No More Learning

by John Addington Symonds. McKay, 1900.
Virgil is the perfect artist, dealing considerately with a difficult mat ter, melting a reluctant language in the sevenfold furnace of an intense imagination, forging and tempering, retempering and reforging till the last trace of imperfection disappears. The finished work carries the result of all the labor, but it is transformed into beauty. —/. IV. Mackail.
132
Aeneids ; done into English verse by William Morris. Longmans, 1875.
Not only a remarkable poem, but one of the most important criticisms ever made on Virgil. Mr. Morris, who alone has given us the Virgilian sweetness, keeps as closely to the original as Conington himself. —J. W.
Mackail.
133
Whitman, Walt. Leaves of grass ; abridged edition with an
introd. by Emory Holloway. Doubleday, 1926.
His first and most obvious service to poetic art was his insistence on freedom of form—his rejection of the usually accepted English metrics, and his success in writing great poems, without their aid. His second was the rejection of cliches, including archaic diction and so-called poetic phrasing. His third service, his reassertion of the ancient conception of the poet as a prophet, and of poetry, as religion, as an ecstatic expression of faith. —Harriet Monroe.
134
Wordsworth, William. Complete poetical works.
bridge ed. ) Houghton, 1904.
Works ; tr. into English prose by John Conington ; ed.
What Wordsworth does to us is to assuage, to reconcile, to fortify.
. . . [He] has the skill to lead us, so long as we yield ourselves to his influence, into inner moods of settled peace . . . to give us quietness, strength, steadfastness and purpose, whether to do or to endure. —John Morley.
135
Poems : chosen and ed. by Matthew Arnold. Macmillan, 1879.
I by no means say that it contains all which in Wordsworth's poems is interesting. But it contains, I think, everything, or nearly everything, which may best serve him with the majority of lovers of poetry, nothing which may disserve him. —Preface.
(Cam
26 POETRY AND POETS
136
Yeats, William Butler. Poetical works. 2v. Macmillan,
1906, 1912.
Above all he arouses in us the image of a window, like Keats's magic casement, opening upon perilous seas and strange vistas wherein may be discovered the cloudy figures of Deirdre, Dana, Cuchulain, Diarmid and Grania. —James Huneker.
137
His purest successes are like nothing else in English poetry in the
Selected poems. Macmillan, 1921. that they wear. —Darrell Figgis.
II. ANTHOLOGIES
The poet doth, as if your journey should lie through a fair vineyard, at the first give you a cluster
of grapes, that, full of that taste, you may
long to pass further. —Sir Philip Sidney.
138
Alden, Raymond Macdonald, ed. Poems of the English
race. Scribner, 1921.
Intended to show sufficiently the forms and themes to serve the needs and pleasures of younger readers.
139
Andrews, Clarence Edward, ed. Poetry of the nineties;
with an introductory essay ; ed. by C. E. Andrews and M. O.
Percival. Harcourt, 1926.
Gives a representation of Hardy, Kipling, Yeats, "A. E. " and others of the greater poets and gathers from various sources examples of the lesser romantics.
140
Appleton, William Hyde, ed. Greek poets in English verse,
by various hands. Houghton, 1893.
141
Ault, Norman, ed. Elizabethan lyrics. Longmans, 1925.
Collected from many sources, arranged according to the date at which each poem became known, it shows the development of lyric poetry throughout the Elizabethan time.
142
Auslander, Joseph, ed. The winged horse anthology; ed. by
Joseph Auslander and Frank Ernest Hill. Doubleday, 1929.
A companion volume, illustrating and illuminating the authors' de lightful story of the development of English poetry, The winged horse.
beauty
143
ANTHOLOGIES 27
Bridges, Robert, ed. Chilswell book of English poetry. Long mans, 1924.
A distinguished anthology by a distinguished editor, gathered with thought of children but containing no distinctly children's poetry. It will be enjoyed by the young of all ages.
144
ed. The spirit of man ; an anthology in English and
French from the philosophers and poets. Longmans, 1916.
The most beautiful small anthology that we have handled since The golden treasury first came our way. In no selection of the kind since Palgrave's have we found notes at the close fuller of light and leading — Saturday Review.
145
Burrell, Arthur, ed. Book of heroic verse. Dutton, 1912.
(Everyman)
It strives to show that heroic verse is verse dealing with heroes, heroic characters, heroic acts, quite irrespective of the nationality or century of the actors themselves. . . . The hero is always in the minor ity; an heroic majority is unthinkable. This gives to heroic verse its sting and stimulus. —Introduction.
146
Child, Francis James, ed. English and Scottish popular ballads ; ed. by Helen Child Sargent and George Lyman Kitt- redge. Houghton, 1904.
The present volume is neither a new edition of the collection [in five volumes] nor a substitute for it. It affords a conspectus of English and Scottish ballad literature which, it is hoped, may be useful to the gen eral reader. —Preface.
147
De la Mare, Walter, ed. Come hither ; a collection of rhymes
for all ages. Knopf, 1923.
Come hither with its admirable choice and its incomparable body of notes is a living history of English lyric from Chaucer to J. C. Squire. — R. E. Roberts.
148
Dole, Nathan Haskell, ed. The Greek poets ; an anthology.
Crowell, 1904.
Selections from the greater Greeks in the best obtainable translations.
149
Chosen from the great Roman poets in the best translations.
The Latin poets ; an anthology. Crowell, 1905.
28 POETRY AND POETS
150
Drinkwater, John, ed. An anthology of English verse.
Houghton, 1924.
A charming small anthology of English poetry from Chaucer to the present in which "the aim is to give to the reader nothing but the pure joy of reading good poetry. "
151
ed. Twentieth century poetry ; ed. by John Drinkwater, Henry Seidel Canby and William Rose Benet. Houghton, 1930.
They have approached their task with love, skill and restraint. . . . The book is full of beautiful things which one reads for themselves alone. —Alfred Kreymborg.
152
ed. The way of poetry ; an anthology for younger read
ers. Houghton, 1922.
A selection from the greater poets from Shakespeare until today. The introduction gives the poet-critic's own idea of what poetry is and how it is made.
153
Everett, William, ed. The Italian poets since Dante, accom
panied by verse translations. Scribner, 1904.
Presents a little known and delightful literature by means of critical and biographical sketches with verse translations of specimen poets. — A. L. A. catalog, 1926.
154
Gayley, Charles Mills, ed. Poetry of the people ; enl. ed. ;
ed. by C. M. Gayley and Martin C. Flaherty. Ginn, 1920.
A compact body not necessarily of the most highly polished or artistic poems in the English tongue but of those which are at once most simple, most hearty, most truly characteristic of the people, their tradi tion and patriotic spirit. — Preface.
155
Johnson, Reginald Brimley, ed. A book of British Ballads. (Everyman) Dutton, 1912.
156
Lang, Andrew, ed. A collection of ballads. Chapman, 1897.
Chiefly chosen for their romantic charm, and for the spirit of the border raids which they record. — Introduction.
157
Leaf, Walter, ed. Little poems from the Greek. 2v. Rich ards, 1922.
158
ANTHOLOGIES 29
Livingstone, Richard Winn, ed. The legacy of Greece. Ox
ford, 1921.
Take the book as a whole, it is one of the most fascinating compila tions of our time. —Spectator.
159
The pageant of Greece. Clarendon, 1923.
With sympathy, with simplicity, with true understanding, and always with perfect taste, he tells of the delights which the man who loves learning, beauty and the satisfaction of the soul can draw from the Greeks. —/. St. L. Strachey.
160
Meynell, Alice, ed. The school of poetry; an anthology
chosen for young readers. Scribner, 1924.
I have taken some poems for their happy, courageous and honorable thought, some for the very poetry of poetry. —Introduction.
161
Monroe, Harriet, ed. The new poetry; an anthology of
twentieth century verse in English; ed. by Harriet Monroe
and Alice Corbin Henderson, enl. ed. Macmillan, 1926.
"Includes no poems published before 1900.
The work of poets al ready, as it were, enshrined by fame and death has also not been quoted. "
162
Morse, Lewis Kennedy, ed. Melodies of English verse; se
lections for memorizing. Houghton, 1910.
"To suggest and stimulate the joy-bringing habit of learning poetry by heart. "
163
Newbolt, Sir Henry, ed. Book of verse chosen for students
at home and abroad. Bell, 1922.
A hundred poems so broad, so universal in subject and in mood that they may be readily understood and welcomed by all, even by those to whom our creeds, our classics, our old wars and our social customs are unknown. — Introduction.
164
Page, Curtis Hidden, ed. The chief American poets; sel.
poems. Houghton, 1905.
165
Palgrave, Francis Turner, ed. The golden treasury; se lected from the best songs and lyrical poems in the English language. rev. ed. 2v. in 1. Macmillan, 1909. (Everyman) Dutton, 1906.
A touchstone as well as a treasure of poetic gold. —Andrew Lang.
30 POETRY AND POETS
166
Quiller-Couch, Sir Arthur, ed. The Oxford book of bal
lads. Oxford, 1910.
The ballads have been arranged in seven books in the hope that the volume may thus be useful to the student as well as to the lover of poetry for whom it is chiefly intended. Bk. l, Magic, the "Seely Court," and the supernatural. Bk. 2, Stories of absolute romance. Bk. 3, Ro mance shading off into history. Bk. 4, Early carols and ballads of Holy Writ. Bk. S, Greenwood and Robin Hood. Bk. 6, From Chevy Chase and Homeric deeds of Douglas and Percy to Border feuds. Bk. 7, The ballad in various aspects of false beginning and decline.
167
The Oxford book of English verse, 1250-1900. Ox ford, 1900.
On the whole, all things considered, perhaps the most satisfying an thology of English poetry. It follows the long, glorious stream of Eng lish lyric verse from the middle of the thirteenth century to the very close of the nineteenth. The edition on India paper is a perfect instance of "infinite riches in a little room. "
168
The Oxford book of Victorian verse. Oxford, 1912.
Whatever may be included that we might vote to exclude, whatever may be omitted that we miss with pain, there must be cordial acceptance of the wealth of beauty gathered and profound gratitude for such treas ure condensed to the light burden of one hand.
169
Richards, Mrs. Waldo, ed. High tide: songs of joy anc vision from the present-day poets of America and Great Britain. Houghton, 1916.
The compiler believes that poetry, specially lyric poetry carrying lovely thought, has power to waken joy and hope and to stir enthusiasm to the point of action and achievement.
170
Sanders, Gerald De Witt, ed. Chief modern poets of Eng land and America ; ed. by Gerald De Witt Sanders and John Herbert Nelson. Macmillan, 1929.
171
Squire, John Collins, ed. Songs from the Elizabethans.
Dial, 1925.
Fortunately most of these poets have a common spirit. They reflect the ever-growing exuberance of England. . . . They sang of love, death, ambition, virtue—all very simply. . . . They explored like adven turers all the tricks and surprises of words, all the fine ways of saying things already known. . . . And they did this with delight and capering grace. — The winged horse.
172
Stevenson, Burton Egbert, ed. The home book of verse,
American and English, 1580-1912. 5th ed. Holt, 1925.
ANTHOLOGIES 31
The compiler's purpose was not only to bring together the best short poems in English from Spenser's time onward but to collect also a body of verse which if not great poetry yet has great popularity, to recognize the validity of popular taste as well as of classical taste.
173
Teasdale, Sara. Rainbow gold; poems old and new selected
for boys and girls. Macmillan, 1922.
A small, exceedingly well chosen selection for children of over rather than under ten years. The introduction by the compiler is a direct invi tation to read poetry for its own sake. —Anne Carroll Moore.
174
Untermeyer, Louis, ed. Modern American poetry. 4th ed.
rev. Harcourt, 1930.
The selections from each author are introduced by biographical and critical essays. This edition has liberal representation of the work of poets lately come into prominence.
175
Modern British poetry. 3d ed. rev. Harcourt, 1930.
A companion to his Modem American poetry making with that vol ume a convenient means for comparison between the recent work of the two countries. The preface and the biographical and critical notes make a truly critical anthology.
176
This singing world ; an anthology of modern poetry for young people. Harcourt.
177
Yesterday and to-day; a collection of verse, mostly modern, designed for the average person of nine to nineteen and possibly higher. Harcourt, 1926.
178
Wilkinson, Marguerite, ed. New voices ; an introd. to con
temporary poetry. Macmillan, 1919.
An understanding and tolerant yet critical introduction to recent poetry of both this country and Great Britain, for the general reader.
179
Wooldridge, Dorothy, ed.
Faber, 1926.
180
Wright, John Henry, ed.
Houghton, 1902.
The poetry of toil; an anthology.
Masterpieces of Greek literature.
An attempt to group "a considerable number of representative pas sages, each of distinct intrinsic interest, from Greek poetry and prose, mainly of the classical age, in the best available translations. "—Intro duction.
POETRY AND POETS
III.
THE JOY AND PRAISE OF POETRY
The poetry of life is the poetry of beauty, sincerity and elation. — Book of St. Kavin.
181
Abercrombie, Lascelles. The theory of poetry. Harcourt, 1926.
32
A remarkable and fascinating book, of vivid English prose. —Nation (L).
which besides, masterpiece
182
Brett-Smith, H. F. B. , ed. Peacock's Four ages of poetry;
Shelley's Defence of poetry; Browning's Essay on Shelley.
Houghton, 1921.
The object of this edition to enable the reader to trace the connec tion between the attack and the defence by prefacing the one by the other. Browning's Essay on Shelley, poet's praise of poet, added as "no unworthy sequel to poet's praise of poetry itself. "—Book Review Digest.
183
Brown, Stephen James. The realm of poetry; an introduc tion. Macmillan, 1922.
A study of poetry considered in three parts What poetry —What can poetry do for us? —Learning to love poetry.
184
Dixon, William Macneile. English epic and heroic poetry.
Dent, 1912.
Delightful reading. It leaves clearer understanding of the influence of epic and heroic verse in literary history. —Boston Transcript.
185
Eastman, Max. Enjoyment of poetry. 9th ed. Scribner, 1921.
"The purpose of this book," so begins the preface, "is to increase enjoyment. " This precisely what does to the nth degree. — Chicago Evening Post.
186
Erskine, John. The kinds of poetry, and other essays. Duf- field, 1920.
Keen criticism, interesting to teachers and students, and poets too.
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:
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187
THE JOY AND PRAISE OF POETRY 33
Gayley, Charles Mills. English poetry, its principles and progress; by Charles Mills Gayley and others. new ed. rev. Macmillan, 1920.
The purpose of this book— first and foremost, to inspire young people with love of poetry. Preface.
188
Ker, William Paton. The art of poetry; seven lectures,
1920-1922. Oxford, 1923.
Scholarly essays rich in allusion to remote literatures, and illustrated by many quotations. —A. L. A. catalog, 1926.
189
Lowell, Amy. Poetry and poets. Houghton, 1930.
Four essays on poetry and its making, one each on Walt Whitman and Emily Dickinson and seven short sketches. Pungently expressed opinions. —Booklist.
190
Lowes, John Livingston. Convention and revolt in poetry.
2d ed. Houghton, 1930.
The purpose to point out the continuous actions and reactions in English poetry as convention breaks away before revolt, which again crystallizes into convention. —Book Review Digest.
191
Mackail, John William. Lectures on poetry. Longmans, 1911.
Besides its intrinsic merits as criticism [it] has one quality which sets apart from most works of its class— interesting. —N. Y. Times.
192
Mallam, Phosphor. An approach to poetry. Crowell, 1930.
Prepared for younger readers, but quite as useful for older ones. analyzes words as sound and as meaning, considers feeling, beauty, thought and imagination. —Saturday Review of Literature.
193
Monroe, Harriet. Poets and their art.