No More Learning

But on the solemn assembly of the Eleusinian festival, and on the feast of the Poseidonia, then she laid aside her garments in the sight of all the assembled Greeks, and having undone her hair, she went to bathe in the sea; and it was from her that Apelles took his picture of Aphrodite Anadyomene; [591] and Praxiteles the sculptor, who was a lover of hers, modelled the Aphrodite of Cnidus from her body; and on the pedestal of his statue of Eros, which is placed below the stage in the theatre, he wrote the following inscription :-
Praxiteles has devoted earnest care
To representing all the love he felt,
Drawing his model from his inmost heart:
I gave myself to Phryne for her wages,
And now I no more charms employ, nor arrows,
Save those of earnest glances at my love.
And he gave Phryne the choice of his statues, whether she chose to take the Eros, or the Satyr which is in the street called the Tripods; and she, having chosen the Eros, consecrated it in the temple at Thespiae. And the people of her neighbourhood, having had a statue made of Phryne herself, of solid gold, consecrated it in the temple of Delphi, having had it placed on a pillar of Pentelic marble; and the statue was made by Praxiteles. # And when Crates the Cynic saw it, he called it "a votive offering of the profligacy of Greece. " And this statue stood in the middle between that of Archidamus, king of the Lacedaemonians, and that of Philippus the son of Amyntas; and it bore this inscription- "Phryne of Thespiae, the daughter of Epicles," as we are told by Alcetas, in the second book of his treatise On the Offerings at Delphi.

[60. ] G But Apollodorus, in his book on Courtesans, says that there were two women named Phryne, one of whom was nick-named Clausigelos ["Weep-laughter"], and the other Saperdi? n ["Goldfish"]. But Herodicus, in the sixth book of his Essay on People mentioned by the Comic Poets, says that the one who is mentioned by the orators was called Sestos, because she sifted (? ? ? ? ? ? ? ? ? ) and stripped bare all her lovers;- and that the other was the native of Thespiae. But Phryne was exceedingly rich, and she offered to build a wall round Thebes, if the Thebans would inscribe on the wall, "Alexander destroyed this wall, but Phryne the courtesan restored it;" as Callistratus states in his treatise on Courtesans. And Timocles the comic poet, in his Neaera, has mentioned her riches (the passage has been already cited [ 567'e ]); and so has Amphis, in his Curis. And Gryllion was a parasite of Phryne's, though he was one of the judges of the Areopagus; as also Satyrus, the Olynthian actor, was a parasite of Pamphila. But Aristogeiton, in his book against Phryne, says that her proper name was Mnesarete; and I am aware that Diodorus Periegetes says that the oration against her which is ascribed to Euthias, is really the work of Anaximenes. But Poseidippus the comic poet, in his Ephesian Women, speaks in the following manner concerning her
Before our time, the Thespian Phryne was
Far the most famous of all courtesans;
And even though you're later than her age,
Still you have heard of the trial which she stood.
She was accused on a capital charge
Before the Heliaea, being said
To have corrupted all the citizens;
But she besought the judges separately
With tears, and so just saved herself from judgment.

[61. ] G And I would have you all to know that Demades, the orator, became the father of Demeas, by a female flute-player who was a courtesan; and once when Demeas was giving himself airs on the speaker's platform, Hypereides stopped his mouth, saying, "Will not you be silent, young man? why, you make more puffing than your mother did. " And also Bion of the Borysthenes, the philosopher, was the son of a Lacedaemonian courtesan named Olympia; [592] as Nicias the Nicaean informs us in his treatise called The Successions of the Philosophers. And Sophocles the tragic poet, when he was an old man, was a lover of Theoris the courtesan; and accordingly, calling on the favour and assistance of Aphrodite, he says-
Hear me now praying, goddess, nurse of youths,
And grant that this my love may scorn young men,
And their most feeble fancies and embraces;
And rather cling to grey-headed old men,
Whose minds are vigorous, though their limbs be weak.

And these verses are some of those which are at times attributed to Homer. But he mentions Theoris by name, speaking thus in one of his plain choruses
For dear to me Theoris is.

And towards the end of his life, as Hegesander says, he was a lover of the courtesan Archippe, and he left her the heiress of all his property; but as Archippe cohabited with Sophocles, though he was very old, Smicrines, her former lover, being asked by some one what Archippe was doing, said very wittily, "Why, like the owls, she is sitting on the tombs. "

[62. ] G But Isocrates also, the most modest of all the orators, had a mistress named Metaneira, who was very beautiful, as Lysias relates in his Letters. But Demosthenes, in his oration against Neaera, says that Metaneira was the mistress of Lysias. And Lysias also was desperately in love with Lagis the courtesan, whose panegyric Cephalus the orator wrote, just as Alcidamas the Elean, the pupil of Gorgias, himself wrote a panegyric on the courtesan Nais. And, in his oration against Philonides, who was under prosecution for an assault, (if, at least, the oration be a genuine one,) Lysias says that Nais was the mistress of Philonides, writing as follows:- "There is then a woman who is a courtesan, Nais by name, whose keeper is Archias; but your friend Philonides states himself to be in love with her. " Aristophanes also mentions her in his Gerytades, and perhaps also in his Plutus [ 179 ], where he says-
Is it not owing to you the greedy Lais
Does love Philonides?

For perhaps here we ought to read Nais, and not Lais. But Hermippus, in his Essay on Isocrates, says that Isocrates, when he was advancing in years, took the courtesan Lagisca to his house, and had a daughter by her. And Strattis speaks of her in these lines:
And while she still was in her bed, I saw
Isocrates' concubine, Lagisca,
Playing her tricks; and with her the flute-maker.

And Lysias, in his speech against Lais, (if, at least, the oration be a genuine one,) mentions her, giving a list of other courtesans also, in the following words:- "Philyra indeed abandoned the trade of a courtesan while she was still young; and Scione, and Hippaphesis, and Theocleia, and Psamathe, and Lagisca, and Antheia, and Aristocleia, all abandoned it also at an early age. "

[63. ] G But it is reported that Demosthenes the orator had children by a courtesan; at all events he himself, in his speech About the Gold, introduced his children before the court, in order to obtain pity by their means, without their mother; although it was customary to bring forward the wives of those who were on their trial; however, he did this for shame's sake, hoping to avoid calumny. But this orator was exceedingly addicted to amorous indulgences, as Idomeneus tells us. Accordingly, being in love with a youth named Aristarchus, he once, when he was intoxicated, insulted Nicodemus on his account, and struck out his eyes. He is related also to have been very extravagant in his table, and his followers, and in women. Therefore, his secretary once said, [593] "But what can any one say of Demosthenes? For everything that he has thought of for a whole year, is all thrown into confusion by one woman in one night. " Accordingly, he is said to have received into his house a youth named Cnosion, although he had a wife; and she, being indignant at this, went herself and slept with Cnosion.

[64. ] G And Demetrius the king, the last of all Alexander's successors, had a mistress named Myrrhina, a Samian courtesan; and in every respect but the crown, he made her his partner in the kingdom, as Nicolaus of Damascus tells us. # And Ptolemaeus the son of Ptolemy Philadelphus the king, who was governor of the garrison in Ephesus, had a mistress named Eirene. And she, when plots were laid against Ptolemaeus by the Thracians at Ephesus, and when he fled to the temple of Artemis, fled with him: and when the conspirators had murdered him, Eirene seizing hold of the bars of the doors of the temple, sprinkled the altar with his blood till they slew her also. # And Sophron the governor of Ephesus had a mistress, Danae, the daughter of Leonti? n the Epicurean was also a courtesan herself. And by her means he was saved when a plot was laid against him by Laodice, and Laodice was thrown down a precipice, as Phylarchus relates in his twelfth book [ Fr_24 ] in these words: "Danae was a chosen companion of Laodice, and was trusted by her with all her secrets; and, being the daughter of that Leonti? n who had studied with Epicurus the natural philosopher, and having been herself formerly the mistress of Sophron, she, perceiving that Laodice was laying a plot to murder Sophron, revealed the plot to Sophron by a sign. And he, understanding the sign, and pretending to agree to what Laodice was saying to him, asked two days to deliberate on what he should do. And, when she had agreed to that, he fled away by night to Ephesus. But Laodice, when she learnt what had been done by Danae, threw her down a precipice, discarding all recollection of their former friendship. And they say that Danae, when she perceived the danger which was impending over her, was interrogated by Laodice, and refused to give her any answer; but, when she was dragged to the precipice, then she said, that 'many people justly despise the Deity, and they may justify themselves by my case, who having saved a man who was to me as my husband, am requited in this manner by the Deity. But Laodice, who murdered her husband, is thought worthy of such honour. ' "

# The same Phylarchus also speaks of Mysta, in his fourteenth book [ Fr_30 ], in these terms: "Mysta was the mistress of Seleucus the king, and when Seleucus was defeated by the Galatians, and was with difficulty able to save himself by flight, she put off the robes of a queen which she had been accustomed to wear, and assumed the garment of an ordinary servant; and being taken prisoner, was carried away with the rest of the captives. And being sold in the same manner as her handmaidens, she came to Rhodes; and there, when she had revealed who she was, she was sent back with great honour to Seleucus by the Rhodians. "

[65. ] G # But Demetrius Phalereus being in love with Lampito, a courtesan of Samos was pleased when he himself was addressed as Lampito, as Diyllus tells us; and he was also called Charitoblepharos ["Pretty Eyes"]. And Nicarete the courtesan was the mistress of Stephanus the orator; and Metaneira was the mistress of Lysias the sophist; and these women were the slaves of Casius the Elean, with many other such, as Anteia, Stratola, Aristocleia, Phila, Isthmias, and Neaera. But Neaera was the mistress of Xenocleides the poet, and of Hipparchus the actor, and of Phrynion of Paeania, who was the son of Demon and the nephew of Demochares. And Phrynion and Stephanus the orator used to have Neaera in turn, each a day, since their friends had so arbitrated the matter for them; [594] and the daughter of Neaera, whose name was Strymbele, and who was afterwards called Phano, Stephanus gave (as if she had been his own daughter) in marriage to Phrastor of Aegilia; as Demosthenes tells us in his oration against Neaera [ 59'50 ]. And he also speaks in the following manner about Sinope the courtesan [ 59'116 ]: "And you punished Archias the hierophant, when he was convicted before the regular tribunals of behaving with impiety, and offering sacrifices which were contrary to the laws of the nation. And he was accused also of other things, and among them of having sacrificed a victim on the festival of Haloa, which was offered by Sinope the courtesan, on the altar which is in the court of the temple at Eleusis, though it is against the law to sacrifice any victims on that day; and though, too, it was no part of his duty to sacrifice at all, but it belonged to the priestess to do so. "

[66. ] G Plang? n the Milesian was also a celebrated courtesan; and she, as she was most wonderfully beautiful, was beloved by a young man of Colophon, who already had Bacchis of Samos as his mistress. Accordingly, when this young man began to address his solicitations to Plang? n, she, having heard of the beauty of Bacchis, wished to make the young man abandon his love for her. When she was unable to effect that, she required as the price of her favours the necklace of Bacchis, which was very celebrated. And he, as he was exceedingly in love, entreated Bacchis not to see him totally overwhelmed with despair; and Bacchis, seeing the excited state of the young man, gave him the necklace. And Plang? n, when she saw the freedom from jealousy which was exhibited by Bacchis, sent her back the necklace, but kept the young man: and ever after Plang? n and Bacchis were friends, loving the young man in common; and the Ionians being amazed at this, as Menetor tells us in his treatise On Votive Offerings, gave Plang? n the name of Pasiphila ["Dear to all"]. And Archilochus mentions her in the following lines
As a fig-tree planted on a lofty rock
Feeds many crows and jackdaws, so Pasiphila's
A willing entertainer of all strangers.

That Menander the poet was a lover of Glycera, is well known by everybody; but still he was not well pleased with her. For when Philemon was in love with a courtesan, and in one of his plays called her "excellent," Menander, in one of his plays, said, in contradiction to this, that there was no courtesan who was good.

[67. ] G And Harpalus the Macedonian, who robbed Alexander of vast sums of money and then fled to Athens, being in love with Pythionice, spent an immense deal of money on her; and she was a courtesan. And when she died he erected a monument to her which cost him many talents. And as he was carrying her out to burial, as Poseidonius tells us in the twenty-second book of his History [ Fr_14 ], he had the body accompanied with a band of the most eminent artists of all kinds, and with all sorts of musical instruments and songs. And Dicaearchus, in his Essay on the Descent to the Cave of Trophonius, says,- "And that same sort of thing may happen to any one who goes to the city of the Athenians, and who proceeds by the road leading from Eleusis, which is called the Sacred Road; for, if he stops at that point from which he first gets a sight of Athens, and of the temple, and of the citadel, he will see a tomb built by the wayside, of such a size that there is none other near which can be compared with it for magnitude. And at first, as would be natural, he would pronounce it to be the tomb, beyond all question, of Miltiades, or Cimon, or Pericles, or of some other of the great men of Athens. [595] And above all, he would feel sure that it had been erected by the city at the public expense, or at all events by some public decree; and then, again, when he heard it was the tomb of Pythionice the courtesan, what must be his feelings? "

And Theopompus also, in his Letter to Alexander, speaking reproachfully of the profligacy of Harpalus, says,- "But just consider and listen to the truth, as you may hear from the people of Babylon, as to the manner in which he treated Pythionice when she was dead; who was originally the slave of Bacchis, the female flute-player. And Bacchis herself had been the slave of Sinope the Thracian, who brought her establishment of harlots from Aegina to Athens; so that she was not only trebly a slave, but also trebly a harlot. He, however, erected two monuments to her at an expense exceeding two hundred talents. And every one marvelled that no one of all those who died in Cilicia, in defence of your dominions and of the freedom of the Greeks, had had any tomb adorned for them either by him or by any other of the governors of the state; but that a tomb should be erected to Pythionice the courtesan, both in Athens and in Babylon; and they have now stood a long time. For a man who ventured to call himself a friend to you, has dared to consecrate a temple and a spot of ground to a woman whom everybody knew to have been common to every one who chose at the same fixed price, and to call both the temple and the altar those of Aphrodite Pythionice; and in so doing, he despised also the vengeance of the Gods, and endeavoured to insult the honours to which you are entitled. " Philemon also mentions these circumstances, in his comedy called The Babylonian, where he says-
You shall be queen of Babylon if the Fates
Will but permit it. Sure you recollect
Pythionice and proud Harpalus.

Alexis also mentions her in his Lyciscus.

[68. ] G But after the death of Pythionice, Harpalus sent for Glycera, and she also was a courtesan, as Theopompus relates, when he says that Harpalus issued an edict that no one should present him with a crown, without at the same time paying a similar compliment to his prostitute; and adds,- "He has also erected a brazen statue to Glycera in Rhossus of Syria, where he intends to erect one of you, and another of himself. And he has permitted her to dwell in the palace in Tarsus, and he permits her to receive adoration from the people, and to bear the title of Queen, and to be complimented with other presents, which are only fit for your own mother and your own wife. " And we have a testimony coinciding with this from the author of the satyric drama called Agen, which was exhibited, on the occasion when the Dionysian festival was celebrated on the banks of the river Hydaspes, by the author, whether he was Pythen of Catana or Byzantium, or the king himself. And it was exhibited when Harpalus had fled to the sea-shore, after he had revolted; and it mentions Pythionice as already dead; and Glycera, as being with Harpalus, and as being the person who encouraged the Athenians to receive presents from Harpalus. And the verses of the play are as follows:-
(A) There is a pinnacle, where never birds
Have made their nests, where the long reeds do grow;
And on the left is the illustrious temple
Raised to a courtesan, which Pallides
Erected, but repenting of the deed,
Condemned himself for it to banishment.
And when some magi of the barbarians
Saw him oppressed with the stings of conscience,
They made him trust that they could raise again
[596] The soul of Pythionice.

And the author of the play calls Harpalus Pallides in this passage; but in what follows, he speaks of him by his real name, saying-
(B) But I do wish to learn from you, since I
Dwell a long way from thence, what is the fate
At present of the land of Athens; and
How all its people fare !
(A) Why, when they said
That they were slaves, they plenty had to eat,
But now they have raw vegetables only,
And fennel, and but little corn or meat.
(B) I likewise hear that Harpalus has sent them
A quantity of corn no less than Agen,
And has been made a citizen of Athens.
(A) That corn was Glycera's. But it is perhaps
To them a pledge of ruin, not of a courtesan.

[69. ] G Naucratis also has produced some very celebrated courtesans of exceeding beauty: for instance, Doricha, who became the mistress of Charaxus, the brother of the lovely Sappho, when he went to Naucratis on some mercantile business. Sappho accuses Doricha in her poetry of having stripped Charaxus of a great deal of his property. But Herodotus calls her Rhodopis, being evidently ignorant that Rhodopis and Doricha were two different people; and it was Rhodopis who dedicated those celebrated spits at Delphi, which Cratinus mentions in the following lines-
. . . . . [ the quotation is missing ]

Poseidippus also made this epigram on Doricha, although he had often mentioned her in his Aesopia, and this is the epigram-
Here, Doricha, your bones have long been laid,
Here is your hair, and your well-scented robe:
You who once loved the elegant Charaxus,
And quaffed with him the morning bowl of wine.
But Sappho's pages live, and still shall live,
In which is many a mention of your name,
Which still your native Naucratis shall cherish
As long as any ship sails down the Nile.

Archedice also was a native of Naucratis; and she was a courtesan of great beauty. "For some how or other," as Herodotus says [ 2. 135 ], "Naucratis is in the habit of producing beautiful courtesans. "

[70. ] G There was also a certain courtesan named Sappho, a native of Eresus, who was in love with the beautiful Phaon, and she was very celebrated, as Nymphis relates in his Voyage round Asia. But Nicarete of Megara, who was a courtesan, was not a woman of ignoble birth, but she was born of free parents, and was very well calculated to excite affection by reason of her accomplishments, and she was a pupil of Stilpon the philosopher.

There was also Bilistiche the Argive, who was a very celebrated courtesan, and who traced her descent back to the Atreidae, as those historians relate who have written the history of the affairs of Argolis. There was also a courtesan named Leaena, whose name is very celebrated, and she was the mistress of Harmodius, who slew the tyrant. And she, being tortured by command of Hippias the tyrant, died under the torture without having said a word. Stratocles the orator also had for his mistress a courtesan whose name was Leme, and who was nicknamed Parorama, because she used to let whoever chose come to her for two drachmas, as Gorgias says in his treatise on Courtesans.

Now though Myrtilus appeared to be intending to say no more after this, he resumed his subject, and said:- But I was nearly forgetting, my friends, to tell you of the Lyde of Antimachus, [597] and also of her namesake Lyde, who was also a courtesan and the mistress of Lamynthius the Milesian. For each of these poets, as Clearchus tells us in his Tales of Love, being inflamed with love for the barbarian Lyde, wrote poems, the one in elegiac, and the other in lyric verse, and they both entitled their poems Lyde. I omitted also to mention the female flute-player Nanno, the mistress of Mimnermus, and Leonti? n, the mistress of Hermesianax of Colophon. For he inscribed with her name, as she was his mistress, three books of elegiac poetry, in the third of which he gives a catalogue of love affairs; speaking in the following manner:-

[71. ] G "Such was she whom the dear son of Oeagrus, [Orpheus] armed only with the lyre, brought back from Hades, even the Thracian Agriope. Aye, he sailed to that evil and inexorable place where Charon drags into the common barque the souls of the departed; and over the lake he shouts afar, as it pours its flood from out the tall reeds. Yet Orpheus, though girded for the journey all alone, dared to sound his lyre beside the wave, and he won over gods of every shape; even the lawless Cocytus he saw, raging beneath his banks; and he flinched not before the gaze of the Hound [Cerberus] most dread, his voice baying forth angry fire, with fire his cruel eye gleaming, an eye that on triple heads bore terror. Whence, by his song, Orpheus persuaded the mighty lords that Agriope should recover the gentle breath of life.

"Nor did the son of Mene, Musaeus, master of the Graces, cause Antiope to go without her due of honour. And she, beside Eleusis's strand, expounded to the initiates the loud, sacred voice of mystic oracles, as she duly escorted the priest through the Rarian plain to honour Demeter. And she is known even in Hades.

"I say, too, that Boeotian Hesiod, master of all lore, left his hall and went to the Heliconian village of the Ascraeans, because he was in love; whence, in wooing Eoe? , maid of Ascra, he suffered many pangs; and as he sang, he wrote all the scrolls of his Catalogues, ever proceeding from a girl's name first [? ? ? ? , "Or such as her"].

"But that bard himself, whom the decree of Zeus for ever ordains to be the sweetest divinity among all poets, godlike Homer, languished to thinness, and set Ithaca in the strains of song for love of wise Penelope; for her sake he went, with many sufferings, to that small isle, far from his own wide country; and he celebrated the kin of Icarius, the folk of Amyclas, and Sparta too, ever mindful of his own misfortunes.

"And Mimnermus, who discovered, after much suffering, [598] the sweet sound and spirit breathed from the languorous pentameter, burned for Nanno; yet oft upon his venerable flute, bound to his lips, he with Hexamyles would hold revel. But he quarrelled with Hermobius, the ever cruel, and Pherecles, too, his foe, whom he loathed for the taunts which he hurled against him.

"Antimachus, too, smitten with love for the Lydian girl Lyde, trod the ground where the Pactolus river flows; and when she died, in his helplessness he placed her in the hard earth, weeping the while, and in his woe he left her there and returned to lofty Colophon; then he filled his pious scrolls with plaints, and rested after all his pain.

"As for the Lesbian Alcaeus, you know in how many revels he engaged, when he smote his lyre with yearning love for Sappho. And the bard who loved that nightingale caused sorrow, by the eloquence of his hymns, to the Teian poet. Yea, for the honey-voiced Anacreon contended for her [Sappho], whose beauty was supreme among the many women of Lesbos. And at times he would leave Samos, at times again his own city, that nestles against the vine-covered hill, and visit Lesbos, rich in wine; and oft he gazed upon Lectum, the Mysian headland across the Aeolian wave.

"How, too, the Attic bee [Sophocles] left Colone of the many hillocks, and sang with choruses marshalled in tragedy - sang of Bacchus and of his passion for Theoris and for Erigone, whom Zeus once gave to Sophocles in his old age.

"I say, too, that that man [Euripides] who had ever guarded himself against passion, and had won the hatred of all men by his railings concerning all women, was none the less smitten by the treacherous bow, and could not lay aside his pangs by night; nay, in Macedonia he traversed all the by-ways in his woe, and became dependant on the steward of Archelaus; until at last Fate found destruction for Euripides, when he met the cruel hounds from Arribius.

"And that poet from Cythera, whom the nurses of Bacchus reared, and the Muses taught to be the most faithful steward of the flute, Philoxenus, - you know how he was racked with pain, and passed through our city to Ortygia; for you have heard of his mighty yearning, which Galateia esteemed less than the very firstlings of the flock.

"You know also of that bard in whose honour the townsmen of Eurypylus, the men of Cos, raised a bronze statue beneath the plane-tree; he, Philitas, sang his love for the nimble Bittis, versed as he was in all the terms of love and in all its speech.

"Yea, not even all the mortals who ordained for themselves a life austere, seeking to find the dark things of wisdom, those men whom their very craft caused to choke in the shrewd contests of debate, and their dread skill, which bestowed its care upon eloquence, - not even they could turn aside the awful, maddened turmoil of Eros, [599] but they fell beneath the power of that dread charioteer.

"Such was the madness for Theano that bound with its spell the Samian Pythagoras; yet he had discovered the refinements of geometric spirals, and had modelled in a small globe the mighty circuit of the enveloping aether.

"And with what fiery power did Cypris, in her wrath, heat Socrates, whom Apollo had declared to be supreme among all men in wisdom! Yea, though his soul was deep, yet he laboured with lighter pains when he visited the house of Aspasia; nor could he find any remedy, though he had discovered the many cross-paths of logic.

"Even the man of Cyrene, keen Aristippus, was drawn by overpowering love beyond the Isthmus, when he fell in love with Lais of Apidane; in his flight he renounced all discourse, and expounded a life of worthlessness. "

[72. ] G But in this Hermesianax is mistaken when he represents Sappho and Anacreon as contemporaries. For the one lived in the time of Cyrus and Polycrates; but Sappho lived in the reign of Alyattes, the father of Croesus. But Chamaeleon, in his treatise on Sappho, does assert that some people say that these verses were made upon her by Anacreon:-
Eros, the golden-haired god,
Struck me with his purple ball,
And with his many wiles doth seize
And challenge me to sport with him.
But she- and she from Lesbos comes,
That populous and wealthy isle-
Laughs at my hair and calls it grey,
And will prefer a younger lover.

And he says, too, that Sappho says this to him:-
You, O my golden-throned Muse,
Did surely dictate that sweet hymn,
Which the noble Teian bard,
From the fair and fertile isle,
Chief muse of lovely womanhood,
Sang with his dulcet voice.

But it is plain enough in reality that this piece of poetry is not Sappho's. And I think myself that Hermesianax is joking concerning the love of Anacreon and Sappho. For Diphilus the comic poet, in his play called Sappho, has represented Archilochus and Hipponax as the lovers of Sappho.

Now it appears to me, my friends, that I have displayed some diligence in getting up this amorous catalogue for you, as I myself am not a person so mad about love as Cynulcus, with his calumnious spirit, has represented me. I confess, indeed, that I am amorous, but I do deny that I am frantic on the subject.
And why should I dilate upon my sorrows,
When I may hide them all in night and silence?
as Aeschylus the Alexandrian has said in his Amphitryon. And this is the same Aeschylus who composed the Messenian epic - a man of great learning.

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Athenaeus: The Deipnosophists
BOOK 13, Pages 599-612

Translated by C. D. Yonge (1854). A few words and spellings have been changed.

See key to translations for an explanation of the format. The page numbers in the Greek text are shown in red. The chapter numbers in the translation are shown in green.

<< Previous pages (589-599)

[73. ] G [599] Therefore, considering that Eros is a mighty and most powerful deity, and that the golden Aphrodite is so too, I recollect the verses of Euripides on the subject, and say:-
Do you not see how great a deity is
This Aphrodite? No tongue can tell,
No calculation can arrive at all
Her power, or her dominions' vast extent;
She nourishes you and me and all mankind,
And I can prove this, not in words alone,
[600] But facts will show the might of this fair goddess.
The earth loves rain when the parched plains are dry,
And lose their glad fertility of yield
From want of moisture. Then the ample heaven,
Filled with rain, and moved by Aphrodite's power,
Loves to descend to anxious earth's embrace;
Then when these two are joined in tender love
They are the parents of all fruits to us,
They bring them forth, they cherish them; and so
The race of man both lives and flourishes.

And that most magnificent poet Aeschylus, in his Danaides, introduces Aphrodite herself speaking thus-
Then, too, the earth feels love, and longs for wedlock,
And rain, descending from the amorous air,
Impregnates his desiring mate; and she
Brings forth delicious food for mortal man,-
Herds of fat sheep, and corn, Demeter's gift;
The trees love moisture, too, and rain descends
To indulge their longings, I alone the cause.

[74.
] G And again, in the Hippolytus of Euripides [ 3 ], Aphrodite says:-
And all who dwell between the Euxine sea
And the Atlantic waves, all who behold
The beams of the rising and the setting sun,
Know that I favour those who honour me,
And crush all those who boast against me.

And, therefore, in the case of a young man [Hippolytus] who had every other imaginable virtue, this one fault alone, that he did not honour Aphrodite, was the cause of his destruction. And neither Artemis, who loved him exceedingly, nor any other of the gods or demi-gods could defend him; and accordingly, in the words of the same poet [Euripides]:-
Whoever denies that Eros is the only god,
Is foolish, ignorant of all that's true,
And knows not him who is the greatest deity
Acknowledged by all nations.

And the wise Anacreon, who is in everybody's mouth, is always celebrating [Eros]. And, accordingly, the admirable Critias also speaks of him in the following manner:-
Teos brought forth, a source of pride to Greece,
The sweet Anacreon, who with sweet notes twined
A wreath of tuneful song in woman's praise,
The choicest ornament of revelling feasts,
The most seductive charm; the foe of the flute,
But lover of the softly moving lyre:
O Teian bard, your fame shall never die;
Age shall not touch it; while the willing slave
Mingles the wine and water in the bowl,
And fills the welcome goblet for the guests;
While female bands, with many twinkling feet,
Lead their glad nightly dance; while many drops,
Daughters of these glad cups, the Bromian juice,
Fall with good omen on the cottabus dish.

[75. ] G But Archytas, who wrote on the theory of music, says - according to Chamaeleon - that Alcman was the original poet of amatory songs, and that he was the first poet to introduce melodies inciting to erotic indulgence, being {by nature eager to pursue} women. On which account he says in one of his odes:-
But Eros again, as Aphrodite wills,
Descends into my heart,
And with his gentle dew refreshes me.

He says also that Alcman was immoderately in love with Megalostrate, who was a poetess, and who was able to allure lovers to her by the charms of her conversation. [601] And he speaks thus concerning her:-
This gift, by the sweet Muse inspired,
That lovely damsel gave,
The golden-haired Megalostrate.

And Stesichorus, who was in no moderate degree given to amorous pursuits, composed many poems of this kind; which in ancient times were called paideia and paidika. And, in fact, there was such emulation about composing poems of this sort, and so far was any one from thinking lightly of the amatory poets, that Aeschylus, who was a very great poet, and Sophocles, too, introduced the subject of the love [between men] on the stage in their tragedies: the one describing the love of Achilles for Patroclus, and the other, in his Niobe, the mutual love of Niobe's sons (on which account some men have called that tragedy "paederastria"): and all such passages as those are very agreeable to the audiences.

[76. ] G And Ibycus of Rhegium, also, cries out as follows:-
In early spring the gold Cydonian apples,
Watered by streams from ever-flowing rivers,
Where the pure garden of the Virgins is,
And the young grapes, growing beneath the shade
Of ample branches, flourish and increase:
But Eros, who never rests, gives me no shade,
Nor any recruiting dew; but like the north wind
Fierce rushing down from Thrace, with rapid fire,
Urged on by Cypris, with maddening drought
He burns up my heart, and from my earliest youth,
Rules over my soul with fierce dominion.

And Pindarus, who was of an exceedingly amorous disposition, says:-
Oh may it ever be to me to love,
And to indulge my love, remote from fear;
And do not, my mind, pursue a chase
Beyond the present number of your years.

On which account Timon, in his Silli, says:-
There is a time to love, a time to wed,
A time to leave off loving;
and adds that it is not well to wait until some one else shall say, in the words of this same philosopher-
When this man ought to decline (? ? ? ? ? ? ) he now begins
To follow pleasure (? ? ? ? ? ? ? ? ? ).

Pindarus also mentions Theoxenus of Tenedos, who was much beloved by him; and what does he say about him? -
And now (for seasonable is the time)
You ought, my soul, to pluck the flowers of love,
Which suit your age.
And he who, looking on the brilliant light that beams
From the sweet countenance of Theoxenus
Is not subdued by love,
Must have a dark discoloured heart,
Of adamant or iron made,
And hardened long in the smith's glowing furnace.
That man is scorned by bright-eyed Aphrodite.
Or else he's poor, and care doth fill his breast;
Or else beneath some female insolence
He withers, and so drags on an anxious life:
But I, like comb of wily bees,
Melt under Aphrodite's heat,
And waste away while I behold
The budding graces of the youth I love.
Surely at Tenedos, persuasion soft,
And every grace, abides
In the lovely son of Hagesilas.

[77. ] G And many men used to be as fond of having boys as their favourites as women for their mistresses. And this was a frequent fashion in many very well regulated cities of Greece. Accordingly, the Cretans, as I have said before, and the Chalcidians in Euboea, were very much addicted to the custom of having boy-favourites. Therefore Echemenes, in his history of Crete, says that it was not Zeus who carried off Ganymedes, but Minos. But the before-mentioned Chalcidians say that Ganymedes was carried off from them by Zeus; and they show the spot, which they call Harpagium; and it is a place which produces extraordinary myrtles. And Minos abandoned his enmity to the Athenians, although it had originated in consequence of the death of his son, out of his love for Theseus; and he gave his daughter Phaedra to Theseus for his wife, as Zenis (or Zeneus) of Chios, tells us in his History of his Native Land.

[78. ] G [602] But Hieronymus the Peripatetic says that the ancients were anxious to encourage the practice of having boy-favourites, because the vigorous disposition of youths, and the confidence engendered by their association with each other, has often led to the overthrow of tyrants. For in the presence of his favourite, a man would choose to do anything rather than to get the reputation of being a coward. And this was proved in practice in the case of the Sacred Band, as it was called, which was established at Thebes by Epaminondas. Harmodius and Aristogeiton made a deadly attack on the Peisistratidae; and at Acragas in Sicily, the mutual love of Chariton and Melanippus produced a similar result, as we are told by Heracleides of Pontus, in his treatise On Amatory Matters. For when Melanippus and Chariton were informed against as plotting against Phalaris, and were tortured in order to compel them to reveal their accomplices, not only did they not betray them, but they even made Phalaris himself pity them, because of the tortures which they had undergone; so that he dismissed them with great praise. On which account Apollo, being pleased at this conduct, gave Phalaris a respite from death; declaring this to the men who consulted the Pythian priestess as to how they might best attack him. He also gave them an oracle respecting Chariton, putting the pentameter before the hexameter, in the same way as afterwards Dionysius the Athenian did, who was nicknamed the Brazen, in his Elegies; and the oracle runs as follows-
Happy were Chariton and Melanippus,
Guides in heavenly love to many men.

The circumstances, too, that happened to Cratinus the Athenian, are well known. For he, being a very beautiful boy, at the time when Epimenides was purifying Attica by human sacrifices, on account of some old pollution, as Neanthes of Cyzicus relates in the second book of his treatise On Initiation Rites, willingly gave himself up to secure the safety of the woman who had brought him up. And after his death, Apollodorus, his friend, also devoted himself to death, and so the calamities of the country were terminated. And owing to love affairs of this kind, the tyrants (for friendships of this sort were very adverse to their interests) altogether forbade the fashion of making favourites of boys, and wholly abolished it. And some of them even burnt down and rased to the ground the palaestrae, considering them as fortresses hostile to their own citadels; as, for instance, Polycrates the tyrant of Samos did.

[79. ] G But among the Spartans, as Hagnon the Academic philosopher tells us, unmarried girls are treated like boy-favourites. The great lawgiver Solon has said-
Admiring pretty legs and rosy lips;-
and Aeschylus and Sophocles have openly made similar statements; the one saying, in the Myrmidons-
You paid not due respect to modesty,
Led by your passion for too frequent kisses;-
and the other, in his Colchian Women, speaking of Ganymedes, says-
Inflaming with his beauty mighty Zeus.

I am not ignorant that the story which is told about Cratinus and Aristodemus is stated by Polemon Periegetes, in his Replies to Neanthes, to be a mere invention. But you, O Cynulcus, believe that all these stories are true, let them be ever so false. And you take the greatest pleasure in all such poems which speak of boys and favourites of that kind . . . The fashion of making favourites of boys was first introduced among the Greeks from Crete, as Timaeus informs us. But others say that Laius was the originator of this custom, when he was received in hospitality by Pelops; and that he took a great fancy to Pelops' son, Chrysippus, whom he put into his chariot and carried off, [603] and fled with to Thebes. But Praxilla the Sicyonian says that Chrysippus was carried off by Zeus. And the Celts, too, although they have the most beautiful women of all the barbarians, still make great favourites of boys; so that some of them often go to rest with two lovers on their beds of hide. And the Persians, according to the statement of Herodotus, learnt from the Greeks to adopt this fashion.

[80. ] G Alexander the king was also very much in the habit of giving in to this fashion. Accordingly, Dicaearchus, in his treatise On the Sacrifice at Troy, says that he was so much under the influence of Bagoas the eunuch, that he embraced him in the sight of the whole theatre; and that when the whole theatre shouted in approval of the action, he repeated it. And Carystius, in his Historical Commentaries, says,- "Charon of Chalcis had a boy of great beauty, who was a great favourite of his: but when Alexander, on one occasion, at a great entertainment given by Craterus, praised this boy very much, Charon bade the boy go and salute Alexander: and he said, 'Not so, for he will not please me so much as he will vex you. ' For though the king was of a very amorous disposition, still he was at all times sufficiently master of himself to have a due regard to decorum, and to the preservation of appearances. And in the same spirit, when he had taken as prisoners the daughters of Dareius, and his wife, who was of extraordinary beauty, he not only abstained from offering them any insult, but he took care never to let them feel that they were prisoners at all; but ordered them to be treated in every respect, and to be supplied with everything, just as if Dareius had still been in his palace; on which account, Dareius, when he heard of this conduct, raised his hands to the Sun and prayed that either he might be king, or Alexander. "

But Ibycus states that Talus was a great favourite of Rhadamanthys the Just. And Diotimus, in his Heracleia, says that Eurystheus was a great favourite of Heracles, on which account he willingly endured all his labours for his sake. And it is said that Argynnus was a favourite of Agamemnon; and that they first became acquainted from Agamemnon seeing Argynnus bathing in the Cephisus. And afterwards, when he was drowned in this river, (for he was continually bathing in it,) Agamemnon buried him, and raised a temple on the spot to Aphrodite Argynnis. But Licymnius of Chios, in his Dithyrambics, says that it was Hymenaeus of whom Argynnus was a favourite. And Aristocles the harp-player was a favourite of King Antigonus: and Antigonus of Carystus, in his Life of Zenon, writes of him in the following terms: "Antigonus the king used often to go to sup with Zenon; and once, as he was returning by daylight from some entertainment, he went to Zenon's house, and persuaded him to go with him to sup with Aristocles the harp-player, who was an excessive favourite of the king's. "

[81. ] G Sophocles, too, had a great fancy for having boy-favourites, equal to the addiction of Euripides for women. And accordingly, Ion the poet, in his book on the Arrival of Illustrious Men in the Island of Chios, writes thus:- "I met Sophocles the poet in Chios, when he was sailing to Lesbos as the general: he was a man very pleasant over his wine, and very witty. And when Hermesilaus, who was connected with him by ancient ties of hospitality, and who was also the proxenus of the Athenians, entertained him, the boy who was mixing the wine was standing by the fire, being a boy of a very beautiful complexion, but made red by the fire: so Sophocles called him and said, 'Do you wish me to drink with pleasure? ' and when he said that he did, he said, 'Well, then, bring me the cup, and take it away again in a leisurely manner. ' And as the boy blushed all the more at this, Sophocles said to the guest who was sitting next to him, 'How well did Phrynichus speak when he said- [604] The light of love doth shine in purple cheeks. ' And a man from Eretria, or from Erythrae, who was a school-master, answered him,- 'You are a great man in poetry, O Sophocles; but still Phrynichus did not say well when he called purple cheeks a mark of beauty. For if a painter were to cover the cheeks of this boy with purple paint he would not be beautiful at all. And so it is not well to compare what is beautiful with what is not so. ' And on this Sophocles, laughing at the Eretrian, said,- 'Then, my friend, I suppose you are not pleased with the line in Simonides which is generally considered among the Greeks to be a beautiful one-
The maid poured forth a gentle voice
From out her purple mouth.
And you do not either like the poet who spoke of the golden-haired Apollo; for if a painter were to represent the hair of the god as actually golden, and not black, the picture would be all the worse. Nor do you approve of the poet who described women as rosy-fingered. For if any one were to dip his fingers in rosy-coloured paint he would make his hands like those of a purple-dyer, and not of a pretty woman. ' And when they all laughed at this, the Eretrian was checked by the reproof; and Sophocles again turned to pursue the conversation with the boy; for he asked him, as he was brushing away the straws from the cup with his little finger, whether he saw any straws: and when he said that he did, he said, 'Blow them away, then, that you may not dirty your fingers. ' And when he brought his face near the cup he held the cup nearer to his own mouth, so as to bring his own head nearer to the head of the boy. And when he was very near he took him by the hand and kissed him. And when all clapped their hands, laughing and shouting out, to see how well he had taken the boy in, he said, 'I, my friends, am practising the art of generalship, since Pericles has said that I know how to compose poetry, but not how to be a general; now has not this stratagem of mine succeeded perfectly? ' And he both said and did many things of this kind in a witty manner, drinking and giving himself up to mirth: but as to political affairs he was not able nor energetic in them, but behaved as any other virtuous Athenian might have done. "

[82. ] G And Hieronymus of Rhodes, in his Historical Commentaries, says that Sophocles once led a handsome boy outside the walls, in order to consort with him. The boy laid his own cloak on the grass, and they used Sophocles' cloak to cover them. When they had finished their encounter, the boy went off with Sophocles' cloak, and Sophocles was left with a boy's cloak. Naturally, this affair became the subject of gossip, and when Euripides was told about it he scoffed at Sophocles, saying that he too had used this boy, but he had not had to pay any extra, whereas Sophocles had been treated with contempt because of his licentiousness. When Sophocles heard this, he composed the following epigram, which refers to the fable about the sun and the north wind, and also hints at Euripides' adultery:
It was the sun, not the boy, who stripped me
Of my cloak, Euripides; but the north wind went
With you, when you made love to another man's wife.
You are not wise, when sowing another's field,
To bring Eros to court for being a snatch-thief.

[83. ] G And Theopompus, in his treatise On the Treasures of which the Temple at Delphi was plundered, [605] says that "Asopichus, being a favourite of Epaminondas, had the trophy of Leuctra represented in relief on his shield, and that he encountered danger with extraordinary gallantry; and that this shield is consecrated at Delphi, in the portico. " And in the same treatise, Theopompus further alleges that "Phayllus, the tyrant of Phocis, was extremely addicted to women; but that Onomarchus used to select boys as his favourites: and that he had a favourite, the son of Pythodorus the Sicyonian, to whom, when he came to Delphi to devote his hair to the god (and he was a youth of great beauty), Onomarchus gave the offerings of the Sybarites - four golden combs. And Phayllus gave to Bromias, the daughter of Deiniades, who was a female flute-player, a silver goblet (? ? ? ? ? ? ? ? ? ) of the Phocaeans, and a golden crown of ivy-leaves, the offering of the Peparethians. And," he says, "she was about to play the flute at the Pythian games, if she had not been hindered by the populace. "

"Onomarchus also gave," as he says, "to his favourite Physcidas, a very handsome boy who was the son of Lycolas of Trichonium, a crown of laurel, the offering of the Ephesians. This boy was brought also to Philippus by his father, but was dismissed without any favour. Onomarchus also gave to Damippus, the son of Epilycus of Amphipolis, who was a youth of great beauty, a present which had been consecrated to the god by Pleisthenes. And Philomelus gave to Pharsalia, a dancing-woman from Thessaly, a golden crown of laurel-leaves, which had been offered by the Lampsacenes. But Pharsalia herself was afterwards torn to pieces at Metapontum, by the soothsayers, in the market-place, on the occasion of a voice coming forth out of the brazen laurel which the people of Metapontum had set up at the time when Aristeas of Proconnesus was sojourning among them, on his return, as he stated, from the Hyperboreans, the first moment that she was seen entering the market-place. And when men afterwards inquired into the reason for this violence, she was found to have been put to death on account of this crown which belonged to the god. "

[84. ] G Now I warn you, O philosophers, who indulge in unnatural passions, and who treat the great goddess Aphrodite with impiety, to beware, lest you be destroyed in the same manner. For boys are only handsome, as Glycera the courtesan said, while they are like women: at least, this is the saying attributed to her by Clearchus. # But my opinion is that the conduct of Cleonymus the Spartan was in strict conformity with nature, who was the first man to take such hostages as he took from the Metapontines- namely, two hundred of their most respectable and beautiful maidens; as is related by Duris the Samian, in the third book of his History of Agathocles. And I too, as is said by Epicrates in his Anti-Lais,
Have learnt completely all the love-songs
Of Sappho, Meletus, Cleomenes, and Lamynthius.

But you, my philosophical friends, even when you are in love with women . . . . . . . . . . . . . as Clearchus says. For a bull was excited by the sight of the brazen cow at Peirene; and when a picture was displayed of a bitch, and a pigeon, and a goose: a gander came up to the goose, and a dog to the bitch, and a male pigeon to the pigeon, and not one of them discovered the deception till they got close to them. But when they got near enough to touch them, they desisted; just as Cleisophus of Selymbria did. For he fell in love with a statue of Parian marble that then was at Samos, and shut himself up in the temple to gratify his affection; but when he found that he could make no impression on the coldness and unimpressibility of the stone, then he discarded his passion. And Alexis the poet mentions this circumstance in his drama entitled The Picture, where he says-
[606] And such another circumstance, they say,
Took place in Samos: there a man did fall
In love with a fair maiden wrought in marble,
And shut himself up with her in the temple.

And Philemon mentions the same fact, and says-
But once a man, 'tis said, did fall, at Samos,
In love with a marble woman; and he went
And shut himself up with her in the temple.

But the statue spoken of is the work of Ctesicles; as Adaeus of Mytilene tells us in his treatise On Sculptors. And Polemon, or whoever the author of the book called Helladicus is, says- "At Delphi, in the museum of the pictures, there are two boys wrought in marble; with one of which, the Delphians say, a visitor fell in love so strongly, that he made love to it, and shut himself up with it, and presented it with a crown; but when he was detected, the god ordered the Delphians, who consulted his oracle with reference to the subject, to dismiss him freely, for that he had given him a handsome reward. "

[85. ] G # And even brute beasts have fallen in love with men: for there was a cock who took a fancy to a man of the name of Secundus, a cupbearer of the king; and the cock was nicknamed the Centaur. But this Secundus was a slave of Nicomedes the king of Bithynia; as Nicander informs us in the sixth book of his essay On Changes of Fortune. And, at Aegium, a goose took a fancy to a boy; as Clearchus relates in the first book of his Amatory Anecdotes. And Theophrastus, in his, essay On Love, says that the name of this boy was Amphilochus, and that he was a native of Olenus. And Hermeias the son of Hermodorus, who was a Samian by birth, says that a goose also took a fancy to Lacydes the philosopher. And in Leucadia (according to a story told by Clearchus), a peacock fell so in love with a maiden there, that when she died, the bird died too. There is a story also that, at Iasus, a dolphin took a fancy to a boy. This story is told by Duris, in the ninth book of his History; and the subject of that book is the history of Alexander, and the historian's words are these: "He likewise sent for the boy from Iasus. For near Iasus there was a boy whose name was Dionysius, and he once, when leaving the palaestra with the rest of the boys, went down to the sea and bathed; and a dolphin came forward out of the deep water to meet him, and taking him on his back, swam away with him a considerable distance into the open sea, and then brought him back again to land. " But the dolphin is an animal which is very fond of men, and very intelligent, and one very susceptible of gratitude. Accordingly Phylarchus, in his twelfth book [ Fr_26 ], says- "Coeranus of Miletus, when he saw some fishermen who had caught a dolphin in a net, and who were about to cut it up, gave them some money and bought the fish, and took it down and put it back in the sea again. And after this it happened to him to be shipwrecked near Myconos, and while every one else perished, Coeranus alone was saved by a dolphin. And when, at last, he died of old age in his native country, as it so happened that his funeral procession passed along the sea-shore close to Miletus, a great shoal of dolphins appeared on that day in the harbour, keeping only a very little distance from those who were attending the funeral of Coeranus, as if they also were joining in the procession and sharing in their grief. "

The same Phylarchus also relates, in the twentieth book of his History [ Fr_36 ], the great affection which was once displayed by an elephant for a boy. And his words are these: "But there was a female elephant kept with this elephant, and the name of the female elephant was Nicaea; and to her the wife of the king of India, when dying, entrusted her child, which was just a month old. And when the woman did die, the affection for the child displayed by the beast was most extraordinary; for it could not endure the child to be away; and whenever it did not see him, it was out of spirits. And so, whenever the nurse fed the infant with milk, she placed it in its cradle between the feet of the beast; [607] and if she had not done so, the elephant would not take any food; and after this, it would take whatever reeds and grass there were near, and, while the child was sleeping, beat away the flies with the bundle. And whenever the child wept, it would rock the cradle with its trunk, and lull it to sleep. And very often the male elephant did the same. "

[86. ] G But you, O philosophers, are far fiercer than dolphins and elephants, and are also much more untameable; although Persaeus of Citium, in his Recollections of Banquets, says loudly,- "It is a very consistent subject of conversation at drinking-parties for men to talk of amatory matters; for we are naturally inclined to such topics after drinking. And at those times we should praise those who indulge in that kind of conversation to a moderate and temperate degree, but blame those who go to excess in it, and behave in a beastly manner. But if logicians, when assembled in a social party, were to talk about syllogisms, then a man might very fairly think that they were acting very unseasonably. And a respectable and virtuous man will at times get drunk; but they who wish to appear extraordinarily temperate, keep up this character amid their cups for a certain time, but afterwards, as the wine begins to take effect on them, they descend to every kind of impropriety and indecency. And this was the case very lately with the ambassadors who came to Antigonus from Arcadia; for they sat at dinner with great severity of countenance, and with great propriety, as they thought, not only not looking at any one of us, but not even looking at one another. But as the wine went round, and music of different kinds was introduced, and when the Thessalian dancing-women, as their fashion is, came in, and danced quite naked, except that they had girdles round their waists, then the men could not restrain themselves any longer, but jumped up off the couches, and shouted as if they were beholding a most gratifying sight; and they congratulated the king because he had it in his power to indulge in such pastimes; and they did and said a great many more vulgar things of the same kind.

"And one of the philosophers who was once drinking with us, when a flute-playing girl came in, and when there was plenty of room near him, when the girl wished to sit down near him, would not allow her, but drew himself up and looked grave. And then afterwards, when the girl was put up to auction, as is often the fashion at such entertainments, he was exceedingly eager to buy her, and quarrelled with the man who sold her, on the ground that he had knocked her down too speedily to some one else; and he said that the auctioneer had not fairly sold her. And at last this grave philosopher, he who at first would not permit the girl even to sit near him, came to blows about her. " # And perhaps this very philosopher, who came to blows about the flute-playing girl, may have been Persaeus himself; for Antigonus of Carystus, in his treatise on Zenon, makes the following statement:- "Zenon of Citium, when once Persaeus at a drinking-party bought a flute-playing girl, and after that was afraid to bring her home, because he lived in the same house with Zenon, becoming acquainted with the circumstance, brought the girl home himself, and shut her up with Persaeus. " I know, also, that Polystratus the Athenian, who was a pupil of Theophrastus, and who was surnamed the Etruscan, used often to put on the garments of the female flute-players.

[87. ] G Kings, too, have shown great anxiety about musical women; as Parmenion tells us in his Letter to Alexander, which he sent to that monarch after he had taken Damascus, and after he had become master of all the baggage of Dareius. Accordingly, having enumerated all the things which he had taken, he writes as follows:- [608] "I found three hundred and twenty-nine concubines of the king, all skilled in music; and forty-six men who were skilful in making garlands, and two hundred and seventy-seven confectioners, and twenty-nine boilers of pots, and thirteen cooks skilful in preparing milk, and seventeen artists who mixed drinks, and seventy slaves who strain wine, and forty preparers of perfumes. " And I say to you, O my companions, that there is no sight which has a greater tendency to gladden the eyes than the beauty of a woman. Accordingly Oeneus, in the play of the same name which was composed by Chaeremon the tragic poet, speaks of some maidens whom he had seen, and says,-
And one did lie with garment well thrown back,
Showing her snow-white bosom to the moon:
Another, as she lightly danced, displayed
The fair proportions of her left-hand side,
Naked- a lovely picture for the air
To wanton with; and her complexion white
Strove with the darkening shades. Another bared
Her lovely arms and shoulders all:
Another, with her robe high round her neck,
Concealed her bosom, but a rent below
Showed all her shapely thighs. I was led on,
Not without hope, by desire for her smiling beauty.
Then on the inviting asphodel they fell,
Plucking the dark leaves of the violet flower,
And crocus, which, with purple petals rising,
Copies the golden rays of the early sun.
There, too, the Persian sweetly-smelling marjoram
Stretched out its neck along the laughing meadow.

[88. ] G And the same poet, being passionately fond of flowers, says also in his Alphesiboea-
The glorious beauty of her dazzling body
Shone brilliant, a sweet sight to every eye;
And modesty, a tender blush exciting,
Tinted her gentle cheeks with delicate rose:
Her waxy hair, in gracefully modelled curls,
Falling as though arranged by sculptor's hand,
Waved in the wanton breeze luxuriant.

And in his Io he calls the flowers children of spring, where he says-
Strewing around sweet children of the spring.

And in his Centaur, which is a drama composed in many metres of various kinds, he calls them children of the meadow-
There, too, they did invade the countless host
Of all the new-born flowers that deck the fields,
Hunting with joy the offspring of the meadows.

And in his Dionysus he says-
The ivy, lover of the dance,
Child of the mirthful year.

And in his Odysseus he speaks thus of roses -
And in their hair they wore the choicest gifts
Of the Horae, the flowering, fragrant rose,
The loveliest foster-child of spring.

And in his Thyestes he says-
The brilliant rose, and modest snow-white lily.