_180
NOTE:
_180 Felsensee 1862 ("Relics of Shelley", page 96);
Felumee 1822; Felunsee editions 1824, 1839.
NOTE:
_180 Felsensee 1862 ("Relics of Shelley", page 96);
Felumee 1822; Felunsee editions 1824, 1839.
Shelley copy
--
[ENTER LISANDER AND LIVIA. ]
LISANDER:
Oh, my daughter! What?
LIVIA:
What!
JUSTINA:
Saw you
A man go forth from my apartment now? --
I scarce contain myself!
LISANDER:
A man here!
JUSTINA:
Have you not seen him?
LIVIA:
No, Lady.
JUSTINA: I saw him.
LISANDER: 'Tis impossible; the doors _160
Which led to this apartment were all locked.
LIVIA [ASIDE]:
I daresay it was Moscon whom she saw,
For he was locked up in my room.
LISANDER:
It must
Have been some image of thy fantasy.
Such melancholy as thou feedest is _165
Skilful in forming such in the vain air
Out of the motes and atoms of the day.
LIVIA:
My master's in the right.
JUSTINA:
Oh, would it were
Delusion; but I fear some greater ill.
I feel as if out of my bleeding bosom _170
My heart was torn in fragments; ay,
Some mortal spell is wrought against my frame;
So potent was the charm that, had not God
Shielded my humble innocence from wrong,
I should have sought my sorrow and my shame _175
With willing steps. --Livia, quick, bring my cloak,
For I must seek refuge from these extremes
Even in the temple of the highest God
Where secretly the faithful worship.
LIVIA:
Here.
NOTE:
_179 Where Rossetti; Which 1824.
JUSTINA [PUTTING ON HER CLOAK]:
In this, as in a shroud of snow, may I _180
Quench the consuming fire in which I burn,
Wasting away!
LISANDER:
And I will go with thee.
LIVIA:
When I once see them safe out of the house
I shall breathe freely.
JUSTINA:
So do I confide
In thy just favour, Heaven!
LISANDER:
Let us go. _185
JUSTINA:
Thine is the cause, great God! turn for my sake,
And for Thine own, mercifully to me!
***
STANZAS FROM CALDERON'S CISMA DE INGLATERRA.
TRANSLATED BY MEDWIN AND CORRECTED BY SHELLEY.
[Published by Medwin, "Life of Shelley", 1847,
with Shelley's corrections in ''. ]
1.
Hast thou not seen, officious with delight,
Move through the illumined air about the flower
The Bee, that fears to drink its purple light,
Lest danger lurk within that Rose's bower?
Hast thou not marked the moth's enamoured flight _5
About the Taper's flame at evening hour;
'Till kindle in that monumental fire
His sunflower wings their own funereal pyre?
2.
My heart, its wishes trembling to unfold.
Thus round the Rose and Taper hovering came, _10
'And Passion's slave, Distrust, in ashes cold.
Smothered awhile, but could not quench the flame,'--
Till Love, that grows by disappointment bold,
And Opportunity, had conquered Shame;
And like the Bee and Moth, in act to close, _15
'I burned my wings, and settled on the Rose. '
***
SCENES FROM THE FAUST OF GOETHE.
[Published in part (Scene 2) in "The Liberal", No. 1, 1822;
in full, by Mrs. Shelley, "Posthumous Poems", 1824. ]
SCENE 1. --PROLOGUE IN HEAVEN.
THE LORD AND THE HOST OF HEAVEN.
ENTER THREE ARCHANGELS.
RAPHAEL:
The sun makes music as of old
Amid the rival spheres of Heaven,
On its predestined circle rolled
With thunder speed: the Angels even
Draw strength from gazing on its glance, _5
Though none its meaning fathom may:--
The world's unwithered countenance
Is bright as at Creation's day.
GABRIEL:
And swift and swift, with rapid lightness,
The adorned Earth spins silently, _10
Alternating Elysian brightness
With deep and dreadful night; the sea
Foams in broad billows from the deep
Up to the rocks, and rocks and Ocean,
Onward, with spheres which never sleep, _15
Are hurried in eternal motion.
MICHAEL:
And tempests in contention roar
From land to sea, from sea to land;
And, raging, weave a chain of power,
Which girds the earth, as with a band. -- _20
A flashing desolation there,
Flames before the thunder's way;
But Thy servants, Lord, revere
The gentle changes of Thy day.
CHORUS OF THE THREE:
The Angels draw strength from Thy glance, _25
Though no one comprehend Thee may;--
Thy world's unwithered countenance
Is bright as on Creation's day.
NOTE:
_28 (RAPHAEL:
The sun sounds, according to ancient custom,
In the song of emulation of his brother-spheres.
And its fore-written circle
Fulfils with a step of thunder.
Its countenance gives the Angels strength
Though no one can fathom it.
The incredible high works
Are excellent as at the first day.
GABRIEL:
And swift, and inconceivably swift
The adornment of earth winds itself round,
And exchanges Paradise-clearness
With deep dreadful night.
The sea foams in broad waves
From its deep bottom, up to the rocks,
And rocks and sea are torn on together
In the eternal swift course of the spheres.
MICHAEL:
And storms roar in emulation
From sea to land, from land to sea,
And make, raging, a chain
Of deepest operation round about.
There flames a flashing destruction
Before the path of the thunderbolt.
But Thy servants, Lord, revere
The gentle alternations of Thy day.
CHORUS:
Thy countenance gives the Angels strength,
Though none can comprehend Thee:
And all Thy lofty works
Are excellent as at the first day.
Such is a literal translation of this astonishing chorus; it is
impossible to represent in another language the melody of the
versification; even the volatile strength and delicacy of the ideas
escape in the crucible of translation, and the reader is surprised to
find a caput mortuum. --[SHELLEY'S NOTE. ])
[ENTER MEPHISTOPHELES. ]
MEPHISTOPHELES:
As thou, O Lord, once more art kind enough
To interest Thyself in our affairs, _30
And ask, 'How goes it with you there below? '
And as indulgently at other times
Thou tookest not my visits in ill part,
Thou seest me here once more among Thy household.
Though I should scandalize this company, _35
You will excuse me if I do not talk
In the high style which they think fashionable;
My pathos certainly would make You laugh too,
Had You not long since given over laughing.
Nothing know I to say of suns and worlds; _40
I observe only how men plague themselves;--
The little god o' the world keeps the same stamp,
As wonderful as on creation's day:--
A little better would he live, hadst Thou
Not given him a glimpse of Heaven's light _45
Which he calls reason, and employs it only
To live more beastlily than any beast.
With reverence to Your Lordship be it spoken,
He's like one of those long-legged grasshoppers,
Who flits and jumps about, and sings for ever _50
The same old song i' the grass. There let him lie,
Burying his nose in every heap of dung.
NOTES:
_38 certainly would editions 1839; would certainly 1824.
_47 beastlily 1824; beastily editions 1839.
THE LORD:
Have you no more to say? Do you come here
Always to scold, and cavil, and complain?
Seems nothing ever right to you on earth? _55
MEPHISTOPHELES:
No, Lord! I find all there, as ever, bad at best.
Even I am sorry for man's days of sorrow;
I could myself almost give up the pleasure
Of plaguing the poor things.
THE LORD:
Knowest thou Faust?
MEPHISTOPHELES:
The Doctor?
THE LORD:
Ay; My servant Faust.
MEPHISTOPHELES:
In truth _60
He serves You in a fashion quite his own;
And the fool's meat and drink are not of earth.
His aspirations bear him on so far
That he is half aware of his own folly,
For he demands from Heaven its fairest star, _65
And from the earth the highest joy it bears,
Yet all things far, and all things near, are vain
To calm the deep emotions of his breast.
THE LORD:
Though he now serves Me in a cloud of error,
I will soon lead him forth to the clear day. _70
When trees look green, full well the gardener knows
That fruits and blooms will deck the coming year.
MEPHISTOPHELES:
What will You bet? --now am sure of winning--
Only, observe You give me full permission
To lead him softly on my path.
THE LORD:
As long _75
As he shall live upon the earth, so long
Is nothing unto thee forbidden--Man
Must err till he has ceased to struggle.
MEPHISTOPHELES:
Thanks.
And that is all I ask; for willingly
I never make acquaintance with the dead. _80
The full fresh cheeks of youth are food for me,
And if a corpse knocks, I am not at home.
For I am like a cat--I like to play
A little with the mouse before I eat it.
THE LORD:
Well, well! it is permitted thee. Draw thou _85
His spirit from its springs; as thou find'st power
Seize him and lead him on thy downward path;
And stand ashamed when failure teaches thee
That a good man, even in his darkest longings,
Is well aware of the right way.
MEPHISTOPHELES:
Well and good. _90
I am not in much doubt about my bet,
And if I lose, then 'tis Your turn to crow;
Enjoy Your triumph then with a full breast.
Ay; dust shall he devour, and that with pleasure,
Like my old paramour, the famous Snake. _95
THE LORD:
Pray come here when it suits you; for I never
Had much dislike for people of your sort.
And, among all the Spirits who rebelled,
The knave was ever the least tedious to Me.
The active spirit of man soon sleeps, and soon _100
He seeks unbroken quiet; therefore I
Have given him the Devil for a companion,
Who may provoke him to some sort of work,
And must create forever. --But ye, pure
Children of God, enjoy eternal beauty;-- _105
Let that which ever operates and lives
Clasp you within the limits of its love;
And seize with sweet and melancholy thoughts
The floating phantoms of its loveliness.
[HEAVEN CLOSES; THE ARCHANGELS EXEUNT. ]
MEPHISTOPHELES:
From time to time I visit the old fellow, _110
And I take care to keep on good terms with Him.
Civil enough is the same God Almighty,
To talk so freely with the Devil himself.
SCENE 2. --MAY-DAY NIGHT.
THE HARTZ MOUNTAIN, A DESOLATE COUNTRY.
FAUST, MEPHISTOPHELES.
MEPHISTOPHELES:
Would you not like a broomstick? As for me
I wish I had a good stout ram to ride;
For we are still far from the appointed place.
FAUST:
This knotted staff is help enough for me,
Whilst I feel fresh upon my legs. What good _5
Is there in making short a pleasant way?
To creep along the labyrinths of the vales,
And climb those rocks, where ever-babbling springs,
Precipitate themselves in waterfalls,
Is the true sport that seasons such a path. _10
Already Spring kindles the birchen spray,
And the hoar pines already feel her breath:
Shall she not work also within our limbs?
MEPHISTOPHELES:
Nothing of such an influence do I feel.
My body is all wintry, and I wish _15
The flowers upon our path were frost and snow.
But see how melancholy rises now,
Dimly uplifting her belated beam,
The blank unwelcome round of the red moon,
And gives so bad a light, that every step _20
One stumbles 'gainst some crag. With your permission,
I'll call on Ignis-fatuus to our aid:
I see one yonder burning jollily.
Halloo, my friend! may I request that you
Would favour us with your bright company? _25
Why should you blaze away there to no purpose?
Pray be so good as light us up this way.
IGNIS-FATUUS:
With reverence be it spoken, I will try
To overcome the lightness of my nature;
Our course, you know, is generally zigzag. _30
MEPHISTOPHELES:
Ha, ha! your worship thinks you have to deal
With men. Go straight on, in the Devil's name,
Or I shall puff your flickering life out.
NOTE:
_33 shall puff 1824; will blow 1822.
IGNIS-FATUUS:
Well,
I see you are the master of the house;
I will accommodate myself to you. _35
Only consider that to-night this mountain
Is all enchanted, and if Jack-a-lantern
Shows you his way, though you should miss your own,
You ought not to be too exact with him.
FAUST, MEPHISTOPHELES, AND IGNIS-FATUUS, IN ALTERNATE CHORUS:
The limits of the sphere of dream, _40
The bounds of true and false, are past.
Lead us on, thou wandering Gleam,
Lead us onward, far and fast,
To the wide, the desert waste.
But see, how swift advance and shift _45
Trees behind trees, row by row,--
How, clift by clift, rocks bend and lift
Their frowning foreheads as we go.
The giant-snouted crags, ho! ho!
How they snort, and how they blow! _50
Through the mossy sods and stones,
Stream and streamlet hurry down--
A rushing throng! A sound of song
Beneath the vault of Heaven is blown!
Sweet notes of love, the speaking tones _55
Of this bright day, sent down to say
That Paradise on Earth is known,
Resound around, beneath, above.
All we hope and all we love
Finds a voice in this blithe strain, _60
Which wakens hill and wood and rill,
And vibrates far o'er field and vale,
And which Echo, like the tale
Of old times, repeats again.
To-whoo! to-whoo! near, nearer now _65
The sound of song, the rushing throng!
Are the screech, the lapwing, and the jay,
All awake as if 'twere day?
See, with long legs and belly wide,
A salamander in the brake! _70
Every root is like a snake,
And along the loose hillside,
With strange contortions through the night,
Curls, to seize or to affright;
And, animated, strong, and many, _75
They dart forth polypus-antennae,
To blister with their poison spume
The wanderer. Through the dazzling gloom
The many-coloured mice, that thread
The dewy turf beneath our tread, _80
In troops each other's motions cross,
Through the heath and through the moss;
And, in legions intertangled,
The fire-flies flit, and swarm, and throng,
Till all the mountain depths are spangled. _85
Tell me, shall we go or stay?
Shall we onward? Come along!
Everything around is swept
Forward, onward, far away!
Trees and masses intercept _90
The sight, and wisps on every side
Are puffed up and multiplied.
NOTES:
_48 frowning]fawning 1822.
_70 brake 1824; lake 1822.
MEPHISTOPHELES:
Now vigorously seize my skirt, and gain
This pinnacle of isolated crag.
One may observe with wonder from this point, _95
How Mammon glows among the mountains.
FAUST:
Ay--
And strangely through the solid depth below
A melancholy light, like the red dawn,
Shoots from the lowest gorge of the abyss
Of mountains, lightning hitherward: there rise _100
Pillars of smoke, here clouds float gently by;
Here the light burns soft as the enkindled air,
Or the illumined dust of golden flowers;
And now it glides like tender colours spreading;
And now bursts forth in fountains from the earth; _105
And now it winds, one torrent of broad light,
Through the far valley with a hundred veins;
And now once more within that narrow corner
Masses itself into intensest splendour.
And near us, see, sparks spring out of the ground, _110
Like golden sand scattered upon the darkness;
The pinnacles of that black wall of mountains
That hems us in are kindled.
MEPHISTOPHELES:
Rare: in faith!
Does not Sir Mammon gloriously illuminate
His palace for this festival? --it is _115
A pleasure which you had not known before.
I spy the boisterous guests already.
FAUST:
How
The children of the wind rage in the air!
With what fierce strokes they fall upon my neck!
NOTE:
_117 How 1824; Now 1822.
MEPHISTOPHELES:
Cling tightly to the old ribs of the crag. _120
Beware! for if with them thou warrest
In their fierce flight towards the wilderness,
Their breath will sweep thee into dust, and drag
Thy body to a grave in the abyss.
A cloud thickens the night. _125
Hark! how the tempest crashes through the forest!
The owls fly out in strange affright;
The columns of the evergreen palaces
Are split and shattered;
The roots creak, and stretch, and groan; _130
And ruinously overthrown,
The trunks are crushed and shattered
By the fierce blast's unconquerable stress.
Over each other crack and crash they all
In terrible and intertangled fall; _135
And through the ruins of the shaken mountain
The airs hiss and howl--
It is not the voice of the fountain,
Nor the wolf in his midnight prowl.
Dost thou not hear? _140
Strange accents are ringing
Aloft, afar, anear?
The witches are singing!
The torrent of a raging wizard song
Streams the whole mountain along. _145
NOTE:
_132 shattered]scattered Rossetti.
CHORUS OF WITCHES:
The stubble is yellow, the corn is green,
Now to the Brocken the witches go;
The mighty multitude here may be seen
Gathering, wizard and witch, below.
Sir Urian is sitting aloft in the air; _150
Hey over stock! and hey over stone!
'Twixt witches and incubi, what shall be done?
Tell it who dare! tell it who dare!
NOTE:
_150 Urian]Urean editions 1824, 1839.
A VOICE:
Upon a sow-swine, whose farrows were nine,
Old Baubo rideth alone. _155
CHORUS:
Honour her, to whom honour is due,
Old mother Baubo, honour to you!
An able sow, with old Baubo upon her,
Is worthy of glory, and worthy of honour!
The legion of witches is coming behind, _160
Darkening the night, and outspeeding the wind--
A VOICE:
Which way comest thou?
A VOICE:
Over Ilsenstein;
The owl was awake in the white moonshine;
I saw her at rest in her downy nest,
And she stared at me with her broad, bright eyne. _165
NOTE:
_165 eyne 1839, 2nd edition; eye 1822, 1824, 1839, 1st edition.
VOICES:
And you may now as well take your course on to Hell,
Since you ride by so fast on the headlong blast.
A VOICE:
She dropped poison upon me as I passed.
Here are the wounds--
CHORUS OF WITCHES:
Come away! come along!
The way is wide, the way is long, _170
But what is that for a Bedlam throng?
Stick with the prong, and scratch with the broom.
The child in the cradle lies strangled at home,
And the mother is clapping her hands. --
SEMICHORUS OF WIZARDS 1:
We glide in
Like snails when the women are all away; _175
And from a house once given over to sin
Woman has a thousand steps to stray.
SEMICHORUS 2:
A thousand steps must a woman take,
Where a man but a single spring will make.
VOICES ABOVE:
Come with us, come with us, from Felsensee.
_180
NOTE:
_180 Felsensee 1862 ("Relics of Shelley", page 96);
Felumee 1822; Felunsee editions 1824, 1839.
VOICES BELOW:
With what joy would we fly through the upper sky!
We are washed, we are 'nointed, stark naked are we;
But our toil and our pain are forever in vain.
NOTE:
_183 are editions 1839; is 1822, 1824.
BOTH CHORUSES:
The wind is still, the stars are fled, _185
The melancholy moon is dead;
The magic notes, like spark on spark,
Drizzle, whistling through the dark. Come away!
VOICES BELOW:
Stay, Oh, stay!
VOICES ABOVE:
Out of the crannies of the rocks _190
Who calls?
VOICES BELOW:
Oh, let me join your flocks!
I, three hundred years have striven
To catch your skirt and mount to Heaven,--
And still in vain. Oh, might I be
With company akin to me! _195
BOTH CHORUSES:
Some on a ram and some on a prong,
On poles and on broomsticks we flutter along;
Forlorn is the wight who can rise not to-night.
A HALF-WITCH BELOW:
I have been tripping this many an hour:
Are the others already so far before? _200
No quiet at home, and no peace abroad!
And less methinks is found by the road.
CHORUS OF WITCHES:
Come onward, away! aroint thee, aroint!
A witch to be strong must anoint--anoint--
Then every trough will be boat enough; _205
With a rag for a sail we can sweep through the sky,
Who flies not to-night, when means he to fly?
BOTH CHORUSES:
We cling to the skirt, and we strike on the ground;
Witch-legions thicken around and around;
Wizard-swarms cover the heath all over. _210
[THEY DESCEND. ]
MEPHISTOPHELES:
What thronging, dashing, raging, rustling;
What whispering, babbling, hissing, bustling;
What glimmering, spurting, stinking, burning,
As Heaven and Earth were overturning.
There is a true witch element about us; _215
Take hold on me, or we shall be divided:--
Where are you?
NOTE:
_217 What! wanting, 1822.
FAUST [FROM A DISTANCE]:
Here!
MEPHISTOPHELES:
What!
I must exert my authority in the house.
Place for young Voland! pray make way, good people.
Take hold on me, doctor, an with one step _220
Let us escape from this unpleasant crowd:
They are too mad for people of my sort.
Just there shines a peculiar kind of light--
Something attracts me in those bushes. Come
This way: we shall slip down there in a minute. _225
FAUST:
Spirit of Contradiction! Well, lead on--
'Twere a wise feat indeed to wander out
Into the Brocken upon May-day night,
And then to isolate oneself in scorn,
Disgusted with the humours of the time. _230
MEPHISTOPHELES:
See yonder, round a many-coloured flame
A merry club is huddled altogether:
Even with such little people as sit there
One would not be alone.
FAUST:
Would that I were
Up yonder in the glow and whirling smoke, _235
Where the blind million rush impetuously
To meet the evil ones; there might I solve
Many a riddle that torments me.
MEPHISTOPHELES:
Yet
Many a riddle there is tied anew
Inextricably. Let the great world rage! _240
We will stay here safe in the quiet dwellings.
'Tis an old custom. Men have ever built
Their own small world in the great world of all.
I see young witches naked there, and old ones
Wisely attired with greater decency. _245
Be guided now by me, and you shall buy
A pound of pleasure with a dram of trouble.
I hear them tune their instruments--one must
Get used to this damned scraping. Come, I'll lead you
Among them; and what there you do and see, _250
As a fresh compact 'twixt us two shall be.
How say you now? this space is wide enough--
Look forth, you cannot see the end of it--
An hundred bonfires burn in rows, and they
Who throng around them seem innumerable: _255
Dancing and drinking, jabbering, making love,
And cooking, are at work. Now tell me, friend,
What is there better in the world than this?
NOTE:
_254 An 1824; A editions 1839.
FAUST:
In introducing us, do you assume
The character of Wizard or of Devil? _260
MEPHISTOPHELES:
In truth, I generally go about
In strict incognito; and yet one likes
To wear one's orders upon gala days.
I have no ribbon at my knee; but here
At home, the cloven foot is honourable. _265
See you that snail there? --she comes creeping up,
And with her feeling eyes hath smelt out something.
I could not, if I would, mask myself here.
Come now, we'll go about from fire to fire:
I'll be the Pimp, and you shall be the Lover. _270
[TO SOME OLD WOMEN, WHO ARE SITTING ROUND A HEAP OF GLIMMERING COALS. ]
Old gentlewomen, what do you do out here?
You ought to be with the young rioters
Right in the thickest of the revelry--
But every one is best content at home.
NOTE:
_264 my wanting, 1822.
General.
Who dare confide in right or a just claim? _275
So much as I had done for them! and now--
With women and the people 'tis the same,
Youth will stand foremost ever,--age may go
To the dark grave unhonoured.
NOTE:
_275 right editions 1824, 1839; night 1822.
MINISTER:
Nowadays
People assert their rights: they go too far; _280
But as for me, the good old times I praise;
Then we were all in all--'twas something worth
One's while to be in place and wear a star;
That was indeed the golden age on earth.
PARVENU:
We too are active, and we did and do _285
What we ought not, perhaps; and yet we now
Will seize, whilst all things are whirled round and round,
A spoke of Fortune's wheel, and keep our ground.
NOTE:
_285 Parvenu: (Note) A sort of fundholder 1822, editions 1824, 1839.
AUTHOR:
Who now can taste a treatise of deep sense
And ponderous volume? 'tis impertinence _290
To write what none will read, therefore will I
To please the young and thoughtless people try.
NOTE:
_290 ponderous 1824; wonderous 1822.
MEPHISTOPHELES [WHO AT ONCE APPEARS TO HAVE GROWN VERY OLD]:
I
find the people ripe for the last day,
Since I last came up to the wizard mountain;
And as my little cask runs turbid now, _295
So is the world drained to the dregs.
PEDLAR-WITCH:
Look here,
Gentlemen; do not hurry on so fast;
And lose the chance of a good pennyworth.
I have a pack full of the choicest wares
Of every sort, and yet in all my bundle _300
Is nothing like what may be found on earth;
Nothing that in a moment will make rich
Men and the world with fine malicious mischief--
There is no dagger drunk with blood; no bowl
From which consuming poison may be drained _305
By innocent and healthy lips; no jewel,
The price of an abandoned maiden's shame;
No sword which cuts the bond it cannot loose,
Or stabs the wearer's enemy in the back;
No--
MEPHISTOPHELES:
Gossip, you know little of these times. _310
What has been, has been; what is done, is past,
They shape themselves into the innovations
They breed, and innovation drags us with it.
The torrent of the crowd sweeps over us:
You think to impel, and are yourself impelled. _315
FAUST:
What is that yonder?
MEPHISTOPHELES:
Mark her well. It is
Lilith.
FAUST:
Who?
MEPHISTOPHELES:
Lilith, the first wife of Adam.
Beware of her fair hair, for she excels
All women in the magic of her locks;
And when she winds them round a young man's neck, _320
She will not ever set him free again.
FAUST:
There sit a girl and an old woman--they
Seem to be tired with pleasure and with play.
MEPHISTOPHELES:
There is no rest to-night for any one:
When one dance ends another is begun; _325
Come, let us to it. We shall have rare fun.
[FAUST DANCES AND SINGS WITH A GIRL, AND
MEPHISTOPHELES WITH AN OLD WOMAN. ]
FAUST:
I had once a lovely dream
In which I saw an apple-tree,
Where two fair apples with their gleam
To climb and taste attracted me. _330
NOTES:
_327-_334 So Boscombe manuscript ("Westminster Review", July, 1870);
wanting, 1822, 1824, 1839.
THE GIRL:
She with apples you desired
From Paradise came long ago:
With you I feel that if required,
Such still within my garden grow.
. . .
PROCTO-PHANTASMIST:
What is this cursed multitude about? _335
Have we not long since proved to demonstration
That ghosts move not on ordinary feet?
But these are dancing just like men and women.
NOTE:
_335 Procto-Phantasmist]Brocto-Phantasmist editions 1824, 1839.
THE GIRL:
What does he want then at our ball?
FAUST:
Oh! he
Is far above us all in his conceit: _340
Whilst we enjoy, he reasons of enjoyment;
And any step which in our dance we tread,
If it be left out of his reckoning,
Is not to be considered as a step.
There are few things that scandalize him not: _345
And when you whirl round in the circle now,
As he went round the wheel in his old mill,
He says that you go wrong in all respects,
Especially if you congratulate him
Upon the strength of the resemblance.
PROCTO-PHANTASMIST:
Fly! _350
Vanish! Unheard-of impudence! What, still there!
In this enlightened age too, since you have been
Proved not to exist! --But this infernal brood
Will hear no reason and endure no rule.
Are we so wise, and is the POND still haunted? _355
How long have I been sweeping out this rubbish
Of superstition, and the world will not
Come clean with all my pains! --it is a case
Unheard of!
NOTE:
_355 pond wanting in Boscombe manuscript.
THE GIRL:
Then leave off teasing us so.
PROCTO-PHANTASMIST:
I tell you, spirits, to your faces now, _360
That I should not regret this despotism
Of spirits, but that mine can wield it not.
To-night I shall make poor work of it,
Yet I will take a round with you, and hope
Before my last step in the living dance _365
To beat the poet and the devil together.
MEPHISTOPHELES:
At last he will sit down in some foul puddle;
That is his way of solacing himself;
Until some leech, diverted with his gravity,
Cures him of spirits and the spirit together. _370
[TO FAUST, WHO HAS SECEDED FROM THE DANCE. ]
Why do you let that fair girl pass from you,
Who sung so sweetly to you in the dance?
FAUST:
A red mouse in the middle of her singing
Sprung from her mouth.
MEPHISTOPHELES:
That was all right, my friend:
Be it enough that the mouse was not gray. _375
Do not disturb your hour of happiness
With close consideration of such trifles.
FAUST:
Then saw I--
MEPHISTOPHELES:
What?
FAUST:
Seest thou not a pale,
Fair girl, standing alone, far, far away?
She drags herself now forward with slow steps, _380
And seems as if she moved with shackled feet:
I cannot overcome the thought that she
Is like poor Margaret.
MEPHISTOPHELES:
Let it be--pass on--
No good can come of it--it is not well
To meet it--it is an enchanted phantom, _385
A lifeless idol; with its numbing look,
It freezes up the blood of man; and they
Who meet its ghastly stare are turned to stone,
Like those who saw Medusa.
FAUST:
Oh, too true!
Her eyes are like the eyes of a fresh corpse _390
Which no beloved hand has closed, alas!
That is the breast which Margaret yielded to me--
Those are the lovely limbs which I enjoyed!
NOTE:
_392 breast editions 1839; heart 1822, 1824.
MEPHISTOPHELES:
It is all magic, poor deluded fool!
She looks to every one like his first love. _395
FAUST:
Oh, what delight! what woe! I cannot turn
My looks from her sweet piteous countenance.
How strangely does a single blood-red line,
Not broader than the sharp edge of a knife,
Adorn her lovely neck!
MEPHISTOPHELES:
Ay, she can carry _400
Her head under her arm upon occasion;
Perseus has cut it off for her. These pleasures
End in delusion. --Gain this rising ground,
It is as airy here as in a. . .
And if I am not mightily deceived, _405
I see a theatre. --What may this mean?
ATTENDANT:
Quite a new piece, the last of seven, for 'tis
The custom now to represent that number.
'Tis written by a Dilettante, and
The actors who perform are Dilettanti; _410
Excuse me, gentlemen; but I must vanish.
I am a Dilettante curtain-lifter.
***
JUVENILIA.
QUEEN MAB.
A PHILOSOPHICAL POEM, WITH NOTES.
[An edition (250 copies) of "Queen Mab" was printed at London in the
summer of 1813 by Shelley himself, whose name, as author and printer,
appears on the title-page (see "Bibliographical List"). Of this edition
about seventy copies were privately distributed. Sections 1, 2, 8, and 9
were afterwards rehandled, and the intermediate sections here and there
revised and altered; and of this new text sections 1 and 2 were
published by Shelley in the "Alastor" volume of 1816, under the title,
"The Daemon of the World". The remainder lay unpublished till 1876, when
sections 8 and 9 were printed by Mr. H. Buxton Forman, C. B. , from a
printed copy of "Queen Mab" with Shelley's manuscript corrections. See
"The Shelley Library", pages 36-44, for a description of this copy,
which is in Mr. Forman's possession. Sources of the text are (1) the
editio princeps of 1813; (2) text (with some omissions) in the "Poetical
Works" of 1839, edited by Mrs. Shelley; (3) text (one line only wanting)
in the 2nd edition of the "Poetical Works", 1839 (same editor).
"Queen Mab" was probably written during the year 1812--it is first heard
of at Lynmouth, August 18, 1812 ("Shelley Memorials", page 39)--but the
text may be assumed to include earlier material. ]
ECRASEZ L'INFAME! --Correspondance de Voltaire.
Avia Pieridum peragro loca, nullius ante
Trita solo; juvat integros accedere fonteis;
Atque haurire: juvatque novos decerpere flores.
. . .
Unde prius nulli velarint tempora musae.
Primum quod magnis doceo de rebus; et arctis
Religionum animos nodis exsolvere pergo. --Lucret. lib. 4.
Dos pon sto, kai kosmon kineso. --Archimedes.
TO HARRIET *****.
Whose is the love that gleaming through the world,
Wards off the poisonous arrow of its scorn?
Whose is the warm and partial praise,
Virtue's most sweet reward?
Beneath whose looks did my reviving soul _5
Riper in truth and virtuous daring grow?
Whose eyes have I gazed fondly on,
And loved mankind the more?
HARRIET! on thine:--thou wert my purer mind;
Thou wert the inspiration of my song; _10
Thine are these early wilding flowers,
Though garlanded by me.
Then press into thy breast this pledge of love;
And know, though time may change and years may roll,
Each floweret gathered in my heart _15
It consecrates to thine.
QUEEN MAB.
1.
How wonderful is Death,
Death and his brother Sleep!
One, pale as yonder waning moon
With lips of lurid blue;
The other, rosy as the morn _5
When throned on ocean's wave
It blushes o'er the world:
Yet both so passing wonderful!
Hath then the gloomy Power
Whose reign is in the tainted sepulchres _10
Seized on her sinless soul?
Must then that peerless form
Which love and admiration cannot view
Without a beating heart, those azure veins
Which steal like streams along a field of snow, _15
That lovely outline, which is fair
As breathing marble, perish?
Must putrefaction's breath
Leave nothing of this heavenly sight
But loathsomeness and ruin? _20
Spare nothing but a gloomy theme,
On which the lightest heart might moralize?
Or is it only a sweet slumber
Stealing o'er sensation,
Which the breath of roseate morning _25
Chaseth into darkness?
Will Ianthe wake again,
And give that faithful bosom joy
Whose sleepless spirit waits to catch
Light, life and rapture from her smile? _30
Yes! she will wake again,
Although her glowing limbs are motionless,
And silent those sweet lips,
Once breathing eloquence,
That might have soothed a tiger's rage, _35
Or thawed the cold heart of a conqueror.
Her dewy eyes are closed,
And on their lids, whose texture fine
Scarce hides the dark blue orbs beneath,
The baby Sleep is pillowed: _40
Her golden tresses shade
The bosom's stainless pride,
Curling like tendrils of the parasite
Around a marble column.
Hark! whence that rushing sound? _45
'Tis like the wondrous strain
That round a lonely ruin swells,
Which, wandering on the echoing shore,
The enthusiast hears at evening:
'Tis softer than the west wind's sigh; _50
'Tis wilder than the unmeasured notes
Of that strange lyre whose strings
The genii of the breezes sweep:
Those lines of rainbow light
Are like the moonbeams when they fall _55
Through some cathedral window, but the tints
Are such as may not find
Comparison on earth.
Behold the chariot of the Fairy Queen!
Celestial coursers paw the unyielding air; _60
Their filmy pennons at her word they furl,
And stop obedient to the reins of light:
These the Queen of Spells drew in,
She spread a charm around the spot,
And leaning graceful from the aethereal car, _65
Long did she gaze, and silently,
Upon the slumbering maid.
Oh! not the visioned poet in his dreams,
When silvery clouds float through the 'wildered brain,
When every sight of lovely, wild and grand _70
Astonishes, enraptures, elevates,
When fancy at a glance combines
The wondrous and the beautiful,--
So bright, so fair, so wild a shape
Hath ever yet beheld, _75
As that which reined the coursers of the air,
And poured the magic of her gaze
Upon the maiden's sleep.
The broad and yellow moon
Shone dimly through her form-- _80
That form of faultless symmetry;
The pearly and pellucid car
Moved not the moonlight's line:
'Twas not an earthly pageant:
Those who had looked upon the sight, _85
Passing all human glory,
Saw not the yellow moon,
Saw not the mortal scene,
Heard not the night-wind's rush,
Heard not an earthly sound, _90
Saw but the fairy pageant,
Heard but the heavenly strains
That filled the lonely dwelling.
[ENTER LISANDER AND LIVIA. ]
LISANDER:
Oh, my daughter! What?
LIVIA:
What!
JUSTINA:
Saw you
A man go forth from my apartment now? --
I scarce contain myself!
LISANDER:
A man here!
JUSTINA:
Have you not seen him?
LIVIA:
No, Lady.
JUSTINA: I saw him.
LISANDER: 'Tis impossible; the doors _160
Which led to this apartment were all locked.
LIVIA [ASIDE]:
I daresay it was Moscon whom she saw,
For he was locked up in my room.
LISANDER:
It must
Have been some image of thy fantasy.
Such melancholy as thou feedest is _165
Skilful in forming such in the vain air
Out of the motes and atoms of the day.
LIVIA:
My master's in the right.
JUSTINA:
Oh, would it were
Delusion; but I fear some greater ill.
I feel as if out of my bleeding bosom _170
My heart was torn in fragments; ay,
Some mortal spell is wrought against my frame;
So potent was the charm that, had not God
Shielded my humble innocence from wrong,
I should have sought my sorrow and my shame _175
With willing steps. --Livia, quick, bring my cloak,
For I must seek refuge from these extremes
Even in the temple of the highest God
Where secretly the faithful worship.
LIVIA:
Here.
NOTE:
_179 Where Rossetti; Which 1824.
JUSTINA [PUTTING ON HER CLOAK]:
In this, as in a shroud of snow, may I _180
Quench the consuming fire in which I burn,
Wasting away!
LISANDER:
And I will go with thee.
LIVIA:
When I once see them safe out of the house
I shall breathe freely.
JUSTINA:
So do I confide
In thy just favour, Heaven!
LISANDER:
Let us go. _185
JUSTINA:
Thine is the cause, great God! turn for my sake,
And for Thine own, mercifully to me!
***
STANZAS FROM CALDERON'S CISMA DE INGLATERRA.
TRANSLATED BY MEDWIN AND CORRECTED BY SHELLEY.
[Published by Medwin, "Life of Shelley", 1847,
with Shelley's corrections in ''. ]
1.
Hast thou not seen, officious with delight,
Move through the illumined air about the flower
The Bee, that fears to drink its purple light,
Lest danger lurk within that Rose's bower?
Hast thou not marked the moth's enamoured flight _5
About the Taper's flame at evening hour;
'Till kindle in that monumental fire
His sunflower wings their own funereal pyre?
2.
My heart, its wishes trembling to unfold.
Thus round the Rose and Taper hovering came, _10
'And Passion's slave, Distrust, in ashes cold.
Smothered awhile, but could not quench the flame,'--
Till Love, that grows by disappointment bold,
And Opportunity, had conquered Shame;
And like the Bee and Moth, in act to close, _15
'I burned my wings, and settled on the Rose. '
***
SCENES FROM THE FAUST OF GOETHE.
[Published in part (Scene 2) in "The Liberal", No. 1, 1822;
in full, by Mrs. Shelley, "Posthumous Poems", 1824. ]
SCENE 1. --PROLOGUE IN HEAVEN.
THE LORD AND THE HOST OF HEAVEN.
ENTER THREE ARCHANGELS.
RAPHAEL:
The sun makes music as of old
Amid the rival spheres of Heaven,
On its predestined circle rolled
With thunder speed: the Angels even
Draw strength from gazing on its glance, _5
Though none its meaning fathom may:--
The world's unwithered countenance
Is bright as at Creation's day.
GABRIEL:
And swift and swift, with rapid lightness,
The adorned Earth spins silently, _10
Alternating Elysian brightness
With deep and dreadful night; the sea
Foams in broad billows from the deep
Up to the rocks, and rocks and Ocean,
Onward, with spheres which never sleep, _15
Are hurried in eternal motion.
MICHAEL:
And tempests in contention roar
From land to sea, from sea to land;
And, raging, weave a chain of power,
Which girds the earth, as with a band. -- _20
A flashing desolation there,
Flames before the thunder's way;
But Thy servants, Lord, revere
The gentle changes of Thy day.
CHORUS OF THE THREE:
The Angels draw strength from Thy glance, _25
Though no one comprehend Thee may;--
Thy world's unwithered countenance
Is bright as on Creation's day.
NOTE:
_28 (RAPHAEL:
The sun sounds, according to ancient custom,
In the song of emulation of his brother-spheres.
And its fore-written circle
Fulfils with a step of thunder.
Its countenance gives the Angels strength
Though no one can fathom it.
The incredible high works
Are excellent as at the first day.
GABRIEL:
And swift, and inconceivably swift
The adornment of earth winds itself round,
And exchanges Paradise-clearness
With deep dreadful night.
The sea foams in broad waves
From its deep bottom, up to the rocks,
And rocks and sea are torn on together
In the eternal swift course of the spheres.
MICHAEL:
And storms roar in emulation
From sea to land, from land to sea,
And make, raging, a chain
Of deepest operation round about.
There flames a flashing destruction
Before the path of the thunderbolt.
But Thy servants, Lord, revere
The gentle alternations of Thy day.
CHORUS:
Thy countenance gives the Angels strength,
Though none can comprehend Thee:
And all Thy lofty works
Are excellent as at the first day.
Such is a literal translation of this astonishing chorus; it is
impossible to represent in another language the melody of the
versification; even the volatile strength and delicacy of the ideas
escape in the crucible of translation, and the reader is surprised to
find a caput mortuum. --[SHELLEY'S NOTE. ])
[ENTER MEPHISTOPHELES. ]
MEPHISTOPHELES:
As thou, O Lord, once more art kind enough
To interest Thyself in our affairs, _30
And ask, 'How goes it with you there below? '
And as indulgently at other times
Thou tookest not my visits in ill part,
Thou seest me here once more among Thy household.
Though I should scandalize this company, _35
You will excuse me if I do not talk
In the high style which they think fashionable;
My pathos certainly would make You laugh too,
Had You not long since given over laughing.
Nothing know I to say of suns and worlds; _40
I observe only how men plague themselves;--
The little god o' the world keeps the same stamp,
As wonderful as on creation's day:--
A little better would he live, hadst Thou
Not given him a glimpse of Heaven's light _45
Which he calls reason, and employs it only
To live more beastlily than any beast.
With reverence to Your Lordship be it spoken,
He's like one of those long-legged grasshoppers,
Who flits and jumps about, and sings for ever _50
The same old song i' the grass. There let him lie,
Burying his nose in every heap of dung.
NOTES:
_38 certainly would editions 1839; would certainly 1824.
_47 beastlily 1824; beastily editions 1839.
THE LORD:
Have you no more to say? Do you come here
Always to scold, and cavil, and complain?
Seems nothing ever right to you on earth? _55
MEPHISTOPHELES:
No, Lord! I find all there, as ever, bad at best.
Even I am sorry for man's days of sorrow;
I could myself almost give up the pleasure
Of plaguing the poor things.
THE LORD:
Knowest thou Faust?
MEPHISTOPHELES:
The Doctor?
THE LORD:
Ay; My servant Faust.
MEPHISTOPHELES:
In truth _60
He serves You in a fashion quite his own;
And the fool's meat and drink are not of earth.
His aspirations bear him on so far
That he is half aware of his own folly,
For he demands from Heaven its fairest star, _65
And from the earth the highest joy it bears,
Yet all things far, and all things near, are vain
To calm the deep emotions of his breast.
THE LORD:
Though he now serves Me in a cloud of error,
I will soon lead him forth to the clear day. _70
When trees look green, full well the gardener knows
That fruits and blooms will deck the coming year.
MEPHISTOPHELES:
What will You bet? --now am sure of winning--
Only, observe You give me full permission
To lead him softly on my path.
THE LORD:
As long _75
As he shall live upon the earth, so long
Is nothing unto thee forbidden--Man
Must err till he has ceased to struggle.
MEPHISTOPHELES:
Thanks.
And that is all I ask; for willingly
I never make acquaintance with the dead. _80
The full fresh cheeks of youth are food for me,
And if a corpse knocks, I am not at home.
For I am like a cat--I like to play
A little with the mouse before I eat it.
THE LORD:
Well, well! it is permitted thee. Draw thou _85
His spirit from its springs; as thou find'st power
Seize him and lead him on thy downward path;
And stand ashamed when failure teaches thee
That a good man, even in his darkest longings,
Is well aware of the right way.
MEPHISTOPHELES:
Well and good. _90
I am not in much doubt about my bet,
And if I lose, then 'tis Your turn to crow;
Enjoy Your triumph then with a full breast.
Ay; dust shall he devour, and that with pleasure,
Like my old paramour, the famous Snake. _95
THE LORD:
Pray come here when it suits you; for I never
Had much dislike for people of your sort.
And, among all the Spirits who rebelled,
The knave was ever the least tedious to Me.
The active spirit of man soon sleeps, and soon _100
He seeks unbroken quiet; therefore I
Have given him the Devil for a companion,
Who may provoke him to some sort of work,
And must create forever. --But ye, pure
Children of God, enjoy eternal beauty;-- _105
Let that which ever operates and lives
Clasp you within the limits of its love;
And seize with sweet and melancholy thoughts
The floating phantoms of its loveliness.
[HEAVEN CLOSES; THE ARCHANGELS EXEUNT. ]
MEPHISTOPHELES:
From time to time I visit the old fellow, _110
And I take care to keep on good terms with Him.
Civil enough is the same God Almighty,
To talk so freely with the Devil himself.
SCENE 2. --MAY-DAY NIGHT.
THE HARTZ MOUNTAIN, A DESOLATE COUNTRY.
FAUST, MEPHISTOPHELES.
MEPHISTOPHELES:
Would you not like a broomstick? As for me
I wish I had a good stout ram to ride;
For we are still far from the appointed place.
FAUST:
This knotted staff is help enough for me,
Whilst I feel fresh upon my legs. What good _5
Is there in making short a pleasant way?
To creep along the labyrinths of the vales,
And climb those rocks, where ever-babbling springs,
Precipitate themselves in waterfalls,
Is the true sport that seasons such a path. _10
Already Spring kindles the birchen spray,
And the hoar pines already feel her breath:
Shall she not work also within our limbs?
MEPHISTOPHELES:
Nothing of such an influence do I feel.
My body is all wintry, and I wish _15
The flowers upon our path were frost and snow.
But see how melancholy rises now,
Dimly uplifting her belated beam,
The blank unwelcome round of the red moon,
And gives so bad a light, that every step _20
One stumbles 'gainst some crag. With your permission,
I'll call on Ignis-fatuus to our aid:
I see one yonder burning jollily.
Halloo, my friend! may I request that you
Would favour us with your bright company? _25
Why should you blaze away there to no purpose?
Pray be so good as light us up this way.
IGNIS-FATUUS:
With reverence be it spoken, I will try
To overcome the lightness of my nature;
Our course, you know, is generally zigzag. _30
MEPHISTOPHELES:
Ha, ha! your worship thinks you have to deal
With men. Go straight on, in the Devil's name,
Or I shall puff your flickering life out.
NOTE:
_33 shall puff 1824; will blow 1822.
IGNIS-FATUUS:
Well,
I see you are the master of the house;
I will accommodate myself to you. _35
Only consider that to-night this mountain
Is all enchanted, and if Jack-a-lantern
Shows you his way, though you should miss your own,
You ought not to be too exact with him.
FAUST, MEPHISTOPHELES, AND IGNIS-FATUUS, IN ALTERNATE CHORUS:
The limits of the sphere of dream, _40
The bounds of true and false, are past.
Lead us on, thou wandering Gleam,
Lead us onward, far and fast,
To the wide, the desert waste.
But see, how swift advance and shift _45
Trees behind trees, row by row,--
How, clift by clift, rocks bend and lift
Their frowning foreheads as we go.
The giant-snouted crags, ho! ho!
How they snort, and how they blow! _50
Through the mossy sods and stones,
Stream and streamlet hurry down--
A rushing throng! A sound of song
Beneath the vault of Heaven is blown!
Sweet notes of love, the speaking tones _55
Of this bright day, sent down to say
That Paradise on Earth is known,
Resound around, beneath, above.
All we hope and all we love
Finds a voice in this blithe strain, _60
Which wakens hill and wood and rill,
And vibrates far o'er field and vale,
And which Echo, like the tale
Of old times, repeats again.
To-whoo! to-whoo! near, nearer now _65
The sound of song, the rushing throng!
Are the screech, the lapwing, and the jay,
All awake as if 'twere day?
See, with long legs and belly wide,
A salamander in the brake! _70
Every root is like a snake,
And along the loose hillside,
With strange contortions through the night,
Curls, to seize or to affright;
And, animated, strong, and many, _75
They dart forth polypus-antennae,
To blister with their poison spume
The wanderer. Through the dazzling gloom
The many-coloured mice, that thread
The dewy turf beneath our tread, _80
In troops each other's motions cross,
Through the heath and through the moss;
And, in legions intertangled,
The fire-flies flit, and swarm, and throng,
Till all the mountain depths are spangled. _85
Tell me, shall we go or stay?
Shall we onward? Come along!
Everything around is swept
Forward, onward, far away!
Trees and masses intercept _90
The sight, and wisps on every side
Are puffed up and multiplied.
NOTES:
_48 frowning]fawning 1822.
_70 brake 1824; lake 1822.
MEPHISTOPHELES:
Now vigorously seize my skirt, and gain
This pinnacle of isolated crag.
One may observe with wonder from this point, _95
How Mammon glows among the mountains.
FAUST:
Ay--
And strangely through the solid depth below
A melancholy light, like the red dawn,
Shoots from the lowest gorge of the abyss
Of mountains, lightning hitherward: there rise _100
Pillars of smoke, here clouds float gently by;
Here the light burns soft as the enkindled air,
Or the illumined dust of golden flowers;
And now it glides like tender colours spreading;
And now bursts forth in fountains from the earth; _105
And now it winds, one torrent of broad light,
Through the far valley with a hundred veins;
And now once more within that narrow corner
Masses itself into intensest splendour.
And near us, see, sparks spring out of the ground, _110
Like golden sand scattered upon the darkness;
The pinnacles of that black wall of mountains
That hems us in are kindled.
MEPHISTOPHELES:
Rare: in faith!
Does not Sir Mammon gloriously illuminate
His palace for this festival? --it is _115
A pleasure which you had not known before.
I spy the boisterous guests already.
FAUST:
How
The children of the wind rage in the air!
With what fierce strokes they fall upon my neck!
NOTE:
_117 How 1824; Now 1822.
MEPHISTOPHELES:
Cling tightly to the old ribs of the crag. _120
Beware! for if with them thou warrest
In their fierce flight towards the wilderness,
Their breath will sweep thee into dust, and drag
Thy body to a grave in the abyss.
A cloud thickens the night. _125
Hark! how the tempest crashes through the forest!
The owls fly out in strange affright;
The columns of the evergreen palaces
Are split and shattered;
The roots creak, and stretch, and groan; _130
And ruinously overthrown,
The trunks are crushed and shattered
By the fierce blast's unconquerable stress.
Over each other crack and crash they all
In terrible and intertangled fall; _135
And through the ruins of the shaken mountain
The airs hiss and howl--
It is not the voice of the fountain,
Nor the wolf in his midnight prowl.
Dost thou not hear? _140
Strange accents are ringing
Aloft, afar, anear?
The witches are singing!
The torrent of a raging wizard song
Streams the whole mountain along. _145
NOTE:
_132 shattered]scattered Rossetti.
CHORUS OF WITCHES:
The stubble is yellow, the corn is green,
Now to the Brocken the witches go;
The mighty multitude here may be seen
Gathering, wizard and witch, below.
Sir Urian is sitting aloft in the air; _150
Hey over stock! and hey over stone!
'Twixt witches and incubi, what shall be done?
Tell it who dare! tell it who dare!
NOTE:
_150 Urian]Urean editions 1824, 1839.
A VOICE:
Upon a sow-swine, whose farrows were nine,
Old Baubo rideth alone. _155
CHORUS:
Honour her, to whom honour is due,
Old mother Baubo, honour to you!
An able sow, with old Baubo upon her,
Is worthy of glory, and worthy of honour!
The legion of witches is coming behind, _160
Darkening the night, and outspeeding the wind--
A VOICE:
Which way comest thou?
A VOICE:
Over Ilsenstein;
The owl was awake in the white moonshine;
I saw her at rest in her downy nest,
And she stared at me with her broad, bright eyne. _165
NOTE:
_165 eyne 1839, 2nd edition; eye 1822, 1824, 1839, 1st edition.
VOICES:
And you may now as well take your course on to Hell,
Since you ride by so fast on the headlong blast.
A VOICE:
She dropped poison upon me as I passed.
Here are the wounds--
CHORUS OF WITCHES:
Come away! come along!
The way is wide, the way is long, _170
But what is that for a Bedlam throng?
Stick with the prong, and scratch with the broom.
The child in the cradle lies strangled at home,
And the mother is clapping her hands. --
SEMICHORUS OF WIZARDS 1:
We glide in
Like snails when the women are all away; _175
And from a house once given over to sin
Woman has a thousand steps to stray.
SEMICHORUS 2:
A thousand steps must a woman take,
Where a man but a single spring will make.
VOICES ABOVE:
Come with us, come with us, from Felsensee.
_180
NOTE:
_180 Felsensee 1862 ("Relics of Shelley", page 96);
Felumee 1822; Felunsee editions 1824, 1839.
VOICES BELOW:
With what joy would we fly through the upper sky!
We are washed, we are 'nointed, stark naked are we;
But our toil and our pain are forever in vain.
NOTE:
_183 are editions 1839; is 1822, 1824.
BOTH CHORUSES:
The wind is still, the stars are fled, _185
The melancholy moon is dead;
The magic notes, like spark on spark,
Drizzle, whistling through the dark. Come away!
VOICES BELOW:
Stay, Oh, stay!
VOICES ABOVE:
Out of the crannies of the rocks _190
Who calls?
VOICES BELOW:
Oh, let me join your flocks!
I, three hundred years have striven
To catch your skirt and mount to Heaven,--
And still in vain. Oh, might I be
With company akin to me! _195
BOTH CHORUSES:
Some on a ram and some on a prong,
On poles and on broomsticks we flutter along;
Forlorn is the wight who can rise not to-night.
A HALF-WITCH BELOW:
I have been tripping this many an hour:
Are the others already so far before? _200
No quiet at home, and no peace abroad!
And less methinks is found by the road.
CHORUS OF WITCHES:
Come onward, away! aroint thee, aroint!
A witch to be strong must anoint--anoint--
Then every trough will be boat enough; _205
With a rag for a sail we can sweep through the sky,
Who flies not to-night, when means he to fly?
BOTH CHORUSES:
We cling to the skirt, and we strike on the ground;
Witch-legions thicken around and around;
Wizard-swarms cover the heath all over. _210
[THEY DESCEND. ]
MEPHISTOPHELES:
What thronging, dashing, raging, rustling;
What whispering, babbling, hissing, bustling;
What glimmering, spurting, stinking, burning,
As Heaven and Earth were overturning.
There is a true witch element about us; _215
Take hold on me, or we shall be divided:--
Where are you?
NOTE:
_217 What! wanting, 1822.
FAUST [FROM A DISTANCE]:
Here!
MEPHISTOPHELES:
What!
I must exert my authority in the house.
Place for young Voland! pray make way, good people.
Take hold on me, doctor, an with one step _220
Let us escape from this unpleasant crowd:
They are too mad for people of my sort.
Just there shines a peculiar kind of light--
Something attracts me in those bushes. Come
This way: we shall slip down there in a minute. _225
FAUST:
Spirit of Contradiction! Well, lead on--
'Twere a wise feat indeed to wander out
Into the Brocken upon May-day night,
And then to isolate oneself in scorn,
Disgusted with the humours of the time. _230
MEPHISTOPHELES:
See yonder, round a many-coloured flame
A merry club is huddled altogether:
Even with such little people as sit there
One would not be alone.
FAUST:
Would that I were
Up yonder in the glow and whirling smoke, _235
Where the blind million rush impetuously
To meet the evil ones; there might I solve
Many a riddle that torments me.
MEPHISTOPHELES:
Yet
Many a riddle there is tied anew
Inextricably. Let the great world rage! _240
We will stay here safe in the quiet dwellings.
'Tis an old custom. Men have ever built
Their own small world in the great world of all.
I see young witches naked there, and old ones
Wisely attired with greater decency. _245
Be guided now by me, and you shall buy
A pound of pleasure with a dram of trouble.
I hear them tune their instruments--one must
Get used to this damned scraping. Come, I'll lead you
Among them; and what there you do and see, _250
As a fresh compact 'twixt us two shall be.
How say you now? this space is wide enough--
Look forth, you cannot see the end of it--
An hundred bonfires burn in rows, and they
Who throng around them seem innumerable: _255
Dancing and drinking, jabbering, making love,
And cooking, are at work. Now tell me, friend,
What is there better in the world than this?
NOTE:
_254 An 1824; A editions 1839.
FAUST:
In introducing us, do you assume
The character of Wizard or of Devil? _260
MEPHISTOPHELES:
In truth, I generally go about
In strict incognito; and yet one likes
To wear one's orders upon gala days.
I have no ribbon at my knee; but here
At home, the cloven foot is honourable. _265
See you that snail there? --she comes creeping up,
And with her feeling eyes hath smelt out something.
I could not, if I would, mask myself here.
Come now, we'll go about from fire to fire:
I'll be the Pimp, and you shall be the Lover. _270
[TO SOME OLD WOMEN, WHO ARE SITTING ROUND A HEAP OF GLIMMERING COALS. ]
Old gentlewomen, what do you do out here?
You ought to be with the young rioters
Right in the thickest of the revelry--
But every one is best content at home.
NOTE:
_264 my wanting, 1822.
General.
Who dare confide in right or a just claim? _275
So much as I had done for them! and now--
With women and the people 'tis the same,
Youth will stand foremost ever,--age may go
To the dark grave unhonoured.
NOTE:
_275 right editions 1824, 1839; night 1822.
MINISTER:
Nowadays
People assert their rights: they go too far; _280
But as for me, the good old times I praise;
Then we were all in all--'twas something worth
One's while to be in place and wear a star;
That was indeed the golden age on earth.
PARVENU:
We too are active, and we did and do _285
What we ought not, perhaps; and yet we now
Will seize, whilst all things are whirled round and round,
A spoke of Fortune's wheel, and keep our ground.
NOTE:
_285 Parvenu: (Note) A sort of fundholder 1822, editions 1824, 1839.
AUTHOR:
Who now can taste a treatise of deep sense
And ponderous volume? 'tis impertinence _290
To write what none will read, therefore will I
To please the young and thoughtless people try.
NOTE:
_290 ponderous 1824; wonderous 1822.
MEPHISTOPHELES [WHO AT ONCE APPEARS TO HAVE GROWN VERY OLD]:
I
find the people ripe for the last day,
Since I last came up to the wizard mountain;
And as my little cask runs turbid now, _295
So is the world drained to the dregs.
PEDLAR-WITCH:
Look here,
Gentlemen; do not hurry on so fast;
And lose the chance of a good pennyworth.
I have a pack full of the choicest wares
Of every sort, and yet in all my bundle _300
Is nothing like what may be found on earth;
Nothing that in a moment will make rich
Men and the world with fine malicious mischief--
There is no dagger drunk with blood; no bowl
From which consuming poison may be drained _305
By innocent and healthy lips; no jewel,
The price of an abandoned maiden's shame;
No sword which cuts the bond it cannot loose,
Or stabs the wearer's enemy in the back;
No--
MEPHISTOPHELES:
Gossip, you know little of these times. _310
What has been, has been; what is done, is past,
They shape themselves into the innovations
They breed, and innovation drags us with it.
The torrent of the crowd sweeps over us:
You think to impel, and are yourself impelled. _315
FAUST:
What is that yonder?
MEPHISTOPHELES:
Mark her well. It is
Lilith.
FAUST:
Who?
MEPHISTOPHELES:
Lilith, the first wife of Adam.
Beware of her fair hair, for she excels
All women in the magic of her locks;
And when she winds them round a young man's neck, _320
She will not ever set him free again.
FAUST:
There sit a girl and an old woman--they
Seem to be tired with pleasure and with play.
MEPHISTOPHELES:
There is no rest to-night for any one:
When one dance ends another is begun; _325
Come, let us to it. We shall have rare fun.
[FAUST DANCES AND SINGS WITH A GIRL, AND
MEPHISTOPHELES WITH AN OLD WOMAN. ]
FAUST:
I had once a lovely dream
In which I saw an apple-tree,
Where two fair apples with their gleam
To climb and taste attracted me. _330
NOTES:
_327-_334 So Boscombe manuscript ("Westminster Review", July, 1870);
wanting, 1822, 1824, 1839.
THE GIRL:
She with apples you desired
From Paradise came long ago:
With you I feel that if required,
Such still within my garden grow.
. . .
PROCTO-PHANTASMIST:
What is this cursed multitude about? _335
Have we not long since proved to demonstration
That ghosts move not on ordinary feet?
But these are dancing just like men and women.
NOTE:
_335 Procto-Phantasmist]Brocto-Phantasmist editions 1824, 1839.
THE GIRL:
What does he want then at our ball?
FAUST:
Oh! he
Is far above us all in his conceit: _340
Whilst we enjoy, he reasons of enjoyment;
And any step which in our dance we tread,
If it be left out of his reckoning,
Is not to be considered as a step.
There are few things that scandalize him not: _345
And when you whirl round in the circle now,
As he went round the wheel in his old mill,
He says that you go wrong in all respects,
Especially if you congratulate him
Upon the strength of the resemblance.
PROCTO-PHANTASMIST:
Fly! _350
Vanish! Unheard-of impudence! What, still there!
In this enlightened age too, since you have been
Proved not to exist! --But this infernal brood
Will hear no reason and endure no rule.
Are we so wise, and is the POND still haunted? _355
How long have I been sweeping out this rubbish
Of superstition, and the world will not
Come clean with all my pains! --it is a case
Unheard of!
NOTE:
_355 pond wanting in Boscombe manuscript.
THE GIRL:
Then leave off teasing us so.
PROCTO-PHANTASMIST:
I tell you, spirits, to your faces now, _360
That I should not regret this despotism
Of spirits, but that mine can wield it not.
To-night I shall make poor work of it,
Yet I will take a round with you, and hope
Before my last step in the living dance _365
To beat the poet and the devil together.
MEPHISTOPHELES:
At last he will sit down in some foul puddle;
That is his way of solacing himself;
Until some leech, diverted with his gravity,
Cures him of spirits and the spirit together. _370
[TO FAUST, WHO HAS SECEDED FROM THE DANCE. ]
Why do you let that fair girl pass from you,
Who sung so sweetly to you in the dance?
FAUST:
A red mouse in the middle of her singing
Sprung from her mouth.
MEPHISTOPHELES:
That was all right, my friend:
Be it enough that the mouse was not gray. _375
Do not disturb your hour of happiness
With close consideration of such trifles.
FAUST:
Then saw I--
MEPHISTOPHELES:
What?
FAUST:
Seest thou not a pale,
Fair girl, standing alone, far, far away?
She drags herself now forward with slow steps, _380
And seems as if she moved with shackled feet:
I cannot overcome the thought that she
Is like poor Margaret.
MEPHISTOPHELES:
Let it be--pass on--
No good can come of it--it is not well
To meet it--it is an enchanted phantom, _385
A lifeless idol; with its numbing look,
It freezes up the blood of man; and they
Who meet its ghastly stare are turned to stone,
Like those who saw Medusa.
FAUST:
Oh, too true!
Her eyes are like the eyes of a fresh corpse _390
Which no beloved hand has closed, alas!
That is the breast which Margaret yielded to me--
Those are the lovely limbs which I enjoyed!
NOTE:
_392 breast editions 1839; heart 1822, 1824.
MEPHISTOPHELES:
It is all magic, poor deluded fool!
She looks to every one like his first love. _395
FAUST:
Oh, what delight! what woe! I cannot turn
My looks from her sweet piteous countenance.
How strangely does a single blood-red line,
Not broader than the sharp edge of a knife,
Adorn her lovely neck!
MEPHISTOPHELES:
Ay, she can carry _400
Her head under her arm upon occasion;
Perseus has cut it off for her. These pleasures
End in delusion. --Gain this rising ground,
It is as airy here as in a. . .
And if I am not mightily deceived, _405
I see a theatre. --What may this mean?
ATTENDANT:
Quite a new piece, the last of seven, for 'tis
The custom now to represent that number.
'Tis written by a Dilettante, and
The actors who perform are Dilettanti; _410
Excuse me, gentlemen; but I must vanish.
I am a Dilettante curtain-lifter.
***
JUVENILIA.
QUEEN MAB.
A PHILOSOPHICAL POEM, WITH NOTES.
[An edition (250 copies) of "Queen Mab" was printed at London in the
summer of 1813 by Shelley himself, whose name, as author and printer,
appears on the title-page (see "Bibliographical List"). Of this edition
about seventy copies were privately distributed. Sections 1, 2, 8, and 9
were afterwards rehandled, and the intermediate sections here and there
revised and altered; and of this new text sections 1 and 2 were
published by Shelley in the "Alastor" volume of 1816, under the title,
"The Daemon of the World". The remainder lay unpublished till 1876, when
sections 8 and 9 were printed by Mr. H. Buxton Forman, C. B. , from a
printed copy of "Queen Mab" with Shelley's manuscript corrections. See
"The Shelley Library", pages 36-44, for a description of this copy,
which is in Mr. Forman's possession. Sources of the text are (1) the
editio princeps of 1813; (2) text (with some omissions) in the "Poetical
Works" of 1839, edited by Mrs. Shelley; (3) text (one line only wanting)
in the 2nd edition of the "Poetical Works", 1839 (same editor).
"Queen Mab" was probably written during the year 1812--it is first heard
of at Lynmouth, August 18, 1812 ("Shelley Memorials", page 39)--but the
text may be assumed to include earlier material. ]
ECRASEZ L'INFAME! --Correspondance de Voltaire.
Avia Pieridum peragro loca, nullius ante
Trita solo; juvat integros accedere fonteis;
Atque haurire: juvatque novos decerpere flores.
. . .
Unde prius nulli velarint tempora musae.
Primum quod magnis doceo de rebus; et arctis
Religionum animos nodis exsolvere pergo. --Lucret. lib. 4.
Dos pon sto, kai kosmon kineso. --Archimedes.
TO HARRIET *****.
Whose is the love that gleaming through the world,
Wards off the poisonous arrow of its scorn?
Whose is the warm and partial praise,
Virtue's most sweet reward?
Beneath whose looks did my reviving soul _5
Riper in truth and virtuous daring grow?
Whose eyes have I gazed fondly on,
And loved mankind the more?
HARRIET! on thine:--thou wert my purer mind;
Thou wert the inspiration of my song; _10
Thine are these early wilding flowers,
Though garlanded by me.
Then press into thy breast this pledge of love;
And know, though time may change and years may roll,
Each floweret gathered in my heart _15
It consecrates to thine.
QUEEN MAB.
1.
How wonderful is Death,
Death and his brother Sleep!
One, pale as yonder waning moon
With lips of lurid blue;
The other, rosy as the morn _5
When throned on ocean's wave
It blushes o'er the world:
Yet both so passing wonderful!
Hath then the gloomy Power
Whose reign is in the tainted sepulchres _10
Seized on her sinless soul?
Must then that peerless form
Which love and admiration cannot view
Without a beating heart, those azure veins
Which steal like streams along a field of snow, _15
That lovely outline, which is fair
As breathing marble, perish?
Must putrefaction's breath
Leave nothing of this heavenly sight
But loathsomeness and ruin? _20
Spare nothing but a gloomy theme,
On which the lightest heart might moralize?
Or is it only a sweet slumber
Stealing o'er sensation,
Which the breath of roseate morning _25
Chaseth into darkness?
Will Ianthe wake again,
And give that faithful bosom joy
Whose sleepless spirit waits to catch
Light, life and rapture from her smile? _30
Yes! she will wake again,
Although her glowing limbs are motionless,
And silent those sweet lips,
Once breathing eloquence,
That might have soothed a tiger's rage, _35
Or thawed the cold heart of a conqueror.
Her dewy eyes are closed,
And on their lids, whose texture fine
Scarce hides the dark blue orbs beneath,
The baby Sleep is pillowed: _40
Her golden tresses shade
The bosom's stainless pride,
Curling like tendrils of the parasite
Around a marble column.
Hark! whence that rushing sound? _45
'Tis like the wondrous strain
That round a lonely ruin swells,
Which, wandering on the echoing shore,
The enthusiast hears at evening:
'Tis softer than the west wind's sigh; _50
'Tis wilder than the unmeasured notes
Of that strange lyre whose strings
The genii of the breezes sweep:
Those lines of rainbow light
Are like the moonbeams when they fall _55
Through some cathedral window, but the tints
Are such as may not find
Comparison on earth.
Behold the chariot of the Fairy Queen!
Celestial coursers paw the unyielding air; _60
Their filmy pennons at her word they furl,
And stop obedient to the reins of light:
These the Queen of Spells drew in,
She spread a charm around the spot,
And leaning graceful from the aethereal car, _65
Long did she gaze, and silently,
Upon the slumbering maid.
Oh! not the visioned poet in his dreams,
When silvery clouds float through the 'wildered brain,
When every sight of lovely, wild and grand _70
Astonishes, enraptures, elevates,
When fancy at a glance combines
The wondrous and the beautiful,--
So bright, so fair, so wild a shape
Hath ever yet beheld, _75
As that which reined the coursers of the air,
And poured the magic of her gaze
Upon the maiden's sleep.
The broad and yellow moon
Shone dimly through her form-- _80
That form of faultless symmetry;
The pearly and pellucid car
Moved not the moonlight's line:
'Twas not an earthly pageant:
Those who had looked upon the sight, _85
Passing all human glory,
Saw not the yellow moon,
Saw not the mortal scene,
Heard not the night-wind's rush,
Heard not an earthly sound, _90
Saw but the fairy pageant,
Heard but the heavenly strains
That filled the lonely dwelling.
