulip,
planted in dung; but I can never see a Dutchman in his own house but I
think of a magnificent Egyptian temple dedicated to an ox. "

The country itself awakened his admiration. "Nothing," said he, "can equal
its beauty; wherever I turn my eyes, fine houses, elegant gardens, statues,
grottoes, vistas, present themselves; but when you enter their towns you
are charmed beyond description. No misery is to be seen here; every one is
usefully employed. " And again, in his noble description in The Traveler:

"To men of other minds my fancy flies,
Imbosom'd in the deep where Holland lies.
Methinks her patient sons before me stand,
Where the broad ocean leans against the land,
And, sedulous to stop the coming tide,
Lift the tall rampire's artificial pride.
Onward, methinks, and diligently slow,
The firm connected bulwark seems to grow;
Spreads its long arms amid the watery roar,
Scoops out an empire, and usurps the shore.
While the pent ocean, rising o'er the pile,
Sees an amphibious world before him smile;
The slow canal, the yellow blossom'd vale,
The willow-tufted bank, the gliding sail,
The crowded mart, the cultivated plain,
A new creation rescued from his reign. "

He remained about a year at Leyden, attending the lectures of Gaubius on
chemistry and Albinus on anatomy; though his studies are said to have been
miscellaneous, and directed to literature rather than science. The
thirty-three pounds with which he had set out on his travels were soon
consumed, and he was put to many a shift to meet his expenses until his
precarious remittances should arrive. He had a good friend on these
occasions in a fellow-student and countryman, named Ellis, who afterward
rose to eminence as a physician. He used frequently to loan small sums to
Goldsmith, which were always scrupulously paid. Ellis discovered the innate
merits of the poor awkward student, and used to declare in after life that
"it was a common remark in Leyden, that in all the peculiarities of
Goldsmith, an elevation of mind was to be noted; a philosophical tone and
manner; the feelings of a gentleman, and the language and information of a
scholar. "

Sometimes, in his emergencies, Goldsmith undertook to teach the English
language. It is true he was ignorant of the Dutch, but he had a smattering
of the French, picked up among the Irish priests at Ballymahon. He depicts
his whimsical embarrassment in this respect, in his account in the Vicar of
Wakefield of the _philosophical vagabond_ who went to Holland to teach
the natives English, without knowing a word of their own language.
Sometimes, when sorely pinched, and sometimes, perhaps, when flush, he
resorted to the gambling tables, which in those days abounded in Holland.
His good friend Ellis repeatedly warned him against this unfortunate
propensity, but in vain. It brought its own cure, or rather its own
punishment, by stripping him of every shilling.

Ellis once more stepped in to his relief with a true Irishman's generosity,
but with more considerateness than generally characterizes an Irishman, for
he only granted pecuniary aid on condition of his quitting the sphere of
danger. Goldsmith gladly consented to leave Holland, being anxious to visit
other parts. He intended to proceed to Paris and pursue his studies there,
and was furnished by his friend with money for the journey. Unluckily, he
rambled into the garden of a florist just before quitting Leyden. The tulip
mania was still prevalent in Holland, and some species of that splendid
flower brought immense prices. In wandering through the garden Goldsmith
recollected that his uncle Contarine was a tulip fancier. The thought
suddenly struck him that here was an opportunity of testifying, in a
delicate manner, his sense of that generous uncle's past kindnesses. In an
instant his hand was in his pocket; a number of choice and costly
tulip-roots were purchased and packed up for Mr. Contarine; and it was not
until he had paid for them that he bethought himself that he had spent all
the money borrowed for his traveling expenses. Too proud, however, to give
up his journey, and too shamefaced to make another appeal to his friend's
liberality, he determined to travel on foot, and depend upon chance and
good luck for the means of getting forward; and it is said that he actually
set off on a tour of the Continent, in February, 1775, with but one spare
shirt, a flute, and a single guinea.

"Blessed," says one of his biographers, "with a good constitution, an
adventurous spirit, and with that thoughtless, or, perhaps, happy
disposition which takes no care for to-morrow, he continued his travels for
a long time in spite of innumerable privations. " In his amusing narrative
of the adventures of a "Philosophic Vagabond" in the Vicar of Wakefield, we
find shadowed out the expedients he pursued. "I had some knowledge of
music, with a tolerable voice; I now turned what was once my amusement into
a present means of subsistence. I passed among the harmless peasants of
Flanders, and among such of the French as were poor enough to be very
merry, for I ever found them sprightly in proportion to their wants.
Whenever I approached a peasant's house toward nightfall, I played one of
my merriest tunes, and that procured me not only a lodging, but subsistence
for the next day; but in truth I must own, whenever I attempted to
entertain persons of a higher rank, they always thought my performance
odious, and never made me any return for my endeavors to please them. "

At Paris he attended the chemical lectures of Rouelle, then in great vogue,
where he says he witnessed as bright a circle of beauty as graced the court
of Versailles. His love of theatricals, also, led him to attend the
performances of the celebrated actress Mademoiselle Clairon, with which he
was greatly delighted. He seems to have looked upon the state of society
with the eye of a philosopher, but to have read the signs of the times with
the prophetic eye of a poet. In his rambles about the environs of Paris he
was struck with the immense quantities of game running about almost in a
tame state; and saw in those costly and rigid preserves for the amusement
and luxury of the privileged few a sure "badge of the slavery of the
people. " This slavery he predicted was drawing toward a close. "When I
consider that these parliaments, the members of which are all created by
the court, and the presidents of which can only act by immediate direction,
presume even to mention privileges and freedom, who till of late received
directions from the throne with implicit humility; when this is considered,
I cannot help fancying that the genius of Freedom has entered that kingdom
in disguise. If they have but three weak monarchs more successively on the
throne, the mask will be laid aside and the country will certainly once
more be free. " Events have testified to the sage forecast of the poet.

During a brief sojourn in Paris he appears to have gained access to
valuable society, and to have had the honor and pleasure of making the
acquaintance of Voltaire; of whom, in after years, he wrote a memoir. "As a
companion," says he, "no man ever exceeded him when he pleased to lead the
conversation; which, however, was not always the case. In company which he
either disliked or despised, few could be more reserved than he; but when
he was warmed in discourse, and got over a hesitating manner, which
sometimes he was subject to, it was rapture to hear him. His meager visage
seemed insensibly to gather beauty; every muscle in it had meaning, and his
eye beamed with unusual brightness. The person who writes this memoir,"
continues he, "remembers to have seen him in a select company of wits of
both sexes at Paris, when the subject happened to turn upon English taste
and learning. Fontenelle (then nearly a hundred years old), who was of the
party, and who being unacquainted with the language or authors of the
country he undertook to condemn, with a spirit truly vulgar began to revile
both. Diderot, who liked the English, and knew something of their literary
pretensions, attempted to vindicate their poetry and learning, but with
unequal abilities. The company quickly perceived that Fontenelle was
superior in the dispute, and were surprised at the silence which Voltaire
had preserved all the former part of the night, particularly as the
conversation happened to turn upon one of his favorite topics. Fontenelle
continued his triumph until about twelve o'clock, when Voltaire appeared at
last roused from his reverie. His whole frame seemed animated. He began his
defense with the utmost defiance mixed with spirit, and now and then let
fall the finest strokes of raillery upon his antagonist; and his harangue
lasted till three in the morning. I must confess that, whether from
national partiality or from the elegant sensibility of his manner, I never
was so charmed, nor did I ever remember so absolute a victory as he gained
in this dispute. "

Goldsmith's ramblings took him into Germany and Switzerland, from which
last mentioned country he sent to his brother in Ireland the first brief
sketch, afterward amplified into his poem of The Traveler.

At Geneva he became traveling tutor to a mongrel young gentleman, son of a
London pawnbroker, who had been suddenly elevated into fortune and
absurdity by the death of an uncle. The youth, before setting up for a
gentleman, had been an attorney's apprentice, and was an arrant pettifogger
in money matters. Never were two beings more illy assorted than he and
Goldsmith. We may form an idea of the tutor and the pupil from the
following extract from the narrative of the "Philosophic Vagabond. "

"I was to be the young gentleman's governor, but with a proviso that he
should always be permitted to govern himself. My pupil, in fact, understood
the art of guiding in money concerns much better than I. He was heir to a
fortune of about two hundred thousand pounds, left him by an uncle in the
West Indies; and his guardians, to qualify him for the management of it,
had bound him apprentice to an attorney. Thus avarice was his prevailing
passion; all his questions on the road were how money might be saved--which
was the least expensive course of travel--whether anything could be bought
that would turn to account when disposed of again in London. Such
curiosities on the way as could be seen for nothing he was ready enough to
look at; but if the sight of them was to be paid for, he usually asserted
that he had been told that they were not worth seeing. He never paid a bill
that he would not observe how amazingly expensive traveling was; and all
this though not yet twenty-one. "

In this sketch Goldsmith undoubtedly shadows forth his annoyances as
traveling tutor to this concrete young gentleman, compounded of the
pawnbroker, the pettifogger, and the West Indian heir, with an overlaying
of the city miser. They had continual difficulties on all points of expense
until they reached Marseilles, where both were glad to separate.

Once more on foot, but freed from the irksome duties of "bear leader," and
with some of his pay, as tutor, in his pocket, Goldsmith continued his
half-vagrant peregrinations through part of France and Piedmont, and some
of the Italian States. He had acquired, as has been shown, a habit of
shifting along and living by expedients, and a new one presented itself in
Italy. "My skill in music," says he, in the "Philosophic Vagabond," "could
avail me nothing in a country where every peasant was a better musician
than I; but by this time I had acquired another talent, which answered my
purpose as well, and this was a skill in disputation. In all the foreign
universities and convents there are, upon certain days, philosophical
theses maintained against every adventitious disputant; for which, if the
champion opposes with any dexterity, he can claim a gratuity in money, a
dinner, and a bed for one night. " Though a poor wandering scholar, his
reception in these learned piles was as free from humiliation as in the
cottages of the peasantry. "With the members of these establishments," said
he, "I could converse on topics of literature, _and then I always forgot
the meanness of my circumstances_. "

At Padua, where he remained some months, he is said to have taken his
medical degree. It is probable he was brought to a pause in this city by
the death of his uncle Contarine, who had hitherto assisted him in his
wanderings by occasional, though, of course, slender remittances. Deprived
of this source of supplies he wrote to his friends in Ireland, and
especially to his brother-in-law Hodson, describing his destitute
situation. His letters brought him neither money nor reply. It appears from
subsequent correspondence that his brother-in-law actually exerted himself
to raise a subscription for his assistance among his relatives, friends,
and acquaintance, but without success. Their faith and hope in him were
most probably at an end; as yet he had disappointed them at every point, he
had given none of the anticipated proofs of talent, and they were too poor
to support what they may have considered the wandering propensities of a
heedless spendthrift.

Thus left to his own precarious resources, Goldsmith gave up all further
wandering in Italy, without visiting the south, though Rome and Naples must
have held out powerful attractions to one of his poetical cast. Once more
resuming his pilgrim staff, he turned his face toward England, "walking
along from city to city, examining mankind more nearly, and seeing both
sides of the picture. " In traversing France his flute--his magic flute--was
once more in requisition, as we may conclude, by the following passage in
his Traveler:

"Gay, sprightly land of mirth and social ease,
Pleased with thyself, whom all the world can please,
How often have I led thy sportive choir
With tuneless pipe beside the murmuring Loire!
Where shading elms along the margin grew,
And freshened from the wave the zephyr flew;
And haply though my harsh note falt'ring still,
But mocked all tune, and marr'd the dancer's skill;
Yet would the village praise my wondrous power,
And dance forgetful of the noontide hour.
Alike all ages: Dames of ancient days
Have led their children through the mirthful maze,
And the gay grandsire, skill'd in gestic lore,
Has frisk'd beneath the burden of threescore. "




CHAPTER SIX

LANDING IN ENGLAND--SHIFTS OF A MAN WITHOUT MONEY--THE PESTLE AND
MORTAR--THEATRICALS IN A BARN--LAUNCH UPON LONDON--A CITY NIGHT
SCENE--STRUGGLES WITH PENURY--MISERIES OF A TUTOR--A DOCTOR IN THE
SUBURB--POOR PRACTICE AND SECOND-HAND FINERY--A TRAGEDY IN EMBRYO--PROJECT
OF THE WRITTEN MOUNTAINS


After two years spent in roving about the Continent, "pursuing novelty," as
he said, "and losing content," Goldsmith landed at Dover early in 1756. He
appears to have had no definite plan of action. The death of his uncle
Contarine, and the neglect of his relatives and friends to reply to his
letters, seem to have produced in him a temporary feeling of loneliness and
destitution, and his only thought was to get to London and throw himself
upon the world. But how was he to get there? His purse was empty. England
was to him as completely a foreign land as any part of the Continent, and
where on earth is a penniless stranger more destitute? His flute and his
philosophy were no longer of any avail; the English boors cared nothing for
music; there were no convents; and as to the learned and the clergy, not
one of them would give a vagrant scholar a supper and night's lodging for
the best thesis that ever was argued. "You may easily imagine," says he, in
a subsequent letter to his brother-in-law, "what difficulties I had to
encounter, left as I was without friends, recommendations, money, or
impudence, and that in a country where being born an Irishman was
sufficient to keep me unemployed. Many, in such circumstances, would have
had recourse to the friar's cord or the suicide's halter. But, with all my
follies, I had principle to resist the one, and resolution to combat the
other. "

He applied at one place, we are told, for employment in the shop of a
country apothecary; but all his medical science gathered in foreign
universities could not gain him the management of a pestle and mortar. He
even resorted, it is said, to the stage as a temporary expedient, and
figured in low comedy at a country town in Kent. This accords with his last
shift of the "Philosophic Vagabond," and with the knowledge of country
theatricals displayed in his Adventures of a Strolling Player, or may be a
story suggested by them. All this part of his career, however, in which he
must have trod the lowest paths of humility, are only to be conjectured
from vague traditions, or scraps of autobiography gleaned from his
miscellaneous writings.

At length we find him launched on the great metropolis, or rather drifting
about its streets, at night, in the gloomy month of February, with but a
few half-pence in his pocket. The deserts of Arabia are not more dreary and
inhospitable than the streets of London at such a time, and to a stranger
in such a plight. Do we want a picture as an illustration? We have it in
his own words, and furnished, doubtless, from his own experience.

"The clock has just struck two; what a gloom hangs all around! no sound is
heard but of the chiming clock, or the distant watch-dog. How few appear in
those streets, which but some few hours ago were crowded! But who are those
who make the streets their couch, and find a short repose from wretchedness
at the doors of the opulent? They are strangers, wanderers, and orphans,
whose circumstances are too humble to expect redress, and whose distresses
are too great even for pity. Some are without the covering even of rags,
and others emaciated with disease; the world has disclaimed them; society
turns its back upon their distress, and has given them up to nakedness and
hunger. _These poor shivering females have once seen happier days, and
been flattered into beauty. _ They are now turned out to meet the
severity of winter. Perhaps now, lying at the doors of their betrayers,
they sue to wretches whose hearts are insensible, or debauchees who may
curse, but will not relieve them.

"Why, why was I born a man, and yet see the sufferings of wretches I cannot
relieve! Poor houseless creatures! The world will give you reproaches, but
will not give you relief. "

Poor houseless Goldsmith! we may here ejaculate--to what shifts he must
have been driven to find shelter and sustenance for himself in this his
first venture into London! Many years afterward, in the days of his social
elevation, he startled a polite circle at Sir Joshua Reynolds' by
humorously dating an anecdote about the time he "lived among the beggars of
Axe Lane. " Such may have been the desolate quarters with which he was fain
to content himself when thus adrift upon the town, with but a few
half-pence in his pocket.

The first authentic trace we have of him in this new part of his career, is
filling the situation of an usher to a school, and even this employ he
obtained with some difficulty, after a reference for a character to his
friends in the University of Dublin. In the Vicar of Wakefield he makes
George Primrose undergo a whimsical catechism concerning the requisites for
an usher. "Have you been bred apprentice to the business? " "No. " "Then you
won't do for a school. Can you dress the boys' hair? " "No. " "Then you won't
do for a school. Can you lie three in a bed? " "No. " "Then you will never do
for a school. Have you a good stomach? " "Yes. " "Then you will by no means
do for a school. I have been an usher in a boarding-school myself, and may
I die of an anodyne necklace, but I had rather be under-turnkey in Newgate.
I was up early and late; I was browbeat by the master, hated for my ugly
face by the mistress, worried by the boys. "

Goldsmith remained but a short time in this situation, and to the
mortifications experienced there we doubtless owe the picturings given in
his writings of the hardships of an usher's life. "He is generally," says
he, "the laughingstock of the school. Every trick is played upon him; the
oddity of his manner, his dress, or his language, is a fund of eternal
ridicule; the master himself now and then cannot avoid joining in the
laugh; and the poor wretch, eternally resenting this ill-usage, lives in a
state of war with all the family. "--"He is obliged, perhaps, to sleep in
the same bed with the French teacher, who disturbs him for an hour every
night in papering and filleting his hair, and stinks worse than a carrion
with his rancid pomatums, when he lays his head beside him on the bolster. "

His next shift was as assistant in the laboratory of a chemist near Fish
Street Hill. After remaining here a few months, he heard that Dr. Sleigh,
who had been his friend and fellow-student at Edinburgh, was in London.
Eager to meet with a friendly face in this land of strangers, he
immediately called on him; "but though it was Sunday, and it is to be
supposed I was in my best clothes, Sleigh scarcely knew me--such is the tax
the unfortunate pay to poverty. However, when he did recollect me, I found
his heart as warm as ever, and he shared his purse and friendship with me
during his continuance in London. "

Through the advice and assistance of Dr. Sleigh, he now commenced the
practice of medicine, but in a small way, in Bankside, Southwark, and
chiefly among the poor; for he wanted the figure, address, polish, and
management, to succeed among the rich. His old schoolmate and college
companion, Beatty, who used to aid him with his purse at the university,
met him about this time, decked out in the tarnished finery of a
second-hand suit of green and gold, with a shirt and neckcloth of a
fortnight's wear.

Poor Goldsmith endeavored to assume a prosperous air in the eyes of his
early associate. "He was practicing physic," he said, "and _doing very
well! _" At this moment poverty was pinching him to the bone in spite of
his practice and his dirty finery. His fees were necessarily small, and ill
paid, and he was fain to seek some precarious assistance from his pen. Here
his quondam fellow-student, Dr. Sleigh, was again of service, introducing
him to some of the booksellers, who gave him occasional, though starveling
employment. According to tradition, however, his most efficient patron just
now was a journeyman printer, one of his poor patients of Bankside, who had
formed a good opinion of his talents, and perceived his poverty and his
literary shifts. The printer was in the employ of Mr. Samuel Richardson,
the author of Pamela, Clarissa, and Sir Charles Grandison; who combined the
novelist and the publisher, and was in flourishing circumstances. Through
the journeyman's intervention Goldsmith is said to have become acquainted
with Richardson, who employed him as reader and corrector of the press, at
his printing establishment in Salisbury Court; an occupation which he
alternated with his medical duties.

Being admitted occasionally to Richardson's parlor, he began to form
literary acquaintances, among whom the most important was Dr. Young, the
author of Night Thoughts, a poem in the height of fashion. It is not
probable, however, that much familiarity took place at the time between the
literary lion of the day and the poor Aesculapius of Bankside, the humble
corrector of the press. Still the communion with literary men had its
effect to set his imagination teeming. Dr. Farr, one of his Edinburgh
fellow-students, who was at London about this time, attending the hospitals
and lectures, gives us an amusing account of Goldsmith in his literary
character.

"Early in January he called upon me one morning before I was up, and, on my
entering the room, I recognized my old acquaintance, dressed in a rusty,
full-trimmed black suit, with his pockets full of papers, which instantly
reminded me of the poet in Garrick's farce of Lethe. After we had finished
our breakfast he drew from his pocket part of a tragedy, which he said he
had brought for my correction. In vain I pleaded inability, when he began
to read; and every part on which I expressed a doubt as to the propriety
was immediately blotted out. I then most earnestly pressed him not to trust
to my judgment, but to take the opinion of persons better qualified to
decide on dramatic compositions.
He now told me he had submitted his
productions, so far as he had written, to Mr. Richardson, the author of
Clarissa, on which I peremptorily declined offering another criticism on
the performance. "

From the graphic description given of him by Dr. Farr, it will be perceived
that the tarnished finery of green and gold had been succeeded by a
professional suit of black, to which, we are told, were added the wig and
cane indispensable to medical doctors in those days. The coat was a
second-hand one, of rusty velvet, with a patch on the left breast, which he
adroitly covered with his three-cornered hat during his medical visits; and
we have an amusing anecdote of his contest of courtesy with a patient who
persisted in endeavoring to relieve him from the hat, which only made him
press it more devoutly to his heart.

Nothing further has ever been heard of the tragedy mentioned by Dr. Farr;
it was probably never completed. The same gentleman speaks of a strange
Quixotic scheme which Goldsmith had in contemplation at the time, "of going
to decipher the inscriptions on the _written mountains_," though he
was altogether ignorant of Arabic, or the language in which they might be
supposed to be written. "The salary of three hundred pounds," adds Dr.
Farr, "which had been left for the purpose, was the temptation. " This was
probably one of many dreamy projects with which his fervid brain was apt to
teem. On such subjects he was prone to talk vaguely and magnificently, but
inconsiderately, from a kindled imagination rather than a well-instructed
judgment. He had always a great notion of expeditions to the East, and
wonders to be seen and effected in the Oriental countries.




CHAPTER SEVEN

LIFE OP A PEDAGOGUE--KINDNESS TO SCHOOLBOYS--PERTNESS IN RETURN--EXPENSIVE
CHARITIES--THE GRIFFITHS AND THE "MONTHLY REVIEW"--TOILS OF A LITERARY
HACK--RUPTURE WITH THE GRIFFITHS


Among the most cordial of Goldsmith's intimates in London during this time
of precarious struggle were certain of his former fellow-students in
Edinburgh. One of these was the son of a Dr. Milner, a dissenting minister,
who kept a classical school of eminence at Peckham, in Surrey. Young Milner
had a favorable opinion of Goldsmith's abilities and attainments, and
cherished for him that good will which his genial nature seems ever to have
inspired among his school and college associates. His father falling ill,
the young man negotiated with Goldsmith to take temporary charge of the
school. The latter readily consented; for he was discouraged by the slow
growth of medical reputation and practice, and as yet had no confidence in
the coy smiles of the muse. Laying by his wig and cane, therefore, and once
more wielding the ferule, he resumed the character of the pedagogue, and
for some time reigned as vicegerent over the academy at Peckham. He appears
to have been well treated by both Dr. Milner and his wife, and became a
favorite with the scholars from his easy, indulgent good nature. He mingled
in their sports, told them droll stories, played on the flute for their
amusement, and spent his money in treating them to sweetmeats and other
schoolboy dainties. His familiarity was sometimes carried too far; he
indulged in boyish pranks and practical jokes, and drew upon himself
retorts in kind, which, however, he bore with great good humor. Once,
indeed, he was touched to the quick by a piece of schoolboy pertness. After
playing on the flute, he spoke with enthusiasm of music, as delightful in
itself, and as a valuable accomplishment for a gentleman, whereupon a
youngster, with a glance at his ungainly person, wished to know if he
considered himself a gentleman. Poor Goldsmith, feelingly alive to the
awkwardness of his appearance and the humility of his situation, winced at
this unthinking sneer, which long rankled in his mind.

As usual, while in Dr. Milner's employ, his benevolent feelings were a
heavy tax upon his purse, for he never could resist a tale of distress, and
was apt to be fleeced by every sturdy beggar; so that, between his charity
and his munificence, he was generally in advance of his slender salary.
"You had better, Mr. Goldsmith, let me take care of your money," said Mrs.
Milner one day, "as I do for some of the young gentlemen. "--"In truth,
madam, there is equal need! " was the good-humored reply.

Dr. Milner was a man of some literary pretensions, and wrote occasionally
for the "Monthly Review," of which a bookseller, by the name of Griffiths,
was proprietor. This work was an advocate for Whig principles, and had been
in prosperous existence for nearly eight years. Of late, however,
periodicals had multiplied exceedingly, and a formidable Tory rival had
started up in the "Critical Review," published by Archibald Hamilton, a
bookseller, and aided by the powerful and popular pen of Dr. Smollett.
Griffiths was obliged to recruit his forces. While so doing he met
Goldsmith, a humble occupant of a seat at Dr. Milner's table, and was
struck with remarks on men and books which fell from him in the course of
conversation. He took occasion to sound him privately as to his inclination
and capacity as a reviewer, and was furnished by him with specimens of his
literary and critical talents. They proved satisfactory. The consequence
was that Goldsmith once more changed his mode of life, and in April, 1757,
became a contributor to the "Monthly Review," at a small fixed salary, with
board and lodging, and accordingly took up his abode with Mr. Griffiths, at
the sign of the Dunciad, Paternoster Row. As usual we trace this phase of
his fortunes in his semi-fictitious writings; his sudden transmutation of
the pedagogue into the author being humorously set forth in the case of
"George Primrose," in the Vicar of "Wakefield. " "Come," says George's
adviser, "I see you are a lad of spirit and some learning; what do you
think of commencing author like me? You have read in books, no doubt, of
men of genius starving at the trade; at present I'll show you forty very
dull fellows about town that live by it in opulence. All honest, jog-trot
men, who go on smoothly and dully, and write history and politics, and are
praised: men, sir, who, had they been bred cobblers, would all their lives
only have mended shoes, but never made them. " "Finding" (says George) "that
there is no great degree of gentility affixed to the character of an usher,
I resolved to accept his proposal; and having the highest respect for
literature, hailed the _antiqua mater_ of Grub Street with reverence.
I thought it my glory to pursue a track which Dryden and Otway trod before
me. Alas, Dryden struggled with indigence all his days; and Otway, it is
said, fell a victim to famine in his thirty-fifth year, being strangled by
a roll of bread, which he devoured with the voracity of a starving man. "

In Goldsmith's experience the track soon proved a thorny one. Griffiths was
a hard business man, of shrewd, worldly good sense, but little refinement
or cultivation. He meddled, or rather muddled with literature, too, in a
business way, altering and modifying occasionally the writings of his
contributors, and in this he was aided by his wife, who, according to
Smollett, was "an antiquated female critic and a dabbler in the 'Review. '"
Such was the literary vassalage to which Goldsmith had unwarily subjected
himself. A diurnal drudgery was imposed on him, irksome to his indolent
habits, and attended by circumstances humiliating to his pride. He had to
write daily from nine o'clock until two, and often throughout the day;
whether in the vein or not, and on subjects dictated by his taskmaster,
however foreign to his taste; in a word, he was treated as a mere literary
hack. But this was not the worst; it was the critical supervision of
Griffiths and his wife which grieved him: the "illiterate, bookselling
Griffiths," as Smollett called them, "who presumed to revise, alter, and
amend the articles contributed to their 'Review. ' Thank heaven," crowed
Smollett, "the 'Critical Review' is not written under the restraint of a
bookseller and his wife. Its principal writers are independent of each
other, unconnected with booksellers, and unawed by old women! "

This literary vassalage, however, did not last long. The bookseller became
more and more exacting. He accused his hack writer of idleness; of
abandoning his writing-desk and literary workshop at an early hour of the
day; and of assuming a tone and manner _above his situation_.
Goldsmith, in return, charged him with impertinence; his wife with meanness
and parsimony in her household treatment of him, and both of literary
meddling and marring. The engagement was broken off at the end of five
months, by mutual consent, and without any violent rupture, as it will be
found they afterward had occasional dealings with each other.

Though Goldsmith was now nearly thirty years of age, he had produced
nothing to give him a decided reputation. He was as yet a mere writer for
bread. The articles he had contributed to the "Review" were anonymous, and
were never avowed by him. They have since been, for the most part,
ascertained; and though thrown off hastily, often treating on subjects of
temporary interest, and marred by the Griffith interpolations, they are
still characterized by his sound, easy, good sense, and the genial graces
of his style. Johnson observed that Goldsmith's genius flowered late; he
should have said it flowered early, but was late in bringing its fruit to
maturity.




CHAPTER EIGHT

NEWBERY, OF PICTURE-BOOK MEMORY--HOW TO KEEP UP APPEARANCES--MISERIES OF
AUTHORSHIP--A POOR RELATION--LETTER TO HODSON


Being now known in the publishing world, Goldsmith began to find casual
employment in various quarters; among others he wrote occasionally for the
"Literary Magazine," a production set on foot by Mr. John Newbery,
bookseller, St. Paul's Churchyard, renowned in nursery literature
throughout the latter half of the last century for his picture-books for
children. Newbery was a worthy, intelligent, kind-hearted man, and a
seasonable though cautious friend to authors, relieving them with small
loans when in pecuniary difficulties, though always taking care to be well
repaid by the labor of their pens. Goldsmith introduces him in a humorous
yet friendly manner in his novel of the Vicar of Wakefield. "This person
was no other than the philanthropic bookseller in St. Paul's Churchyard,
who has written so many little books for children; he called himself their
friend; but he was the friend of all mankind. He was no sooner alighted but
he was in haste to be gone; for he was ever on business of importance, and
was at that time actually compiling materials for the history of one Mr.
Thomas Trip. I immediately recollected this good-natured man's red-pimpled
face. "

Besides his literary job work, Goldsmith also resumed his medical practice,
but with very trifling success. The scantiness of his purse still obliged
him to live in obscure lodgings somewhere in the vicinity of Salisbury
Square, Fleet Street; but his extended acquaintance and rising importance
caused him to consult appearances. He adopted an expedient, then very
common, and still practiced in London among those who have to tread the
narrow path between pride and poverty; while he burrowed in lodgings suited
to his means, he "hailed," as it is termed, from the Temple Exchange
Coffeehouse near Temple Bar. Here he received his medical calls; hence he
dated his letters, and here he passed much of his leisure hours, conversing
with the frequenters of the place. "Thirty pounds a year," said a poor
Irish painter, who understood the art of shifting, "is enough to enable a
man to live in London without being contemptible. Ten pounds will find him
in clothes and linen; he can live in a garret on eighteen pence a week;
hail from a coffee-house, where, by occasionally spending threepence, he
may pass some hours each day in good company; he may breakfast on bread and
milk for a penny; dine for sixpence; do without supper; and on
_clean-shirt-day_ he may go abroad and pay visits. "

Goldsmith seems to have taken a leaf from this poor devil's manual in
respect to the coffee-house at least. Indeed, coffee-houses in those days
were the resorts of wits and literati, where the topics of the day were
gossiped over, and the affairs of literature and the drama discussed and
criticised. In this way he enlarged the circle of his intimacy, which now
embraced several names of notoriety.

Do we want a picture of Goldsmith's experience in this part of his career?
we have it in his observations on the life of an author in the "Inquiry
into the State of Polite Learning," published some years afterward.

"The author, unpatronized by the great, has naturally recourse to the
bookseller. There cannot, perhaps, be imagined a combination more
prejudicial to taste than this. It is the interest of the one to allow as
little for writing, and for the other to write as much as possible;
accordingly tedious compilations and periodical magazines are the result of
their joint endeavors. In these circumstances the author bids adieu to
fame; writes for bread; and for that only imagination is seldom called in.
He sits down to address the venal muse with the most phlegmatic apathy;
and, as we are told of the Russian, courts his mistress by falling asleep
in her lap. "

Again. "Those who are unacquainted with the world are apt to fancy the man
of wit as leading a very agreeable life. They conclude, perhaps, that he is
attended with silent admiration, and dictates to the rest of mankind with
all the eloquence of conscious superiority. Very different is his present
situation. He is called an author, and all know that an author is a thing
only to be laughed at. His person, not his jest, becomes the mirth of the
company. At his approach the most fat, unthinking face brightens into
malicious meaning. Even aldermen laugh, and avenge on him the ridicule
which was lavished on their forefathers. . . . The poet's poverty is a
standing topic of contempt. His writing for bread is an unpardonable
offense. Perhaps of all mankind an author in these times is used most
hardly. We keep him poor, and yet revile his poverty. We reproach him for
living by his wit, and yet allow him no other means to live. His taking
refuge in garrets and cellars has of late been violently objected to him,
and that by men who, I hope, are more apt to pity than insult his distress.
Is poverty a careless fault? No doubt he knows how to prefer a bottle of
champagne to the nectar of the neighboring ale-house, or a venison pasty to
a plate of potatoes. Want of delicacy is not in him, but in those who deny
him the opportunity of making an elegant choice. Wit certainly is the
property of those who have it, nor should we be displeased if it is the
only property a man sometimes has. We must not underrate him who uses it
for subsistence, and flees from the ingratitude of the age even to a
bookseller for redress. ". . .

"If the author be necessary among us, let us treat him with proper
consideration as a child of the public, not as a rent-charge on the
community. And indeed a child of the public he is in all respects; for
while so well able to direct others, how incapable is he frequently found
of guiding himself. His simplicity exposes him to all the insidious
approaches of cunning; his sensibility, to the slightest invasions of
contempt. Though possessed of fortitude to stand unmoved the expected
bursts of an earthquake, yet of feelings so exquisitely poignant as to
agonize under the slightest disappointment. Broken rest, tasteless meals,
and causeless anxieties shorten life, and render it unfit for active
employments; prolonged vigils and intense application still further
contract his span, and make his time glide insensibly away. "

While poor Goldsmith was thus struggling with the difficulties and
discouragements which in those days beset the path of an author, his
friends in Ireland received accounts of his literary success and of the
distinguished acquaintances he was making. This was enough to put the wise
heads at Lissoy and Ballymahon in a ferment of conjectures. With the
exaggerated notions of provincial relatives concerning the family great man
in the metropolis, some of Goldsmith's poor kindred pictured him to
themselves seated in high places, clothed in purple and fine linen, and
hand and glove with the givers of gifts and dispensers of patronage.
Accordingly, he was one day surprised at the sudden apparition, in his
miserable lodging, of his younger brother Charles, a raw youth of
twenty-one, endowed with a double share of the family heedlessness, and who
expected to be forthwith helped into some snug by-path to fortune by one or
other of Oliver's great friends. Charles was sadly disconcerted on learning
that, so far from being able to provide for others, his brother could
scarcely take care of himself. He looked round with a rueful eye on the
poet's quarters, and could not help expressing his surprise and
disappointment at finding him no better off. "All in good tune, my dear
boy," replied poor Goldsmith, with infinite good-humor; "I shall be richer
by-and-by. Addison, let me tell you, wrote his poem of the Campaign in a
garret in the Haymarket, three stones high, and you see I am not come to
that yet, for I have only got to the second story. "

Charles Goldsmith did not remain long to embarrass his brother in London.
With the same roving disposition and inconsiderate temper of Oliver, he
suddenly departed in a humble capacity to seek his fortune in the West
Indies, and nothing was heard of him for above thirty years, when, after
having been given up as dead by his friends, he made his reappearance in
England.

Shortly after his departure Goldsmith wrote a letter to his brother-in-law,
Daniel Hodson, Esq. , of which the following is an extract; it was partly
intended, no doubt, to dissipate any further illusions concerning his
fortunes which might float on the magnificent imagination of his friends in
Ballymahon.

"I suppose you desire to know my present situation. As there is nothing in
it at which I should blush, or which mankind could censure, I see no reason
for making it a secret. In short, by a very little practice as a physician,
and a very little reputation as a poet, I make a shift to live. Nothing is
more apt to introduce us to the gates of the muses than poverty; but it
were well if they only left us at the door. The mischief is they sometimes
choose to give us their company to the entertainment; and want, instead of
being gentleman-usher, often turns master of the ceremonies.

"Thus, upon learning I write, no doubt you imagine I starve; and the name
of an author naturally reminds you of a garret. In this particular I do not
think proper to undeceive my friends. But, whether I eat or starve, live in
a first floor or four pairs of stairs high, I still remember them with
ardor; nay, my very country comes in for a share of my affection.
Unaccountable fondness for country, this _maladie du pais_, as the
French call it! Unaccountable that he should still have an affection for a
place, who never, when in it, received above common civility; who never
brought anything out of it except his brogue and his blunders. Surely my
affection is equally ridiculous with the Scotchman's, who refused to be
cured of the itch because it made him unco' thoughtful of his wife and
bonny Inverary.

"But now, to be serious: let me ask myself what gives me a wish to see
Ireland again. The country is a fine one, perhaps? No. There are good
company in Ireland? No. The conversation there is generally made up of a
smutty toast or a bawdy song; the vivacity supported by some humble cousin,
who had just folly enough to earn his dinner. Then, perhaps, there's more
wit and learning among the Irish? Oh, Lord, no! There has been more money
spent in the encouragement of the Padareen mare there one season than given
in rewards to learned men since the time of Usher. All their productions in
learning amount to perhaps a translation, or a few tracts in divinity; and
all their productions in wit to just nothing at all. Why the plague, then,
so fond of Ireland? Then, all at once, because you, my dear friend, and a
few more who are exceptions to the general picture, have a residence there.
This it is that gives me all the pangs I feel in separation. I confess I
carry this spirit sometimes to the souring the pleasures I at present
possess. If I go to the opera, where Signora Columba pours out all the
mazes of melody, I sit and sigh for Lissoy fireside, and Johnny Armstrong's
'Last Good-night' from Peggy Golden. If I climb Hampstead Hill, than where
nature never exhibited a more magnificent prospect, I confess it fine; but
then I had rather be placed on the little mount before Lissoy gate, and
there take in, to me, the most pleasing horizon in nature.

"Before Charles came hither my thoughts sometimes found refuge from severer
studies among my friends in Ireland. I fancied strange revolutions at home;
but I find it was the rapidity of my own motion that gave an imaginary one
to objects really at rest. No alterations there. Some friends, he tells me,
are still lean, but very rich; others very fat, but still very poor. Nay,
all the news I hear of you is, that you sally out in visits among the
neighbors, and sometimes make a migration from the blue bed to the brown. I
could from my heart wish that you and she (Mrs. Hodson), and Lissoy and
Ballymahon, and all of you, would fairly make a migration into Middlesex;
though, upon second thoughts, this might be attended with a few
inconveniences. Therefore, as the mountain will not come to Mohammed, why
Mohammed shall go to the mountain; or, to speak plain English, as you
cannot conveniently pay me a visit, if next summer I can contrive to be
absent six weeks from London, I shall spend three of them among my friends
in Ireland. But first, believe me, my design is purely to visit, and
neither to cut a figure nor levy contributions; neither to excite envy nor
solicit favor; in fact, my circumstances are adapted to neither. I am too
poor to be gazed at, and too rich to need assistance. "




CHAPTER NINE

HACKNEY AUTHORSHIP--THOUGHTS OF LITERARY SUICIDE--RETURN TO
PECKHAM--ORIENTAL PROJECTS--LITERARY ENTERPRISE TO RAISE FUNDS--LETTER TO
EDWARD WELLS--TO ROBERT BRYANTON--DEATH OF UNCLE CONTARINE--LETTER TO
COUSIN JANE


For some time Goldsmith continued to write miscellaneously for reviews and
other periodical publications, but without making any decided hit, to use a
technical term. Indeed, as yet he appeared destitute of the strong
excitement of literary ambition, and wrote only on the spur of necessity
and at the urgent importunity of his bookseller. His indolent and truant
disposition, ever averse from labor and delighting in holiday, had to be
scourged up to its task; still it was this very truant disposition which
threw an unconscious charm over everything he wrote; bringing with it
honeyed thoughts and pictured images which had sprung up in his mind in the
sunny hours of idleness: these effusions, dashed off on compulsion in the
exigency of the moment, were published anonymously; so that they made no
collective impression on the public, and reflected no fame on the name of
their author.

In an essay published some time subsequently in the "Bee," Goldsmith
adverts, in his own humorous way, to his impatience at the tardiness with
which his desultory and unacknowledged essays crept into notice. "I was
once induced," says he, "to show my indignation against the public by
discontinuing my efforts to please; and was bravely resolved, like Raleigh,
to vex them by burning my manuscripts in a passion. Upon reflection,
however, I considered what set or body of people would be displeased at my
rashness. The sun, after so sad an accident, might shine next morning as
bright as usual; men might laugh and sing the next day, and transact
business as before; and not a single creature feel any regret but myself.
Instead of having Apollo in mourning or the Muses in a fit of the spleen;
instead of having the learned world apostrophizing at my untimely decease;
perhaps all Grub Street might laugh at my fate, and self-approving dignity
be unable to shield me from ridicule. "

Circumstances occurred about this time to give a new direction to
Goldsmith's hopes and schemes. Having resumed for a brief period the
superintendence of the Peckham school during a fit of illness of Dr.
Milner, that gentleman, in requital for his timely services, promised to
use his influence with a friend, an East India director, to procure him a
medical appointment in India.

There was every reason to believe that the influence of Dr. Milner would be
effectual; but how was Goldsmith to find the ways and means of fitting
himself out for a voyage to the Indies? In this emergency he was driven to
a more extended exercise of the pen than he had yet attempted. His
skirmishing among books as a reviewer, and his disputatious ramble among
the schools and universities and literati of the Continent, had filled his
mind with facts and observations which he now set about digesting into a
treatise of some magnitude, to be entitled "An Inquiry into the Present
State of Polite Learning in Europe. " As the work grew on his hands his
sanguine temper ran ahead of his labors. Feeling secure of success in
England, he was anxious to forestall the piracy of the Irish press; for as
yet, the Union not having taken place, the English law of copyright did not
extend to the other side of the Irish Channel. He wrote, therefore, to his
friends in Ireland, urging them to circulate his proposals for his
contemplated work, and obtain subscriptions payable in advance; the money
to be transmitted to a Mr. Bradley, an eminent bookseller in Dublin, who
would give a receipt for it and be accountable for the delivery of the
books. The letters written by him on this occasion are worthy of copious
citation as being full of character and interest. One was to his relative
and college intimate, Edward Wells, who had studied for the bar, but was
now living at ease on his estate at Roscommon. "You have quitted," writes
Goldsmith, "the plan of life which you once intended to pursue, and given
up ambition for domestic tranquillity. I cannot avoid feeling some regret
that one of my few friends has declined a pursuit in which he had every
reason to expect success. I have often let my fancy loose when you were the
subject, and have imagined you gracing the bench, or thundering at the bar:
while I have taken no small pride to myself, and whispered to all that I
could come near, that this was my cousin.