No More Learning

It is
much easier to learn the name of the last man whom chance has exalted to
wealth and power, to obtain by the intervention of some of his
domesticks the privilege of addressing him, or, in confidence of the
general acceptance of flattery, to venture on an address without any
previous solicitation; and after having heaped upon him all the virtues
to which philosophy had assigned a name, inform him how much more might
be truly said, did not the fear of giving pain to his modesty repress
the raptures of wonder and the zeal of veneration.

Nothing has so much degraded literature from its natural rank, as the
practice of indecent and promiscuous dedication; for what credit can he
expect who professes himself the hireling of vanity, however profligate,
and without shame or scruple, celebrates the worthless, dignifies the
mean, and gives to the corrupt, licentious, and oppressive, the
ornaments which ought only to add grace to truth, and loveliness to
innocence? Every other kind of adulation, however shameful, however
mischievous, is less detestable than the crime of counterfeiting
characters, and fixing the stamp of literary sanction upon the dross and
refuse of the world.

Yet I would not overwhelm the authors with the whole load of infamy, of
which part, perhaps the greater part, ought to fall upon their patrons.
If he that hires a bravo, partakes the guilt of murder, why should he
who bribes a flatterer, hope to be exempted from the shame of falsehood?
The unhappy dedicator is seldom without some motives which obstruct,
though not destroy, the liberty of choice; he is oppressed by miseries
which he hopes to relieve, or inflamed by ambition which he expects to
gratify. But the patron has no incitements equally violent; he can
receive only a short gratification, with which nothing but stupidity
could dispose him to be pleased. The real satisfaction which praise can
afford is by repeating aloud the whispers of conscience, and by shewing
us that we have not endeavoured to deserve well in vain. Every other
encomium is, to an intelligent mind, satire and reproach; the
celebration of those virtues which we feel ourselves to want, can only
impress a quicker sense of our own defects, and shew that we have not
yet satisfied the expectations of the world, by forcing us to observe
how much fiction must contribute to the completion of our character.

Yet sometimes the patron may claim indulgence; for it does not always
happen, that the encomiast has been much encouraged to his attempt. Many
a hapless author, when his book, and perhaps his dedication, was ready
for the press, has waited long before any one would pay the price of
prostitution, or consent to hear the praises destined to insure his name
against the casualties of time; and many a complaint has been vented
against the decline of learning, and neglect of genius, when either
parsimonious prudence has declined expense, or honest indignation
rejected falsehood. But if at last, after long inquiry and innumerable
disappointments, he find a lord willing to hear of his own eloquence and
taste, a statesman desirous of knowing how a friendly historian will
represent his conduct, or a lady delighted to leave to the world some
memorial of her wit and beauty, such weakness cannot be censured as an
instance of enormous depravity. The wisest man may, by a diligent
solicitor, be surprised in the hour of weakness, and persuaded to solace
vexation, or invigorate hope, with the musick of flattery.

To censure all dedications as adulatory and servile, would discover
rather envy than justice. Praise is the tribute of merit, and he that
has incontestably distinguished himself by any publick performance, has
a right to all the honours which the publick can bestow. To men thus
raised above the rest of the community, there is no need that the book
or its author should have any particular relation; that the patron is
known to deserve respect, is sufficient to vindicate him that pays it.
To the same regard from particular persons, private virtue and less
conspicuous excellence may be sometimes entitled. An author may with
great propriety inscribe his work to him by whose encouragement it was
undertaken, or by whose liberality he has been enabled to prosecute it,
and he may justly rejoice in his own fortitude that dares to rescue
merit from obscurity.

_Acribus exemplis videor te claudere: misce
Ergo aliquid nostris de moribus. --_

Thus much I will indulge thee for thy ease,
And mingle something of our times to please. Dryden, jun.

I know not whether greater relaxation may not he indulged, and whether
hope as well as gratitude may not unblamably produce a dedication; but
let the writer who pours out his praises only to propitiate power, or
attract the attention of greatness, be cautious lest his desire betray
him to exuberant eulogies. We are naturally more apt to please ourselves
with the future than the past, and while we luxuriate in expectation,
may be easily persuaded to purchase what we yet rate, only by
imagination, at a higher price than experience will warrant.

But no private views of personal regard can discharge any man from his
general obligations to virtue and to truth. It may happen in the various
combinations of life, that a good man may receive favours from one, who,
notwithstanding his accidental beneficence, cannot be justly proposed to
the imitation of others, and whom therefore he must find some other way
of rewarding than by public celebrations. Self-love has indeed many
powers of seducement; but it surely ought not to exalt any individual to
equality with the collective body of mankind, or persuade him that a
benefit conferred on him is equivalent to every other virtue. Yet many,
upon false principles of gratitude, have ventured to extol wretches,
whom all but their dependents numbered among the reproaches of the
species, and whom they would likewise have beheld with the same scorn,
had they not been hired to dishonest approbation.

To encourage merit with praise is the great business of literature; but
praise must lose its influence, by unjust or negligent distribution; and
he that impairs its value may be charged with misapplication of the
power that genius puts into his hands, and with squandering on guilt the
recompense of virtue.



No. 137. TUESDAY, JULY 9, 1751.

_Dum vitant stulti vitia, in contraria currunt_.
Hor. Lib. i. Sat. ii. 24.

--Whilst fools one vice condemn,
They run into the opposite extreme. CREECH.

That wonder is the effect of ignorance, has been often observed. The
awful stillness of attention, with which the mind is overspread at the
first view of an unexpected effect, ceases when we have leisure to
disentangle complications and investigate causes. Wonder is a pause of
reason, a sudden cessation of the mental progress, which lasts only
while the understanding is fixed upon some single idea, and is at an end
when it recovers force enough to divide the object into its parts, or
mark the intermediate gradations from the first agent to the last
consequence.

It may be remarked with equal truth, that ignorance is often the effect
of wonder. It is common for those who have never accustomed themselves
to the labour of inquiry, nor invigorated their confidence by conquests
over difficulty, to sleep in the gloomy quiescence of astonishment,
without any effort to animate inquiry, or dispel obscurity. What they
cannot immediately conceive, they consider as too high to be reached, or
too extensive to be comprehended; they therefore content themselves with
the gaze of folly, forbear to attempt what they have no hopes of
performing, and resign the pleasure of rational contemplation to more
pertinacious study, or more active faculties.

Among the productions of mechanick art, many are of a form so different
from that of their first materials, and many consist of parts so
numerous and so nicely adapted to each other, that it is not possible to
view them without amazement. But when we enter the shops of artificers,
observe the various tools by which every operation is facilitated, and
trace the progress of a manufacture through the different hands, that,
in succession to each other, contribute to its perfection, we soon
discover that every single man has an easy task, and that the extremes,
however remote, of natural rudeness and artificial elegance, are joined
by a regular concatenation of effects, of which every one is introduced
by that which precedes it, and equally introduces that which is to
follow.

The same is the state of intellectual and manual performances. Long
calculations or complex diagrams affright the timorous and unexperienced
from a second view; but if we have skill sufficient to analyze them into
simple principles, it will be discovered that our fear was groundless.
_Divide and conquer_, is a principle equally just in science as in
policy. Complication is a species of confederacy, which, while it
continues united, bids defiance to the most active and vigorous
intellect; but of which every member is separately weak, and which may
therefore be quickly subdued, if it can once be broken.

The chief art of learning, as Locke has observed, is to attempt but
little at a time. The widest excursions of the mind are made by short
flights frequently repeated; the most lofty fabricks of science are
formed by the continued accumulation of single propositions.

It often happens, whatever be the cause, that impatience of labour, or
dread of miscarriage, seizes those who are most distinguished for
quickness of apprehension; and that they who might with greatest reason
promise themselves victory, are least willing to hazard the encounter.
This diffidence, where the attention is not laid asleep by laziness, or
dissipated by pleasures, can arise only from confused and general views,
such as negligence snatches in haste, or from the disappointment of the
first hopes formed by arrogance without reflection. To expect that the
intricacies of science will be pierced by a careless glance, or the
eminences of fame ascended without labour, is to expect a particular
privilege, a power denied to the rest of mankind; but to suppose that
the maze is inscrutable to diligence, or the heights inaccessible to
perseverance, is to submit tamely to the tyranny of fancy, and enchain
the mind in voluntary shackles.

It is the proper ambition of the heroes in literature to enlarge the
boundaries of knowledge by discovering and conquering new regions of the
intellectual world. To the success of such undertakings perhaps some
degree of fortuitous happiness is necessary, which no man can promise or
procure to himself; and therefore doubt and irresolution may be forgiven
in him that ventures into the unexplored abysses of truth, and attempts
to find his way through the fluctuations of uncertainty, and the
conflicts of contradiction. But when nothing more is required, than to
pursue a path already beaten, and to trample obstacles which others have
demolished, why should any man so much distrust his own intellect as to
imagine himself unequal to the attempt?

It were to be wished that they who devote their lives to study would at
once believe nothing too great for their attainment, and consider
nothing as too little for their regard; that they would extend their
notice alike to science and to life, and unite some knowledge of the
present world to their acquaintance with past ages and remote events.

Nothing has so much exposed men of learning to contempt and ridicule, as
their ignorance of things which are known to all but themselves. Those
who have been taught to consider the institutions of the schools, as
giving the last perfection to human abilities, are surprised to see men
wrinkled with study, yet wanting to be instructed in the minute
circumstances of propriety, or the necessary forms of daily transaction;
and quickly shake off their reverence for modes of education, which they
find to produce no ability above the rest of mankind.

"Books," says Bacon, "can never teach the use of books. " The student
must learn by commerce with mankind to reduce his speculations to
practice, and accommodate his knowledge to the purposes of life.

It is too common for those who have been bred to scholastick
professions, and passed much of their time in academies where nothing
but learning confers honours, to disregard every other qualification,
and to imagine that they shall find mankind ready to pay homage to their
knowledge, and to crowd about them for instruction. They therefore step
out from their cells into the open world with all the confidence of
authority and dignity of importance; they look round about them at once
with ignorance and scorn on a race of beings to whom they are equally
unknown and equally contemptible, but whose manners they must imitate,
and with whose opinions they must comply, if they desire to pass their
time happily among them.

To lessen that disdain with which scholars are inclined to look on the
common business of the world, and the unwillingness with which they
condescend to learn what is not to be found in any system of philosophy,
it may be necessary to consider that though admiration is excited by
abstruse researches and remote discoveries, yet pleasure is not given,
nor affection conciliated, but by softer accomplishments, and qualities
more easily communicable to those about us. He that can only converse
upon questions, about which only a small part of mankind has knowledge
sufficient to make them curious, must lose his days in unsocial silence,
and live in the crowd of life without a companion. He that can only be
useful on great occasions, may die without exerting his abilities, and
stand a helpless spectator of a thousand vexations which fret away
happiness, and which nothing is required to remove but a little
dexterity of conduct and readiness of expedients.

No degree of knowledge attainable by man is able to set him above the
want of hourly assistance, or to extinguish the desire of fond
endearments, and tender officiousness; and therefore, no one should
think it unnecessary to learn those arts by which friendship may be
gained. Kindness is preserved by a constant reciprocation of benefits or
interchange of pleasures; but such benefits only can be bestowed, as
others are capable to receive, and such pleasures only imparted, as
others are qualified to enjoy.

By this descent from the pinnacles of art no honour will be lost; for
the condescensions of learning are always overpaid by gratitude. An
elevated genius employed in little things, appears, to use the simile of
Longinus, like the sun in his evening declination: he remits his
splendour but retains his magnitude, and pleases more though he dazzles
less.



No. 138. SATURDAY, JULY 13, 1751.

_O tantum libeat mecum tibi sordida rura,
Atque humiles habitare casas, et figere cervos_. VIRG. EC. ii 28.

With me retire, and leave the pomp of courts
For humble cottages and rural sports.

TO THE RAMBLER.

SIR,

Though the contempt with which you have treated the annual migrations of
the gay and busy part of mankind is justified by daily observation;
since most of those who leave the town, neither vary their
entertainments nor enlarge their notions; yet I suppose you do not
intend to represent the practice itself as ridiculous, or to declare
that he whose condition puts the distribution of his time into his own
power may not properly divide it between the town and country.

That the country, and only the country, displays the inexhaustible
varieties of nature, and supplies the philosophical mind with matter for
admiration and inquiry, never was denied; but my curiosity is very
little attracted by the colour of a flower, the anatomy of an insect, or
the structure of a nest; I am generally employed upon human manners, and
therefore fill up the months of rural leisure with remarks on those who
live within the circle of my notice. If writers would more frequently
visit those regions of negligence and liberty, they might diversify
their representations, and multiply their images, for in the country are
original characters chiefly to be found. In cities, and yet more in
courts, the minute discriminations which distinguish one from another
are for the most part effaced, the peculiarities of temper and opinion
are gradually worn away by promiscuous converse, as angular bodies and
uneven surfaces lose their points and asperities by frequent attrition
against one another, and approach by degrees to uniform rotundity. The
prevalence of fashion, the influence of example, the desire of applause,
and the dread of censure, obstruct the natural tendencies of the mind,
and check the fancy in its first efforts to break forth into experiments
of caprice.

Few inclinations are so strong as to grow up into habits, when they must
struggle with the constant opposition of settled forms and established
customs. But in the country every man is a separate and independent
being: solitude flatters irregularity with hopes of secrecy; and wealth,
removed from the mortification of comparison, and the awe of equality,
swells into contemptuous confidence, and sets blame and laughter at
defiance; the impulses of nature act unrestrained, and the disposition
dares to shew itself in its true form, without any disguise of
hypocrisy, or decorations of elegance. Every one indulges the full
enjoyment of his own choice, and talks and lives with no other view than
to please himself, without inquiring how far he deviates from the
general practice, or considering others as entitled to any account of
his sentiments or actions. If he builds or demolishes, opens or
encloses, deluges or drains, it is not his care what may be the opinion
of those who are skilled in perspective or architecture, it is
sufficient that he has no landlord to controul him, and that none has
any right to examine in what projects the lord of the manour spends his
own money on his own grounds.

For this reason it is not very common to want subjects for rural
conversation. Almost every man is daily doing something which produces
merriment, wonder, or resentment, among his neighbours. This utter
exemption from restraint leaves every anomalous quality to operate in
its full extent, and suffers the natural character to diffuse itself to
every part of life. The pride which, under the check of publick
observation, would have been only vented among servants and domesticks,
becomes in a country baronet the torment of a province, and instead of
terminating in the destruction of China-ware and glasses, ruins tenants,
dispossesses cottagers, and harasses villages with actions of trespass
and bills of indictment.

It frequently happens that, even without violent passions, or enormous
corruption, the freedom and laxity of a rustick life produces remarkable
particularities of conduct or manner. In the province where I now
reside, we have one lady eminent for wearing a gown always of the same
cut and colour; another for shaking hands with those that visit her; and
a third for unshaken resolution never to let tea or coffee enter her
house.

But of all the female characters which this place affords, I have found
none so worthy of attention as that of Mrs. Busy, a widow, who lost her
husband in her thirtieth year, and has since passed her time at the
manour-house in the government of her children, and the management of
the estate.

Mrs. Busy was married at eighteen from a boarding-school, where she had
passed her time like other young ladies, in needle-work, with a few
intervals of dancing and reading. When she became a bride she spent one
winter with her husband in town, where, having no idea of any
conversation beyond the formalities of a visit, she found nothing to
engage her passions: and when she had been one night at court, and two
at an opera, and seen the Monument, the Tombs, and the Tower, she
concluded that London had nothing more to shew, and wondered that when
women had once seen the world, they could not be content to stay at
home. She therefore went willingly to the ancient seat, and for some
years studied housewifery under Mr. Busy's mother, with so much
assiduity, that the old lady, when she died, bequeathed her a
caudle-cup, a soup-dish, two beakers, and a chest of table-linen spun
by herself.

Mr. Busy, finding the economical qualities of his lady, resigned his
affairs wholly into her hands, and devoted his life to his pointers and
his hounds. He never visited his estates but to destroy the partridges
or foxes; and often committed such devastations in the rage of pleasure,
that some of his tenants refused to hold their lands at the usual rent.
Their landlady persuaded them to be satisfied, and entreated her husband
to dismiss his dogs, with many exact calculations of the ale drunk by
his companions, and corn consumed by the horses, and remonstrances
against the insolence of the huntsman, and the frauds of the groom. The
huntsman was too necessary to his happiness to be discarded; and he had
still continued to ravage his own estate, had he not caught a cold and a
fever by shooting mallards in the fens. His fever was followed by a
consumption, which in a few months brought him to the grave.

Mrs. Busy was too much an economist to feel either joy or sorrow at his
death. She received the compliments and consolations of her neighbours
in a dark room, out of which she stole privately every night and morning
to see the cows milked; and after a few days declared that she thought a
widow might employ herself better than in nursing grief; and that, for
her part, she was resolved that the fortunes of her children should not
be impaired by her neglect.

She therefore immediately applied herself to the reformation of abuses.
She gave away the dogs, discharged the servants of the kennel and
stable, and sent the horses to the next fair, but rated at so high a
price that they returned unsold. She was resolved to have nothing idle
about her, and ordered them to be employed in common drudgery. They lost
their sleekness and grace, and were soon purchased at half the value.

She soon disencumbered herself from her weeds, and put on a riding-hood,
a coarse apron, and short petticoats, and has turned a large manour into
a farm, of which she takes the management wholly upon herself. She rises
before the sun to order the horses to their gears, and sees them well
rubbed down at their return from work; she attends the dairy morning and
evening, and watches when a calf falls that it may be carefully nursed;
she walks out among the sheep at noon, counts the lambs, and observes
the fences, and, where she finds a gap, stops it with a bush till it can
be better mended. In harvest she rides a-field in the waggon, and is
very liberal of her ale from a wooden bottle. At her leisure hours she
looks goose eggs, airs the wool-room, and turns the cheese.

When respect or curiosity brings visitants to her house, she entertains
them with prognosticks of a scarcity of wheat, or a rot among the sheep,
and always thinks herself privileged to dismiss them, when she is to see
the hogs fed, or to count her poultry on the roost.

The only things neglected about her are her children, whom she has
taught nothing but the lowest household duties. In my last visit I met
Miss Busy carrying grains to a sick cow, and was entertained with the
accomplishments of her eldest son, a youth of such early maturity, that
though he is only sixteen, she can trust him to sell corn in the market.
Her younger daughter, who is eminent for her beauty, though somewhat
tanned in making hay, was busy in pouring out ale to the ploughmen, that
every one might have an equal share.

I could not but look with pity on this young family, doomed by the
absurd prudence of their mother to ignorance and meanness: but when I
recommended a more elegant education, was answered, that she never saw
bookish or finical people grow rich, and that she was good for nothing
herself till she had forgotten the nicety of the boarding-school.

I am, Yours, &c.

BUCOLUS.



No. 139. TUESDAY, JULY 16, 1751

--_Sit quod vis simplex duntanat et unum_. Hor. Art. Poet. 23.

Let ev'ry piece be simple and be one.

It is required by Aristotle to the perfection of a tragedy, and is
equally necessary to every other species of regular composition, that it
should have a beginning, a middle, and an end. "The beginning," says he,
"is that which hath nothing necessarily previous, but to which that
which follows is naturally consequent; the end, on the contrary, is that
which by necessity, or, at least, according to the common course of
things, succeeds something else, but which implies nothing consequent to
itself; the middle is connected on one side to something that naturally
goes before, and on the other to something that naturally follows it. "

Such is the rule laid down by this great critick, for the disposition of
the different parts of a well-constituted fable. It must begin where it
may be made intelligible without introduction; and end where the mind is
left in repose, without expectation of any further event. The
intermediate passages must join the last effect to the first cause, by a
regular and unbroken concatenation; nothing must be, therefore,
inserted, which does not apparently arise from something foregoing, and
properly make way for something that succeeds it.

This precept is to be understood in its rigour only with respect to
great and essential events, and cannot be extended in the same force to
minuter circumstances and arbitrary decorations, which yet are more
happy, as they contribute more to the main design; for it is always a
proof of extensive thought and accurate circumspection, to promote
various purposes by the same act; and the idea of an ornament admits
use, though it seems to exclude necessity.

Whoever purposes, as it is expressed by Milton, _to build the lofty
rhyme_, must acquaint himself with this law of poetical architecture,
and take care that his edifice be solid as well as beautiful; that
nothing stand single or independent, so as that it may be taken away
without injuring the rest; but that, from the foundation to the
pinnacles, one part rest firm upon another.

The regular and consequential distribution is among common authors
frequently neglected; but the failures of those, whose example can have
no influence, may be safely overlooked, nor is it of much use to recall
obscure and unguarded names to memory for the sake of sporting with
their infamy. But if there is any writer whose genius can embellish
impropriety, and whose authority can make errour venerable, his works
are the proper objects of critical inquisition. To expunge faults where
there are no excellencies is a task equally useless with that of the
chymist, who employs the arts of separation and refinement upon ore in
which no precious metal is contained to reward his operations.

The tragedy of Samson Agonistes has been celebrated as the second work
of the great author of Paradise Lost, and opposed, with all the
confidence of triumph, to the dramatick performances of other nations.
It contains, indeed, just sentiments, maxims of wisdom, and oracles of
piety, and many passages written with the ancient spirit of choral
poetry, in which there is a just and pleasing mixture of Seneca's moral
declamation, with the wild enthusiasm of the Greek writers. It is,
therefore, worthy of examination, whether a performance thus illuminated
with genius, and enriched with learning, is composed according to the
indispensable laws of Aristotelian criticism: and, omitting, at present,
all other considerations, whether it exhibits a beginning, a middle, and
an end.

The beginning is undoubtedly beautiful and proper, opening with a
graceful abruptness, and proceeding naturally to a mournful recital of
facts necessary to be known:

_Samson_. A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of sun and shade:
There I am wont to sit, when any chance
Relieves me from my task of servile toil,
Daily in the common prison else enjoin'd me. --
O, wherefore was my birth from Heav'n foretold
Twice by an Angel? --
Why was my breeding order'd and prescrib'd,
As of a person separate to God,
Design'd for great exploits; if I must die
Betray'd, captiv'd, and both my eyes put out? --
Whom have I to complain of but myself?
Who this high gift of strength committed to me,
In what part lodg'd, how easily bereft me,
Under the seal of silence could not keep:
But weakly to a woman must reveal it.

His soliloquy is interrupted by a chorus or company of men of his own
tribe, who condole his miseries, extenuate his fault, and conclude with
a solemn vindication of divine justice. So that at the conclusion of the
first act there is no design laid, no discovery made, nor any
disposition formed towards the consequent event.

In the second act, Manoah, the father of Samson, comes to seek his son,
and, being shewn him by the chorus, breaks out into lamentations of his
misery, and comparisons of his present with his former state,
representing to him the ignominy which his religion suffers, by the
festival this day celebrated in honour of Dagon, to whom the idolaters
ascribed his overthrow.

--Thou bear'st
Enough, and more, the burthen of that fault;
Bitterly hast thou paid, and still art paying
That rigid score. A worse thing yet remains,
This day the Philistines a popular feast
Here celebrate in Gaza; and proclaim
Great pomp, and sacrifice, and praises loud
To Dagon, as their God who hath deliver'd
Thee, Samson, bound and blind, into their hands,
Them out of thine, who slew'st them many a slain.

Samson, touched with this reproach, makes a reply equally penitential
and pious, which his father considers as the effusion of prophetick
confidence:

_Samson_. --He, be sure,
Will not connive, or linger, thus provok'd,
But will arise and his great name assert:
Dagon must stoop, and shall ere long receive
Such a discomfit, as shall quite despoil him
Of all these boasted trophies won on me.

_Manoah_. With cause this hope relieves thee, and these words
I as a prophecy receive; for God,
Nothing more certain, will not long defer
To vindicate the glory of his name.

This part of the dialogue, as it might tend to animate or exasperate
Samson, cannot, I think, be censured as wholly superfluous; but the
succeeding dispute, in which Samson contends to die, and which his
father breaks off, that he may go to solicit his release, is only
valuable for its own beauties, and has no tendency to introduce any
thing that follows it.

The next event of the drama is the arrival of Dalila, with all her
graces, artifices, and allurements. This produces a dialogue, in a very
high degree elegant and instructive, from which she retires, after she
has exhausted her persuasions, and is no more seen nor heard of; nor has
her visit any effect but that of raising the character of Samson.

In the fourth act enters Harapha, the giant of Gath, whose name had
never been mentioned before, and who has now no other motive of coming,
than to see the man whose strength and actions are so loudly celebrated:

_Haraph_. --Much I have heard
Of thy prodigious might and feats perform'd,
Incredible to me, in this displeas'd,
That I was never present in the place
Of those encounters, where we might have tried
Each other's force in camp or listed fields;
And now am come to see of whom such noise
Hath walk'd about, and each limb to survey,
If thy appearance answer loud report.

Samson challenges him to the combat; and, after an interchange of
reproaches, elevated by repeated defiance on one side, and imbittered by
contemptuous insults on the other, Harapha retires; we then hear it
determined by Samson, and the chorus, that no consequence good or bad
will proceed from their interview:

_Chorus_. He will directly to the lords, I fear,
And with malicious counsel stir them up
Some way or other yet farther to afflict thee.

_Sams_. He must allege some cause, and offer'd fight
Will not dare mention, lest a question rise
Whether he durst accept the offer or not;
And, that he durst not, plain enough appear'd.

At last, in the fifth act, appears a messenger from the lords assembled
at the festival of Dagon, with a summons by which Samson is required to
come and entertain them with some proof of his strength. Samson, after a
short expostulation, dismisses him with a firm and resolute refusal;
but, during the absence of the messenger, having a while defended the
propriety of his conduct, he at last declares himself moved by a secret
impulse to comply, and utters some dark presages of a great event to be
brought to pass by his agency, under the direction of Providence:

_Sams_. Be of good courage, I begin to feel
Some rousing motions in me, which dispose
To something extraordinary my thoughts.
I with this messenger will go along,
Nothing to do, be sure, that may dishonour
Our Law, or stain my vow of Nazarite.
If there be aught of presage in the mind,
This day will be remarkable in my life
By some great act, or of my days the last.

While Samson is conducted off by the messenger, his father returns with
hopes of success in his solicitation, upon which he confers with the
chorus till their dialogue is interrupted, first by a shout of triumph,
and afterwards by screams of horrour and agony. As they stand
deliberating where they shall be secure, a man who had been present at
the show enters, and relates how Samson, having prevailed on his guide
to suffer him to lean against the main pillars of the theatrical
edifice, tore down the roof upon the spectators and himself:

--Those two massy pillars,
With horrible convulsion, to and fro
He tugg'd, he shook, till down they came, and drew
The whole roof after them, with burst of thunder
Upon the heads of all who sat beneath--
Samson, with these immixt, inevitably
Pull'd down the same destruction on himself.

This is undoubtedly a just and regular catastrophe, and the poem,
therefore, has a beginning and an end which Aristotle himself could not
have disapproved; but it must be allowed to want a middle, since nothing
passes between the first act and the last, that either hastens or delays
the death of Samson. The whole drama, if its superfluities were cut off,
would scarcely fill a single act; yet this is the tragedy which
ignorance has admired, and bigotry applauded.



No. 140. SATURDAY, JULY 20, 1751.

--_Quis tam Lucili fautor inepte est,
Ut non hoc fateatur? _ HOR. Lib. i. Sat. x. 2.

What doating bigot, to his faults so blind,
As not to grant me this, can Milton find?

It is common, says Bacon, to desire the end without enduring the means.
Every member of society feels and acknowledges the necessity of
detecting crimes, yet scarce any degree of virtue or reputation is able
to secure an informer from publick hatred. The learned world has always
admitted the usefulness of critical disquisitions, yet he that attempts
to show, however modestly, the failures of a celebrated writer, shall
surely irritate his admirers, and incur the imputation of envy,
captiousness, and malignity.

With this danger full in my view, I shall proceed to examine the
sentiments of Milton's tragedy, which, though much less liable to
censure than the disposition of his plan, are, like those of other
writers, sometimes exposed to just exceptions for want of care, or want
of discernment.

Sentiments are proper and improper as they consist more or less with the
character and circumstances of the person to whom they are attributed,
with the rules of the composition in which they are found, or with the
settled and unalterable nature of things.

It is common among the tragick poets to introduce their persons alluding
to events or opinions, of which they could not possibly have any
knowledge.
The barbarians of remote or newly discovered regions often
display their skill in European learning. The god of love is mentioned
in Tamerlane with all the familiarity of a Roman epigrammatist; and a
late writer has put Harvey's doctrine of the circulation of the blood
into the mouth of a Turkish statesman, who lived near two centuries
before it was known even to philosophers or anatomists.

Milton's learning, which acquainted him with the manners of the ancient
eastern nations, and his invention, which required no assistance from
the common cant of poetry, have preserved him from frequent outrages of
local or chronological propriety. Yet he has mentioned Chalybean steel,
of which it is not very likely that his chorus should have heard, and
has made Alp the general name of a mountain, in a region where the Alps
could scarcely be known:

No medicinal liquor can assuage,
Nor breath of cooling air from snowy Alp.

He has taught Samson the tales of Circe, and the Syrens, at which he
apparently hints in his colloquy with Dalila:

--I know thy trains,
Though dearly to my cost, thy gins, and toils;
Thy fair _enchanted cup_, and _warbling charms_
No more on me have pow'r.

But the grossest errour of this kind is the solemn introduction of the
Phoenix in the last scene; which is faulty, not only as it is
incongruous to the personage to whom it is ascribed, but as it is so
evidently contrary to reason and nature, that it ought never to be
mentioned but as a fable in any serious poem:

--Virtue giv'n for lost,
Deprest, and overthrown, as seem'd,
Like that self-begotten bird
In the Arabian woods embost,
That no second knows nor third,
And lay ere while a holocaust,
From out her ashy womb now teem'd,
Revives, reflourishes, then vigorous most
When most unactive deem'd,
And though her body die, her fame survives
A secular bird, ages of lives.

Another species of impropriety is the unsuitableness of thoughts to the
general character of the poem. The seriousness and solemnity of tragedy
necessarily reject all pointed or epigrammatical expressions, all remote
conceits and opposition of ideas. Samson's complaint is therefore too
elaborate to be natural:

As in the land of darkness, yet in light,
To live a life half dead, a living death,
And bury'd; but, O yet more miserable!
Myself, my sepulchre, a moving grave,
Buried, yet not exempt,
By privilege of death and burial,
From worst of other evils, pains and wrongs.

All allusions to low and trivial objects, with which contempt is usually
associated, are doubtless unsuitable to a species of composition which
ought to be always awful, though not always magnificent. The remark
therefore of the chorus on good or bad news seems to want elevation:

_Manoah_. A little stay will bring some notice hither.
_Chor_. Of good _or_ bad so great, of bad the sooner;
For evil news _rides post_, while good news _baits_.

But of all meanness that has least to plead which is produced by mere
verbal conceits, which, depending only upon sounds, lose their existence
by the change of a syllable. Of this kind is the following dialogue:

_Chor_. But had we best retire? I see a _storm_.

_Sams_. Fair days have oft contracted wind and rain.

_Chor_. But this another kind of tempest brings.

_Sams_. Be less abstruse, my riddling days are past.

_Chor_. Look now for no enchanting voice, nor fear
The bait of honied words; a rougher tongue
Draws hitherward; I know him by his stride,
The giant _Harapha_. --

And yet more despicable are the lines in which Manoah's paternal
kindness is commended by the chorus:

Fathers are wont to _lay up_ for their sons,
Thou for thy son art bent to _lay out_ all.

Samson's complaint of the inconveniencies of imprisonment is not wholly
without verbal quaintness:

--I, a prisoner chain'd, scarce freely draw
The air, imprison'd also, close and damp.

From the sentiments we may properly descend to the consideration of the
language, which, in imitation of the ancients, is through the whole
dialogue remarkably simple and unadorned, seldom heightened by epithets,
or varied by figures; yet sometimes metaphors find admission, even where
their consistency is not accurately preserved. Thus Samson confounds
loquacity with a shipwreck:

How could I once look up, or heave the head,
Who, like a foolish _pilot_, have _shipwreck'd_
My _vessel_ trusted to me from above,
Gloriously _rigg'd_; and for a word, a tear,
Fool! have _divulg'd_ the _secret gift_ of God
To a deceitful woman? --

And the chorus talks of adding fuel to flame in a report:

He's gone, and who knows how he may _report_
Thy _words_, by _adding fuel to the flame_?

The versification is in the dialogue much more smooth and harmonious,
than in the parts allotted to the chorus, which are often so harsh and
dissonant, as scarce to preserve, whether the lines end with or without
rhymes, any appearance of metrical regularity:

Or do my eyes misrepresent? Can this be he,
That heroic, that renown'd,
Irresistible Samson? whom unarm'd
No strength of man, or fiercest wild beast, could withstand;
Who tore the lion, as the lion tears the kid.

Since I have thus pointed out the faults of Milton, critical integrity
requires that I should endeavour to display his excellencies, though
they will not easily be discovered in short quotations, because they
consist in the justness of diffuse reasonings, or in the contexture and
method of continued dialogues; this play having none of those
descriptions, similies, or splendid sentences, with which other
tragedies are so lavishly adorned. Yet some passages may be selected
which seem to deserve particular notice, either as containing sentiments
of passion, representations of life, precepts of conduct, or sallies of
imagination. It is not easy to give a stronger representation of the
weariness of despondency, than in the words of Samson to his father:

--I feel my genial spirits droop,
My hopes all flat, Nature within me seems
In all her functions weary of herself,
My race of glory run, and race of shame,
And I shall shortly be with them that rest.

The reply of Samson to the flattering Dalila affords a just and striking
description of the stratagems and allurements of feminine hypocrisy:

--These are thy wonted arts,
And arts of every woman false like thee,
To break all faith, all vows, deceive, betray,
Then as repentant to submit, beseech,
And reconcilement move with feign'd remorse,
Confess and promise wonders in her change;
Not truly penitent, but chief to try
Her husband, how far urg'd his patience bears,
His virtue or weakness which way to assail:
Then with more cautious and instructed skill
Again transgresses, and again submits.

When Samson has refused to make himself a spectacle at the feast of
Dagon, he first justifies his behaviour to the chorus, who charge him
with having served the Philistines, by a very just distinction: and then
destroys the common excuse of cowardice and servility, which always
confound temptation with compulsion:

_Chor_. Yet with thy strength thou serv'st the Philistines.

_Sams_. Not in their idol worship, but by labour
Honest and lawful to deserve my food
Of those, who have me in their civil power.

_Chor_. Where the heart joins not, outward acts defile not.

_Sams_. Where outward force constrains, the sentence holds.
But who constrains me to the temple of Dagon,
Not dragging? The Philistine lords command.
Commands are no constraints. If I obey them,
I do it freely, venturing to displease
God for the fear of Man, and Man prefer,
Set God behind.

The complaint of blindness which Samson pours out at the beginning of
the tragedy is equally addressed to the passions and the fancy. The
enumeration of his miseries is succeeded by a very pleasing train of
poetical images, and concluded by such expostulation and wishes, as
reason too often submits to learn from despair:

O first created Beam, and thou great Word
"Let there be light, and light was over all;"
Why am I thus bereav'd thy prime decree?
The sun to me is dark
And silent as the moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the soul,
She all in every part; why was the sight
To such a tender hall as the eye confin'd,
So obvious and so easy to be quench'd?
And not, as feeling, through all parts diffus'd,
That she may look at will through every pore?

Such are the faults and such the beauties of Samson Agonistes, which I
have shown with no other purpose than to promote the knowledge of true
criticism. The everlasting verdure of Milton's laurels has nothing to
fear from the blasts of malignity; nor can my attempt produce any other
effect, than to strengthen their shoots by lopping their luxuriance[g].
[Footnote g: This is not the language of an accomplice in Lauder's
imposition. --ED. ]



No. 141. TUESDAY, JULY 23, 1751.

_Hilarisque, tamen cum pondere, virtus_. STAT.

Greatness with ease, and gay severity.

TO THE RAMBLER.

SIR,

Politicians have long observed, that the greatest events may be
often traced back to slender causes. Petty competition or casual
friendship, the prudence of a slave, or the garrulity of a woman, have
hindered or promoted the most important schemes, and hastened or
retarded the revolutions of empire.

Whoever shall review his life will generally find, that the whole tenour
of his conduct has been determined by some accident of no apparent
moment, or by a combination of inconsiderable circumstances, acting when
his imagination was unoccupied, and his judgment unsettled; and that his
principles and actions have taken their colour from some secret
infusion, mingled without design in the current of his ideas. The
desires that predominate in our hearts, are instilled by imperceptible
communications at the time when we look upon the various scenes of the
world, and the different employments of men, with the neutrality of
inexperience; and we come forth from the nursery or the school,
invariably destined to the pursuit of great acquisitions, or petty
accomplishments.

Such was the impulse by which I have been kept in motion from my
earliest years. I was born to an inheritance which gave my childhood a
claim to distinction and caresses, and was accustomed to hear applauses,
before they had much influence on my thoughts. The first praise of which
I remember myself sensible was that of good-humour, which, whether I
deserved it or not when it was bestowed, I have since made it my whole
business to propagate and maintain.

When I was sent to school, the gaiety of my look, and the liveliness of
my loquacity, soon gained me admission to hearts not yet fortified
against affection by artifice or interest. I was entrusted with every
stratagem, and associated in every sport; my company gave alacrity to a
frolick, and gladness to a holiday. I was indeed so much employed in
adjusting or executing schemes of diversion, that I had no leisure for
my tasks, but was furnished with exercises, and instructed in my
lessons, by some kind patron of the higher classes. My master, not
suspecting my deficiency, or unwilling to detect what his kindness would
not punish nor his impartiality excuse, allowed me to escape with a
slight examination, laughed at the pertness of my ignorance, and the
sprightliness of my absurdities, and could not forbear to show that he
regarded me with such tenderness, as genius and learning can seldom
excite.

From school I was dismissed to the university, where I soon drew upon me
the notice of the younger students, and was the constant partner of
their morning walks, and evening compotations. I was not indeed much
celebrated for literature, but was looked on with indulgence as a man of
parts, who wanted nothing but the dulness of a scholar, and might become
eminent whenever he should condescend to labour and attention. My tutor
a while reproached me with negligence, and repressed my sallies with
supercilious gravity; yet, having natural good-humour lurking in his
heart, he could not long hold out against the power of hilarity, but
after a few months began to relax the muscles of disciplinarian
moroseness, received me with smiles after an elopement, and, that he
might not betray his trust to his fondness, was content to spare my
diligence by increasing his own.

Thus I continued to dissipate the gloom of collegiate austerity, to
waste my own life in idleness, and lure others from their studies, till
the happy hour arrived, when I was sent to London. I soon discovered the
town to be the proper element of youth and gaiety, and was quickly
distinguished as a wit by the ladies, a species of beings only heard of
at the university, whom I had no sooner the happiness of approaching
than I devoted all my faculties to the ambition of pleasing them.

A wit, Mr. Rambler, in the dialect of ladies, is not always a man who,
by the action of a vigorous fancy upon comprehensive knowledge, brings
distant ideas unexpectedly together, who, by some peculiar acuteness,
discovers resemblance in objects dissimilar to common eyes, or, by
mixing heterogeneous notions, dazzles the attention with sudden
scintillations of conceit. A lady's wit is a man who can make ladies
laugh, to which, however easy it may seem, many gifts of nature, and
attainments of art, must commonly concur. He that hopes to be received
as a wit in female assemblies, should have a form neither so amiable as
to strike with admiration, nor so coarse as to raise disgust, with an
understanding too feeble to be dreaded, and too forcible to be despised.
The other parts of the character are more subject to variation; it was
formerly essential to a wit, that half his back should be covered with a
snowy fleece, and, at a time yet more remote, no man was a wit without
his boots. In the days of the _Spectator_ a snuff-box seems to have been
indispensable; but in my time an embroidered coat was sufficient,
without any precise regulation of the rest of his dress.

But wigs and boots and snuff-boxes are vain, without a perpetual
resolution to be merry, and who can always find supplies of mirth?
Juvenal indeed, in his comparison of the two opposite philosophers,
wonders only whence an unexhausted fountain of tears could be
discharged: but had Juvenal, with all his spirit, undertaken my
province, he would have found constant gaiety equally difficult to be
supported. Consider, Mr. Rambler, and compassionate the condition of a
man, who has taught every company to expect from him a continual feast
of laughter, an unintermitted stream of jocularity. The task of every
other slave has an end. The rower in time reaches the port; the
lexicographer at last finds the conclusion of his alphabet; only the
hapless wit has his labour always to begin, the call for novelty is
never satisfied, and one jest only raises expectation of another.

I know that among men of learning and asperity the retainers to the
female world are not much regarded: yet I cannot but hope that if you
knew at how dear a rate our honours are purchased, you would look with
some gratulation on our success, and with some pity on our miscarriages.
Think on the misery of him who is condemned to cultivate barrenness and
ransack vacuity; who is obliged to continue his talk when his meaning is
spent, to raise merriment without images, to harass his imagination in
quest of thoughts which he cannot start, and his memory in pursuit of
narratives which he cannot overtake; observe the effort with which he
strains to conceal despondency by a smile, and the distress in which he
sits while the eyes of the company are fixed upon him as the last refuge
from silence and dejection.

It were endless to recount the shifts to which I have been reduced, or
to enumerate the different species of artificial wit. I regularly
frequented coffee-houses, and have often lived a week upon an
expression, of which he who dropped it did not know the value. When
fortune did not favour my erratick industry, I gleaned jests at home
from obsolete farces. To collect wit was indeed safe, for I consorted
with none that looked much into books, but to disperse it was the
difficulty. A seeming negligence was often useful, and I have very
successfully made a reply not to what the lady had said, but to what it
was convenient for me to hear; for very few were so perverse as to
rectify a mistake which had given occasion to a burst of merriment.
Sometimes I drew the conversation up by degrees to a proper point, and
produced a conceit which I had treasured up, like sportsmen who boast of
killing the foxes which they lodge in the covert. Eminence is, however,
in some happy moments, gained at less expense; I have delighted a whole
circle at one time with a series of quibbles, and made myself good
company at another, by scalding my fingers, or mistaking a lady's lap
for my own chair.

These are artful deceits and useful expedients; but expedients are at
length exhausted, and deceits detected. Time itself, among other
injuries, diminishes the power of pleasing, and I now find, in my
forty-fifth year, many pranks and pleasantries very coldly received,
which had formerly filled a whole room with jollity and acclamation.
I am under the melancholy necessity of supporting that character by study,
which I gained by levity, having learned too late that gaiety must be
recommended by higher qualities, and that mirth can never please long
but as the efflorescence of a mind loved for its luxuriance, but
esteemed for its usefulness.

I am, &c.

PAPILIUS.



No. 142. SATURDAY, JULY 27, 1751.

[Greek: Entha d aner eniaue pelorios--
--oude, met allous
Poleit, all apaneuthen eon athemistia ede.
Kai gar Oaum etetukto pelorion oude epskei
Andri ge sitophagps. ] HOMER. Od. [Greek: I'. ] 187.

A giant shepherd here his flock maintains
Far from the rest, and solitary reigns,
In shelter thick of horrid shade reclin'd;
And gloomy mischiefs labour in the mind.
A form enormous! far unlike the race
Of human birth, in stature or in face. POPE.

TO THE RAMBLER.

SIR,

Having been accustomed to retire annually from the town, I lately
accepted the invitation of Eugenio, who has an estate and seat in a
distant county. As we were unwilling to travel without improvement, we
turned often from the direct road to please ourselves with the view of
nature or of art; we examined every wild mountain and medicinal spring,
criticised every edifice, contemplated every ruin, and compared every
scene of action with the narratives of historians. By this succession of
amusements we enjoyed the exercise of a journey without suffering the
fatigue, and had nothing to regret but that, by a progress so leisurely
and gentle, we missed the adventures of a post-chaise, and the pleasure
of alarming villages with the tumult of our passage, and of disguising
our insignificancy by the dignity of hurry.

The first week after our arrival at Eugenio's house was passed in
receiving visits from his neighbours, who crowded about him with all the
eagerness of benevolence; some impatient to learn the news of the court
and town, that they might be qualified by authentick information to
dictate to the rural politicians on the next bowling day; others
desirous of his interest to accommodate disputes, or his advice in the
settlement of their fortunes and the marriage of their children.

The civilities which he had received were soon to be returned; and I
passed sometime with great satisfaction in roving through the country,
and viewing the seats, gardens, and plantations, which are scattered
over it. My pleasure would indeed have been greater had I been sometimes
allowed to wander in a park or wilderness alone; but to appear as a
friend of Eugenio was an honour not to be enjoyed without some
inconveniencies: so much was every one solicitous for my regard, that I
could seldom escape to solitude, or steal a moment from the emulation of
complaisance, and the vigilance of officiousness.

In these rambles of good neighbourhood, we frequently passed by a house
of unusual magnificence. While I had my curiosity yet distracted among
many novelties, it did not much attract my observation; but in a short
time I could not forbear surveying it with particular notice; for the
length of the wall which inclosed the gardens, the disposition of the
shades that waved over it, and the canals of which I could obtain some
glimpses through the trees from our own windows, gave me reason to
expect more grandeur and beauty than I had yet seen in that province. I
therefore inquired, as we rode by it, why we never, amongst our
excursions, spent an hour where there was such an appearance of
splendour and affluence? Eugenio told me that the seat which I so much
admired, was commonly called in the country the _haunted house_, and
that no visits were paid there by any of the gentlemen whom I had yet
seen. As the haunts of incorporeal beings are generally ruinous,
neglected, and desolate, I easily conceived that there was something to
be explained, and told him that I supposed it only fairy ground, on
which we might venture by day-light without danger. The danger, says he,
is indeed only that of appearing to solicit the acquaintance of a man,
with whom it is not possible to converse without infamy, and who has
driven from him, by his insolence or malignity, every human being who
can live without him.

Our conversation was then accidentally interrupted; but my inquisitive
humour being now in motion, could not rest without a full account of
this newly discovered prodigy. I was soon informed that the fine house
and spacious gardens were haunted by squire Bluster, of whom it was very
easy to learn the character, since nobody had regard for him sufficient
to hinder them from telling whatever they could discover.

Squire Bluster is descended of an ancient family. The estate which his
ancestors had immemorially possessed was much augmented by captain
Bluster, who served under Drake in the reign of Elizabeth; and the
Blusters, who were before only petty gentlemen, have from that time
frequently represented the shire in parliament, been chosen to present
addresses, and given laws at hunting-matches and races. They were
eminently hospitable and popular, till the father of this gentleman died
of an election. His lady went to the grave soon after him, and left the
heir, then only ten years old, to the care of his grandmother, who would
not suffer him to be controlled, because she could not bear to hear him
cry; and never sent him to school, because she was not able to live
without his company. She taught him however very early to inspect the
steward's accounts, to dog the butler from the cellar, and to catch the
servants at a junket; so that he was at the age of eighteen a complete
master of all the lower arts of domestick policy, had often on the road
detected combinations between the coachman and the ostler, and procured
the discharge of nineteen maids for illicit correspondence with
cottagers and charwomen.

By the opportunities of parsimony which minority affords, and which the
probity of his guardians had diligently improved, a very large sum of
money was accumulated, and he found himself, when he took his affairs
into his own hands, the richest man in the county. It has been long the
custom of this family to celebrate the heir's completion of his
twenty-first year, by an entertainment, at which the house is thrown
open to all that are inclined to enter it, and the whole province flocks
together as to a general festivity. On this occasion young Bluster
exhibited the first tokens of his future eminence, by shaking his purse
at an old gentleman who had been the intimate friend of his father, and
offering to wager a greater sum than he could afford to venture; a
practice with which he has, at one time or other, insulted every
freeholder within ten miles round him.

His next acts of offence were committed in a contentious and spiteful
vindication of the privileges of his manours, and a rigorous and
relentless prosecution of every man that presumed to violate his game.
As he happens to have no estate adjoining equal to his own, his
oppressions are often borne without resistance, for fear of a long suit,
of which he delights to count the expenses without the least solicitude
about the event; for he knows, that where nothing but an honorary right
is contested, the poorer antagonist must always suffer, whatever shall
be the last decision of the law.

By the success of some of these disputes, he has so elated his
insolence, and, by reflection upon the general hatred which they have
brought upon him, so irritated his virulence, that his whole life is
spent in meditating or executing mischief. It is his common practice to
procure his hedges to be broken in the night, and then to demand
satisfaction for damages which his grounds have suffered from his
neighbour's cattle. An old widow was yesterday soliciting Eugenio to
enable her to replevin her only cow, then in the pound by squire
Bluster's order, who had sent one of his agents to take advantage of her
calamity, and persuade her to sell the cow at an under rate. He has
driven a day-labourer from his cottage, for gathering blackberries in a
hedge for his children, and has now an old woman in the county-gaol for
a trespass which she committed, by coming into his ground to pick up
acorns for her hog.

Money, in whatever hands, will confer power. Distress will fly to
immediate refuge, without much consideration of remote consequences.
Bluster has therefore a despotick authority in many families, whom he
has assisted, on pressing occasions, with larger sums than they can
easily repay. The only visits that he makes are to these houses of
misfortune, where he enters with the insolence of absolute command,
enjoys the terrours of the family, exacts their obedience, riots at
their charge, and in the height of his joy insults the father with
menaces, and the daughters with obscenity.

He is of late somewhat less offensive; for one of his debtors, after
gentle expostulations, by which he was only irritated to grosser
outrage, seized him by the sleeve, led him trembling into the
court-yard, and closed the door upon him in a stormy night. He took his
usual revenge next morning by a writ; but the debt was discharged by the
assistance of Eugenio.

It is his rule to suffer his tenants to owe him rent, because by this
indulgence he secures to himself the power of seizure whenever he has an
inclination to amuse himself with calamity, and feast his ears with
entreaties and lamentations. Yet as he is sometimes capriciously liberal
to those whom he happens to adopt as favourites, and lets his lands at a
cheap rate, his farms are never long unoccupied; and when one is ruined
by oppression, the possibility of better fortune quickly lures another
to supply his place.

Such is the life of squire Bluster; a man in whose power fortune has
liberally placed the means of happiness, but who has defeated all her
gifts of their end by the depravity of his mind. He is wealthy without
followers; he is magnificent without witnesses; he has birth without
alliance, and influence without dignity. His neighbours scorn him as a
brute; his dependants dread him as an oppressor; and he has only the
gloomy comfort of reflecting, that if he is hated, he is likewise
feared.

I am, Sir, &c.

VAGULUS.



No. 143. TUESDAY, JULY 30, 1751.

_--Moveat cornicula risum
Furtivis nudata coloribus. --_ HOR. Lib. i. Ep. i. 19.

Lest when the birds their various colours claim,
Stripp'd of his stolen pride, the crow forlorn
Should stand the laughter of the publick scorn. FRANCIS.

Among the innumerable practices by which interest or envy have taught
those who live upon literary fame to disturb each other at their airy
banquets, one of the most common is the charge of plagiarism. When the
excellence of a new composition can no longer be contested, and malice
is compelled to give way to the unanimity of applause, there is yet this
one expedient to be tried, by which the author may be degraded, though
his work be reverenced; and the excellence which we cannot obscure, may
be set at such a distance as not to overpower our fainter lustre.

This accusation is dangerous, because, even when it is false, it may be
sometimes urged with probability. Bruyere declares, that we are come
into the world too late to produce any thing new, that nature and life
are preoccupied, and that description and sentiment have been long
exhausted. It is indeed certain, that whoever attempts any common
topick, will find unexpected coincidences of his thoughts with those of
other writers; nor can the nicest judgment always distinguish accidental
similitude from artful imitation. There is likewise a common stock of
images, a settled mode of arrangement, and a beaten track of transition,
which all authors suppose themselves at liberty to use, and which
produce the resemblance generally observable among contemporaries. So
that in books which best deserve the name of originals, there is little
new beyond the disposition of materials already provided; the same ideas
and combinations of ideas have been long in the possession of other
hands; and, by restoring to every man his own, as the Romans must have
returned to their cots from the possession of the world, so the most
inventive and fertile genius would reduce his folios to a few pages. Yet
the author who imitates his predecessors only by furnishing himself with
thoughts and elegancies out of the same general magazine of literature,
can with little more propriety be reproached as a plagiary, than the
architect can be censured as a mean copier of Angelo or Wren, because he
digs his marble from the same quarry, squares his stones by the same
art, and unites them in the columns of the same orders.

Many subjects fall under the consideration of an author, which, being
limited by nature, can admit only of slight and accidental diversities.
All definitions of the same thing must be nearly the same; and
descriptions, which are definitions of a more lax and fanciful kind,
must always have in some degree that resemblance to each other which
they all have to their object. Different poets describing the spring or
the sea would mention the zephyrs and the flowers, the billows and the
rocks; reflecting on human life, they would, without any communication
of opinions, lament the deceitfulness of hope, the fugacity of pleasure,
the fragility of beauty, and the frequency of calamity; and for
palliatives of these incurable miseries, they would concur in
recommending kindness, temperance, caution, and fortitude.

When therefore there are found in Virgil and Horace two similar
passages--

_Hæ tibi erunt artes--
Parcere subjectis, et debellare superbos_. VIRG.

To tame the proud, the fetter'd slave to free:
These are imperial arts, and worthy thee. DRYDEN.

_Imperet bellante prior, jacentem
Lenis in hostem_. HOR.

Let Cæsar spread his conquests far,
Less pleas'd to triumph than to spare--

it is surely not necessary to suppose with a late critick, that one is
copied from the other, since neither Virgil nor Horace can be supposed
ignorant of the common duties of humanity, and the virtue of moderation
in success.

Cicero and Ovid have on very different occasions remarked how little of
the honour of a victory belongs to the general, when his soldiers and
his fortune have made their deductions; yet why should Ovid be suspected
to have owed to Tully an observation which perhaps occurs to every man
that sees or hears of military glories?

Tully observes of Achilles, that had not Homer written, his valour had
been without praise:

_Nisi Ilias illa extitisset, idem tumulus qui corpus ejus contexerat,
nomen ejus obruisset_.

Unless the Iliad had been published, his name had been lost in the
tomb that covered his body.

Horace tells us with more energy that there were brave men before the
wars of Troy, but they were lost in oblivion for want of a poet:

_Vixere fortes ante Agamemnona
Multi; sed omnes illachrymabiles
Urgentur, ignotique longá
Nocte, carent quia vate sacro_.

Before great Agamemnon reign'd,
Reign'd kings as great as he, and brave,
Whose huge ambition's now contain'd
In the small compass of a grave:
In endless night they sleep, unwept, unknown:
No bard had they to make all time their own. FRANCIS.