My periods that
deciphering
defy,
And thy still matchless tongue that conquers all reply.
And thy still matchless tongue that conquers all reply.
Robert Burns
forsake our earth,
And not a muse in honest grief bewail?
We saw thee shine in youth and beauty's pride,
And virtue's light, that beams beyond the spheres;
But like the sun eclips'd at morning tide,
Thou left'st us darkling in a world of tears.
The parent's heart that nestled fond in thee,
That heart how sunk, a prey to grief and care;
So leck'd the woodbine sweet yon aged tree;
So from it ravish'd, leaves it bleak and bare.
* * * * *
CXXIV.
LAMENT
FOR
JAMES, EARL OF GLENCAIRN.
[Burns lamented the death of this kind and accomplished nobleman with
melancholy sincerity: he moreover named one of his sons for him: he
went into mourning when he heard of his death, and he sung of his
merits in a strain not destined soon to lose the place it has taken
among the verses which record the names of the noble and the generous.
He died January 30, 1791, in the forty-second year of his age. James
Cunningham was succeeded in his title by his brother, and with him
expired, in 1796, the last of a race, whose name is intimately
connected with the History of Scotland, from the days of Malcolm
Canmore. ]
I.
The wind blew hollow frae the hills,
By fits the sun's departing beam
Look'd on the fading yellow woods
That wav'd o'er Lugar's winding stream:
Beneath a craggy steep, a bard,
Laden with years and meikle pain,
In loud lament bewail'd his lord,
Whom death had all untimely ta'en.
II.
He lean'd him to an ancient aik,
Whose trunk was mould'ring down with years;
His locks were bleached white with time,
His hoary cheek was wet wi' tears;
And as he touch'd his trembling harp,
And as he tun'd his doleful sang,
The winds, lamenting thro' their caves,
To echo bore the notes alang.
III.
"Ye scattered birds that faintly sing,
The reliques of the vernal quire!
Ye woods that shed on a' the winds
The honours of the aged year!
A few short months, and glad and gay,
Again ye'll charm the ear and e'e;
But nocht in all revolving time
Can gladness bring again to me.
IV.
"I am a bending aged tree,
That long has stood the wind and rain;
But now has come a cruel blast,
And my last hold of earth is gane:
Nae leaf o' mine shall greet the spring,
Nae simmer sun exalt my bloom;
But I maun lie before the storm,
And ithers plant them in my room.
V.
"I've seen sae mony changefu' years,
On earth I am a stranger grown;
I wander in the ways of men,
Alike unknowing and unknown:
Unheard, unpitied, unrelieved,
I bear alane my lade o' care,
For silent, low, on beds of dust,
Lie a' that would my sorrows share.
VI.
"And last (the sum of a' my griefs! )
My noble master lies in clay;
The flow'r amang our barons bold,
His country's pride! his country's stay--
In weary being now I pine,
For a' the life of life is dead,
And hope has left my aged ken,
On forward wing for ever fled.
VII.
"Awake thy last sad voice, my harp!
The voice of woe and wild despair;
Awake! resound thy latest lay--
Then sleep in silence evermair!
And thou, my last, best, only friend,
That fillest an untimely tomb,
Accept this tribute from the bard
Though brought from fortune's mirkest gloom.
VIII.
"In poverty's low barren vale
Thick mists, obscure, involve me round;
Though oft I turn'd the wistful eye,
Nae ray of fame was to be found:
Thou found'st me, like the morning sun,
That melts the fogs in limpid air,
The friendless bard and rustic song
Became alike thy fostering care.
IX.
"O! why has worth so short a date?
While villains ripen fray with time;
Must thou, the noble, gen'rous, great,
Fall in bold manhood's hardy prime!
Why did I live to see that day?
A day to me so full of woe! --
O had I met the mortal shaft
Which laid my benefactor low.
X.
"The bridegroom may forget the bride
Was made his wedded wife yestreen;
The monarch may forget the crown
That on his head an hour has been;
The mother may forget the child
That smiles sae sweetly on her knee;
But I'll remember thee, Glencairn,
And a' that thou hast done for me! "
* * * * *
CXXV.
LINES
SENT TO
SIR JOHN WHITEFOORD, BART. ,
OF WHITEFOORD.
WITH THE FOREGOING POEM.
[Sir John Whitefoord, a name of old standing in Ayrshire, inherited
the love of his family for literature, and interested himself early in
the fame and fortunes of Burns. ]
Thou, who thy honour as thy God rever'st,
Who, save thy mind's reproach, nought earthly fear'st,
To thee this votive offering I impart,
The tearful tribute of a broken heart.
The friend thou valuedst, I, the patron, lov'd;
His worth, his honour, all the world approv'd,
We'll mourn till we too go as he has gone,
And tread the dreary path to that dark world unknown.
* * * * *
CXXVI.
ADDRESS
TO
THE SHADE OF THOMSON,
ON CROWNING HIS BUST AT EDNAM WITH BAYS.
["Lord Buchan has the pleasure to invite Mr. Burns to make one at the
coronation of the bust of Thomson, on Ednam Hill, on the 22d of
September: for which day perhaps his muse may inspire an ode suited to
the occasion. Suppose Mr. Burns should, leaving the Nith, go across
the country, and meet the Tweed at the nearest point from his farm,
and, wandering along the pastoral banks of Thomson's pure parent
stream, catch inspiration in the devious walk, till he finds Lord
Buchan sitting on the ruins of Dryburgh. There the Commendator will
give him a hearty welcome, and try to light his lamp at the pure flame
of native genius, upon the altar of Caledonian virtue. " Such was the
invitation of the Earl of Buchan to Burns. To request the poet to lay
down his sickle when his harvest was half reaped, and traverse one of
the wildest and most untrodden ways in Scotland, for the purpose of
looking at the fantastic coronation of the bad bust of on excellent
poet, was worthy of Lord Buchan. The poor bard made answer, that a
week's absence in the middle of his harvest was a step he durst not
venture upon--but he sent this Poem.
The poet's manuscript affords the following interesting variations:--
"While cold-eyed Spring, a virgin coy,
Unfolds her verdant mantle sweet,
Or pranks the sod in frolic joy,
A carpet for her youthful feet:
"While Summer, with a matron's grace,
Walks stately in the cooling shade,
And oft delighted loves to trace
The progress of the spiky blade:
"While Autumn, benefactor kind,
With age's hoary honours clad,
Surveys, with self-approving mind,
Each creature on his bounty fed. "]
While virgin Spring, by Eden's flood,
Unfolds her tender mantle green,
Or pranks the sod in frolic mood,
Or tunes AEolian strains between:
While Summer, with a matron grace,
Retreats to Dryburgh's cooling shade,
Yet oft, delighted, stops to trace
The progress of the spiky blade:
While Autumn, benefactor kind,
By Tweed erects his aged head,
And sees, with self-approving mind,
Each creature on his bounty fed:
While maniac Winter rages o'er
The hills whence classic Yarrow flows,
Rousing the turbid torrent's roar,
Or sweeping, wild, a waste of snows:
So long, sweet Poet of the year!
Shall bloom that wreath thou well hast won;
While Scotia, with exulting tear,
Proclaims that Thomson was her son.
* * * * *
CXXVII.
TO
ROBERT GRAHAM, ESQ. ,
OF FINTRAY.
[By this Poem Burns prepared the way for his humble request to be
removed to a district more moderate in its bounds than one which
extended over ten country parishes, and exposed him both to fatigue
and expense. This wish was expressed in prose, and was in due time
attended to, for Fintray was a gentleman at once kind and
considerate. ]
Late crippl'd of an arm, and now a leg,
About to beg a pass for leave to beg:
Dull, listless, teas'd, dejected, and deprest,
(Nature is adverse to a cripple's rest;)
Will generous Graham list to his Poet's wail?
(It soothes poor misery, hearkening to her tale,)
And hear him curse the light he first survey'd,
And doubly curse the luckless rhyming trade?
Thou, Nature, partial Nature! I arraign;
Of thy caprice maternal I complain:
The lion and the bull thy care have found,
One shakes the forests, and one spurns the ground:
Thou giv'st the ass his hide, the snail his shell,
Th' envenom'd wasp, victorious, guards his cell;
Thy minions, kings, defend, control, devour,
In all th' omnipotence of rule and power;
Foxes and statesmen, subtile wiles insure;
The cit and polecat stink, and are secure;
Toads with their poison, doctors with their drug,
The priest and hedgehog in their robes are snug;
Ev'n silly woman has her warlike arts,
Her tongue and eyes, her dreaded spear and darts;--
But, oh! thou bitter stepmother and hard,
To thy poor fenceless, naked child--the Bard!
A thing unteachable in world's skill,
And half an idiot too, more helpless still;
No heels to bear him from the op'ning dun;
No claws to dig, his hated sight to shun;
No horns, but those by luckless Hymen worn,
And those, alas! not Amalthea's horn:
No nerves olfact'ry, Mammon's trusty cur,
Clad in rich dullness' comfortable fur;--
In naked feeling, and in aching pride,
He bears the unbroken blast from every side.
Vampyre booksellers drain him to the heart,
And scorpion critics cureless venom dart.
Critics! --appall'd I venture on the name,
Those cut-throat bandits in the paths of fame.
Bloody dissectors, worse than ten Monroes!
He hacks to teach, they mangle to expose.
His heart by causeless wanton malice wrung,
By blockheads' daring into madness stung;
His well-won bays, than life itself more dear,
By miscreants torn, who ne'er one sprig must wear:
Foil'd, bleeding, tortur'd, in the unequal strife,
The hapless poet flounders on through life;
Till, fled each hope that once his bosom fir'd,
And fled each muse that glorious once inspir'd,
Low sunk in squalid, unprotected age,
Dead, even resentment, for his injur'd page,
He heeds or feels no more the ruthless critic's rage!
So, by some hedge, the gen'rous steed deceas'd,
For half-starv'd snarling curs a dainty feast:
By toil and famine wore to skin and bone,
Lies senseless of each tugging bitch's son.
O dullness! portion of the truly blest!
Calm sheltered haven of eternal rest!
Thy sons ne'er madden in the fierce extremes
Of fortune's polar frost, or torrid beams.
If mantling high she fills the golden cup,
With sober selfish ease they sip it up;
Conscious the bounteous meed they well deserve,
They only wonder "some folks" do not starve.
The grave sage hern thus easy picks his frog,
And thinks the mallard a sad worthless dog.
When disappointment snaps the clue of hope,
And thro' disastrous night they darkling grope,
With deaf endurance sluggishly they bear,
And just conclude that "fools are fortune's care. "
So, heavy, passive to the tempest's shocks,
Strong on the sign-post stands the stupid ox.
Not so the idle muses' mad-cap train,
Not such the workings of their moon-struck brain;
In equanimity they never dwell,
By turns in soaring heav'n or vaulted hell
I dread thee, fate, relentless and severe,
With all a poet's, husband's, father's fear!
Already one strong hold of hope is lost,
Glencairn, the truly noble, lies in dust;
(Fled, like the sun eclips'd as noon appears,
And left us darkling in a world of tears:)
O! hear my ardent, grateful, selfish pray'r! --
Fintray, my other stay, long bless and spare!
Thro' a long life his hopes and wishes crown;
And bright in cloudless skies his sun go down!
May bliss domestic smooth his private path;
Give energy to life; and soothe his latest breath,
With many a filial tear circling the bed of death!
* * * * *
CXXVIII.
TO
ROBERT GRAHAM, ESQ. ,
OF FINTRAY.
ON RECEIVING A FAVOUR.
[Graham of Fintray not only obtained for the poet the appointment in
Excise, which, while he lived in Edinburgh, he desired, but he also
removed him, as he wished, to a better district; and when imputations
were thrown out against his loyalty, he defended him with obstinate
and successful eloquence. Fintray did all that was done to raise Burns
out of the toiling humility of his condition, and enable him to serve
the muse without fear of want. ]
I call no goddess to inspire my strains,
A fabled muse may suit a bard that feigns;
Friend of my life! my ardent spirit burns,
And all the tribute of my heart returns,
For boons accorded, goodness ever new,
The gift still dearer, as the giver, you.
Thou orb of day! thou other paler light!
And all ye many sparkling stars of night;
If aught that giver from my mind efface;
If I that giver's bounty e'er disgrace;
Then roll to me, along your wandering spheres,
Only to number out a villain's years!
* * * * *
CXXIX.
A VISION.
[This Vision of Liberty descended on Burns among the magnificent ruins
of the College of Lincluden, which stand on the junction of the Cluden
and the Nith, a short mile above Dumfries. He gave us the Vision;
perhaps, he dared not in those yeasty times venture on the song, which
his secret visitant poured from her lips. The scene is chiefly copied
from nature: the swellings of the Nith, the howling of the fox on the
hill, and the cry of the owl, unite at times with the natural beauty
of the spot, and give it life and voice. These ruins were a favourite
haunt of the poet. ]
As I stood by yon roofless tower,
Where the wa'-flower scents the dewy air,
Where th' howlet mourns in her ivy bower
And tells the midnight moon her care;
The winds were laid, the air was still,
The Stars they shot along the sky;
The fox was howling on the hill,
And the distant echoing glens reply.
The stream, adown its hazelly path,
Was rushing by the ruin'd wa's,
Hasting to join the sweeping Nith,[109A]
Whose distant roaring swells and fa's.
The cauld blue north was streaming forth
Her lights, wi' hissing eerie din;
Athort the lift they start and shift,
Like fortune's favours, tint as win.
By heedless chance I turn'd mine eyes,
And, by the moon-beam, shook to see
A stern and stalwart ghaist arise,
Attir'd as minstrels wont to be. [109B]
Had I a statue been o' stane,
His darin' look had daunted me;
And on his bonnet grav'd was plain,
The sacred posy--'Libertie! '
And frae his harp sic strains did flow,
Might rous'd the slumb'ring dead to hear;
But, oh! it was a tale of woe,
As ever met a Briton's ear.
He sang wi' joy the former day,
He weeping wail'd his latter times;
But what he said it was nae play,--
I winna ventur't in my rhymes.
[Footnote 109A: VARIATIONS.
To join yon river on the Strath. ]
[Footnote 109B: VARIATIONS.
Now looking over firth and fauld,
Her horn the pale-fac'd Cynthia rear'd;
When, lo, in form of minstrel auld,
A storm and stalwart ghaist appear'd. ]
* * * * *
CXXX.
TO
JOHN MAXWELL OF TERRAUGHTY,
ON HIS BIRTHDAY.
[John Maxwell of Terraughty and Munshes, to whom these verses are
addressed, though descended from the Earls of Nithsdale, cared little
about lineage, and claimed merit only from a judgment sound and
clear--a knowledge of business which penetrated into all the concerns
of life, and a skill in handling the most difficult subjects, which
was considered unrivalled. Under an austere manner, he hid much
kindness of heart, and was in a fair way of doing an act of gentleness
when giving a refusal. He loved to meet Burns: not that he either
cared for or comprehended poetry; but he was pleased with his
knowledge of human nature, and with the keen and piercing remarks in
which he indulged. He was seventy-one years old when these verses were
written, and survived the poet twenty years. ]
Health to the Maxwell's vet'ran chief!
Health, ay unsour'd by care or grief:
Inspir'd, I turn'd Fate's sybil leaf
This natal morn;
I see thy life is stuff o' prief,
Scarce quite half worn.
This day thou metes three score eleven,
And I can tell that bounteous Heaven
(The second sight, ye ken, is given
To ilka Poet)
On thee a tack o' seven times seven
Will yet bestow it.
If envious buckies view wi' sorrow
Thy lengthen'd days on this blest morrow,
May desolation's lang teeth'd harrow,
Nine miles an hour,
Rake them like Sodom and Gomorrah,
In brunstane stoure--
But for thy friends, and they are mony,
Baith honest men and lasses bonnie,
May couthie fortune, kind and cannie,
In social glee,
Wi' mornings blythe and e'enings funny
Bless them and thee!
Fareweel, auld birkie! Lord be near ye,
And then the Deil he daur na steer ye;
Your friends ay love, your faes ay fear ye;
For me, shame fa' me,
If neist my heart I dinna wear ye
While BURNS they ca' me!
_Dumfries, 18 Feb. 1792. _
* * * * *
CXXXI.
THE RIGHTS OF WOMAN.
AN OCCASIONAL ADDRESS SPOKEN BY MISS FONTENELLE
ON HER BENEFIT NIGHT,
Nov. 26, 1792.
[Miss Fontenelle was one of the actresses whom Williamson, the
manager, brought for several seasons to Dumfries: she was young and
pretty, indulged in little levities of speech, and rumour added,
perhaps maliciously, levities of action. The Rights of Man had been
advocated by Paine, the Rights of Woman by Mary Wolstonecroft, and
nought was talked of, but the moral and political regeneration of the
world. The line
"But truce with kings and truce with constitutions,"
got an uncivil twist in recitation, from some of the audience. The
words were eagerly caught up, and had some hisses bestowed on them. ]
While Europe's eye is fix'd on mighty things,
The fate of empires and the fall of kings;
While quacks of state must each produce his plan,
And even children lisp the Rights of Man;
Amid this mighty fuss just let me mention,
The Rights of Woman merit some attention.
First on the sexes' intermix'd connexion,
One sacred Right of Woman is protection.
The tender flower that lifts its head, elate,
Helpless, must fall before the blasts of fate,
Sunk on the earth, defac'd its lovely form,
Unless your shelter ward th' impending storm.
Our second Right--but needless here is caution,
To keep that right inviolate's the fashion,
Each man of sense has it so full before him,
He'd die before he'd wrong it--'tis decorum. --
There was, indeed, in far less polish'd days,
A time, when rough, rude man had haughty ways;
Would swagger, swear, get drunk, kick up a riot,
Nay, even thus invade a lady's quiet.
Now, thank our stars! these Gothic times are fled;
Now, well-bred men--and you are all well-bred--
Most justly think (and we are much the gainers)
Such conduct neither spirit, wit, nor manners.
For Right the third, our last, our best, our dearest,
That right to fluttering female hearts the nearest,
Which even the Rights of Kings in low prostration
Most humbly own--'tis dear, dear admiration!
In that blest sphere alone we live and move;
There taste that life of life--immortal love. --
Smiles, glances, sighs, tears, fits, flirtations, airs,
'Gainst such an host what flinty savage dares--
When awful Beauty joins with all her charms,
Who is so rash as rise in rebel arms?
But truce with kings and truce with constitutions,
With bloody armaments and revolutions,
Let majesty your first attention summon,
Ah! ca ira! the majesty of woman!
* * * * *
CXXXII.
MONODY,
ON A LADY FAMED FOR HER CAPRICE.
[The heroine Of this rough lampoon was Mrs. Riddel of Woodleigh Park:
a lady young and gay, much of a wit, and something of a poetess, and
till the hour of his death the friend of Burns himself. She pulled his
displeasure on her, it is said, by smiling more sweetly than he liked
on some "epauletted coxcombs," for so he sometimes designated
commissioned officers: the lady soon laughed him out of his mood. We
owe to her pen an account of her last interview with the poet, written
with great beauty and feeling. ]
How cold is that bosom which folly once fired,
How pale is that cheek where the rouge lately glisten'd!
How silent that tongue which the echoes oft tired,
How dull is that ear which to flattery so listen'd!
If sorrow and anguish their exit await,
From friendship and dearest affection remov'd;
How doubly severer, Maria, thy fate,
Thou diest unwept as thou livedst unlov'd.
Loves, Graces, and Virtues, I call not on you;
So shy, grave, and distant, ye shed not a tear:
But come, all ye offspring of Folly so true,
And flowers let us cull for Maria's cold bier.
We'll search through the garden for each silly flower,
We'll roam through the forest for each idle weed;
But chiefly the nettle, so typical, shower,
For none e'er approach'd her but rued the rash deed.
We'll sculpture the marble, we'll measure the lay;
Here Vanity strums on her idiot lyre;
There keen indignation shall dart on her prey,
Which spurning Contempt shall redeem from his ire.
* * * * *
THE EPITAPH.
Here lies, now a prey to insulting neglect,
What once was a butterfly, gay in life's beam:
Want only of wisdom denied her respect,
Want only of goodness denied her esteem
* * * * *
CXXXIII.
EPISTLE
FROM
ESOPUS TO MARIA.
[Williamson, the actor, Colonel Macdouall, Captain Gillespie, and Mrs.
Riddel, are the characters which pass over the stage in this strange
composition: it is printed from the Poet's own manuscript, and seems a
sort of outpouring of wrath and contempt, on persons who, in his eyes,
gave themselves airs beyond their condition, or their merits. The
verse of the lady is held up to contempt and laughter: the satirist
celebrates her
"Motley foundling fancies, stolen or strayed;"
and has a passing hit at her
"Still matchless tongue that conquers all reply. "]
From those drear solitudes and frowsy cells,
Where infamy with sad repentance dwells;
Where turnkeys make the jealous portal fast,
And deal from iron hands the spare repast;
Where truant 'prentices, yet young in sin,
Blush at the curious stranger peeping in;
Where strumpets, relics of the drunken roar,
Resolve to drink, nay, half to whore, no more;
Where tiny thieves not destin'd yet to swing,
Beat hemp for others, riper for the string:
From these dire scenes my wretched lines I date,
To tell Maria her Esopus' fate.
"Alas! I feel I am no actor here! "
'Tis real hangmen, real scourges bear!
Prepare, Maria, for a horrid tale
Will turn thy very rouge to deadly pale;
Will make they hair, tho' erst from gipsy polled,
By barber woven, and by barber sold,
Though twisted smooth with Harry's nicest care,
Like hoary bristles to erect and stare.
The hero of the mimic scene, no more
I start in Hamlet, in Othello roar;
Or haughty Chieftain, 'mid the din of arms,
In Highland bonnet woo Malvina's charms;
While sans culottes stoop up the mountain high,
And steal from me Maria's prying eye.
Blest Highland bonnet! Once my proudest dress,
Now prouder still, Maria's temples press.
I see her wave thy towering plumes afar,
And call each coxcomb to the wordy war.
I see her face the first of Ireland's sons,[110]
And even out-Irish his Hibernian bronze;
The crafty colonel[111] leaves the tartan'd lines,
For other wars, where he a hero shines;
The hopeful youth, in Scottish senate bred,
Who owns a Bushby's heart without the head;
Comes, 'mid a string of coxcombs to display
That veni, vidi, vici, is his way;
The shrinking bard adown the alley skulks,
And dreads a meeting worse than Woolwich hulks;
Though there, his heresies in church and state
Might well award him Muir and Palmer's fate:
Still she undaunted reels and rattles on,
And dares the public like a noontide sun.
(What scandal call'd Maria's janty stagger
The ricket reeling of a crooked swagger,
Whose spleen e'en worse than Burns' venom when
He dips in gall unmix'd his eager pen,--
And pours his vengeance in the burning line,
Who christen'd thus Maria's lyre divine;
The idiot strum of vanity bemused,
And even th' abuse of poesy abused!
Who call'd her verse, a parish workhouse made
For motley foundling fancies, stolen or stray'd? )
A workhouse! ah, that sound awakes my woes,
And pillows on the thorn my rack'd repose!
In durance vile here must I wake and weep,
And all my frowsy couch in sorrow steep;
That straw where many a rogue has lain of yore,
And vermin'd gipsies litter'd heretofore.
Why, Lonsdale, thus thy wrath on vagrants pour?
Must earth no rascal save thyself endure?
Must thou alone in guilt immortal swell,
And make a vast monopoly of hell?
Thou know'st, the virtues cannot hate thee worse,
The vices also, must they club their curse?
Or must no tiny sin to others fall,
Because thy guilt's supreme enough for all?
Maria, send me too thy griefs and cares;
In all of thee sure thy Esopus shares.
As thou at all mankind the flag unfurls,
Who on my fair one satire's vengeance hurls?
Who calls thee, pert, affected, vain coquette,
A wit in folly, and a fool in wit?
Who says, that fool alone is not thy due,
And quotes thy treacheries to prove it true?
Our force united on thy foes we'll turn,
And dare the war with all of woman born:
For who can write and speak as thou and I?
My periods that deciphering defy,
And thy still matchless tongue that conquers all reply.
FOOTNOTES:
[Footnote 110: Captain Gillespie. ]
[Footnote 111: Col. Macdouall. ]
* * * * *
CXXXIV.
POEM
ON PASTORAL POETRY.
[Though Gilbert Burns says there is some doubt of this Poem being by
his brother, and though Robert Chambers declares that he "has scarcely
a doubt that it is not by the Ayrshire Bard," I must print it as his,
for I have no doubt on the subject. It was found among the papers of
the poet, in his own handwriting: the second, the fourth, and the
concluding verses bear the Burns' stamp, which no one has been
successful in counterfeiting: they resemble the verses of Beattie, to
which Chambers has compared them, as little as the cry of the eagle
resembles the chirp of the wren. ]
Hail Poesie! thou Nymph reserv'd!
In chase o' thee, what crowds hae swerv'd
Frae common sense, or sunk enerv'd
'Mang heaps o' clavers;
And och! o'er aft thy joes hae starv'd
Mid a' thy favours!
Say, Lassie, why thy train amang,
While loud the trump's heroic clang,
And sock or buskin skelp alang,
To death or marriage;
Scarce ane has tried the shepherd-sang
But wi' miscarriage?
In Homer's craft Jock Milton thrives;
Eschylus' pen Will Shakspeare drives;
Wee Pope, the knurlin, 'till him rives
Horatian fame;
In thy sweet sang, Barbauld, survives
Even Sappho's flame.
But thee, Theocritus, wha matches?
They're no herd's ballats, Maro's catches;
Squire Pope but busks his skinklin patches
O' heathen tatters;
I pass by hunders, nameless wretches,
That ape their betters.
In this braw age o' wit and lear,
Will nane the Shepherd's whistle mair
Blaw sweetly in its native air
And rural grace;
And wi' the far-fam'd Grecian share
A rival place?
Yes! there is ane; a Scottish callan--
There's ane; come forrit, honest Allan!
Thou need na jouk behint the hallan,
A chiel sae clever;
The teeth o' time may gnaw Tantallan,
But thou's for ever!
Thou paints auld nature to the nines,
In thy sweet Caledonian lines;
Nae gowden stream thro' myrtles twines,
Where Philomel,
While nightly breezes sweep the vines,
Her griefs will tell!
In gowany glens thy burnie strays,
Where bonnie lasses bleach their claes;
Or trots by hazelly shaws and braes,
Wi' hawthorns gray,
Where blackbirds join the shepherd's lays
At close o' day.
Thy rural loves are nature's sel';
Nae bombast spates o' nonsense swell;
Nae snap conceits, but that sweet spell
O' witchin' love;
That charm that can the strongest quell,
The sternest move.
* * * * *
CXXXV.
SONNET,
WRITTEN ON THE TWENTY-FIFTH OF JANUARY, 1793,
THE BIRTHDAY OF THE AUTHOR, ON HEARING A
THRUSH SING IN A MORNING WALK.
[Burns was fond of a saunter in a leafless wood, when the winter storm
howled among the branches. These characteristic lines were composed on
the morning of his birthday, with the Nith at his feet, and the ruins
of Lincluden at his side: he is willing to accept the unlooked-for
song of the thrush as a fortunate omen. ]
Sing on, sweet thrush, upon the leafless bough,
Sing on, sweet bird, I listen to thy strain:
See, aged Winter, 'mid his surly reign,
At thy blythe carol clears his furrow'd brow.
So, in lone Poverty's dominion drear,
Sits meek Content with light unanxious heart,
Welcomes the rapid moments, bids them part,
Nor asks if they bring aught to hope or fear.
I thank Thee, Author of this opening day!
Thou whose bright sun now gilds yon orient skies!
Riches denied, Thy boon was purer joys,
What wealth could never give nor take away.
Yet come, thou child of poverty and care,
The mite high Heaven bestow'd, that mite with thee I'll share.
* * * * *
CXXXVI.
SONNET,
ON THE
DEATH OF ROBERT RIDDEL, ESQ.
OF GLENRIDDEL,
APRIL, 1794.
[The death of Glencairn, who was his patron, and the death of
Glenriddel, who was his friend, and had, while he lived at Ellisland,
been his neighbor, weighed hard on the mind of Burns, who, about this
time, began to regard his own future fortune with more of dismay than
of hope. Riddel united antiquarian pursuits with those of literature,
and experienced all the vulgar prejudices entertained by the peasantry
against those who indulge in such researches. His collection of what
the rustics of the vale called "queer quairns and swine-troughs," is
now scattered or neglected: I have heard a competent judge say, that
they threw light on both the public and domestic history of Scotland. ]
No more, ye warblers of the wood--no more!
Nor pour your descant, grating, on my soul;
Thou young-eyed Spring, gay in thy verdant stole,
More welcome were to me grim Winter's wildest roar.
How can ye charm, ye flow'rs, with all your dyes?
Ye blow upon the sod that wraps my friend:
How can I to the tuneful strain attend?
That strain flows round th' untimely tomb where Riddel lies.
Yes, pour, ye warblers, pour the notes of woe!
And soothe the Virtues weeping on this bier:
The Man of Worth, who has not left his peer,
Is in his "narrow house" for ever darkly low.
Thee, Spring, again with joy shall others greet,
Me, mem'ry of my loss will only meet.
* * * * *
CXXXVII.
IMPROMPTU,
ON MRS. R----'S BIRTHDAY.
[By compliments such as these lines contain, Burns soothed the smart
which his verses "On a lady famed for her caprice" inflicted on the
accomplished Mrs. Riddel. ]
Old Winter, with his frosty beard,
Thus once to Jove his prayer preferr'd,--
What have I done of all the year,
To bear this hated doom severe?
My cheerless suns no pleasure know;
Night's horrid car drags, dreary, slow:
My dismal months no joys are crowning,
But spleeny English, hanging, drowning.
Now, Jove, for once be mighty civil,
To counterbalance all this evil;
Give me, and I've no more to say,
Give me Maria's natal day!
That brilliant gift shall so enrich me,
Spring, Summer, Autumn, cannot match me;
'Tis done! says Jove; so ends my story,
And Winter once rejoiced in glory.
* * * * *
CXXXVIII.
LIBERTY.
A FRAGMENT.
[Fragment of verse were numerous, Dr. Currie said, among the loose
papers of the poet. These lines formed the commencement of an ode
commemorating the achievement of liberty for America under the
directing genius of Washington and Franklin. ]
Thee, Caledonia, thy wild heaths among,
Thee, fam'd for martial deed and sacred song,
To thee I turn with swimming eyes;
Where is that soul of freedom fled?
Immingled with the mighty dead!
Beneath the hallow'd turf where Wallace lies!
Hear it not, Wallace, in thy bed of death!
Ye babbling winds, in silence sweep;
Disturb not ye the hero's sleep,
Nor give the coward secret breath.
Is this the power in freedom's war,
That wont to bid the battle rage?
Behold that eye which shot immortal hate,
Crushing the despot's proudest bearing!
* * * * *
CXXXIX.
VERSES
TO A YOUNG LADY.
[This young lady was the daughter of the poet's friend, Graham of
Fintray; and the gift alluded to was a copy of George Thomson's
Select Scottish Songs: a work which owes many attractions to the lyric
genius of Burns. ]
Here, where the Scottish muse immortal lives,
In sacred strains and tuneful numbers join'd,
Accept the gift;--tho' humble he who gives,
Rich is the tribute of the grateful mind.
So may no ruffian feeling in thy breast,
Discordant jar thy bosom-chords among;
But peace attune thy gentle soul to rest,
Or love ecstatic wake his seraph song.
Or pity's notes in luxury of tears,
As modest want the tale of woe reveals;
While conscious virtue all the strain endears,
And heaven-born piety her sanction seals.
* * * * *
CXL.
THE VOWELS.
A TALE.
[Burns admired genius adorned by learning; but mere learning without
genius he always regarded as pedantry. Those critics who scrupled too
much about words he called eunuchs of literature, and to one, who
taxed him with writing obscure language in questionable grammar, he
said, "Thou art but a Gretna-green match-maker between vowels and
consonants! "]
'Twas where the birch and sounding thong are ply'd,
The noisy domicile of pedant pride;
Where ignorance her darkening vapour throws,
And cruelty directs the thickening blows;
upon a time, Sir Abece the great,
In all his pedagogic powers elate,
His awful chair of state resolves to mount,
And call the trembling vowels to account. --
First enter'd A, a grave, broad, solemn wight,
But, ah! deform'd, dishonest to the sight!
His twisted head look'd backward on the way,
And flagrant from the scourge he grunted, _ai! _
Reluctant, E stalk'd in; with piteous race
The justling tears ran down his honest face!
That name! that well-worn name, and all his own,
Pale he surrenders at the tyrant's throne!
The pedant stifles keen the Roman sound
Not all his mongrel diphthongs can compound;
And next the title following close behind,
He to the nameless, ghastly wretch assign'd.
The cobweb'd gothic dome resounded Y!
In sullen vengeance, I, disdain'd reply:
The pedant swung his felon cudgel round,
And knock'd the groaning vowel to the ground!
In rueful apprehension enter'd O,
The wailing minstrel of despairing woe;
Th' Inquisitor of Spain the most expert
Might there have learnt new mysteries of his art;
So grim, deform'd, with horrors entering U,
His dearest friend and brother scarcely knew!
As trembling U stood staring all aghast,
The pedant in his left hand clutched him fast,
In helpless infants' tears he dipp'd his right,
Baptiz'd him _eu_, and kick'd him from his sight.
* * * * *
CXLI.
VERSES
TO JOHN RANKINE.
[With the "rough, rude, ready-witted Rankine," of Adamhill, in
Ayrshire, Burns kept up a will o'-wispish sort of a correspondence in
rhyme, till the day of his death: these communications, of which this
is one, were sometimes graceless, but always witty. It is supposed,
that those lines were suggested by Falstaff's account of his ragged
recruits:--
"I'll not march through Coventry with them, that's flat! "]
Ae day, as Death, that grusome carl,
Was driving to the tither warl'
A mixtie-maxtie motley squad,
And mony a guilt-bespotted lad;
Black gowns of each denomination,
And thieves of every rank and station,
From him that wears the star and garter,
To him that wintles in a halter:
Asham'd himsel' to see the wretches,
He mutters, glowrin' at the bitches,
"By G--d, I'll not be seen behint them,
Nor 'mang the sp'ritual core present them,
Without, at least, ae honest man,
To grace this d--d infernal clan. "
By Adamhill a glance he threw,
"L--d G--d! " quoth he, "I have it now,
There's just the man I want, i' faith! "
And quickly stoppit Rankine's breath.
* * * * *
CXLII.
ON SENSIBILITY.
TO
MY DEAR AND MUCH HONOURED FRIEND, MRS. DUNLOP,
OF DUNLOP.
[These verses were occasioned, it is said, by some sentiments
contained in a communication from Mrs. Dunlop. That excellent lady was
sorely tried with domestic afflictions for a time, and to these he
appears to allude; but he deadened the effect of his sympathy, when he
printed the stanzas in the Museum, changing the fourth line to,
"Dearest Nancy, thou canst tell! "
and so transferring the whole to another heroine. ]
Sensibility how charming,
Thou, my friend, canst truly tell:
But distress with horrors arming,
Thou host also known too well.
Fairest flower, behold the lily,
Blooming in the sunny ray:
Let the blast sweep o'er the valley,
See it prostrate on the clay.
Hear the woodlark charm the forest,
Telling o'er his little joys:
Hapless bird! a prey the surest,
To each pirate of the skies.
Dearly bought, the hidden treasure,
Finer feeling can bestow;
Chords that vibrate sweetest pleasure,
Thrill the deepest notes of woe.
* * * * *
CXLIII.
LINES,
SENT TO A GENTLEMAN WHOM HE HAD
OFFENDED.
[The too hospitable board of Mrs. Riddel occasioned these repentant
strains: they were accepted as they were meant by the party. The poet
had, it seems, not only spoken of mere titles and rank with
disrespect, but had allowed his tongue unbridled license of speech, on
the claim of political importance, and domestic equality, which Mary
Wolstonecroft and her followers patronized, at which Mrs. Riddel
affected to be grievously offended. ]
The friend whom wild from wisdom's way,
The fumes of wine infuriate send;
(Not moony madness more astray;)
Who but deplores that hapless friend?
Mine was th' insensate frenzied part,
Ah, why should I such scenes outlive
Scenes so abhorrent to my heart!
'Tis thine to pity and forgive.
* * * * *
CXLIV.
ADDRESS,
SPOKEN BY MISS FONTENELLE ON HER BENEFIT
NIGHT.
[This address was spoken by Miss Fontenelle, at the Dumfries theatre,
on the 4th of December, 1795. ]
Still anxious to secure your partial favour,
And not less anxious, sure, this night than ever,
A Prologue, Epilogue, or some such matter,
'Twould vamp my bill, said I, if nothing better;
So sought a Poet, roosted near the skies,
Told him I came to feast my curious eyes;
Said nothing like his works was ever printed;
And last, my Prologue-business slyly hinted!
"Ma'am, let me tell you," quoth my man of rhymes,
"I know your bent--these are no laughing times:
Can you--but, Miss, I own I have my fears,
Dissolve in pause--and sentimental tears;
With laden sighs, and solemn-rounded sentence,
Rouse from his sluggish slumbers, fell Repentance;
Paint Vengeance as he takes his horrid stand,
Waving on high the desolating brand,
Calling the storms to bear him o'er a guilty land? "
I could no more--askance the creature eyeing,
D'ye think, said I, this face was made for crying?
I'll laugh, that's poz--nay more, the world shall know it;
And so your servant: gloomy Master Poet!
Firm as my creed, Sirs, 'tis my fix'd belief,
That Misery's another word for Grief;
I also think--so may I be a bride!
That so much laughter, so much life enjoy'd.
Thou man of crazy care and ceaseless sigh,
Still under bleak Misfortune's blasting eye;
Doom'd to that sorest task of man alive--
To make three guineas do the work of five:
Laugh in Misfortune's face--the beldam witch!
Say, you'll be merry, tho' you can't be rich.
Thou other man of care, the wretch in love,
Who long with jiltish arts and airs hast strove;
Who, us the boughs all temptingly project,
Measur'st in desperate thought--a rope--thy neck--
Or, where the beetling cliff o'erhangs the deep,
Peerest to meditate the healing leap:
Would'st thou be cur'd, thou silly, moping elf?
Laugh at their follies--laugh e'en at thyself:
Learn to despise those frowns now so terrific,
And love a kinder--that's your grand specific.
To sum up all, be merry, I advise;
And as we're merry, may we still be wise.
* * * * *
CXLV.
ON
SEEING MISS FONTENELLE
IN A FAVOURITE CHARACTER.
[The good looks and the natural acting of Miss Fontenelle pleased
others as well as Burns. I know not to what character in the range of
her personations he alludes: she was a favourite on the Dumfries
boards. ]
Sweet naivete of feature,
Simple, wild, enchanting elf,
Not to thee, but thanks to nature,
Thou art acting but thyself.
Wert thou awkward, stiff, affected,
Spurning nature, torturing art;
Loves and graces all rejected,
Then indeed thou'dst act a part.
R. B.
* * * * *
CXLVI.
TO CHLORIS.
[Chloris was a Nithsdale beauty. Love and sorrow were strongly mingled
in her early history: that she did not look so lovely in other eyes as
she did in those of Burns is well known: but he had much of the taste
of an artist, and admired the elegance of her form, and the harmony of
her motion, as much as he did her blooming face and sweet voice. ]
'Tis Friendship's pledge, my young, fair friend,
Nor thou the gift refuse,
Nor with unwilling ear attend
The moralizing muse.
Since thou in all thy youth and charms,
Must bid the world adieu,
(A world 'gainst peace in constant arms)
To join the friendly few.
Since, thy gay morn of life o'ercast,
Chill came the tempest's lower;
(And ne'er misfortune's eastern blast
Did nip a fairer flower. )
Since life's gay scenes must charm no more,
Still much is left behind;
Still nobler wealth hast thou in store--
The comforts of the mind!
Thine is the self-approving glow,
On conscious honour's part;
And, dearest gift of heaven below,
Thine friendship's truest heart.
The joys refin'd of sense and taste,
With every muse to rove:
And doubly were the poet blest,
These joys could he improve.
* * * * *
CXLVII.
POETICAL INSCRIPTION
FOR AN ALTAR TO INDEPENDENCE.
[It was the fashion of the feverish times of the French Revolution to
plant trees of Liberty, and raise altars to Independence. Heron of
Kerroughtree, a gentleman widely esteemed in Galloway, was about to
engage in an election contest, and these noble lines served the
purpose of announcing the candidate's sentiments on freedom. ]
Thou of an independent mind,
With soul resolv'd, with soul resign'd;
Prepar'd Power's proudest frown to brave,
Who wilt not be, nor have a slave;
Virtue alone who dost revere,
Thy own reproach alone dost fear,
Approach this shrine, and worship here.
* * * * *
CXLVIII.
THE HERON BALLADS.
[BALLAD FIRST. ]
[This is the first of several party ballads which Burns wrote to serve
Patrick Heron, of Kerroughtree, in two elections for the Stewartry of
Kirkcudbright, in which he was opposed, first, by Gordon of Balmaghie,
and secondly, by the Hon. Montgomery Stewart. There is a personal
bitterness in these lampoons, which did not mingle with the strains in
which the poet recorded the contest between Miller and Johnstone. They
are printed here as matters of poetry, and I feel sure that none will
be displeased, and some will smile. ]
I.
Whom will you send to London town,
To Parliament and a' that?
Or wha in a' the country round
The best deserves to fa' that?
For a' that, and a' that;
Thro Galloway and a' that;
Where is the laird or belted knight
That best deserves to fa' that?
II.
Wha sees Kerroughtree's open yett,
And wha is't never saw that?
Wha ever wi' Kerroughtree meets
And has a doubt of a' that?
For a' that, and a' that,
Here's Heron yet for a' that,
The independent patriot,
The honest man, an' a' that.
III.
Tho' wit and worth in either sex,
St. Mary's Isle can shaw that;
Wi' dukes and lords let Selkirk mix,
And weel does Selkirk fa' that.
For a' that, and a' that,
Here's Heron yet for a' that!
The independent commoner
Shall be the man for a' that.
IV.
But why should we to nobles jouk,
And it's against the law that;
For why, a lord may be a gouk,
Wi' ribbon, star, an' a' that.
For a' that, an' a' that,
Here's Heron yet for a' that!
A lord may be a lousy loun,
Wi' ribbon, star, an' a' that.
V.
A beardless boy comes o'er the hills,
Wi' uncle's purse an' a' that;
But we'll hae ane frae 'mang oursels,
A man we ken, an' a' that.
For a' that, an' a' that,
Here's Heron yet for a' that!
For we're not to be bought an' sold
Like naigs, an' nowt, an' a' that.
VI.
Then let us drink the Stewartry,
Kerroughtree's laird, an' a' that,
Our representative to be,
For weel he's worthy a' that.
For a' that, an' a' that,
Here's Heron yet for a' that,
A House of Commons such as he,
They would be blest that saw that.
* * * * *
CXLIX.
THE HERON BALLADS.
[BALLAD SECOND. ]
[In this ballad the poet gathers together, after the manner of "Fy!
let us a' to the bridal," all the leading electors of the Stewartry,
who befriended Heron, or opposed him; and draws their portraits in the
colours of light or darkness, according to the complexion of their
politics. He is too severe in most instances, and in some he is
venomous. On the Earl of Galloway's family, and on the Murrays of
Broughton and Caillie, as well as on Bushby of Tinwaldowns, he pours
his hottest satire. But words which are unjust, or undeserved, fall
off their victims like rain-drops from a wild-duck's wing. The Murrays
of Broughton and Caillie have long borne, from the vulgar, the stigma
of treachery to the cause of Prince Charles Stewart: from such infamy
the family is wholly free: the traitor, Murray, was of a race now
extinct; and while he was betraying the cause in which so much noble
and gallant blood was shed, Murray of Broughton and Caillie was
performing the duties of an honourable and loyal man: he was, like his
great-grandson now, representing his native district in parliament. ]
THE ELECTION.
And not a muse in honest grief bewail?
We saw thee shine in youth and beauty's pride,
And virtue's light, that beams beyond the spheres;
But like the sun eclips'd at morning tide,
Thou left'st us darkling in a world of tears.
The parent's heart that nestled fond in thee,
That heart how sunk, a prey to grief and care;
So leck'd the woodbine sweet yon aged tree;
So from it ravish'd, leaves it bleak and bare.
* * * * *
CXXIV.
LAMENT
FOR
JAMES, EARL OF GLENCAIRN.
[Burns lamented the death of this kind and accomplished nobleman with
melancholy sincerity: he moreover named one of his sons for him: he
went into mourning when he heard of his death, and he sung of his
merits in a strain not destined soon to lose the place it has taken
among the verses which record the names of the noble and the generous.
He died January 30, 1791, in the forty-second year of his age. James
Cunningham was succeeded in his title by his brother, and with him
expired, in 1796, the last of a race, whose name is intimately
connected with the History of Scotland, from the days of Malcolm
Canmore. ]
I.
The wind blew hollow frae the hills,
By fits the sun's departing beam
Look'd on the fading yellow woods
That wav'd o'er Lugar's winding stream:
Beneath a craggy steep, a bard,
Laden with years and meikle pain,
In loud lament bewail'd his lord,
Whom death had all untimely ta'en.
II.
He lean'd him to an ancient aik,
Whose trunk was mould'ring down with years;
His locks were bleached white with time,
His hoary cheek was wet wi' tears;
And as he touch'd his trembling harp,
And as he tun'd his doleful sang,
The winds, lamenting thro' their caves,
To echo bore the notes alang.
III.
"Ye scattered birds that faintly sing,
The reliques of the vernal quire!
Ye woods that shed on a' the winds
The honours of the aged year!
A few short months, and glad and gay,
Again ye'll charm the ear and e'e;
But nocht in all revolving time
Can gladness bring again to me.
IV.
"I am a bending aged tree,
That long has stood the wind and rain;
But now has come a cruel blast,
And my last hold of earth is gane:
Nae leaf o' mine shall greet the spring,
Nae simmer sun exalt my bloom;
But I maun lie before the storm,
And ithers plant them in my room.
V.
"I've seen sae mony changefu' years,
On earth I am a stranger grown;
I wander in the ways of men,
Alike unknowing and unknown:
Unheard, unpitied, unrelieved,
I bear alane my lade o' care,
For silent, low, on beds of dust,
Lie a' that would my sorrows share.
VI.
"And last (the sum of a' my griefs! )
My noble master lies in clay;
The flow'r amang our barons bold,
His country's pride! his country's stay--
In weary being now I pine,
For a' the life of life is dead,
And hope has left my aged ken,
On forward wing for ever fled.
VII.
"Awake thy last sad voice, my harp!
The voice of woe and wild despair;
Awake! resound thy latest lay--
Then sleep in silence evermair!
And thou, my last, best, only friend,
That fillest an untimely tomb,
Accept this tribute from the bard
Though brought from fortune's mirkest gloom.
VIII.
"In poverty's low barren vale
Thick mists, obscure, involve me round;
Though oft I turn'd the wistful eye,
Nae ray of fame was to be found:
Thou found'st me, like the morning sun,
That melts the fogs in limpid air,
The friendless bard and rustic song
Became alike thy fostering care.
IX.
"O! why has worth so short a date?
While villains ripen fray with time;
Must thou, the noble, gen'rous, great,
Fall in bold manhood's hardy prime!
Why did I live to see that day?
A day to me so full of woe! --
O had I met the mortal shaft
Which laid my benefactor low.
X.
"The bridegroom may forget the bride
Was made his wedded wife yestreen;
The monarch may forget the crown
That on his head an hour has been;
The mother may forget the child
That smiles sae sweetly on her knee;
But I'll remember thee, Glencairn,
And a' that thou hast done for me! "
* * * * *
CXXV.
LINES
SENT TO
SIR JOHN WHITEFOORD, BART. ,
OF WHITEFOORD.
WITH THE FOREGOING POEM.
[Sir John Whitefoord, a name of old standing in Ayrshire, inherited
the love of his family for literature, and interested himself early in
the fame and fortunes of Burns. ]
Thou, who thy honour as thy God rever'st,
Who, save thy mind's reproach, nought earthly fear'st,
To thee this votive offering I impart,
The tearful tribute of a broken heart.
The friend thou valuedst, I, the patron, lov'd;
His worth, his honour, all the world approv'd,
We'll mourn till we too go as he has gone,
And tread the dreary path to that dark world unknown.
* * * * *
CXXVI.
ADDRESS
TO
THE SHADE OF THOMSON,
ON CROWNING HIS BUST AT EDNAM WITH BAYS.
["Lord Buchan has the pleasure to invite Mr. Burns to make one at the
coronation of the bust of Thomson, on Ednam Hill, on the 22d of
September: for which day perhaps his muse may inspire an ode suited to
the occasion. Suppose Mr. Burns should, leaving the Nith, go across
the country, and meet the Tweed at the nearest point from his farm,
and, wandering along the pastoral banks of Thomson's pure parent
stream, catch inspiration in the devious walk, till he finds Lord
Buchan sitting on the ruins of Dryburgh. There the Commendator will
give him a hearty welcome, and try to light his lamp at the pure flame
of native genius, upon the altar of Caledonian virtue. " Such was the
invitation of the Earl of Buchan to Burns. To request the poet to lay
down his sickle when his harvest was half reaped, and traverse one of
the wildest and most untrodden ways in Scotland, for the purpose of
looking at the fantastic coronation of the bad bust of on excellent
poet, was worthy of Lord Buchan. The poor bard made answer, that a
week's absence in the middle of his harvest was a step he durst not
venture upon--but he sent this Poem.
The poet's manuscript affords the following interesting variations:--
"While cold-eyed Spring, a virgin coy,
Unfolds her verdant mantle sweet,
Or pranks the sod in frolic joy,
A carpet for her youthful feet:
"While Summer, with a matron's grace,
Walks stately in the cooling shade,
And oft delighted loves to trace
The progress of the spiky blade:
"While Autumn, benefactor kind,
With age's hoary honours clad,
Surveys, with self-approving mind,
Each creature on his bounty fed. "]
While virgin Spring, by Eden's flood,
Unfolds her tender mantle green,
Or pranks the sod in frolic mood,
Or tunes AEolian strains between:
While Summer, with a matron grace,
Retreats to Dryburgh's cooling shade,
Yet oft, delighted, stops to trace
The progress of the spiky blade:
While Autumn, benefactor kind,
By Tweed erects his aged head,
And sees, with self-approving mind,
Each creature on his bounty fed:
While maniac Winter rages o'er
The hills whence classic Yarrow flows,
Rousing the turbid torrent's roar,
Or sweeping, wild, a waste of snows:
So long, sweet Poet of the year!
Shall bloom that wreath thou well hast won;
While Scotia, with exulting tear,
Proclaims that Thomson was her son.
* * * * *
CXXVII.
TO
ROBERT GRAHAM, ESQ. ,
OF FINTRAY.
[By this Poem Burns prepared the way for his humble request to be
removed to a district more moderate in its bounds than one which
extended over ten country parishes, and exposed him both to fatigue
and expense. This wish was expressed in prose, and was in due time
attended to, for Fintray was a gentleman at once kind and
considerate. ]
Late crippl'd of an arm, and now a leg,
About to beg a pass for leave to beg:
Dull, listless, teas'd, dejected, and deprest,
(Nature is adverse to a cripple's rest;)
Will generous Graham list to his Poet's wail?
(It soothes poor misery, hearkening to her tale,)
And hear him curse the light he first survey'd,
And doubly curse the luckless rhyming trade?
Thou, Nature, partial Nature! I arraign;
Of thy caprice maternal I complain:
The lion and the bull thy care have found,
One shakes the forests, and one spurns the ground:
Thou giv'st the ass his hide, the snail his shell,
Th' envenom'd wasp, victorious, guards his cell;
Thy minions, kings, defend, control, devour,
In all th' omnipotence of rule and power;
Foxes and statesmen, subtile wiles insure;
The cit and polecat stink, and are secure;
Toads with their poison, doctors with their drug,
The priest and hedgehog in their robes are snug;
Ev'n silly woman has her warlike arts,
Her tongue and eyes, her dreaded spear and darts;--
But, oh! thou bitter stepmother and hard,
To thy poor fenceless, naked child--the Bard!
A thing unteachable in world's skill,
And half an idiot too, more helpless still;
No heels to bear him from the op'ning dun;
No claws to dig, his hated sight to shun;
No horns, but those by luckless Hymen worn,
And those, alas! not Amalthea's horn:
No nerves olfact'ry, Mammon's trusty cur,
Clad in rich dullness' comfortable fur;--
In naked feeling, and in aching pride,
He bears the unbroken blast from every side.
Vampyre booksellers drain him to the heart,
And scorpion critics cureless venom dart.
Critics! --appall'd I venture on the name,
Those cut-throat bandits in the paths of fame.
Bloody dissectors, worse than ten Monroes!
He hacks to teach, they mangle to expose.
His heart by causeless wanton malice wrung,
By blockheads' daring into madness stung;
His well-won bays, than life itself more dear,
By miscreants torn, who ne'er one sprig must wear:
Foil'd, bleeding, tortur'd, in the unequal strife,
The hapless poet flounders on through life;
Till, fled each hope that once his bosom fir'd,
And fled each muse that glorious once inspir'd,
Low sunk in squalid, unprotected age,
Dead, even resentment, for his injur'd page,
He heeds or feels no more the ruthless critic's rage!
So, by some hedge, the gen'rous steed deceas'd,
For half-starv'd snarling curs a dainty feast:
By toil and famine wore to skin and bone,
Lies senseless of each tugging bitch's son.
O dullness! portion of the truly blest!
Calm sheltered haven of eternal rest!
Thy sons ne'er madden in the fierce extremes
Of fortune's polar frost, or torrid beams.
If mantling high she fills the golden cup,
With sober selfish ease they sip it up;
Conscious the bounteous meed they well deserve,
They only wonder "some folks" do not starve.
The grave sage hern thus easy picks his frog,
And thinks the mallard a sad worthless dog.
When disappointment snaps the clue of hope,
And thro' disastrous night they darkling grope,
With deaf endurance sluggishly they bear,
And just conclude that "fools are fortune's care. "
So, heavy, passive to the tempest's shocks,
Strong on the sign-post stands the stupid ox.
Not so the idle muses' mad-cap train,
Not such the workings of their moon-struck brain;
In equanimity they never dwell,
By turns in soaring heav'n or vaulted hell
I dread thee, fate, relentless and severe,
With all a poet's, husband's, father's fear!
Already one strong hold of hope is lost,
Glencairn, the truly noble, lies in dust;
(Fled, like the sun eclips'd as noon appears,
And left us darkling in a world of tears:)
O! hear my ardent, grateful, selfish pray'r! --
Fintray, my other stay, long bless and spare!
Thro' a long life his hopes and wishes crown;
And bright in cloudless skies his sun go down!
May bliss domestic smooth his private path;
Give energy to life; and soothe his latest breath,
With many a filial tear circling the bed of death!
* * * * *
CXXVIII.
TO
ROBERT GRAHAM, ESQ. ,
OF FINTRAY.
ON RECEIVING A FAVOUR.
[Graham of Fintray not only obtained for the poet the appointment in
Excise, which, while he lived in Edinburgh, he desired, but he also
removed him, as he wished, to a better district; and when imputations
were thrown out against his loyalty, he defended him with obstinate
and successful eloquence. Fintray did all that was done to raise Burns
out of the toiling humility of his condition, and enable him to serve
the muse without fear of want. ]
I call no goddess to inspire my strains,
A fabled muse may suit a bard that feigns;
Friend of my life! my ardent spirit burns,
And all the tribute of my heart returns,
For boons accorded, goodness ever new,
The gift still dearer, as the giver, you.
Thou orb of day! thou other paler light!
And all ye many sparkling stars of night;
If aught that giver from my mind efface;
If I that giver's bounty e'er disgrace;
Then roll to me, along your wandering spheres,
Only to number out a villain's years!
* * * * *
CXXIX.
A VISION.
[This Vision of Liberty descended on Burns among the magnificent ruins
of the College of Lincluden, which stand on the junction of the Cluden
and the Nith, a short mile above Dumfries. He gave us the Vision;
perhaps, he dared not in those yeasty times venture on the song, which
his secret visitant poured from her lips. The scene is chiefly copied
from nature: the swellings of the Nith, the howling of the fox on the
hill, and the cry of the owl, unite at times with the natural beauty
of the spot, and give it life and voice. These ruins were a favourite
haunt of the poet. ]
As I stood by yon roofless tower,
Where the wa'-flower scents the dewy air,
Where th' howlet mourns in her ivy bower
And tells the midnight moon her care;
The winds were laid, the air was still,
The Stars they shot along the sky;
The fox was howling on the hill,
And the distant echoing glens reply.
The stream, adown its hazelly path,
Was rushing by the ruin'd wa's,
Hasting to join the sweeping Nith,[109A]
Whose distant roaring swells and fa's.
The cauld blue north was streaming forth
Her lights, wi' hissing eerie din;
Athort the lift they start and shift,
Like fortune's favours, tint as win.
By heedless chance I turn'd mine eyes,
And, by the moon-beam, shook to see
A stern and stalwart ghaist arise,
Attir'd as minstrels wont to be. [109B]
Had I a statue been o' stane,
His darin' look had daunted me;
And on his bonnet grav'd was plain,
The sacred posy--'Libertie! '
And frae his harp sic strains did flow,
Might rous'd the slumb'ring dead to hear;
But, oh! it was a tale of woe,
As ever met a Briton's ear.
He sang wi' joy the former day,
He weeping wail'd his latter times;
But what he said it was nae play,--
I winna ventur't in my rhymes.
[Footnote 109A: VARIATIONS.
To join yon river on the Strath. ]
[Footnote 109B: VARIATIONS.
Now looking over firth and fauld,
Her horn the pale-fac'd Cynthia rear'd;
When, lo, in form of minstrel auld,
A storm and stalwart ghaist appear'd. ]
* * * * *
CXXX.
TO
JOHN MAXWELL OF TERRAUGHTY,
ON HIS BIRTHDAY.
[John Maxwell of Terraughty and Munshes, to whom these verses are
addressed, though descended from the Earls of Nithsdale, cared little
about lineage, and claimed merit only from a judgment sound and
clear--a knowledge of business which penetrated into all the concerns
of life, and a skill in handling the most difficult subjects, which
was considered unrivalled. Under an austere manner, he hid much
kindness of heart, and was in a fair way of doing an act of gentleness
when giving a refusal. He loved to meet Burns: not that he either
cared for or comprehended poetry; but he was pleased with his
knowledge of human nature, and with the keen and piercing remarks in
which he indulged. He was seventy-one years old when these verses were
written, and survived the poet twenty years. ]
Health to the Maxwell's vet'ran chief!
Health, ay unsour'd by care or grief:
Inspir'd, I turn'd Fate's sybil leaf
This natal morn;
I see thy life is stuff o' prief,
Scarce quite half worn.
This day thou metes three score eleven,
And I can tell that bounteous Heaven
(The second sight, ye ken, is given
To ilka Poet)
On thee a tack o' seven times seven
Will yet bestow it.
If envious buckies view wi' sorrow
Thy lengthen'd days on this blest morrow,
May desolation's lang teeth'd harrow,
Nine miles an hour,
Rake them like Sodom and Gomorrah,
In brunstane stoure--
But for thy friends, and they are mony,
Baith honest men and lasses bonnie,
May couthie fortune, kind and cannie,
In social glee,
Wi' mornings blythe and e'enings funny
Bless them and thee!
Fareweel, auld birkie! Lord be near ye,
And then the Deil he daur na steer ye;
Your friends ay love, your faes ay fear ye;
For me, shame fa' me,
If neist my heart I dinna wear ye
While BURNS they ca' me!
_Dumfries, 18 Feb. 1792. _
* * * * *
CXXXI.
THE RIGHTS OF WOMAN.
AN OCCASIONAL ADDRESS SPOKEN BY MISS FONTENELLE
ON HER BENEFIT NIGHT,
Nov. 26, 1792.
[Miss Fontenelle was one of the actresses whom Williamson, the
manager, brought for several seasons to Dumfries: she was young and
pretty, indulged in little levities of speech, and rumour added,
perhaps maliciously, levities of action. The Rights of Man had been
advocated by Paine, the Rights of Woman by Mary Wolstonecroft, and
nought was talked of, but the moral and political regeneration of the
world. The line
"But truce with kings and truce with constitutions,"
got an uncivil twist in recitation, from some of the audience. The
words were eagerly caught up, and had some hisses bestowed on them. ]
While Europe's eye is fix'd on mighty things,
The fate of empires and the fall of kings;
While quacks of state must each produce his plan,
And even children lisp the Rights of Man;
Amid this mighty fuss just let me mention,
The Rights of Woman merit some attention.
First on the sexes' intermix'd connexion,
One sacred Right of Woman is protection.
The tender flower that lifts its head, elate,
Helpless, must fall before the blasts of fate,
Sunk on the earth, defac'd its lovely form,
Unless your shelter ward th' impending storm.
Our second Right--but needless here is caution,
To keep that right inviolate's the fashion,
Each man of sense has it so full before him,
He'd die before he'd wrong it--'tis decorum. --
There was, indeed, in far less polish'd days,
A time, when rough, rude man had haughty ways;
Would swagger, swear, get drunk, kick up a riot,
Nay, even thus invade a lady's quiet.
Now, thank our stars! these Gothic times are fled;
Now, well-bred men--and you are all well-bred--
Most justly think (and we are much the gainers)
Such conduct neither spirit, wit, nor manners.
For Right the third, our last, our best, our dearest,
That right to fluttering female hearts the nearest,
Which even the Rights of Kings in low prostration
Most humbly own--'tis dear, dear admiration!
In that blest sphere alone we live and move;
There taste that life of life--immortal love. --
Smiles, glances, sighs, tears, fits, flirtations, airs,
'Gainst such an host what flinty savage dares--
When awful Beauty joins with all her charms,
Who is so rash as rise in rebel arms?
But truce with kings and truce with constitutions,
With bloody armaments and revolutions,
Let majesty your first attention summon,
Ah! ca ira! the majesty of woman!
* * * * *
CXXXII.
MONODY,
ON A LADY FAMED FOR HER CAPRICE.
[The heroine Of this rough lampoon was Mrs. Riddel of Woodleigh Park:
a lady young and gay, much of a wit, and something of a poetess, and
till the hour of his death the friend of Burns himself. She pulled his
displeasure on her, it is said, by smiling more sweetly than he liked
on some "epauletted coxcombs," for so he sometimes designated
commissioned officers: the lady soon laughed him out of his mood. We
owe to her pen an account of her last interview with the poet, written
with great beauty and feeling. ]
How cold is that bosom which folly once fired,
How pale is that cheek where the rouge lately glisten'd!
How silent that tongue which the echoes oft tired,
How dull is that ear which to flattery so listen'd!
If sorrow and anguish their exit await,
From friendship and dearest affection remov'd;
How doubly severer, Maria, thy fate,
Thou diest unwept as thou livedst unlov'd.
Loves, Graces, and Virtues, I call not on you;
So shy, grave, and distant, ye shed not a tear:
But come, all ye offspring of Folly so true,
And flowers let us cull for Maria's cold bier.
We'll search through the garden for each silly flower,
We'll roam through the forest for each idle weed;
But chiefly the nettle, so typical, shower,
For none e'er approach'd her but rued the rash deed.
We'll sculpture the marble, we'll measure the lay;
Here Vanity strums on her idiot lyre;
There keen indignation shall dart on her prey,
Which spurning Contempt shall redeem from his ire.
* * * * *
THE EPITAPH.
Here lies, now a prey to insulting neglect,
What once was a butterfly, gay in life's beam:
Want only of wisdom denied her respect,
Want only of goodness denied her esteem
* * * * *
CXXXIII.
EPISTLE
FROM
ESOPUS TO MARIA.
[Williamson, the actor, Colonel Macdouall, Captain Gillespie, and Mrs.
Riddel, are the characters which pass over the stage in this strange
composition: it is printed from the Poet's own manuscript, and seems a
sort of outpouring of wrath and contempt, on persons who, in his eyes,
gave themselves airs beyond their condition, or their merits. The
verse of the lady is held up to contempt and laughter: the satirist
celebrates her
"Motley foundling fancies, stolen or strayed;"
and has a passing hit at her
"Still matchless tongue that conquers all reply. "]
From those drear solitudes and frowsy cells,
Where infamy with sad repentance dwells;
Where turnkeys make the jealous portal fast,
And deal from iron hands the spare repast;
Where truant 'prentices, yet young in sin,
Blush at the curious stranger peeping in;
Where strumpets, relics of the drunken roar,
Resolve to drink, nay, half to whore, no more;
Where tiny thieves not destin'd yet to swing,
Beat hemp for others, riper for the string:
From these dire scenes my wretched lines I date,
To tell Maria her Esopus' fate.
"Alas! I feel I am no actor here! "
'Tis real hangmen, real scourges bear!
Prepare, Maria, for a horrid tale
Will turn thy very rouge to deadly pale;
Will make they hair, tho' erst from gipsy polled,
By barber woven, and by barber sold,
Though twisted smooth with Harry's nicest care,
Like hoary bristles to erect and stare.
The hero of the mimic scene, no more
I start in Hamlet, in Othello roar;
Or haughty Chieftain, 'mid the din of arms,
In Highland bonnet woo Malvina's charms;
While sans culottes stoop up the mountain high,
And steal from me Maria's prying eye.
Blest Highland bonnet! Once my proudest dress,
Now prouder still, Maria's temples press.
I see her wave thy towering plumes afar,
And call each coxcomb to the wordy war.
I see her face the first of Ireland's sons,[110]
And even out-Irish his Hibernian bronze;
The crafty colonel[111] leaves the tartan'd lines,
For other wars, where he a hero shines;
The hopeful youth, in Scottish senate bred,
Who owns a Bushby's heart without the head;
Comes, 'mid a string of coxcombs to display
That veni, vidi, vici, is his way;
The shrinking bard adown the alley skulks,
And dreads a meeting worse than Woolwich hulks;
Though there, his heresies in church and state
Might well award him Muir and Palmer's fate:
Still she undaunted reels and rattles on,
And dares the public like a noontide sun.
(What scandal call'd Maria's janty stagger
The ricket reeling of a crooked swagger,
Whose spleen e'en worse than Burns' venom when
He dips in gall unmix'd his eager pen,--
And pours his vengeance in the burning line,
Who christen'd thus Maria's lyre divine;
The idiot strum of vanity bemused,
And even th' abuse of poesy abused!
Who call'd her verse, a parish workhouse made
For motley foundling fancies, stolen or stray'd? )
A workhouse! ah, that sound awakes my woes,
And pillows on the thorn my rack'd repose!
In durance vile here must I wake and weep,
And all my frowsy couch in sorrow steep;
That straw where many a rogue has lain of yore,
And vermin'd gipsies litter'd heretofore.
Why, Lonsdale, thus thy wrath on vagrants pour?
Must earth no rascal save thyself endure?
Must thou alone in guilt immortal swell,
And make a vast monopoly of hell?
Thou know'st, the virtues cannot hate thee worse,
The vices also, must they club their curse?
Or must no tiny sin to others fall,
Because thy guilt's supreme enough for all?
Maria, send me too thy griefs and cares;
In all of thee sure thy Esopus shares.
As thou at all mankind the flag unfurls,
Who on my fair one satire's vengeance hurls?
Who calls thee, pert, affected, vain coquette,
A wit in folly, and a fool in wit?
Who says, that fool alone is not thy due,
And quotes thy treacheries to prove it true?
Our force united on thy foes we'll turn,
And dare the war with all of woman born:
For who can write and speak as thou and I?
My periods that deciphering defy,
And thy still matchless tongue that conquers all reply.
FOOTNOTES:
[Footnote 110: Captain Gillespie. ]
[Footnote 111: Col. Macdouall. ]
* * * * *
CXXXIV.
POEM
ON PASTORAL POETRY.
[Though Gilbert Burns says there is some doubt of this Poem being by
his brother, and though Robert Chambers declares that he "has scarcely
a doubt that it is not by the Ayrshire Bard," I must print it as his,
for I have no doubt on the subject. It was found among the papers of
the poet, in his own handwriting: the second, the fourth, and the
concluding verses bear the Burns' stamp, which no one has been
successful in counterfeiting: they resemble the verses of Beattie, to
which Chambers has compared them, as little as the cry of the eagle
resembles the chirp of the wren. ]
Hail Poesie! thou Nymph reserv'd!
In chase o' thee, what crowds hae swerv'd
Frae common sense, or sunk enerv'd
'Mang heaps o' clavers;
And och! o'er aft thy joes hae starv'd
Mid a' thy favours!
Say, Lassie, why thy train amang,
While loud the trump's heroic clang,
And sock or buskin skelp alang,
To death or marriage;
Scarce ane has tried the shepherd-sang
But wi' miscarriage?
In Homer's craft Jock Milton thrives;
Eschylus' pen Will Shakspeare drives;
Wee Pope, the knurlin, 'till him rives
Horatian fame;
In thy sweet sang, Barbauld, survives
Even Sappho's flame.
But thee, Theocritus, wha matches?
They're no herd's ballats, Maro's catches;
Squire Pope but busks his skinklin patches
O' heathen tatters;
I pass by hunders, nameless wretches,
That ape their betters.
In this braw age o' wit and lear,
Will nane the Shepherd's whistle mair
Blaw sweetly in its native air
And rural grace;
And wi' the far-fam'd Grecian share
A rival place?
Yes! there is ane; a Scottish callan--
There's ane; come forrit, honest Allan!
Thou need na jouk behint the hallan,
A chiel sae clever;
The teeth o' time may gnaw Tantallan,
But thou's for ever!
Thou paints auld nature to the nines,
In thy sweet Caledonian lines;
Nae gowden stream thro' myrtles twines,
Where Philomel,
While nightly breezes sweep the vines,
Her griefs will tell!
In gowany glens thy burnie strays,
Where bonnie lasses bleach their claes;
Or trots by hazelly shaws and braes,
Wi' hawthorns gray,
Where blackbirds join the shepherd's lays
At close o' day.
Thy rural loves are nature's sel';
Nae bombast spates o' nonsense swell;
Nae snap conceits, but that sweet spell
O' witchin' love;
That charm that can the strongest quell,
The sternest move.
* * * * *
CXXXV.
SONNET,
WRITTEN ON THE TWENTY-FIFTH OF JANUARY, 1793,
THE BIRTHDAY OF THE AUTHOR, ON HEARING A
THRUSH SING IN A MORNING WALK.
[Burns was fond of a saunter in a leafless wood, when the winter storm
howled among the branches. These characteristic lines were composed on
the morning of his birthday, with the Nith at his feet, and the ruins
of Lincluden at his side: he is willing to accept the unlooked-for
song of the thrush as a fortunate omen. ]
Sing on, sweet thrush, upon the leafless bough,
Sing on, sweet bird, I listen to thy strain:
See, aged Winter, 'mid his surly reign,
At thy blythe carol clears his furrow'd brow.
So, in lone Poverty's dominion drear,
Sits meek Content with light unanxious heart,
Welcomes the rapid moments, bids them part,
Nor asks if they bring aught to hope or fear.
I thank Thee, Author of this opening day!
Thou whose bright sun now gilds yon orient skies!
Riches denied, Thy boon was purer joys,
What wealth could never give nor take away.
Yet come, thou child of poverty and care,
The mite high Heaven bestow'd, that mite with thee I'll share.
* * * * *
CXXXVI.
SONNET,
ON THE
DEATH OF ROBERT RIDDEL, ESQ.
OF GLENRIDDEL,
APRIL, 1794.
[The death of Glencairn, who was his patron, and the death of
Glenriddel, who was his friend, and had, while he lived at Ellisland,
been his neighbor, weighed hard on the mind of Burns, who, about this
time, began to regard his own future fortune with more of dismay than
of hope. Riddel united antiquarian pursuits with those of literature,
and experienced all the vulgar prejudices entertained by the peasantry
against those who indulge in such researches. His collection of what
the rustics of the vale called "queer quairns and swine-troughs," is
now scattered or neglected: I have heard a competent judge say, that
they threw light on both the public and domestic history of Scotland. ]
No more, ye warblers of the wood--no more!
Nor pour your descant, grating, on my soul;
Thou young-eyed Spring, gay in thy verdant stole,
More welcome were to me grim Winter's wildest roar.
How can ye charm, ye flow'rs, with all your dyes?
Ye blow upon the sod that wraps my friend:
How can I to the tuneful strain attend?
That strain flows round th' untimely tomb where Riddel lies.
Yes, pour, ye warblers, pour the notes of woe!
And soothe the Virtues weeping on this bier:
The Man of Worth, who has not left his peer,
Is in his "narrow house" for ever darkly low.
Thee, Spring, again with joy shall others greet,
Me, mem'ry of my loss will only meet.
* * * * *
CXXXVII.
IMPROMPTU,
ON MRS. R----'S BIRTHDAY.
[By compliments such as these lines contain, Burns soothed the smart
which his verses "On a lady famed for her caprice" inflicted on the
accomplished Mrs. Riddel. ]
Old Winter, with his frosty beard,
Thus once to Jove his prayer preferr'd,--
What have I done of all the year,
To bear this hated doom severe?
My cheerless suns no pleasure know;
Night's horrid car drags, dreary, slow:
My dismal months no joys are crowning,
But spleeny English, hanging, drowning.
Now, Jove, for once be mighty civil,
To counterbalance all this evil;
Give me, and I've no more to say,
Give me Maria's natal day!
That brilliant gift shall so enrich me,
Spring, Summer, Autumn, cannot match me;
'Tis done! says Jove; so ends my story,
And Winter once rejoiced in glory.
* * * * *
CXXXVIII.
LIBERTY.
A FRAGMENT.
[Fragment of verse were numerous, Dr. Currie said, among the loose
papers of the poet. These lines formed the commencement of an ode
commemorating the achievement of liberty for America under the
directing genius of Washington and Franklin. ]
Thee, Caledonia, thy wild heaths among,
Thee, fam'd for martial deed and sacred song,
To thee I turn with swimming eyes;
Where is that soul of freedom fled?
Immingled with the mighty dead!
Beneath the hallow'd turf where Wallace lies!
Hear it not, Wallace, in thy bed of death!
Ye babbling winds, in silence sweep;
Disturb not ye the hero's sleep,
Nor give the coward secret breath.
Is this the power in freedom's war,
That wont to bid the battle rage?
Behold that eye which shot immortal hate,
Crushing the despot's proudest bearing!
* * * * *
CXXXIX.
VERSES
TO A YOUNG LADY.
[This young lady was the daughter of the poet's friend, Graham of
Fintray; and the gift alluded to was a copy of George Thomson's
Select Scottish Songs: a work which owes many attractions to the lyric
genius of Burns. ]
Here, where the Scottish muse immortal lives,
In sacred strains and tuneful numbers join'd,
Accept the gift;--tho' humble he who gives,
Rich is the tribute of the grateful mind.
So may no ruffian feeling in thy breast,
Discordant jar thy bosom-chords among;
But peace attune thy gentle soul to rest,
Or love ecstatic wake his seraph song.
Or pity's notes in luxury of tears,
As modest want the tale of woe reveals;
While conscious virtue all the strain endears,
And heaven-born piety her sanction seals.
* * * * *
CXL.
THE VOWELS.
A TALE.
[Burns admired genius adorned by learning; but mere learning without
genius he always regarded as pedantry. Those critics who scrupled too
much about words he called eunuchs of literature, and to one, who
taxed him with writing obscure language in questionable grammar, he
said, "Thou art but a Gretna-green match-maker between vowels and
consonants! "]
'Twas where the birch and sounding thong are ply'd,
The noisy domicile of pedant pride;
Where ignorance her darkening vapour throws,
And cruelty directs the thickening blows;
upon a time, Sir Abece the great,
In all his pedagogic powers elate,
His awful chair of state resolves to mount,
And call the trembling vowels to account. --
First enter'd A, a grave, broad, solemn wight,
But, ah! deform'd, dishonest to the sight!
His twisted head look'd backward on the way,
And flagrant from the scourge he grunted, _ai! _
Reluctant, E stalk'd in; with piteous race
The justling tears ran down his honest face!
That name! that well-worn name, and all his own,
Pale he surrenders at the tyrant's throne!
The pedant stifles keen the Roman sound
Not all his mongrel diphthongs can compound;
And next the title following close behind,
He to the nameless, ghastly wretch assign'd.
The cobweb'd gothic dome resounded Y!
In sullen vengeance, I, disdain'd reply:
The pedant swung his felon cudgel round,
And knock'd the groaning vowel to the ground!
In rueful apprehension enter'd O,
The wailing minstrel of despairing woe;
Th' Inquisitor of Spain the most expert
Might there have learnt new mysteries of his art;
So grim, deform'd, with horrors entering U,
His dearest friend and brother scarcely knew!
As trembling U stood staring all aghast,
The pedant in his left hand clutched him fast,
In helpless infants' tears he dipp'd his right,
Baptiz'd him _eu_, and kick'd him from his sight.
* * * * *
CXLI.
VERSES
TO JOHN RANKINE.
[With the "rough, rude, ready-witted Rankine," of Adamhill, in
Ayrshire, Burns kept up a will o'-wispish sort of a correspondence in
rhyme, till the day of his death: these communications, of which this
is one, were sometimes graceless, but always witty. It is supposed,
that those lines were suggested by Falstaff's account of his ragged
recruits:--
"I'll not march through Coventry with them, that's flat! "]
Ae day, as Death, that grusome carl,
Was driving to the tither warl'
A mixtie-maxtie motley squad,
And mony a guilt-bespotted lad;
Black gowns of each denomination,
And thieves of every rank and station,
From him that wears the star and garter,
To him that wintles in a halter:
Asham'd himsel' to see the wretches,
He mutters, glowrin' at the bitches,
"By G--d, I'll not be seen behint them,
Nor 'mang the sp'ritual core present them,
Without, at least, ae honest man,
To grace this d--d infernal clan. "
By Adamhill a glance he threw,
"L--d G--d! " quoth he, "I have it now,
There's just the man I want, i' faith! "
And quickly stoppit Rankine's breath.
* * * * *
CXLII.
ON SENSIBILITY.
TO
MY DEAR AND MUCH HONOURED FRIEND, MRS. DUNLOP,
OF DUNLOP.
[These verses were occasioned, it is said, by some sentiments
contained in a communication from Mrs. Dunlop. That excellent lady was
sorely tried with domestic afflictions for a time, and to these he
appears to allude; but he deadened the effect of his sympathy, when he
printed the stanzas in the Museum, changing the fourth line to,
"Dearest Nancy, thou canst tell! "
and so transferring the whole to another heroine. ]
Sensibility how charming,
Thou, my friend, canst truly tell:
But distress with horrors arming,
Thou host also known too well.
Fairest flower, behold the lily,
Blooming in the sunny ray:
Let the blast sweep o'er the valley,
See it prostrate on the clay.
Hear the woodlark charm the forest,
Telling o'er his little joys:
Hapless bird! a prey the surest,
To each pirate of the skies.
Dearly bought, the hidden treasure,
Finer feeling can bestow;
Chords that vibrate sweetest pleasure,
Thrill the deepest notes of woe.
* * * * *
CXLIII.
LINES,
SENT TO A GENTLEMAN WHOM HE HAD
OFFENDED.
[The too hospitable board of Mrs. Riddel occasioned these repentant
strains: they were accepted as they were meant by the party. The poet
had, it seems, not only spoken of mere titles and rank with
disrespect, but had allowed his tongue unbridled license of speech, on
the claim of political importance, and domestic equality, which Mary
Wolstonecroft and her followers patronized, at which Mrs. Riddel
affected to be grievously offended. ]
The friend whom wild from wisdom's way,
The fumes of wine infuriate send;
(Not moony madness more astray;)
Who but deplores that hapless friend?
Mine was th' insensate frenzied part,
Ah, why should I such scenes outlive
Scenes so abhorrent to my heart!
'Tis thine to pity and forgive.
* * * * *
CXLIV.
ADDRESS,
SPOKEN BY MISS FONTENELLE ON HER BENEFIT
NIGHT.
[This address was spoken by Miss Fontenelle, at the Dumfries theatre,
on the 4th of December, 1795. ]
Still anxious to secure your partial favour,
And not less anxious, sure, this night than ever,
A Prologue, Epilogue, or some such matter,
'Twould vamp my bill, said I, if nothing better;
So sought a Poet, roosted near the skies,
Told him I came to feast my curious eyes;
Said nothing like his works was ever printed;
And last, my Prologue-business slyly hinted!
"Ma'am, let me tell you," quoth my man of rhymes,
"I know your bent--these are no laughing times:
Can you--but, Miss, I own I have my fears,
Dissolve in pause--and sentimental tears;
With laden sighs, and solemn-rounded sentence,
Rouse from his sluggish slumbers, fell Repentance;
Paint Vengeance as he takes his horrid stand,
Waving on high the desolating brand,
Calling the storms to bear him o'er a guilty land? "
I could no more--askance the creature eyeing,
D'ye think, said I, this face was made for crying?
I'll laugh, that's poz--nay more, the world shall know it;
And so your servant: gloomy Master Poet!
Firm as my creed, Sirs, 'tis my fix'd belief,
That Misery's another word for Grief;
I also think--so may I be a bride!
That so much laughter, so much life enjoy'd.
Thou man of crazy care and ceaseless sigh,
Still under bleak Misfortune's blasting eye;
Doom'd to that sorest task of man alive--
To make three guineas do the work of five:
Laugh in Misfortune's face--the beldam witch!
Say, you'll be merry, tho' you can't be rich.
Thou other man of care, the wretch in love,
Who long with jiltish arts and airs hast strove;
Who, us the boughs all temptingly project,
Measur'st in desperate thought--a rope--thy neck--
Or, where the beetling cliff o'erhangs the deep,
Peerest to meditate the healing leap:
Would'st thou be cur'd, thou silly, moping elf?
Laugh at their follies--laugh e'en at thyself:
Learn to despise those frowns now so terrific,
And love a kinder--that's your grand specific.
To sum up all, be merry, I advise;
And as we're merry, may we still be wise.
* * * * *
CXLV.
ON
SEEING MISS FONTENELLE
IN A FAVOURITE CHARACTER.
[The good looks and the natural acting of Miss Fontenelle pleased
others as well as Burns. I know not to what character in the range of
her personations he alludes: she was a favourite on the Dumfries
boards. ]
Sweet naivete of feature,
Simple, wild, enchanting elf,
Not to thee, but thanks to nature,
Thou art acting but thyself.
Wert thou awkward, stiff, affected,
Spurning nature, torturing art;
Loves and graces all rejected,
Then indeed thou'dst act a part.
R. B.
* * * * *
CXLVI.
TO CHLORIS.
[Chloris was a Nithsdale beauty. Love and sorrow were strongly mingled
in her early history: that she did not look so lovely in other eyes as
she did in those of Burns is well known: but he had much of the taste
of an artist, and admired the elegance of her form, and the harmony of
her motion, as much as he did her blooming face and sweet voice. ]
'Tis Friendship's pledge, my young, fair friend,
Nor thou the gift refuse,
Nor with unwilling ear attend
The moralizing muse.
Since thou in all thy youth and charms,
Must bid the world adieu,
(A world 'gainst peace in constant arms)
To join the friendly few.
Since, thy gay morn of life o'ercast,
Chill came the tempest's lower;
(And ne'er misfortune's eastern blast
Did nip a fairer flower. )
Since life's gay scenes must charm no more,
Still much is left behind;
Still nobler wealth hast thou in store--
The comforts of the mind!
Thine is the self-approving glow,
On conscious honour's part;
And, dearest gift of heaven below,
Thine friendship's truest heart.
The joys refin'd of sense and taste,
With every muse to rove:
And doubly were the poet blest,
These joys could he improve.
* * * * *
CXLVII.
POETICAL INSCRIPTION
FOR AN ALTAR TO INDEPENDENCE.
[It was the fashion of the feverish times of the French Revolution to
plant trees of Liberty, and raise altars to Independence. Heron of
Kerroughtree, a gentleman widely esteemed in Galloway, was about to
engage in an election contest, and these noble lines served the
purpose of announcing the candidate's sentiments on freedom. ]
Thou of an independent mind,
With soul resolv'd, with soul resign'd;
Prepar'd Power's proudest frown to brave,
Who wilt not be, nor have a slave;
Virtue alone who dost revere,
Thy own reproach alone dost fear,
Approach this shrine, and worship here.
* * * * *
CXLVIII.
THE HERON BALLADS.
[BALLAD FIRST. ]
[This is the first of several party ballads which Burns wrote to serve
Patrick Heron, of Kerroughtree, in two elections for the Stewartry of
Kirkcudbright, in which he was opposed, first, by Gordon of Balmaghie,
and secondly, by the Hon. Montgomery Stewart. There is a personal
bitterness in these lampoons, which did not mingle with the strains in
which the poet recorded the contest between Miller and Johnstone. They
are printed here as matters of poetry, and I feel sure that none will
be displeased, and some will smile. ]
I.
Whom will you send to London town,
To Parliament and a' that?
Or wha in a' the country round
The best deserves to fa' that?
For a' that, and a' that;
Thro Galloway and a' that;
Where is the laird or belted knight
That best deserves to fa' that?
II.
Wha sees Kerroughtree's open yett,
And wha is't never saw that?
Wha ever wi' Kerroughtree meets
And has a doubt of a' that?
For a' that, and a' that,
Here's Heron yet for a' that,
The independent patriot,
The honest man, an' a' that.
III.
Tho' wit and worth in either sex,
St. Mary's Isle can shaw that;
Wi' dukes and lords let Selkirk mix,
And weel does Selkirk fa' that.
For a' that, and a' that,
Here's Heron yet for a' that!
The independent commoner
Shall be the man for a' that.
IV.
But why should we to nobles jouk,
And it's against the law that;
For why, a lord may be a gouk,
Wi' ribbon, star, an' a' that.
For a' that, an' a' that,
Here's Heron yet for a' that!
A lord may be a lousy loun,
Wi' ribbon, star, an' a' that.
V.
A beardless boy comes o'er the hills,
Wi' uncle's purse an' a' that;
But we'll hae ane frae 'mang oursels,
A man we ken, an' a' that.
For a' that, an' a' that,
Here's Heron yet for a' that!
For we're not to be bought an' sold
Like naigs, an' nowt, an' a' that.
VI.
Then let us drink the Stewartry,
Kerroughtree's laird, an' a' that,
Our representative to be,
For weel he's worthy a' that.
For a' that, an' a' that,
Here's Heron yet for a' that,
A House of Commons such as he,
They would be blest that saw that.
* * * * *
CXLIX.
THE HERON BALLADS.
[BALLAD SECOND. ]
[In this ballad the poet gathers together, after the manner of "Fy!
let us a' to the bridal," all the leading electors of the Stewartry,
who befriended Heron, or opposed him; and draws their portraits in the
colours of light or darkness, according to the complexion of their
politics. He is too severe in most instances, and in some he is
venomous. On the Earl of Galloway's family, and on the Murrays of
Broughton and Caillie, as well as on Bushby of Tinwaldowns, he pours
his hottest satire. But words which are unjust, or undeserved, fall
off their victims like rain-drops from a wild-duck's wing. The Murrays
of Broughton and Caillie have long borne, from the vulgar, the stigma
of treachery to the cause of Prince Charles Stewart: from such infamy
the family is wholly free: the traitor, Murray, was of a race now
extinct; and while he was betraying the cause in which so much noble
and gallant blood was shed, Murray of Broughton and Caillie was
performing the duties of an honourable and loyal man: he was, like his
great-grandson now, representing his native district in parliament. ]
THE ELECTION.
