--
The literary merit of the Poem in question may not be considerable;
but worse verses are printed every day, &
He was an accomplished & amiable person but his error was, thuntos on
un thunta phronein,--his fate is an additional proof that 'The tree of
Knowledge is not that of Life.
The literary merit of the Poem in question may not be considerable;
but worse verses are printed every day, &
He was an accomplished & amiable person but his error was, thuntos on
un thunta phronein,--his fate is an additional proof that 'The tree of
Knowledge is not that of Life.
Shelley copy
A friend came to visit us on
the day when a fair was held in the square, beneath our windows:
Shelley read to us his "Ode to Liberty"; and was riotously accompanied
by the grunting of a quantity of pigs brought for sale to the fair. He
compared it to the 'chorus of frogs' in the satiric drama of
Aristophanes; and, it being an hour of merriment, and one ludicrous
association suggesting another, he imagined a political-satirical
drama on the circumstances of the day, to which the pigs would serve
as chorus--and "Swellfoot" was begun. When finished, it was
transmitted to England, printed, and published anonymously; but
stifled at the very dawn of its existence by the Society for the
Suppression of Vice, who threatened to prosecute it, if not
immediately withdrawn. The friend who had taken the trouble of
bringing it out, of course did not think it worth the annoyance and
expense of a contest, and it was laid aside.
Hesitation of whether it would do honour to Shelley prevented my
publishing it at first. But I cannot bring myself to keep back
anything he ever wrote; for each word is fraught with the peculiar
views and sentiments which he believed to be beneficial to the human
race, and the bright light of poetry irradiates every thought. The
world has a right to the entire compositions of such a man; for it
does not live and thrive by the outworn lesson of the dullard or the
hypocrite, but by the original free thoughts of men of genius, who
aspire to pluck bright truth
'from the pale-faced moon;
Or dive into the bottom of the deep
Where fathom-line would never touch the ground,
And pluck up drowned'
truth. Even those who may dissent from his opinions will consider that
he was a man of genius, and that the world will take more interest in
his slightest word than in the waters of Lethe which are so eagerly
prescribed as medicinal for all its wrongs and woe. This drama,
however, must not be judged for more than was meant. It is a mere
plaything of the imagination; which even may not excite smiles among
many, who will not see wit in those combinations of thought which were
full of the ridiculous to the author. But, like everything he wrote,
it breathes that deep sympathy for the sorrows of humanity, and
indignation against its oppressors, which make it worthy of his name.
***
EPIPSYCHIDION.
VERSES ADDRESSED TO THE NOBLE AND UNFORTUNATE LADY, EMILIA V--,
NOW IMPRISONED IN THE CONVENT OF --.
L'anima amante si slancia fuori del creato, e si crea nell' infinito un
Mondo tutto per essa, diverso assai da questo oscuro e pauroso baratro.
HER OWN WORDS.
["Epipsychidion" was composed at Pisa, January, February, 1821, and
published without the author's name, in the following summer, by C. &
J. Ollier, London. The poem was included by Mrs. Shelley in the
"Poetical Works", 1839, both editions. Amongst the Shelley manuscripts
in the Bodleian is a first draft of "Epipsychidion", 'consisting of
three versions, more or less complete, of the "Preface
[Advertisement]", a version in ink and pencil, much cancelled, of the
last eighty lines of the poem, and some additional lines which did not
appear in print' ("Examination of the Shelley manuscripts in the
Bodleian Library, by C. D. Locock". Oxford, Clarendon Press, 1903, page
3). This draft, the writing of which is 'extraordinarily confused and
illegible,' has been carefully deciphered and printed by Mr. Locock in
the volume named above. Our text follows that of the editio princeps,
1821. ]
ADVERTISEMENT.
The Writer of the following lines died at Florence, as he was
preparing for a voyage to one of the wildest of the Sporades, which he
had bought, and where he had fitted up the ruins of an old building,
and where it was his hope to have realised a scheme of life, suited
perhaps to that happier and better world of which he is now an
inhabitant, but hardly practicable in this. His life was singular;
less on account of the romantic vicissitudes which diversified it,
than the ideal tinge which it received from his own character and
feelings. The present Poem, like the "Vita Nuova" of Dante, is
sufficiently intelligible to a certain class of readers without a
matter-of-fact history of the circumstances to which it relates and to
a certain other class it must ever remain incomprehensible, from a
defect of a common organ of perception for the ideas of which it
treats. Not but that gran vergogna sarebbe a colui, che rimasse cosa
sotto veste di figura, o di colore rettorico: e domandato non sapesse
denudare le sue parole da cotal veste, in guisa che avessero verace
intendimento.
The present poem appears to have been intended by the Writer as the
dedication to some longer one. The stanza on the opposite page [1] is
almost a literal translation from Dante's famous Canzone
Voi, ch' intendendo, il terzo ciel movete, etc.
The presumptuous application of the concluding lines to his own
composition will raise a smile at the expense of my unfortunate
friend: be it a smile not of contempt, but pity. S.
[1] i. e. the nine lines which follow, beginning, 'My Song, I fear,'
etc. --ED.
My Song, I fear that thou wilt find but few
Who fitly shalt conceive thy reasoning,
Of such hard matter dost thou entertain;
Whence, if by misadventure, chance should bring
Thee to base company (as chance may do), _5
Quite unaware of what thou dost contain,
I prithee, comfort thy sweet self again,
My last delight! tell them that they are dull,
And bid them own that thou art beautiful.
EPIPSYCHIDION.
Sweet Spirit! Sister of that orphan one,
Whose empire is the name thou weepest on,
In my heart's temple I suspend to thee
These votive wreaths of withered memory.
Poor captive bird! who, from thy narrow cage, _5
Pourest such music, that it might assuage
The rugged hearts of those who prisoned thee,
Were they not deaf to all sweet melody;
This song shall be thy rose: its petals pale
Are dead, indeed, my adored Nightingale! _10
But soft and fragrant is the faded blossom,
And it has no thorn left to wound thy bosom.
High, spirit-winged Heart! who dost for ever
Beat thine unfeeling bars with vain endeavour,
Till those bright plumes of thought, in which arrayed _15
It over-soared this low and worldly shade,
Lie shattered; and thy panting, wounded breast
Stains with dear blood its unmaternal nest!
I weep vain tears: blood would less bitter be,
Yet poured forth gladlier, could it profit thee. _20
Seraph of Heaven! too gentle to be human,
Veiling beneath that radiant form of Woman
All that is insupportable in thee
Of light, and love, and immortality!
Sweet Benediction in the eternal Curse! _25
Veiled Glory of this lampless Universe!
Thou Moon beyond the clouds! Thou living Form
Among the Dead! Thou Star above the Storm!
Thou Wonder, and thou Beauty, and thou Terror!
Thou Harmony of Nature's art! Thou Mirror _30
In whom, as in the splendour of the Sun,
All shapes look glorious which thou gazest on!
Ay, even the dim words which obscure thee now
Flash, lightning-like, with unaccustomed glow;
I pray thee that thou blot from this sad song _35
All of its much mortality and wrong,
With those clear drops, which start like sacred dew
From the twin lights thy sweet soul darkens through,
Weeping, till sorrow becomes ecstasy:
Then smile on it, so that it may not die. _40
I never thought before my death to see
Youth's vision thus made perfect. Emily,
I love thee; though the world by no thin name
Will hide that love from its unvalued shame.
Would we two had been twins of the same mother! _45
Or, that the name my heart lent to another
Could be a sister's bond for her and thee,
Blending two beams of one eternity!
Yet were one lawful and the other true,
These names, though dear, could paint not, as is due. _50
How beyond refuge I am thine. Ah me!
I am not thine: I am a part of THEE.
Sweet Lamp! my moth-like Muse has burned its wings
Or, like a dying swan who soars and sings,
Young Love should teach Time, in his own gray style, _55
All that thou art. Art thou not void of guile,
A lovely soul formed to be blessed and bless?
A well of sealed and secret happiness,
Whose waters like blithe light and music are,
Vanquishing dissonance and gloom? A Star _60
Which moves not in the moving heavens, alone?
A Smile amid dark frowns? a gentle tone
Amid rude voices? a beloved light?
A Solitude, a Refuge, a Delight?
A Lute, which those whom Love has taught to play _65
Make music on, to soothe the roughest day
And lull fond Grief asleep? a buried treasure?
A cradle of young thoughts of wingless pleasure?
A violet-shrouded grave of Woe? --I measure
The world of fancies, seeking one like thee, _70
And find--alas! mine own infirmity.
She met me, Stranger, upon life's rough way,
And lured me towards sweet Death; as Night by Day,
Winter by Spring, or Sorrow by swift Hope,
Led into light, life, peace. An antelope, _75
In the suspended impulse of its lightness,
Were less aethereally light: the brightness
Of her divinest presence trembles through
Her limbs, as underneath a cloud of dew
Embodied in the windless heaven of June _80
Amid the splendour-winged stars, the Moon
Burns, inextinguishably beautiful:
And from her lips, as from a hyacinth full
Of honey-dew, a liquid murmur drops,
Killing the sense with passion; sweet as stops _85
Of planetary music heard in trance.
In her mild lights the starry spirits dance,
The sunbeams of those wells which ever leap
Under the lightnings of the soul--too deep
For the brief fathom-line of thought or sense. _90
The glory of her being, issuing thence,
Stains the dead, blank, cold air with a warm shade
Of unentangled intermixture, made
By Love, of light and motion: one intense
Diffusion, one serene Omnipresence, _95
Whose flowing outlines mingle in their flowing,
Around her cheeks and utmost fingers glowing
With the unintermitted blood, which there
Quivers, (as in a fleece of snow-like air
The crimson pulse of living morning quiver,) _100
Continuously prolonged, and ending never,
Till they are lost, and in that Beauty furled
Which penetrates and clasps and fills the world;
Scarce visible from extreme loveliness.
Warm fragrance seems to fall from her light dress _105
And her loose hair; and where some heavy tress
The air of her own speed has disentwined,
The sweetness seems to satiate the faint wind;
And in the soul a wild odour is felt
Beyond the sense, like fiery dews that melt _110
Into the bosom of a frozen bud. --
See where she stands! a mortal shape indued
With love and life and light and deity,
And motion which may change but cannot die;
An image of some bright Eternity; _115
A shadow of some golden dream; a Splendour
Leaving the third sphere pilotless; a tender
Reflection of the eternal Moon of Love
Under whose motions life's dull billows move;
A Metaphor of Spring and Youth and Morning; _120
A Vision like incarnate April, warning,
With smiles and tears, Frost the Anatomy
Into his summer grave.
Ah, woe is me!
What have I dared? where am I lifted? how
Shall I descend, and perish not? I know _125
That Love makes all things equal: I have heard
By mine own heart this joyous truth averred:
The spirit of the worm beneath the sod
In love and worship, blends itself with God.
Spouse! Sister! Angel! Pilot of the Fate _130
Whose course has been so starless! O too late
Beloved! O too soon adored, by me!
For in the fields of Immortality
My spirit should at first have worshipped thine,
A divine presence in a place divine; _135
Or should have moved beside it on this earth,
A shadow of that substance, from its birth;
But not as now:--I love thee; yes, I feel
That on the fountain of my heart a seal
Is set, to keep its waters pure and bright _140
For thee, since in those TEARS thou hast delight.
We--are we not formed, as notes of music are,
For one another, though dissimilar;
Such difference without discord, as can make
Those sweetest sounds, in which all spirits shake _145
As trembling leaves in a continuous air?
Thy wisdom speaks in me, and bids me dare
Beacon the rocks on which high hearts are wrecked.
I never was attached to that great sect,
Whose doctrine is, that each one should select _150
Out of the crowd a mistress or a friend,
And all the rest, though fair and wise, commend
To cold oblivion, though it is in the code
Of modern morals, and the beaten road
Which those poor slaves with weary footsteps tread, _155
Who travel to their home among the dead
By the broad highway of the world, and so
With one chained friend, perhaps a jealous foe,
The dreariest and the longest journey go.
True Love in this differs from gold and clay, _160
That to divide is not to take away.
Love is like understanding, that grows bright,
Gazing on many truths; 'tis like thy light,
Imagination! which from earth and sky,
And from the depths of human fantasy, _165
As from a thousand prisms and mirrors, fills
The Universe with glorious beams, and kills
Error, the worm, with many a sun-like arrow
Of its reverberated lightning. Narrow
The heart that loves, the brain that contemplates, _170
The life that wears, the spirit that creates
One object, and one form, and builds thereby
A sepulchre for its eternity.
Mind from its object differs most in this:
Evil from good; misery from happiness; _175
The baser from the nobler; the impure
And frail, from what is clear and must endure.
If you divide suffering and dross, you may
Diminish till it is consumed away;
If you divide pleasure and love and thought, _180
Each part exceeds the whole; and we know not
How much, while any yet remains unshared,
Of pleasure may be gained, of sorrow spared:
This truth is that deep well, whence sages draw
The unenvied light of hope; the eternal law _185
By which those live, to whom this world of life
Is as a garden ravaged, and whose strife
Tills for the promise of a later birth
The wilderness of this Elysian earth.
There was a Being whom my spirit oft _190
Met on its visioned wanderings, far aloft,
In the clear golden prime of my youth's dawn,
Upon the fairy isles of sunny lawn,
Amid the enchanted mountains, and the caves
Of divine sleep, and on the air-like waves _195
Of wonder-level dream, whose tremulous floor
Paved her light steps;--on an imagined shore,
Under the gray beak of some promontory
She met me, robed in such exceeding glory,
That I beheld her not. In solitudes _200
Her voice came to me through the whispering woods,
And from the fountains, and the odours deep
Of flowers, which, like lips murmuring in their sleep
Of the sweet kisses which had lulled them there,
Breathed but of HER to the enamoured air; _205
And from the breezes whether low or loud,
And from the rain of every passing cloud,
And from the singing of the summer-birds,
And from all sounds, all silence. In the words
Of antique verse and high romance,--in form, _210
Sound, colour--in whatever checks that Storm
Which with the shattered present chokes the past;
And in that best philosophy, whose taste
Makes this cold common hell, our life, a doom
As glorious as a fiery martyrdom; _215
Her Spirit was the harmony of truth. --
Then, from the caverns of my dreamy youth
I sprang, as one sandalled with plumes of fire,
And towards the lodestar of my one desire,
I flitted, like a dizzy moth, whose flight _220
Is as a dead leaf's in the owlet light,
When it would seek in Hesper's setting sphere
A radiant death, a fiery sepulchre,
As if it were a lamp of earthly flame. --
But She, whom prayers or tears then could not tame, _225
Passed, like a God throned on a winged planet,
Whose burning plumes to tenfold swiftness fan it,
Into the dreary cone of our life's shade;
And as a man with mighty loss dismayed,
I would have followed, though the grave between _230
Yawned like a gulf whose spectres are unseen:
When a voice said:--'O thou of hearts the weakest,
The phantom is beside thee whom thou seekest. '
Then I--'Where? '--the world's echo answered 'where? '
And in that silence, and in my despair, _235
I questioned every tongueless wind that flew
Over my tower of mourning, if it knew
Whither 'twas fled, this soul out of my soul;
And murmured names and spells which have control
Over the sightless tyrants of our fate; _240
But neither prayer nor verse could dissipate
The night which closed on her; nor uncreate
That world within this Chaos, mine and me,
Of which she was the veiled Divinity,
The world I say of thoughts that worshipped her: _245
And therefore I went forth, with hope and fear
And every gentle passion sick to death,
Feeding my course with expectation's breath,
Into the wintry forest of our life;
And struggling through its error with vain strife, _250
And stumbling in my weakness and my haste,
And half bewildered by new forms, I passed,
Seeking among those untaught foresters
If I could find one form resembling hers,
In which she might have masked herself from me. _255
There,--One, whose voice was venomed melody
Sate by a well, under blue nightshade bowers:
The breath of her false mouth was like faint flowers,
Her touch was as electric poison,--flame
Out of her looks into my vitals came, _260
And from her living cheeks and bosom flew
A killing air, which pierced like honey-dew
Into the core of my green heart, and lay
Upon its leaves; until, as hair grown gray
O'er a young brow, they hid its unblown prime _265
With ruins of unseasonable time.
In many mortal forms I rashly sought
The shadow of that idol of my thought.
And some were fair--but beauty dies away:
Others were wise--but honeyed words betray: _270
And One was true--oh! why not true to me?
Then, as a hunted deer that could not flee,
I turned upon my thoughts, and stood at bay,
Wounded and weak and panting; the cold day
Trembled, for pity of my strife and pain. _275
When, like a noonday dawn, there shone again
Deliverance. One stood on my path who seemed
As like the glorious shape which I had d reamed
As is the Moon, whose changes ever run
Into themselves, to the eternal Sun; _280
The cold chaste Moon, the Queen of Heaven's bright isles,
Who makes all beautiful on which she smiles,
That wandering shrine of soft yet icy flame
Which ever is transformed, yet still the same,
And warms not but illumines. Young and fair _285
As the descended Spirit of that sphere,
She hid me, as the Moon may hide the night
From its own darkness, until all was bright
Between the Heaven and Earth of my calm mind,
And, as a cloud charioted by the wind, _290
She led me to a cave in that wild place,
And sate beside me, with her downward face
Illumining my slumbers, like the Moon
Waxing and waning o'er Endymion.
And I was laid asleep, spirit and limb, _295
And all my being became bright or dim
As the Moon's image in a summer sea,
According as she smiled or frowned on me;
And there I lay, within a chaste cold bed:
Alas, I then was nor alive nor dead:-- _300
For at her silver voice came Death and Life,
Unmindful each of their accustomed strife,
Masked like twin babes, a sister and a brother,
The wandering hopes of one abandoned mother,
And through the cavern without wings they flew, _305
And cried 'Away, he is not of our crew. '
I wept, and though it be a dream, I weep.
What storms then shook the ocean of my sleep,
Blotting that Moon, whose pale and waning lips
Then shrank as in the sickness of eclipse;-- _310
And how my soul was as a lampless sea,
And who was then its Tempest; and when She,
The Planet of that hour, was quenched, what frost
Crept o'er those waters, till from coast to coast
The moving billows of my being fell _315
Into a death of ice, immovable;--
And then--what earthquakes made it gape and split,
The white Moon smiling all the while on it,
These words conceal:--If not, each word would be
The key of staunchless tears. Weep not for me! _320
At length, into the obscure Forest came
The Vision I had sought through grief and shame.
Athwart that wintry wilderness of thorns
Flashed from her motion splendour like the Morn's,
And from her presence life was radiated _325
Through the gray earth and branches bare and dead;
So that her way was paved, and roofed above
With flowers as soft as thoughts of budding love;
And music from her respiration spread
Like light,--all other sounds were penetrated _330
By the small, still, sweet spirit of that sound,
So that the savage winds hung mute around;
And odours warm and fresh fell from her hair
Dissolving the dull cold in the frore air:
Soft as an Incarnation of the Sun, _335
When light is changed to love, this glorious One
Floated into the cavern where I lay,
And called my Spirit, and the dreaming clay
Was lifted by the thing that dreamed below
As smoke by fire, and in her beauty's glow _340
I stood, and felt the dawn of my long night
Was penetrating me with living light:
I knew it was the Vision veiled from me
So many years--that it was Emily.
Twin Spheres of light who rule this passive Earth, _345
This world of loves, this ME; and into birth
Awaken all its fruits and flowers, and dart
Magnetic might into its central heart;
And lift its billows and its mists, and guide
By everlasting laws, each wind and tide _350
To its fit cloud, and its appointed cave;
And lull its storms, each in the craggy grave
Which was its cradle, luring to faint bowers
The armies of the rainbow-winged showers;
And, as those married lights, which from the towers _355
Of Heaven look forth and fold the wandering globe
In liquid sleep and splendour, as a robe;
And all their many-mingled influence blend,
If equal, yet unlike, to one sweet end;--
So ye, bright regents, with alternate sway _360
Govern my sphere of being, night and day!
Thou, not disdaining even a borrowed might;
Thou, not eclipsing a remoter light;
And, through the shadow of the seasons three,
From Spring to Autumn's sere maturity, _365
Light it into the Winter of the tomb,
Where it may ripen to a brighter bloom.
Thou too, O Comet beautiful and fierce,
Who drew the heart of this frail Universe
Towards thine own; till, wrecked in that convulsion, _370
Alternating attraction and repulsion,
Thine went astray and that was rent in twain;
Oh, float into our azure heaven again!
Be there Love's folding-star at thy return;
The living Sun will feed thee from its urn _375
Of golden fire; the Moon will veil her horn
In thy last smiles; adoring Even and Morn
Will worship thee with incense of calm breath
And lights and shadows; as the star of Death
And Birth is worshipped by those sisters wild _380
Called Hope and Fear--upon the heart are piled
Their offerings,--of this sacrifice divine
A World shall be the altar.
Lady mine,
Scorn not these flowers of thought, the fading birth
Which from its heart of hearts that plant puts forth _385
Whose fruit, made perfect by thy sunny eyes,
Will be as of the trees of Paradise.
The day is come, and thou wilt fly with me.
To whatsoe'er of dull mortality
Is mine, remain a vestal sister still; _390
To the intense, the deep, the imperishable,
Not mine but me, henceforth be thou united
Even as a bride, delighting and delighted.
The hour is come:--the destined Star has risen
Which shall descend upon a vacant prison. _395
The walls are high, the gates are strong, thick set
The sentinels--but true Love never yet
Was thus constrained: it overleaps all fence:
Like lightning, with invisible violence
Piercing its continents; like Heaven's free breath, _400
Which he who grasps can hold not; liker Death,
Who rides upon a thought, and makes his way
Through temple, tower, and palace, and the array
Of arms: more strength has Love than he or they;
For it can burst his charnel, and make free _405
The limbs in chains, the heart in agony,
The soul in dust and chaos.
Emily,
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor, _410
No keel has ever ploughed that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me? _415
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea, _420
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remained a solitude _425
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home, _430
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide; _435
And many a fountain, rivulet, and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year) _440
Pierce into glades, caverns, and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs; _445
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers.
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep, _450
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam and tone,
With that deep music is in unison:
Which is a soul within the soul--they seem _455
Like echoes of an antenatal dream. --
It is an isle 'twixt Heaven, Air, Earth, and Sea,
Cradled, and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Washed by the soft blue Oceans of young air. _460
It is a favoured place. Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The winged storms, chanting their thunder-psalm _465
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky _470
There fall, clear exhalations, soft and bright.
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness, _475
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th' Eternal, whose own smile
Unfolds itself, and may be felt, not seen _480
O'er the gray rocks, blue waves, and forests green,
Filling their bare and void interstices. --
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know: _485
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Reared it, a wonder of that simple time, _490
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were Titanic; in the heart
Of Earth having assumed its form, then grown _495
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learned imagery
Has been erased, and in the place of it
The ivy and the wild-vine interknit _500
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen, _505
Or fragments of the day's intense serene;--
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream _510
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.
This isle and house are mine, and I have vowed
Thee to be lady of the solitude. --
And I have fitted up some chambers there _515
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below. --
I have sent books and music there, and all
Those instruments with which high Spirits call _520
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste _525
Hires not the pale drudge Luxury, to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit _530
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measured by the pants of their calm sleep. _535
Be this our home in life, and when years heap
Their withered hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one. Meanwhile _540
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour; _545
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea
Trembles and sparkles as with ecstasy,--
Possessing and possessed by all that is
Within that calm circumference of bliss, _550
And by each other, till to love and live
Be one:--or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expired night asleep,
Through which the awakened day can never peep; _555
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights:
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody _560
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound, _565
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be _570
Confused in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew, _575
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigured; ever still
Burning, yet ever inconsumable:
In one another's substance finding food, _580
Like flames too pure and light and unimbued
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death, _585
One Heaven, one Hell, one immortality,
And one annihilation. Woe is me!
The winged words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire-- _590
I pant, I sink, I tremble, I expire!
. . .
Weak Verses, go, kneel at your Sovereign's feet,
And say:--'We are the masters of thy slave;
What wouldest thou with us and ours and thine? '
Then call your sisters from Oblivion's cave, _595
All singing loud: 'Love's very pain is sweet,
But its reward is in the world divine
Which, if not here, it builds beyond the grave. '
So shall ye live when I am there. Then haste
Over the hearts of men, until ye meet _600
Marina, Vanna, Primus, and the rest,
And bid them love each other and be blessed:
And leave the troop which errs, and which reproves,
And come and be my guest,--for I am Love's.
NOTES:
_100 morning]morn may Rossetti cj.
_118 of]on edition 1839.
_405 it]he edition 1839.
_501 many-twining]many twining editio prin. 1821.
_504 winter-woof]inter-woof Rossetti cj.
FRAGMENTS CONNECTED WITH EPIPSYCHIDION.
[Of the fragments of verse that follow, lines 1-37, 62-92 were printed
by Mrs. Shelley in "Posthumous Works", 1839, 2nd edition; lines 1-174
were printed or reprinted by Dr. Garnett in "Relics of Shelley", 1862;
and lines 175-186 were printed by Mr. C. D. Locock from the first draft
of "Epipsychidion" amongst the Shelley manuscripts in the Bodleian
Library. See "Examination, etc. ", 1903, pages 12, 13. The three early
drafts of the "Preface (Advertisement)" were printed by Mr. Locock in
the same volume, pages 4, 5. ]
THREE EARLY DRAFTS OF THE PREFACE.
(ADVERTISEMENT. )
PREFACE 1.
The following Poem was found amongst other papers in the Portfolio of
a young Englishman with whom the Editor had contracted an intimacy at
Florence, brief indeed, but sufficiently long to render the
Catastrophe by which it terminated one of the most painful events of
his life.
--
The literary merit of the Poem in question may not be considerable;
but worse verses are printed every day, &
He was an accomplished & amiable person but his error was, thuntos on
un thunta phronein,--his fate is an additional proof that 'The tree of
Knowledge is not that of Life. '--He had framed to himself certain
opinions, founded no doubt upon the truth of things, but built up to a
Babel height; they fell by their own weight, & the thoughts that were
his architects, became unintelligible one to the other, as men upon
whom confusion of tongues has fallen.
[These] verses seem to have been written as a sort of dedication of
some work to have been presented to the person whom they address: but
his papers afford no trace of such a work--The circumstances to which
[they] the poem allude, may easily be understood by those to whom
[the] spirit of the poem itself is [un]intelligible: a detail of
facts, sufficiently romantic in [themselves but] their combinations
The melancholy [task] charge of consigning the body of my poor friend
to the grave, was committed to me by his desolated family. I caused
him to be buried in a spot selected by himself, & on the h
PREFACE 2.
[Epips] T. E. V. Epipsych
Lines addressed to
the Noble Lady
[Emilia] [E. V. ]
Emilia
[The following Poem was found in the PF. of a young Englishman, who
died on his passage from Leghorn to the Levant. He had bought one of
the Sporades] He was accompanied by a lady [who might have been]
supposed to be his wife, & an effeminate looking youth, to whom he
shewed an [attachment] so [singular] excessive an attachment as to
give rise to the suspicion, that she was a woman--At his death this
suspicion was confirmed;. . . object speedily found a refuge both from
the taunts of the brute multitude, and from the. . . of her grief in the
same grave that contained her lover. --He had bought one of the
Sporades, & fitted up a Saracenic castle which accident had preserved
in some repair with simple elegance, & it was his intention to
dedicate the remainder of his life to undisturbed intercourse with his
companions
These verses apparently were intended as a dedication of a longer poem
or series of poems
PREFACE 3.
The writer of these lines died at Florence in [January 1820] while he
was preparing * * for one wildest of the of the Sporades, where he
bought & fitted up the ruins of some old building--His life was
singular, less on account of the romantic vicissitudes which
diversified it, than the ideal tinge which they received from his own
character & feelings--
The verses were apparently intended by the writer to accompany some
longer poem or collection of poems, of which there* [are no remnants
in his] * * * remains [in his] portfolio. --
The editor is induced to
The present poem, like the vita Nova of Dante, is sufficiently
intelligible to a certain class of readers without a matter of fact
history of the circumstances to which it relate, & to a certain other
class, it must & ought ever to remain incomprehensible--It was
evidently intended to be prefixed to a longer poem or series of
poems--but among his papers there are no traces of such a collection.
PASSAGES OF THE POEM, OR CONNECTED THEREWITH.
Here, my dear friend, is a new book for you;
I have already dedicated two
To other friends, one female and one male,--
What you are, is a thing that I must veil;
What can this be to those who praise or rail? _5
I never was attached to that great sect
Whose doctrine is that each one should select
Out of the world a mistress or a friend,
And all the rest, though fair and wise, commend
To cold oblivion--though 'tis in the code _10
Of modern morals, and the beaten road
Which those poor slaves with weary footsteps tread
Who travel to their home among the dead
By the broad highway of the world--and so
With one sad friend, and many a jealous foe, _15
The dreariest and the longest journey go.
Free love has this, different from gold and clay,
That to divide is not to take away.
Like ocean, which the general north wind breaks
Into ten thousand waves, and each one makes _20
A mirror of the moon--like some great glass,
Which did distort whatever form might pass,
Dashed into fragments by a playful child,
Which then reflects its eyes and forehead mild;
Giving for one, which it could ne'er express, _25
A thousand images of loveliness.
If I were one whom the loud world held wise,
I should disdain to quote authorities
In commendation of this kind of love:--
Why there is first the God in heaven above, _30
Who wrote a book called Nature, 'tis to be
Reviewed, I hear, in the next Quarterly;
And Socrates, the Jesus Christ of Greece,
And Jesus Christ Himself, did never cease
To urge all living things to love each other, _35
And to forgive their mutual faults, and smother
The Devil of disunion in their souls.
. . .
I love you! --Listen, O embodied Ray
Of the great Brightness; I must pass away
While you remain, and these light words must be _40
Tokens by which you may remember me.
Start not--the thing you are is unbetrayed,
If you are human, and if but the shade
Of some sublimer spirit. . .
. . .
And as to friend or mistress, 'tis a form; _45
Perhaps I wish you were one. Some declare
You a familiar spirit, as you are;
Others with a . . . more inhuman
Hint that, though not my wife, you are a woman;
What is the colour of your eyes and hair? _50
Why, if you were a lady, it were fair
The world should know--but, as I am afraid,
The Quarterly would bait you if betrayed;
And if, as it will be sport to see them stumble
Over all sorts of scandals. hear them mumble _55
Their litany of curses--some guess right,
And others swear you're a Hermaphrodite;
Like that sweet marble monster of both sexes,
Which looks so sweet and gentle that it vexes
The very soul that the soul is gone _60
Which lifted from her limbs the veil of stone.
. . .
It is a sweet thing, friendship, a dear balm,
A happy and auspicious bird of calm,
Which rides o'er life's ever tumultuous Ocean;
A God that broods o'er chaos in commotion; _65
A flower which fresh as Lapland roses are,
Lifts its bold head into the world's frore air,
And blooms most radiantly when others die,
Health, hope, and youth, and brief prosperity;
And with the light and odour of its bloom, _70
Shining within the dun eon and the tomb;
Whose coming is as light and music are
'Mid dissonance and gloom--a star
Which moves not 'mid the moving heavens alone--
A smile among dark frowns--a gentle tone _75
Among rude voices, a beloved light,
A solitude, a refuge, a delight.
If I had but a friend! Why, I have three
Even by my own confession; there may be
Some more, for what I know, for 'tis my mind _80
To call my friends all who are wise and kind,-
And these, Heaven knows, at best are very few;
But none can ever be more dear than you.
Why should they be? My muse has lost her wings,
Or like a dying swan who soars and sings, _85
I should describe you in heroic style,
But as it is, are you not void of guile?
A lovely soul, formed to be blessed and bless:
A well of sealed and secret happiness;
A lute which those whom Love has taught to play _90
Make music on to cheer the roughest day,
And enchant sadness till it sleeps? . . .
. . .
To the oblivion whither I and thou,
All loving and all lovely, hasten now
With steps, ah, too unequal! may we meet _95
In one Elysium or one winding-sheet!
If any should be curious to discover
Whether to you I am a friend or lover,
Let them read Shakespeare's sonnets, taking thence
A whetstone for their dull intelligence _100
That tears and will not cut, or let them guess
How Diotima, the wise prophetess,
Instructed the instructor, and why he
Rebuked the infant spirit of melody
On Agathon's sweet lips, which as he spoke _105
Was as the lovely star when morn has broke
The roof of darkness, in the golden dawn,
Half-hidden, and yet beautiful.
I'll pawn
My hopes of Heaven-you know what they are worth --
That the presumptuous pedagogues of Earth, _110
If they could tell the riddle offered here
Would scorn to be, or being to appear
What now they seem and are--but let them chide,
They have few pleasures in the world beside;
Perhaps we should be dull were we not chidden, _115
Paradise fruits are sweetest when forbidden.
Folly can season Wisdom, Hatred Love.
. . .
Farewell, if it can be to say farewell
To those who
. . .
I will not, as most dedicators do, _120
Assure myself and all the world and you,
That you are faultless--would to God they were
Who taunt me with your love! I then should wear
These heavy chains of life with a light spirit,
And would to God I were, or even as near it _125
As you, dear heart. Alas! what are we? Clouds
Driven by the wind in warring multitudes,
Which rain into the bosom of the earth,
And rise again, and in our death and birth,
And through our restless life, take as from heaven _130
Hues which are not our own, but which are given,
And then withdrawn, and with inconstant glance
Flash from the spirit to the countenance.
There is a Power, a Love, a Joy, a God
Which makes in mortal hearts its brief abode, _135
A Pythian exhalation, which inspires
Love, only love--a wind which o'er the wires
Of the soul's giant harp
There is a mood which language faints beneath;
You feel it striding, as Almighty Death _140
His bloodless steed. . .
. . .
And what is that most brief and bright delight
Which rushes through the touch and through the sight,
And stands before the spirit's inmost throne,
A naked Seraph? None hath ever known. _145
Its birth is darkness, and its growth desire;
Untameable and fleet and fierce as fire,
Not to be touched but to be felt alone,
It fills the world with glory-and is gone.
. . .
It floats with rainbow pinions o'er the stream _150
Of life, which flows, like a . . . dream
Into the light of morning, to the grave
As to an ocean. . .
. . .
What is that joy which serene infancy
Perceives not, as the hours content them by, _155
Each in a chain of blossoms, yet enjoys
The shapes of this new world, in giant toys
Wrought by the busy . . . ever new?
Remembrance borrows Fancy's glass, to show
These forms more . . . sincere _160
Than now they are, than then, perhaps, they were.
When everything familiar seemed to be
Wonderful, and the immortality
Of this great world, which all things must inherit,
Was felt as one with the awakening spirit, _165
Unconscious of itself, and of the strange
Distinctions which in its proceeding change
It feels and knows, and mourns as if each were
A desolation. . .
. . .
Were it not a sweet refuge, Emily, _170
For all those exiles from the dull insane
Who vex this pleasant world with pride and pain,
For all that band of sister-spirits known
To one another by a voiceless tone?
. . .
If day should part us night will mend division _175
And if sleep parts us--we will meet in vision
And if life parts us--we will mix in death
Yielding our mite [? ] of unreluctant breath
Death cannot part us--we must meet again
In all in nothing in delight in pain: _180
How, why or when or where--it matters not
So that we share an undivided lot. . .
. . .
And we will move possessing and possessed
Wherever beauty on the earth's bare [? ] breast
Lies like the shadow of thy soul--till we _185
Become one being with the world we see. . .
NOTES:
_52-_53 afraid The cj. A. C. Bradley.
_54 And as cj. Rossetti, A. C. Bradley.
_61 stone. . . cj. A. C. Bradley.
_155 them]trip or troop cj. A. C. Bradley.
_157 in]as cj. A. C. Bradley.
***
ADONAIS.
AN ELEGY ON THE DEATH OF JOHN KEATS,
AUTHOR OF ENDYMION, HYPERION, ETC.
Aster prin men elampes eni zooisin Eoos
nun de thanon lampeis Esperos en phthimenois. --PLATO.
["Adonais" was composed at Pisa during the early days of June, 1821,
and printed, with the author's name, at Pisa, 'with the types of
Didot,' by July 13, 1821. Part of the impression was sent to the
brothers Ollier for sale in London. An exact reprint of this Pisa
edition (a few typographical errors only being corrected) was issued
in 1829 by Gee & Bridges, Cambridge, at the instance of Arthur Hallam
and Richard Monckton Milnes (Lord Houghton). The poem was included in
Galignani's edition of "Coleridge, Shelley and Keats", Paris, 1829,
and by Mrs. Shelley in the "Poetical Works" of 1839. Mrs. Shelley's
text presents three important variations from that of the editio
princeps. In 1876 an edition of the "Adonais", with Introduction and
Notes, was printed for private circulation by Mr. H. Buxton Forman,
C. B. Ten years later a reprint 'in exact facsimile' of the Pisa
edition was edited with a Bibliographical Introduction by Mr. T. J.
Wise ("Shelley Society Publications", 2nd Series, No. 1, Reeves &
Turner, London, 1886). Our text is that of the editio princeps, Pisa,
1821, modified by Mrs. Shelley's text of 1839. The readings of the
editio princeps, wherever superseded, are recorded in the footnotes.
The Editor's Notes at the end of the Volume 3 should be consulted. ]
PREFACE.
Pharmakon elthe, Bion, poti son stoma, pharmakon eides.
pos ten tois cheilessi potesrame, kouk eglukanthe;
tis de Brotos tossouton anameros, e kerasai toi,
e dounai laleonti to pharmakon; ekphugen odan.
--MOSCHUS, EPITAPH. BION.
It is my intention to subjoin to the London edition of this poem a
criticism upon the claims of its lamented object to be classed among
the writers of the highest genius who have adorned our age. My known
repugnance to the narrow principles of taste on which several of his
earlier compositions were modelled prove at least that I am an
impartial judge. I consider the fragment of "Hyperion" as second to
nothing that was ever produced by a writer of the same years.
John Keats died at Rome of a consumption, in his twenty-fourth year,
on the -- of -- 1821; and was buried in the romantic and lonely
cemetery of the Protestants in that city, under the pyramid which is
the tomb of Cestius, and the massy walls and towers, now mouldering
and desolate, which formed the circuit of ancient Rome. The cemetery
is an open space among the ruins, covered in winter with violets and
daisies. It might make one in love with death, to think that one
should be buried in so sweet a place.
The genius of the lamented person to whose memory I have dedicated
these unworthy verses was not less delicate and fragile than it was
beautiful; and where cankerworms abound, what wonder if its young
flower was blighted in the bud? The savage criticism on his
"Endymion", which appeared in the "Quarterly Review", produced the
most violent effect on his susceptible mind; the agitation thus
originated ended in the rupture of a blood-vessel in the lungs; a
rapid consumption ensued, and the succeeding acknowledgements from
more candid critics of the true greatness of his powers were
ineffectual to heal the wound thus wantonly inflicted.
It may be well said that these wretched men know not what they do.
They scatter their insults and their slanders without heed as to
whether the poisoned shaft lights on a heart made callous by many
blows or one like Keats's composed of more penetrable stuff. One of
their associates is, to my knowledge, a most base and unprincipled
calumniator. As to "Endymion", was it a poem, whatever might be its
defects, to be treated contemptuously by those who had celebrated,
with various degrees of complacency and panegyric, "Paris", and
"Woman", and a "Syrian Tale", and Mrs. Lefanu, and Mr. Barrett, and
Mr. Howard Payne, and a long list of the illustrious obscure? Are
these the men who in their venal good nature presumed to draw a
parallel between the Reverend Mr. Milman and Lord Byron? What gnat did
they strain at here, after having swallowed all those camels? Against
what woman taken in adultery dares the foremost of these literary
prostitutes to cast his opprobrious stone? Miserable man! you, one of
the meanest, have wantonly defaced one of the noblest specimens of the
workmanship of God. Nor shall it be your excuse, that, murderer as you
are, you have spoken daggers, but used none.
The circumstances of the closing scene of poor Keats's life were not
made known to me until the "Elegy" was ready for the press.
the day when a fair was held in the square, beneath our windows:
Shelley read to us his "Ode to Liberty"; and was riotously accompanied
by the grunting of a quantity of pigs brought for sale to the fair. He
compared it to the 'chorus of frogs' in the satiric drama of
Aristophanes; and, it being an hour of merriment, and one ludicrous
association suggesting another, he imagined a political-satirical
drama on the circumstances of the day, to which the pigs would serve
as chorus--and "Swellfoot" was begun. When finished, it was
transmitted to England, printed, and published anonymously; but
stifled at the very dawn of its existence by the Society for the
Suppression of Vice, who threatened to prosecute it, if not
immediately withdrawn. The friend who had taken the trouble of
bringing it out, of course did not think it worth the annoyance and
expense of a contest, and it was laid aside.
Hesitation of whether it would do honour to Shelley prevented my
publishing it at first. But I cannot bring myself to keep back
anything he ever wrote; for each word is fraught with the peculiar
views and sentiments which he believed to be beneficial to the human
race, and the bright light of poetry irradiates every thought. The
world has a right to the entire compositions of such a man; for it
does not live and thrive by the outworn lesson of the dullard or the
hypocrite, but by the original free thoughts of men of genius, who
aspire to pluck bright truth
'from the pale-faced moon;
Or dive into the bottom of the deep
Where fathom-line would never touch the ground,
And pluck up drowned'
truth. Even those who may dissent from his opinions will consider that
he was a man of genius, and that the world will take more interest in
his slightest word than in the waters of Lethe which are so eagerly
prescribed as medicinal for all its wrongs and woe. This drama,
however, must not be judged for more than was meant. It is a mere
plaything of the imagination; which even may not excite smiles among
many, who will not see wit in those combinations of thought which were
full of the ridiculous to the author. But, like everything he wrote,
it breathes that deep sympathy for the sorrows of humanity, and
indignation against its oppressors, which make it worthy of his name.
***
EPIPSYCHIDION.
VERSES ADDRESSED TO THE NOBLE AND UNFORTUNATE LADY, EMILIA V--,
NOW IMPRISONED IN THE CONVENT OF --.
L'anima amante si slancia fuori del creato, e si crea nell' infinito un
Mondo tutto per essa, diverso assai da questo oscuro e pauroso baratro.
HER OWN WORDS.
["Epipsychidion" was composed at Pisa, January, February, 1821, and
published without the author's name, in the following summer, by C. &
J. Ollier, London. The poem was included by Mrs. Shelley in the
"Poetical Works", 1839, both editions. Amongst the Shelley manuscripts
in the Bodleian is a first draft of "Epipsychidion", 'consisting of
three versions, more or less complete, of the "Preface
[Advertisement]", a version in ink and pencil, much cancelled, of the
last eighty lines of the poem, and some additional lines which did not
appear in print' ("Examination of the Shelley manuscripts in the
Bodleian Library, by C. D. Locock". Oxford, Clarendon Press, 1903, page
3). This draft, the writing of which is 'extraordinarily confused and
illegible,' has been carefully deciphered and printed by Mr. Locock in
the volume named above. Our text follows that of the editio princeps,
1821. ]
ADVERTISEMENT.
The Writer of the following lines died at Florence, as he was
preparing for a voyage to one of the wildest of the Sporades, which he
had bought, and where he had fitted up the ruins of an old building,
and where it was his hope to have realised a scheme of life, suited
perhaps to that happier and better world of which he is now an
inhabitant, but hardly practicable in this. His life was singular;
less on account of the romantic vicissitudes which diversified it,
than the ideal tinge which it received from his own character and
feelings. The present Poem, like the "Vita Nuova" of Dante, is
sufficiently intelligible to a certain class of readers without a
matter-of-fact history of the circumstances to which it relates and to
a certain other class it must ever remain incomprehensible, from a
defect of a common organ of perception for the ideas of which it
treats. Not but that gran vergogna sarebbe a colui, che rimasse cosa
sotto veste di figura, o di colore rettorico: e domandato non sapesse
denudare le sue parole da cotal veste, in guisa che avessero verace
intendimento.
The present poem appears to have been intended by the Writer as the
dedication to some longer one. The stanza on the opposite page [1] is
almost a literal translation from Dante's famous Canzone
Voi, ch' intendendo, il terzo ciel movete, etc.
The presumptuous application of the concluding lines to his own
composition will raise a smile at the expense of my unfortunate
friend: be it a smile not of contempt, but pity. S.
[1] i. e. the nine lines which follow, beginning, 'My Song, I fear,'
etc. --ED.
My Song, I fear that thou wilt find but few
Who fitly shalt conceive thy reasoning,
Of such hard matter dost thou entertain;
Whence, if by misadventure, chance should bring
Thee to base company (as chance may do), _5
Quite unaware of what thou dost contain,
I prithee, comfort thy sweet self again,
My last delight! tell them that they are dull,
And bid them own that thou art beautiful.
EPIPSYCHIDION.
Sweet Spirit! Sister of that orphan one,
Whose empire is the name thou weepest on,
In my heart's temple I suspend to thee
These votive wreaths of withered memory.
Poor captive bird! who, from thy narrow cage, _5
Pourest such music, that it might assuage
The rugged hearts of those who prisoned thee,
Were they not deaf to all sweet melody;
This song shall be thy rose: its petals pale
Are dead, indeed, my adored Nightingale! _10
But soft and fragrant is the faded blossom,
And it has no thorn left to wound thy bosom.
High, spirit-winged Heart! who dost for ever
Beat thine unfeeling bars with vain endeavour,
Till those bright plumes of thought, in which arrayed _15
It over-soared this low and worldly shade,
Lie shattered; and thy panting, wounded breast
Stains with dear blood its unmaternal nest!
I weep vain tears: blood would less bitter be,
Yet poured forth gladlier, could it profit thee. _20
Seraph of Heaven! too gentle to be human,
Veiling beneath that radiant form of Woman
All that is insupportable in thee
Of light, and love, and immortality!
Sweet Benediction in the eternal Curse! _25
Veiled Glory of this lampless Universe!
Thou Moon beyond the clouds! Thou living Form
Among the Dead! Thou Star above the Storm!
Thou Wonder, and thou Beauty, and thou Terror!
Thou Harmony of Nature's art! Thou Mirror _30
In whom, as in the splendour of the Sun,
All shapes look glorious which thou gazest on!
Ay, even the dim words which obscure thee now
Flash, lightning-like, with unaccustomed glow;
I pray thee that thou blot from this sad song _35
All of its much mortality and wrong,
With those clear drops, which start like sacred dew
From the twin lights thy sweet soul darkens through,
Weeping, till sorrow becomes ecstasy:
Then smile on it, so that it may not die. _40
I never thought before my death to see
Youth's vision thus made perfect. Emily,
I love thee; though the world by no thin name
Will hide that love from its unvalued shame.
Would we two had been twins of the same mother! _45
Or, that the name my heart lent to another
Could be a sister's bond for her and thee,
Blending two beams of one eternity!
Yet were one lawful and the other true,
These names, though dear, could paint not, as is due. _50
How beyond refuge I am thine. Ah me!
I am not thine: I am a part of THEE.
Sweet Lamp! my moth-like Muse has burned its wings
Or, like a dying swan who soars and sings,
Young Love should teach Time, in his own gray style, _55
All that thou art. Art thou not void of guile,
A lovely soul formed to be blessed and bless?
A well of sealed and secret happiness,
Whose waters like blithe light and music are,
Vanquishing dissonance and gloom? A Star _60
Which moves not in the moving heavens, alone?
A Smile amid dark frowns? a gentle tone
Amid rude voices? a beloved light?
A Solitude, a Refuge, a Delight?
A Lute, which those whom Love has taught to play _65
Make music on, to soothe the roughest day
And lull fond Grief asleep? a buried treasure?
A cradle of young thoughts of wingless pleasure?
A violet-shrouded grave of Woe? --I measure
The world of fancies, seeking one like thee, _70
And find--alas! mine own infirmity.
She met me, Stranger, upon life's rough way,
And lured me towards sweet Death; as Night by Day,
Winter by Spring, or Sorrow by swift Hope,
Led into light, life, peace. An antelope, _75
In the suspended impulse of its lightness,
Were less aethereally light: the brightness
Of her divinest presence trembles through
Her limbs, as underneath a cloud of dew
Embodied in the windless heaven of June _80
Amid the splendour-winged stars, the Moon
Burns, inextinguishably beautiful:
And from her lips, as from a hyacinth full
Of honey-dew, a liquid murmur drops,
Killing the sense with passion; sweet as stops _85
Of planetary music heard in trance.
In her mild lights the starry spirits dance,
The sunbeams of those wells which ever leap
Under the lightnings of the soul--too deep
For the brief fathom-line of thought or sense. _90
The glory of her being, issuing thence,
Stains the dead, blank, cold air with a warm shade
Of unentangled intermixture, made
By Love, of light and motion: one intense
Diffusion, one serene Omnipresence, _95
Whose flowing outlines mingle in their flowing,
Around her cheeks and utmost fingers glowing
With the unintermitted blood, which there
Quivers, (as in a fleece of snow-like air
The crimson pulse of living morning quiver,) _100
Continuously prolonged, and ending never,
Till they are lost, and in that Beauty furled
Which penetrates and clasps and fills the world;
Scarce visible from extreme loveliness.
Warm fragrance seems to fall from her light dress _105
And her loose hair; and where some heavy tress
The air of her own speed has disentwined,
The sweetness seems to satiate the faint wind;
And in the soul a wild odour is felt
Beyond the sense, like fiery dews that melt _110
Into the bosom of a frozen bud. --
See where she stands! a mortal shape indued
With love and life and light and deity,
And motion which may change but cannot die;
An image of some bright Eternity; _115
A shadow of some golden dream; a Splendour
Leaving the third sphere pilotless; a tender
Reflection of the eternal Moon of Love
Under whose motions life's dull billows move;
A Metaphor of Spring and Youth and Morning; _120
A Vision like incarnate April, warning,
With smiles and tears, Frost the Anatomy
Into his summer grave.
Ah, woe is me!
What have I dared? where am I lifted? how
Shall I descend, and perish not? I know _125
That Love makes all things equal: I have heard
By mine own heart this joyous truth averred:
The spirit of the worm beneath the sod
In love and worship, blends itself with God.
Spouse! Sister! Angel! Pilot of the Fate _130
Whose course has been so starless! O too late
Beloved! O too soon adored, by me!
For in the fields of Immortality
My spirit should at first have worshipped thine,
A divine presence in a place divine; _135
Or should have moved beside it on this earth,
A shadow of that substance, from its birth;
But not as now:--I love thee; yes, I feel
That on the fountain of my heart a seal
Is set, to keep its waters pure and bright _140
For thee, since in those TEARS thou hast delight.
We--are we not formed, as notes of music are,
For one another, though dissimilar;
Such difference without discord, as can make
Those sweetest sounds, in which all spirits shake _145
As trembling leaves in a continuous air?
Thy wisdom speaks in me, and bids me dare
Beacon the rocks on which high hearts are wrecked.
I never was attached to that great sect,
Whose doctrine is, that each one should select _150
Out of the crowd a mistress or a friend,
And all the rest, though fair and wise, commend
To cold oblivion, though it is in the code
Of modern morals, and the beaten road
Which those poor slaves with weary footsteps tread, _155
Who travel to their home among the dead
By the broad highway of the world, and so
With one chained friend, perhaps a jealous foe,
The dreariest and the longest journey go.
True Love in this differs from gold and clay, _160
That to divide is not to take away.
Love is like understanding, that grows bright,
Gazing on many truths; 'tis like thy light,
Imagination! which from earth and sky,
And from the depths of human fantasy, _165
As from a thousand prisms and mirrors, fills
The Universe with glorious beams, and kills
Error, the worm, with many a sun-like arrow
Of its reverberated lightning. Narrow
The heart that loves, the brain that contemplates, _170
The life that wears, the spirit that creates
One object, and one form, and builds thereby
A sepulchre for its eternity.
Mind from its object differs most in this:
Evil from good; misery from happiness; _175
The baser from the nobler; the impure
And frail, from what is clear and must endure.
If you divide suffering and dross, you may
Diminish till it is consumed away;
If you divide pleasure and love and thought, _180
Each part exceeds the whole; and we know not
How much, while any yet remains unshared,
Of pleasure may be gained, of sorrow spared:
This truth is that deep well, whence sages draw
The unenvied light of hope; the eternal law _185
By which those live, to whom this world of life
Is as a garden ravaged, and whose strife
Tills for the promise of a later birth
The wilderness of this Elysian earth.
There was a Being whom my spirit oft _190
Met on its visioned wanderings, far aloft,
In the clear golden prime of my youth's dawn,
Upon the fairy isles of sunny lawn,
Amid the enchanted mountains, and the caves
Of divine sleep, and on the air-like waves _195
Of wonder-level dream, whose tremulous floor
Paved her light steps;--on an imagined shore,
Under the gray beak of some promontory
She met me, robed in such exceeding glory,
That I beheld her not. In solitudes _200
Her voice came to me through the whispering woods,
And from the fountains, and the odours deep
Of flowers, which, like lips murmuring in their sleep
Of the sweet kisses which had lulled them there,
Breathed but of HER to the enamoured air; _205
And from the breezes whether low or loud,
And from the rain of every passing cloud,
And from the singing of the summer-birds,
And from all sounds, all silence. In the words
Of antique verse and high romance,--in form, _210
Sound, colour--in whatever checks that Storm
Which with the shattered present chokes the past;
And in that best philosophy, whose taste
Makes this cold common hell, our life, a doom
As glorious as a fiery martyrdom; _215
Her Spirit was the harmony of truth. --
Then, from the caverns of my dreamy youth
I sprang, as one sandalled with plumes of fire,
And towards the lodestar of my one desire,
I flitted, like a dizzy moth, whose flight _220
Is as a dead leaf's in the owlet light,
When it would seek in Hesper's setting sphere
A radiant death, a fiery sepulchre,
As if it were a lamp of earthly flame. --
But She, whom prayers or tears then could not tame, _225
Passed, like a God throned on a winged planet,
Whose burning plumes to tenfold swiftness fan it,
Into the dreary cone of our life's shade;
And as a man with mighty loss dismayed,
I would have followed, though the grave between _230
Yawned like a gulf whose spectres are unseen:
When a voice said:--'O thou of hearts the weakest,
The phantom is beside thee whom thou seekest. '
Then I--'Where? '--the world's echo answered 'where? '
And in that silence, and in my despair, _235
I questioned every tongueless wind that flew
Over my tower of mourning, if it knew
Whither 'twas fled, this soul out of my soul;
And murmured names and spells which have control
Over the sightless tyrants of our fate; _240
But neither prayer nor verse could dissipate
The night which closed on her; nor uncreate
That world within this Chaos, mine and me,
Of which she was the veiled Divinity,
The world I say of thoughts that worshipped her: _245
And therefore I went forth, with hope and fear
And every gentle passion sick to death,
Feeding my course with expectation's breath,
Into the wintry forest of our life;
And struggling through its error with vain strife, _250
And stumbling in my weakness and my haste,
And half bewildered by new forms, I passed,
Seeking among those untaught foresters
If I could find one form resembling hers,
In which she might have masked herself from me. _255
There,--One, whose voice was venomed melody
Sate by a well, under blue nightshade bowers:
The breath of her false mouth was like faint flowers,
Her touch was as electric poison,--flame
Out of her looks into my vitals came, _260
And from her living cheeks and bosom flew
A killing air, which pierced like honey-dew
Into the core of my green heart, and lay
Upon its leaves; until, as hair grown gray
O'er a young brow, they hid its unblown prime _265
With ruins of unseasonable time.
In many mortal forms I rashly sought
The shadow of that idol of my thought.
And some were fair--but beauty dies away:
Others were wise--but honeyed words betray: _270
And One was true--oh! why not true to me?
Then, as a hunted deer that could not flee,
I turned upon my thoughts, and stood at bay,
Wounded and weak and panting; the cold day
Trembled, for pity of my strife and pain. _275
When, like a noonday dawn, there shone again
Deliverance. One stood on my path who seemed
As like the glorious shape which I had d reamed
As is the Moon, whose changes ever run
Into themselves, to the eternal Sun; _280
The cold chaste Moon, the Queen of Heaven's bright isles,
Who makes all beautiful on which she smiles,
That wandering shrine of soft yet icy flame
Which ever is transformed, yet still the same,
And warms not but illumines. Young and fair _285
As the descended Spirit of that sphere,
She hid me, as the Moon may hide the night
From its own darkness, until all was bright
Between the Heaven and Earth of my calm mind,
And, as a cloud charioted by the wind, _290
She led me to a cave in that wild place,
And sate beside me, with her downward face
Illumining my slumbers, like the Moon
Waxing and waning o'er Endymion.
And I was laid asleep, spirit and limb, _295
And all my being became bright or dim
As the Moon's image in a summer sea,
According as she smiled or frowned on me;
And there I lay, within a chaste cold bed:
Alas, I then was nor alive nor dead:-- _300
For at her silver voice came Death and Life,
Unmindful each of their accustomed strife,
Masked like twin babes, a sister and a brother,
The wandering hopes of one abandoned mother,
And through the cavern without wings they flew, _305
And cried 'Away, he is not of our crew. '
I wept, and though it be a dream, I weep.
What storms then shook the ocean of my sleep,
Blotting that Moon, whose pale and waning lips
Then shrank as in the sickness of eclipse;-- _310
And how my soul was as a lampless sea,
And who was then its Tempest; and when She,
The Planet of that hour, was quenched, what frost
Crept o'er those waters, till from coast to coast
The moving billows of my being fell _315
Into a death of ice, immovable;--
And then--what earthquakes made it gape and split,
The white Moon smiling all the while on it,
These words conceal:--If not, each word would be
The key of staunchless tears. Weep not for me! _320
At length, into the obscure Forest came
The Vision I had sought through grief and shame.
Athwart that wintry wilderness of thorns
Flashed from her motion splendour like the Morn's,
And from her presence life was radiated _325
Through the gray earth and branches bare and dead;
So that her way was paved, and roofed above
With flowers as soft as thoughts of budding love;
And music from her respiration spread
Like light,--all other sounds were penetrated _330
By the small, still, sweet spirit of that sound,
So that the savage winds hung mute around;
And odours warm and fresh fell from her hair
Dissolving the dull cold in the frore air:
Soft as an Incarnation of the Sun, _335
When light is changed to love, this glorious One
Floated into the cavern where I lay,
And called my Spirit, and the dreaming clay
Was lifted by the thing that dreamed below
As smoke by fire, and in her beauty's glow _340
I stood, and felt the dawn of my long night
Was penetrating me with living light:
I knew it was the Vision veiled from me
So many years--that it was Emily.
Twin Spheres of light who rule this passive Earth, _345
This world of loves, this ME; and into birth
Awaken all its fruits and flowers, and dart
Magnetic might into its central heart;
And lift its billows and its mists, and guide
By everlasting laws, each wind and tide _350
To its fit cloud, and its appointed cave;
And lull its storms, each in the craggy grave
Which was its cradle, luring to faint bowers
The armies of the rainbow-winged showers;
And, as those married lights, which from the towers _355
Of Heaven look forth and fold the wandering globe
In liquid sleep and splendour, as a robe;
And all their many-mingled influence blend,
If equal, yet unlike, to one sweet end;--
So ye, bright regents, with alternate sway _360
Govern my sphere of being, night and day!
Thou, not disdaining even a borrowed might;
Thou, not eclipsing a remoter light;
And, through the shadow of the seasons three,
From Spring to Autumn's sere maturity, _365
Light it into the Winter of the tomb,
Where it may ripen to a brighter bloom.
Thou too, O Comet beautiful and fierce,
Who drew the heart of this frail Universe
Towards thine own; till, wrecked in that convulsion, _370
Alternating attraction and repulsion,
Thine went astray and that was rent in twain;
Oh, float into our azure heaven again!
Be there Love's folding-star at thy return;
The living Sun will feed thee from its urn _375
Of golden fire; the Moon will veil her horn
In thy last smiles; adoring Even and Morn
Will worship thee with incense of calm breath
And lights and shadows; as the star of Death
And Birth is worshipped by those sisters wild _380
Called Hope and Fear--upon the heart are piled
Their offerings,--of this sacrifice divine
A World shall be the altar.
Lady mine,
Scorn not these flowers of thought, the fading birth
Which from its heart of hearts that plant puts forth _385
Whose fruit, made perfect by thy sunny eyes,
Will be as of the trees of Paradise.
The day is come, and thou wilt fly with me.
To whatsoe'er of dull mortality
Is mine, remain a vestal sister still; _390
To the intense, the deep, the imperishable,
Not mine but me, henceforth be thou united
Even as a bride, delighting and delighted.
The hour is come:--the destined Star has risen
Which shall descend upon a vacant prison. _395
The walls are high, the gates are strong, thick set
The sentinels--but true Love never yet
Was thus constrained: it overleaps all fence:
Like lightning, with invisible violence
Piercing its continents; like Heaven's free breath, _400
Which he who grasps can hold not; liker Death,
Who rides upon a thought, and makes his way
Through temple, tower, and palace, and the array
Of arms: more strength has Love than he or they;
For it can burst his charnel, and make free _405
The limbs in chains, the heart in agony,
The soul in dust and chaos.
Emily,
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor, _410
No keel has ever ploughed that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me? _415
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea, _420
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remained a solitude _425
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home, _430
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide; _435
And many a fountain, rivulet, and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year) _440
Pierce into glades, caverns, and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs; _445
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers.
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep, _450
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam and tone,
With that deep music is in unison:
Which is a soul within the soul--they seem _455
Like echoes of an antenatal dream. --
It is an isle 'twixt Heaven, Air, Earth, and Sea,
Cradled, and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Washed by the soft blue Oceans of young air. _460
It is a favoured place. Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The winged storms, chanting their thunder-psalm _465
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky _470
There fall, clear exhalations, soft and bright.
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness, _475
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th' Eternal, whose own smile
Unfolds itself, and may be felt, not seen _480
O'er the gray rocks, blue waves, and forests green,
Filling their bare and void interstices. --
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know: _485
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Reared it, a wonder of that simple time, _490
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were Titanic; in the heart
Of Earth having assumed its form, then grown _495
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learned imagery
Has been erased, and in the place of it
The ivy and the wild-vine interknit _500
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen, _505
Or fragments of the day's intense serene;--
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream _510
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.
This isle and house are mine, and I have vowed
Thee to be lady of the solitude. --
And I have fitted up some chambers there _515
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below. --
I have sent books and music there, and all
Those instruments with which high Spirits call _520
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste _525
Hires not the pale drudge Luxury, to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit _530
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measured by the pants of their calm sleep. _535
Be this our home in life, and when years heap
Their withered hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one. Meanwhile _540
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour; _545
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea
Trembles and sparkles as with ecstasy,--
Possessing and possessed by all that is
Within that calm circumference of bliss, _550
And by each other, till to love and live
Be one:--or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expired night asleep,
Through which the awakened day can never peep; _555
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights:
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody _560
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound, _565
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be _570
Confused in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew, _575
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigured; ever still
Burning, yet ever inconsumable:
In one another's substance finding food, _580
Like flames too pure and light and unimbued
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death, _585
One Heaven, one Hell, one immortality,
And one annihilation. Woe is me!
The winged words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire-- _590
I pant, I sink, I tremble, I expire!
. . .
Weak Verses, go, kneel at your Sovereign's feet,
And say:--'We are the masters of thy slave;
What wouldest thou with us and ours and thine? '
Then call your sisters from Oblivion's cave, _595
All singing loud: 'Love's very pain is sweet,
But its reward is in the world divine
Which, if not here, it builds beyond the grave. '
So shall ye live when I am there. Then haste
Over the hearts of men, until ye meet _600
Marina, Vanna, Primus, and the rest,
And bid them love each other and be blessed:
And leave the troop which errs, and which reproves,
And come and be my guest,--for I am Love's.
NOTES:
_100 morning]morn may Rossetti cj.
_118 of]on edition 1839.
_405 it]he edition 1839.
_501 many-twining]many twining editio prin. 1821.
_504 winter-woof]inter-woof Rossetti cj.
FRAGMENTS CONNECTED WITH EPIPSYCHIDION.
[Of the fragments of verse that follow, lines 1-37, 62-92 were printed
by Mrs. Shelley in "Posthumous Works", 1839, 2nd edition; lines 1-174
were printed or reprinted by Dr. Garnett in "Relics of Shelley", 1862;
and lines 175-186 were printed by Mr. C. D. Locock from the first draft
of "Epipsychidion" amongst the Shelley manuscripts in the Bodleian
Library. See "Examination, etc. ", 1903, pages 12, 13. The three early
drafts of the "Preface (Advertisement)" were printed by Mr. Locock in
the same volume, pages 4, 5. ]
THREE EARLY DRAFTS OF THE PREFACE.
(ADVERTISEMENT. )
PREFACE 1.
The following Poem was found amongst other papers in the Portfolio of
a young Englishman with whom the Editor had contracted an intimacy at
Florence, brief indeed, but sufficiently long to render the
Catastrophe by which it terminated one of the most painful events of
his life.
--
The literary merit of the Poem in question may not be considerable;
but worse verses are printed every day, &
He was an accomplished & amiable person but his error was, thuntos on
un thunta phronein,--his fate is an additional proof that 'The tree of
Knowledge is not that of Life. '--He had framed to himself certain
opinions, founded no doubt upon the truth of things, but built up to a
Babel height; they fell by their own weight, & the thoughts that were
his architects, became unintelligible one to the other, as men upon
whom confusion of tongues has fallen.
[These] verses seem to have been written as a sort of dedication of
some work to have been presented to the person whom they address: but
his papers afford no trace of such a work--The circumstances to which
[they] the poem allude, may easily be understood by those to whom
[the] spirit of the poem itself is [un]intelligible: a detail of
facts, sufficiently romantic in [themselves but] their combinations
The melancholy [task] charge of consigning the body of my poor friend
to the grave, was committed to me by his desolated family. I caused
him to be buried in a spot selected by himself, & on the h
PREFACE 2.
[Epips] T. E. V. Epipsych
Lines addressed to
the Noble Lady
[Emilia] [E. V. ]
Emilia
[The following Poem was found in the PF. of a young Englishman, who
died on his passage from Leghorn to the Levant. He had bought one of
the Sporades] He was accompanied by a lady [who might have been]
supposed to be his wife, & an effeminate looking youth, to whom he
shewed an [attachment] so [singular] excessive an attachment as to
give rise to the suspicion, that she was a woman--At his death this
suspicion was confirmed;. . . object speedily found a refuge both from
the taunts of the brute multitude, and from the. . . of her grief in the
same grave that contained her lover. --He had bought one of the
Sporades, & fitted up a Saracenic castle which accident had preserved
in some repair with simple elegance, & it was his intention to
dedicate the remainder of his life to undisturbed intercourse with his
companions
These verses apparently were intended as a dedication of a longer poem
or series of poems
PREFACE 3.
The writer of these lines died at Florence in [January 1820] while he
was preparing * * for one wildest of the of the Sporades, where he
bought & fitted up the ruins of some old building--His life was
singular, less on account of the romantic vicissitudes which
diversified it, than the ideal tinge which they received from his own
character & feelings--
The verses were apparently intended by the writer to accompany some
longer poem or collection of poems, of which there* [are no remnants
in his] * * * remains [in his] portfolio. --
The editor is induced to
The present poem, like the vita Nova of Dante, is sufficiently
intelligible to a certain class of readers without a matter of fact
history of the circumstances to which it relate, & to a certain other
class, it must & ought ever to remain incomprehensible--It was
evidently intended to be prefixed to a longer poem or series of
poems--but among his papers there are no traces of such a collection.
PASSAGES OF THE POEM, OR CONNECTED THEREWITH.
Here, my dear friend, is a new book for you;
I have already dedicated two
To other friends, one female and one male,--
What you are, is a thing that I must veil;
What can this be to those who praise or rail? _5
I never was attached to that great sect
Whose doctrine is that each one should select
Out of the world a mistress or a friend,
And all the rest, though fair and wise, commend
To cold oblivion--though 'tis in the code _10
Of modern morals, and the beaten road
Which those poor slaves with weary footsteps tread
Who travel to their home among the dead
By the broad highway of the world--and so
With one sad friend, and many a jealous foe, _15
The dreariest and the longest journey go.
Free love has this, different from gold and clay,
That to divide is not to take away.
Like ocean, which the general north wind breaks
Into ten thousand waves, and each one makes _20
A mirror of the moon--like some great glass,
Which did distort whatever form might pass,
Dashed into fragments by a playful child,
Which then reflects its eyes and forehead mild;
Giving for one, which it could ne'er express, _25
A thousand images of loveliness.
If I were one whom the loud world held wise,
I should disdain to quote authorities
In commendation of this kind of love:--
Why there is first the God in heaven above, _30
Who wrote a book called Nature, 'tis to be
Reviewed, I hear, in the next Quarterly;
And Socrates, the Jesus Christ of Greece,
And Jesus Christ Himself, did never cease
To urge all living things to love each other, _35
And to forgive their mutual faults, and smother
The Devil of disunion in their souls.
. . .
I love you! --Listen, O embodied Ray
Of the great Brightness; I must pass away
While you remain, and these light words must be _40
Tokens by which you may remember me.
Start not--the thing you are is unbetrayed,
If you are human, and if but the shade
Of some sublimer spirit. . .
. . .
And as to friend or mistress, 'tis a form; _45
Perhaps I wish you were one. Some declare
You a familiar spirit, as you are;
Others with a . . . more inhuman
Hint that, though not my wife, you are a woman;
What is the colour of your eyes and hair? _50
Why, if you were a lady, it were fair
The world should know--but, as I am afraid,
The Quarterly would bait you if betrayed;
And if, as it will be sport to see them stumble
Over all sorts of scandals. hear them mumble _55
Their litany of curses--some guess right,
And others swear you're a Hermaphrodite;
Like that sweet marble monster of both sexes,
Which looks so sweet and gentle that it vexes
The very soul that the soul is gone _60
Which lifted from her limbs the veil of stone.
. . .
It is a sweet thing, friendship, a dear balm,
A happy and auspicious bird of calm,
Which rides o'er life's ever tumultuous Ocean;
A God that broods o'er chaos in commotion; _65
A flower which fresh as Lapland roses are,
Lifts its bold head into the world's frore air,
And blooms most radiantly when others die,
Health, hope, and youth, and brief prosperity;
And with the light and odour of its bloom, _70
Shining within the dun eon and the tomb;
Whose coming is as light and music are
'Mid dissonance and gloom--a star
Which moves not 'mid the moving heavens alone--
A smile among dark frowns--a gentle tone _75
Among rude voices, a beloved light,
A solitude, a refuge, a delight.
If I had but a friend! Why, I have three
Even by my own confession; there may be
Some more, for what I know, for 'tis my mind _80
To call my friends all who are wise and kind,-
And these, Heaven knows, at best are very few;
But none can ever be more dear than you.
Why should they be? My muse has lost her wings,
Or like a dying swan who soars and sings, _85
I should describe you in heroic style,
But as it is, are you not void of guile?
A lovely soul, formed to be blessed and bless:
A well of sealed and secret happiness;
A lute which those whom Love has taught to play _90
Make music on to cheer the roughest day,
And enchant sadness till it sleeps? . . .
. . .
To the oblivion whither I and thou,
All loving and all lovely, hasten now
With steps, ah, too unequal! may we meet _95
In one Elysium or one winding-sheet!
If any should be curious to discover
Whether to you I am a friend or lover,
Let them read Shakespeare's sonnets, taking thence
A whetstone for their dull intelligence _100
That tears and will not cut, or let them guess
How Diotima, the wise prophetess,
Instructed the instructor, and why he
Rebuked the infant spirit of melody
On Agathon's sweet lips, which as he spoke _105
Was as the lovely star when morn has broke
The roof of darkness, in the golden dawn,
Half-hidden, and yet beautiful.
I'll pawn
My hopes of Heaven-you know what they are worth --
That the presumptuous pedagogues of Earth, _110
If they could tell the riddle offered here
Would scorn to be, or being to appear
What now they seem and are--but let them chide,
They have few pleasures in the world beside;
Perhaps we should be dull were we not chidden, _115
Paradise fruits are sweetest when forbidden.
Folly can season Wisdom, Hatred Love.
. . .
Farewell, if it can be to say farewell
To those who
. . .
I will not, as most dedicators do, _120
Assure myself and all the world and you,
That you are faultless--would to God they were
Who taunt me with your love! I then should wear
These heavy chains of life with a light spirit,
And would to God I were, or even as near it _125
As you, dear heart. Alas! what are we? Clouds
Driven by the wind in warring multitudes,
Which rain into the bosom of the earth,
And rise again, and in our death and birth,
And through our restless life, take as from heaven _130
Hues which are not our own, but which are given,
And then withdrawn, and with inconstant glance
Flash from the spirit to the countenance.
There is a Power, a Love, a Joy, a God
Which makes in mortal hearts its brief abode, _135
A Pythian exhalation, which inspires
Love, only love--a wind which o'er the wires
Of the soul's giant harp
There is a mood which language faints beneath;
You feel it striding, as Almighty Death _140
His bloodless steed. . .
. . .
And what is that most brief and bright delight
Which rushes through the touch and through the sight,
And stands before the spirit's inmost throne,
A naked Seraph? None hath ever known. _145
Its birth is darkness, and its growth desire;
Untameable and fleet and fierce as fire,
Not to be touched but to be felt alone,
It fills the world with glory-and is gone.
. . .
It floats with rainbow pinions o'er the stream _150
Of life, which flows, like a . . . dream
Into the light of morning, to the grave
As to an ocean. . .
. . .
What is that joy which serene infancy
Perceives not, as the hours content them by, _155
Each in a chain of blossoms, yet enjoys
The shapes of this new world, in giant toys
Wrought by the busy . . . ever new?
Remembrance borrows Fancy's glass, to show
These forms more . . . sincere _160
Than now they are, than then, perhaps, they were.
When everything familiar seemed to be
Wonderful, and the immortality
Of this great world, which all things must inherit,
Was felt as one with the awakening spirit, _165
Unconscious of itself, and of the strange
Distinctions which in its proceeding change
It feels and knows, and mourns as if each were
A desolation. . .
. . .
Were it not a sweet refuge, Emily, _170
For all those exiles from the dull insane
Who vex this pleasant world with pride and pain,
For all that band of sister-spirits known
To one another by a voiceless tone?
. . .
If day should part us night will mend division _175
And if sleep parts us--we will meet in vision
And if life parts us--we will mix in death
Yielding our mite [? ] of unreluctant breath
Death cannot part us--we must meet again
In all in nothing in delight in pain: _180
How, why or when or where--it matters not
So that we share an undivided lot. . .
. . .
And we will move possessing and possessed
Wherever beauty on the earth's bare [? ] breast
Lies like the shadow of thy soul--till we _185
Become one being with the world we see. . .
NOTES:
_52-_53 afraid The cj. A. C. Bradley.
_54 And as cj. Rossetti, A. C. Bradley.
_61 stone. . . cj. A. C. Bradley.
_155 them]trip or troop cj. A. C. Bradley.
_157 in]as cj. A. C. Bradley.
***
ADONAIS.
AN ELEGY ON THE DEATH OF JOHN KEATS,
AUTHOR OF ENDYMION, HYPERION, ETC.
Aster prin men elampes eni zooisin Eoos
nun de thanon lampeis Esperos en phthimenois. --PLATO.
["Adonais" was composed at Pisa during the early days of June, 1821,
and printed, with the author's name, at Pisa, 'with the types of
Didot,' by July 13, 1821. Part of the impression was sent to the
brothers Ollier for sale in London. An exact reprint of this Pisa
edition (a few typographical errors only being corrected) was issued
in 1829 by Gee & Bridges, Cambridge, at the instance of Arthur Hallam
and Richard Monckton Milnes (Lord Houghton). The poem was included in
Galignani's edition of "Coleridge, Shelley and Keats", Paris, 1829,
and by Mrs. Shelley in the "Poetical Works" of 1839. Mrs. Shelley's
text presents three important variations from that of the editio
princeps. In 1876 an edition of the "Adonais", with Introduction and
Notes, was printed for private circulation by Mr. H. Buxton Forman,
C. B. Ten years later a reprint 'in exact facsimile' of the Pisa
edition was edited with a Bibliographical Introduction by Mr. T. J.
Wise ("Shelley Society Publications", 2nd Series, No. 1, Reeves &
Turner, London, 1886). Our text is that of the editio princeps, Pisa,
1821, modified by Mrs. Shelley's text of 1839. The readings of the
editio princeps, wherever superseded, are recorded in the footnotes.
The Editor's Notes at the end of the Volume 3 should be consulted. ]
PREFACE.
Pharmakon elthe, Bion, poti son stoma, pharmakon eides.
pos ten tois cheilessi potesrame, kouk eglukanthe;
tis de Brotos tossouton anameros, e kerasai toi,
e dounai laleonti to pharmakon; ekphugen odan.
--MOSCHUS, EPITAPH. BION.
It is my intention to subjoin to the London edition of this poem a
criticism upon the claims of its lamented object to be classed among
the writers of the highest genius who have adorned our age. My known
repugnance to the narrow principles of taste on which several of his
earlier compositions were modelled prove at least that I am an
impartial judge. I consider the fragment of "Hyperion" as second to
nothing that was ever produced by a writer of the same years.
John Keats died at Rome of a consumption, in his twenty-fourth year,
on the -- of -- 1821; and was buried in the romantic and lonely
cemetery of the Protestants in that city, under the pyramid which is
the tomb of Cestius, and the massy walls and towers, now mouldering
and desolate, which formed the circuit of ancient Rome. The cemetery
is an open space among the ruins, covered in winter with violets and
daisies. It might make one in love with death, to think that one
should be buried in so sweet a place.
The genius of the lamented person to whose memory I have dedicated
these unworthy verses was not less delicate and fragile than it was
beautiful; and where cankerworms abound, what wonder if its young
flower was blighted in the bud? The savage criticism on his
"Endymion", which appeared in the "Quarterly Review", produced the
most violent effect on his susceptible mind; the agitation thus
originated ended in the rupture of a blood-vessel in the lungs; a
rapid consumption ensued, and the succeeding acknowledgements from
more candid critics of the true greatness of his powers were
ineffectual to heal the wound thus wantonly inflicted.
It may be well said that these wretched men know not what they do.
They scatter their insults and their slanders without heed as to
whether the poisoned shaft lights on a heart made callous by many
blows or one like Keats's composed of more penetrable stuff. One of
their associates is, to my knowledge, a most base and unprincipled
calumniator. As to "Endymion", was it a poem, whatever might be its
defects, to be treated contemptuously by those who had celebrated,
with various degrees of complacency and panegyric, "Paris", and
"Woman", and a "Syrian Tale", and Mrs. Lefanu, and Mr. Barrett, and
Mr. Howard Payne, and a long list of the illustrious obscure? Are
these the men who in their venal good nature presumed to draw a
parallel between the Reverend Mr. Milman and Lord Byron? What gnat did
they strain at here, after having swallowed all those camels? Against
what woman taken in adultery dares the foremost of these literary
prostitutes to cast his opprobrious stone? Miserable man! you, one of
the meanest, have wantonly defaced one of the noblest specimens of the
workmanship of God. Nor shall it be your excuse, that, murderer as you
are, you have spoken daggers, but used none.
The circumstances of the closing scene of poor Keats's life were not
made known to me until the "Elegy" was ready for the press.
