The
syllabic
caesura is that, in which the
first part of the divided foot consists of the last
syllable of a word.
first part of the divided foot consists of the last
syllable of a word.
Latin - Bradley - Key to Exercises in Latin Prosody and Versification
-
gerum, nota, noto or no? to? . 4. Ju? nior.
9.
1. La^terna, lex, le? gis, libella. 2. Lucerna,
mo? bilis, no? nus, o? dium. 3. Pe? nuria, rex, re? gis,
re? gula, sa? gax. 4. Se? cius, se? des, se? dile, sopor.
? ? Generated for (University of Chicago) on 2014-12-26 11:23 GMT / http://hdl. handle. net/2027/hvd. hwrgl4 Public Domain, Google-digitized / http://www. hathitrust. org/access_use#pd-google
? 8 QUANTITY.
10.
J. Suspi? cio, te? gula, va? dum, vi? tiam. S. Short.
3. Di^li? go? or di? li? go. 4. i? mpote? ns> di? spli? ce? o^ or
di? spli? ce? o^, i? nci? pi? o^ or i? nci? pi? o.
11.
1. Long. 2. Short. 3. Bibi, dedi, fidi from
findo, scidi from scindo, steti, stiti, tuli. 4. Ce? -
ei^di? , ce? ci? di^, fe? fe? lli? .
12.
1. Datum, ratum, satum, itum, litum, quitum,
situm, rutum, citum from cieo, futurus from fi>-
tum. 2. Common. 3. Long. 4. When the
preterperfect ends in ivi.
13.
1. Le? gi? , vi? ci? t, pe? pi? gi^sti? . 2. Tri tu, spre? tus,
la^tu^, sua^sus. 3. Short. 4. Mo^vi? , mo^ve? ra^ti? s,
mo^tu^s fue? ri? t.
14.
1. Because preterites, in which the first sylla-
ble is repeated, have the two first syllables short.
2. Because supines in itum, of more than two
syllables, have the penultimate long when the
preterperfect ends in ivi. 3. Tango or tango,
te? ti? ge? ro^ or te? ti? ge? ro^, ta^nge? ba^mi? ni^. 4. Crepa^-
bis, miseri? ti? s, excepe? ri? s.
15.
1. Mu^lce? ba^mus, pro^cu^de? ri? s, mi? scue? ri? nt, lu? x-
e? ri? mus. 2. Pe? pe? ndi? , ple? vi^sti? s, fuso^s. 3. Be-
cause preterperfects of two syllables have the
former syllable long. 4. Ce? ci? de? rat, ce? ci? di? mus.
? ? Generated for (University of Chicago) on 2014-12-26 11:23 GMT / http://hdl. handle. net/2027/hvd. hwrgl4 Public Domain, Google-digitized / http://www. hathitrust. org/access_use#pd-google
? C/BSUKA. 9
16.
1. Long. 2. The same, when used as Latin
words, as they have in Greek. 3. De? u^m, pu^g-
na^ra? or pu^gna^ro? . 4. Common.
PART III.
VERSIFICATION.
CHAPTER I.
CMSU? RA.
1.
1. A division or separation of a foot, occasion-
ed by the syllables, of which it is composed, be-
longing to different words. 2. Yes. 3. It
connects with each other the different words, of
which a line is composed, and gives to it smooth-
ness and harmony. 4. Three, the syllabic, the
trochaic, and the monosyllabic.
2.
1.
The syllabic caesura is that, in which the
first part of the divided foot consists of the last
syllable of a word. 2. That, in which the first part
of the divided foot consists either of a long and
short syllable remaining at the end of a word, or
of an entire word comprised of one long and one
short syllable. 3. That, in which the first syllable
of the divided foot is a monosyllable. 4. Three.
? ? Generated for (University of Chicago) on 2014-12-26 11:23 GMT / http://hdl. handle. net/2027/hvd. hwrgl4 Public Domain, Google-digitized / http://www. hathitrust. org/access_use#pd-google
? 10 CESURA.
3.
1. Syllabic. 2. The syllabic. 3. Its three
first half feet. 4. The five first half feet, con-
cluding with the last syllable in Procul.
4.
1. Nine in the ennehiraeris and seven in the
hephthemimeris. 2. In the second, third, fourth,
and sometimes in the fifth foot. 3. In either of
the first five feet. 4. In the second and third,
and in the third and fourth feet.
5.
1. Because two successive trochaic caesuras
occur in the second and third feet of the first line,
and in the third and fourth feet of the second
verse. 2. It has not a caesura in either of the
first four feet. 3. No. 4. No.
6.
1. Of a word of sufficient length to complete
the foot, and to leave a caesural syllable. 2. In
the first, second, fourth, fifth, and sixth feet.
3. Always in the fourth, and generally in the se-
cond foot. 4. When there is a caesura in the third.
7.
1. The trochaic. 2. It has a syllabic caesura
in the sixth foot. 3. In the third foot. 4. In
the foot preceding the final syllable in the second-
hemistich.
8.
1; A syllabic caesura. 2. When the preceding
word is a monosyllable. 3. By a word of four
or more syllables. 4. The last vowel of the ad-
jective Gravia.
? ? Generated for (University of Chicago) on 2014-12-26 11:23 GMT / http://hdl. handle. net/2027/hvd. hwrgl4 Public Domain, Google-digitized / http://www. hathitrust. org/access_use#pd-google
? CAESURA. 11
9.
Ovid. Met. XV, 192.
Ipse dei clypeus terra cu`m tollitur ima^,
Mane rubet ; terra^que rubet cu`m conditur ima^.
10.
Claudian. In Ruf. I, 52.
En, proles antiqua redit ; concordia, virtus,
Cumque fide pietas alta^ cervice vagantur.
11.
Virgil. JEneid. XI, 137-
Robora nee cuneis, et olentem scindere cedrum,
Nec plaustris cessant vectare gementibus oraos.
12.
Claudian. De Rap. Pros. I, 198.
Sponte tuus florebit ager cessante juvenco ;
Ditior oblatas mirabitur incola messes.
IS.
Juvenal. XII, 50.
Non propter vitam faciunt patrimonia quidam,
Sed, vitio ceeci, propter patrimonia vivunt.
14.
Ovid. Fast. II, 49? .
Sol fugit, et removent subeuntia nubila coelum,
Et gravis, effusis, de? cidit imber, aquis.
15.
Propert. Cynth. I, Eleg. I, 37-
Quad si quis monitis tardas adverterit aures,
Heu, referet quanto verba dolore mea !
16.
Ovid. Heroid. XIX, 183.
Arte laboratae vincuntur ab aequore puppes.
Tu tua plu`s remis brachia posse pu^tes ?
? ? Generated for (University of Chicago) on 2014-12-26 11:23 GMT / http://hdl. handle. net/2027/hvd. hwrgl4 Public Domain, Google-digitized / http://www. hathitrust. org/access_use#pd-google
? 12 CESURA.
17.
Tibull. II, Eleg. 'I, 13.
Casta placent superis ; pura` cum veste venite,
Et manibus puris sumite fantis aquam.
18.
Ovid. Met. XV, 156.
Corpora sive rogus flamma^, seu tabe vetustas
Abstulerit, mala posse pati non ulla putetis.
19.
Virgil. Mne? d. XI, 425.
Multa dies, variusque labor mutabilis aevi,
Rettulit in melius ; multos alterna revisens
Lusit, et in solido rursus fortuna locavit.
20.
Virgil. Georg. I, 71.
Alternis idem tonsas cessare novales,
Et segnem patie^re situ durescere campum;
Aut ibi flava seres, mutato sidere, farra.
21.
latean. Ill, 399.
Lucus erat longo nunquam violatus ab aevo,
Obscurum cingens connexis aera ramis,
Et gelidas, alte summotis solibus, umbras.
22.
Tibull. I, Eleg. XI, 45.
Interea pax arva colat ; pax candida primu`m
Duxit araturos sub juga curva boves.
Pace bidens vomerque nitent ; at tristia duri
Militis in tenebris occupat arma situs.
? ? Generated for (University of Chicago) on 2014-12-26 11:23 GMT / http://hdl. handle. net/2027/hvd. hwrgl4 Public Domain, Google-digitized / http://www. hathitrust. org/access_use#pd-google
? ARRANGEMENT 13
23.
Homt. I, Epist. II, 47.
Non domus et fundus, non aei? is acervus et auri.
iEgroto domini deduxit corpore febres,
Non animo curas. Valeat possessor oportet,
Si comportatis rebus bene cogitat uti.
24.
Claudian. De Rap. Pros. J, 201.
. Hi^c sedes augusta deae, templique colendi
"Religiosa silex, deiisis quam pinus obumbrat
Frondibus, et nulla lucos agitante procellu? ,
Striduja coniferi modulantur carmina rami.
CHAPTER IL
ARRANGEMENT OF WORDS. . .
l.
Ovid. Heroid. XIV, Ab.
Non ego falsa loquar : ter acutum sustulit ensem,
Ter male sublato recidit ense manus.
2.
Ovid. Heroid. XIV, 49.
Sed timor et pietas crudelibus obstitit ausis,
Castaque mandatum dextra refugit opus.
3.
Ovid. Heroid. XIV, 17.
gerum, nota, noto or no? to? . 4. Ju? nior.
9.
1. La^terna, lex, le? gis, libella. 2. Lucerna,
mo? bilis, no? nus, o? dium. 3. Pe? nuria, rex, re? gis,
re? gula, sa? gax. 4. Se? cius, se? des, se? dile, sopor.
? ? Generated for (University of Chicago) on 2014-12-26 11:23 GMT / http://hdl. handle. net/2027/hvd. hwrgl4 Public Domain, Google-digitized / http://www. hathitrust. org/access_use#pd-google
? 8 QUANTITY.
10.
J. Suspi? cio, te? gula, va? dum, vi? tiam. S. Short.
3. Di^li? go? or di? li? go. 4. i? mpote? ns> di? spli? ce? o^ or
di? spli? ce? o^, i? nci? pi? o^ or i? nci? pi? o.
11.
1. Long. 2. Short. 3. Bibi, dedi, fidi from
findo, scidi from scindo, steti, stiti, tuli. 4. Ce? -
ei^di? , ce? ci? di^, fe? fe? lli? .
12.
1. Datum, ratum, satum, itum, litum, quitum,
situm, rutum, citum from cieo, futurus from fi>-
tum. 2. Common. 3. Long. 4. When the
preterperfect ends in ivi.
13.
1. Le? gi? , vi? ci? t, pe? pi? gi^sti? . 2. Tri tu, spre? tus,
la^tu^, sua^sus. 3. Short. 4. Mo^vi? , mo^ve? ra^ti? s,
mo^tu^s fue? ri? t.
14.
1. Because preterites, in which the first sylla-
ble is repeated, have the two first syllables short.
2. Because supines in itum, of more than two
syllables, have the penultimate long when the
preterperfect ends in ivi. 3. Tango or tango,
te? ti? ge? ro^ or te? ti? ge? ro^, ta^nge? ba^mi? ni^. 4. Crepa^-
bis, miseri? ti? s, excepe? ri? s.
15.
1. Mu^lce? ba^mus, pro^cu^de? ri? s, mi? scue? ri? nt, lu? x-
e? ri? mus. 2. Pe? pe? ndi? , ple? vi^sti? s, fuso^s. 3. Be-
cause preterperfects of two syllables have the
former syllable long. 4. Ce? ci? de? rat, ce? ci? di? mus.
? ? Generated for (University of Chicago) on 2014-12-26 11:23 GMT / http://hdl. handle. net/2027/hvd. hwrgl4 Public Domain, Google-digitized / http://www. hathitrust. org/access_use#pd-google
? C/BSUKA. 9
16.
1. Long. 2. The same, when used as Latin
words, as they have in Greek. 3. De? u^m, pu^g-
na^ra? or pu^gna^ro? . 4. Common.
PART III.
VERSIFICATION.
CHAPTER I.
CMSU? RA.
1.
1. A division or separation of a foot, occasion-
ed by the syllables, of which it is composed, be-
longing to different words. 2. Yes. 3. It
connects with each other the different words, of
which a line is composed, and gives to it smooth-
ness and harmony. 4. Three, the syllabic, the
trochaic, and the monosyllabic.
2.
1.
The syllabic caesura is that, in which the
first part of the divided foot consists of the last
syllable of a word. 2. That, in which the first part
of the divided foot consists either of a long and
short syllable remaining at the end of a word, or
of an entire word comprised of one long and one
short syllable. 3. That, in which the first syllable
of the divided foot is a monosyllable. 4. Three.
? ? Generated for (University of Chicago) on 2014-12-26 11:23 GMT / http://hdl. handle. net/2027/hvd. hwrgl4 Public Domain, Google-digitized / http://www. hathitrust. org/access_use#pd-google
? 10 CESURA.
3.
1. Syllabic. 2. The syllabic. 3. Its three
first half feet. 4. The five first half feet, con-
cluding with the last syllable in Procul.
4.
1. Nine in the ennehiraeris and seven in the
hephthemimeris. 2. In the second, third, fourth,
and sometimes in the fifth foot. 3. In either of
the first five feet. 4. In the second and third,
and in the third and fourth feet.
5.
1. Because two successive trochaic caesuras
occur in the second and third feet of the first line,
and in the third and fourth feet of the second
verse. 2. It has not a caesura in either of the
first four feet. 3. No. 4. No.
6.
1. Of a word of sufficient length to complete
the foot, and to leave a caesural syllable. 2. In
the first, second, fourth, fifth, and sixth feet.
3. Always in the fourth, and generally in the se-
cond foot. 4. When there is a caesura in the third.
7.
1. The trochaic. 2. It has a syllabic caesura
in the sixth foot. 3. In the third foot. 4. In
the foot preceding the final syllable in the second-
hemistich.
8.
1; A syllabic caesura. 2. When the preceding
word is a monosyllable. 3. By a word of four
or more syllables. 4. The last vowel of the ad-
jective Gravia.
? ? Generated for (University of Chicago) on 2014-12-26 11:23 GMT / http://hdl. handle. net/2027/hvd. hwrgl4 Public Domain, Google-digitized / http://www. hathitrust. org/access_use#pd-google
? CAESURA. 11
9.
Ovid. Met. XV, 192.
Ipse dei clypeus terra cu`m tollitur ima^,
Mane rubet ; terra^que rubet cu`m conditur ima^.
10.
Claudian. In Ruf. I, 52.
En, proles antiqua redit ; concordia, virtus,
Cumque fide pietas alta^ cervice vagantur.
11.
Virgil. JEneid. XI, 137-
Robora nee cuneis, et olentem scindere cedrum,
Nec plaustris cessant vectare gementibus oraos.
12.
Claudian. De Rap. Pros. I, 198.
Sponte tuus florebit ager cessante juvenco ;
Ditior oblatas mirabitur incola messes.
IS.
Juvenal. XII, 50.
Non propter vitam faciunt patrimonia quidam,
Sed, vitio ceeci, propter patrimonia vivunt.
14.
Ovid. Fast. II, 49? .
Sol fugit, et removent subeuntia nubila coelum,
Et gravis, effusis, de? cidit imber, aquis.
15.
Propert. Cynth. I, Eleg. I, 37-
Quad si quis monitis tardas adverterit aures,
Heu, referet quanto verba dolore mea !
16.
Ovid. Heroid. XIX, 183.
Arte laboratae vincuntur ab aequore puppes.
Tu tua plu`s remis brachia posse pu^tes ?
? ? Generated for (University of Chicago) on 2014-12-26 11:23 GMT / http://hdl. handle. net/2027/hvd. hwrgl4 Public Domain, Google-digitized / http://www. hathitrust. org/access_use#pd-google
? 12 CESURA.
17.
Tibull. II, Eleg. 'I, 13.
Casta placent superis ; pura` cum veste venite,
Et manibus puris sumite fantis aquam.
18.
Ovid. Met. XV, 156.
Corpora sive rogus flamma^, seu tabe vetustas
Abstulerit, mala posse pati non ulla putetis.
19.
Virgil. Mne? d. XI, 425.
Multa dies, variusque labor mutabilis aevi,
Rettulit in melius ; multos alterna revisens
Lusit, et in solido rursus fortuna locavit.
20.
Virgil. Georg. I, 71.
Alternis idem tonsas cessare novales,
Et segnem patie^re situ durescere campum;
Aut ibi flava seres, mutato sidere, farra.
21.
latean. Ill, 399.
Lucus erat longo nunquam violatus ab aevo,
Obscurum cingens connexis aera ramis,
Et gelidas, alte summotis solibus, umbras.
22.
Tibull. I, Eleg. XI, 45.
Interea pax arva colat ; pax candida primu`m
Duxit araturos sub juga curva boves.
Pace bidens vomerque nitent ; at tristia duri
Militis in tenebris occupat arma situs.
? ? Generated for (University of Chicago) on 2014-12-26 11:23 GMT / http://hdl. handle. net/2027/hvd. hwrgl4 Public Domain, Google-digitized / http://www. hathitrust. org/access_use#pd-google
? ARRANGEMENT 13
23.
Homt. I, Epist. II, 47.
Non domus et fundus, non aei? is acervus et auri.
iEgroto domini deduxit corpore febres,
Non animo curas. Valeat possessor oportet,
Si comportatis rebus bene cogitat uti.
24.
Claudian. De Rap. Pros. J, 201.
. Hi^c sedes augusta deae, templique colendi
"Religiosa silex, deiisis quam pinus obumbrat
Frondibus, et nulla lucos agitante procellu? ,
Striduja coniferi modulantur carmina rami.
CHAPTER IL
ARRANGEMENT OF WORDS. . .
l.
Ovid. Heroid. XIV, Ab.
Non ego falsa loquar : ter acutum sustulit ensem,
Ter male sublato recidit ense manus.
2.
Ovid. Heroid. XIV, 49.
Sed timor et pietas crudelibus obstitit ausis,
Castaque mandatum dextra refugit opus.
3.
Ovid. Heroid. XIV, 17.
