No More Learning

A Fantasy


Her voice is like clear water
That drips upon a stone
In forests far and silent
Where Quiet plays alone.

Her thoughts are like the lotus
Abloom by sacred streams
Beneath the temple arches
Where Quiet sits and dreams.

Her kisses are the roses
That glow while dusk is deep
In Persian garden closes
Where Quiet falls asleep.




A Minuet of Mozart's


Across the dimly lighted room
The violin drew wefts of sound,
Airily they wove and wound
And glimmered gold against the gloom.

I watched the music turn to light,
But at the pausing of the bow,
The web was broken and the glow
Was drowned within the wave of night.




Twilight


Dreamily over the roofs
The cold spring rain is falling,
Out in the lonely tree
A bird is calling, calling.

Slowly over the earth
The wings of night are falling;
My heart like the bird in the tree
Is calling, calling, calling.




The Prayer


My answered prayer came up to me,
And in the silence thus spake he:
"O you who prayed for me to come,
Your greeting is but cold and dumb. "

My heart made answer: "You are fair,
But I have prayed too long to care.
Why came you not when all was new,
And I had died for joy of you. "




Two Songs for a Child


I
Grandfather's Love

They said he sent his love to me,
They wouldn't put it in my hand,
And when I asked them where it was
They said I couldn't understand.

I thought they must have hidden it,
I hunted for it all the day,
And when I told them so at night
They smiled and turned their heads away.

They say that love is something kind,
That I can never see or touch.
I wish he'd sent me something else,
I like his cough-drops twice as much.


II
The Kind Moon

I think the moon is very kind
To take such trouble just for me.
He came along with me from home
To keep me company.

He went as fast as I could run;
I wonder how he crossed the sky?
I'm sure he hasn't legs and feet
Or any wings to fly.

Yet here he is above their roof;
Perhaps he thinks it isn't right
For me to go so far alone,
Tho' mother said I might.




On the Tower



Under the leaf of many a Fable lies the Truth for those who look for it.
Jami.



On the Tower

(A play in one act. )


The Knight.
The Lady.

Voices of men and women on the ground at the foot of the tower.
The voice of the Knight's Page.



The top of a high battlemented tower of a castle. A stone ledge,
which serves as a seat, extends part way around the parapet.
Small clouds float by in the blue sky, and occasionally a swallow
passes.
Entrance R. from an unseen stairway which is supposed to extend
around the outside of the tower.


The Lady (unseen).
Oh do not climb so fast, for I am faint
With looking down the tower to where the earth
Lies dreaming in the sun. I fear to fall.

The Knight (unseen).
Lean on me, love, my love, and look not down.

L.
Call me not "love", call me your conquered foe,
That now, since you have battered down her gates,
Gives you the keys that lock the highest tower
And mounts with you to prove her homage true;
Oh bid me go no farther lest I fall,
My foot has slipped upon the rain-worn stones,
Why are the stairs so narrow and so steep?
Let us go back, my lord.

K.
Are you afraid,
Who were so dauntless till the walls gave way?
Courage, my sweet. I would that I could climb
A thousand times by wind-swept stairs like these,
That lead so near to heaven.

L.
Sir, you may,
You are a knight and very valorous;
I am a woman. I shall never come
This way but once.
(The Knight and the Lady appear on the top of the tower. )

K.
Kiss me at last, my love.

L.
Oh, my sweet lord, I am too tired to kiss.
Look how the earth is like an emerald,
With rivers veined and flawed with fallow fields.

K. (Lifting her veil)
Then I kiss you, a thousand thousand kisses
For all the days ere I had won to you
Beyond the walls and gates you barred so close.
Call me at last your love, your castle's lord.

L. (After a pause)
I love you.

(She kisses him. Her veil blows away like a white butterfly
over the parapet. Faint cries and laughter from men and women
under the tower. )

Men and Women.
The veil, the lady's veil!

(The knight takes the lady in his arms. )

L.
My lord, I pray you loose me from your arms
Lest that my people see how much we love.

K.
May they not see us? All of them have loved.

L.
But you have been an enemy, my lord,
With walls between us and with moss-grown moats,
Now on a sudden must I kiss your mouth?
I who was taught before I learned to speak
That all my house was hostile unto yours,
Now can I put my head against your breast
Here in the sight of all who choose to come?

K.
Are we not past the caring for their eyes
And nearer to the heaven than to earth?
Look up and see.

L.
I only see your face.

(She touches his hair with her hands. Murmuring under the tower. )

K.
Why came we here in all the noon-day light
With only darting swallows over us
To make a speck of darkness on the sun?
Let us go down where walls will shut us round.
Your castle has a hundred quiet halls,
A hundred chambers, where the shadows lie
On things put by, forgotten long ago.
Forgotten lutes with strings that Time has slackened,
We two shall draw them close and bid them sing--
Forgotten games, forgotten books still open
Where you had laid them by at vesper-time,
And your embroidery, whereon half-worked
Weeps Amor wounded by a rose's thorn.
Shall I not see the room in which you slept,
Palpitant still and breathing of your thoughts,
Where maiden dreams adown the ways of sleep
Swept noiselessly with damosels and knights
To tourneys where the trumpet made no sound,
Blow as he might, the scarlet trumpeter,
And were the dreams not sometimes brimmed with tears
That waked you when the night was loneliest?
Will you not bring me to your oratory
Where prayers arose like little birds set free
Still upward, upward without sound of flight?
Shall I not find your turrets toward the north,
Where you defied white winter armed for war;
Your southern casements where the sun blows in
Between the leaf-bent boughs the wind has lifted?
Shall we not see the sunrise toward the east,
Watch dawn by dawn the rose of day unfolding
Its golden-hearted beauty sovereignly;
And toward the west look quietly at evening?
Shall I not see all these and all your treasures?
In carven coffers hidden in the dark
Have you not laid a sapphire lit with flame
And amethysts set round with deep-wrought gold,
Perhaps a ruby?

L.
All my gems are yours
And all my chambers curtained from the sun.
My lord shall see them all, in time, in time.


(The sun begins to sink. )

K.
Shall I not see them now? To-day, to-night?

L.
How could I show you in one day, my lord,
My castle and my treasures and my tower?
Let all the days to come suffice for this
Since all the past days made them what they are.
You will not be impatient, my sweet lord.
Some of the halls have long been locked and barred,
And some have secret doors and hard to find
Till suddenly you touch them unawares,
And down a sable way runs silver light.
We two will search together for the keys,
But not to-day. Let us sit here to-day,
Since all is yours and always will be yours.

(The stars appear faintly one by one. )

K. (After a pause. )
I grow a little drowsy with the dusk.

L. (Singing. )
There was a man that loved a maid,
(Sleep and take your rest)
Over her lips his kiss was laid,
Over her heart, his breast.

(The knight sleeps. )

All of his vows were sweet to hear,
Sweet was his kiss to take;
Why was her breast so quick to fear,
Why was her heart, to break?

Why was the man so glad to woo?
(Sleep and take your rest)
Why were the maiden's words so few----

(She sees that he is asleep, and slipping off her long cloak-like
outer garment, she pillows his head upon it against the parapet,
and half kneeling at his feet she sings very softly:)

I love you, I love you, I love you,
I am the flower at your feet,
The birds and the stars are above you,
My place is more sweet.

The birds and the stars are above you,
They envy the flower in the grass,
For I, only I, while I love you
Can die as you pass.

(Light clouds veil the stars, growing denser constantly.
The castle bell rings for vespers, and rising, the lady moves
to a corner of the parapet and kneels there. )

L.
Ave Maria! gratia plena, Dominus----

Voice of the Page (from the foot of the tower. )
My lord, my lord, they call for you at court!

(The knight wakes. It is now quite dark. )

There is a tourney toward; your enemy
Has challenged you. My lord, make haste to come!

(The knight rises and gropes his way toward the stairs. )

K.
I will make haste. Await me where you are.

(To himself. )
There was a lady on this tower with me----

(He glances around hurriedly but does not see her in the darkness. )

Page.
My lord has far to ride before the dawn!

K. (To himself. )
Why should I tarry?

(To the page. )
Bring my horse and shield!

(He descends. As the noise of his footfall on the stairs dies away,
the lady gropes toward the stairway, then turns suddenly, and going to
the ledge where they have sat, she throws herself over the parapet. )


CURTAIN.




[End of Helen of Troy And Other Poems. ]




Sara Teasdale

Sara Teasdale was born in St. Louis, Missouri, where she attended a
school that was founded by the grandfather of another great poet from
St. Louis--T. S. Eliot. She later associated herself more with New
York City. Her first book of poems was "Sonnets to Duse" (1907), but
"Helen of Troy" (1911) was the true launch of her career, followed by
"Rivers to the Sea" (1915), "Love Songs" (1917), "Flame and Shadow"
(1920) and more. Her final volume, "Strange Victory", is considered
by many to be predictive of her suicide.

It is interesting to note that in Teasdale's Collected Works, about
half of the poems in this volume--some more justly than others--have
been excluded, and most of the rest have been slightly changed. Most
of the poems from this volume which were selected to be included in
"Love Songs" also had some minor changes. This edition preserves the
original readings, but they are not to be considered authoritative.









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