No More Learning

The Project Gutenberg EBook of Georgian Poetry 1920-22, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. net


Title: Georgian Poetry 1920-22

Author: Various

Editor: Sir Edward Marsh

Posting Date: November 17, 2011 [EBook #9640]
Release Date: January, 2006
First Posted: October 12, 2003

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK GEORGIAN POETRY 1920-22 ***




Produced by Clytie Siddall, Keren Vergon and PG Distributed Proofreaders









GEORGIAN POETRY



1920-1922




EDITED BY SIR EDWARD MARSH




TO ALICE MEYNELL




The Poetry Bookshop
35 Devonshire St. Theobalds Rd.
London W. C. 1

MCMXXII





PREFATORY NOTE

When the fourth volume of this series was published three years ago,
many of the critics who had up till then, as Horace Walpole said of God,
been the dearest creatures in the world to me, took another turn. Not
only did they very properly disapprove my choice of poems: they went on
to write as if the Editor of 'Georgian Poetry' were a kind of public
functionary, like the President of the Royal Academy; and they
asked--again, on this assumption, very properly--who was E. M. that he
should bestow and withhold crowns and sceptres, and decide that this or
that poet was or was not to count.

This, in the words of Pirate Smee, was 'a kind of a compliment', but it
was also, to quote the same hero, 'galling'; and I have wished for an
opportunity of disowning the pretension which I found attributed to me
of setting up as a pundit, or a pontiff, or a Petronius Arbiter; for I
have neither the sure taste, nor the exhaustive reading, nor the ample
leisure which would be necessary in any such role.

The origin of these books, which is set forth in the memoir of Rupert
Brooke, was simple and humble. I found, ten years ago, that there were a
number of writers doing work which appeared to me extremely good, but
which was narrowly known; and I thought that anyone, however
unprofessional and meagrely gifted, who presented a conspectus of it in
a challenging and manageable form might be doing a good turn both to the
poets and to the reading public. So, I think I may claim, it proved to
be. The first volume seemed to supply a want. It was eagerly bought; the
continuation of the affair was at once taken so much for granted as to
be almost unavoidable; and there has been no break in the demand for the
successive books. If they have won for themselves any position, there is
no possible reason except the pleasure they have given.

Having entered upon a course of disclamation, I should like to make a
mild protest against a further charge that Georgian Poetry has merely
encouraged a small clique of mutually indistinguishable poetasters to
abound in their own and each other's sense or nonsense. It is natural
that the poets of a generation should have points in common; but to my
fond eye those who have graced these collections look as diverse as
sheep to their shepherd, or the members of a Chinese family to their
uncle; and if there is an allegation which I would 'deny with both
hands', it is this: that an insipid sameness is the chief characteristic
of an anthology which offers--to name almost at random seven only out of
forty (oh ominous academic number! )--the work of Messrs. Abercrombie,
Davies, de la Mare, Graves, Lawrence, Nichols and Squire.

The ideal 'Georgian Poetry'--a book which would err neither by omission
nor by inclusion, and would contain the best, and only the best poems of
the best, and only the best poets of the day--could only be achieved, if
at all, by dint of a Royal Commission. The present volume is nothing of
the kind.

I may add one word bearing on my aim in selection. Much admired modern
work seems to me, in its lack of inspiration and its disregard of form,
like gravy imitating lava. Its upholders may retort that much of the
work which I prefer seems to them, in its lack of inspiration and its
comparative finish, like tapioca imitating pearls. Either view--possibly
both--may be right. I will only say that with an occasional exception
for some piece of rebelliousness or even levity which may have taken my
fancy, I have tried to choose no verse but such as in Wordsworth's phrase

The high and tender Muses shall accept
With gracious smile, deliberately pleased.

There are seven new-comers--Messrs. Armstrong, Blunden, Hughes, Kerr,
Prewett and Quennell, and Miss Sackville-West. Thanks and
acknowledgments are due to Messrs. Jonathan Cape, Chatto and Windus, R.
Cobden-Sanderson, Constable, W. Collins, Heinemann, Hodder and
Stoughton, John Lane, Macmillan, Martin Secker, Selwyn and Blount,
Sidgwick and Jackson, and the Golden Cockerel Press; and to the Editors
of 'The Cbapbook', 'The London Mercury' and 'The Westminster
Gazette'.

E. M.

July, 1922





CONTENTS



LASCELLES ABERCROMBIE

Ryton Firs


MARTIN ARMSTRONG

The Buzzards (from 'The Buzzards')
Honey Harvest
Miss Thompson Goes Shopping (from 'The Buzzards')


EDMUND BLUNDEN

The Poor Man's Pig (from 'The Shepherd')
Almswomen (from 'The Waggoner')
Perch-fishing " " "
The Giant Puffball (from 'The Shepherd')
The Child's Grave " " "
April Byeway " " "


WILLIAM H. DAVIES

The Captive Lion (from 'The Song of Life')
A Bird's Anger " " "
The Villain " " "
Love's Caution " " "
Wasted Hours (from 'The Hour of Magic')
The Truth (from 'The Song of Life')


WALTER DE LA MARE

The Moth (from 'The Veil')
'Sotto Voce' " "
Sephina (from 'Flora ')
Titmouse (from 'The Veil')
Suppose (from 'Flora')
The Corner Stone (from 'The Veil')


JOHN DRINKWATER

Persuasion (from 'Seeds of Time')


JOHN FREEMAN

I Will Ask (from 'Poems New and Old')
The Evening Sky " " "
The Caves " " "
Moon-Bathers (from 'Music')
In Those Old Days (from 'Poems New and Old')
Caterpillars (from 'Music')
Change " "


WILFRID GIBSON

Fire (from 'Neighbours')
Barbara Fell " "
Philip and Phoebe Ware " "
By the Weir " "
Worlds " "


ROBERT GRAVES

Lost Love (from 'The Pier-Glass')
Morning Phoenix " "
A Lover Since Childhood
Sullen Moods
The Pier-Glass (from 'The Pier-Glass')
The Troll's Nosegay " "
Fox's Dingle " "
The General Elliott (from 'On English Poetry')
The Patchwork Bonnet (from 'The Pier-Glass')


RICHARD HUGHES

The Singing Furies (from 'Gipsy-Night')
Moonstruck " "
Vagrancy " "
Poets, Painters, Puddings "


WILLIAM KERR

In Memoriam D. O. M.
Past and Present
The Audit
The Apple Tree
Her New-Year Posy
Counting Sheep
The Trees at Night
The Dead


D. H. LAWRENCE

Snake


HAROLD MONRO

Thistledown (from 'Real Property')
Real Property " " "
Unknown Country " " "


ROBERT NICHOLS

Night Rhapsody (from 'Aurelia')
November " "


J. D. C. FELLOW

After London
On a Friend who died suddenly upon the Seashore
Tenebræ
When All is Said


FRANK PREWETT

To my Mother in Canada
Voices of Women (from 'Poems')
The Somme Valley " "
Burial Stones " "
Snow-Buntings " "
The Kelso Road " "
Baldon Lane " "
Come Girl, and Embrace "


PETER QUENNELL

Procne
A Man to a Sunflower
Perception
Pursuit


V. SACKVILLE-WEST

A Saxon Song (from 'Orchard and Vineyard')
Mariana in the North " " "
Full Moon " " "
Sailing Ships " " "
Trio " " "
Bitterness " " "
Evening " " "


EDWARD SHANKS

The Rock Pool (from 'The Island of Youth')
The Glade " " "
Memory " " "
Woman's Song
The Wind
A Lonely Place


J. C. SQUIRE

Elegy (from 'Poems,' 2nd series)
Meditation in Lamplight " "
Late Snow " "


FRANCIS BRETT YOUNG

Seascape
Scirocco
The Quails
Song at Santa Cruz



BIBLIOGRAPHY





* * * * *





LASCELLES ABERCROMBIE



RYTON FIRS


'The Dream'

All round the knoll, on days of quietest air,
Secrets are being told; and if the trees
Speak out--let them make uproar loud as drums--
'Tis secrets still, shouted instead of whisper'd.

There must have been a warning given once:
No tree, on pain of withering and sawfly,
To reach the slimmest of his snaky toes
Into this mounded sward and rumple it;
All trees stand back: taboo is on this soil. --

The trees have always scrupulously obeyed.
The grass, that elsewhere grows as best it may
Under the larches, countable long nesh blades,
Here in clear sky pads the ground thick and close
As wool upon a Southdown wether's back;
And as in Southdown wool, your hand must sink
Up to the wrist before it find the roots.
A bed for summer afternoons, this grass;
But in the Spring, not too softly entangling
For lively feet to dance on, when the green
Flashes with daffodils. From Marcle way,
From Dymock, Kempley, Newent, Bromesberrow,
Redmarley, all the meadowland daffodils seem
Running in golden tides to Ryton Firs,
To make the knot of steep little wooded hills
Their brightest show: O bella età de l'oro!
Now I breathe you again, my woods of Ryton:
Not only golden with your daffodil-fires
Lying in pools on the loose dusky ground
Beneath the larches, tumbling in broad rivers
Down sloping grass under the cherry trees
And birches: but among your branches clinging
A mist of that Ferrara-gold I first
Loved in the easy hours then green with you;
And as I stroll about you now, I have
Accompanying me--like troops of lads and lasses
Chattering and dancing in a shining fortune--
Those mornings when your alleys of long light
And your brown rosin-scented shadows were
Enchanted with the laughter of my boys.


'The Voices in the Dream'

Follow my heart, my dancing feet,
Dance as blithe as my heart can beat.
Only can dancing understand
What a heavenly way we pass
Treading the green and golden land,
Daffodillies and grass.

I had a song, too, on my road,
But mine was in my eyes;
For Malvern Hills were with me all the way,
Singing loveliest visible melodies
Blue as a south-sea bay;
And ruddy as wine of France
Breadths of new-turn'd ploughland under them glowed.
'Twas my heart then must dance
To dwell in my delight;
No need to sing when all in song my sight
Moved over hills so musically made
And with such colour played. --
And only yesterday it was I saw
Veil'd in streamers of grey wavering smoke
My shapely Malvern Hills.
That was the last hail-storm to trouble spring:
He came in gloomy haste,
Pusht in front of the white clouds quietly basking,
In such a hurry he tript against the hills
And stumbling forward spilt over his shoulders
All his black baggage held,
Streaking downpour of hail.
Then fled dismayed, and the sun in golden glee
And the high white clouds laught down his dusky ghost.

For all that's left of winter
Is moisture in the ground.
When I came down the valley last, the sun
Just thawed the grass and made me gentle turf,
But still the frost was bony underneath.
Now moles take burrowing jaunts abroad, and ply
Their shovelling hands in earth
As nimbly as the strokes
Of a swimmer in a long dive under water.
The meadows in the sun are twice as green
For all the scatter of fresh red mounded earth,
The mischief of the moles:
No dullish red, Glostershire earth new-delved
In April! And I think shows fairest where
These rummaging small rogues have been at work.
If you will look the way the sunlight slants
Making the grass one great green gem of light,
Bright earth, crimson and even
Scarlet, everywhere tracks
The rambling underground affairs of moles:
Though 'tis but kestrel-bay
Looking against the sun.

But here's the happiest light can lie on ground,
Grass sloping under trees
Alive with yellow shine of daffodils!
If quicksilver were gold,
And troubled pools of it shaking in the sun
It were not such a fancy of bickering gleam
As Ryton daffodils when the air but stirs.
And all the miles and miles of meadowland
The spring makes golden ways,
Lead here, for here the gold
Grows brightest for our eyes,
And for our hearts lovelier even than love.
So here, each spring, our daffodil festival.

How smooth and quick the year
Spins me the seasons round!
How many days have slid across my mind
Since we had snow pitying the frozen ground!
Then winter sunshine cheered
The bitter skies; the snow,
Reluctantly obeying lofty winds,
Drew off in shining clouds,
Wishing it still might love
With its white mercy the cold earth beneath.
But when the beautiful ground
Lights upward all the air,
Noon thaws the frozen eaves,
And makes the rime on post and paling steam
Silvery blue smoke in the golden day.
And soon from loaded trees in noiseless woods
The snows slip thudding down,
Scattering in their trail
Bright icy sparkles through the glittering air;
And the fir-branches, patiently bent so long,
Sigh as they lift themselves to rights again.
Then warm moist hours steal in,
Such as can draw the year's
First fragrance from the sap of cherry wood
Or from the leaves of budless violets;
And travellers in lanes
Catch the hot tawny smell
Reynard's damp fur left as he sneakt marauding

Across from gap to gap:
And in the larch woods on the highest boughs
The long-eared owls like grey cats sitting still
Peer down to quiz the passengers below.

Light has killed the winter and all dark dreams.
Now winds live all in light,
Light has come down to earth and blossoms here,
And we have golden minds.
From out the long shade of a road high-bankt,
I came on shelving fields;
And from my feet cascading,
Streaming down the land,
Flickering lavish of daffodils flowed and fell;
Like sunlight on a water thrill'd with haste,
Such clear pale quivering flame,
But a flame even more marvellously yellow.
And all the way to Ryton here I walkt
Ankle-deep in light.
It was as if the world had just begun;
And in a mind new-made
Of shadowless delight
My spirit drank my flashing senses in,
And gloried to be made
Of young mortality.
No darker joy than this
Golden amazement now
Shall dare intrude into our dazzling lives:
Stain were it now to know
Mists of sweet warmth and deep delicious colour,
Those lovable accomplices that come
Befriending languid hours.





* * * * *





MARTIN ARMSTRONG



THE BUZZARDS

When evening came and the warm glow grew deeper
And every tree that bordered the green meadows
And in the yellow cornfields every reaper
And every corn-shock stood above their shadows
Flung eastward from their feet in longer measure,
Serenely far there swam in the sunny height
A buzzard and his mate who took their pleasure
Swirling and poising idly in golden light.
On great pied motionless moth-wings borne along,
So effortless and so strong,
Cutting each other's paths, together they glided,
Then wheeled asunder till they soared divided
Two valleys' width (as though it were delight
To part like this, being sure they could unite
So swiftly in their empty, free dominion),
Curved headlong downward, towered up the sunny steep,
Then, with a sudden lift of the one great pinion,
Swung proudly to a curve and from its height
Took half a mile of sunlight in one long sweep.

And we, so small on the swift immense hillside,
Stood tranced, until our souls arose uplifted
On those far-sweeping, wide,
Strong curves of flight,--swayed up and hugely drifted,
Were washed, made strong and beautiful in the tide
Of sun-bathed air. But far beneath, beholden
Through shining deeps of air, the fields were golden
And rosy burned the heather where cornfields ended.

And still those buzzards wheeled, while light withdrew
Out of the vales and to surging slopes ascended,
Till the loftiest-flaming summit died to blue.



HONEY HARVEST

Late in March, when the days are growing longer
And sight of early green
Tells of the coming spring and suns grow stronger,
Round the pale willow-catkins there are seen
The year's first honey-bees
Stealing the nectar: and bee-masters know
This for the first sign of the honey-flow.

Then in the dark hillsides the Cherry-trees
Gleam white with loads of blossom where the gleams
Of piled snow lately hung, and richer streams
The honey. Now, if chilly April days
Delay the Apple-blossom, and the May's
First week come in with sudden summer weather,
The Apple and the Hawthorn bloom together,
And all day long the plundering hordes go round
And every overweighted blossom nods.
But from that gathered essence they compound
Honey more sweet than nectar of the gods.

Those blossoms fall ere June, warm June that brings
The small white Clover. Field by scented field,
Round farms like islands in the rolling weald,
It spreads thick-flowering or in wildness springs
Short-stemmed upon the naked downs, to yield
A richer store of honey than the Rose,
The Pink, the Honeysuckle. Thence there flows
Nectar of clearest amber, redolent
Of every flowery scent
That the warm wind upgathers as he goes.

In mid-July be ready for the noise
Of million bees in old Lime-avenues,
As though hot noon had found a droning voice
To ease her soul. Here for those busy crews
Green leaves and pale-stemmed clusters of green strong flowers
Build heavy-perfumed, cool, green-twilight bowers
Whence, load by load, through the long summer days
They fill their glassy cells
With dark green honey, clear as chrysoprase,
Which housewives shun; but the bee-master tells
This brand is more delicious than all else.

In August-time, if moors are near at hand,
Be wise and in the evening-twilight load
Your hives upon a cart, and take the road
By night: that, ere the early dawn shall spring
And all the hills turn rosy with the Ling,
Each waking hive may stand
Established in its new-appointed land
Without harm taken, and the earliest flights
Set out at once to loot the heathery heights.

That vintage of the Heather yields so dense
And glutinous a syrup that it foils
Him who would spare the comb and drain from thence
Its dark, full-flavoured spoils:
For he must squeeze to wreck the beautiful
Frail edifice. Not otherwise he sacks
Those many-chambered palaces of wax.

Then let a choice of every kind be made,
And, labelled, set upon your storehouse racks--
Of Hawthorn-honey that of almond smacks:
The luscious Lime-tree-honey, green as jade:
Pale Willow-honey, hived by the first rover:
That delicate honey culled
From Apple-blosson, that of sunlight tastes:
And sunlight-coloured honey of the Clover.
Then, when the late year wastes,
When night falls early and the noon is dulled
And the last warm days are over,
Unlock the store and to your table bring
Essence of every blossom of the spring.
And if, when wind has never ceased to blow
All night, you wake to roofs and trees becalmed
In level wastes of snow,
Bring out the Lime-tree-honey, the embalmed
Soul of a lost July, or Heather-spiced
Brown-gleaming comb wherein sleeps crystallised
All the hot perfume of the heathery slope.
And, tasting and remembering, live in hope.



MISS THOMPSON GOES SHOPPING

Miss Thompson In her lone cottage on the downs,
at Home. With winds and blizzards and great crowns
Of shining cloud, with wheeling plover
And short grass sweet with the small white clover,
Miss Thompson lived, correct and meek,
A lonely spinster, and every week
On market-day she used to go
Into the little town below,
Tucked in the great downs' hollow bowl
Like pebbles gathered in a shoal.


She goes So, having washed her plates and cup
a-Marketing. And banked the kitchen-fire up,
Miss Thompson slipped upstairs and dressed,
Put on her black (her second best),
The bonnet trimmed with rusty plush,
Peeped in the glass with simpering blush,
From camphor-smelling cupboard took
Her thicker jacket off the hook
Because the day might turn to cold.
Then, ready, slipped downstairs and rolled
The hearthrug back; then searched about,
Found her basket, ventured out,
Snecked the door and paused to lock it
And plunge the key in some deep pocket.
Then as she tripped demurely down
The steep descent, the little town
Spread wider till its sprawling street
Enclosed her and her footfalls beat
On hard stone pavement, and she felt
Those throbbing ecstasies that melt
Through heart and mind, as, happy, free,
Her small, prim personality
Merged into the seething strife
Of auction-marts and city life.


She visits Serenely down the busy stream
the Boot-maker. Miss Thompson floated in a dream.
Now, hovering bee-like, she would stop
Entranced before some tempting shop,
Getting in people's way and prying
At things she never thought of buying:
Now wafted on without an aim,
Until in course of time she came
To Watson's bootshop. Long she pries
At boots and shoes of every size--
Brown football-boots with bar and stud
For boys that scuffle in the mud,
And dancing-pumps with pointed toes
Glossy as jet, and dull black bows;
Slim ladies' shoes with two-inch heel
And sprinkled beads of gold and steel--
'How anyone can wear such things! '
On either side the doorway springs
(As in a tropic jungle loom
Masses of strange thick-petalled bloom
And fruits mis-shapen) fold on fold
A growth of sand-shoes rubber-soled,
Clambering the door-posts, branching, spawning
Their barbarous bunches like an awning
Over the windows and the doors.
But, framed among the other stores,
Something has caught Miss Thompson's eye
(O worldliness! O vanity! ),
A pair of slippers--scarlet plush.
Miss Thompson feels a conscious blush
Suffuse her face, as though her thought
Had ventured further than it ought.

But O that colour's rapturous singing
And the answer in her lone heart ringing!
She turns (O Guardian Angels, stop her
From doing anything improper! )
She turns; and see, she stoops and bungles
In through the sand-shoes' hanging jungles,
Away from light and common sense,
Into the shop dim-lit and dense
With smells of polish and tanned hide.


Mrs. Watson. Soon from a dark recess inside
Fat Mrs. Watson comes slip-slop
To mind the business of the shop.
She walks flat-footed with a roll--
A serviceable, homely soul,
With kindly, ugly face like dough,
Hair dull and colourless as tow.
A huge Scotch pebble fills the space
Between her bosom and her face.
One sees her making beds all day.
Miss Thompson lets her say her say:
'So chilly for the time of year.
It's ages since we saw you here. '
Then, heart a-flutter, speech precise,
Describes the shoes and asks the price.
'Them, Miss? Ah, them is six-and-nine. '
Miss Thompson shudders down the spine
(Dream of impossible romance).
She eyes them with a wistful glance,
Torn between good and evil. Yes,


Wrestles with For half-a-minute and no less
a Temptation; Miss Thompson strives with seven devils,
Then, soaring over earthly levels,


And is Saved. Turns from the shoes with lingering touch--
'Ah, six-and-nine is far too much.
Sorry to trouble you. Good day! '


She visits A little further down the way
the Fish-monger. Stands Miles's fish-shop, whence is shed
So strong a smell of fishes dead
That people of a subtler sense
Hold their breath and hurry thence.
Miss Thompson hovers there and gazes:
Her housewife's knowing eye appraises
Salt and fresh, severely cons
Kippers bright as tarnished bronze:
Great cods disposed upon the sill,
Chilly and wet, with gaping gill,
Flat head, glazed eye, and mute, uncouth,
Shapeless, wan, old-woman's mouth.
Next a row of soles and plaice
With querulous and twisted face,
And red-eyed bloaters, golden-grey;
Smoked haddocks ranked in neat array;
A group of smelts that take the light
Like slips of rainbow, pearly bright;
Silver trout with rosy spots,
And coral shrimps with keen black dots
For eyes, and hard and jointed sheath
And crisp tails curving underneath.
But there upon the sanded floor,
More wonderful in all that store
Than anything on slab or shelf,
Stood Miles, the fishmonger, himself.


Mr. Miles. Four-square he stood and filled the place.
His huge hands and his jolly face
Were red. He had a mouth to quaff
Pint after pint: a sounding laugh,
But wheezy at the end, and oft
His eyes bulged outwards and he coughed.
Aproned he stood from chin to toe.
The apron's vertical long flow
Warped grandly outwards to display
His hale, round belly hung midway,
Whose apex was securely bound
With apron-strings wrapped round and round.
Outside, Miss Thompson, small and staid,
Felt, as she always felt, afraid
Of this huge man who laughed so loud
And drew the notice of the crowd.
Awhile she paused in timid thought,
Then promptly hurried in and bought
'Two kippers, please. Yes, lovely weather. '
'Two kippers? Sixpence altogether:'
And in her basket laid the pair
Wrapped face to face in newspaper.


Relapses into Then on she went, as one half blind,
Temptation: For things were stirring in her mind;
Then turned about with fixed intent
And, heading for the bootshop, went


And Falls. Straight in and bought the scarlet slippers
And popped them in beside the kippers.


She visits So much for that. From there she tacked,
the Chemist, Still flushed by this decisive act,
Westward, and came without a stop
To Mr. Wren the chemist's shop,
And stood awhile outside to see
The tall, big-bellied bottles three--
Red, blue, and emerald, richly bright
Each with its burning core of light.
The bell chimed as she pushed the door.
Spotless the oilcloth on the floor,
Limpid as water each glass case,
Each thing precisely in its place.
Rows of small drawers, black-lettered each
With curious words of foreign speech,
Ranked high above the other ware.
The old strange fragrance filled the air,
A fragrance like the garden pink,
But tinged with vague medicinal stink
Of camphor, soap, new sponges, blent
With chloroform and violet scent.


Mr. Wren. And Wren the chemist, tall and spare,
Stood gaunt behind his counter there.
Quiet and very wise he seemed,
With skull-like face, bald head that gleamed;
Through spectacles his eyes looked kind.
He wore a pencil tucked behind
His ear. And never he mistakes
The wildest signs the doctor makes
Prescribing drugs. Brown paper, string,
He will not use for any thing,
But all in neat white parcels packs
And sticks them up with sealing-wax.
Miss Thompson bowed and blushed, and then
Undoubting bought of Mr. Wren,
Being free from modern scepticism,
A bottle for her rheumatism;
Also some peppermints to take
In case of wind; an oval cake
Of scented soap; a penny square
Of pungent naphthaline to scare
The moth. And after Wren had wrapped
And sealed the lot, Miss Thompson clapped
Them in beside the fish and shoes;
'Good day,' she says, and off she goes.


Is Led away Beelike Miss Thompson, whither next?
to the Pleasure Outside, you pause awhile, perplext,
of the Town, Your bearings lost. Then all comes back


Such as Groceries And round she wheels, hot on the track
and Millinery, Of Giles the grocer, and from there
To Emilie the milliner,
There to be tempted by the sight
Of hats and blouses fiercely bright.
(O guard Miss Thompson, Powers that Be,
From Crudeness and Vulgarity. )


And other Still on from shop to shop she goes
Allurements With sharp bird's-eye, enquiring nose,
Prying and peering, entering some,
Oblivious of the thought of home.
The town brimmed up with deep-blue haze,
But still she stayed to flit and gaze,
Her eyes ablur with rapturous sights,
Her small soul full of small delights,
Empty her purse, her basket filled.


But at length The traffic in the town was stilled.
is Convinced The clock struck six. Men thronged the inns.
of Indiscretion. Dear, dear, she should be home long since.



And Returns Then as she climbed the misty downs
Home. The lamps were lighted in the town's
Small streets. She saw them star by star
Multiplying from afar;
Till, mapped beneath her, she could trace
Each street, and the wide square market-place
Sunk deeper and deeper as she went
Higher up the steep ascent.
And all that soul-uplifting stir
Step by step fell back from her,
The glory gone, the blossoming
Shrivelled, and she, a small, frail thing,
Carrying her laden basket. Till
Darkness and silence of the hill
Received her in their restful care
And stars came dropping through the air.

But loudly, sweetly sang the slippers
In the basket with the kippers;
And loud and sweet the answering thrills
From her lone heart on the hills.





* * * * *





EDMUND BLUNDEN


THE POOR MAN'S PIG

Already fallen plum-bloom stars the green
And apple-boughs as knarred as old toads' backs
Wear their small roses ere a rose is seen;
The building thrush watches old Job who stacks
The bright-peeled osiers on the sunny fence,
The pent sow grunts to hear him stumping by,
And tries to push the bolt and scamper thence,
But her ringed snout still keeps her to the sty.

Then out he lets her run; away she snorts
In bundling gallop for the cottage door,
With hungry hubbub begging crusts and orts,
Then like the whirlwind bumping round once more;
Nuzzling the dog, making the pullets run,
And sulky as a child when her play's done.



ALMSWOMEN

At Quincey's moat the squandering village ends,
And there in the almshouse dwell the dearest friends
Of all the village, two old dames that cling
As close as any trueloves in the spring.
Long, long ago they passed threescore-and-ten,
And in this doll's house lived together then;
All things they have in common, being so poor,
And their one fear, Death's shadow at the door.
Each sundown makes them mournful, each sunrise
Brings back the brightness in their failing eyes.
Till
Darkness and silence of the hill
Received her in their restful care
And stars came dropping through the air.

But loudly, sweetly sang the slippers
In the basket with the kippers;
And loud and sweet the answering thrills
From her lone heart on the hills.





* * * * *





EDMUND BLUNDEN


THE POOR MAN'S PIG

Already fallen plum-bloom stars the green
And apple-boughs as knarred as old toads' backs
Wear their small roses ere a rose is seen;
The building thrush watches old Job who stacks
The bright-peeled osiers on the sunny fence,
The pent sow grunts to hear him stumping by,
And tries to push the bolt and scamper thence,
But her ringed snout still keeps her to the sty.

Then out he lets her run; away she snorts
In bundling gallop for the cottage door,
With hungry hubbub begging crusts and orts,
Then like the whirlwind bumping round once more;
Nuzzling the dog, making the pullets run,
And sulky as a child when her play's done.



ALMSWOMEN

At Quincey's moat the squandering village ends,
And there in the almshouse dwell the dearest friends
Of all the village, two old dames that cling
As close as any trueloves in the spring.
Long, long ago they passed threescore-and-ten,
And in this doll's house lived together then;
All things they have in common, being so poor,
And their one fear, Death's shadow at the door.
Each sundown makes them mournful, each sunrise
Brings back the brightness in their failing eyes.

How happy go the rich fair-weather days
When on the roadside folk stare in amaze
At such a honeycomb of fruit and flowers
As mellows round their threshold; what long hours
They gloat upon their steepling hollyhocks,
Bee's balsams, feathery southernwood, and stocks,
Fiery dragon's-mouths, great mallow leaves
For salves, and lemon-plants in bushy sheaves,
Shagged Esau's-hands with five green finger-tips.
Such old sweet names are ever on their lips.
As pleased as little children where these grow
In cobbled pattens and worn gowns they go,
Proud of their wisdom when on gooseberry shoots
They stuck eggshells to fright from coming fruits
The brisk-billed rascals; pausing still to see
Their neighbour owls saunter from tree to tree,
Or in the hushing half-light mouse the lane
Long-winged and lordly.
But when those hours wane,
Indoors they ponder, scared by the harsh storm
Whose pelting saracens on the window swarm,
And listen for the mail to clatter past
And church clock's deep bay withering on the blast;
They feed the fire that flings a freakish light
On pictured kings and queens grotesquely bright,
Platters and pitchers, faded calendars
And graceful hour-glass trim with lavenders.

Many a time they kiss and cry, and pray
That both be summoned in the self-same day,
And wiseman linnet tinkling in his cage
End too with them the friendship of old age,
And all together leave their treasured room
Some bell-like evening when the may's in bloom.



PERCH-FISHING

On the far hill the cloud of thunder grew
And sunlight blurred below; but sultry blue
Burned yet on the valley water where it hoards
Behind the miller's elmen floodgate boards,
And there the wasps, that lodge them ill-concealed
In the vole's empty house, still drove afield
To plunder touchwood from old crippled trees
And build their young ones their hutched nurseries;
Still creaked the grasshoppers' rasping unison
Nor had the whisper through the tansies run
Nor weather-wisest bird gone home.
How then
Should wry eels in the pebbled shallows ken
Lightning coming? troubled up they stole
To the deep-shadowed sullen water-hole,
Among whose warty snags the quaint perch lair.
As cunning stole the boy to angle there,
Muffling least tread, with no noise balancing through
The hangdog alder-boughs his bright bamboo.
Down plumbed the shuttled ledger, and the quill
On the quicksilver water lay dead still.

A sharp snatch, swirling to-fro of the line,
He's lost, he's won, with splash and scuffling shine
Past the low-lapping brandy-flowers drawn in,
The ogling hunchback perch with needled fin.
And there beside him one as large as he,
Following his hooked mate, careless who shall see
Or what befall him, close and closer yet--
The startled boy might take him in his net
That folds the other.
Slow, while on the clay,
The other flounces, slow he sinks away.

What agony usurps that watery brain
For comradeship of twenty summers slain,
For such delights below the flashing weir
And up the sluice-cut, playing buccaneer
Among the minnows; lolling in hot sun
When bathing vagabonds had drest and done;
Rootling in salty flannel-weed for meal
And river shrimps, when hushed the trundling wheel;
Snapping the dapping moth, and with new wonder
Prowling through old drowned barges falling asunder.
And O a thousand things the whole year through
They did together, never more to do.



THE GIANT PUFFBALL

From what sad star I know not, but I found
Myself new-born below the coppice rail,
No bigger than the dewdrops and as round,
In a soft sward, no cattle might assail.

And so I gathered mightiness and grew
With this one dream kindling in me, that I
Should never cease from conquering light and dew
Till my white splendour touched the trembling sky.

A century of blue and stilly light
Bowed down before me, the dew came again,
The moon my sibyl worshipped through the night,
The sun returned and long abode; but then

Hoarse drooping darkness hung me with a shroud
And switched at me with shrivelled leaves in scorn.
Red morning stole beneath a grinning cloud,
And suddenly clambering over dike and thorn

A half-moon host of churls with flags and sticks
Hallooed and hurtled up the partridge brood,
And Death clapped hands from all the echoing thicks,
And trampling envy spied me where I stood;

Who haled me tired and quaking, hid me by,
And came again after an age of cold,
And hung me in the prison-house adry
From the great crossbeam. Here defiled and old

I perish through unnumbered hours, I swoon,
Hacked with harsh knives to staunch a child's torn hand;
And all my hopes must with my body soon
Be but as crouching dust and wind-blown sand.



THE CHILD'S GRAVE

I came to the churchyard where pretty Joy lies
On a morning in April, a rare sunny day;
Such bloom rose around, and so many birds' cries
That I sang for delight as I followed the way.

I sang for delight in the ripening of spring,
For dandelions even were suns come to earth;
Not a moment went by but a new lark took wing
To wait on the season with melody's mirth.

Love-making birds were my mates all the road,
And who would wish surer delight for the eye
Than to see pairing goldfinches gleaming abroad
Or yellowhammers sunning on paling and sty?

And stocks in the almswomen's garden were blown,
With rich Easter roses each side of the door;
The lazy white owls in the glade cool and lone
Paid calls on their cousins in the elm's chambered core.

This peace, then, and happiness thronged me around.
Nor could I go burdened with grief, but made merry
Till I came to the gate of that overgrown ground
Where scarce once a year sees the priest come to bury.

Over the mounds stood the nettles in pride,
And, where no fine flowers, there kind weeds dared to wave;
It seemed but as yesterday she lay by my side,
And now my dog ate of the grass on her grave.

He licked my hand wondering to see me muse so,
And wished I would lead on the journey or home,
As though not a moment of spring were to go
In brooding; but I stood, if her spirit might come

And tell me her life, since we left her that day
In the white lilied coffin, and rained down our tears;
But the grave held no answer, though long I should stay;
How strange that this clay should mingle with hers!

So I called my good dog, and went on my way;
Joy's spirit shone then in each flower I went by,
And clear as the noon, in coppice and ley,
Her sweet dawning smile and her violet eye!



APRIL BYEWAY

Friend whom I never saw, yet dearest friend,
Be with me travelling on the byeway now
In April's month and mood: our steps shall bend
By the shut smithy with its penthouse brow
Armed round with many a felly and crackt plough:
And we will mark in his white smock the mill
Standing aloof, long numbed to any wind,
That in his crannies mourns, and craves him still;
But now there is not any grain to grind,
And even the master lies too deep for winds to find.

Grieve not at these: for there are mills amain
With lusty sails that leap and drop away
On further knolls, and lads to fetch the grain.
The ash-spit wickets on the green betray
New games begun and old ones put away.
Let us fare on, dead friend, O deathless friend,
Where under his old hat as green as moss
The hedger chops and finds new gaps to mend,
And on his bonfires burns the thorns and dross,
And hums a hymn, the best, thinks he, that ever was.

There the grey guinea-fowl stands in the way,
The young black heifer and the raw-ribbed mare,
And scorn to move for tumbril or for dray,
And feel themselves as good as farmers there.
From the young corn the prick-eared leverets stare
At strangers come to spy the land--small sirs,
We bring less danger than the very breeze
Who in great zig-zag blows the bee, and whirs
In bluebell shadow down the bright green leas;
From whom in frolic fit the chopt straw darts and flees.

The cornel steepling up in white shall know
The two friends passing by, and poplar smile
All gold within; the church-top fowl shall glow
To lure us on, and we shall rest awhile
Where the wild apple blooms above the stile;
The yellow frog beneath blinks up half bold,
Then scares himself into the deeper green.
And thus spring was for you in days of old,
And thus will be when I too walk unseen
By one that thinks me friend, the best that there has been.

All our lone journey laughs for joy, the hours
Like honey-bees go home in new-found light
Past the cow pond amazed with twinkling flowers
And antique chalk-pit newly delved to white,
Or idle snow-plough nearly hid from sight.
The blackbird sings us home, on a sudden peers
The round tower hung with ivy's blackened chains,
Then past the little green the byeway veers,
The mill-sweeps torn, the forge with cobwebbed panes
That have so many years looked out across the plains.

But the old forge and mill are shut and done,
The tower is crumbling down, stone by stone falls;
An ague doubt comes creeping in the sun,
The sun himself shudders, the day appals,
The concourse of a thousand tempests sprawls
Over the blue-lipped lakes and maddening groves,
Like agonies of gods the clouds are whirled,
The stormwind like the demon huntsman roves--
Still stands my friend, though all's to chaos hurled,
The unseen friend, the one last friend in all the world.





* * * * *





WILLIAM H. DAVIES



THE CAPTIVE LION

Thou that in fury with thy knotted tail
Hast made this iron floor thy beaten drum;
That now in silence walkst thy little space--
Like a sea-captain--careless what may come:

What power has brought thy majesty to this,
Who gave those eyes their dull and sleepy look;
Who took their lightning out, and from thy throat
The thunder when the whole wide forest shook?

It was that man who went again, alone,
Into thy forest dark--Lord, he was brave!
That man a fly has killed, whose bones are left
Unburied till an earthquake digs his grave.



A BIRD'S ANGER

A summer's morning that has but one voice;
Five hundred stocks, like golden lovers, lean
Their heads together, in their quiet way,
And but one bird sings, of a number seen.

It is the lark, that louder, louder sings,
As though but this one thought possessed his mind:
'You silent robin, blackbird, thrush, and finch,
I'll sing enough for all you lazy kind! '

And when I hear him at this daring task,
'Peace, little bird,' I say, 'and take some rest;
Stop that wild, screaming fire of angry song,
Before it makes a coffin of your nest. '



THE VILLAIN

While joy gave clouds the light of stars,
That beamed where'er they looked;
And calves and lambs had tottering knees,
Excited, while they sucked;
While every bird enjoyed his song,
Without one thought of harm or wrong--
I turned my head and saw the wind,
Not far from where I stood,
Dragging the corn by her golden hair,
Into a dark and lonely wood.



LOVE'S CAUTION

Tell them, when you are home again,
How warm the air was now;
How silent were the birds and leaves,
And of the moon's full glow;
And how we saw afar
A falling star:
It was a tear of pure delight
Ran down the face of Heaven this happy night.

Our kisses are but love in flower,
Until that greater time
When, gathering strength, those flowers take wing,
And Love can reach his prime.
And now, my heart's delight,
Good night, good night;
Give me the last sweet kiss--
But do not breathe at home one word of this!



WASTED HOURS

How many buds in this warm light
Have burst out laughing into leaves!
And shall a day like this be gone
Before I seek the wood that holds
The richest music known?

Too many times have nightingales
Wasted their passion on my sleep,
And brought repentance soon:
But this one night I'll seek the woods,
The nightingale, and moon.



THE TRUTH

Since I have seen a bird one day,
His head pecked more than half away;
That hopped about, with but one eye,
Ready to fight again, and die--
Ofttimes since then their private lives
Have spoilt that joy their music gives.

So when I see this robin now,
Like a red apple on the bough,
And question why he sings so strong,
For love, or for the love of song;
Or sings, maybe, for that sweet rill
Whose silver tongue is never still--

Ah, now there comes this thought unkind,
Born of the knowledge in my mind:
He sings in triumph that last night
He killed his father in a fight;
And now he'll take his mother's blood--
The last strong rival for his food.





* * * * *





WALTER DE LA MARE



THE MOTH

Isled in the midnight air,
Musked with the dark's faint bloom,
Out into glooming and secret haunts
The flame cries, 'Come! '

Lovely in dye and fan,
A-tremble in shimmering grace,
A moth from her winter swoon
Uplifts her face:

Stares from her glamorous eyes;
Wafts her on plumes like mist;
In ecstasy swirls and sways
To her strange tryst.



'SOTTO VOCE'

(To EDWARD THOMAS)


The haze of noon wanned silver-grey,
The soundless mansion of the sun;
The air made visible in his ray,
Like molten glass from furnace run,
Quivered o'er heat-baked turf and stone
And the flower of the gorse burned on--
Burned softly as gold of a child's fair hair
Along each spiky spray, and shed
Almond-like incense in the air
Whereon our senses fed.

At foot--a few sparse harebells: blue
And still as were the friend's dark eyes
That dwelt on mine, transfixèd through
With sudden ecstatic surmise.

'Hst! ' he cried softly, smiling, and lo,
Stealing amidst that maze gold-green,
I heard a whispering music flow
From guileful throat of bird, unseen:--
So delicate, the straining ear
Scarce carried its faint syllabling
Into a heart caught-up to hear
That inmost pondering
Of bird-like self with self. We stood,
In happy trance-like solitude,
Hearkening a lullay grieved and sweet--
As when on isle uncharted beat
'Gainst coral at the palm-tree's root,
With brine-clear, snow-white foam afloat,
The wailing, not of water or wind--
A husht, far, wild, divine lament,
When Prospero his wizardry bent
Winged Ariel to bind. . . .

Then silence, and o'er-flooding noon.
I raised my head; smiled too. And he--
Moved his great hand, the magic gone--
Gently amused to see
My ignorant wonderment. He sighed.
'It was a nightingale,' he said,
'That _sotto voce_ cons the song
He'll sing when dark is spread;
And Night's vague hours are sweet and long,
And we are laid abed. '



SEPHINA

Black lacqueys at the wide-flung door
Stand mute as men of wood.
Gleams like a pool the ballroom floor--
A burnished solitude.
A hundred waxen tapers shine
From silver sconces; softly pine
'Cello, fiddle, mandoline,
To music deftly wooed--
And dancers in cambric, satin, silk,
With glancing hair and cheeks like milk,
Wreathe, curtsey, intertwine.

The drowse of roses lulls the air
Wafted up the marble stair.
Like warbling water clucks the talk.
From room to room in splendour walk
Guests, smiling in the æry sheen;
Carmine and azure, white and green,
They stoop and languish, pace and preen
Bare shoulder, painted fan,
Gemmed wrist and finger, neck of swan;
And still the pluckt strings warble on;
Still from the snow-bowered, link-lit street
The muffled hooves of horses beat;
And harness rings; and foam-fleckt bit
Clanks as the slim heads toss and stare
From deep, dark eyes. Smiling, at ease,
Mount to the porch the pomped grandees
In lonely state, by twos, and threes,
Exchanging languid courtesies,
While torches fume and flare.

And now the banquet calls. A blare
Of squalling trumpets clots the air.
And, flocking out, streams up the rout;
And lilies nod to velvet's swish;
And peacocks prim on gilded dish,
Vast pies thick-glazed, and gaping fish,
Towering confections crisp as ice,
Jellies aglare like cockatrice,
With thousand savours tongues entice.
Fruits of all hues barbaric gloom--
Pomegranate, quince and peach and plum,
Mandarine, grape, and cherry clear
Englobe each glassy chandelier,
Where nectarous flowers their sweets distil--
Jessamine, tuberose, chamomill,
Wild-eye narcissus, anemone,
Tendril of ivy and vinery.

Now odorous wines the goblets fill;
Gold-cradled meats the menials bear
From gilded chair to gilded chair:
Now roars the talk like crashing seas,
Foams upward to the painted frieze,
Echoes and ebbs. Still surges in,
To yelp of hautboy and violin,
Plumed and bedazzling, rosed and rare,
Dance-bemused, with cheek aglow,
Stooping the green-twined portal through,
Sighing with laughter, debonair,
That concourse of the proud and fair--
And lo! 'La, la!
Mamma . . . Mamma! '
Falls a small cry in the dark and calls--
'I see you standing there! '

Fie, fie, Sephina! not in bed!
Crouched on the staircase overhead,
Like ghost she gloats, her lean hand laid
On alabaster balustrade,
And gazes on and on
Down on that wondrous to and fro
Till finger and foot are cold as snow,
And half the night is gone;
And dazzled eyes are sore bestead;
Nods drowsily the sleek-locked head;
And, vague and far, spins, fading out,
That rainbow-coloured, reeling rout,
And, with faint sighs, her spirit flies
Into deep sleep. . . .

Come, Stranger, peep!
Was ever cheek so wan?



THE TITMOUSE

If you would happy company win,
Dangle a palm-nut from a tree,
Idly in green to sway and spin,
Its snow-pulped kernel for bait; and see,
A nimble titmouse enter in.

Out of earth's vast unknown of air,
Out of all summer, from wave to wave,
He'll perch, and prank his feathers fair,
Jangle a glass-clear wildering stave,
And take his commons there--

This tiny son of life; this spright,
By momentary Human sought,
Plume will his wing in the dappling light,
Clash timbrel shrill and gay--
And into time's enormous nought,
Sweet-fed, will flit away.



SUPPOSE

Suppose . . . and suppose that a wild little Horse of Magic
Came cantering out of the sky,
With bridle of silver, and into the saddle I mounted,
To fly--and to fly;

And we stretched up into the air, fleeting on in the sunshine,
A speck in the gleam,
On galloping hoofs, his mane in the wind out-flowing,
In a shadowy stream;

And oh, when, all lone, the gentle star of evening
Came crinkling into the blue,
A magical castle we saw in the air, like a cloud of moonlight,
As onward we flew;

And across the green moat on the drawbridge we foamed and we snorted,
And there was a beautiful Queen
Who smiled at me strangely; and spoke to my wild little Horse, too--
A lovely and beautiful Queen;

And she cried with delight--and delight--to her delicate maidens,
'Behold my daughter--my dear! '
And they crowned me with flowers, and then to their harps sate playing,
Solemn and clear;

And magical cakes and goblets were spread on the table;
And at window the birds came in;
Hopping along with bright eyes, pecking crumbs from the platters,
And sipped of the wine;

And splashing up--up to the roof tossed fountains of crystal;
And Princes in scarlet and green
Shot with their bows and arrows, and kneeled with their dishes
Of fruits for the Queen;

And we walked in a magical garden with rivers and bowers,
And my bed was of ivory and gold;
And the Queen breathed soft in my ear a song of enchantment--
And I never grew old. . . .

And I never, never came back to the earth, oh, never and never;
How mother would cry and cry!
There'd be snow on the fields then, and all these sweet flowers in the
winter
Would wither, and die. . . .

Suppose . . . and suppose . . .



THE CORNER STONE

Sterile these stones
By time in ruin laid.
Yet many a creeping thing
Its haven has made
In these least crannies, where falls
Dark's dew, and noonday shade.

The claw of the tender bird
Finds lodgment here;
Dye-winged butterflies poise;
Emmet and beetle steer
Their busy course; the bee
Drones, laden, near.

Their myriad-mirrored eyes
Great day reflect.
By their exquisite farings
Is this granite specked;
Is trodden to infinite dust;
By gnawing lichens decked.

Toward what eventual dream
Sleeps its cold on,
When into ultimate dark
These lives shall be gone,
And even of man not a shadow remain
Of all he has done?





* * * * *





JOHN DRINKWATER



Then I asked: 'Does a firm persuasion that a thing is so, make it so? '

He replied: 'All Poets believe that it does, and in ages of imagination
this firm persuasion removed mountains; but many are not capable of a
firm persuasion of anything. '

Blake's 'Marriage of Heaven and Hell'.



PERSUASION


I

At any moment love unheralded
Comes, and is king. Then as, with a fall
Of frost, the buds upon the hawthorn spread
Are withered in untimely burial,
So love, occasion gone, his crown puts by,
And as a beggar walks unfriended ways,
With but remembered beauty to defy
The frozen sorrows of unsceptred days.
Or in that later travelling he comes
Upon a bleak oblivion, and tells
Himself, again, again, forgotten tombs
Are all now that love was, and blindly spells
His royal state of old a glory cursed,
Saying 'I have forgot', and that's the worst.


II.

If we should part upon that one embrace,
And set our courses ever, each from each,
With all our treasure but a fading face
And little ghostly syllables of speech;
Should beauty's moment never be renewed,
And moons on moons look out for us in vain,
And each but whisper from a solitude
To hear but echoes of a lonely pain,--
Still in a world that fortune cannot change
Should walk those two that once were you and I,
Those two that once when moon and stars were strange
Poets above us in an April sky,
Heard a voice falling on the midnight sea,
Mute, and for ever, but for you and me.


III.

This nature, this great flood of life, this cheat
That uses us as baubles for her coat,
Takes love, that should be nothing but the beat
Of blood for its own beauty, by the throat,
Saying, you are my servant and shall do
My purposes, or utter bitterness
Shall be your wage, and nothing come to you
But stammering tongues that never can confess.
Undaunted then in answer here I cry,
'You wanton, that control the hand of him
Who masquerades as wisdom in a sky
Where holy, holy, sing the cherubim,
I will not pay one penny to your name
Though all my body crumble into shame. '


IV.

Woman, I once had whimpered at your hand,
Saying that all the wisdom that I sought
Lay in your brain, that you were as the sand
Should cleanse the muddy mirrors of my thought;
I should have read in you the character
Of oracles that quick a thousand lays,
Looked in your eyes, and seen accounted there
Solomons legioned for bewildered praise.
Now have I learnt love as love is. I take
Your hand, and with no inquisition learn
All that your eyes can tell, and that's to make
A little reckoning and brief, then turn
Away, and in my heart I hear a call,
'I love, I love, I love'; and that is all.


V.

When all the hungry pain of love I bear,
And in poor lightless thought but burn and burn,
And wit goes hunting wisdom everywhere,
Yet can no word of revelation learn;
When endlessly the scales of yea and nay
In dreadful motion fall and rise and fall,
When all my heart in sorrow I could pay
Until at last were left no tear at all;
Then if with tame or subtle argument
Companions come and draw me to a place
Where words are but the tappings of content,
And life spreads all her garments with a grace,
I curse that ease, and hunger in my heart
Back to my pain and lonely to depart.


VI.

Not anything you do can make you mine,
For enterprise with equal charity
In duty as in love elect will shine,
The constant slave of mutability.
Nor can your words for all their honey breath
Outsing the speech of many an older rhyme,
And though my ear deliver them from death
One day or two, it is so little time.
Nor does your beauty in its excellence
Excel a thousand in the daily sun,
Yet must I put a period to pretence,
And with my logic's catalogue have done,
For act and word and beauty are but keys
To unlock the heart, and you, dear love, are these.


VII.

Never the heart of spring had trembled so
As on that day when first in Paradise
We went afoot as novices to know
For the first time what blue was in the skies,
What fresher green than any in the grass,
And how the sap goes beating to the sun,
And tell how on the clocks of beauty pass
Minute by minute till the last is done.
But not the new birds singing in the brake,
And not the buds of our discovery,
The deeper blue, the wilder green, the ache
For beauty that we shadow as we see,
Made heaven, but we, as love's occasion brings,
Took these, and made them Paradisal things.


VIII.

The lilacs offer beauty to the sun,
Throbbing with wonder as eternally
For sad and happy lovers they have done
With the first bloom of summer in the sky;
Yet they are newly spread in honour now,
Because, for every beam of beauty given
Out of that clustering heart, back to the bough
My love goes beating, from a greater heaven.
So be my love for good or sorry luck
Bound, it has virtue on this April eve
That shall be there for ever when they pluck
Lilacs for love. And though I come to grieve
Long at a frosty tomb, there still shall be
My happy lyric in the lilac tree.


IX.

When they make silly question of my love,
And speak to me of danger and disdain,
And look by fond old argument to move
My wisdom to docility again;
When to my prouder heart they set the pride
Of custom and the gossip of the street,
And show me figures of myself beside
A self diminished at their judgment seat;
Then do I sit as in a drowsy pew
To hear a priest expounding th' heavenly will,
Defiling wonder that he never knew
With stolen words of measured good and ill;
For to the love that knows their counselling,
Out of my love contempt alone I bring.


X.

Not love of you is most that I can bring,
Since what I am to love you is the test,
And should I love you more than any thing
You would but be of idle love possessed,
A mere love wandering in appetite,
Counting your glories and yet bringing none,
Finding in you occasions of delight,
A thief of payment for no service done.
But when of labouring life I make a song
And bring it you, as that were my reward,
To let what most is me to you belong,
Then do I come of high possessions lord,
And loving life more than my love of you
I give you love more excellently true.


XI.

What better tale could any lover tell
When age or death his reckoning shall write
Than thus, 'Love taught me only to rebel
Against these things,--the thieving of delight
Without return; the gospellers of fear
Who, loving, yet deny the truth they bear,
Sad-suited lusts with lecherous hands to smear
The cloth of gold they would but dare not wear.
And love gave me great knowledge of the trees,
And singing birds, and earth with all her flowers;
Wisdom I knew and righteousness in these,
I lived in their atonement all my hours;
Love taught me how to beauty's eye alone
The secret of the lying heart is known. '


XII.

This then at last; we may be wiser far
Than love, and put his folly to our measure,
Yet shall we learn, poor wizards that we are,
That love chimes not nor motions at our pleasure.
We bid him come, and light an eager fire,
And he goes down the road without debating;
We cast him from the house of our desire,
And when at last we leave he will be waiting.
And in the end there is no folly but this,
To counsel love out of our little learning.
For still he knows where rotten timber is,
And where the boughs for the long winter burning;
And when life needs no more of us at all,
Love's word will be the last that we recall.





* * * * *





JOHN FREEMAN



I WILL ASK

I will ask primrose and violet to spend for you
Their smell and hue,
And the bold, trembling anemone awhile to spare
Her flowers starry fair;
Or the flushed wild apple and yet sweeter thorn
Their sweetness to keep
Longer than any fire-bosomed flower born
Between midnight and midnight deep.

And I will take celandine, nettle and parsley, white
In its own green light,
Or milkwort and sorrel, thyme, harebell and meadow-sweet
Lifting at your feet,
And ivy-blossom beloved of soft bees; I will take
The loveliest--
The seeding grasses that bend with the winds, and shake
Though the winds are at rest.

'For me? ' you will ask. 'Yes! surely they wave for you
Their smell and hue,
And you away all that is rare were so much less
By your missed happiness. '
Yet I know grass and weed, ivy and apple and thorn
Their whole sweet would keep,
Though in Eden no human spirit on a shining morn
Had awaked from sleep.



THE EVENING SKY

Rose-bosom'd and rose-limb'd
With eyes of dazzling bright
Shakes Venus mid the twined boughs of the night;
Rose-limb'd, soft-stepping
From low bough to bough,
Shaking the wide-hung starry fruitage--dimmed
Its bloom of snow
By that sole planetary glow.

Venus, avers the astronomer,
Not thus idly dancing goes
Flushing the eternal orchard with wild rose.
She through ether burns
Outpacing planetary earth,
And ere two years triumphantly returns,
And again wave-like swelling flows,
And again her flashing apparition comes and goes.

This we have not seen,
No heavenly courses set,
No flight unpausing through a void serene:
But when eve clears,
Arises Venus as she first uprose
Stepping the shaken boughs among,
And in her bosom glows
The warm light hidden in sunny snows.

She shakes the clustered stars
Lightly, as she goes
Amid the unseen branches of the night,
Rose-limb'd, rose-bosom'd bright.

She leaps: they shake and pale; she glows--
And who but knows
How the rejoiced heart aches
When Venus all his starry vision shakes;

When through his mind
Tossing with random airs of an unearthly wind,
Rose-bosom'd, rose-limb'd,
The mistress of his starry vision arises,
And the boughs glittering sway
And the stars pale away,
And the enlarging heaven glows
As Venus light-foot mid the twined branches goes.



THE CAVES

Like the tide--knocking at the hollowed cliff
And running into each green cave as if
In the cave's night to keep
Eternal motion grave and deep--

That, even while each broken wave repeats
Its answered knocking and with bruised hand beats
Again, again, again,
Tossed between ecstasy and pain;

Still in the folded hollow darkness swells,
Sinks, swells, and every green-hung hollow fills,
Till there's no room for sound
Save that old anger rolled around;

So into every hollow cliff of life,
Into this heart's deep cave so loud with strife,
In tunnels I knew not,
In lightless labyrinths of thought,

The unresting tide has run and the dark filled,
Even the vibration of old strife is stilled;
The wave returning bears
Muted those time-breathing airs.

--How shall the million-footed tide still tread
These hollows and in each cold void cave spread?
How shall Love here keep
Eternal motion grave and deep?



MOON-BATHERS

Falls from her heaven the Moon, and stars sink burning
Into the sea where blackness rims the sea,
Silently quenched. Faint light that the waves hold
Is only light remaining; yet still gleam
The sands where those now-sleeping young moon-bathers
Came dripping out of the sea and from their arms
Shook flakes of light, dancing on the foamy edge
Of quiet waves. They were all things of light
Tossed from the sea to dance under the Moon--
Her nuns, dancing within her dying round,
Clear limbs and breasts silvered with Moon and waves
And quick with windlike mood and body's joy,
Withdrawn from alien vows, by wave and wind
Lightly absolved and lightly all forgetting.

An hour ago they left. Remains the gleam
Of their late motion on the salt sea-meadow,
As loveliest hues linger when the sun's gone
And float in the heavens and die in reedy pools--
So slowly, who shall say when light is gone?



IN THOSE OLD DAYS

In those old days you were called beautiful,
But I have worn the beauty from your face;
The flowerlike bloom has withered on your cheek
With the harsh years, and the fire in your eyes
Burns darker now and deeper, feeding on
Beauty and the remembrance of things gone.
Even your voice is altered when you speak,
Or is grown mute with old anxiety
For me.

Even as a fire leaps into flame and burns
Leaping and laughing in its lovely flight,
And then under the flame a glowing dome
Deepens slowly into blood-like light:--
So did you flame and in flame take delight,
So are you hollow'd now with aching fire.
But I still warm me and make there my home,
Still beauty and youth burn there invisibly
For me.

Now my lips falling on your silver'd skull,
My fingers in the valleys of your cheeks,
Or my hands in your thin strong hands fast caught,
Your body clutched to mine, mine bent to yours:
Now love undying feeds on love beautiful,
Now, now I am but thought kissing your thought . . .