It is said also, that Antisthenes, being about to recite something that he had written, invited him to be present; and that Plato having asked what he was going to recite, he said it was an essay on the
impropriety
of contradicting.
Diogenes Laertius
And he was of the borough of Colytus, as Antileon tells us in his second book on Dates.
And he was born, according to some writers, in Aegina in the house of Phidiades the son of Thales, as Favorinus affirms in his Universal History, as his father had been sent thither with several others as a settler, and returned again to Athens when the settlers were driven out by the Lacedaemonians, who came to the assistance of the Aeginetans.
And he served the office of choregus at Athens, when Dion was at the expense of the spectacle exhibited, as Theodorus relates in the eighth book of his Philosophical Conservations.
IV. And he had brothers, whose names were Adimantus and Glaucon, and a sister called Petone, who was the mother of Speusippus.
V. And he was taught learning in the school of Dionysius, whom he mentious in his Rival Lovers. And he learnt gymnastic exercises under the wrestler Ariston of Argos. And it was by him that he had the name of Plato given to him instead of his original name, on account of his robust figure, as he had previously been called Aristocles, after the name of his grandfather, as Alexander informs us in his Successions. But some say that he derived this name from the breadth (platutes) of his eloquence, or else because he was very wide (platus) across the forehead, as Neanthes affirms There are some also, among whom is Dicaearchus in the first volume on Lives, who say that he wrestled at the Isthmian games.
VI. It is also said that he applied himself to the study of painting, and that he wrote poems, dithyrambics at first, and afterwards lyric poems and tragedies.
VII. But he had a very weak voice, they say; and the same fact is stated by Timotheus the Athenian, in his book on Lives. And it is said that Socrates in a dream saw a cygnet on his knees, who immediately put forth feathers, and flew up on high, uttering a sweet note, and that the next day Plato came to him, and that he pronounced him the bird which he had seen.
VIII. And he used to philosophize at first in the Academy, and afterwards in the garden near Colonus, as Alexander tells us in his Successions, quoting the testimony of Heraclitus; and subsequently, though he was about to contend for the prize in tragedy in the theatre of Bacchus, after he had heard the discourse of Socrates, he learnt his poems, saying :
Vulcan, come here; for Plato wants your aid. And from henceforth, as they say, being now twenty years old, he became a pupil of Socrates. And when he was gone, he attached himself to Cratylus, the disciple of Heraclitus, and to Hermogenes, who had adopted the principles of Parmenides. Afterwards, when he was eight and twenty years of age, as Hermodorus tells us, he withdrew to Megara to Euclid, with certain others of the pupils of Socrates; and subsequently, he went to Cyrene to Theodorus the mathematician; and from thence he proceeded to Italy to the Pythagoreans, Philolaus and Eurytus, and from thence he went to Eurytus to the priests there; and having fallen sick at that place, he was cured by the priests by the application of sea water, in reference to which he said:
The sea doth wash away all human evils.
And he said too, that, according to Homer, all the Egyptians were physicians. Plato had also formed the idea of making the acquaintance of the Magi; but he abandoned it on account of the wars in Asia.
IX. And when he returned to Athens, he settled in the Academy, and that is a suburban place of exercise planted like a grove, so named from an ancient hero named Hecademus, as Eupolis tells us in his Discharged Soldiers.
In the well-shaded walks, protected well
By Godlike Academus.
And Timon, with reference to Plato, says :
A man did lead them on, a strong stout man,
A honeyed speaker, sweet as melody
Of tuneful grasshopper, who, seated high
On Hecademus' tree, unwearied sings.
For the word academy was formerly spelt with E. Now our philosopher was a friend of Isocrates; and Praxiphanes composed an account of a conversation which took place between them, on the subject of poets, when Isocrates was staying with Plato in the country.
X. And Aristoxenus says that he was three times engaged in military expeditions; once against Tanagra; the second time against Corinth, and the third time at Delium; and that in the battle of Delium he obtained the prize of pre-eminent valour. He combined the principles of the schools of Heraclitus, and Pythagoras and Socrates; for he used to philosophize on those things which are the subjects of sensation, according to the system of Heraclitus; on those with which intellect is conversant, according to that of Pythagoras; and on politics, according to that of Socrates.
XI. And some people, (of whom Satyrus is one,) say that he sent a commission to Sicily to Dion, to buy him three books of Pythagoras from Philolaus for a hundred minae; for they say that he was in very easy circumstances, having received from Dionysius more than eighty talents, as Onetor also asserts in his treatise which is entitled, Whether a wise Man ought to acquire Gains.
XII. And he was much assisted by Epicharmus the comic poet, a great part of whose works he transcribed, as Alcinus says in his essays addressed to Amyntas, of which there are four. And in the first of them he speaks as follows:-"And Plato appears to utter a great many of the sentiments of Epicharmus. Let us just examine. Plato says that that is an object of sensation, which is never stationary either as to its quality or its quantity, but which is always flowing and changing; as, for instance, if one take from any objects all number, then one cannot affirm that they are either equal, or of any particular things, or of what quality or quantity they are. And these things are of such a kind that they are always being produced, but that they never have any invariable substances. "
But that is a subject for intellect from which nothing is taken, and to which nothing is added. And this is the nature of things eternal, which is always similar and the same. And, indeed, Epicharmus speaks intelligibly on the subject of what is perceived by the senses and by the intellect:
A. But the great Gods were always present, nor
Did they at any moment cease to be;
And their peculiar likeness at all times
Do by the same principles.
B. Yet chaos is asserted to have been
The first existent Deity.
A. How can that be?
For 'tis impossible that we should find
Any first principle arise from anything.
B. Is there then no first principle at all?
A. Nor second either in the things we speak of;
But thus it is-if to an even number,
Or e'en an odd one, if you so prefer it,
You add a unit, or if you deduct one,
Say will the number still remain the same?
B. Certainly not.
A. So, if you take a measure
A cubit long, and add another cubit,
Or cut a portion off, the measure then
No longer is the same?
B. Of course it is not.
A. Now turn your eyes and thoughts upon mankind-
We see one grows, another perishes:
So that they all exist perpetually
In a condition of transition. That
Whose nature changes must be different
At each successive moment, from the thing
It was before. So also, you and I
Are different people now from what we were
But yesterday; and then, again, to-morrow
We shall be different from what we're now;
So that, by the same rule, we're always different.
And Alcinus speaks as follows: - "The wise men say that the soul perceives some things by means of the body, as for instance, when it hears and sees; but that it also perceives something by its own power, without availing itself at all of the assistance of the body. On which account existent things are divisible into objects of sensation and objects of understanding. On account of which Plato used to say, that those who wished to become acquainted with the principles of everything, ought first of all to divide the ideas as he calls them, separately, such as similarity, and unity, and multitude, and magnitude, and stationariness, and motion. And secondly, that they ought to form a notion of the honourable and the good, and the just, and things of that sort, by themselves, apart from other considerations. And thirdly, that they ought to ascertain the character of such ideas as are relative to one another, such as knowledge, or magnitude, or authority; considering that the things which come under our notice from partaking of their nature, have the same names that they have. I mean that one calls that just which partakes of the just; and that beautiful which partakes of the beautiful. And each of these primary species is eternal, and is to be understood by the intellect, and is not subject to the influence of external circumstances. On which account he says, that ideas exist in nature as models; and that all other things are like them, and, as it were, copies of them. Accordingly Epicharmus speaks thus about the good, and about the ideas.
A. Tell me, is flute-playing now a thing at all?
B. Of course it is.
A. Is man then flute-playing?
B. No, nothing of the sort.
A. Well, let us see-
What is a flute-player? what think you now,
Of him-is he a man, or is he not?
B. Of course he is a man.
A. Think you not then
The case is just the same about the good.
That the good is something by itself, intrinsic,
And he who's learnt, does at once become
Himself a good man? just as he who's learnt
Flute-playing is a flute-player; or dancing,
A dancer; weaving, a weaver. And in short,
Whoever learns an art, does not become
The art itself, but just an artist in it.
Plato, in his theory of Ideas, says, "That since there is such a thing as memory, the ideas are in existent things, because memory is only conversant about what is stable and enduring; and that no other thing is durable except ideas, for in what way," he continues, "could animals be preserved, if they had no ideas to guide them, and if, in addition to them, they had not an intellect given to them by nature? " But as it is they recollect similitudes, and also their food, so as to know what kind of food is fit for them; which they learn because the notion of similarity is implanted naturally in every animal; owing to which notion they recognize those of the same species as themselves. What is it then that Epicharmus says?
Eumaeus' wisdom? - not a scanty gift
Appropriated to one single being;
But every animal that breathes and lives,
Has mind and intellect. - So if you will
Survey the facts attentively, you'll find,
E'en in the common poultry yard, the hen
Brings not her offspring forth at first alive,
But sits upon her eggs, and by her warmth,
Cherishes them into life. And all this wisdom
She does derive from nature's gift alone,
For nature is her only guide and teacher.
And in a subsequent passage he says :
There is no wonder in my teaching this,
That citizens please citizens, and seem
To one another to be beautiful:
For so one dog seems to another dog
The fairest object in the world; and so
One ox seems to another, ass to ass,
And swine to swine.
And these and similar speculations are examined and compared by Alcinus through four books, where he shows how much assistance Plato has derived from Epicharmus. And that Epicharmus himself was not indisposed to appreciate his own wisdom, one may learn from these lines, in which he predicts that there will arise some one to imitate him:
But as I think, I surely foresee this,
That these my words will be preserved* hereafter
In many people's recollection. And
Another man will come, who'll strip my reasons
Of their poetic dress, and, clothing them
In other garments and with purple broidery
Will show them off; and being invincible,
Will make all rivals bow the knee to him.
XIII. Plato also appears to have brought the books of Sophron, the farce-writer, to Athens, which were previously neglected; and to have availed himself of them in his Speculations on Morals: and a copy of them was found under his head.
XIV. And Plato made three voyages to Sicily, first of all for the purpose of seeing the island and the craters of volcanoes, when Dionysius, the son of Hermocrates, being the tyrant of Sicily, pressed him earnestly to come and see him; and he, conversing about tyranny, and saying that that is not the best government which is advantageous for one individual alone, unless that individual is pre-eminent in virtue, had a quarrel with Dionysius, who got angry, and said, "Your words are those of an old dotard. " And Plato replied,
* The Greek is tou mimographon. "A mime was a kind of prose drama, intended as a familiar representation of life and character, without any distinct plot. It was divided into mimioi andreioi and gynaikeioi, also into mimoi spoudaion and geloion. " -- L&S in voc. mimos.
"And your language is that of a tyrant. " And on this the tyrant became very indignant, and at first was inclined to put him to death; but afterwards, being appeased by Deni and Aristimenes, he forebore to do that, but gave him to Pollis, the Lacedaemonian, who happened to have come to him on an embassy just at that time, to sell as a slave. And he took him to Aegina and sold him; and Charmander, the son of Charmandrides, instituted a capital prosecution against him, in accordance with the law which was in force, in the island of Aegina, that the first Athenian who landed on the island should be put to death without a trial; and he himself was the person who had originally proposed that law, as Favorinus says, in his Universal History. But when some one said, though he said it only in joke, that it was a philosopher who had landed, the people released him. But some say that he was brought into the assembly and watched; and that he did not say a word, but stood prepared to submit to whatever might befall him; and that they determined not to put him to death, but to sell him after the fashion of prisoners of war. And it happened by chance that Anniceris, the Cyrenean, was present, who ransomed him for twenty minae, or, as others say, for thirty, and sent him to Athens, to his companions, and they immediately sent Anniceris his money: but he refused to receive it, saying that they were not the only people in the world who were entitled to have a regard for Plato. Some writers again say, that it was Deni who sent the money, and that he did not refuse it, but bought him the garden in the Academy. And with respect to Pollis it is said that he was defeated by Chabrias, and that he was afterwards drowned in Helia, in consequence of the anger of the deity at his treatment of this philosopher. And this is the story told by Favorinus in the first book of his Commentaries. Dionysius, however, did not remain quiet; but when he had heard what had happened he wrote to Plato not to speak ill of him, and he wrote back in reply that he had not leisure enough to think at all of Dionysius.
XV. But he went a second time to Sicily to the younger Dionysius, and asked him for some land and for some men whom he might make live according to his own theory of a constitution. And Dionysius promised to give him some, but never did it. And some say that he was in danger himself, having been suspected of exciting Dion and Thetas to attempt the deliverance of the island; but that Archytas, the Pythagorean, wrote a letter to Dionysius, and begged Plato off and sent him back safe to Athens. And the letter is as follows :
ARCHYTAS TO DIONYSIUS, GREETING.
"All of us who are the friends of Plato, have sent to you Lamiscus and Photidas, to claim of you this philosopher in accordance with the agreement which you made with us. And it is right that you should recollect the eagerness which you had to see him, when you pressed us all to secure Plato's visit to you, promising to provide for him, and to treat him hospitably in every respect, and to ensure his safety both while he remained with you, and when be departed. Remember this too that you were very delighted indeed at his arrival, and that you expressed great pleasure at the time, such as you never did on any other occasion. And if any unpleasantness has arisen between you, you ought to behave with humanity, and restore the man unhurt; for by so doing you will act justly, and do us a favour. "
XVI. The third time that he went to Sicily was for the purpose of reconciling Dion to Dionysius. And as he could not succeed he returned back to his own country, having lost his labour.
XVII. And in his own country he did not meddle with state affairs, although he was a politician as far as his writings went. And the reason was, that the people were accustomed to a form of government and constitution different from what he approved of. And Pamphile, in the twenty-fifth book of his Commentaries, says that the Arcadians and Thebans, when they were founding a great city, appointed him its lawgiver; but that he, when he had ascertained that they would not consent to an equality of rights, refused to go thither.
XVIII. It is said also, that he defended Chabrias the general, when he was impeached in a capital charge; when no one else of the citizens would undertake the task: and as he was going up towards the Acropolis with his client, Crobylus the sycophant met him and said, "Are you come to plead for another, not knowing that the hemlock of Socrates is waiting
also for you? " But he replied, "And also, when I fought for my country I encountered dangers; and now too I encounter them in the cause of justice and for the defence of a friend. "
XIX. He was the first author who wrote treatises in the form of dialogues, as Favorinus tells us in the eighth book of his Universal History. And he was also the first person who introduced the analytical method of investigation, which he taught to Leodamus of Thasos. He was also the first person in philosophy who spoke of antipodes, and elements, and dialectics, and actions (poiemata) and oblong numbers, and plane surfaces, and the providence of God. He was likewise the first of the philosophers who contradicted the assertion of Lysias, the son of Cephalus, setting it out word for word in his Phaedrus. And he was also the first person who examined the subject of grammatical knowledge scientifically. And as he argued against almost every one who had lived before his time, it is often asked why he has never mentioned Democritus.
XX. Neanthes of Cyzicus says, that when he came to the Olympic games all the Greeks who were present turned to look at him: and that it was on that occasion that he held a conversation with Dion, who was on the point of attacking Dionysius. Moreover, in the first book of the Commentaries of Favorinus, it is related that Mithridates, the Persian, erected a statue of Plato in the Academy, and put on it this inscription, "Mithridates, the son of Rhodobates, a Persian, consecrated an image of Plato to the Muses, which was made by Silanion. "
XXI. And Heraclides says, that even while a young man, he was so modest and well regulated, that he was never once seen to laugh excessively.
XXII. But though he was of such a grave character himself, he was nevertheless ridiculed by the comic poets.
Alexis, in his Olympiodorus speaks thus :
My mortal body became dry and withered:
But my immortal part rose to the sky.
Is not this Plato's doctrine?
And in his Parasite he says :
Or to converse alone, like Plato.
Accordingly, Theopompus, in his Pleasure-seeker, says:
For one thing is no longer only one,
But two things now are scarcely one; as says
The solemn Plato.
And Anaxandrides in his Theseus, says:
When he ate olives like our worthy Plato.
And Timon speaks of him in this way, punning on his name:
As Plato placed strange platitudes on paper. *
Alexis says in his Mesopis :
You've come in time: since I've been doubting long,
And walking up and down some time, like Plato;
And yet have hit upon no crafty plan,
But only tir'd my legs.
And in his Analion, he says:
You speak of what you do not understand,
Running about like Plato: hoping thus,
To learn the nature of saltpetre and onions.
Amphis says in his Amphicrates :
A. But what the good is, which you hope to get
By means of her, my master, I no more
Can form a notion of, than of the good
Of Plato.
B. Listen now.
And in his Dexidemides he speaks thus:
O Plato! how your learning is confined
To gloomy looks, and wrinkling up your brows,
Like any cockle.
Cratinas in his Pseudripobolimaeus, says:
You clearly are a man, endued with sense,
And so, as Plato says, I do not know;
But I suspect.
Alexis, in his Olympiodorus speaks thus :
My mortal body became dry and withered:
But my immortal part rose to the sky.
Is not this Plato's doctrine?
And in his Parasite he says :
Or to converse alone, like Plato.
Anaxilas also laughs at him in his Botrylion, and Circe, and his Rich Women.
XXIII. And Aristippus, in the fourth book of his treatise upon Ancient Luxury, says that he was much attached to a youth of the name of Aster, who used to study astronomy with him; and also to Dion, whom we have already mentioned.
* The Greek is, hos aneplatte Platon peplasmena thaumata eidos.
And some say that he was also attached to Phaedrus, and that the following epigrams which he wrote upon them are evidences of the love he felt for them:
My Aster, you're gazing on the stars (asteres),
Would that I were the heavens, that so I might
Gaze in return with many eyes on thee.
Another of his epigrams is :
Aster, you while among the living shone,
The morning star. But now that you are dead,
You beam like Hesperus in the shades below.
And he wrote thus on Dion:
Once, at their birth, the fates did destine tears
To be the lot of all the Trojan women,
And Hecuba, their Queen--to you, O Dion,
As the deserved reward for glorious deeds,
They gave extensive and illustrious hopes.
And now you lie beneath your native soil;
Honoured by all your countrymen, O Dion,
And loved by me with ardent, lasting love.
And they say that this epigram is inscribed upon his tomb at Syracuse. They say, also, that he was in love with Alexis, and with Phaedrus, as I have already mentioned, and that he wrote an epigram on them both, which runs thus:
Now when Alexia is no longer aught,
Say only how beloved, how fair he was,
And every one does turn his eyes at once.
Why, my mind, do you show the dogs a bone?
You're but preparing trouble for yourself:
Have we not also lost the lovely Phaedrus!
There is also a tradition that he had a mistress named Archianassa, on whom he wrote the following lines :
I have a mistress fair from Colophon,
Archianassa, on whose very wrinkles
Sits genial love: hard must have been the fate,
Of him who met her earliest blaze of beauty,
Surely he must have been completely scorched.
He also wrote this epigram on Agathon :
While kissing Agathon, my soul did rise,
And hover'd o'er my lips; wishing perchance,
O'er anxious that it was, to migrate to him.
Another of his epigrams is:
I throw this apple to you. And if you
Love me who love you so, receive it gladly,
And let me taste your lovely virgin charms.
Or if that may not be, still take the fruit,
And in your bosom cherish it, and learn
How fleeting is all gracefulness and beauty.
And another:
I am an apple, and am thrown to you;
By one who loves you: but consent, Xanthippe;
For you and I shall both with time decay.
They also attribute to him the following epigram on the Eretrians who had been surprised in an ambuscade:
We were Eretrians, of Eubaean race,
And now we lie near Susa, here entomb'd,
Far from my native land.
And this one also :
Thus Venus to the muses spoke:
Damsels submit to Venus' yoke,
Or dread my Cupid's arms.
Those threats the Virgins nine replied,
May weigh with Mars, but we deride
Love's wrongs, or darts, or charms.
Another is:
A certain person found some gold.
Carried it off, and in its stead
Left a strong hatter neatly roll'd.
The owner found his treasure fled;
And powerless to endure his fortune's wreck,
Fitted the halter to his hapless neck.
XXIV. But Melon, who had a great dislike to Plato, says, "There is not so much to wonder at in Dionysius being at Corinth, as in Plato's being in Sicily. " Xenophon, too, does not appear to have been very friendlily disposed towards him: and accordingly they have, as if in rivalry of one another, both written books with the same title, the Banquet, the Defence of Socrates, Moral Reminiscences. Then, too, the one wrote the Cyropaedia and the other a book on Politics ; and Plato in his Laws says, that the Cyropaedia is a mere romance, for that Cyrus was not such a person as he is described in that book. And though they both speak so much of Socrates, neither of them ever mentions the other, except that Xenophon once speaks of Plato in the third book of his Reminiscences.
It is said also, that Antisthenes, being about to recite something that he had written, invited him to be present; and that Plato having asked what he was going to recite, he said it was an essay on the impropriety of contradicting. "How then," said Plato, "can you write on this subject? " and then he showed him that he was arguing in a circle. But Antisthenes was annoyed, and composed a dialogue against Plato, which he entitled Sothon; after which they were always enemies to one another; and they say that Socrates having heard Plato read the Lysis, said, "O Hercules! what a number of lies the young man has told about me. " For he had set down a great many things as sayings of Socrates which he never said.
Plato also was a great enemy of Aristippus; accordingly, he speaks ill of him in his book on the Soul, and says that he was not with Socrates when he died, though he was in Aegina, at no great distance. He also had a great rivalry with Aeschines, for that he had been held in great esteem by Dionysius, and afterwards came to want, and was despised by Plato, but supported by Aristippus. And Idomeneus says, that the speech which Plato attributes to Crito in the prison, when he counselled Socrates to make his escape, was really delivered by Aeschines, but that Plato attributed it to Crito because of his dislike to the other. And Plato never makes the slightest mention of him in any of his books, except in the treatise on the Soul, and the Defence of Socrates.
XXV. Aristotle says, that the treatises of Plato are something between poems and prose ; and Favorinus says, when Plato read his treatise on the Soul, Aristotle was the only person who sat it out, and that all the rest rose up and went away. And some say that Philip the Opuntian copied out the whole of his books upon Laws, which were written on waxen tablets only. Some people also attribute the Epinomis to him. Euphorion and Panaetius have stated that the beginning of the treatise on the Republic was often altered and re-written; and that very treatise, Aristoxenus affirms, was found almost entire in the Contradictions of Protagoras; and that the first book he wrote at all was the Phaedrus; and indeed that composition has a good many indications of a young composer. But Dicaearchus blames the whole style of that work as vulgar.
XXVI. A story is told, that Plato, having seen a man playing at dice, reproached him for it, and that he said he was playing for a trifle; "But the habit," rejoined Plato, "is not a trifle. " On one occasion he was asked whether there would be any monument of him, as of his predecessors in philosophy? and he answered "A man must first make a name, and the monument will follow. " Once, when Xenocrates came into his house, he desired him to scourge one of his slaves for him, for that he himself could not do it because he was in a passion; and that at another time he said to one of his slaves, "I should beat you if I were not in a passion. " Having got on horseback he dismounted again immediately, saying that he was afraid that he should be infected with horse-pride. He used to advise people who got drunk to look in the glass, and then they would abandon their unseemly habit; and he said that it was never decorous to drink to the degree of drunkenness, except at the festivals of the God who had given men wine. He also disapproved of much sleeping: accordingly in his Laws he says, "No one while sleeping is good for anything. " Another saying of his was, "That the pleasantest of all things to hear was the truth;" but others report this saying thus, "That the sweetest of all things was to speak truth. " And of truth he speaks thus in his Laws, "Truth, my friend, is a beautiful and a durable thing; but it is not easy to persuade men of this fact. "
XXVII. He used also to wish to leave a memorial of himself behind, either in the hearts of his friends, or in his books.
XXVIII. He also used to travel a good deal as some authors inform us.
XXIX. And he died in the manner we have already mentioned, in the thirteenth year of the reign of Philip of Macedon, as Favorinus mentions in the third book of his Commentaries; and Theopompus relates that Philip on one occasion reproached him. But Mysonianus, in his Resemblances, says that Philo mentions some proverbs that were in circulation about Plato's lice; implying that he had died of that disease.
XXX. He was buried in the Academy, where he spent the greater part of his time in the practice of philosophy, from which his was called the Academic school; and his funeral was attended by all the pupils of that sect. And he made his will in the following terms:
"Plato left these things, and has bequeathed them as follows:
The farm in the district of the Hephaestiades, bounded on the north by the road from the temple of the Cephiciades, and on the south by the temple of Hercules, which is in the district of the Hephaestiades; and on the east by the estate of Archestratus the Phreanian, and on the west by the farm of Philip the Challidian, shall be incapable of being sold or alienated, but shall belong to my son Ademantus as far as possible. And so likewise shall my farm in the district of the Eiresides, which I bought of Callimachus, which is bounded on the north by the property of Eurymedon the Myrrhinusian, on the south by that of Demostratus of Xypeta, on the east by that of Eurymedon the Myrrhinusian, and on the west by the Cephisus;-- I also leave him three minae of silver, a silver goblet weighing a hundred and sixty-five drachms, a cup weighing forty-five drachms, a golden ring and a golden ear-ring, weighing together four drachms and three obols. Euclides the stonecutter owes me three minae. I leave Diana her liberty. My slaves Sychon, Bictas, Apolloniades, and Dionysius, I bequeath to my son; and I also give him all my furniture, of which Demetrius has a catalogue. I owe no one anything. My executors shall be Tozthenes, Speusippus, Demetrius, Hegias, Eurymedon, Callimachus, and Thrasippus. "
This was his will. And on his tomb the following epigrams were inscribed. First of all :
Here, first of all men for pure justice famed,
And moral virtue, Aristocles lies;
And if there e'er has lived one truly wise,
This man was wiser still; too great for envy.
A second is:
Here in her bosom does the tender earth
Embrace great Plato's corpse. -His soul aloft
Has ta'en its place among the immortal Gods.
Ariston's glorious son--whom all good men,
Though in far countries, held in love and honour,
Remembering his pure and god-like life.
There is another which is more modern:
A. Eagle, why fly you o'er this holy tomb?
Or are you on your way, with lofty wing, To some bright starry domicile of the Gods?
B. I am the image of the soul of Plato,
And to Olympus now am borne on high;
His body lies in his own native Attica.
We ourselves also have written one epigram on him, which is as follows:
If fav'ring Phoebus had not Plato given
To Grecian lands, how would the learned God
Have e'er instructed mortal minds in learning?
But he did send him, that as Aesculapius
His son's the best physician of the body,
So Plato should be of the immortal soul.
And others, alluding to his death :
Phoebus, to bless mankind, became the father
Of Aesculapius, and of god-like Plato;
That one to heal the body, this the mind.
Now, from a marriage feast he's gone to heaven.
To realize the happy city there,
Which he has planned fit for the realms of Jove.
These then are the epigrams on him.
XXXI. His disciples were, Speusippus the Athenian, Zenocrates of Chalcedon, Aristotle the Stagirite, Philip of Opus, Histiaeus of Perinthus, Dion of Syracuse, Amyclus of Heraclea, Erastus and Coriscus of Sceptos, Timolaus of Cyzicus, Eudon of Lampsacus, Pithon and Heraclides of Aemus, Hippothales and Callippus, Athenians, Demetrius of Amphipolis, Heraclides of Pontus, and numbers of others, among whom there were also two women, Lasthenea of Mantinea, and Axiothea of Phlius, who used even to wear man's clothes, as we are told by Dicaearchus. Some say that Theophrastus also was a pupil of his; and Chamaelion says that Hyperides the orator, and Lycurgus, were so likewise. Polemo also asserts that Demosthenes was. Sabinus adds Mnesistratus of Thasos to the number, quoting authority for the statement in the fourth book of his Meditative Matter; and it is not improbable.
XXXII. But as you, O lady, are rightly very much attached to Plato, and as you are very fond of hunting out in every quarter all the doctrines of the philosopher with great eagerness, I have thought it necessary to subjoin an account of the general character of his lectures, and of the arrangement of his dialogues, and of the method of his inductive argument; going back to their elements and first principles as far as I could, so that the collection of anecdotes concerning his life which I have been able to make, may not be curtailed by the omission of any statement as to his doctrines. For it would be like sending owls to Athens, as the proverb is, if I were to descend to particular details.
They say now, that Zeno, the Eleatic, was the first person who composed essays in the form of dialogue. But Aristotle, in the first book of his treatise on Poets, says that Alexander, a native of Styra, or Teos, did so before him, as Phavorinus also says in his Commentaries. But it seems to me that Plato gave this kind of writing the last polish, and that he has therefore, a just right to the first honour, not only as the improver, but also as inventor of that kind of writing. Now, the dialogue is a discourse carried on by way of question and answer, on some one of the subjects with which philosophy is conversant, or with which statesmanship is concerned, with a becoming attention to the characters of the persons who are introduced as speakers, and with a careful selection of language governed by the same consideration. And dialectics is the art of conversing, by means of which we either overturn or establish the proposition contended for, by means of the questions and answers which are put in the mouths of the parties conversing. Now, of the Platonic discourse there are two characteristics discernible on the very surface; one fitted for guiding, the other for investigating.
The first of these has two subordinate species, one speculative, the other practical; and of these two again, the speculative is divided into the natural and the logical, and the practical into the ethical and the political. Again, the kind fitted for investigating has also two primary divisions with their separate characteristics, one object of which is simply practice, the other being also disputatious: and the first of these two is again subdivided into two; one of which may be compared to the art of the midwife, and the other is at it were tentative; the disputatious one is also divided into the demonstrative and the distinctive.
But we are not unaware that some writers distinguish the various dialogues in a different manner from what we do. For they say that some of them are dramatic, and others narrative, and others of a mixed nature. But they, in this division, are classifying the dialogues in a theatrical rather than in a philosophical manner. Some of the dialogues also refer to subjects of natural philosophy, such as the Timaeus. Of the logical class there are the Politics, the Cratylus, the Parmenides, and the Sophist. Of the ethical kind there is the defence of Socrates, the Crito, the Phedo the Phaedrus, the Banquet, the Menexenus the Clitiphon, the Epistles, the Philebus, the Hipparchus and the Rival Lovers. Of the political class there is the Republic the Laws, the Minos, the Epinomis, and the Atlanticus. Of the midwife description we have the two Alcibiades's, the Theages, the Lysis, the Laches. Of the tentative kind, there is the Euthyphro, the Meno, the Ion, the Charmides, and the Theaetetus. Of the demonstrative description, we have the Protagoras, and of the distinctive class the Euthydemus, the two Hippias's, and the Gorgias. And this is enough to say about the dialogues as to what they are, and what their different kinds are.
XXXIII. But since there is also a great division of opinion respecting them, from some people asserting that in them Plato dogmatizes in a positive manner, while others deny this, we had better also touch upon this part of the question. Now, dogmatizing is laying down dogmas, just as legislating is making laws. But the word dogma is used in two senses; to mean both that which we think, and opinion itself. Now of these, that which we think is the proposition, and opinion is the conception by which we entertain it in our minds. Plato then explains the opinions which he entertains himself, and refutes false ones; and about doubtful matters he suspends his judgment. His opinions of matters as they appear to him he puts into the mouth of four persons, Socrates, Timaeus, an Athenian poet, and an Eleatic stranger. But the strangers are not, as some people have supposed, Plato and Parmenides, but certain nameless imaginary characters. Since Plato asserts as undeniable axioms all the opinions which he puts into the mouth of Socrates or Timaeus. But when he is refuting false propositions, he introduces such characters as Thrasymachus, and Callicles and Polus, and Gorgias, and Protagoras, Hippiastro, and Euthydemus, and men of that stamp. But when he is demonstrating anything, then he chiefly uses the inductive form of argument, and that too not of one kind only, but of two. For induction is an argument, which by means of some admitted truths establishes naturally other truths which resemble them. But there are two kinds of induction; the one proceeding from contraries, the other from consequents. Now, the one which proceeds from contraries, is one in which from the answer given, whatever that answer may be, the contrary of the principle indicated in the question must follow. As for instance. My father is either a different person from your father, or he is the same person. If now your father is a different person from my father, then as he is a different person from a father, he cannot be a father. If, on the other hand, he is the same person as my father, then, since he is the same person as my father, he must be my father. And again, if man be not an animal, he must be either a stone or a piece of wood; but he is not a stone or a piece of wood, for he is a living animal, and capable of independent motion. Therefore, he is an animal. But, if he is an animal, and a dog or an ox is likewise an animal, then man must be an animal, and a dog, and an ox. -- This then is the method of induction in contradiction and contention, which Plato was accustomed to employ, not for the purpose of establishing principles of his own, but with the object of refuting the arguments of others.
Now, the inductive kind of argument drawn from consequents is of a twofold character. The one proving a particular opinion by an admitted fact of an equally particular nature; or else going from particulars to generals. And the first of these two divisions is the oratorical one, the second the dialectic one. As for instance, in the former kind the question is whether this person has committed a murder; the proof is that he was found at the time covered with blood. But this is the oratorical method of employing the induction; since oratory is conversant about particulars, and does not concern itself about generals. For its object is not to ascertain abstract justice, but only particular justice. The other is the dialectic kind, the general proposition having been established by particular ones. As for instance, the question is whether the soul is immortal, and whether the living consist of those who have once been dead; and this proposition Plato establishes in his book on the Soul, by a certain general proposition, that contraries arise out of contraries; and this identical general proposition is established by certain particular ones. As, for instance, that sleep follows on waking, and waking from sleeping, and the greater from the less, and reversely the less from the greater. And this kind of induction he used to employ for the establishment of his own opinions.
XXXIV. Anciently, in tragedy, it was only the chorus who did the whole work of the play; but subsequently, Thespis introduced one actor for the sake of giving the chorus some rest, and Aeschylus added a Second, and Sophocles a third, and so they made tragedy complete. So in the same manner, philosophical discourse was originally uniform, concerning itself solely about natural philosophy; then Socrates added to it a second character, the ethical: and Plato a third, the dialectic: and so he brought philosophy to perfection.
XXXV. But Thrasybulus says that he published his dialogues as the dramatic poets published their tetralogies. For, they contended with four plays, (and at four festivals, the Dionysiac, the Lenaean, the Panathenaean, and the Chytri), one of which was a satiric drama, and the whole four plays were called a tetralogy. Now, people say, the whole of his genuine dialogues amount to fifty-six; the treatise on the Republic being divided into ten books, (which Phavorinus, in the second book of his Universal History, says may be found almost entire in the Contradictions of Protagoras), and that on Laws into twelve. And there are nine tetralogies, if we consider the Republic as occupying the place of one book, and the Laws of another. He arranges, therefore, the first tetralogy of these dialogues which have a common subject, wishing to show what sort of life that of the philosopher may have been. And he uses two titles for each separate book, taking one from the name of the principal speaker, and the other from the subject.
This tetralogy then, which is the first, is commenced by the Euthyphron, or what is Holy; and that dialogue is a tentative one. The second is the Defence of Socrates, a moral one. The third is the Criton, or What is to be done, a moral one. The fourth is the Phaedo, or the Dialogue on the Soul, a moral one.
The second tetralogy is that of which the first piece is the Cratylus, or the correctness of names, a logical one. The Theaetetus, or Knowledge, a tentative one. The Sophist, or a dialogue on the Existent, a logical one. The Statesman, or a dialogue of Monarchy, a logical one.
The first dialogue in the third tetralogy is the Parmenides, or a dialogue of Ideas, a logical one. The second is the Philebus, or on Pleasure, a moral one. The Banquet, or on the Good, a moral one. The Phaedrus, or on Love, a moral one.
The fourth tetralogy opens with the Alcibiades, or a treatise on the Nature of Man, a midwife-like work. The second Alcibiades, or on Prayer, a piece of the same character. The Hipparchus, or on the Love of Gain, a moral one. The Rival Lovers, or a treatise on Philosophy, a moral one.
The first dialogue in the fifth is the Theages, or another treatise on Philosophy, another midwife-like work. The Charmides, or on Temperance, a tentative essay. The Laches, or on Manly Courage, midwife-like. The Lysis, or a dissertation on Friendship, also midwife-like.
The sixth tetralogy commences with the Euthydemus, or the Disputatious Man, a distinctive dialogue. Then comes the Protagoras, or the Sophists, a demonstrative one. The Gorgias, or a dissertation on Rhetoric, another distinctive one. And the Meno, or on Virtue, a tentative dialogue.
The seventh begins with the two Hippias's. The first being a dissertation on the Beautiful; the second one on Falsehood, both distinctive. The third is the Ion, or a dissertation on the Iliad, a tentative one. The fourth is the Menexenus, or the Funeral Oration, a moral one.
The first dialogue in the eighth is the Clitophon, or the Exhortation, a moral piece. Then comes the Republic, or the treatise on Justice, a political one. The Timaeus, or a dissertation on Nature, a dialogue on Natural Philosophy. And the Critias, or Atlanticus, a moral one
The ninth begins with the Minos, or a treatise on Law, a political work. The Laws, or a dissertation on Legislation, another political work. The Epinomis, or the Nocturnal Conversation, or the Philosopher, a third political one.
XXXVI. And this last tetralogy is completed by thirteen epistles, all moral; to which is prefixed as a motto, eu prattein, just as Epicurus inscribed on his eu diagein, and Cleon on his chairein. They are, one letter to Aristodemus, two to Archytas, four to Dionysius, one to Hermeias, Erastus, and Coriscus, one to Leodamas, one to Dion, one to Perdiccas, and two to the friends of Dion.
XXXVII. And this is the way in which some people divide his works. But others, among whom is Aristophanes, the grammarian, arrange his dialogues in trilogies; and they make the first to consist of the Republic, the Timaeus and the Critias.
The second of the Sophist, the Statesman, the Cratylus.
The third of the Laws, the Minos, the Epinomis.
The fourth of the Theaetetus, the Euthyphro, the Defence of Socrates.
The fifth of the Crito, the Phaedo, the Epistles.
And the rest they arrange singly and independently, without any regular order. And some authors, as has been said already, place the Republic at the head of his works: others begin with the Greater Alcibiades: others with the Theages; some with the Euthyphro, others with the Clitophon; some with the Timaeus, some with the Phaedrus, others again with the Theaetetus. Many make the Defence of Socrates the first piece.
There are some dialogues attributed to him which are confessedly spurious. The Midon, or the Horse-breeder; the Eryxias, or Erasistratus; the Alcyon; the Acephali, or Sisyphi; the Axiochus; the Phaeacians; the Demodorus; The Chilidon; the Seventh; the Epimenides. Of which the Alcyon is believed to be the work of a man named Leon; as Phavorinus tells us in the seventh book of his Commentaries.
XXXVIII. But he employs a great variety of terms in order to render his philosophical system unintelligible to the ignorant. In his phraseology he considers wisdom as the knowledge of things which can be understood by the intellect, and which have a real existence: which has the Gods for its object, and the soul as unconnected with the body. He also, with a peculiarity of expression, calls wisdom also philosophy, which he explains as a desire for divine wisdom. But wisdom and experience are also used by him in their common acceptation; as, for instance, when he calls an artisan wise (sophos). He also uses the same words in different senses at different times. Accordingly he uses phaulos in the sense of haplous, simple, in which meaning also the word occurs in Euripides, in the Licymonius, where the poet speaks of Hercules in the following terms:
Mean looking (phaulos), rude, virtuous in great affairs,
Measuring all wisdom by its last results,
A hero unrefined in speech.
But Plato uses the word sometimes even for what is beautiful; and sometimes for small and insignificant; and very often he uses different words to express the same idea. Accordingly, besides the word idea for a class, he uses also eidos, and genos, and paradeigma, and arche, and aition. Sometimes he uses opposite expressions for the same thing; accordingly, he says that it is an object of sensation that exists, while at other times he says it is that which does not exist; speaking of it as existing because of its origin, and as non-existent with reference to its continual changes. Then again, he defines his idea as something which is neither moving nor stationary, at one time calling the same thing, at another time one thing, at a third time many things. And he is in the habit of doing this in many instances.
And the explanation of his arguments is three-fold. For first of all, it is necessary to explain what each thing that is said is; secondly, on what account it is said, whether because of its bearing on the principal point, or figuratively, and whether it is said for the purpose of establishing an opinion of his own, or of refuting the arguments brought forward by the other party to the conversation; and thirdly, whether it has been said truly.
XXXIX. But since there are some particular marks put in his books, we must also say something about them. X indicates peculiar expressions and figures of speech, and generally any peculiarities of Plato's style. When doubled it points to the doctrines and peculiar opinions of Plato; X when dotted all round, points to some select bits of beautiful writing. When doubled and dotted it indicates corrections of some passages. A dotted obelus indicates hasty disapprovals. An inverted sigma dotted all round points out passages which may be taken in a double sense, and transpositions of words.
The Ceraunium (1) indicates a connection of philosophical ideas. An asterisk points out an agreement in doctrine.
IV. And he had brothers, whose names were Adimantus and Glaucon, and a sister called Petone, who was the mother of Speusippus.
V. And he was taught learning in the school of Dionysius, whom he mentious in his Rival Lovers. And he learnt gymnastic exercises under the wrestler Ariston of Argos. And it was by him that he had the name of Plato given to him instead of his original name, on account of his robust figure, as he had previously been called Aristocles, after the name of his grandfather, as Alexander informs us in his Successions. But some say that he derived this name from the breadth (platutes) of his eloquence, or else because he was very wide (platus) across the forehead, as Neanthes affirms There are some also, among whom is Dicaearchus in the first volume on Lives, who say that he wrestled at the Isthmian games.
VI. It is also said that he applied himself to the study of painting, and that he wrote poems, dithyrambics at first, and afterwards lyric poems and tragedies.
VII. But he had a very weak voice, they say; and the same fact is stated by Timotheus the Athenian, in his book on Lives. And it is said that Socrates in a dream saw a cygnet on his knees, who immediately put forth feathers, and flew up on high, uttering a sweet note, and that the next day Plato came to him, and that he pronounced him the bird which he had seen.
VIII. And he used to philosophize at first in the Academy, and afterwards in the garden near Colonus, as Alexander tells us in his Successions, quoting the testimony of Heraclitus; and subsequently, though he was about to contend for the prize in tragedy in the theatre of Bacchus, after he had heard the discourse of Socrates, he learnt his poems, saying :
Vulcan, come here; for Plato wants your aid. And from henceforth, as they say, being now twenty years old, he became a pupil of Socrates. And when he was gone, he attached himself to Cratylus, the disciple of Heraclitus, and to Hermogenes, who had adopted the principles of Parmenides. Afterwards, when he was eight and twenty years of age, as Hermodorus tells us, he withdrew to Megara to Euclid, with certain others of the pupils of Socrates; and subsequently, he went to Cyrene to Theodorus the mathematician; and from thence he proceeded to Italy to the Pythagoreans, Philolaus and Eurytus, and from thence he went to Eurytus to the priests there; and having fallen sick at that place, he was cured by the priests by the application of sea water, in reference to which he said:
The sea doth wash away all human evils.
And he said too, that, according to Homer, all the Egyptians were physicians. Plato had also formed the idea of making the acquaintance of the Magi; but he abandoned it on account of the wars in Asia.
IX. And when he returned to Athens, he settled in the Academy, and that is a suburban place of exercise planted like a grove, so named from an ancient hero named Hecademus, as Eupolis tells us in his Discharged Soldiers.
In the well-shaded walks, protected well
By Godlike Academus.
And Timon, with reference to Plato, says :
A man did lead them on, a strong stout man,
A honeyed speaker, sweet as melody
Of tuneful grasshopper, who, seated high
On Hecademus' tree, unwearied sings.
For the word academy was formerly spelt with E. Now our philosopher was a friend of Isocrates; and Praxiphanes composed an account of a conversation which took place between them, on the subject of poets, when Isocrates was staying with Plato in the country.
X. And Aristoxenus says that he was three times engaged in military expeditions; once against Tanagra; the second time against Corinth, and the third time at Delium; and that in the battle of Delium he obtained the prize of pre-eminent valour. He combined the principles of the schools of Heraclitus, and Pythagoras and Socrates; for he used to philosophize on those things which are the subjects of sensation, according to the system of Heraclitus; on those with which intellect is conversant, according to that of Pythagoras; and on politics, according to that of Socrates.
XI. And some people, (of whom Satyrus is one,) say that he sent a commission to Sicily to Dion, to buy him three books of Pythagoras from Philolaus for a hundred minae; for they say that he was in very easy circumstances, having received from Dionysius more than eighty talents, as Onetor also asserts in his treatise which is entitled, Whether a wise Man ought to acquire Gains.
XII. And he was much assisted by Epicharmus the comic poet, a great part of whose works he transcribed, as Alcinus says in his essays addressed to Amyntas, of which there are four. And in the first of them he speaks as follows:-"And Plato appears to utter a great many of the sentiments of Epicharmus. Let us just examine. Plato says that that is an object of sensation, which is never stationary either as to its quality or its quantity, but which is always flowing and changing; as, for instance, if one take from any objects all number, then one cannot affirm that they are either equal, or of any particular things, or of what quality or quantity they are. And these things are of such a kind that they are always being produced, but that they never have any invariable substances. "
But that is a subject for intellect from which nothing is taken, and to which nothing is added. And this is the nature of things eternal, which is always similar and the same. And, indeed, Epicharmus speaks intelligibly on the subject of what is perceived by the senses and by the intellect:
A. But the great Gods were always present, nor
Did they at any moment cease to be;
And their peculiar likeness at all times
Do by the same principles.
B. Yet chaos is asserted to have been
The first existent Deity.
A. How can that be?
For 'tis impossible that we should find
Any first principle arise from anything.
B. Is there then no first principle at all?
A. Nor second either in the things we speak of;
But thus it is-if to an even number,
Or e'en an odd one, if you so prefer it,
You add a unit, or if you deduct one,
Say will the number still remain the same?
B. Certainly not.
A. So, if you take a measure
A cubit long, and add another cubit,
Or cut a portion off, the measure then
No longer is the same?
B. Of course it is not.
A. Now turn your eyes and thoughts upon mankind-
We see one grows, another perishes:
So that they all exist perpetually
In a condition of transition. That
Whose nature changes must be different
At each successive moment, from the thing
It was before. So also, you and I
Are different people now from what we were
But yesterday; and then, again, to-morrow
We shall be different from what we're now;
So that, by the same rule, we're always different.
And Alcinus speaks as follows: - "The wise men say that the soul perceives some things by means of the body, as for instance, when it hears and sees; but that it also perceives something by its own power, without availing itself at all of the assistance of the body. On which account existent things are divisible into objects of sensation and objects of understanding. On account of which Plato used to say, that those who wished to become acquainted with the principles of everything, ought first of all to divide the ideas as he calls them, separately, such as similarity, and unity, and multitude, and magnitude, and stationariness, and motion. And secondly, that they ought to form a notion of the honourable and the good, and the just, and things of that sort, by themselves, apart from other considerations. And thirdly, that they ought to ascertain the character of such ideas as are relative to one another, such as knowledge, or magnitude, or authority; considering that the things which come under our notice from partaking of their nature, have the same names that they have. I mean that one calls that just which partakes of the just; and that beautiful which partakes of the beautiful. And each of these primary species is eternal, and is to be understood by the intellect, and is not subject to the influence of external circumstances. On which account he says, that ideas exist in nature as models; and that all other things are like them, and, as it were, copies of them. Accordingly Epicharmus speaks thus about the good, and about the ideas.
A. Tell me, is flute-playing now a thing at all?
B. Of course it is.
A. Is man then flute-playing?
B. No, nothing of the sort.
A. Well, let us see-
What is a flute-player? what think you now,
Of him-is he a man, or is he not?
B. Of course he is a man.
A. Think you not then
The case is just the same about the good.
That the good is something by itself, intrinsic,
And he who's learnt, does at once become
Himself a good man? just as he who's learnt
Flute-playing is a flute-player; or dancing,
A dancer; weaving, a weaver. And in short,
Whoever learns an art, does not become
The art itself, but just an artist in it.
Plato, in his theory of Ideas, says, "That since there is such a thing as memory, the ideas are in existent things, because memory is only conversant about what is stable and enduring; and that no other thing is durable except ideas, for in what way," he continues, "could animals be preserved, if they had no ideas to guide them, and if, in addition to them, they had not an intellect given to them by nature? " But as it is they recollect similitudes, and also their food, so as to know what kind of food is fit for them; which they learn because the notion of similarity is implanted naturally in every animal; owing to which notion they recognize those of the same species as themselves. What is it then that Epicharmus says?
Eumaeus' wisdom? - not a scanty gift
Appropriated to one single being;
But every animal that breathes and lives,
Has mind and intellect. - So if you will
Survey the facts attentively, you'll find,
E'en in the common poultry yard, the hen
Brings not her offspring forth at first alive,
But sits upon her eggs, and by her warmth,
Cherishes them into life. And all this wisdom
She does derive from nature's gift alone,
For nature is her only guide and teacher.
And in a subsequent passage he says :
There is no wonder in my teaching this,
That citizens please citizens, and seem
To one another to be beautiful:
For so one dog seems to another dog
The fairest object in the world; and so
One ox seems to another, ass to ass,
And swine to swine.
And these and similar speculations are examined and compared by Alcinus through four books, where he shows how much assistance Plato has derived from Epicharmus. And that Epicharmus himself was not indisposed to appreciate his own wisdom, one may learn from these lines, in which he predicts that there will arise some one to imitate him:
But as I think, I surely foresee this,
That these my words will be preserved* hereafter
In many people's recollection. And
Another man will come, who'll strip my reasons
Of their poetic dress, and, clothing them
In other garments and with purple broidery
Will show them off; and being invincible,
Will make all rivals bow the knee to him.
XIII. Plato also appears to have brought the books of Sophron, the farce-writer, to Athens, which were previously neglected; and to have availed himself of them in his Speculations on Morals: and a copy of them was found under his head.
XIV. And Plato made three voyages to Sicily, first of all for the purpose of seeing the island and the craters of volcanoes, when Dionysius, the son of Hermocrates, being the tyrant of Sicily, pressed him earnestly to come and see him; and he, conversing about tyranny, and saying that that is not the best government which is advantageous for one individual alone, unless that individual is pre-eminent in virtue, had a quarrel with Dionysius, who got angry, and said, "Your words are those of an old dotard. " And Plato replied,
* The Greek is tou mimographon. "A mime was a kind of prose drama, intended as a familiar representation of life and character, without any distinct plot. It was divided into mimioi andreioi and gynaikeioi, also into mimoi spoudaion and geloion. " -- L&S in voc. mimos.
"And your language is that of a tyrant. " And on this the tyrant became very indignant, and at first was inclined to put him to death; but afterwards, being appeased by Deni and Aristimenes, he forebore to do that, but gave him to Pollis, the Lacedaemonian, who happened to have come to him on an embassy just at that time, to sell as a slave. And he took him to Aegina and sold him; and Charmander, the son of Charmandrides, instituted a capital prosecution against him, in accordance with the law which was in force, in the island of Aegina, that the first Athenian who landed on the island should be put to death without a trial; and he himself was the person who had originally proposed that law, as Favorinus says, in his Universal History. But when some one said, though he said it only in joke, that it was a philosopher who had landed, the people released him. But some say that he was brought into the assembly and watched; and that he did not say a word, but stood prepared to submit to whatever might befall him; and that they determined not to put him to death, but to sell him after the fashion of prisoners of war. And it happened by chance that Anniceris, the Cyrenean, was present, who ransomed him for twenty minae, or, as others say, for thirty, and sent him to Athens, to his companions, and they immediately sent Anniceris his money: but he refused to receive it, saying that they were not the only people in the world who were entitled to have a regard for Plato. Some writers again say, that it was Deni who sent the money, and that he did not refuse it, but bought him the garden in the Academy. And with respect to Pollis it is said that he was defeated by Chabrias, and that he was afterwards drowned in Helia, in consequence of the anger of the deity at his treatment of this philosopher. And this is the story told by Favorinus in the first book of his Commentaries. Dionysius, however, did not remain quiet; but when he had heard what had happened he wrote to Plato not to speak ill of him, and he wrote back in reply that he had not leisure enough to think at all of Dionysius.
XV. But he went a second time to Sicily to the younger Dionysius, and asked him for some land and for some men whom he might make live according to his own theory of a constitution. And Dionysius promised to give him some, but never did it. And some say that he was in danger himself, having been suspected of exciting Dion and Thetas to attempt the deliverance of the island; but that Archytas, the Pythagorean, wrote a letter to Dionysius, and begged Plato off and sent him back safe to Athens. And the letter is as follows :
ARCHYTAS TO DIONYSIUS, GREETING.
"All of us who are the friends of Plato, have sent to you Lamiscus and Photidas, to claim of you this philosopher in accordance with the agreement which you made with us. And it is right that you should recollect the eagerness which you had to see him, when you pressed us all to secure Plato's visit to you, promising to provide for him, and to treat him hospitably in every respect, and to ensure his safety both while he remained with you, and when be departed. Remember this too that you were very delighted indeed at his arrival, and that you expressed great pleasure at the time, such as you never did on any other occasion. And if any unpleasantness has arisen between you, you ought to behave with humanity, and restore the man unhurt; for by so doing you will act justly, and do us a favour. "
XVI. The third time that he went to Sicily was for the purpose of reconciling Dion to Dionysius. And as he could not succeed he returned back to his own country, having lost his labour.
XVII. And in his own country he did not meddle with state affairs, although he was a politician as far as his writings went. And the reason was, that the people were accustomed to a form of government and constitution different from what he approved of. And Pamphile, in the twenty-fifth book of his Commentaries, says that the Arcadians and Thebans, when they were founding a great city, appointed him its lawgiver; but that he, when he had ascertained that they would not consent to an equality of rights, refused to go thither.
XVIII. It is said also, that he defended Chabrias the general, when he was impeached in a capital charge; when no one else of the citizens would undertake the task: and as he was going up towards the Acropolis with his client, Crobylus the sycophant met him and said, "Are you come to plead for another, not knowing that the hemlock of Socrates is waiting
also for you? " But he replied, "And also, when I fought for my country I encountered dangers; and now too I encounter them in the cause of justice and for the defence of a friend. "
XIX. He was the first author who wrote treatises in the form of dialogues, as Favorinus tells us in the eighth book of his Universal History. And he was also the first person who introduced the analytical method of investigation, which he taught to Leodamus of Thasos. He was also the first person in philosophy who spoke of antipodes, and elements, and dialectics, and actions (poiemata) and oblong numbers, and plane surfaces, and the providence of God. He was likewise the first of the philosophers who contradicted the assertion of Lysias, the son of Cephalus, setting it out word for word in his Phaedrus. And he was also the first person who examined the subject of grammatical knowledge scientifically. And as he argued against almost every one who had lived before his time, it is often asked why he has never mentioned Democritus.
XX. Neanthes of Cyzicus says, that when he came to the Olympic games all the Greeks who were present turned to look at him: and that it was on that occasion that he held a conversation with Dion, who was on the point of attacking Dionysius. Moreover, in the first book of the Commentaries of Favorinus, it is related that Mithridates, the Persian, erected a statue of Plato in the Academy, and put on it this inscription, "Mithridates, the son of Rhodobates, a Persian, consecrated an image of Plato to the Muses, which was made by Silanion. "
XXI. And Heraclides says, that even while a young man, he was so modest and well regulated, that he was never once seen to laugh excessively.
XXII. But though he was of such a grave character himself, he was nevertheless ridiculed by the comic poets.
Alexis, in his Olympiodorus speaks thus :
My mortal body became dry and withered:
But my immortal part rose to the sky.
Is not this Plato's doctrine?
And in his Parasite he says :
Or to converse alone, like Plato.
Accordingly, Theopompus, in his Pleasure-seeker, says:
For one thing is no longer only one,
But two things now are scarcely one; as says
The solemn Plato.
And Anaxandrides in his Theseus, says:
When he ate olives like our worthy Plato.
And Timon speaks of him in this way, punning on his name:
As Plato placed strange platitudes on paper. *
Alexis says in his Mesopis :
You've come in time: since I've been doubting long,
And walking up and down some time, like Plato;
And yet have hit upon no crafty plan,
But only tir'd my legs.
And in his Analion, he says:
You speak of what you do not understand,
Running about like Plato: hoping thus,
To learn the nature of saltpetre and onions.
Amphis says in his Amphicrates :
A. But what the good is, which you hope to get
By means of her, my master, I no more
Can form a notion of, than of the good
Of Plato.
B. Listen now.
And in his Dexidemides he speaks thus:
O Plato! how your learning is confined
To gloomy looks, and wrinkling up your brows,
Like any cockle.
Cratinas in his Pseudripobolimaeus, says:
You clearly are a man, endued with sense,
And so, as Plato says, I do not know;
But I suspect.
Alexis, in his Olympiodorus speaks thus :
My mortal body became dry and withered:
But my immortal part rose to the sky.
Is not this Plato's doctrine?
And in his Parasite he says :
Or to converse alone, like Plato.
Anaxilas also laughs at him in his Botrylion, and Circe, and his Rich Women.
XXIII. And Aristippus, in the fourth book of his treatise upon Ancient Luxury, says that he was much attached to a youth of the name of Aster, who used to study astronomy with him; and also to Dion, whom we have already mentioned.
* The Greek is, hos aneplatte Platon peplasmena thaumata eidos.
And some say that he was also attached to Phaedrus, and that the following epigrams which he wrote upon them are evidences of the love he felt for them:
My Aster, you're gazing on the stars (asteres),
Would that I were the heavens, that so I might
Gaze in return with many eyes on thee.
Another of his epigrams is :
Aster, you while among the living shone,
The morning star. But now that you are dead,
You beam like Hesperus in the shades below.
And he wrote thus on Dion:
Once, at their birth, the fates did destine tears
To be the lot of all the Trojan women,
And Hecuba, their Queen--to you, O Dion,
As the deserved reward for glorious deeds,
They gave extensive and illustrious hopes.
And now you lie beneath your native soil;
Honoured by all your countrymen, O Dion,
And loved by me with ardent, lasting love.
And they say that this epigram is inscribed upon his tomb at Syracuse. They say, also, that he was in love with Alexis, and with Phaedrus, as I have already mentioned, and that he wrote an epigram on them both, which runs thus:
Now when Alexia is no longer aught,
Say only how beloved, how fair he was,
And every one does turn his eyes at once.
Why, my mind, do you show the dogs a bone?
You're but preparing trouble for yourself:
Have we not also lost the lovely Phaedrus!
There is also a tradition that he had a mistress named Archianassa, on whom he wrote the following lines :
I have a mistress fair from Colophon,
Archianassa, on whose very wrinkles
Sits genial love: hard must have been the fate,
Of him who met her earliest blaze of beauty,
Surely he must have been completely scorched.
He also wrote this epigram on Agathon :
While kissing Agathon, my soul did rise,
And hover'd o'er my lips; wishing perchance,
O'er anxious that it was, to migrate to him.
Another of his epigrams is:
I throw this apple to you. And if you
Love me who love you so, receive it gladly,
And let me taste your lovely virgin charms.
Or if that may not be, still take the fruit,
And in your bosom cherish it, and learn
How fleeting is all gracefulness and beauty.
And another:
I am an apple, and am thrown to you;
By one who loves you: but consent, Xanthippe;
For you and I shall both with time decay.
They also attribute to him the following epigram on the Eretrians who had been surprised in an ambuscade:
We were Eretrians, of Eubaean race,
And now we lie near Susa, here entomb'd,
Far from my native land.
And this one also :
Thus Venus to the muses spoke:
Damsels submit to Venus' yoke,
Or dread my Cupid's arms.
Those threats the Virgins nine replied,
May weigh with Mars, but we deride
Love's wrongs, or darts, or charms.
Another is:
A certain person found some gold.
Carried it off, and in its stead
Left a strong hatter neatly roll'd.
The owner found his treasure fled;
And powerless to endure his fortune's wreck,
Fitted the halter to his hapless neck.
XXIV. But Melon, who had a great dislike to Plato, says, "There is not so much to wonder at in Dionysius being at Corinth, as in Plato's being in Sicily. " Xenophon, too, does not appear to have been very friendlily disposed towards him: and accordingly they have, as if in rivalry of one another, both written books with the same title, the Banquet, the Defence of Socrates, Moral Reminiscences. Then, too, the one wrote the Cyropaedia and the other a book on Politics ; and Plato in his Laws says, that the Cyropaedia is a mere romance, for that Cyrus was not such a person as he is described in that book. And though they both speak so much of Socrates, neither of them ever mentions the other, except that Xenophon once speaks of Plato in the third book of his Reminiscences.
It is said also, that Antisthenes, being about to recite something that he had written, invited him to be present; and that Plato having asked what he was going to recite, he said it was an essay on the impropriety of contradicting. "How then," said Plato, "can you write on this subject? " and then he showed him that he was arguing in a circle. But Antisthenes was annoyed, and composed a dialogue against Plato, which he entitled Sothon; after which they were always enemies to one another; and they say that Socrates having heard Plato read the Lysis, said, "O Hercules! what a number of lies the young man has told about me. " For he had set down a great many things as sayings of Socrates which he never said.
Plato also was a great enemy of Aristippus; accordingly, he speaks ill of him in his book on the Soul, and says that he was not with Socrates when he died, though he was in Aegina, at no great distance. He also had a great rivalry with Aeschines, for that he had been held in great esteem by Dionysius, and afterwards came to want, and was despised by Plato, but supported by Aristippus. And Idomeneus says, that the speech which Plato attributes to Crito in the prison, when he counselled Socrates to make his escape, was really delivered by Aeschines, but that Plato attributed it to Crito because of his dislike to the other. And Plato never makes the slightest mention of him in any of his books, except in the treatise on the Soul, and the Defence of Socrates.
XXV. Aristotle says, that the treatises of Plato are something between poems and prose ; and Favorinus says, when Plato read his treatise on the Soul, Aristotle was the only person who sat it out, and that all the rest rose up and went away. And some say that Philip the Opuntian copied out the whole of his books upon Laws, which were written on waxen tablets only. Some people also attribute the Epinomis to him. Euphorion and Panaetius have stated that the beginning of the treatise on the Republic was often altered and re-written; and that very treatise, Aristoxenus affirms, was found almost entire in the Contradictions of Protagoras; and that the first book he wrote at all was the Phaedrus; and indeed that composition has a good many indications of a young composer. But Dicaearchus blames the whole style of that work as vulgar.
XXVI. A story is told, that Plato, having seen a man playing at dice, reproached him for it, and that he said he was playing for a trifle; "But the habit," rejoined Plato, "is not a trifle. " On one occasion he was asked whether there would be any monument of him, as of his predecessors in philosophy? and he answered "A man must first make a name, and the monument will follow. " Once, when Xenocrates came into his house, he desired him to scourge one of his slaves for him, for that he himself could not do it because he was in a passion; and that at another time he said to one of his slaves, "I should beat you if I were not in a passion. " Having got on horseback he dismounted again immediately, saying that he was afraid that he should be infected with horse-pride. He used to advise people who got drunk to look in the glass, and then they would abandon their unseemly habit; and he said that it was never decorous to drink to the degree of drunkenness, except at the festivals of the God who had given men wine. He also disapproved of much sleeping: accordingly in his Laws he says, "No one while sleeping is good for anything. " Another saying of his was, "That the pleasantest of all things to hear was the truth;" but others report this saying thus, "That the sweetest of all things was to speak truth. " And of truth he speaks thus in his Laws, "Truth, my friend, is a beautiful and a durable thing; but it is not easy to persuade men of this fact. "
XXVII. He used also to wish to leave a memorial of himself behind, either in the hearts of his friends, or in his books.
XXVIII. He also used to travel a good deal as some authors inform us.
XXIX. And he died in the manner we have already mentioned, in the thirteenth year of the reign of Philip of Macedon, as Favorinus mentions in the third book of his Commentaries; and Theopompus relates that Philip on one occasion reproached him. But Mysonianus, in his Resemblances, says that Philo mentions some proverbs that were in circulation about Plato's lice; implying that he had died of that disease.
XXX. He was buried in the Academy, where he spent the greater part of his time in the practice of philosophy, from which his was called the Academic school; and his funeral was attended by all the pupils of that sect. And he made his will in the following terms:
"Plato left these things, and has bequeathed them as follows:
The farm in the district of the Hephaestiades, bounded on the north by the road from the temple of the Cephiciades, and on the south by the temple of Hercules, which is in the district of the Hephaestiades; and on the east by the estate of Archestratus the Phreanian, and on the west by the farm of Philip the Challidian, shall be incapable of being sold or alienated, but shall belong to my son Ademantus as far as possible. And so likewise shall my farm in the district of the Eiresides, which I bought of Callimachus, which is bounded on the north by the property of Eurymedon the Myrrhinusian, on the south by that of Demostratus of Xypeta, on the east by that of Eurymedon the Myrrhinusian, and on the west by the Cephisus;-- I also leave him three minae of silver, a silver goblet weighing a hundred and sixty-five drachms, a cup weighing forty-five drachms, a golden ring and a golden ear-ring, weighing together four drachms and three obols. Euclides the stonecutter owes me three minae. I leave Diana her liberty. My slaves Sychon, Bictas, Apolloniades, and Dionysius, I bequeath to my son; and I also give him all my furniture, of which Demetrius has a catalogue. I owe no one anything. My executors shall be Tozthenes, Speusippus, Demetrius, Hegias, Eurymedon, Callimachus, and Thrasippus. "
This was his will. And on his tomb the following epigrams were inscribed. First of all :
Here, first of all men for pure justice famed,
And moral virtue, Aristocles lies;
And if there e'er has lived one truly wise,
This man was wiser still; too great for envy.
A second is:
Here in her bosom does the tender earth
Embrace great Plato's corpse. -His soul aloft
Has ta'en its place among the immortal Gods.
Ariston's glorious son--whom all good men,
Though in far countries, held in love and honour,
Remembering his pure and god-like life.
There is another which is more modern:
A. Eagle, why fly you o'er this holy tomb?
Or are you on your way, with lofty wing, To some bright starry domicile of the Gods?
B. I am the image of the soul of Plato,
And to Olympus now am borne on high;
His body lies in his own native Attica.
We ourselves also have written one epigram on him, which is as follows:
If fav'ring Phoebus had not Plato given
To Grecian lands, how would the learned God
Have e'er instructed mortal minds in learning?
But he did send him, that as Aesculapius
His son's the best physician of the body,
So Plato should be of the immortal soul.
And others, alluding to his death :
Phoebus, to bless mankind, became the father
Of Aesculapius, and of god-like Plato;
That one to heal the body, this the mind.
Now, from a marriage feast he's gone to heaven.
To realize the happy city there,
Which he has planned fit for the realms of Jove.
These then are the epigrams on him.
XXXI. His disciples were, Speusippus the Athenian, Zenocrates of Chalcedon, Aristotle the Stagirite, Philip of Opus, Histiaeus of Perinthus, Dion of Syracuse, Amyclus of Heraclea, Erastus and Coriscus of Sceptos, Timolaus of Cyzicus, Eudon of Lampsacus, Pithon and Heraclides of Aemus, Hippothales and Callippus, Athenians, Demetrius of Amphipolis, Heraclides of Pontus, and numbers of others, among whom there were also two women, Lasthenea of Mantinea, and Axiothea of Phlius, who used even to wear man's clothes, as we are told by Dicaearchus. Some say that Theophrastus also was a pupil of his; and Chamaelion says that Hyperides the orator, and Lycurgus, were so likewise. Polemo also asserts that Demosthenes was. Sabinus adds Mnesistratus of Thasos to the number, quoting authority for the statement in the fourth book of his Meditative Matter; and it is not improbable.
XXXII. But as you, O lady, are rightly very much attached to Plato, and as you are very fond of hunting out in every quarter all the doctrines of the philosopher with great eagerness, I have thought it necessary to subjoin an account of the general character of his lectures, and of the arrangement of his dialogues, and of the method of his inductive argument; going back to their elements and first principles as far as I could, so that the collection of anecdotes concerning his life which I have been able to make, may not be curtailed by the omission of any statement as to his doctrines. For it would be like sending owls to Athens, as the proverb is, if I were to descend to particular details.
They say now, that Zeno, the Eleatic, was the first person who composed essays in the form of dialogue. But Aristotle, in the first book of his treatise on Poets, says that Alexander, a native of Styra, or Teos, did so before him, as Phavorinus also says in his Commentaries. But it seems to me that Plato gave this kind of writing the last polish, and that he has therefore, a just right to the first honour, not only as the improver, but also as inventor of that kind of writing. Now, the dialogue is a discourse carried on by way of question and answer, on some one of the subjects with which philosophy is conversant, or with which statesmanship is concerned, with a becoming attention to the characters of the persons who are introduced as speakers, and with a careful selection of language governed by the same consideration. And dialectics is the art of conversing, by means of which we either overturn or establish the proposition contended for, by means of the questions and answers which are put in the mouths of the parties conversing. Now, of the Platonic discourse there are two characteristics discernible on the very surface; one fitted for guiding, the other for investigating.
The first of these has two subordinate species, one speculative, the other practical; and of these two again, the speculative is divided into the natural and the logical, and the practical into the ethical and the political. Again, the kind fitted for investigating has also two primary divisions with their separate characteristics, one object of which is simply practice, the other being also disputatious: and the first of these two is again subdivided into two; one of which may be compared to the art of the midwife, and the other is at it were tentative; the disputatious one is also divided into the demonstrative and the distinctive.
But we are not unaware that some writers distinguish the various dialogues in a different manner from what we do. For they say that some of them are dramatic, and others narrative, and others of a mixed nature. But they, in this division, are classifying the dialogues in a theatrical rather than in a philosophical manner. Some of the dialogues also refer to subjects of natural philosophy, such as the Timaeus. Of the logical class there are the Politics, the Cratylus, the Parmenides, and the Sophist. Of the ethical kind there is the defence of Socrates, the Crito, the Phedo the Phaedrus, the Banquet, the Menexenus the Clitiphon, the Epistles, the Philebus, the Hipparchus and the Rival Lovers. Of the political class there is the Republic the Laws, the Minos, the Epinomis, and the Atlanticus. Of the midwife description we have the two Alcibiades's, the Theages, the Lysis, the Laches. Of the tentative kind, there is the Euthyphro, the Meno, the Ion, the Charmides, and the Theaetetus. Of the demonstrative description, we have the Protagoras, and of the distinctive class the Euthydemus, the two Hippias's, and the Gorgias. And this is enough to say about the dialogues as to what they are, and what their different kinds are.
XXXIII. But since there is also a great division of opinion respecting them, from some people asserting that in them Plato dogmatizes in a positive manner, while others deny this, we had better also touch upon this part of the question. Now, dogmatizing is laying down dogmas, just as legislating is making laws. But the word dogma is used in two senses; to mean both that which we think, and opinion itself. Now of these, that which we think is the proposition, and opinion is the conception by which we entertain it in our minds. Plato then explains the opinions which he entertains himself, and refutes false ones; and about doubtful matters he suspends his judgment. His opinions of matters as they appear to him he puts into the mouth of four persons, Socrates, Timaeus, an Athenian poet, and an Eleatic stranger. But the strangers are not, as some people have supposed, Plato and Parmenides, but certain nameless imaginary characters. Since Plato asserts as undeniable axioms all the opinions which he puts into the mouth of Socrates or Timaeus. But when he is refuting false propositions, he introduces such characters as Thrasymachus, and Callicles and Polus, and Gorgias, and Protagoras, Hippiastro, and Euthydemus, and men of that stamp. But when he is demonstrating anything, then he chiefly uses the inductive form of argument, and that too not of one kind only, but of two. For induction is an argument, which by means of some admitted truths establishes naturally other truths which resemble them. But there are two kinds of induction; the one proceeding from contraries, the other from consequents. Now, the one which proceeds from contraries, is one in which from the answer given, whatever that answer may be, the contrary of the principle indicated in the question must follow. As for instance. My father is either a different person from your father, or he is the same person. If now your father is a different person from my father, then as he is a different person from a father, he cannot be a father. If, on the other hand, he is the same person as my father, then, since he is the same person as my father, he must be my father. And again, if man be not an animal, he must be either a stone or a piece of wood; but he is not a stone or a piece of wood, for he is a living animal, and capable of independent motion. Therefore, he is an animal. But, if he is an animal, and a dog or an ox is likewise an animal, then man must be an animal, and a dog, and an ox. -- This then is the method of induction in contradiction and contention, which Plato was accustomed to employ, not for the purpose of establishing principles of his own, but with the object of refuting the arguments of others.
Now, the inductive kind of argument drawn from consequents is of a twofold character. The one proving a particular opinion by an admitted fact of an equally particular nature; or else going from particulars to generals. And the first of these two divisions is the oratorical one, the second the dialectic one. As for instance, in the former kind the question is whether this person has committed a murder; the proof is that he was found at the time covered with blood. But this is the oratorical method of employing the induction; since oratory is conversant about particulars, and does not concern itself about generals. For its object is not to ascertain abstract justice, but only particular justice. The other is the dialectic kind, the general proposition having been established by particular ones. As for instance, the question is whether the soul is immortal, and whether the living consist of those who have once been dead; and this proposition Plato establishes in his book on the Soul, by a certain general proposition, that contraries arise out of contraries; and this identical general proposition is established by certain particular ones. As, for instance, that sleep follows on waking, and waking from sleeping, and the greater from the less, and reversely the less from the greater. And this kind of induction he used to employ for the establishment of his own opinions.
XXXIV. Anciently, in tragedy, it was only the chorus who did the whole work of the play; but subsequently, Thespis introduced one actor for the sake of giving the chorus some rest, and Aeschylus added a Second, and Sophocles a third, and so they made tragedy complete. So in the same manner, philosophical discourse was originally uniform, concerning itself solely about natural philosophy; then Socrates added to it a second character, the ethical: and Plato a third, the dialectic: and so he brought philosophy to perfection.
XXXV. But Thrasybulus says that he published his dialogues as the dramatic poets published their tetralogies. For, they contended with four plays, (and at four festivals, the Dionysiac, the Lenaean, the Panathenaean, and the Chytri), one of which was a satiric drama, and the whole four plays were called a tetralogy. Now, people say, the whole of his genuine dialogues amount to fifty-six; the treatise on the Republic being divided into ten books, (which Phavorinus, in the second book of his Universal History, says may be found almost entire in the Contradictions of Protagoras), and that on Laws into twelve. And there are nine tetralogies, if we consider the Republic as occupying the place of one book, and the Laws of another. He arranges, therefore, the first tetralogy of these dialogues which have a common subject, wishing to show what sort of life that of the philosopher may have been. And he uses two titles for each separate book, taking one from the name of the principal speaker, and the other from the subject.
This tetralogy then, which is the first, is commenced by the Euthyphron, or what is Holy; and that dialogue is a tentative one. The second is the Defence of Socrates, a moral one. The third is the Criton, or What is to be done, a moral one. The fourth is the Phaedo, or the Dialogue on the Soul, a moral one.
The second tetralogy is that of which the first piece is the Cratylus, or the correctness of names, a logical one. The Theaetetus, or Knowledge, a tentative one. The Sophist, or a dialogue on the Existent, a logical one. The Statesman, or a dialogue of Monarchy, a logical one.
The first dialogue in the third tetralogy is the Parmenides, or a dialogue of Ideas, a logical one. The second is the Philebus, or on Pleasure, a moral one. The Banquet, or on the Good, a moral one. The Phaedrus, or on Love, a moral one.
The fourth tetralogy opens with the Alcibiades, or a treatise on the Nature of Man, a midwife-like work. The second Alcibiades, or on Prayer, a piece of the same character. The Hipparchus, or on the Love of Gain, a moral one. The Rival Lovers, or a treatise on Philosophy, a moral one.
The first dialogue in the fifth is the Theages, or another treatise on Philosophy, another midwife-like work. The Charmides, or on Temperance, a tentative essay. The Laches, or on Manly Courage, midwife-like. The Lysis, or a dissertation on Friendship, also midwife-like.
The sixth tetralogy commences with the Euthydemus, or the Disputatious Man, a distinctive dialogue. Then comes the Protagoras, or the Sophists, a demonstrative one. The Gorgias, or a dissertation on Rhetoric, another distinctive one. And the Meno, or on Virtue, a tentative dialogue.
The seventh begins with the two Hippias's. The first being a dissertation on the Beautiful; the second one on Falsehood, both distinctive. The third is the Ion, or a dissertation on the Iliad, a tentative one. The fourth is the Menexenus, or the Funeral Oration, a moral one.
The first dialogue in the eighth is the Clitophon, or the Exhortation, a moral piece. Then comes the Republic, or the treatise on Justice, a political one. The Timaeus, or a dissertation on Nature, a dialogue on Natural Philosophy. And the Critias, or Atlanticus, a moral one
The ninth begins with the Minos, or a treatise on Law, a political work. The Laws, or a dissertation on Legislation, another political work. The Epinomis, or the Nocturnal Conversation, or the Philosopher, a third political one.
XXXVI. And this last tetralogy is completed by thirteen epistles, all moral; to which is prefixed as a motto, eu prattein, just as Epicurus inscribed on his eu diagein, and Cleon on his chairein. They are, one letter to Aristodemus, two to Archytas, four to Dionysius, one to Hermeias, Erastus, and Coriscus, one to Leodamas, one to Dion, one to Perdiccas, and two to the friends of Dion.
XXXVII. And this is the way in which some people divide his works. But others, among whom is Aristophanes, the grammarian, arrange his dialogues in trilogies; and they make the first to consist of the Republic, the Timaeus and the Critias.
The second of the Sophist, the Statesman, the Cratylus.
The third of the Laws, the Minos, the Epinomis.
The fourth of the Theaetetus, the Euthyphro, the Defence of Socrates.
The fifth of the Crito, the Phaedo, the Epistles.
And the rest they arrange singly and independently, without any regular order. And some authors, as has been said already, place the Republic at the head of his works: others begin with the Greater Alcibiades: others with the Theages; some with the Euthyphro, others with the Clitophon; some with the Timaeus, some with the Phaedrus, others again with the Theaetetus. Many make the Defence of Socrates the first piece.
There are some dialogues attributed to him which are confessedly spurious. The Midon, or the Horse-breeder; the Eryxias, or Erasistratus; the Alcyon; the Acephali, or Sisyphi; the Axiochus; the Phaeacians; the Demodorus; The Chilidon; the Seventh; the Epimenides. Of which the Alcyon is believed to be the work of a man named Leon; as Phavorinus tells us in the seventh book of his Commentaries.
XXXVIII. But he employs a great variety of terms in order to render his philosophical system unintelligible to the ignorant. In his phraseology he considers wisdom as the knowledge of things which can be understood by the intellect, and which have a real existence: which has the Gods for its object, and the soul as unconnected with the body. He also, with a peculiarity of expression, calls wisdom also philosophy, which he explains as a desire for divine wisdom. But wisdom and experience are also used by him in their common acceptation; as, for instance, when he calls an artisan wise (sophos). He also uses the same words in different senses at different times. Accordingly he uses phaulos in the sense of haplous, simple, in which meaning also the word occurs in Euripides, in the Licymonius, where the poet speaks of Hercules in the following terms:
Mean looking (phaulos), rude, virtuous in great affairs,
Measuring all wisdom by its last results,
A hero unrefined in speech.
But Plato uses the word sometimes even for what is beautiful; and sometimes for small and insignificant; and very often he uses different words to express the same idea. Accordingly, besides the word idea for a class, he uses also eidos, and genos, and paradeigma, and arche, and aition. Sometimes he uses opposite expressions for the same thing; accordingly, he says that it is an object of sensation that exists, while at other times he says it is that which does not exist; speaking of it as existing because of its origin, and as non-existent with reference to its continual changes. Then again, he defines his idea as something which is neither moving nor stationary, at one time calling the same thing, at another time one thing, at a third time many things. And he is in the habit of doing this in many instances.
And the explanation of his arguments is three-fold. For first of all, it is necessary to explain what each thing that is said is; secondly, on what account it is said, whether because of its bearing on the principal point, or figuratively, and whether it is said for the purpose of establishing an opinion of his own, or of refuting the arguments brought forward by the other party to the conversation; and thirdly, whether it has been said truly.
XXXIX. But since there are some particular marks put in his books, we must also say something about them. X indicates peculiar expressions and figures of speech, and generally any peculiarities of Plato's style. When doubled it points to the doctrines and peculiar opinions of Plato; X when dotted all round, points to some select bits of beautiful writing. When doubled and dotted it indicates corrections of some passages. A dotted obelus indicates hasty disapprovals. An inverted sigma dotted all round points out passages which may be taken in a double sense, and transpositions of words.
The Ceraunium (1) indicates a connection of philosophical ideas. An asterisk points out an agreement in doctrine.
