No More Learning

Passing away, saith the World, passing away:
Chances, beauty and youth sapped day by day:
Thy life never continueth in one stay.
Is the eye waxen dim, is the dark hair changing to gray
That hath won neither laurel nor bay?
I shall clothe myself in Spring and bud in May:
Thou, root-stricken, shalt not rebuild thy decay
On my bosom for aye.
Then I answered: Yea.

Passing away, saith my Soul, passing away:
With its burden of fear and hope, of labor and play;
Hearken what the past doth witness and say:
Rust in thy gold, a moth is in thine array,
A canker is in thy bud, thy leaf must decay.
At midnight, at cock-crow, at morning, one certain day
Lo, the Bridegroom shall come and shall not delay:
Watch thou and pray.
Then I answered: Yea.

Passing away, saith my God, passing away:
Winter passeth after the long delay:
New grapes on the vine, new figs on the tender spray,
Turtle calleth turtle in Heaven's May.
Though I tarry, wait for Me, trust Me, watch and pray.
Arise, come away, night is past, and lo it is day,
My love, My sister, My spouse, thou shalt hear Me say.
Then I answered: Yea.



AMEN.


It is over. What is over?
Nay, how much is over truly! --
Harvest days we toiled to sow for;
Now the sheaves are gathered newly,
Now the wheat is garnered duly.

It is finished. What is finished?
Much is finished known or unknown:
Lives are finished; time diminished;
Was the fallow field left unsown?
Will these buds be always unblown?

It suffices. What suffices?
All suffices reckoned rightly:
Spring shall bloom where now the ice is,
Roses make the bramble sightly,
And the quickening sun shine brightly,
And the latter wind blow lightly,
And my garden teem with spices.



MOTHER COUNTRY.


Oh what is that country
And where can it be,
Not mine own country,
But dearer far to me?
Yet mine own country,
If I one day may see
Its spices and cedars,
Its gold and ivory.

As I lie dreaming
It rises, that land;
There rises before me
Its green golden strand,
With the bowing cedars
And the shining sand;
It sparkles and flashes
Like a shaken brand.

Do angels lean nearer
While I lie and long?
I see their soft plumage
And catch their windy song,
Like the rise of a high tide
Sweeping full and strong;
I mark the outskirts
Of their reverend throng.

Oh what is a king here,
Or what is a boor?
Here all starve together,
All dwarfed and poor;
Here Death's hand knocketh
At door after door,
He thins the dancers
From the festal floor.

Oh what is a handmaid,
Or what is a queen?
All must lie down together
Where the turf is green,
The foulest face hidden,
The fairest not seen;
Gone as if never
They had breathed or been.

Gone from sweet sunshine
Underneath the sod,
Turned from warm flesh and blood
To senseless clod;
Gone as if never
They had toiled or trod,
Gone out of sight of all
Except our God.

Shut into silence
From the accustomed song
Shut into solitude
From all earth's throng,
Run down though swift of foot,
Thrust down though strong;
Life made an end of,
Seemed it short or long.

Life made an end of,
Life but just begun;
Life finished yesterday,
Its last sand run;
Life new-born with the morrow
Fresh as the sun:
While done is done for ever;
Undone, undone.

And if that life is life,
This is but a breath,
The passage of a dream
And the shadow of death;
But a vain shadow
If one considereth;
Vanity of vanities,
As the Preacher saith.




[Illustration: _The long hours go and come and go_]




THE PRINCE'S PROGRESS, ETC.




THE PRINCE'S PROGRESS.


Till all sweet gums and juices flow,
Till the blossom of blossoms blow,
The long hours go and come and go,
The bride she sleepeth, waketh, sleepeth,
Waiting for one whose coming is slow:--
Hark! the bride weepeth.

"How long shall I wait, come heat come rime? "--
"Till the strong Prince comes, who must come in time,"
Her women say. "There's a mountain to climb,
A river to ford. Sleep, dream and sleep:
Sleep," they say: "we've muffled the chime,
Better dream than weep. "

In his world-end palace the strong Prince sat,
Taking his ease on cushion and mat,
Close at hand lay his staff and his hat
"When wilt thou start? the bride waits, O youth. "--
"Now the moon's at full; I tarried for that,
Now I start in truth.

"But tell me first, true voice of my doom,
Of my veiled bride in her maiden bloom;
Keeps she watch through glare and through gloom,
Watch for me asleep and awake? "--
"Spell-bound she watches in one white room,
And is patient for thy sake.

"By her head lilies and rosebuds grow;
The lilies droop,--will the rosebuds blow?
The silver slim lilies hang the head low;
Their stream is scanty, their sunshine rare;
Let the sun blaze out, and let the stream flow,
They will blossom and wax fair.

"Red and white poppies grow at her feet,
The blood-red wait for sweet summer heat,
Wrapped in bud-coats hairy and neat;
But the white buds swell; one day they will burst,
Will open their death-cups drowsy and sweet,--
Which will open the first? "

Then a hundred sad voices lifted a wail,
And a hundred glad voices piped on the gale:
"Time is short, life is short," they took up the tale:
"Life is sweet, love is sweet, use to-day while you may;
Love is sweet, and to-morrow may fail;
Love is sweet, use to-day. "

While the song swept by, beseeching and meek,
Up rose the Prince with a flush on his cheek,
Up he rose to stir and to seek,
Going forth in the joy of his strength;
Strong of limb, if of purpose weak,
Starting at length.

Forth he set in the breezy morn,
Across green fields of nodding corn,
As goodly a Prince as ever was born,
Carolling with the carolling lark;--
Sure his bride will be won and worn,
Ere fall of the dark.

So light his step, so merry his smile,
A milkmaid loitered beside a stile,
Set down her pail and rested awhile,
A wave-haired milkmaid, rosy and white;
The Prince, who had journeyed at least a mile,
Grew athirst at the sight.

"Will you give me a morning draught? "--
"You're kindly welcome," she said, and laughed.
He lifted the pail, new milk he quaffed;
Then wiping his curly black beard like silk:
"Whitest cow that ever was calved
Surely gave you this milk. "

Was it milk now, or was it cream?
Was she a maid, or an evil dream?
Her eyes began to glitter and gleam;
He would have gone, but he stayed instead;
Green they gleamed as he looked in them:
"Give me my fee," she said. --

"I will give you a jewel of gold. "--
"Not so; gold is heavy and cold. "--
"I will give you a velvet fold
Of foreign work your beauty to deck. "--
"Better I like my kerchief rolled
Light and white round my neck. "--

"Nay," cried he, "but fix your own fee. "--
She laughed, "You may give the full moon to me;
Or else sit under this apple-tree
Here for one idle day by my side;
After that I'll let you go free,
And the world is wide. "

Loath to stay, but to leave her slack,
He half turned away, then he quite turned back:
For courtesy's sake he could not lack
To redeem his own royal pledge;
Ahead, too, the windy heaven lowered black
With a fire-cloven edge.

So he stretched his length in the apple-tree shade,
Lay and laughed and talked to the maid,
Who twisted her hair in a cunning braid,
And writhed it in shining serpent-coils,
And held him a day and night fast laid
In her subtle toils.

At the death of night and the birth of day,
When the owl left off his sober play,
And the bat hung himself out of the way,
Woke the song of mavis and merle,
And heaven put off its hodden gray
For mother-o'-pearl.

Peeped up daisies here and there,
Here, there, and everywhere;
Rose a hopeful lark in the air,
Spreading out towards the sun his breast;
While the moon set solemn and fair
Away in the west.

"Up, up, up," called the watchman lark,
In his clear reveillee: "Hearken, O hark!
Press to the high goal, fly to the mark.
Up, O sluggard, new morn is born;
If still asleep when the night falls dark,
Thou must wait a second morn. "

"Up, up, up," sad glad voices swelled:
"So the tree falls and lies as it's felled.
Be thy bands loosed, O sleeper, long held
In sweet sleep whose end is not sweet.
Be the slackness girt and the softness quelled
And the slowness fleet. "

Off he set. The grass grew rare,
A blight lurked in the darkening air,
The very moss grew hueless and spare,
The last daisy stood all astunt;
Behind his back the soil lay bare,
But barer in front.

A land of chasm and rent, a land
Of rugged blackness on either hand:
If water trickled, its track was tanned
With an edge of rust to the chink;
If one stamped on stone or on sand
It returned a clink.

A lifeless land, a loveless land,
Without lair or nest on either hand:
Only scorpions jerked in the sand,
Black as black iron, or dusty pale;
From point to point sheer rock was manned
By scorpions in mail.

A land of neither life nor death,
Where no man buildeth or fashioneth,
Where none draws living or dying breath;
No man cometh or goeth there,
No man doeth, seeketh, saith,
In the stagnant air.

Some old volcanic upset must
Have rent the crust and blackened the crust;
Wrenched and ribbed it beneath its dust
Above earth's molten centre at seethe,
Heaved and heaped it by huge upthrust
Of fire beneath.

Untrodden before, untrodden since:
Tedious land for a social Prince;
Halting, he scanned the outs and ins,
Endless, labyrinthine, grim,
Of the solitude that made him wince,
Laying wait for him.

By bulging rock and gaping cleft,
Even of half mere daylight reft,
Rueful he peered to right and left,
Muttering in his altered mood:
"The fate is hard that weaves my weft,
Though my lot be good. "

Dim the changes of day to night,
Of night scarce dark to day not bright.
Still his road wound towards the right,
Still he went, and still he went,
Till one night he spied a light,
In his discontent.

Out it flashed from a yawn-mouthed cave,
Like a red-hot eye from a grave.
No man stood there of whom to crave
Rest for wayfarer plodding by:
Though the tenant were churl or knave
The Prince might try.

In he passed and tarried not,
Groping his way from spot to spot,
Towards where the cavern flare glowed hot:--
An old, old mortal, cramped and double,
Was peering into a seething-pot,
In a world of trouble.

The veriest atomy he looked,
With grimy fingers clutching and crooked,
Tight skin, a nose all bony and hooked,
And a shaking, sharp, suspicious way;
Blinking, his eyes had scarcely brooked
The light of day.

Stared the Prince, for the sight was new;
Stared, but asked without more ado:
"May a weary traveller lodge with you,
Old father, here in your lair?
In your country the inns seem few,
And scanty the fare. "

The head turned not to hear him speak;
The old voice whistled as through a leak
(Out it came in a quavering squeak):
"Work for wage is a bargain fit:
If there's aught of mine that you seek
You must work for it.

"Buried alive from light and air
This year is the hundredth year,
I feed my fire with a sleepless care,
Watching my potion wane or wax:
Elixir of Life is simmering there,
And but one thing lacks.

"If you're fain to lodge here with me,
Take that pair of bellows you see,--
Too heavy for my old hands they be,--
Take the bellows and puff and puff:
When the steam curls rosy and free
The broth's boiled enough.

"Then take your choice of all I have;
I will give you life if you crave.
Already I'm mildewed for the grave,
So first myself I must drink my fill:
But all the rest may be yours, to save
Whomever you will. "

"Done," quoth the Prince, and the bargain stood.
First he piled on resinous wood,
Next plied the bellows in hopeful mood;
Thinking, "My love and I will live.
If I tarry, why life is good,
And she may forgive. "

The pot began to bubble and boil;
The old man cast in essence and oil,
He stirred all up with a triple coil
Of gold and silver and iron wire,
Dredged in a pinch of virgin soil,
And fed the fire.

But still the steam curled watery white;
Night turned to day and day to night;
One thing lacked, by his feeble sight
Unseen, unguessed by his feeble mind:
Life might miss him, but Death the blight
Was sure to find.

So when the hundredth year was full
The thread was cut and finished the school.
Death snapped the old worn-out tool,
Snapped him short while he stood and stirred
(Though stiff he stood as a stiff-necked mule)
With never a word.

Thus at length the old crab was nipped.
The dead hand slipped, the dead finger dipped
In the broth as the dead man slipped,--
That same instant, a rosy red
Flushed the steam, and quivered and clipped
Round the dead old head.

The last ingredient was supplied
(Unless the dead man mistook or lied).
Up started the Prince, he cast aside
The bellows plied through the tedious trial,
Made sure that his host had died,
And filled a phial.

"One night's rest," thought the Prince. "This done,
Forth I speed with the rising sun:
With the morrow I rise and run,
Come what will of wind or of weather.
This draught of Life when my Bride is won
We'll drink together. "

Thus the dead man stayed in his grave,
Self-chosen, the dead man in his cave;
There he stayed, were he fool or knave,
Or honest seeker who had not found;
While the Prince outside was prompt to crave
Sleep on the ground.

"If she watches, go bid her sleep;
Bid her sleep, for the road is steep:
He can sleep who holdeth her cheap,
Sleep and wake and sleep again.
Let him sow, one day he shall reap,
Let him sow the grain.

"When there blows a sweet garden rose,
Let it bloom and wither if no man knows:
But if one knows when the sweet thing blows,
Knows, and lets it open and drop,
If but a nettle his garden grows
He hath earned the crop. "

Through his sleep the summons rang,
Into his ears it sobbed and it sang.
Slow he woke with a drowsy pang,
Shook himself without much debate,
Turned where he saw green branches hang,
Started though late.

For the black land was travelled o'er,
He should see the grim land no more.
A flowering country stretched before
His face when the lovely day came back:
He hugged the phial of Life he bore,
And resumed his track.

By willow courses he took his path,
Spied what a nest the kingfisher hath,
Marked the fields green to aftermath,
Marked where the red-brown field-mouse ran,
Loitered awhile for a deep-stream bath,
Yawned for a fellow-man.

Up on the hills not a soul in view,
In the vale not many nor few;
Leaves, still leaves, and nothing new.
It's O for a second maiden, at least,
To bear the flagon, and taste it too,
And flavor the feast.

Lagging he moved, and apt to swerve;
Lazy of limb, but quick of nerve.
At length the water-bed took a curve,
The deep river swept its bank-side bare;
Waters streamed from the hill-reserve,--
Waters here, waters there.

High above, and deep below,
Bursting, bubbling, swelling the flow,
Like hill-torrents after the snow,--
Bubbling, gurgling, in whirling strife,
Swaying, sweeping, to and fro,--
He must swim for his life.

Which way? --which way? --his eyes grew dim
With the dizzying whirl,--which way to swim?
The thunderous downshoot deafened him;
Half he choked in the lashing spray:
Life is sweet, and the grave is grim,--
Which way? --which way?

A flash of light, a shout from the strand:
"This way,--this way; here lies the land! "
His phial clutched in one drowning hand;
He catches,--misses,--catches a rope;
His feet slip on the slipping sand:
Is there life? --is there hope?

Just saved, without pulse or breath,--
Scarcely saved from the gulp of death;
Laid where a willow shadoweth,--
Laid where a swelling turf is smooth.
(O Bride! but the Bridegroom lingereth
For all thy sweet youth. )

Kind hands do and undo,
Kind voices whisper and coo:
"I will chafe his hands,"--"and I,"--"and you
Raise his head, put his hair aside. "
(If many laugh, one well may rue:
Sleep on, thou Bride. )

So the Prince was tended with care:
One wrung foul ooze from his clustered hair;
Two chafed his hands, and did not spare;
But one propped his head that drooped awry
Till his eyes oped, and at unaware
They met eye to eye.

O, a moon face in a shadowy place,
And a light touch and a winsome grace,
And a thrilling tender voice which says:
"Safe from waters that seek the sea,--
Cold waters by rugged ways,--
Safe with me. "

While overhead bird whistles to bird,
And round about plays a gamesome herd:
"Safe with us,"--some take up the word,--
"Safe with us, dear lord and friend:
All the sweeter if long deferred
Is rest in the end. "

Had he stayed to weigh and to scan,
He had been more or less than a man:
He did what a young man can,
Spoke of toil and an arduous way,--
Toil to-morrow, while golden ran
The sands of to-day.

Slip past, slip fast,
Uncounted hours from first to last,
Many hours till the last is past,
Many hours dwindling to one,--
One hour whose die is cast,
One last hour gone.

Come, gone,--gone forever,--
Gone as an unreturning river,--
Gone as to death the merriest liver,--
Gone as the year at the dying fall,--
To-morrow, to-day, yesterday, never,--
Gone once for all.

Came at length the starting-day,
With last words, and last, last words to say,
With bodiless cries from far away,--
Chiding wailing voices that rang
Like a trumpet-call to the tug and fray;
And thus they sang:

"Is there life? --the lamp burns low;
Is there hope? --the coming is slow:
The promise promised so long ago,
The long promise, has not been kept.
Does she live? --does she die? --she slumbers so
Who so oft has wept.

"Does she live? --does she die? --she languisheth
As a lily drooping to death,
As a drought-worn bird with failing breath,
As a lovely vine without a stay,
As a tree whereof the owner saith,
'Hew it down to-day. '"

Stung by that word the Prince was fain
To start on his tedious road again.
He crossed the stream where a ford was plain,
He clomb the opposite bank though steep,
And swore to himself to strain and attain
Ere he tasted sleep.

Huge before him a mountain frowned
With foot of rock on the valley ground,
And head with snows incessant crowned,
And a cloud mantle about its strength,
And a path which the wild goat hath not found
In its breadth and length.

But he was strong to do and dare:
If a host had withstood him there,
He had braved a host with little care
In his lusty youth and his pride,
Tough to grapple though weak to snare.
He comes, O Bride.

Up he went where the goat scarce clings,
Up where the eagle folds her wings,
Past the green line of living things,
Where the sun cannot warm the cold,--
Up he went as a flame enrings
Where there seems no hold.

Up a fissure barren and black,
Till the eagles tired upon his track,
And the clouds were left behind his back,--
Up till the utmost peak was past.
Then he gasped for breath and his strength fell slack;
He paused at last.

Before his face a valley spread
Where fatness laughed, wine, oil, and bread,
Where all fruit-trees their sweetness shed,
Where all birds made love to their kind,
Where jewels twinkled, and gold lay red
And not hard to find.

Midway down the mountain side
(On its green slope the path was wide)
Stood a house for a royal bride,
Built all of changing opal stone,
The royal palace, till now descried
In his dreams alone.

Less bold than in days of yore,
Doubting now though never before,
Doubting he goes and lags the more:
Is the time late? does the day grow dim?
Rose, will she open the crimson core
Of her heart to him?

Above his head a tangle glows
Of wine-red roses, blushes, snows,
Closed buds and buds that unclose,
Leaves, and moss, and prickles too;
His hand shook as he plucked a rose,
And the rose dropped dew.

Take heart of grace! the portion of Life
May go far to woo him a wife:
If she frown, yet a lover's strife
Lightly raised can be laid again:
A hasty word is never the knife
To cut love in twain.

Far away stretched the royal land,
Fed by dew, by a spice-wind fanned:
Light labor more, and his foot would stand
On the threshold, all labor done;
Easy pleasure laid at his hand,
And the dear Bride won.

His slackening steps pause at the gate,--
Does she wake or sleep? --the time is late,--
Does she sleep now, or watch and wait?
She has watched, she has waited long,
Watching athwart the golden grate
With a patient song.

Fling the golden portals wide,
The Bridegroom comes to his promised Bride;
Draw the gold-stiff curtains aside,
Let them look on each other's face,
She in her meekness, he in his pride,--
Day wears apace.

Day is over, the day that wore.
What is this that comes through the door,
The face covered, the feet before?
This that coming takes his breath;
This Bride not seen, to be seen no more
Save of Bridegroom Death?

Veiled figures carrying her
Sweep by yet make no stir;
There is a smell of spice and myrrh,
A bride-chant burdened with one name;
The bride-song rises steadier
Than the torches' flame:

"Too late for love, too late for joy,
Too late, too late!
You loitered on the road too long,
You trifled at the gate:
The enchanted dove upon her branch
Died without a mate;
The enchanted princess in her tower
Slept, died, behind the grate;
Her heart was starving all this while
You made it wait.

"Ten years ago, five years ago,
One year ago,
Even then you had arrived in time,
Though somewhat slow;
Then you had known her living face
Which now you cannot know:
The frozen fountain would have leaped,
The buds gone on to blow,
The warm south wind would have awaked
To melt the snow.

"Is she fair now as she lies?
Once she was fair;
Meet queen for any kingly king,
With gold-dust on her hair.
Now these are poppies in her locks,
White poppies she must wear;
Must wear a veil to shroud her face
And the want graven there:
Or is the hunger fed at length,
Cast off the care?

"We never saw her with a smile
Or with a frown;
Her bed seemed never soft to her,
Though tossed of down;
She little heeded what she wore,
Kirtle, or wreath, or gown;
We think her white brows often ached
Beneath her crown,
Till silvery hairs showed in her locks
That used to be so brown.

"We never heard her speak in haste:
Her tones were sweet,
And modulated just so much
As it was meet:
Her heart sat silent through the noise
And concourse of the street.
There was no hurry in her hands,
No hurry in her feet;
There was no bliss drew nigh to her,
That she might run to greet.

"You should have wept her yesterday,
Wasting upon her bed:
But wherefore should you weep to-day
That she is dead?
Lo, we who love weep not to-day,
But crown her royal head.
Let be these poppies that we strew,
Your roses are too red:
Let be these poppies, not for you
Cut down and spread. "




[Illustration: _You should have wept her yesterday_]




MAIDEN-SONG.


Long ago and long ago,
And long ago still,
There dwelt three merry maidens
Upon a distant hill.
One was tall Meggan,
And one was dainty May,
But one was fair Margaret,
More fair than I can say,
Long ago and long ago.

When Meggan plucked the thorny rose,
And when May pulled the brier,
Half the birds would swoop to see,
Half the beasts draw nigher;
Half the fishes of the streams
Would dart up to admire:
But when Margaret plucked a flag-flower,
Or poppy hot aflame,
All the beasts and all the birds
And all the fishes came
To her hand more soft than snow.

Strawberry leaves and May-dew
In brisk morning air,
Strawberry leaves and May-dew
Make maidens fair.
"I go for strawberry-leaves,"
Meggan said one day:
"Fair Margaret can bide at home,
But you come with me, May;
Up the hill and down the hill,
Along the winding way,
You and I are used to go. "

So these two fair sisters
Went with innocent will
Up the hill and down again,
And round the homestead hill:
While the fairest sat at home,
Margaret like a queen,
Like a blush-rose, like the moon
In her heavenly sheen,
Fragrant-breathed as milky cow
Or field of blossoming bean,
Graceful as an ivy bough
Born to cling and lean;
Thus she sat to sing and sew.

When she raised her lustrous eyes
A beast peeped at the door;
When she downward cast her eyes
A fish gasped on the floor;
When she turned away her eyes
A bird perched on the sill,
Warbling out its heart of love,
Warbling, warbling still,
With pathetic pleadings low.
Light-foot May with Meggan
Sought the choicest spot,
Clothed with thyme-alternate grass:
Then, while day waxed hot,
Sat at ease to play and rest,
A gracious rest and play;
The loveliest maidens near or far,
When Margaret was away,
Who sat at home to sing and sew.

Sun-glow flushed their comely cheeks,
Wind-play tossed their hair,
Creeping things among the grass
Stroked them here and there;
Meggan piped a merry note,
A fitful, wayward lay,
While shrill as bird on topmost twig
Piped merry May;
Honey-smooth the double flow.

Sped a herdsman from the vale,
Mounting like a flame,
All on fire to hear and see
With floating locks he came.
Looked neither north nor south,
Neither east nor west,
But sat him down at Meggan's feet
As love-bird on his nest,
And wooed her with a silent awe,
With trouble not expressed;
She sang the tears into his eyes,
The heart out of his breast:
So he loved her, listening so.

She sang the heart out of his breast,
The words out of his tongue;
Hand and foot and pulse he paused
Till her song was sung.
Then he spoke up from his place
Simple words and true:
"Scanty goods have I to give,
Scanty skill to woo;
But I have a will to work,
And a heart for you:
Bid me stay or bid me go. "

Then Meggan mused within herself:
"Better be first with him,
Than dwell where fairer Margaret sits,
Who shines my brightness dim,
Forever second where she sits,
However fair I be:
I will be lady of his love,
And he shall worship me;
I will be lady of his herds
And stoop to his degree,
At home where kids and fatlings grow. "

Sped a shepherd from the height
Headlong down to look,
(White lambs followed, lured by love
Of their shepherd's crook):
He turned neither east nor west,
Neither north nor south,
But knelt right down to May, for love
Of her sweet-singing mouth;
Forgot his flocks, his panting flocks
In parching hillside drouth;
Forgot himself for weal or woe.

Trilled her song and swelled her song
With maiden coy caprice
In a labyrinth of throbs,
Pauses, cadences;
Clear-noted as a dropping brook,
Soft-noted like the bees,
Wild-noted as the shivering wind
Forlorn through forest trees:
Love-noted like the wood-pigeon
Who hides herself for love,
Yet cannot keep her secret safe,
But cooes and cooes thereof:
Thus the notes rang loud or low.

He hung breathless on her breath;
Speechless, who listened well;
Could not speak or think or wish
Till silence broke the spell.
Then he spoke, and spread his hands
Pointing here and there:
"See my sheep and see the lambs,
Twin lambs which they bare.
All myself I offer you,
All my flocks and care,
Your sweet song hath moved me so. "

In her fluttered heart young May
Mused a dubious while:
"If he loves me as he says"--
Her lips curved with a smile:
"Where Margaret shines like the sun,
I shine but like a moon;
If sister Meggan makes her choice
I can make mine as soon;
At cockcrow we were sister-maids,
We may be brides at noon. "
Said Meggan, "Yes"; May said not "No. "

Fair Margaret stayed alone at home,
Awhile she sang her song,
Awhile sat silent, then she thought:
"My sisters loiter long. "
That sultry noon had waned away,
Shadows had waxen great:
"Surely," she thought within herself,
"My sisters loiter late. "
She rose, and peered out at the door,
With patient heart to wait,
And heard a distant nightingale
Complaining of its mate;
Then down the garden slope she walked,
Down to the garden gate,
Leaned on the rail and waited so.

The slope was lightened by her eyes
Like summer lightning fair,
Like rising of the haloed moon
Lightened her glimmering hair,
While her face lightened like the sun
Whose dawn is rosy white.
Thus crowned with maiden majesty
She peered into the night,
Looked up the hill and down the hill,
To left hand and to right,
Flashing like fire-flies to and fro.

Waiting thus in weariness
She marked the nightingale
Telling, if any one would heed,
Its old complaining tale.
Then lifted she her voice and sang,
Answering the bird:
Then lifted she her voice and sang,
Such notes were never heard
From any bird when Spring's in blow.

The king of all that country
Coursing far, coursing near,
Curbed his amber-bitted steed,
Coursed amain to hear;
All his princes in his train,
Squire, and knight, and peer,
With his crown upon his head,
His sceptre in his hand,
Down he fell at Margaret's knees
Lord king of all that land,
To her highness bending low.

Every beast and bird and fish
Came mustering to the sound,
Every man and every maid
From miles of country round:
Meggan on her herdsman's arm,
With her shepherd, May,
Flocks and herds trooped at their heels
Along the hillside way;
No foot too feeble for the ascent,
Not any head too gray;
Some were swift and none were slow.

So Margaret sang her sisters home
In their marriage mirth;
Sang free birds out of the sky,
Beasts along the earth,
Sang up fishes of the deep,--
All breathing things that move
Sang from far and sang from near
To her lovely love;
Sang together friend and foe;

Sang a golden-bearded king
Straightway to her feet,
Sang him silent where he knelt
In eager anguish sweet.
But when the clear voice died away,
When longest echoes died,
He stood up like a royal man
And claimed her for his bride.
So three maids were wooed and won
In a brief May-tide,
Long ago and long ago.



JESSIE CAMERON.


"Jessie, Jessie Cameron,
Hear me but this once," quoth he.
"Good luck go with you, neighbor's son,
But I'm no mate for you," quoth she.
Day was verging toward the night
There beside the moaning sea,
Dimness overtook the light
There where the breakers be.
"O Jessie, Jessie Cameron,
I have loved you long and true. "--
"Good luck go with you, neighbor's son,
But I'm no mate for you. "

She was a careless, fearless girl,
And made her answer plain;
Outspoken she to earl or churl,
Kind-hearted in the main,
But somewhat heedless with her tongue,
And apt at causing pain;
A mirthful maiden she and young,
Most fair for bliss or bane.
"O, long ago I told you so,
I tell you so to-day:
Go you your way, and let me go
Just my own free way. "

The sea swept in with moan and foam
Quickening the stretch of sand;
They stood almost in sight of home;
He strove to take her hand.
"O, can't you take your answer then,
And won't you understand?
For me you're not the man of men,
I've other plans are planned.
You're good for Madge, or good for Cis,
Or good for Kate, may be:
But what's to me the good of this
While you're not good for me? "

They stood together on the beach,
They two alone,
And louder waxed his urgent speech,
His patience almost gone:
"O, say but one kind word to me,
Jessie, Jessie Cameron. "--
"I'd be too proud to beg," quoth she,
And pride was in her tone.
And pride was in her lifted head,
And in her angry eye,
And in her foot, which might have fled,
But would not fly.

Some say that he had gypsy blood,
That in his heart was guile:
Yet he had gone through fire and flood
Only to win her smile.
Some say his grandam was a witch,
A black witch from beyond the Nile,
Who kept an image in a niche
And talked with it the while.
And by her hut far down the lane
Some say they would not pass at night,
Lest they should hear an unked strain
Or see an unked sight.

Alas, for Jessie Cameron! --
The sea crept moaning, moaning nigher:
She should have hastened to be gone,--
The sea swept higher, breaking by her:
She should have hastened to her home
While yet the west was flushed with fire,
But now her feet are in the foam,
The sea-foam, sweeping higher.
O mother, linger at your door,
And light your lamp to make it plain;
But Jessie she comes home no more,
No more again.

They stood together on the strand,
They only, each by each;
Home, her home, was close at hand,
Utterly out of reach.
Her mother in the chimney nook
Heard a startled sea-gull screech,
But never turned her head to look
Towards the darkening beach:
Neighbors here and neighbors there
Heard one scream, as if a bird
Shrilly screaming cleft the air:--
That was all they heard.

Jessie she comes home no more,
Comes home never;
Her lover's step sounds at his door
No more forever.
And boats may search upon the sea
And search along the river,
But none know where the bodies be:
Sea-winds that shiver,
Sea-birds that breast the blast,
Sea-waves swelling,
Keep the secret first and last
Of their dwelling.

Whether the tide so hemmed them round
With its pitiless flow,
That when they would have gone they found
No way to go;
Whether she scorned him to the last
With words flung to and fro,
Or clung to him when hope was past,
None will ever know:
Whether he helped or hindered her,
Threw up his life or lost it well,
The troubled sea, for all its stir,
Finds no voice to tell.

Only watchers by the dying
Have thought they heard one pray,
Wordless, urgent; and replying,
One seem to say him nay:
And watchers by the dead have heard
A windy swell from miles away,
With sobs and screams, but not a word
Distinct for them to say:
And watchers out at sea have caught
Glimpse of a pale gleam here or there,
Come and gone as quick as thought,
Which might be hand or hair.



SPRING QUIET.


Gone were but the Winter,
Come were but the Spring,
I would go to a covert
Where the birds sing;

Where in the white-thorn
Singeth a thrush,
And a robin sings
In the holly-bush.

Full of fresh scents
Are the budding boughs,
Arching high over
A cool green house:

Full of sweet scents,
And whispering air
Which sayeth softly:
"We spread no snare;

"Here dwell in safety,
Here dwell alone,
With a clear stream
And a mossy stone.

"Here the sun shineth
Most shadily;
Here is heard an echo
Of the far sea,
Though far off it be. "



THE POOR GHOST.


"O whence do you come, my dear friend, to me,
With your golden hair all fallen below your knee,
And your face as white as snowdrops on the lea,
And your voice as hollow as the hollow sea? "

"From the other world I come back to you,
My locks are uncurled with dripping, drenching dew.
You know the old, whilst I know the new:
But to-morrow you shall know this too. "

"O, not to-morrow into the dark, I pray;
O, not to-morrow, too soon to go away:
Here I feel warm and well-content and gay:
Give me another year, another day. "

"Am I so changed in a day and a night
That mine own only love shrinks from me with fright,
Is fain to turn away to left or right,
And cover up his eyes from the sight? "

"Indeed I loved you, my chosen friend,
I loved you for life, but life has an end;
Through sickness I was ready to tend;
But death mars all, which we cannot mend.

"Indeed I loved you; I love you yet
If you will stay where your bed is set,
Where I have planted a violet
Which the wind waves, which the dew makes wet. "

"Life is gone, then love too is gone,
It was a reed that I leant upon:
Never doubt I will leave you alone
And not wake you rattling bone with bone.

"I go home alone to my bed,
Dug deep at the foot and deep at the head,
Roofed in with a load of lead,
Warm enough for the forgotten dead.

"But why did your tears soak through the clay,
And why did your sobs wake me where I lay?
I was away, far enough away:
Let me sleep now till the Judgment Day. "



A PORTRAIT.


I.

She gave up beauty in her tender youth,
Gave all her hope and joy and pleasant ways;
She covered up her eyes lest they should gaze
On vanity, and chose the bitter truth.
Harsh towards herself, towards others full of ruth,
Servant of servants, little known to praise,
Long prayers and fasts trenched on her nights and days:
She schooled herself to sights and sounds uncouth,
That with the poor and stricken she might make
A home, until the least of all sufficed
Her wants; her own self learned she to forsake,
Counting all earthly gain but hurt and loss.
So with calm will she chose and bore the cross,
And hated all for love of Jesus Christ.


II.

They knelt in silent anguish by her bed,
And could not weep; but calmly there she lay.
All pain had left her; and the sun's last ray
Shone through upon her, warming into red
The shady curtains. In her heart she said:
"Heaven opens; I leave these and go away:
The Bridegroom calls,--shall the Bride seek to stay? "
Then low upon her breast she bowed her head.
O lily-flower, O gem of priceless worth,
O dove with patient voice and patient eyes,
O fruitful vine amid a land of dearth,
O maid replete with loving purities,
Thou bowedst down thy head with friends on earth
To raise it with the saints in Paradise.



DREAM-LOVE.


Young Love lies sleeping
In May-time of the year,
Among the lilies,
Lapped in the tender light:
White lambs come grazing,
White doves come building there;
And round about him
The May-bushes are white.

Soft moss the pillow
For O, a softer cheek;
Broad leaves cast shadow
Upon the heavy eyes:
There winds and waters
Grow lulled and scarcely speak;
There twilight lingers
The longest in the skies.

Young Love lies dreaming;
But who shall tell the dream?
A perfect sunlight
On rustling forest tips;
Or perfect moonlight
Upon a rippling stream;
Or perfect silence,
Or song of cherished lips.

Burn odors round him
To fill the drowsy air;
Weave silent dances
Around him to and fro;
For O, in waking,
The sights are not so fair,
And song and silence
Are not like these below.

Young Love lies dreaming
Till summer days are gone,
Dreaming and drowsing
Away to perfect sleep:
He sees the beauty
Sun hath not looked upon,
And tastes the fountain
Unutterably deep.

Him perfect music
Doth hush unto his rest,
And through the pauses
The perfect silence calms:
O, poor the voices
Of earth from east to west,
And poor earth's stillness
Between her stately palms.

Young Love lies drowsing
Away to poppied death;
Cool shadows deepen
Across the sleeping face:
So fails the summer
With warm, delicious breath;
And what hath autumn
To give us in its place?

Draw close the curtains
Of branched evergreen;
Change cannot touch them
With fading fingers sere:
Here the first violets
Perhaps will bud unseen,
And a dove, maybe,
Return to nestle here.



TWICE.


I took my heart in my hand
(O my love, O my love),
I said: Let me fall or stand,
Let me live or die,
But this once hear me speak
(O my love, O my love);
Yet a woman's words are weak:
You should speak, not I.

You took my heart in your hand
With a friendly smile,
With a critical eye you scanned,
Then set it down,
And said: It is still unripe,
Better wait awhile;
Wait while the skylarks pipe,
Till the corn grows brown.

As you set it down it broke,--
Broke, but I did not wince;
I smiled at the speech you spoke,
At your judgment that I heard:
But I have not often smiled
Since then, nor questioned since,
Nor cared for corn-flowers wild,
Nor sung with the singing bird.

I take my heart in my hand,
O my God, O my God,
My broken heart in my hand:
Thou hast seen, judge Thou.
My hope was written on sand,
O my God, O my God;
Now let Thy judgment stand,--
Yea, judge me now.

This contemned of a man,
This marred one heedless day,
This heart take Thou to scan
Both within and without:
Refine with fire its gold,
Purge Thou its dross away,--
Yea, hold it in Thy hold,
Whence none can pluck it out.

I take my heart in my hand,--
I shall not die, but live,--
Before Thy face I stand;
I, for Thou callest such:
All that I have I bring,
All that I am I give,
Smile Thou and I shall sing,
But shall not question much.



SONGS IN A CORNFIELD.


A song in a cornfield
Where corn begins to fall,
Where reapers are reaping,
Reaping one, reaping all.
Sing pretty Lettice,
Sing Rachel, sing May;
Only Marian cannot sing
While her sweetheart's away.

Where is he gone to
And why does he stay?
He came across the green sea
But for a day,
Across the deep green sea
To help with the hay.
His hair was curly yellow
And his eyes were gray,
He laughed a merry laugh
And said a sweet say.
Where is he gone to
That he comes not home?
To-day or to-morrow
He surely will come.
Let him haste to joy
Lest he lag for sorrow,
For one weeps to-day
Who'll not weep to-morrow:

To-day she must weep
For gnawing sorrow,
To-night she may sleep
And not wake to-morrow.

May sang with Rachel
In the waxing warm weather,
Lettice sang with them,
They sang all together:--

"Take the wheat in your arm
Whilst day is broad above,
Take the wheat to your bosom,
But not a false false love.
Out in the fields
Summer heat gloweth,
Out in the fields
Summer wind bloweth,
Out in the fields
Summer friend showeth,
Out in the fields
Summer wheat groweth:
But in the winter
When summer heat is dead
And summer wind has veered
And summer friend has fled,
Only summer wheat remaineth,
White cakes and bread.
Take the wheat, clasp the wheat
That's food for maid and dove;
Take the wheat to your bosom,
But not a false false love. "

A silence of full noontide heat
Grew on them at their toil:
The farmer's dog woke up from sleep,
The green snake hid her coil
Where grass stood thickest; bird and beast
Sought shadows as they could,
The reaping men and women paused
And sat down where they stood;
They ate and drank and were refreshed,
For rest from toil is good.

While the reapers took their ease,
Their sickles lying by,
Rachel sang a second strain,
And singing seemed to sigh:--

"There goes the swallow,--
Could we but follow!
Hasty swallow stay,
Point us out the way;
Look back swallow, turn back swallow, stop swallow.

"There went the swallow,--
Too late to follow:
Lost our note of way,
Lost our chance to-day;
Good by swallow, sunny swallow, wise swallow.

"After the swallow
All sweet things follow:
All things go their way,
Only we must stay,
Must not follow: good by swallow, good swallow. "

Then listless Marian raised her head
Among the nodding sheaves;
Her voice was sweeter than that voice;
She sang like one who grieves:
Her voice was sweeter than its wont
Among the nodding sheaves;
All wondered while they heard her sing
Like one who hopes and grieves:--

"Deeper than the hail can smite,
Deeper than the frost can bite,
Deep asleep through day and night,
Our delight.

"Now thy sleep no pang can break,
No to-morrow bid thee wake,
Not our sobs who sit and ache
For thy sake.

"Is it dark or light below?
O, but is it cold like snow?
Dost thou feel the green things grow
Fast or slow?

"Is it warm or cold beneath,
O, but is it cold like death?
Cold like death, without a breath,
Cold like death? "

If he comes to-day
He will find her weeping;
If he comes to-morrow
He will find her sleeping;
If he comes the next day
He'll not find her at all,
He may tear his curling hair,
Beat his breast and call.



A YEAR'S WINDFALLS.


On the wind of January
Down flits the snow,
Travelling from the frozen North
As cold as it can blow.
Poor robin redbreast,
Look where he comes;
Let him in to feel your fire,
And toss him of your crumbs.

On the wind in February
Snow-flakes float still,
Half inclined to turn to rain,
Nipping, dripping, chill.
Then the thaws swell the streams,
And swollen rivers swell the sea:--
If the winter ever ends
How pleasant it will be.

In the wind of windy March
The catkins drop down,
Curly, caterpillar-like,
Curious green and brown.
With concourse of nest-building birds
And leaf-buds by the way,
We begin to think of flowers
And life and nuts some day.

With the gusts of April
Rich fruit-tree blossoms fall,
On the hedged-in orchard-green,
From the southern wall.
Apple-trees and pear-trees
Shed petals white or pink,
Plum-trees and peach-trees;
While sharp showers sink and sink.

Little brings the May breeze
Beside pure scent of flowers,
While all things wax and nothing wanes
In lengthening daylight hours.
Across the hyacinth beds
The wind lags warm and sweet,
Across the hawthorn tops,
Across the blades of wheat.

In the wind of sunny June
Thrives the red rose crop,
Every day fresh blossoms blow
While the first leaves drop;
White rose and yellow rose
And moss-rose choice to find,
And the cottage cabbage-rose
Not one whit behind.

On the blast of scorched July
Drives the pelting hail,
From thunderous lightning-clouds, that blot
Blue heaven grown lurid-pale.
Weedy waves are tossed ashore,
Sea-things strange to sight
Gasp upon the barren shore
And fade away in light.

In the parching August wind,
Cornfields bow the head,
Sheltered in round valley depths,
On low hills outspread.
Early leaves drop loitering down
Weightless on the breeze,
First-fruits of the year's decay
From the withering trees.

In brisk wind of September
The heavy-headed fruits
Shake upon their bending boughs
And drop from the shoots;
Some glow golden in the sun,
Some show green and streaked
Some set forth a purple bloom,
Some blush rosy-cheeked.

In strong blast of October
At the equinox,
Stirred up in his hollow bed
Broad ocean rocks;
Plunge the ships on his bosom,
Leaps and plunges the foam,--
It's O for mothers' sons at sea,
That they were safe at home!

In slack wind of November
The fog forms and shifts;
All the world comes out again
When the fog lifts.
Loosened from their sapless twigs
Leaves drop with every gust;
Drifting, rustling, out of sight
In the damp or dust.

Last of all, December,
The year's sands nearly run,
Speeds on the shortest day,
Curtails the sun;
With its bleak raw wind
Lays the last leaves low,
Brings back the nightly frosts,
Brings back the snow.



THE QUEEN OF HEARTS.


How comes it, Flora, that, whenever we
Play cards together, you invariably,
However the pack parts,
Still hold the Queen of Hearts?

I've scanned you with a scrutinizing gaze,
Resolved to fathom these your secret ways:
But, sift them as I will,
Your ways are secret still.

I cut and shuffle; shuffle, cut, again;
But all my cutting, shuffling, proves in vain:
Vain hope, vain forethought, too;
That Queen still falls to you.

I dropped her once, prepense; but, ere the deal
Was dealt, your instinct seemed her loss to feel:
"There should be one card more,"
You said, and searched the floor.

I cheated once: I made a private notch
In Heart-Queen's back, and kept a lynx-eyed watch;
Yet such another back
Deceived me in the pack:

The Queen of Clubs assumed by arts unknown
An imitative dint that seemed my own;
This notch, not of my doing,
Misled me to my ruin.

It baffles me to puzzle out the clew,
Which must be skill, or craft, or luck in you:
Unless, indeed, it be
Natural affinity.



ONE DAY.


I will tell you when they met:
In the limpid days of Spring;
Elder boughs were budding yet,
Oaken boughs looked wintry still,
But primrose and veined violet
In the mossful turf were set,
While meeting birds made haste to sing
And build with right good will.

I will tell you when they parted:
When plenteous Autumn sheaves were brown,
Then they parted heavy-hearted;
The full rejoicing sun looked down
As grand as in the days before;
Only they had lost a crown;
Only to them those days of yore
Could come back nevermore.

When shall they meet? I cannot tell,
Indeed, when they shall meet again,
Except some day in Paradise:
For this they wait, one waits in pain.
Beyond the sea of death love lies
Forever, yesterday, to-day;
Angels shall ask them, "Is it well? "
And they shall answer, "Yea. "



A BIRD'S-EYE VIEW.


"Croak, croak, croak,"
Thus the Raven spoke,
Perched on his crooked tree
As hoarse as hoarse could be.
Shun him and fear him,
Lest the Bridegroom hear him;
Scout him and rout him
With his ominous eye about him.

Yet, "Croak, croak, croak,"
Still tolled from the oak;
From that fatal black bird,
Whether heard or unheard:
"O ship upon the high seas,
Freighted with lives and spices,
Sink, O ship," croaked the Raven:
"Let the Bride mount to heaven. "

In a far foreign land
Upon the wave-edged sand,
Some friends gaze wistfully
Across the glittering sea.
"If we could clasp our sister,"
Three say, "now we have missed her! "
"If we could kiss our daughter! "
Two sigh across the water.

O, the ship sails fast,
With silken flags at the mast,
And the home-wind blows soft;
But a Raven sits aloft,
Chuckling and choking,
Croaking, croaking, croaking:--
Let the beacon-fire blaze higher;
Bridegroom, watch; the Bride draws nigher.

On a sloped sandy beach,
Which the spring-tide billows reach,
Stand a watchful throng
Who have hoped and waited long:
"Fie on this ship, that tarries
With the priceless freight it carries.
The time seems long and longer:
O languid wind, wax stronger";--

Whilst the Raven perched at ease
Still croaks and does not cease,
One monotonous note
Tolled from his iron throat:
"No father, no mother,
But I have a sable brother:
He sees where ocean flows to,
And he knows what he knows, too. "

A day and a night
They kept watch worn and white;
A night and a day
For the swift ship on its way:
For the Bride and her maidens,--
Clear chimes the bridal cadence,--
For the tall ship that never
Hove in sight forever.

On either shore, some
Stand in grief loud or dumb
As the dreadful dread
Grows certain though unsaid.
For laughter there is weeping,
And waking instead of sleeping,
And a desperate sorrow
Morrow after morrow.

O, who knows the truth,
How she perished in her youth,
And like a queen went down
Pale in her royal crown?
How she went up to glory
From the sea-foam chill and hoary,
From the sea-depth black and riven
To the calm that is in Heaven?

They went down, all the crew,
The silks and spices too,
The great ones and the small,
One and all, one and all.
Was it through stress of weather,
Quicksands, rocks, or all together?
Only the Raven knows this,
And he will not disclose this. --

After a day and a year
The bridal bells chime clear;
After a year and a day
The Bridegroom is brave and gay:
Love is sound, faith is rotten;
The old Bride is forgotten:--
Two ominous Ravens only
Remember, black and lonely.




THE GERMAN-FRENCH CAMPAIGN.

1870-1871.

These two pieces, written during the suspense of a great nation's agony,
aim at expressing human sympathy, not political bias.


I.

"THY BROTHER'S BLOOD CRIETH. "


All her corn-fields rippled in the sunshine,
All her lovely vines, sweets-laden, bowed;
Yet some weeks to harvest and to vintage:
When, as one man's hand, a cloud
Rose and spread, and, blackening, burst asunder
In rain and fire and thunder.

Is there nought to reap in the day of harvest?
Hath the vine in her day no fruit to yield?
Yea, men tread the press, but not for sweetness,
And they reap a red crop from the field.
Build barns, ye reapers, garner all aright,
Though your souls be called to-night.

A cry of tears goes up from blackened homesteads,
A cry of blood goes up from reeking earth:
Tears and blood have a cry that pierces Heaven
Through all its Hallelujah swells of mirth;
God hears their cry, and though He tarry, yet
He doth not forget.

Mournful Mother, prone in dust weeping,
Who shall comfort thee for those who are not?
As thou didst, men do to thee; and heap the measure,
And heat the furnace sevenfold hot:
As thou once, now these to thee--who pitieth thee
From sea to sea?

O thou King, terrible in strength, and building
Thy strong future on thy past!
Though he drink the last, the King of Sheshach,
Yet he shall drink at the last.
Art thou greater than great Babylon,
Which lies overthrown?

Take heed, ye unwise among the people;
O ye fools, when will ye understand? --
He that planted the ear shall He not hear,
Nor He smite who formed the hand?
"Vengeance is Mine, is Mine," thus saith the Lord:--
O Man, put up thy sword.



II.

"TO-DAY FOR ME. "


She sitteth still who used to dance,
She weepeth sore and more and more--
Let us sit with thee weeping sore,
O fair France!

She trembleth as the days advance
Who used to be so light of heart:--
We in thy trembling bear a part,
Sister France!