a right to 6" the
boundary
to th~ march ofa nation (Parnell', dictum, which is carvffl below hi"tatue in Dublin),
4'?
4'?
Hart-Clive-1962-Structure-and-Motif-in-Finnegans-Wake
20
manti"a minus (a mant;, i, a prophet; a manti"" a makeweight;
the motif =rru to e! Jtabli,ili Shem', sterility), 298. 20, 4'7. 34 The Marriage ~remnny, ~0. '7, 62. 10, '{S. 30, 167. 29, 'I)J. Q. l, 3,8"3, 325. 2', 33'. ? 5, 3{S? Ol, 380. 25, 438. 26, 547. 27,
571. 2 9,6'7. 0 7,626. 3'
marry in h"'tt:; rep<:nt at leisuTe, '31. 14, 3,8. "9, 441. 35
mate a gam~ ('meet again', from 'Loch Lomond', but a40 the
game of intt:lkctual ChCM which i, Finlltg<lM WQkt), 34". 07, 5W . 26
a matter of GOur><:, 37. '0, 77. 33, 254. 32, 443. 06, 575. 33 Mawmaw, luk, your b<:t:tftay'. fizzin over! (one of many phraSe>
fTom U/yua-U 537- which a,. . , quoted virtually verbatim
inFilwg. ms Wah), 308,R'. 10[. 09
the meaning of meaning, 267,? 3, 3'3. 03, 546. 29 mcmernorm~ (. "" 'LUI Monologue Motin')
merry Chri. tmas (t"" 'Letter')
Michaelmas (s"" 'Anna Livia Motiu')
The Mime of Mid:, Nick and th~ Maggies. 18,,0, [06. 10,
~'9? ,8, 399. 26, (4"? 33)
mUtT. ,. ""his (Lat. : 'have mercy upon m'), ~59. 07. 466. 32,
470. 2'
mj,he muhe to tauftauf ( _ 'Fint Four Paragraph3')
mj" bu. in= with ple:uure, 7'). 03, 127. 20, '74. 30, ~68. 0. ~, 618. 36
moananoaning (su 'Last Monologue Motifl')
<110,. . , by token, 315. 06, 3. '\0. ,8, 3&;'. 08, 54"'~, 608,26 tho more carrots you chop . . . , '90. 03, 566. 0~
'J<
? An Index oj Motifs in Finnegans Wake
more power 10 hit elbow (Power's U 3 well known brand of Irilh ",huker), ([4{1,34), 190. 08, ~14? IO, 303. "4, 321. <)[
the more the merrier, 190,03,202,01, 4h8. 27
""";turi It sa/uM7Il (Lat. : 'tho<<: about [0 die . aluc. . you'- the
gladiator>' lalu[aliou 1<> lh~ royal 'J>CCta[ors), 167. 24, '37. 12 mO$t high he"vett (su 'Finl Four Paragrapru')
mote in thy brolher'. eye . . . kam in thy own (Matt. 7:3),
93. 28, 16~. 30, 512. 08
Mothcr (;Q",ip (sa 'Anna Livia Motm')
move up. . . make room for? . . , 12"4, 99. [9, (10[. 09), 26f? Lo,593? [f
moyleo. and moyl. ,. (sa 'LuI Monologue Motifs')
muddy "'-', '30. 12, 1'3. 15
Mummum, '44. 35, 193. 3<>, '59. 10, 36:. . 26, 37[. 01,416. 02 murdering huh, (17. 21), 63. 01, 300. 13, 354. 24, 4g8. 15 MU$C)'room: Major Recall, at, ][1,30, '41. 30, 273. 19, 303. 05,
333. 06, 376. 04, 510. 29, 599"3
muO! IlO'W close (ft. '~I~r')
mutatu mmandis, 60. 33, 28J. R[, 508. 23
my bad:, my bad:, my bach, (,a 'Anna Livia MoriD')
my e<lld father (set 'l. ast Monulogue Mn\iIJ')
my granville<! brandold Dublin lindnb . ? . , 72. 34, 5:. 3. 06
my time is come (Ste 'L"'t Monologue MOlilJ')
a nalion of shopke<:p<:n (Napolron'. comment on the Engli,h),
123. 24, 128. 16,009. 08,352. 26, :'39. 06 naln",,1 tclcction (. sa 'Ihe struggle for life')
ne<:essi\y U the mother of invention, '33. 3", 207. 29, 266. I I, 34'? I4,526. 3-\-
noill",. fowl, nor lkoh, nor good red hernng, 7. ,8, 563. 34 nenn; no! <I1>3. lf, g07. F8
never oay die, 376. 29, 453. 34, 456. 09
never too late 1Q mend, 230. 08, 329. 35, 346. 09, 172. 19 nice kl\k of flih (sa 'Letter')
ft;si prius (Lal. : 'unkso previously. . . '; refen tQ the holding of:wite cour", in England), 196. 21. 375. 18, 100. 36
no betc. . r than she . tIQuld be (i. e. , r. . y), 359. 07, ? 4-32 toI)~hSSt o~Jil" 277. 1 I, 306. 04, 495. 26, 567. ~6
'35
? An Index of Motifs in Flnrugans Wakt
nobody appeared to have ! he lame time ofbeard, 77. I~, 3og. 15
no concern of the Guinn. ,. . . ,. , 99. 0~, 3og. 01 nodebinding ayes, '43"4, ~67. 08
a nod i, at good a, a winl< to a blind hone, 5. ~', ~73. 25
no man h. . .
a right to 6" the boundary to th~ march ofa nation (Parnell', dictum, which is carvffl below hi"tatue in Dublin),
4'? 35, '9'? 26, 365. 26, 420. 32, 6'4-'7
no man ;. a hero to hi. valet, 136. 13, '14. 'I, 271. L3
None but the brave deserves the fair (Dryden; 'Alexander',
FeOl. n'), "7. 0<1, 366. 10, 625. 31
no . uch thing, 63. 1 I, 420" 4, 420. 28
nothing new under the . un, '53. 08, 493. ,8
not yet, tbough venisroon after (m 'Fint Four Puagraphs') now we '<<' through a gl:w darkly; btll Ihen race to face
(I Cor. 13:U), 18. 36, 77. 18, '53. 2', '77. 36, 223. '5, 266. 22, 355? og, 374? 1], 403. 24, 434. 3'
Ob. dirnt'" Civiom Urhis Ftluila. r (Dublin'. motto; 'the obedieru:e of the citUen. is the good of the town'), 23. ' 4. 73. 15, 76. O<J, 140. 06, 266. 01, 277. 08, 347. 35, 358. 08, 371. 22, 494. 21,
540. 25, 6'0. 07
obscene licence, 523. 3~, 535. 19
obviowly i". piring . ? " '2~,'2, 374. 08
oftlu ",Ipat (La! . : '0 happy Fault'- Augu. otine'l comment on
the fall of man), 23. 16, 27. '3, 32. 25, 72. 04, "'5. 18, '39. 35,
'15"9, 202? 34, 246'3t, 263. 29, 297. 10, 3". 26, 33t. 02,
332. 3', 3? ? 35, 363. 20, (406. '0), 426. '7, 454? 34, so6. 09, 536. 08, 563. 10, 606. 23, 6, 8. u ,
Old Sou' Hole (The Old Men', Home; aJ. o a cltop-house which ,too<! in a rec~ between Eo"", Brid~ and the Cu. tom Howe in Dublin, and which from th. first yean . . . rthe eight. eenth century maintained the reputation of having Ihe be" ale and beef""5tak. . in the city), 4'. 32, '47. 05, 169. 23
Once upon a time, w. 23, 69. 06,152. 18, '53. 10, 319"4> 32~. 27, 356. ,6, 453. 20,516. 01
one man', meat is anoth. r man's puison ('meat' i> ollen to be unde",tood here in the slang Sen", of 'peni. '), 85. 29, '43. 18,
'51 . 34, ,65. 10, ' 77? II, 2og. 06, 451. 06 ,,6
? An ln thx tif Motifs in Finnq,ans Wake
one numb arm up a . leew: (Shem), 16(1. 10, 305. 20
one, two, Ihue and away! (four Viconian Age. ), ". ';,'7,
236. 10, 272. 20, 285. 14, 360. 29, 469? 27
open . . ,. arne! (95. 15), 98. 04, 302. 1. 2, 33'. 01, 333. 0'
. . or, as olhen o. ay . ? . (~ phrase occurring frequently in the Egypti~n B""k if tk D<ml and referring tu the numerou, varian! readings), 357. 15, 482. 18, S07. 3ol
Ordovico or viricordo (s. . 'Anna Livia Motifs')
o tell me all about . ? . (Ut 'Anna {. ivia Motifs')
out of the frying pan into th~ fire, 209. 3', H8. 16, 538. 26
out of the mouth ofbabc. and ~uddings (P? . 8:0), 23. 30, 86. 18 the outward and visible ' ign of an inward and spiritu al grace
(the definition of a sru:rarnmt), 227. 23, 378. 33
Oyezl O}"'z! Oy","! 85. 3', lor. '9, ror. 35, ,8ol? oo, '93. ? 3,
. (. 88. 19,553. 04,585. 26,604. 22
paint the lily (cf. 'Con. id~r the lilies of the field', above),
434. 18,450. 19
paM the fuh (a catch-phras. of the Four; the 11th io, of coune,
both Chrut and Finn', sahnon), 7. 07, 8o. r8, 94. 32, 377. 30,
n. {,jJtlJsim, 535. 0. 1
PaIn>Wttr, 31. 07, 32. 02, 5u6, 78. ? 6, 81. 28, 89. 25, 93. 20,
'? 4. 01, 106. 20, 128. 34> 182. ? 8, 198. 06, 2'3. S',
244-3ol, 276,'4, 306. ? 7, 308.
manti"a minus (a mant;, i, a prophet; a manti"" a makeweight;
the motif =rru to e! Jtabli,ili Shem', sterility), 298. 20, 4'7. 34 The Marriage ~remnny, ~0. '7, 62. 10, '{S. 30, 167. 29, 'I)J. Q. l, 3,8"3, 325. 2', 33'. ? 5, 3{S? Ol, 380. 25, 438. 26, 547. 27,
571. 2 9,6'7. 0 7,626. 3'
marry in h"'tt:; rep<:nt at leisuTe, '31. 14, 3,8. "9, 441. 35
mate a gam~ ('meet again', from 'Loch Lomond', but a40 the
game of intt:lkctual ChCM which i, Finlltg<lM WQkt), 34". 07, 5W . 26
a matter of GOur><:, 37. '0, 77. 33, 254. 32, 443. 06, 575. 33 Mawmaw, luk, your b<:t:tftay'. fizzin over! (one of many phraSe>
fTom U/yua-U 537- which a,. . , quoted virtually verbatim
inFilwg. ms Wah), 308,R'. 10[. 09
the meaning of meaning, 267,? 3, 3'3. 03, 546. 29 mcmernorm~ (. "" 'LUI Monologue Motin')
merry Chri. tmas (t"" 'Letter')
Michaelmas (s"" 'Anna Livia Motiu')
The Mime of Mid:, Nick and th~ Maggies. 18,,0, [06. 10,
~'9? ,8, 399. 26, (4"? 33)
mUtT. ,. ""his (Lat. : 'have mercy upon m'), ~59. 07. 466. 32,
470. 2'
mj,he muhe to tauftauf ( _ 'Fint Four Paragraph3')
mj" bu. in= with ple:uure, 7'). 03, 127. 20, '74. 30, ~68. 0. ~, 618. 36
moananoaning (su 'Last Monologue Motifl')
<110,. . , by token, 315. 06, 3. '\0. ,8, 3&;'. 08, 54"'~, 608,26 tho more carrots you chop . . . , '90. 03, 566. 0~
'J<
? An Index oj Motifs in Finnegans Wake
more power 10 hit elbow (Power's U 3 well known brand of Irilh ",huker), ([4{1,34), 190. 08, ~14? IO, 303. "4, 321. <)[
the more the merrier, 190,03,202,01, 4h8. 27
""";turi It sa/uM7Il (Lat. : 'tho<<: about [0 die . aluc. . you'- the
gladiator>' lalu[aliou 1<> lh~ royal 'J>CCta[ors), 167. 24, '37. 12 mO$t high he"vett (su 'Finl Four Paragrapru')
mote in thy brolher'. eye . . . kam in thy own (Matt. 7:3),
93. 28, 16~. 30, 512. 08
Mothcr (;Q",ip (sa 'Anna Livia Motm')
move up. . . make room for? . . , 12"4, 99. [9, (10[. 09), 26f? Lo,593? [f
moyleo. and moyl. ,. (sa 'LuI Monologue Motifs')
muddy "'-', '30. 12, 1'3. 15
Mummum, '44. 35, 193. 3<>, '59. 10, 36:. . 26, 37[. 01,416. 02 murdering huh, (17. 21), 63. 01, 300. 13, 354. 24, 4g8. 15 MU$C)'room: Major Recall, at, ][1,30, '41. 30, 273. 19, 303. 05,
333. 06, 376. 04, 510. 29, 599"3
muO! IlO'W close (ft. '~I~r')
mutatu mmandis, 60. 33, 28J. R[, 508. 23
my bad:, my bad:, my bach, (,a 'Anna Livia MoriD')
my e<lld father (set 'l. ast Monulogue Mn\iIJ')
my granville<! brandold Dublin lindnb . ? . , 72. 34, 5:. 3. 06
my time is come (Ste 'L"'t Monologue MOlilJ')
a nalion of shopke<:p<:n (Napolron'. comment on the Engli,h),
123. 24, 128. 16,009. 08,352. 26, :'39. 06 naln",,1 tclcction (. sa 'Ihe struggle for life')
ne<:essi\y U the mother of invention, '33. 3", 207. 29, 266. I I, 34'? I4,526. 3-\-
noill",. fowl, nor lkoh, nor good red hernng, 7. ,8, 563. 34 nenn; no! <I1>3. lf, g07. F8
never oay die, 376. 29, 453. 34, 456. 09
never too late 1Q mend, 230. 08, 329. 35, 346. 09, 172. 19 nice kl\k of flih (sa 'Letter')
ft;si prius (Lal. : 'unkso previously. . . '; refen tQ the holding of:wite cour", in England), 196. 21. 375. 18, 100. 36
no betc. . r than she . tIQuld be (i. e. , r. . y), 359. 07, ? 4-32 toI)~hSSt o~Jil" 277. 1 I, 306. 04, 495. 26, 567. ~6
'35
? An Index of Motifs in Flnrugans Wakt
nobody appeared to have ! he lame time ofbeard, 77. I~, 3og. 15
no concern of the Guinn. ,. . . ,. , 99. 0~, 3og. 01 nodebinding ayes, '43"4, ~67. 08
a nod i, at good a, a winl< to a blind hone, 5. ~', ~73. 25
no man h. . .
a right to 6" the boundary to th~ march ofa nation (Parnell', dictum, which is carvffl below hi"tatue in Dublin),
4'? 35, '9'? 26, 365. 26, 420. 32, 6'4-'7
no man ;. a hero to hi. valet, 136. 13, '14. 'I, 271. L3
None but the brave deserves the fair (Dryden; 'Alexander',
FeOl. n'), "7. 0<1, 366. 10, 625. 31
no . uch thing, 63. 1 I, 420" 4, 420. 28
nothing new under the . un, '53. 08, 493. ,8
not yet, tbough venisroon after (m 'Fint Four Puagraphs') now we '<<' through a gl:w darkly; btll Ihen race to face
(I Cor. 13:U), 18. 36, 77. 18, '53. 2', '77. 36, 223. '5, 266. 22, 355? og, 374? 1], 403. 24, 434. 3'
Ob. dirnt'" Civiom Urhis Ftluila. r (Dublin'. motto; 'the obedieru:e of the citUen. is the good of the town'), 23. ' 4. 73. 15, 76. O<J, 140. 06, 266. 01, 277. 08, 347. 35, 358. 08, 371. 22, 494. 21,
540. 25, 6'0. 07
obscene licence, 523. 3~, 535. 19
obviowly i". piring . ? " '2~,'2, 374. 08
oftlu ",Ipat (La! . : '0 happy Fault'- Augu. otine'l comment on
the fall of man), 23. 16, 27. '3, 32. 25, 72. 04, "'5. 18, '39. 35,
'15"9, 202? 34, 246'3t, 263. 29, 297. 10, 3". 26, 33t. 02,
332. 3', 3? ? 35, 363. 20, (406. '0), 426. '7, 454? 34, so6. 09, 536. 08, 563. 10, 606. 23, 6, 8. u ,
Old Sou' Hole (The Old Men', Home; aJ. o a cltop-house which ,too<! in a rec~ between Eo"", Brid~ and the Cu. tom Howe in Dublin, and which from th. first yean . . . rthe eight. eenth century maintained the reputation of having Ihe be" ale and beef""5tak. . in the city), 4'. 32, '47. 05, 169. 23
Once upon a time, w. 23, 69. 06,152. 18, '53. 10, 319"4> 32~. 27, 356. ,6, 453. 20,516. 01
one man', meat is anoth. r man's puison ('meat' i> ollen to be unde",tood here in the slang Sen", of 'peni. '), 85. 29, '43. 18,
'51 . 34, ,65. 10, ' 77? II, 2og. 06, 451. 06 ,,6
? An ln thx tif Motifs in Finnq,ans Wake
one numb arm up a . leew: (Shem), 16(1. 10, 305. 20
one, two, Ihue and away! (four Viconian Age. ), ". ';,'7,
236. 10, 272. 20, 285. 14, 360. 29, 469? 27
open . . ,. arne! (95. 15), 98. 04, 302. 1. 2, 33'. 01, 333. 0'
. . or, as olhen o. ay . ? . (~ phrase occurring frequently in the Egypti~n B""k if tk D<ml and referring tu the numerou, varian! readings), 357. 15, 482. 18, S07. 3ol
Ordovico or viricordo (s. . 'Anna Livia Motifs')
o tell me all about . ? . (Ut 'Anna {. ivia Motifs')
out of the frying pan into th~ fire, 209. 3', H8. 16, 538. 26
out of the mouth ofbabc. and ~uddings (P? . 8:0), 23. 30, 86. 18 the outward and visible ' ign of an inward and spiritu al grace
(the definition of a sru:rarnmt), 227. 23, 378. 33
Oyezl O}"'z! Oy","! 85. 3', lor. '9, ror. 35, ,8ol? oo, '93. ? 3,
. (. 88. 19,553. 04,585. 26,604. 22
paint the lily (cf. 'Con. id~r the lilies of the field', above),
434. 18,450. 19
paM the fuh (a catch-phras. of the Four; the 11th io, of coune,
both Chrut and Finn', sahnon), 7. 07, 8o. r8, 94. 32, 377. 30,
n. {,jJtlJsim, 535. 0. 1
PaIn>Wttr, 31. 07, 32. 02, 5u6, 78. ? 6, 81. 28, 89. 25, 93. 20,
'? 4. 01, 106. 20, 128. 34> 182. ? 8, 198. 06, 2'3. S',
244-3ol, 276,'4, 306. ? 7, 308.
