No More Learning

Why, that's the lady!
I do in birth deserve her, and in fortunes,
In graces, and in qualities of breeding;
But more than these, in love I do deserve.
What if I stray'd no farther, but chose here?
Let's see once more this saying grav'd in gold:
'Who chooseth me shall gain what many men desire. '
Why, that's the lady! All the world desires her;
From the four corners of the earth they come
To kiss this shrine, this mortal-breathing saint.
The Hyrcanian deserts and the vasty wilds
Of wide Arabia are as throughfares now
For princes to come view fair Portia.
The watery kingdom, whose ambitious head
Spits in the face of heaven, is no bar
To stop the foreign spirits, but they come
As o'er a brook to see fair Portia.
One of these three contains her heavenly picture.
Is't like that lead contains her? 'Twere damnation
To think so base a thought; it were too gross
To rib her cerecloth in the obscure grave.
Or shall I think in silver she's immur'd,
Being ten times undervalued to tried gold?
O sinful thought! Never so rich a gem
Was set in worse than gold. They have in England
A coin that bears the figure of an angel
Stamp'd in gold; but that's insculp'd upon.
But here an angel in a golden bed
Lies all within. Deliver me the key;
Here do I choose, and thrive I as I may!
PORTIA. There, take it, Prince, and if my form lie there,
Then I am yours. [He opens the golden casket]
PRINCE OF MOROCCO. O hell! what have we here?
A carrion Death, within whose empty eye
There is a written scroll! I'll read the writing.
'All that glisters is not gold,
Often have you heard that told;
Many a man his life hath sold
But my outside to behold.
Gilded tombs do worms infold.
Had you been as wise as bold,
Young in limbs, in judgment old,
Your answer had not been inscroll'd.
Fare you well, your suit is cold. '
Cold indeed, and labour lost,
Then farewell, heat, and welcome, frost.
Portia, adieu! I have too griev'd a heart
To take a tedious leave; thus losers part.
Exit with his train. Flourish of cornets
PORTIA. A gentle riddance. Draw the curtains, go.
Let all of his complexion choose me so. Exeunt




SCENE VIII.
Venice. A street

Enter SALERIO and SOLANIO

SALERIO. Why, man, I saw Bassanio under sail;
With him is Gratiano gone along;
And in their ship I am sure Lorenzo is not.
SOLANIO. The villain Jew with outcries rais'd the Duke,
Who went with him to search Bassanio's ship.
SALERIO. He came too late, the ship was under sail;
But there the Duke was given to understand
That in a gondola were seen together
Lorenzo and his amorous Jessica;
Besides, Antonio certified the Duke
They were not with Bassanio in his ship.
SOLANIO. I never heard a passion so confus'd,
So strange, outrageous, and so variable,
As the dog Jew did utter in the streets.
'My daughter! O my ducats! O my daughter!
Fled with a Christian! O my Christian ducats!
Justice! the law! My ducats and my daughter!
A sealed bag, two sealed bags of ducats,
Of double ducats, stol'n from me by my daughter!
And jewels- two stones, two rich and precious stones,
Stol'n by my daughter! Justice! Find the girl;
She hath the stones upon her and the ducats. '
SALERIO. Why, all the boys in Venice follow him,
Crying, his stones, his daughter, and his ducats.
SOLANIO. Let good Antonio look he keep his day,
Or he shall pay for this.
SALERIO. Marry, well rememb'red;
I reason'd with a Frenchman yesterday,
Who told me, in the narrow seas that part
The French and English, there miscarried
A vessel of our country richly fraught.
I thought upon Antonio when he told me,
And wish'd in silence that it were not his.
SOLANIO. You were best to tell Antonio what you hear;
Yet do not suddenly, for it may grieve him.
SALERIO. A kinder gentleman treads not the earth.
I saw Bassanio and Antonio part.
Bassanio told him he would make some speed
Of his return. He answered 'Do not so;
Slubber not business for my sake, Bassanio,
But stay the very riping of the time;
And for the Jew's bond which he hath of me,
Let it not enter in your mind of love;
Be merry, and employ your chiefest thoughts
To courtship, and such fair ostents of love
As shall conveniently become you there. '
And even there, his eye being big with tears,
Turning his face, he put his hand behind him,
And with affection wondrous sensible
He wrung Bassanio's hand; and so they parted.
SOLANIO. I think he only loves the world for him.
I pray thee, let us go and find him out,
And quicken his embraced heaviness
With some delight or other.
SALERIO. Do we so. Exeunt




SCENE IX.
Belmont. PORTIA'S house

Enter NERISSA, and a SERVITOR

NERISSA. Quick, quick, I pray thee, draw the curtain straight;
The Prince of Arragon hath ta'en his oath,
And comes to his election presently.

Flourish of cornets. Enter the PRINCE OF ARRAGON,
PORTIA, and their trains

PORTIA. Behold, there stand the caskets, noble Prince.
If you choose that wherein I am contain'd,
Straight shall our nuptial rites be solemniz'd;
But if you fail, without more speech, my lord,
You must be gone from hence immediately.
ARRAGON. I am enjoin'd by oath to observe three things:
First, never to unfold to any one
Which casket 'twas I chose; next, if I fail
Of the right casket, never in my life
To woo a maid in way of marriage;
Lastly,
If I do fail in fortune of my choice,
Immediately to leave you and be gone.
PORTIA. To these injunctions every one doth swear
That comes to hazard for my worthless self.
ARRAGON. And so have I address'd me. Fortune now
To my heart's hope! Gold, silver, and base lead.
'Who chooseth me must give and hazard all he hath. '
You shall look fairer ere I give or hazard.
What says the golden chest? Ha! let me see:
'Who chooseth me shall gain what many men desire. '
What many men desire- that 'many' may be meant
By the fool multitude, that choose by show,
Not learning more than the fond eye doth teach;
Which pries not to th' interior, but, like the martlet,
Builds in the weather on the outward wall,
Even in the force and road of casualty.
I will not choose what many men desire,
Because I will not jump with common spirits
And rank me with the barbarous multitudes.
Why, then to thee, thou silver treasure-house!
Tell me once more what title thou dost bear.
'Who chooseth me shall get as much as he deserves. '
And well said too; for who shall go about
To cozen fortune, and be honourable
Without the stamp of merit? Let none presume
To wear an undeserved dignity.
O that estates, degrees, and offices,
Were not deriv'd corruptly, and that clear honour
Were purchas'd by the merit of the wearer!
How many then should cover that stand bare!
How many be commanded that command!
How much low peasantry would then be gleaned
From the true seed of honour! and how much honour
Pick'd from the chaff and ruin of the times,
To be new varnish'd! Well, but to my choice.
'Who chooseth me shall get as much as he deserves. '
I will assume desert. Give me a key for this,
And instantly unlock my fortunes here.
[He opens the silver casket]
PORTIA. [Aside] Too long a pause for that which you find there.
ARRAGON. What's here? The portrait of a blinking idiot
Presenting me a schedule! I will read it.
How much unlike art thou to Portia!
How much unlike my hopes and my deservings!
'Who chooseth me shall have as much as he deserves. '
Did I deserve no more than a fool's head?
Is that my prize? Are my deserts no better?
PORTIA. To offend and judge are distinct offices
And of opposed natures.
ARRAGON. What is here? [Reads]

'The fire seven times tried this;
Seven times tried that judgment is
That did never choose amiss.
Some there be that shadows kiss,
Such have but a shadow's bliss.
There be fools alive iwis
Silver'd o'er, and so was this.
Take what wife you will to bed,
I will ever be your head.
So be gone; you are sped. '

Still more fool I shall appear
By the time I linger here.
With one fool's head I came to woo,
But I go away with two.
Sweet, adieu! I'll keep my oath,
Patiently to bear my wroth. Exit with his train

PORTIA. Thus hath the candle sing'd the moth.
O, these deliberate fools! When they do choose,
They have the wisdom by their wit to lose.
NERISSA. The ancient saying is no heresy:
Hanging and wiving goes by destiny.
PORTIA. Come, draw the curtain, Nerissa.

Enter a SERVANT

SERVANT. Where is my lady?
PORTIA. Here; what would my lord?
SERVANT. Madam, there is alighted at your gate
A young Venetian, one that comes before
To signify th' approaching of his lord,
From whom he bringeth sensible regreets;
To wit, besides commends and courteous breath,
Gifts of rich value. Yet I have not seen
So likely an ambassador of love.
A day in April never came so sweet
To show how costly summer was at hand
As this fore-spurrer comes before his lord.
PORTIA. No more, I pray thee; I am half afeard
Thou wilt say anon he is some kin to thee,
Thou spend'st such high-day wit in praising him.
Come, come, Nerissa, for I long to see
Quick Cupid's post that comes so mannerly.
NERISSA. Bassanio, Lord Love, if thy will it be! Exeunt




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ACT III. SCENE I.
Venice. A street

Enter SOLANIO and SALERIO

SOLANIO. Now, what news on the Rialto?
SALERIO. Why, yet it lives there uncheck'd that Antonio hath a ship
of rich lading wreck'd on the narrow seas; the Goodwins I think
they call the place, a very dangerous flat and fatal, where the
carcases of many a tall ship lie buried, as they say, if my
gossip Report be an honest woman of her word.
SOLANIO. I would she were as lying a gossip in that as ever knapp'd
ginger or made her neighbours believe she wept for the death of a
third husband. But it is true, without any slips of prolixity or
crossing the plain highway of talk, that the good Antonio, the
honest Antonio- O that I had a title good enough to keep his name
company! -
SALERIO. Come, the full stop.
SOLANIO. Ha! What sayest thou? Why, the end is, he hath lost a
ship.
SALERIO. I would it might prove the end of his losses.
SOLANIO. Let me say amen betimes, lest the devil cross my prayer,
for here he comes in the likeness of a Jew.

Enter SHYLOCK

How now, Shylock? What news among the merchants?
SHYLOCK. You knew, none so well, none so well as you, of my
daughter's flight.
SALERIO. That's certain; I, for my part, knew the tailor that made
the wings she flew withal.
SOLANIO. And Shylock, for his own part, knew the bird was flidge;
and then it is the complexion of them all to leave the dam.
SHYLOCK. She is damn'd for it.
SALERIO. That's certain, if the devil may be her judge.
SHYLOCK. My own flesh and blood to rebel!
SOLANIO.
Out upon it, old carrion! Rebels it at these years?
SHYLOCK. I say my daughter is my flesh and my blood.
SALERIO. There is more difference between thy flesh and hers than
between jet and ivory; more between your bloods than there is
between red wine and Rhenish. But tell us, do you hear whether
Antonio have had any loss at sea or no?
SHYLOCK. There I have another bad match: a bankrupt, a prodigal,
who dare scarce show his head on the Rialto; a beggar, that was
us'd to come so smug upon the mart. Let him look to his bond. He
was wont to call me usurer; let him look to his bond. He was wont
to lend money for a Christian courtesy; let him look to his bond.
SALERIO. Why, I am sure, if he forfeit, thou wilt not take his
flesh. What's that good for?
SHYLOCK. To bait fish withal. If it will feed nothing else, it will
feed my revenge. He hath disgrac'd me and hind'red me half a
million; laugh'd at my losses, mock'd at my gains, scorned my
nation, thwarted my bargains, cooled my friends, heated mine
enemies. And what's his reason? I am a Jew. Hath not a Jew eyes?
Hath not a Jew hands, organs, dimensions, senses, affections,
passions, fed with the same food, hurt with the same weapons,
subject to the same diseases, healed by the same means, warmed
and cooled by the same winter and summer, as a Christian is? If
you prick us, do we not bleed? If you tickle us, do we not laugh?
If you poison us, do we not die? And if you wrong us, shall we
not revenge? If we are like you in the rest, we will resemble you
in that. If a Jew wrong a Christian, what is his humility?
Revenge. If a Christian wrong a Jew, what should his sufferance
be by Christian example? Why, revenge. The villainy you teach me
I will execute; and itshall go hard but I will better the
instruction.

Enter a MAN from ANTONIO

MAN. Gentlemen, my master Antonio is at his house, and desires to
speak with you both.
SALERIO. We have been up and down to seek him.

Enter TUBAL

SOLANIO. Here comes another of the tribe; a third cannot be
match'd, unless the devil himself turn Jew.
Exeunt SOLANIO, SALERIO, and MAN
SHYLOCK. How now, Tubal, what news from Genoa? Hast thou found my
daughter?
TUBAL. I often came where I did hear of her, but cannot find her.
SHYLOCK. Why there, there, there, there! A diamond gone, cost me
two thousand ducats in Frankfort! The curse never fell upon our
nation till now; I never felt it till now. Two thousand ducats in
that, and other precious, precious jewels. I would my daughter
were dead at my foot, and the jewels in her ear; would she were
hears'd at my foot, and the ducats in her coffin! No news of
them? Why, so- and I know not what's spent in the search. Why,
thou- loss upon loss! The thief gone with so much, and so much to
find the thief; and no satisfaction, no revenge; nor no ill luck
stirring but what lights o' my shoulders; no sighs but o' my
breathing; no tears but o' my shedding!
TUBAL. Yes, other men have ill luck too: Antonio, as I heard in
Genoa-
SHYLOCK. What, what, what? Ill luck, ill luck?
TUBAL. Hath an argosy cast away coming from Tripolis.
SHYLOCK. I thank God, I thank God. Is it true, is it true?
TUBAL. I spoke with some of the sailors that escaped the wreck.
SHYLOCK. I thank thee, good Tubal. Good news, good news- ha, ha! -
heard in Genoa.
TUBAL. Your daughter spent in Genoa, as I heard, one night,
fourscore ducats.
SHYLOCK. Thou stick'st a dagger in me- I shall never see my gold
again. Fourscore ducats at a sitting! Fourscore ducats!
TUBAL. There came divers of Antonio's creditors in my company to
Venice that swear he cannot choose but break.
SHYLOCK. I am very glad of it; I'll plague him, I'll torture him; I
am glad of it.
TUBAL. One of them showed me a ring that he had of your daughter
for a monkey.
SHYLOCK. Out upon her! Thou torturest me, Tubal. It was my
turquoise; I had it of Leah when I was a bachelor; I would not
have given it for a wilderness of monkeys.
TUBAL. But Antonio is certainly undone.
SHYLOCK. Nay, that's true; that's very true. Go, Tubal, fee me an
officer; bespeak him a fortnight before. I will have the heart of
him, if he forfeit; for, were he out of Venice, I can make what
merchandise I will. Go, Tubal, and meet me at our synagogue; go,
good Tubal; at our synagogue, Tubal. Exeunt




SCENE II.
Belmont. PORTIA'S house

Enter BASSANIO, PORTIA, GRATIANO, NERISSA, and all their trains

PORTIA. I pray you tarry; pause a day or two
Before you hazard; for, in choosing wrong,
I lose your company; therefore forbear a while.
There's something tells me- but it is not love-
I would not lose you; and you know yourself
Hate counsels not in such a quality.
But lest you should not understand me well-
And yet a maiden hath no tongue but thought-
I would detain you here some month or two
Before you venture for me. I could teach you
How to choose right, but then I am forsworn;
So will I never be; so may you miss me;
But if you do, you'll make me wish a sin,
That I had been forsworn. Beshrew your eyes!
They have o'erlook'd me and divided me;
One half of me is yours, the other half yours-
Mine own, I would say; but if mine, then yours,
And so all yours. O! these naughty times
Puts bars between the owners and their rights;
And so, though yours, not yours. Prove it so,
Let fortune go to hell for it, not I.
I speak too long, but 'tis to peize the time,
To eke it, and to draw it out in length,
To stay you from election.
BASSANIO. Let me choose;
For as I am, I live upon the rack.
PORTIA. Upon the rack, Bassanio? Then confess
What treason there is mingled with your love.
BASSANIO. None but that ugly treason of mistrust
Which makes me fear th' enjoying of my love;
There may as well be amity and life
'Tween snow and fire as treason and my love.
PORTIA. Ay, but I fear you speak upon the rack,
Where men enforced do speak anything.
BASSANIO. Promise me life, and I'll confess the truth.
PORTIA. Well then, confess and live.
BASSANIO. 'Confess' and 'love'
Had been the very sum of my confession.
O happy torment, when my torturer
Doth teach me answers for deliverance!
But let me to my fortune and the caskets.
PORTIA. Away, then; I am lock'd in one of them.
If you do love me, you will find me out.
Nerissa and the rest, stand all aloof;
Let music sound while he doth make his choice;
Then, if he lose, he makes a swan-like end,
Fading in music. That the comparison
May stand more proper, my eye shall be the stream
And wat'ry death-bed for him. He may win;
And what is music then? Then music is
Even as the flourish when true subjects bow
To a new-crowned monarch; such it is
As are those dulcet sounds in break of day
That creep into the dreaming bridegroom's ear
And summon him to marriage. Now he goes,
With no less presence, but with much more love,
Than young Alcides when he did redeem
The virgin tribute paid by howling Troy
To the sea-monster. I stand for sacrifice;
The rest aloof are the Dardanian wives,
With bleared visages come forth to view
The issue of th' exploit. Go, Hercules!
Live thou, I live. With much much more dismay
I view the fight than thou that mak'st the fray.

A SONG

the whilst BASSANIO comments on the caskets to himself

Tell me where is fancy bred,
Or in the heart or in the head,
How begot, how nourished?
Reply, reply.
It is engend'red in the eyes,
With gazing fed; and fancy dies
In the cradle where it lies.
Let us all ring fancy's knell:
I'll begin it- Ding, dong, bell.
ALL. Ding, dong, bell.

BASSANIO. So may the outward shows be least themselves;
The world is still deceiv'd with ornament.
In law, what plea so tainted and corrupt
But, being season'd with a gracious voice,
Obscures the show of evil? In religion,
What damned error but some sober brow
Will bless it, and approve it with a text,
Hiding the grossness with fair ornament?
There is no vice so simple but assumes
Some mark of virtue on his outward parts.
How many cowards, whose hearts are all as false
As stairs of sand, wear yet upon their chins
The beards of Hercules and frowning Mars;
Who, inward search'd, have livers white as milk!
And these assume but valour's excrement
To render them redoubted. Look on beauty
And you shall see 'tis purchas'd by the weight,
Which therein works a miracle in nature,
Making them lightest that wear most of it;
So are those crisped snaky golden locks
Which make such wanton gambols with the wind
Upon supposed fairness often known
To be the dowry of a second head-
The skull that bred them in the sepulchre.
Thus ornament is but the guiled shore
To a most dangerous sea; the beauteous scarf
Veiling an Indian beauty; in a word,
The seeming truth which cunning times put on
To entrap the wisest. Therefore, thou gaudy gold,
Hard food for Midas, I will none of thee;
Nor none of thee, thou pale and common drudge
'Tween man and man; but thou, thou meagre lead,
Which rather threaten'st than dost promise aught,
Thy plainness moves me more than eloquence,
And here choose I. Joy be the consequence!
PORTIA. [Aside] How all the other passions fleet to air,
As doubtful thoughts, and rash-embrac'd despair,
And shudd'ring fear, and green-ey'd jealousy!
O love, be moderate, allay thy ecstasy,
In measure rain thy joy, scant this excess!
I feel too much thy blessing. Make it less,
For fear I surfeit.
BASSANIO. [Opening the leaden casket] What find I here?
Fair Portia's counterfeit! What demi-god
Hath come so near creation? Move these eyes?
Or whether riding on the balls of mine
Seem they in motion? Here are sever'd lips,
Parted with sugar breath; so sweet a bar
Should sunder such sweet friends. Here in her hairs
The painter plays the spider, and hath woven
A golden mesh t' entrap the hearts of men
Faster than gnats in cobwebs. But her eyes-
How could he see to do them? Having made one,
Methinks it should have power to steal both his,
And leave itself unfurnish'd. Yet look how far
The substance of my praise doth wrong this shadow
In underprizing it, so far this shadow
Doth limp behind the substance. Here's the scroll,
The continent and summary of my fortune.
'You that choose not by the view,
Chance as fair and choose as true!
Since this fortune falls to you,
Be content and seek no new.
If you be well pleas'd with this,
And hold your fortune for your bliss,
Turn to where your lady is
And claim her with a loving kiss. '
A gentle scroll. Fair lady, by your leave;
I come by note, to give and to receive.
Like one of two contending in a prize,
That thinks he hath done well in people's eyes,
Hearing applause and universal shout,
Giddy in spirit, still gazing in a doubt
Whether those peals of praise be his or no;
So, thrice-fair lady, stand I even so,
As doubtful whether what I see be true,
Until confirm'd, sign'd, ratified by you.
PORTIA. You see me, Lord Bassanio, where I stand,
Such as I am. Though for myself alone
I would not be ambitious in my wish
To wish myself much better, yet for you
I would be trebled twenty times myself,
A thousand times more fair, ten thousand times more rich,
That only to stand high in your account
I might in virtues, beauties, livings, friends,
Exceed account. But the full sum of me
Is sum of something which, to term in gross,
Is an unlesson'd girl, unschool'd, unpractis'd;
Happy in this, she is not yet so old
But she may learn; happier than this,
She is not bred so dull but she can learn;
Happiest of all is that her gentle spirit
Commits itself to yours to be directed,
As from her lord, her governor, her king.
Myself and what is mine to you and yours
Is now converted. But now I was the lord
Of this fair mansion, master of my servants,
Queen o'er myself; and even now, but now,
This house, these servants, and this same myself,
Are yours- my lord's. I give them with this ring,
Which when you part from, lose, or give away,
Let it presage the ruin of your love,
And be my vantage to exclaim on you.
BASSANIO. Madam, you have bereft me of all words;
Only my blood speaks to you in my veins;
And there is such confusion in my powers
As, after some oration fairly spoke
By a beloved prince, there doth appear
Among the buzzing pleased multitude,
Where every something, being blent together,
Turns to a wild of nothing, save of joy
Express'd and not express'd. But when this ring
Parts from this finger, then parts life from hence;
O, then be bold to say Bassanio's dead!
NERISSA. My lord and lady, it is now our time
That have stood by and seen our wishes prosper
To cry 'Good joy. ' Good joy, my lord and lady!
GRATIANO. My Lord Bassanio, and my gentle lady,
I wish you all the joy that you can wish,
For I am sure you can wish none from me;
And, when your honours mean to solemnize
The bargain of your faith, I do beseech you
Even at that time I may be married too.
BASSANIO. With all my heart, so thou canst get a wife.
GRATIANO. I thank your lordship, you have got me one.
My eyes, my lord, can look as swift as yours:
You saw the mistress, I beheld the maid;
You lov'd, I lov'd; for intermission
No more pertains to me, my lord, than you.
Your fortune stood upon the caskets there,
And so did mine too, as the matter falls;
For wooing here until I sweat again,
And swearing till my very roof was dry
With oaths of love, at last- if promise last-
I got a promise of this fair one here
To have her love, provided that your fortune
Achiev'd her mistress.
PORTIA. Is this true, Nerissa?
NERISSA. Madam, it is, so you stand pleas'd withal.
BASSANIO. And do you, Gratiano, mean good faith?