No More Learning

243. _Confession twofold is. _ August, in Ps. xxix. _Enarr. _ ii. 19:
Confessio gemina est, aut peccati, aut laudis.

254. _Gold and frankincense. _ St. Matt. ii. 11. St. Ambrose. Aurum Regi,
thus Deo.

256. _The Chewing the Cud. _ Cp. Lev. xi. 6.

258. _As my little pot doth boil_, etc. This far-fetched little poem
is an instance of Herrick's habit of jotting down his thoughts in verse.
In cooking some food for a charitable purpose he seems to have noticed
that the boiling pot tossed the meat to and fro, or "waved" it (the
priest's work), and that he himself was giving away the meat he lifted
off the fire, the "heave-offering," which was the priest's perquisite.
This is the confusion or "level-coil" to which he alludes.




NOTES TO ADDITIONAL POEMS.


_The Description of a Woman_. Printed in _Witts Recreations_, 1645, and
contained also in Ashmole MS. 38, where it is signed: "Finis. Robert
Herrick. " Our version is taken from _Witts Recreations_, with the
exception of the readings _show_ and _grow_ (for _shown_ and _grown_, in
ll. 15 and 16). The Ashmole MS. contains in all thirty additional lines,
which may or may not be by Herrick, but which, as not improving the
poem, have been omitted in our text in accordance with the precedent set
by the editor of _Witts Recreations_.

_Mr. Herrick: his Daughter's Dowry. _ From Ashmole MS. 38, where it is
signed: "Finis. Robt. Hericke. "

_Mr. Robert Herrick: his Farewell unto Poetry. _ Printed by Dr. Grosart
and Mr. Hazlitt from Ashmole MS. 38. I add a few readings from Brit.
Mus. Add. MS. 22, 603, where it is entitled: _Herrick's Farewell to
Poetry_. The importance of the poem for Herrick's biography is alluded
to in the brief "Life" prefixed to vol. i.

For _some sleepy keys_ the Museum MS. reads, _the sleeping keys_; for
_yet forc't they are to go_ it has _and yet are forc't to go_; _drinking
to the odd Number of Nine_ for _Number of Wine_, as to which see below;
_turned her home_ for _twirled her home_; _dear soul_ for _rare soul_.
All these are possible, but _beloved Africa_, and the omission of the
two half lines, "'tis not need The scarecrow unto mankind," are pure
blunders.

_Drinking to the odd Number of Nine_. I introduce this into the text
from the Museum manuscript as agreeing with the

"Well, I can quaff, I see,
To th' number five
Or nine"

of _A Bacchanalian Verse_ (_Hesperides_ 653), on which see Note. Dr.
Grosart explains the Ashmole reading _Wine_ by the Note "_? ? ? ? ? _ and
_vinum_ both give five, the number of perfection"; but this seems too
far-fetched for Herrick.

_Kiss, so depart. _ By a strange freak Ashmole MS. writes _Guesse_, and
the Museum MS. _Ghesse_; but the emendation _Kiss_ (adopted both by Dr.
Grosart and Mr. Hazlitt) cannot be doubted.

_Well doing's the fruit of doing well. _ Seneca, _de Clem. _ i. 1: Recte
factorum verus fructus [est] fecisse. Also _Ep. _ 81: Recte facti fecisse
merces est. The latter, and Cicero, _de Finib. _ II. xxii. 72, are quoted
by Montaigne, _Ess. _ II. xvi.

_A Carol presented to Dr. Williams. _ From Ashmole MS. 36, 298. For Dr.
Williams, see Note to _Hesperides_ 146. This poem was apparently written
in 1640, after the removal of the bishop's suspension.

_His Mistress to him at his Farewell. _ From Add. MS. 11, 811, at the
British Museum, where it is signed "Ro. Herrick".

_Upon Parting. _ From Harleian MS. 6917, at the British Museum.

_Upon Master Fletcher's Incomparable Plays. _ Printed in Beaumont and
Fletcher's Works, 1647, and Beaumont's Poems, 1653.

_The Golden Pomp is come. _ Ovid, "Aurea Pompa venit" (as in _Hesperides_
201).

_To be with juice of cedar washed all over. _ Horace's "linenda cedro,"
as in _Hesperides_.

_Evadne. _ See Note to _Hesperides_ 575.

_The New Charon. _ First printed in "Lachrymae Musarum. The tears of the
Muses: exprest in Elegies written by divers persons of Nobility and
Worth, upon the death of the most hopefull Henry, Lord Hastings. . . .
Collected and set forth by R[ichard] B[rome]. _London_, 1649. " This is
the only poem which we know of Herrick's, written after 1648, and even
in this Herrick uses materials already employed in "Charon and the
Nightingale" in _Hesperides_.

_Epitaph on the Tomb of Sir Edward Giles. _ First printed by Dr. Grosart
from the monument in Dean Prior Church. Sir Edward Giles was the
occupant of Dean Court and the magnate of the parish.




APPENDIX I.

HERRICK'S POEMS IN WITTS RECREATIONS.


Both Mr. Hazlitt and Dr. Grosart have slightly misrepresented the
relation of _Hesperides_ to the anthology known as _Witts Recreations_:
Mr. Hazlitt by mistakes as to their respective contents; Dr. Grosart
(after a much more careful collation) by taking down the date of the
wrong edition. To put matters straight four editions have to be
examined:--

I. "Witts Recreations. Selected from the finest Fancies of Moderne
Muses, With a Thousand out Landish Proverbs. _London. Printed for
Humph. Blunden at ye Castle in Cornhill, 1640. _ 8vo. "

This general title-page is engraved by W. Marshall. The Outlandish
Proverbs were selected by George Herbert, and, like the first part, have
a printed title-page of their own.

II. "Witts Recreations. Augmented with Ingenious Conceites for the
wittie and Merrie Medicines for the Melancholie. _London. Printed
for Humph. Blunden: at ye Castle in Cornhill, 1641. _ 8vo. "

In this, and subsequent editions, Marshall's title-page is re-engraved
and the Outlandish Proverbs are omitted. The printed title-page reads:
"Wit's Recreations. Containing 630 Epigrams, 160 Epitaphs. Variety of
Fancies and Fantasticks, Good for Melancholly humours. _London. Printed
by Thomas Cotes_," etc. The epigrams vary considerably from the
selection in the previous edition.

III. "Witts Recreations refined. Augmented, with Ingenious Conceites
for the wittie, and Merrie Medicines for the Melancholie. . . . "

In the Museum copy of this edition the imprint to the engraved title has
been cropped away. The printed title-page reads: "Recreation for
Ingenious Head-peeces. Or, A Pleasant Grove for their Wits to walke in.
Of Epigrams, 630: Epitaphs, 180: Fancies, a number: Fantasticks,
abundance, Good for melancholy Humors. _Printed by R. Cotes for H. B.
London, 1645. _ 8vo. " Two poems of Herrick's occur in the additional
"Fancies and Fantasticks," first printed in this edition, viz. : _The
Description of a Woman_ (not contained in _Hesperides_), and the
_Farewell to Sack_.

IV. "Witts Recreations refined. Augmented, with Ingenious Conceites
for the wittie and Merrie Medicines for the Melancholie. _Printed by
M. S. sould by I. Hancock in Popes head Alley, 1650. _ 8vo. "

The printed title-page reads: "Recreations for Ingenious Head-peeces.
Or, A Pleasant Grove for their Wits to Walke in. Of Epigrams, 700:
Epitaphs, 200: Fancies, a number: Fantasticks, abundance. With their
Addition, Multiplication, and Division. _London, Printed by M.
Simmons_," etc. In this edition many of the Epigrams are omitted and
more than one hundred fresh ones added. Additions are also made to the
Epitaphs and Fancies and Fantasticks. Of the new Epigrams and Poems no
less than seventy-two had been printed two years earlier in Herrick's
_Hesperides_, and ten others were added in 1654 from the same source.

_Witts Recreations_ was again reprinted in 1663, 1667, and perhaps
oftener. In 1817 it was issued as vol. ii. of a collection of _Facetiae_,
of which Mennis and Smith's _Musarum Deliciae_ and _Wit Restor'd_ formed
vol. i. On the title-page _Witts Recreations_ is said to be printed from
edition 1640, with all the wood engravings and improvements of
subsequent editions, and in the preface it is explained to be "reprinted
after a collation of the four editions, 1640, 41, 54, and 63, for the
purpose of bringing together in one body all the various articles spread
throughout, and not to be found in any one edition". This 1817 reprint
was re-issued by Hotten in 1874, and this re-issue, as his references to
pagination show, was the one used by Dr. Grosart. The date 1640 on the
title-page may have caught his eye and led to his mistaken allusion to
the "prior publication" of the Herrick poems in 1640, whereas
_Hesperides_ was published in 1648, and the editions of _Witts
Recreations_ which contain anything of his besides the _Description of a
Woman_ and _A Farewell to Sack_, in 1650, 1654, etc.

In the Notes to the present edition I have drawn attention to all
variations in the text of the poems as printed by Herrick and the later
editors, and now subjoin a complete list of the poems under the titles
which they take in _Witts Recreations_, with their numbers in this
edition.

1645 Edition.

128. A Farewell to Sack.
[Not in _Hesp.
_] The Description of a Woman.

1650 Edition Adds:--

123. A Tear sent to his M^is.
159. The Cruel Maid.
162. His Misery.
172. With a Ring to Julia.
200. On Gubbs.
206. On Bunce.
239. On Guesse.
241. On a Painted Madam.
310. On a Child.
311. On Sneape.
328. A Foolish Querie.
340. A Check to her Delay.
352. Nothing New.
357. Long and Lazy.
367. To a Stale Lady.
374. Gain and Gettings.
379. On Doll.
380. On Skrew.
381. On Linnit.
400. On Raspe.
407. On Himself.
408. Love and Liberty.
409. On Skinns.
428. On Craw.
434. On Jack and Jill.
517. Change.
534. To Julia.
572. On Umber.
600. Little and Loud.
616. Abroad with the Maids.
637. On Lungs.
640. On a Child.
644. On an Old Man, a Residentiary.
648. On Cob.
649. On Betty.
650. On Skoles.
661. Ambition.
666. On Zelot.
669. On Crab.
675. On Women's Denial.
676. Adversity.
693. On Tuck.
697. Adversity.
703. On Trigg.
711. Possessions.
735. Maids' Nays.
743. On Julia's Weeping.
752. No Pains No Gains.
761. Alvar and Anthea.
772. A Hymn to Bacchus.
776. Anger.
791. Verses.
795. On Bice.
796. On Trencherman.
797. Kisses.
832. On Punchin.
838. On a Maid.
840. Beauty.
846. Writing.
849. Satisfaction.
873. On Love.
881. ll. 13, 14, Sharp Sauce.
886. On Lulls.
902. Truth.
910. On Ben Jonson.
946. An Hymn to Love.
950. Leaven.
1025. On Boreman.
1084. On Love.
1085. On Gut.
1106. On Rump.
1119. Sauce for Sorrows.
1126. Of this Book.

1654 Edition Adds:--

49. Cherry Pit.
85. On Love.
92. The Bag of a Bee.
208. To make much of Time.
235. On an Old Batchelor.
238. Another. (On the Rose. )
253. Counsel not to Love.
260. How the Violets came blue.
337. A Vow to Cupid.
446. The Farewell to Love and to his Mistress.




APPENDIX II.

HERRICK'S FAIRY POEMS AND THE DESCRIPTION OF THE KING AND QUEENE OF
FAYRIES PUBLISHED 1635.


The publisher's freak, by which Herrick's three chief Fairy poems ("The
Fairy Temple; or, Oberon's Chapel," "Oberon's Feast," and "Oberon's
Palace") are separated from each other, is greatly to be regretted. The
last two, both dedicated to Shapcott, are distinctly connected by their
opening lines, and "Oberon's Chapel," dedicated to Mr. John Merrifield,
Herrick's other fairy-loving lawyer, of course belongs to the same
group. All three were probably first written in 1626 and cannot be
dissociated from Drayton's _Nymphidia_, published in 1627, and Sir
Simeon Steward's "A Description of the King of Fayries clothes, brought
to him on New-yeares day in the morning, 1626 [O. S. ], by his Queenes
Chambermaids". In 1635 there was published a little book of a dozen
leaves, most kindly transcribed for this edition by Mr. E. Gordon Duff,
from the unique copy at the Bodleian Library. It is entitled:--

"A | Description | of the King and Queene of | Fayries, their habit,
fare, their | abode pompe and state. | Beeing very delightfull to
the sense, and | full of mirth. | [Wood-cut. ] London. | _Printed
for Richard Harper, and are to be sold | at his shop, at the
Hospitall gate. _ 1635. "

Fol. 1 is blank; fol. 2 occupied by the title-page; ff. 3, 4 (verso
blank) by a letter "To the Reader," signed: "Yours hereafter, If now
approved on, R. S. ," beginning: "Courteous Reader, I present thee here
with the Description of the King of the Fayries, of his Attendants,
Apparel, Gesture, and Victuals, which though comprehended in the brevity
of so short a volume, yet as the Proverbe truely averres, it hath as
mellifluous and pleasing discourse, as that whose amplitude contains the
fulnesse of a bigger composition"; on fol. 5 (verso blank) occurs the
following poem [spelling here modernised]:--

"Deep-skilled Geographers, whose art and skill
Do traverse all the world, and with their quill
Declare the strangeness of each several clime,
The nature, situation, and the time
Of being inhabited, yet all their art
And deep informed skill could not impart
In what set climate of this Orb or Isle,
The King of Fairies kept, whose honoured style
Is here inclosed, with the sincere description
Of his abode, his nature, and the region
In which he rules: read, and thou shalt find
Delightful mirth, fit to content thy mind.
May the contents thereof thy palate suit,
With its mellifluous and pleasing fruit:
For nought can more be sweetened to my mind
Than that this Pamphlet thy contentment find;
Which if it shall, my labour is sufficed,
In being by your liking highly prized.
"Yours to his power,
"R. S. "

This is followed (pp. 1-3) by: "A Description of the Kings [sic] of
Fayries Clothes, brought to him on New-Yeares day in the morning, 1626,
by his Queenes Chambermaids:--

"First a cobweb shirt, more thin
Than ever spider since could spin.
Changed to the whiteness of the snow,
By the stormy winds that blow
In the vast and frozen air,
No shirt half so fine, so fair;
A rich waistcoat they did bring,
Made of the Trout-fly's gilded wing:
At which his Elveship 'gan to fret
The wearing it would make him sweat
Even with its weight: he needs would wear
A waistcoat made of downy hair
New shaven off an Eunuch's chin,
That pleased him well, 'twas wondrous thin.
The outside of his doublet was
Made of the four-leaved, true-loved grass,
Changed into so fine a gloss,
With the oil of crispy moss:
It made a rainbow in the night
Which gave a lustre passing light.
On every seam there was a lace
Drawn by the unctuous snail's slow pace,
To which the finest, purest, silver thread
Compared, did look like dull pale lead.