It is easy to see how this
arrogance
comes.
Emerson - Representative Men
Do you
love me? means, Do you see the same truth? If you do, we are happy
with the same happiness; but presently one of us passes into the
perception of new truth;--we are divorced, and no tension in nature
can hold us to each other. I know how delicious is this cup of love,--I
existing for you, you existing for me; but it is a child's clinging
to his toy; an attempt to eternize the fireside and nuptial chamber;
to keep the picture-alphabet through which our first lessons are
prettily conveyed. The Eden of God is bare and grand: like the outdoor
landscape, remembered from the evening fireside, it seems cold and
desolate, whilst you cower over the coals; but, once abroad again, we
pity those who can forego the magnificence of nature, for candle-light
and cards. Perhaps the true subject of the "Conjugal Love" is
conversation, whose laws are profoundly eliminated. It is false, if
literally applied to marriage. For God is the bride or bridegroom of
the soul. Heaven is not the pairing of two, but the communion of all
souls. We meet, and dwell an instant under the temple of one thought,
and part as though we parted not, to join another thought in other
fellowships of joy. So far from there being anything divine in the low
and proprietary sense of, Do you love me? it is only when you leave
and lose me, by casting yourself on a sentiment which is higher than
both of us, that I draw near, and find myself at your side; and I am
repelled, if you fix your eye on me, and demand love. In fact, in the
spiritual world, we change sexes every moment. You love the worth in
me; then I am your husband: but it is not me, but the worth, that fixes
the love; and that worth is a drop of the ocean of worth that is beyond
me. Meantime, I adore the greater worth in another, and so become his
wife. He aspires to a higher worth in another spirit, and is wife of
receiver of that influence.
Whether a self-inquisitorial habit, that he grew into, from jealousy
of the sins to which men of thought are liable, he has acquired, in
disentangling and demonstrating that particular form of moral disease,
an acumen which no conscience can resist. I refer to his feeling of
the profanation of thinking to what is good "from scientifics. " "To
reason about faith, is to doubt and deny. " He was painfully alive to
the difference between knowing and doing, and this sensibility is
incessantly expressed. Philosophers are, therefore, vipers, cockatrices,
asps, hemorrhoids, presters, and flying serpents; literary men are
conjurers and charlatans.
But this topic suggests a sad afterthought, that here we find the seat
of his own pain. Possibly Swedenborg paid the penalty of introverted
faculties. Success, or a fortunate genius, seems to depend on a happy
adjustment of heart and brain; on a due proportion, hard to hit, of
moral and mental power, which, perhaps, obeys the law of those chemical
ratios which make a proportion in volumes necessary to combination,
as when gases will combine in certain fixed rates, but not at any rate.
It is hard to carry a full cup: and this man, profusely endowed in
heart and mind, early fell into dangerous discord with himself. In his
Animal Kingdom, he surprises us, by declaring that he loved analysis,
and not synthesis; and now, after his fiftieth year, he falls into
jealousy of his intellect; and, though aware that truth is not solitary,
nor is goodness solitary, but both must ever mix and marry, he makes
war on his mind, takes the part of the conscience against it, and, on
all occasions, traduces and blasphemes it. The violence is instantly
avenged. Beauty is disgraced, love is unlovely, when truth, the half
part of heaven, is denied, as much as when a bitterness in men of
talent leads to satire, and destroys the judgment. He is wise, but
wise in his own despite. There is an air of infinite grief, and the
sound of wailing, all over and through this lurid universe. A vampyre
sits in the seat of the prophet, and turns with gloomy appetite to the
images of pain. Indeed, a bird does not more readily weave its nest,
or a mole bore into the ground, than this seer of souls substructs a
new hell and pit, each more abominable than the last, round every new
crew of offenders. He was let down through a column that seemed of
brass, but it was formed of angelic spirits, that he might descend
safely amongst the unhappy, and witness the vastation of souls; and
heard there, for a long continuance, their lamentations; he saw their
tormentors, who increase and strain pangs to infinity; he saw the hell
of the jugglers, the hell of the assassins, the hell of the lascivious;
the hell of robbers, who kill and boil men; the infernal tun of the
deceitful; the excrementitious hells; the hell of the revengeful, whose
faces resembled a round, broad-cake, and their arms rotate like a
wheel. Except Rabelais and Dean Swift, nobody ever had such science
of filth and corruption.
These books should be used with caution. It is dangerous to sculpture
these evanescing images of thought. True in transition, they become
false if fixed. It requires, for his just apprehension, almost a genius
equal to his own. But when his visions become the stereotyped language
of multitudes of persons, of all degrees of age and capacity, they are
perverted. The wise people of the Greek race were accustomed to lead
the most intelligent and virtuous young men, as part of their education,
through the Eleusinian mysteries, wherein, with much pomp and
graduation, the highest truths known to ancient wisdom were taught.
An ardent and contemplative young man, at eighteen or twenty years,
might read once these books of Swedenborg, these mysteries of love and
conscience, and then throw them aside forever. Genius is ever haunted
by similar dreams, when the hells and the heavens are opened to it.
But these pictures are to be held as mystical, that is, as a quite
arbitrary and accidental picture of the truth--not as the truth. Any
other symbol would be as good: then this is safely seen.
Swedenborg's system of the world wants central spontaneity; it is
dynamic, not vital, and lacks power to generate life. There is no
individual in it. The universe is a gigantic crystal, all those atoms
and laminae lie in uninterrupted order, and with unbroken unity, but
cold and still. What seems an individual and a will, is none. There
is an immense chain of intermediation, extending from center to
extremes, which bereaves every agency of all freedom and character.
The universe, in his poem, suffers under a magnetic sleep, and only
reflects the mind of the magnetizer. Every thought comes into each
mind by influence from a society of spirits that surround it, and into
these from a higher society, and so on. All his types mean the same
few things. All his figures speak one speech. All his interlocutors
Swedenborgize. Be they who they may, to this complexion must they come
at last. This Charon ferries them all over in his boat; kings,
counselors, cavaliers, doctors, Sir Isaac Newton, Sir Hans Sloane,
King George II. , Mahomet, or whosoever, and all gather one grimness
of hue and style. Only when Cicero comes by, our gentle seer sticks
a little at saying he talked with Cicero, and, with a touch of human
relenting, remarks, "one whom it was given me to believe was Cicero;"
and when the _soi disant_ Roman opens his mouth, Rome and eloquence
have ebbed away,--it is plain theologic Swedenborg, like the rest. His
heavens and hells are dull; fault of want of individualism. The
thousand-fold relation of men is not there. The interest that attaches
in nature to each man, because he is right by his wrong, and wrong by
his right, because he defies all dogmatizing and classification, so
many allowances, and contingencies, and futurities, are to be taken
into account, strong by his vices, often paralyzed by his
virtues,--sinks into entire sympathy with his society. This want reacts
to the center of the system. Though the agency of "the Lord" is in
every line referred to by name, it never becomes alive. There is no
lustre in that eye which gazes from the center, and which should vivify
the immense dependency of beings.
The vice of Swedenborg's mind is its theologic determination. Nothing
with him has the liberality of universal wisdom, but we are always in
a church. That Hebrew muse, which taught the lore of right and wrong
to man, had the same excess of influence for him, it has had for the
nations. The mode, as well as the essence, was sacred. Palestine is
ever the more valuable as a chapter in universal history, and ever the
less an available element in education. The genius of Swedenborg,
largest of all modern souls in this department of thought, wasted
itself in the endeavor to reanimate and conserve what had already
arrived at its natural term, and, in the great secular Providence, was
retiring from its prominence, before western modes of thought and
expression. Swedenborg and Behmen both failed by attaching themselves
to the Christian symbol, instead of to the moral sentiment, which
carries innumerable christianities, humanities, divinities, in its
bosom.
The excess of influence shows itself in the incongruous importation
of a foreign rhetoric. "What have I to do," asks the impatient reader,
"with jasper and sardonyx, beryl and chalcedony; what with arks and
passovers, ephahs and ephods; what with lepers and emerods; what with
heave-offerings and unleavened bread; chariots of fire, dragons crowned
and horned, behemoth and unicorn? Good for orientals, these are nothing
to me. The more learning you bring to explain them, the more glaring
the impertinence. The more coherent and elaborate the system, the less
I like it. I say, with the Spartan, 'Why do you speak so much to the
purpose, of that which is nothing to the purpose? ' My learning is such
as God gave me in my birth and habit, in the delight and study of my
eyes, and not of another man's. Of all absurdities, this of some
foreigner, purposing to take away my rhetoric, and substitute his own,
and amuse me with pelican and stork, instead of thrush and robin;
palm-trees and shittim-wood, instead of sassafras and hickory,--seems
the most needless. " Locke said, "God, when he makes the prophet, does
not unmake the man. " Swedenborg's history points the remark. The parish
disputes, in the Swedish church, between the friends and foes of Luther
and Melancthon, concerning "faith alone," and "works alone," intrude
themselves into his speculations upon the economy of the universe, and
of the celestial societies. The Lutheran bishop's son, for whom the
heavens are opened, so that he sees with eyes, and in the richest
symbolic forms, the awful truth of things, and utters again, in his
books, as under a heavenly mandate, the indisputable secrets of moral
nature,--with all these grandeurs resting upon him, remains the Lutheran
bishop's son; his judgments are those of a Swedish polemic, and his
vast enlargements purchased by adamantine limitations. He carries his
controversial memory with him, in his visits to the souls. He is like
Michel Angelo, who, in his frescoes, put the cardinal who had offended
him to roast under a mountain of devils; or, like Dante, who avenged,
in vindictive melodies, all his private wrongs; or, perhaps still more
like Montaigne's parish priest, who, if a hailstorm passes over the
village, thinks the day of doom has come, and the cannibals already
have got the pip. Swedenborg confounds us not less with the pains of
Melancthon, and Luther, and Wolfius, and his own books, which he
advertises among the angels.
Under the same theologic cramp, many of his dogmas are bound. His
cardinal position in morals is, that evils should be shunned as sins.
But he does not know what evil is, or what good is, who thinks any
ground remains to be occupied, after saying that evil is to be shunned
as evil. I doubt not he was led by the desire to insert the element
of personality of Deity. But nothing is added. One man, you say, dreads
crysipelas,--show him that this dread is evil: or, one dreads
hell,--show him that dread is evil. He who loves goodness, harbors
angels, reveres reverence, and lives with God. The less we have to do
with our sins, the better. No man can afford to waste his moments in
compunctions. "That is active duty," say the Hindoos, "which is not
for our bondage; that is knowledge, which is for our liberation; all
other duty is good only unto weariness. "
Another dogma, growing out of this pernicious theologic limitation,
is this Inferno. Swedenborg has devils. Evil, according to old
philosophers, is good in the making. That pure malignity can exist,
is the extreme proposition of unbelief. It is not to be entertained
by a rational agent; it is atheism; it is the last profanation.
Euripides rightly said,--
"Goodness and being in the gods are one; He who imputes ill to them
makes them none. "
To what a painful perversion had Gothic theology arrived, that
Swedenborg admitted no conversion for evil spirits! But the divine
effort is never relaxed; the carrion in the sun will convert itself
to grass and flowers; and man, though in brothels, or jails, or on
gibbets, is on his way to all that is good and true. Burns, with the
wild humor of his apostrophe to "poor old Nickie Ben,"
"O wad ye tak a thought, and mend! "
has the advantage of the vindictive theologian. Everything is
superficial, and perishes, but love and truth only. The largest is
always the truest sentiment, and we feel the more generous spirit of
the Indian Vishnu,-"I am the same to all mankind. There is not one who
is worthy of my love or hatred. They who serve me with adoration,--I
am in them, and they in me. If one whose ways are altogether evil,
serve me alone, he is as respectable as the just man; he is altogether
well employed; he soon becometh of a virtuous spirit, and obtaineth
eternal happiness. "
For the anomalous pretension of Revelations of the other world,--only
his probity and genius can entitle it to any serious regard. His
revelations destroy their credit by running into detail. If a man say,
that the Holy Ghost hath informed him that the Last Judgment (or the
last of the judgments) took place in 1757; or, that the Dutch, in the
other world, live in a heaven by themselves, and the English in a
heaven by themselves; I reply, that the Spirit which is holy, is
reserved, taciturn, and deals in laws. The rumors of ghosts and
hobgoblins gossip and tell fortunes. The teachings of the high Spirit
are abstemious, and, in regard to particulars, negative. Socrates'
Genius did not advise him to act or to find, but if he proposed to do
somewhat not advantageous, it dissuaded him. "What God is," he said,
"I know not; what he is not I know. " The Hindoos have denominated the
Supreme Being, the "Internal Check. " The illuminated Quakers explained
their Light, not as somewhat which leads to any action, but it appears
as an obstruction to anything unfit. But the right examples are private
experiences, which are absolutely at one on this point. Strictly
speaking, Swedenborg's revelation is a confounding of planes,--a capital
offence in so learned a categorist. This is to carry the law of surface
into the plane of substance, to carry individualism and its fopperies
into the realm of essences and generals, which is dislocation and
chaos.
The secret of heaven is kept from age to age. No imprudent, no sociable
angel ever dropt an early syllable to answer the longings of saints,
the fears of mortals. We should have listened on our knees to any
favorite, who, by stricter obedience, had brought his thoughts into
parallelism with the celestial currents, and could hint to human ears
the scenery and circumstance of the newly parted soul. But it is certain
that it must tally with what is best in nature. It must not be inferior
in tone to the already known works of the artist who sculptures the
globes of the firmament, and writes the moral law. It must be fresher
than rainbows, stabler than mountains, agreeing with flowers, with
tides, and the rising and setting of autumnal stars. Melodious poets
shall be hoarse as street ballads, when once the penetrating key-note
of nature and spirit is sounded,--the earth-beat, sea-beat, heart-beat
which makes the tune to which the sun rolls, and the globule of blood,
and the sap of trees.
In this mood, we hear the rumor that the seer has arrived, and his
tale is told. But there is no beauty, no heaven: for angels, goblins.
The sad muse loves night and death, and the pit. His Inferno is
mesmeric. His spiritual world bears the same relation to the
generosities and joys of truth, of which human souls have already made
us cognizant, as a man's bad dreams bear to his ideal life. It is
indeed very like, in its endless power of lurid pictures, to the
phenomena of dreaming, which nightly turns many an honest gentleman,
benevolent but dyspeptic, into a wretch, skulking like a dog about the
outer yards and kennels of creation. When he mounts into the heavens,
I do not hear its language. A man should not tell me that he has walked
among the angels; his proof is, that his eloquence makes me one. Shall
the archangels be less majestic and sweet than the figures that have
actually walked the earth? These angels that Swedenborg paints give
us no very high idea of their discipline and culture; they are all
country parsons; their heaven is a _fete champetre_, and evangelical
picnic, or French distribution of prizes to virtuous peasants. Strange,
scholastic, didactic, passionless, bloodless man, who denotes classes of
souls as a botanist disposes of a carex, and visits doleful hells as a
stratum of chalk or hornblende! He has no sympathy. He goes up and down
the world of men, a modern Rhadamanthus in gold-headed cane and peruke,
and with nonchalance, and the air of a referee, distributing souls. The
warm, many-weathered, passionate-peopled world is to him a grammar of
hieroglyphs, or an emblematic freemason's procession. How different is
Jacob Behmen! he is tremulous with emotion, and listens awe-struck, with
the gentlest humanity, to the Teacher whose lessons he conveys; and when
he asserts that, "in some sort, love is greater than God," his heart
beats so high that the thumping against his leathern coat is audible
across the centuries. 'Tis a great difference. Behmen is healthily and
beautifully wise, notwithstanding the mystical narrowness and
incommunicableness. Swedenborg is disagreeably wise, and, with all his
accumulated gifts, paralyzes and repels.
It is the best sign of a great nature, that it opens a foreground,
and, like the breath of morning landscapes, invites us onward.
Swedenborg is retrospective, nor can we divest him of his mattock and
shroud. Some minds are forever restrained from descending into nature;
others are forever prevented from ascending out of it. With a force
of many men, he could never break the umbilical cord which held him
to nature, and he did not rise to the platform of pure genius.
It is remarkable that this man, who, by his perception of symbols, saw
the poetic construction of things, and the primary relation of mind
to matter, remained entirely devoid of the whole apparatus of poetic
expression, which that perception creates. He knew the grammar and
rudiments of the Mother-Tongue,--how could he not read off one strain
into music? Was he like Saadi, who, in his vision, designed to fill
his lap with the celestial flowers, as presents for his friends; but
the fragrance of the roses so intoxicated him, that the skirt dropped
from his hands? or, is reporting a breach of the manners of that
heavenly society? or, was it that he saw the vision intellectually,
and hence that chiding of the intellectual that pervades his books?
Be it as it may, his books have no melody, no emotion, no humor, no
relief to the dead prosaic level. In his profuse and accurate imagery
is no pleasure, for there is no beauty. We wander forlorn in a lack-
lustre landscape. No bird ever sang in all these gardens of the dead.
The entire want of poetry in so transcendent a mind betokens the
disease, and, like a hoarse voice in a beautiful person, is a kind of
warning. I think, sometimes, he will not be read longer. His great
name will turn a sentence. His books have become a monument. His laurels
so largely mixed with cypress, a charnel-breath so mingles with the
temple incense, that boys and maids will shun the spot.
Yet, in this immolation of genius and fame at the shrine of conscience,
is a merit sublime beyond praise. He lived to purpose: he gave a
verdict. He elected goodness as the clue to which the soul must cling
in all this labyrinth of nature. Many opinions conflict as to the true
center. In the shipwreck, some cling to running rigging, some to cask
and barrel, some to spars, some to mast; the pilot chooses with
science,--I plant myself here; all will sink before this; "he comes
to land who sails with me. " Do not rely on heavenly favor, or on
compassion to folly, or on prudence, on common sense, the old usage
and main chance of men; nothing can keep you,--not fate, nor health,
nor admirable intellect; none can keep you, but rectitude only,
rectitude forever and ever! --and, with a tenacity that never swerved
in all his studies, inventions, dreams, he adheres to this brave choice.
I think of him as of some transmigratory votary of Indian legend, who
says, "Though I be dog, or jackal, or pismire, in the last rudiments
of nature, under what integument or ferocity, I cleave to right, as
the sure ladder that leads up to man and to God. "
Swedenborg has rendered a double service to mankind, which is now only
beginning to be known. By the science of experiment and use, he made
his first steps; he observed and published the laws of nature; and,
ascending by just degrees, from events to their summits and causes,
he was fired with piety at the harmonies he felt, and abandoned himself
to his joy and worship. This was his first service. If the glory was
too bright for his eyes to bear, if he staggered under the trance of
delight, the more excellent is the spectacle he saw, the realities of
being which beam and blaze through him, and which no infirmities of
the prophet are suffered to obscure; and he renders a second passive
service to men, not less than the first,--perhaps, in the great circle
of being, and in the retributions of spiritual nature, not less glorious
or less beautiful to himself.
IV. MONTAIGNE; OR, THE SKEPTIC.
Every fact is related on one side to sensation and, on the other, to
morals. The game of thought is, on the appearance of one of these two
sides, to find the other; given the upper, to find the under side.
Nothing so thin, but has these two faces; and, when the observer has
seen the obverse, he turns it over to see the reverse.
Life is a pitching of this penny,--heads or tails. We never tire of
this game, because there is still a slight shudder of astonishment at
the exhibition of the other face, at the contrast of the two faces.
A man is flushed with success, and bethinks himself what this good
luck signifies. He drives his bargain in the street; but it occurs
that he also is bought and sold. He sees the beauty of a human face,
and searches the cause of that beauty, which must be more beautiful.
He builds his fortunes, maintains the laws, cherishes his children;
but he asks himself, why? and whereto? This head and this tail are
called, in the language of philosophy, Infinite and Finite; Relative
and Absolute; Apparent and Real; and many fine names beside.
Each man is born with a predisposition to one or the other of these
sides of nature; and it will easily happen that men will be found
devoted to one or the other. One class has the perception of difference,
and is conversant with facts and surfaces; cities and persons; and the
bringing certain things to pass;--the men of talent and action. Another
class have the perception of identity, and are men of faith and
philosophy, men of genius.
Each of these riders drives too fast. Plotinus believes only in
philosophers; Fenelon, in saints; Pindar and Byron, in poets. Read the
haughty language in which Plato and the Platonists speak of all men
who are not devoted to their own shining abstractions: other men are
rats and mice. The literary class is usually proud and exclusive. The
correspondence of Pope and Swift describes mankind around them as
monsters; and that of Goethe and Schiller, in our own time, is scarcely
more kind.
It is easy to see how this arrogance comes. The genius is a genius by
the first look he casts on any object. Is his eye creative? Does he
not rest in angles and colors, but beholds the design--he will presently
undervalue the actual object. In powerful moments, his thought has
dissolved the works of art and nature into their causes, so that the
works appear heavy and faulty. He has a conception of beauty which the
sculptor cannot embody. Picture, statue, temple, railroad, steam-engine,
existed first in an artist's mind, without flaw, mistake, or friction,
which impair the executed models. So did the church, the state, college,
court, social circle, and all the institutions. It is not strange that
these men, remembering what they have seen and hoped of ideas, should
affirm disdainfully the superiority of ideas. Having at some time seen
that the happy soul will carry all the arts in power, they say, Why
cumber ourselves with superfluous realizations? and, like dreaming
beggars, they assume to speak and act as if these values were already
substantiated.
On the other part, the men of toil and trade and luxury,--the animal
world, including the animal in the philosopher and poet also,--and the
practical world, including the painful drudgeries which are never
excused to philosopher or poet any more than to the rest,--weigh heavily
on the other side. The trade in our streets believes in no metaphysical
causes, thinks nothing of the force which necessitated traders and a
trading planet to exist; no, but sticks to cotton, sugar, wool, and
salt. The ward meetings, on election days, are not softened by any
misgivings of the value of these ballotings. Hot life is streaming in
a single direction. To the men of this world, to the animal strength
and spirits, to the men of practical power, whilst immersed in it, the
man of ideas appears out of his reason. They alone have reason.
Things always bring their own philosophy with them, that is, prudence.
No man acquires property without acquiring with it a little arithmetic,
also. In England, the richest country that ever existed, property
stands for more, compared with personal ability, than in any other.
After dinner, a man believes less, denies more; verities have lost
some charm. After dinner, arithmetic is the only science; ideas are
disturbing, incendiary, follies of young men, repudiated by the solid
portion of society; and a man comes to be valued by his athletic and
animal qualities. Spence relates, that Mr. Pope was with Sir Godfrey
Kneller one day, when his nephew, a Guinea trader, came in. "Nephew,"
said Sir Godfrey, "you have the honor of seeing the two greatest men
in the world. " "I don't know how great men you may be," said the Guinea
man, "but I don't like your looks. I have often bought a man much
better than both of you, all muscles and bones, for ten guineas. Thus,
the men of the senses revenge themselves on the professors, and repay
scorn for scorn. The first had leaped to conclusions not yet ripe, and
say more than is true; the others make themselves merry with the
philosopher, and weigh man by the pound. --They believe that mustard
bites the tongue, that pepper is hot, friction-matches are incendiary,
revolvers to be avoided, and suspenders hold up pantaloons; that there
is much sentiment in a chest of tea; and a man will be eloquent, if
you give him good wine. Are you tender and scrupulous,--you must eat
more mince-pie. They hold that Luther had milk in him when he said,
"Wer nicht liebt Wein, Weib, und Gesang Der bleibt ein Narr sein Leben
lang,"
and when he advised a young scholar perplexed with fore-ordination and
free-will, to get well drunk. "The nerves," says Cabanis, "they are
the man. " My neighbor, a jolly farmer, in the tavern bar-room, thinks
that the use of money is sure and speedy spending. "For his part," he
says, "he puts his down his neck, and gets the good of it. "
The inconvenience of this way of thinking is, that it runs into
indifferentism, and then into disgust. Life is eating us up. We shall
be fables presently. Keep cool: it will be all one a hundred years
hence. Life's well enough; but we shall be glad to get out of it, and
they will all be glad to have us. Why should we fret and drudge? Our
meat will taste to-morrow as it did yesterday, and we may at last have
had enough of it. "Ah," said my languid gentleman at Oxford, "there's
nothing new or true,--and no matter. "
With a little more bitterness, the cynic moans: our life is like an
ass led to market by a bundle of hay being carried before him: he sees
nothing but the bundle of hay. "There is so much trouble in coming
into the world," said Lord Bolingbroke, "and so much more, as well as
meanness, in going out of it, that 'tis hardly worth while to be here
at all. " I knew a philosopher of this kidney, who was accustomed briefly
to sum up his experience of human nature in saying, "Mankind is a
damned rascal:" and the natural corollary is pretty sure to
follow,--"The world lives by humbug, and so will I. "
The abstractionist and the materialist thus mutually exasperating each
other, and the scoffer expressing the worst of materialism, there
arises a third party to occupy the middle ground between these two,
the skeptic, namely. He finds both wrong by being in extremes. He
labors to plant his feet, to be the beam of the balance. He will not
go beyond his card. He sees the one-sidedness of these men of the
street; he will not be a Gibeonite; he stands for the intellectual
faculties, a cool head, and whatever serves to keep it cool; no
unadvised industry, no unrewarded self-devotion, no loss of the brains
in toil. Am I an ox, or a dray? --You are both in extremes, he says.
You that will have all solid, and a world of pig-lead, deceive
yourselves grossly. You believe yourselves rooted and grounded on
adamant; and, yet, if we uncover the last facts of our knowledge, you
are spinning like bubbles in a river, you know not whither or whence,
and you are bottomed and capped and wrapped in delusions.
Neither will he be betrayed to a book, and wrapped in a gown. The
studious class are their own victims; they are thin and pale, their
feet are cold, their heads are hot, the night is without sleep, the
day a fear of interruption,--pallor, squalor, hunger, and egotism. If
you come near them, and see what conceits they entertain,--they are
abstractionists, and spend their days and nights in dreaming some
dreams; in expecting the homage of society to some precious scheme
built on a truth, but destitute of proportion in its presentment, of
justness in its application, and of all energy of will in the schemer
to embody and vitalize it.
But I see plainly, he says, that I cannot see. I know that human
strength is not in extremes, but in avoiding extremes. I, at least,
will shun the weakness of philosophizing beyond my depth. What is the
use of pretending to powers we have not? What is the use of pretending
to assurances we have not, respecting the other life? Why exaggerate
the power of virtue? Why be an angel before your time? These strings,
wound up too high, will snap. If there is a wish for immortality, and
no evidence, why not say just that? If there are conflicting evidences,
why not state them? If there is not ground for a candid thinker to
make up his mind, yea or nay,--why not suspend the judgment? I weary
of these dogmatizers. I tire of these hacks of routine, who deny the
dogmas. I neither affirm nor deny. I stand here to try the case. I am
here to consider,--to consider how it is. I will try to keep the balance
true. Of what use to take the chair, and glibly rattle off theories
of societies, religion, and nature, when I know that practical
objections lie in the way, insurmountable by me and by my mates? Why
so talkative in public, when each of my neighbors can pin me to my
seat by arguments I cannot refute? Why pretend that life is so simple
a game, when we know how subtle and elusive the Proteus is? Why think
to shut up all things in your narrow coop, when we know there are not
one or two only, but ten, twenty, a thousand things, and unlike? Why
fancy that you have all the truth in your keeping? There is much to
say on all sides.
Who shall forbid a wise skepticism, seeing that there is no practical
question on which anything more than an approximate solution can be
had? Is not marriage an open question when it is alleged, from the
beginning of the world, that such as are in the institution wish to
get out, and such as are out wish to get in? And the reply of Socrates,
to him who asked whether he should choose a wife, still remains
reasonable, "that, whether he should choose one or not, he would repent
it. " Is not the state a question? All society is divided in opinion
on the subject of the state. Nobody loves it; great numbers dislike
it, and suffer conscientious scruples to allegiance: and the only
defense set up, is, the fear of doing worse in disorganizing. Is it
otherwise with the church? Or, to put any of the questions which touch
mankind nearest,--shall the young man aim at a leading part in law,
in politics, in trade? It will not be pretended that a success in
either of these kinds is quite coincident with what is best and inmost
in his mind. Shall he, then, cutting the stays that hold him fast to
the social state, put out to sea with no guidance but his genius? There
is much to say on both sides. Remember the open question between the
present order of "competition," and the friends of "attractive and
associated labor. " The generous minds embrace the proposition of labor
shared by all; it is the only honesty; nothing else is safe. It is
from the poor man's hut alone, that strength and virtue come; and yet,
on the other side, it is alleged that labor impairs the form, and
breaks the spirit of man, and the laborers cry unanimously, "We have
no thoughts. " Culture, how indispensable! I cannot forgive you the
want of accomplishment; and yet, culture will instantly destroy that
chiefest beauty of spontaneousness. Excellent is culture for a savage;
but once let him read in the book, and he is no longer able not to
think of Plutarch's heroes. In short, since true fortitude of
understanding consists "in not letting what we know be embarrassed by
what we do not know," we ought to secure those advantages which we can
command, and not risk them by clutching after the airy and unattainable.
Come, no chimeras! Let us go abroad; let us mix in affairs; let us
learn, and get, and have, and climb. "Men are a sort of moving plants,
and, like trees, receive a great part of their nourishment from the
air. If they keep too much at home, they pine. " Let us have a robust,
manly life; let us know what we know, for certain; what we have, let
it be solid, and seasonable, and our own. A world in the hand is worth
two in the bush. Let us have to do with real men and women, and not
with skipping ghosts.
This, then, is the right ground of the skeptic,--this of consideration,
of self-containing; not at all of unbelief; not at all of universal
denying, nor of universal doubting,--doubting even that he doubts;
least of all, of scoffing and profligate jeering at all that is stable
and good. These are no more his moods than are those of religion and
philosophy. He is the considerer, the prudent, taking in sail, counting
stock, husbanding his means, believing that a man has too many enemies,
than that he can afford to be his own; that we cannot give ourselves
too many advantages, in this unequal conflict, with powers so vast and
unweariable ranged on one side, and this little, conceited, vulnerable
popinjay that a man is, bobbing up and down into every danger, on the
other. It is a position taken up for better defense, as of more safety,
and one that can be maintained; and it is one of more opportunity and
range; as, when we build a house, the rule is, to set it not too high
nor too low, under the wind, but out of the dirt.
The philosophy we want is one of fluxions and mobility. The Spartan
and Stoic schemes are too stark and stiff for our occasion. A theory
of Saint John, and of non-resistance, seems, on the other hand, too
thin and aerial. We want some coat woven of elastic steel, stout as
the first, and limber as the second. We want a ship in these billows
we inhabit. An angular, dogmatic house would be rent to chips and
splinters, in this storm of many elements. No, it must be tight, and
fit to the form of man, to live at all; as a shell is the architecture
of a house founded on the sea. The soul of man must be the type of our
scheme, just as the body of man is the type after which a dwelling-house
is built. Adaptiveness is the peculiarity of human nature. We are
golden averages, volitant stabilities, compensated or periodic errors,
houses founded on the sea. The wise skeptic wishes to have a near view
of the best game, and the chief players; what is best in the planet;
art and nature, places and events, but mainly men. Everything that is
excellent in mankind,--a form of grace, an arm of iron, lips of
persuasion, a brain of resources, every one skilful to play and win,--he
will see and judge.
The terms of admission to this spectacle are, that he have a certain
solid and intelligible way of living of his own; some method of
answering the inevitable needs of human life; proof that he has played
with skill and success; that he has evinced the temper, stoutness, and
the range of qualities which, among his contemporaries and countrymen,
entitle him to fellowship and trust. For, the secrets of life are not
shown except to sympathy and likeness. Men do not confide themselves
to boys, or coxcombs, or pedants, but to their peers. Some wise
limitation, as the modern phrase is; some condition between the
extremes, and having itself a positive quality; some stark and
sufficient man, who is not salt or sugar, but sufficiently related to
the world to do justice to Paris or London, and, at the same time, a
vigorous and original thinker, whom cities cannot overawe, but who
uses them,--is the fit person to occupy this ground of speculation.
These qualities meet in the character of Montaigne. And yet, since the
personal regard which I entertain for Montaigne may be unduly great,
I will, under the shield of this prince of egotists, offer, as an
apology for electing him as the representative of skepticism, a word
or two to explain how my love began and grew for this admirable gossip.
A single odd volume of Cotton's translation of the Essays remained to
me from my father's library, when a boy. It lay long neglected, until,
after many years, when I was newly escaped from college, I read the
book, and procured the remaining volumes. I remember the delight and
wonder in which I lived with it. It seemed to me as if I had myself
written the book, in some former life, so sincerely it spoke to my
thought and experience. It happened, when in Paris, in 1833, that, in
the cemetery of Pere le Chaise, I came to a tomb of Augustus Collignon,
who died in 1830, aged sixty-eight years, and who, said the monument,
"lived to do right, and had formed himself to virtue on the Essays of
Montaigne. " Some years later, I became acquainted with an accomplished
English poet, John Sterling; and, in prosecuting my correspondence,
I found that, from a love of Montaigne, he had made a pilgrimage to
his chateau, still standing near Castellan, in Perigord, and, after
two hundred and fifty years, had copied from the walls of his library
the inscriptions which Montaigne had written there. That Journal of
Mr. Sterling's, published in the Westminster Review, Mr. Hazlitt has
reprinted in the Prolegomenae to his edition of the Essays. I heard
with pleasure that one of the newly-discovered autographs of William
Shakspeare was in a copy of Florio's translation of Montaigne. It is
the only book which we certainly know to have been in the poet's
library. And, oddly enough, the duplicate copy of Florio, which the
British Museum purchased, with a view of protecting the Shakspeare
autograph (as I was informed in the Museum), turned out to have the
autograph of Ben Jonson in the fly-leaf. Leigh Hunt relates of Lord
Byron, that Montaigne was the only great writer of past times whom he
read with avowed satisfaction. Other coincidences, not needful to be
mentioned here, concurred to make this old Gascon still new and immortal
for me.
In 1571, on the death of his father, Montaigne, then thirty-eight years
old, retired from the practice of law, at Bordeaux, and settled himself
on his estate. Though he had been a man of pleasure, and sometimes a
courtier, his studious habits now grew on him, and he loved the compass,
staidness, and independence of the country gentleman's life. He took
up his economy in good earnest, and made his farms yield the most.
Downright and plain-dealing, and abhorring to be deceived or to
deceive, he was esteemed in the country for his sense and probity. In
the civil wars of the League, which converted every house into a fort,
Montaigne kept his gates open, and his house without defense. All
parties freely came and went, his courage and honor being universally
esteemed. The neighboring lords and gentry brought jewels and papers
to him for safekeeping. Gibbon reckons, in these bigoted times, but
two men of liberality in France,--Henry IV. and Montaigne.
Montaigne is the frankest and honestest of all writers. His French
freedom runs into grossness; but he has anticipated all censures by
the bounty of his own confessions. In his times, books were written
to one sex only, and almost all were written in Latin; so that, in a
humorist, a certain nakedness of statement was permitted, which our
manners, of a literature addressed equally to both sexes, do not allow.
But, though a biblical plainness, coupled with a most uncanonical
levity, may shut his pages to many sensitive readers, yet the offence
is superficial. He parades it: he makes the most of it; nobody can
think or say worse of him than he does. He pretends to most of the
vices; and, if there be any virtue in him, he says, it got in by
stealth. There is no man, in his opinion, who has not deserved hanging
five or six times; and he pretends no exception in his own behalf.
"Five or six as ridiculous stories," too, he says, "can be told of me,
as of any man living. " But, with all this really superfluous frankness,
the opinion of an invincible probity grows into every reader's mind.
"When I the most strictly and religiously confess myself, I find that
the best virtue I have has in it some tincture of vice; and I am afraid
that Plato, in his purest virtue (I, who am as sincere and perfect a
lover of virtue of that stamp as any other whatever), if he had
listened, and laid his ear close to himself, would have heard some
jarring sound of human mixture; but faint and remote, and only to be
perceived by himself. "
Here is an impatience and fastidiousness at color or pretense of any
kind. He has been in courts so long as to have conceived a furious
disgust at appearances; he will indulge himself with a little cursing
and swearing; he will talk with sailors and gypsies, use flash and
street ballads; he has stayed indoors till he is deadly sick; he will
to the open air, though it rain bullets. He has seen too much of
gentlemen of the long robe, until he wishes for cannibals; and is so
nervous, by factitious life, that he thinks, the more barbarous man
is, the better he is. He likes his saddle. You may read theology, and
grammar, and metaphysics elsewhere. Whatever you get here, shall smack
of the earth and of real life, sweet, or smart, or stinging. He makes
no hesitation to entertain you with the records of his disease; and
his journey to Italy is quite full of that matter. He took and kept
this position of equilibrium. Over his name, he drew an emblematic
pair of scales, and wrote, _Que sais-je? _ under it. As I look at
his effigy opposite the title-page, I seem to hear him say, "You may
play old Poz, if you will; you may rail and exaggerate,--I stand here
for truth, and will not, for all the states, and churches, and revenues,
and personal reputations of Europe, overstate the dry fact, as I see
it; I will rather mumble and prose about what I certainly know,--my
house and barns; my father, my wife, and my tenants; my old lean bald
pate; my knives and forks; what meats I eat, and what drinks I prefer;
and a hundred straws just as ridiculous,--than I will write, with a
fine crow-quill, a fine romance. I like gray days, and autumn and
winter weather. I am gray and autumnal myself, and think an undress,
and old shoes that do not pinch my feet, and old friends who do not
constrain me, and plain topics where I do not need to strain myself
and pump my brains, the most suitable. Our condition as men is risky
and ticklish enough. One cannot be sure of himself and his fortune an
hour, but he may be whisked off into some pitiable or ridiculous plight.
Why should I vapor and play the philosopher, instead of ballasting,
the best I can, this dancing balloon? So, at least, I live within
compass, keep myself ready for action, and can shoot the gulf, at last,
with decency. If there be anything farcical in such a life, the blame
is not mine; let it lie at fate's and nature's door. "
The Essays, therefore, are an entertaining soliloquy on every random
topic that comes into his head; treating everything without ceremony,
yet with masculine sense. There have been men with deeper insight;
but, one would say, never a man with such abundance of thoughts; he
is never dull, never insincere, and has the genius to make the reader
care for all that he cares for.
The sincerity and marrow of the man reaches to his sentences. I know
not anywhere the book that seems less written. It is the language of
conversation transferred to a book. Cut these words, and they would
bleed; they are vascular and alive. One has the same pleasure in it
that we have in listening to the necessary speech of men about their
work, when any unusual circumstance give momentary importance to the
dialogue. For blacksmiths and teamsters do not trip in their speech;
it is a shower of bullets. It is Cambridge men who correct themselves,
and begin again at every half-sentence, and, moreover, will pun, and
refine too much, and swerve from the matter to the expression. Montaigne
talks with shrewdness, knows the world, and books, and himself, and
uses the positive degree; never shrieks, or protests, or prays; no
weakness, no convulsion, no superlative; does not wish to jump out of
his skin, or play any antics, or annihilate space or time; but is stout
and solid; tastes every moment of the day; likes pain, because it makes
him feel himself, and realize things; as we pinch ourselves to know
that we are awake. He keeps the plain; he rarely mounts or sinks; likes
to feel solid ground, and the stones underneath. His writing has no
enthusiasms, no aspiration; contented, self-respecting, and keeping
the middle of the road. There is but one exception,--in his love for
Socrates. In speaking of him, for once his cheek flushes, and his style
rises to passion.
Montaigne died of a quinsy, at the age of sixty, in 1592. When he came
to die, he caused the mass to be celebrated in his chamber. At the age
of thirty-three, he had been married. "But," he says, "might I have
had my own will, I would not have married Wisdom herself, if she would
have had me; but 'tis to much purpose to evade it, the common custom
and use of life will have it so. Most of my actions are guided by
example, not choice. " In the hour of death he gave the same weight to
custom. _Que sais-je? _ What do I know.
love me? means, Do you see the same truth? If you do, we are happy
with the same happiness; but presently one of us passes into the
perception of new truth;--we are divorced, and no tension in nature
can hold us to each other. I know how delicious is this cup of love,--I
existing for you, you existing for me; but it is a child's clinging
to his toy; an attempt to eternize the fireside and nuptial chamber;
to keep the picture-alphabet through which our first lessons are
prettily conveyed. The Eden of God is bare and grand: like the outdoor
landscape, remembered from the evening fireside, it seems cold and
desolate, whilst you cower over the coals; but, once abroad again, we
pity those who can forego the magnificence of nature, for candle-light
and cards. Perhaps the true subject of the "Conjugal Love" is
conversation, whose laws are profoundly eliminated. It is false, if
literally applied to marriage. For God is the bride or bridegroom of
the soul. Heaven is not the pairing of two, but the communion of all
souls. We meet, and dwell an instant under the temple of one thought,
and part as though we parted not, to join another thought in other
fellowships of joy. So far from there being anything divine in the low
and proprietary sense of, Do you love me? it is only when you leave
and lose me, by casting yourself on a sentiment which is higher than
both of us, that I draw near, and find myself at your side; and I am
repelled, if you fix your eye on me, and demand love. In fact, in the
spiritual world, we change sexes every moment. You love the worth in
me; then I am your husband: but it is not me, but the worth, that fixes
the love; and that worth is a drop of the ocean of worth that is beyond
me. Meantime, I adore the greater worth in another, and so become his
wife. He aspires to a higher worth in another spirit, and is wife of
receiver of that influence.
Whether a self-inquisitorial habit, that he grew into, from jealousy
of the sins to which men of thought are liable, he has acquired, in
disentangling and demonstrating that particular form of moral disease,
an acumen which no conscience can resist. I refer to his feeling of
the profanation of thinking to what is good "from scientifics. " "To
reason about faith, is to doubt and deny. " He was painfully alive to
the difference between knowing and doing, and this sensibility is
incessantly expressed. Philosophers are, therefore, vipers, cockatrices,
asps, hemorrhoids, presters, and flying serpents; literary men are
conjurers and charlatans.
But this topic suggests a sad afterthought, that here we find the seat
of his own pain. Possibly Swedenborg paid the penalty of introverted
faculties. Success, or a fortunate genius, seems to depend on a happy
adjustment of heart and brain; on a due proportion, hard to hit, of
moral and mental power, which, perhaps, obeys the law of those chemical
ratios which make a proportion in volumes necessary to combination,
as when gases will combine in certain fixed rates, but not at any rate.
It is hard to carry a full cup: and this man, profusely endowed in
heart and mind, early fell into dangerous discord with himself. In his
Animal Kingdom, he surprises us, by declaring that he loved analysis,
and not synthesis; and now, after his fiftieth year, he falls into
jealousy of his intellect; and, though aware that truth is not solitary,
nor is goodness solitary, but both must ever mix and marry, he makes
war on his mind, takes the part of the conscience against it, and, on
all occasions, traduces and blasphemes it. The violence is instantly
avenged. Beauty is disgraced, love is unlovely, when truth, the half
part of heaven, is denied, as much as when a bitterness in men of
talent leads to satire, and destroys the judgment. He is wise, but
wise in his own despite. There is an air of infinite grief, and the
sound of wailing, all over and through this lurid universe. A vampyre
sits in the seat of the prophet, and turns with gloomy appetite to the
images of pain. Indeed, a bird does not more readily weave its nest,
or a mole bore into the ground, than this seer of souls substructs a
new hell and pit, each more abominable than the last, round every new
crew of offenders. He was let down through a column that seemed of
brass, but it was formed of angelic spirits, that he might descend
safely amongst the unhappy, and witness the vastation of souls; and
heard there, for a long continuance, their lamentations; he saw their
tormentors, who increase and strain pangs to infinity; he saw the hell
of the jugglers, the hell of the assassins, the hell of the lascivious;
the hell of robbers, who kill and boil men; the infernal tun of the
deceitful; the excrementitious hells; the hell of the revengeful, whose
faces resembled a round, broad-cake, and their arms rotate like a
wheel. Except Rabelais and Dean Swift, nobody ever had such science
of filth and corruption.
These books should be used with caution. It is dangerous to sculpture
these evanescing images of thought. True in transition, they become
false if fixed. It requires, for his just apprehension, almost a genius
equal to his own. But when his visions become the stereotyped language
of multitudes of persons, of all degrees of age and capacity, they are
perverted. The wise people of the Greek race were accustomed to lead
the most intelligent and virtuous young men, as part of their education,
through the Eleusinian mysteries, wherein, with much pomp and
graduation, the highest truths known to ancient wisdom were taught.
An ardent and contemplative young man, at eighteen or twenty years,
might read once these books of Swedenborg, these mysteries of love and
conscience, and then throw them aside forever. Genius is ever haunted
by similar dreams, when the hells and the heavens are opened to it.
But these pictures are to be held as mystical, that is, as a quite
arbitrary and accidental picture of the truth--not as the truth. Any
other symbol would be as good: then this is safely seen.
Swedenborg's system of the world wants central spontaneity; it is
dynamic, not vital, and lacks power to generate life. There is no
individual in it. The universe is a gigantic crystal, all those atoms
and laminae lie in uninterrupted order, and with unbroken unity, but
cold and still. What seems an individual and a will, is none. There
is an immense chain of intermediation, extending from center to
extremes, which bereaves every agency of all freedom and character.
The universe, in his poem, suffers under a magnetic sleep, and only
reflects the mind of the magnetizer. Every thought comes into each
mind by influence from a society of spirits that surround it, and into
these from a higher society, and so on. All his types mean the same
few things. All his figures speak one speech. All his interlocutors
Swedenborgize. Be they who they may, to this complexion must they come
at last. This Charon ferries them all over in his boat; kings,
counselors, cavaliers, doctors, Sir Isaac Newton, Sir Hans Sloane,
King George II. , Mahomet, or whosoever, and all gather one grimness
of hue and style. Only when Cicero comes by, our gentle seer sticks
a little at saying he talked with Cicero, and, with a touch of human
relenting, remarks, "one whom it was given me to believe was Cicero;"
and when the _soi disant_ Roman opens his mouth, Rome and eloquence
have ebbed away,--it is plain theologic Swedenborg, like the rest. His
heavens and hells are dull; fault of want of individualism. The
thousand-fold relation of men is not there. The interest that attaches
in nature to each man, because he is right by his wrong, and wrong by
his right, because he defies all dogmatizing and classification, so
many allowances, and contingencies, and futurities, are to be taken
into account, strong by his vices, often paralyzed by his
virtues,--sinks into entire sympathy with his society. This want reacts
to the center of the system. Though the agency of "the Lord" is in
every line referred to by name, it never becomes alive. There is no
lustre in that eye which gazes from the center, and which should vivify
the immense dependency of beings.
The vice of Swedenborg's mind is its theologic determination. Nothing
with him has the liberality of universal wisdom, but we are always in
a church. That Hebrew muse, which taught the lore of right and wrong
to man, had the same excess of influence for him, it has had for the
nations. The mode, as well as the essence, was sacred. Palestine is
ever the more valuable as a chapter in universal history, and ever the
less an available element in education. The genius of Swedenborg,
largest of all modern souls in this department of thought, wasted
itself in the endeavor to reanimate and conserve what had already
arrived at its natural term, and, in the great secular Providence, was
retiring from its prominence, before western modes of thought and
expression. Swedenborg and Behmen both failed by attaching themselves
to the Christian symbol, instead of to the moral sentiment, which
carries innumerable christianities, humanities, divinities, in its
bosom.
The excess of influence shows itself in the incongruous importation
of a foreign rhetoric. "What have I to do," asks the impatient reader,
"with jasper and sardonyx, beryl and chalcedony; what with arks and
passovers, ephahs and ephods; what with lepers and emerods; what with
heave-offerings and unleavened bread; chariots of fire, dragons crowned
and horned, behemoth and unicorn? Good for orientals, these are nothing
to me. The more learning you bring to explain them, the more glaring
the impertinence. The more coherent and elaborate the system, the less
I like it. I say, with the Spartan, 'Why do you speak so much to the
purpose, of that which is nothing to the purpose? ' My learning is such
as God gave me in my birth and habit, in the delight and study of my
eyes, and not of another man's. Of all absurdities, this of some
foreigner, purposing to take away my rhetoric, and substitute his own,
and amuse me with pelican and stork, instead of thrush and robin;
palm-trees and shittim-wood, instead of sassafras and hickory,--seems
the most needless. " Locke said, "God, when he makes the prophet, does
not unmake the man. " Swedenborg's history points the remark. The parish
disputes, in the Swedish church, between the friends and foes of Luther
and Melancthon, concerning "faith alone," and "works alone," intrude
themselves into his speculations upon the economy of the universe, and
of the celestial societies. The Lutheran bishop's son, for whom the
heavens are opened, so that he sees with eyes, and in the richest
symbolic forms, the awful truth of things, and utters again, in his
books, as under a heavenly mandate, the indisputable secrets of moral
nature,--with all these grandeurs resting upon him, remains the Lutheran
bishop's son; his judgments are those of a Swedish polemic, and his
vast enlargements purchased by adamantine limitations. He carries his
controversial memory with him, in his visits to the souls. He is like
Michel Angelo, who, in his frescoes, put the cardinal who had offended
him to roast under a mountain of devils; or, like Dante, who avenged,
in vindictive melodies, all his private wrongs; or, perhaps still more
like Montaigne's parish priest, who, if a hailstorm passes over the
village, thinks the day of doom has come, and the cannibals already
have got the pip. Swedenborg confounds us not less with the pains of
Melancthon, and Luther, and Wolfius, and his own books, which he
advertises among the angels.
Under the same theologic cramp, many of his dogmas are bound. His
cardinal position in morals is, that evils should be shunned as sins.
But he does not know what evil is, or what good is, who thinks any
ground remains to be occupied, after saying that evil is to be shunned
as evil. I doubt not he was led by the desire to insert the element
of personality of Deity. But nothing is added. One man, you say, dreads
crysipelas,--show him that this dread is evil: or, one dreads
hell,--show him that dread is evil. He who loves goodness, harbors
angels, reveres reverence, and lives with God. The less we have to do
with our sins, the better. No man can afford to waste his moments in
compunctions. "That is active duty," say the Hindoos, "which is not
for our bondage; that is knowledge, which is for our liberation; all
other duty is good only unto weariness. "
Another dogma, growing out of this pernicious theologic limitation,
is this Inferno. Swedenborg has devils. Evil, according to old
philosophers, is good in the making. That pure malignity can exist,
is the extreme proposition of unbelief. It is not to be entertained
by a rational agent; it is atheism; it is the last profanation.
Euripides rightly said,--
"Goodness and being in the gods are one; He who imputes ill to them
makes them none. "
To what a painful perversion had Gothic theology arrived, that
Swedenborg admitted no conversion for evil spirits! But the divine
effort is never relaxed; the carrion in the sun will convert itself
to grass and flowers; and man, though in brothels, or jails, or on
gibbets, is on his way to all that is good and true. Burns, with the
wild humor of his apostrophe to "poor old Nickie Ben,"
"O wad ye tak a thought, and mend! "
has the advantage of the vindictive theologian. Everything is
superficial, and perishes, but love and truth only. The largest is
always the truest sentiment, and we feel the more generous spirit of
the Indian Vishnu,-"I am the same to all mankind. There is not one who
is worthy of my love or hatred. They who serve me with adoration,--I
am in them, and they in me. If one whose ways are altogether evil,
serve me alone, he is as respectable as the just man; he is altogether
well employed; he soon becometh of a virtuous spirit, and obtaineth
eternal happiness. "
For the anomalous pretension of Revelations of the other world,--only
his probity and genius can entitle it to any serious regard. His
revelations destroy their credit by running into detail. If a man say,
that the Holy Ghost hath informed him that the Last Judgment (or the
last of the judgments) took place in 1757; or, that the Dutch, in the
other world, live in a heaven by themselves, and the English in a
heaven by themselves; I reply, that the Spirit which is holy, is
reserved, taciturn, and deals in laws. The rumors of ghosts and
hobgoblins gossip and tell fortunes. The teachings of the high Spirit
are abstemious, and, in regard to particulars, negative. Socrates'
Genius did not advise him to act or to find, but if he proposed to do
somewhat not advantageous, it dissuaded him. "What God is," he said,
"I know not; what he is not I know. " The Hindoos have denominated the
Supreme Being, the "Internal Check. " The illuminated Quakers explained
their Light, not as somewhat which leads to any action, but it appears
as an obstruction to anything unfit. But the right examples are private
experiences, which are absolutely at one on this point. Strictly
speaking, Swedenborg's revelation is a confounding of planes,--a capital
offence in so learned a categorist. This is to carry the law of surface
into the plane of substance, to carry individualism and its fopperies
into the realm of essences and generals, which is dislocation and
chaos.
The secret of heaven is kept from age to age. No imprudent, no sociable
angel ever dropt an early syllable to answer the longings of saints,
the fears of mortals. We should have listened on our knees to any
favorite, who, by stricter obedience, had brought his thoughts into
parallelism with the celestial currents, and could hint to human ears
the scenery and circumstance of the newly parted soul. But it is certain
that it must tally with what is best in nature. It must not be inferior
in tone to the already known works of the artist who sculptures the
globes of the firmament, and writes the moral law. It must be fresher
than rainbows, stabler than mountains, agreeing with flowers, with
tides, and the rising and setting of autumnal stars. Melodious poets
shall be hoarse as street ballads, when once the penetrating key-note
of nature and spirit is sounded,--the earth-beat, sea-beat, heart-beat
which makes the tune to which the sun rolls, and the globule of blood,
and the sap of trees.
In this mood, we hear the rumor that the seer has arrived, and his
tale is told. But there is no beauty, no heaven: for angels, goblins.
The sad muse loves night and death, and the pit. His Inferno is
mesmeric. His spiritual world bears the same relation to the
generosities and joys of truth, of which human souls have already made
us cognizant, as a man's bad dreams bear to his ideal life. It is
indeed very like, in its endless power of lurid pictures, to the
phenomena of dreaming, which nightly turns many an honest gentleman,
benevolent but dyspeptic, into a wretch, skulking like a dog about the
outer yards and kennels of creation. When he mounts into the heavens,
I do not hear its language. A man should not tell me that he has walked
among the angels; his proof is, that his eloquence makes me one. Shall
the archangels be less majestic and sweet than the figures that have
actually walked the earth? These angels that Swedenborg paints give
us no very high idea of their discipline and culture; they are all
country parsons; their heaven is a _fete champetre_, and evangelical
picnic, or French distribution of prizes to virtuous peasants. Strange,
scholastic, didactic, passionless, bloodless man, who denotes classes of
souls as a botanist disposes of a carex, and visits doleful hells as a
stratum of chalk or hornblende! He has no sympathy. He goes up and down
the world of men, a modern Rhadamanthus in gold-headed cane and peruke,
and with nonchalance, and the air of a referee, distributing souls. The
warm, many-weathered, passionate-peopled world is to him a grammar of
hieroglyphs, or an emblematic freemason's procession. How different is
Jacob Behmen! he is tremulous with emotion, and listens awe-struck, with
the gentlest humanity, to the Teacher whose lessons he conveys; and when
he asserts that, "in some sort, love is greater than God," his heart
beats so high that the thumping against his leathern coat is audible
across the centuries. 'Tis a great difference. Behmen is healthily and
beautifully wise, notwithstanding the mystical narrowness and
incommunicableness. Swedenborg is disagreeably wise, and, with all his
accumulated gifts, paralyzes and repels.
It is the best sign of a great nature, that it opens a foreground,
and, like the breath of morning landscapes, invites us onward.
Swedenborg is retrospective, nor can we divest him of his mattock and
shroud. Some minds are forever restrained from descending into nature;
others are forever prevented from ascending out of it. With a force
of many men, he could never break the umbilical cord which held him
to nature, and he did not rise to the platform of pure genius.
It is remarkable that this man, who, by his perception of symbols, saw
the poetic construction of things, and the primary relation of mind
to matter, remained entirely devoid of the whole apparatus of poetic
expression, which that perception creates. He knew the grammar and
rudiments of the Mother-Tongue,--how could he not read off one strain
into music? Was he like Saadi, who, in his vision, designed to fill
his lap with the celestial flowers, as presents for his friends; but
the fragrance of the roses so intoxicated him, that the skirt dropped
from his hands? or, is reporting a breach of the manners of that
heavenly society? or, was it that he saw the vision intellectually,
and hence that chiding of the intellectual that pervades his books?
Be it as it may, his books have no melody, no emotion, no humor, no
relief to the dead prosaic level. In his profuse and accurate imagery
is no pleasure, for there is no beauty. We wander forlorn in a lack-
lustre landscape. No bird ever sang in all these gardens of the dead.
The entire want of poetry in so transcendent a mind betokens the
disease, and, like a hoarse voice in a beautiful person, is a kind of
warning. I think, sometimes, he will not be read longer. His great
name will turn a sentence. His books have become a monument. His laurels
so largely mixed with cypress, a charnel-breath so mingles with the
temple incense, that boys and maids will shun the spot.
Yet, in this immolation of genius and fame at the shrine of conscience,
is a merit sublime beyond praise. He lived to purpose: he gave a
verdict. He elected goodness as the clue to which the soul must cling
in all this labyrinth of nature. Many opinions conflict as to the true
center. In the shipwreck, some cling to running rigging, some to cask
and barrel, some to spars, some to mast; the pilot chooses with
science,--I plant myself here; all will sink before this; "he comes
to land who sails with me. " Do not rely on heavenly favor, or on
compassion to folly, or on prudence, on common sense, the old usage
and main chance of men; nothing can keep you,--not fate, nor health,
nor admirable intellect; none can keep you, but rectitude only,
rectitude forever and ever! --and, with a tenacity that never swerved
in all his studies, inventions, dreams, he adheres to this brave choice.
I think of him as of some transmigratory votary of Indian legend, who
says, "Though I be dog, or jackal, or pismire, in the last rudiments
of nature, under what integument or ferocity, I cleave to right, as
the sure ladder that leads up to man and to God. "
Swedenborg has rendered a double service to mankind, which is now only
beginning to be known. By the science of experiment and use, he made
his first steps; he observed and published the laws of nature; and,
ascending by just degrees, from events to their summits and causes,
he was fired with piety at the harmonies he felt, and abandoned himself
to his joy and worship. This was his first service. If the glory was
too bright for his eyes to bear, if he staggered under the trance of
delight, the more excellent is the spectacle he saw, the realities of
being which beam and blaze through him, and which no infirmities of
the prophet are suffered to obscure; and he renders a second passive
service to men, not less than the first,--perhaps, in the great circle
of being, and in the retributions of spiritual nature, not less glorious
or less beautiful to himself.
IV. MONTAIGNE; OR, THE SKEPTIC.
Every fact is related on one side to sensation and, on the other, to
morals. The game of thought is, on the appearance of one of these two
sides, to find the other; given the upper, to find the under side.
Nothing so thin, but has these two faces; and, when the observer has
seen the obverse, he turns it over to see the reverse.
Life is a pitching of this penny,--heads or tails. We never tire of
this game, because there is still a slight shudder of astonishment at
the exhibition of the other face, at the contrast of the two faces.
A man is flushed with success, and bethinks himself what this good
luck signifies. He drives his bargain in the street; but it occurs
that he also is bought and sold. He sees the beauty of a human face,
and searches the cause of that beauty, which must be more beautiful.
He builds his fortunes, maintains the laws, cherishes his children;
but he asks himself, why? and whereto? This head and this tail are
called, in the language of philosophy, Infinite and Finite; Relative
and Absolute; Apparent and Real; and many fine names beside.
Each man is born with a predisposition to one or the other of these
sides of nature; and it will easily happen that men will be found
devoted to one or the other. One class has the perception of difference,
and is conversant with facts and surfaces; cities and persons; and the
bringing certain things to pass;--the men of talent and action. Another
class have the perception of identity, and are men of faith and
philosophy, men of genius.
Each of these riders drives too fast. Plotinus believes only in
philosophers; Fenelon, in saints; Pindar and Byron, in poets. Read the
haughty language in which Plato and the Platonists speak of all men
who are not devoted to their own shining abstractions: other men are
rats and mice. The literary class is usually proud and exclusive. The
correspondence of Pope and Swift describes mankind around them as
monsters; and that of Goethe and Schiller, in our own time, is scarcely
more kind.
It is easy to see how this arrogance comes. The genius is a genius by
the first look he casts on any object. Is his eye creative? Does he
not rest in angles and colors, but beholds the design--he will presently
undervalue the actual object. In powerful moments, his thought has
dissolved the works of art and nature into their causes, so that the
works appear heavy and faulty. He has a conception of beauty which the
sculptor cannot embody. Picture, statue, temple, railroad, steam-engine,
existed first in an artist's mind, without flaw, mistake, or friction,
which impair the executed models. So did the church, the state, college,
court, social circle, and all the institutions. It is not strange that
these men, remembering what they have seen and hoped of ideas, should
affirm disdainfully the superiority of ideas. Having at some time seen
that the happy soul will carry all the arts in power, they say, Why
cumber ourselves with superfluous realizations? and, like dreaming
beggars, they assume to speak and act as if these values were already
substantiated.
On the other part, the men of toil and trade and luxury,--the animal
world, including the animal in the philosopher and poet also,--and the
practical world, including the painful drudgeries which are never
excused to philosopher or poet any more than to the rest,--weigh heavily
on the other side. The trade in our streets believes in no metaphysical
causes, thinks nothing of the force which necessitated traders and a
trading planet to exist; no, but sticks to cotton, sugar, wool, and
salt. The ward meetings, on election days, are not softened by any
misgivings of the value of these ballotings. Hot life is streaming in
a single direction. To the men of this world, to the animal strength
and spirits, to the men of practical power, whilst immersed in it, the
man of ideas appears out of his reason. They alone have reason.
Things always bring their own philosophy with them, that is, prudence.
No man acquires property without acquiring with it a little arithmetic,
also. In England, the richest country that ever existed, property
stands for more, compared with personal ability, than in any other.
After dinner, a man believes less, denies more; verities have lost
some charm. After dinner, arithmetic is the only science; ideas are
disturbing, incendiary, follies of young men, repudiated by the solid
portion of society; and a man comes to be valued by his athletic and
animal qualities. Spence relates, that Mr. Pope was with Sir Godfrey
Kneller one day, when his nephew, a Guinea trader, came in. "Nephew,"
said Sir Godfrey, "you have the honor of seeing the two greatest men
in the world. " "I don't know how great men you may be," said the Guinea
man, "but I don't like your looks. I have often bought a man much
better than both of you, all muscles and bones, for ten guineas. Thus,
the men of the senses revenge themselves on the professors, and repay
scorn for scorn. The first had leaped to conclusions not yet ripe, and
say more than is true; the others make themselves merry with the
philosopher, and weigh man by the pound. --They believe that mustard
bites the tongue, that pepper is hot, friction-matches are incendiary,
revolvers to be avoided, and suspenders hold up pantaloons; that there
is much sentiment in a chest of tea; and a man will be eloquent, if
you give him good wine. Are you tender and scrupulous,--you must eat
more mince-pie. They hold that Luther had milk in him when he said,
"Wer nicht liebt Wein, Weib, und Gesang Der bleibt ein Narr sein Leben
lang,"
and when he advised a young scholar perplexed with fore-ordination and
free-will, to get well drunk. "The nerves," says Cabanis, "they are
the man. " My neighbor, a jolly farmer, in the tavern bar-room, thinks
that the use of money is sure and speedy spending. "For his part," he
says, "he puts his down his neck, and gets the good of it. "
The inconvenience of this way of thinking is, that it runs into
indifferentism, and then into disgust. Life is eating us up. We shall
be fables presently. Keep cool: it will be all one a hundred years
hence. Life's well enough; but we shall be glad to get out of it, and
they will all be glad to have us. Why should we fret and drudge? Our
meat will taste to-morrow as it did yesterday, and we may at last have
had enough of it. "Ah," said my languid gentleman at Oxford, "there's
nothing new or true,--and no matter. "
With a little more bitterness, the cynic moans: our life is like an
ass led to market by a bundle of hay being carried before him: he sees
nothing but the bundle of hay. "There is so much trouble in coming
into the world," said Lord Bolingbroke, "and so much more, as well as
meanness, in going out of it, that 'tis hardly worth while to be here
at all. " I knew a philosopher of this kidney, who was accustomed briefly
to sum up his experience of human nature in saying, "Mankind is a
damned rascal:" and the natural corollary is pretty sure to
follow,--"The world lives by humbug, and so will I. "
The abstractionist and the materialist thus mutually exasperating each
other, and the scoffer expressing the worst of materialism, there
arises a third party to occupy the middle ground between these two,
the skeptic, namely. He finds both wrong by being in extremes. He
labors to plant his feet, to be the beam of the balance. He will not
go beyond his card. He sees the one-sidedness of these men of the
street; he will not be a Gibeonite; he stands for the intellectual
faculties, a cool head, and whatever serves to keep it cool; no
unadvised industry, no unrewarded self-devotion, no loss of the brains
in toil. Am I an ox, or a dray? --You are both in extremes, he says.
You that will have all solid, and a world of pig-lead, deceive
yourselves grossly. You believe yourselves rooted and grounded on
adamant; and, yet, if we uncover the last facts of our knowledge, you
are spinning like bubbles in a river, you know not whither or whence,
and you are bottomed and capped and wrapped in delusions.
Neither will he be betrayed to a book, and wrapped in a gown. The
studious class are their own victims; they are thin and pale, their
feet are cold, their heads are hot, the night is without sleep, the
day a fear of interruption,--pallor, squalor, hunger, and egotism. If
you come near them, and see what conceits they entertain,--they are
abstractionists, and spend their days and nights in dreaming some
dreams; in expecting the homage of society to some precious scheme
built on a truth, but destitute of proportion in its presentment, of
justness in its application, and of all energy of will in the schemer
to embody and vitalize it.
But I see plainly, he says, that I cannot see. I know that human
strength is not in extremes, but in avoiding extremes. I, at least,
will shun the weakness of philosophizing beyond my depth. What is the
use of pretending to powers we have not? What is the use of pretending
to assurances we have not, respecting the other life? Why exaggerate
the power of virtue? Why be an angel before your time? These strings,
wound up too high, will snap. If there is a wish for immortality, and
no evidence, why not say just that? If there are conflicting evidences,
why not state them? If there is not ground for a candid thinker to
make up his mind, yea or nay,--why not suspend the judgment? I weary
of these dogmatizers. I tire of these hacks of routine, who deny the
dogmas. I neither affirm nor deny. I stand here to try the case. I am
here to consider,--to consider how it is. I will try to keep the balance
true. Of what use to take the chair, and glibly rattle off theories
of societies, religion, and nature, when I know that practical
objections lie in the way, insurmountable by me and by my mates? Why
so talkative in public, when each of my neighbors can pin me to my
seat by arguments I cannot refute? Why pretend that life is so simple
a game, when we know how subtle and elusive the Proteus is? Why think
to shut up all things in your narrow coop, when we know there are not
one or two only, but ten, twenty, a thousand things, and unlike? Why
fancy that you have all the truth in your keeping? There is much to
say on all sides.
Who shall forbid a wise skepticism, seeing that there is no practical
question on which anything more than an approximate solution can be
had? Is not marriage an open question when it is alleged, from the
beginning of the world, that such as are in the institution wish to
get out, and such as are out wish to get in? And the reply of Socrates,
to him who asked whether he should choose a wife, still remains
reasonable, "that, whether he should choose one or not, he would repent
it. " Is not the state a question? All society is divided in opinion
on the subject of the state. Nobody loves it; great numbers dislike
it, and suffer conscientious scruples to allegiance: and the only
defense set up, is, the fear of doing worse in disorganizing. Is it
otherwise with the church? Or, to put any of the questions which touch
mankind nearest,--shall the young man aim at a leading part in law,
in politics, in trade? It will not be pretended that a success in
either of these kinds is quite coincident with what is best and inmost
in his mind. Shall he, then, cutting the stays that hold him fast to
the social state, put out to sea with no guidance but his genius? There
is much to say on both sides. Remember the open question between the
present order of "competition," and the friends of "attractive and
associated labor. " The generous minds embrace the proposition of labor
shared by all; it is the only honesty; nothing else is safe. It is
from the poor man's hut alone, that strength and virtue come; and yet,
on the other side, it is alleged that labor impairs the form, and
breaks the spirit of man, and the laborers cry unanimously, "We have
no thoughts. " Culture, how indispensable! I cannot forgive you the
want of accomplishment; and yet, culture will instantly destroy that
chiefest beauty of spontaneousness. Excellent is culture for a savage;
but once let him read in the book, and he is no longer able not to
think of Plutarch's heroes. In short, since true fortitude of
understanding consists "in not letting what we know be embarrassed by
what we do not know," we ought to secure those advantages which we can
command, and not risk them by clutching after the airy and unattainable.
Come, no chimeras! Let us go abroad; let us mix in affairs; let us
learn, and get, and have, and climb. "Men are a sort of moving plants,
and, like trees, receive a great part of their nourishment from the
air. If they keep too much at home, they pine. " Let us have a robust,
manly life; let us know what we know, for certain; what we have, let
it be solid, and seasonable, and our own. A world in the hand is worth
two in the bush. Let us have to do with real men and women, and not
with skipping ghosts.
This, then, is the right ground of the skeptic,--this of consideration,
of self-containing; not at all of unbelief; not at all of universal
denying, nor of universal doubting,--doubting even that he doubts;
least of all, of scoffing and profligate jeering at all that is stable
and good. These are no more his moods than are those of religion and
philosophy. He is the considerer, the prudent, taking in sail, counting
stock, husbanding his means, believing that a man has too many enemies,
than that he can afford to be his own; that we cannot give ourselves
too many advantages, in this unequal conflict, with powers so vast and
unweariable ranged on one side, and this little, conceited, vulnerable
popinjay that a man is, bobbing up and down into every danger, on the
other. It is a position taken up for better defense, as of more safety,
and one that can be maintained; and it is one of more opportunity and
range; as, when we build a house, the rule is, to set it not too high
nor too low, under the wind, but out of the dirt.
The philosophy we want is one of fluxions and mobility. The Spartan
and Stoic schemes are too stark and stiff for our occasion. A theory
of Saint John, and of non-resistance, seems, on the other hand, too
thin and aerial. We want some coat woven of elastic steel, stout as
the first, and limber as the second. We want a ship in these billows
we inhabit. An angular, dogmatic house would be rent to chips and
splinters, in this storm of many elements. No, it must be tight, and
fit to the form of man, to live at all; as a shell is the architecture
of a house founded on the sea. The soul of man must be the type of our
scheme, just as the body of man is the type after which a dwelling-house
is built. Adaptiveness is the peculiarity of human nature. We are
golden averages, volitant stabilities, compensated or periodic errors,
houses founded on the sea. The wise skeptic wishes to have a near view
of the best game, and the chief players; what is best in the planet;
art and nature, places and events, but mainly men. Everything that is
excellent in mankind,--a form of grace, an arm of iron, lips of
persuasion, a brain of resources, every one skilful to play and win,--he
will see and judge.
The terms of admission to this spectacle are, that he have a certain
solid and intelligible way of living of his own; some method of
answering the inevitable needs of human life; proof that he has played
with skill and success; that he has evinced the temper, stoutness, and
the range of qualities which, among his contemporaries and countrymen,
entitle him to fellowship and trust. For, the secrets of life are not
shown except to sympathy and likeness. Men do not confide themselves
to boys, or coxcombs, or pedants, but to their peers. Some wise
limitation, as the modern phrase is; some condition between the
extremes, and having itself a positive quality; some stark and
sufficient man, who is not salt or sugar, but sufficiently related to
the world to do justice to Paris or London, and, at the same time, a
vigorous and original thinker, whom cities cannot overawe, but who
uses them,--is the fit person to occupy this ground of speculation.
These qualities meet in the character of Montaigne. And yet, since the
personal regard which I entertain for Montaigne may be unduly great,
I will, under the shield of this prince of egotists, offer, as an
apology for electing him as the representative of skepticism, a word
or two to explain how my love began and grew for this admirable gossip.
A single odd volume of Cotton's translation of the Essays remained to
me from my father's library, when a boy. It lay long neglected, until,
after many years, when I was newly escaped from college, I read the
book, and procured the remaining volumes. I remember the delight and
wonder in which I lived with it. It seemed to me as if I had myself
written the book, in some former life, so sincerely it spoke to my
thought and experience. It happened, when in Paris, in 1833, that, in
the cemetery of Pere le Chaise, I came to a tomb of Augustus Collignon,
who died in 1830, aged sixty-eight years, and who, said the monument,
"lived to do right, and had formed himself to virtue on the Essays of
Montaigne. " Some years later, I became acquainted with an accomplished
English poet, John Sterling; and, in prosecuting my correspondence,
I found that, from a love of Montaigne, he had made a pilgrimage to
his chateau, still standing near Castellan, in Perigord, and, after
two hundred and fifty years, had copied from the walls of his library
the inscriptions which Montaigne had written there. That Journal of
Mr. Sterling's, published in the Westminster Review, Mr. Hazlitt has
reprinted in the Prolegomenae to his edition of the Essays. I heard
with pleasure that one of the newly-discovered autographs of William
Shakspeare was in a copy of Florio's translation of Montaigne. It is
the only book which we certainly know to have been in the poet's
library. And, oddly enough, the duplicate copy of Florio, which the
British Museum purchased, with a view of protecting the Shakspeare
autograph (as I was informed in the Museum), turned out to have the
autograph of Ben Jonson in the fly-leaf. Leigh Hunt relates of Lord
Byron, that Montaigne was the only great writer of past times whom he
read with avowed satisfaction. Other coincidences, not needful to be
mentioned here, concurred to make this old Gascon still new and immortal
for me.
In 1571, on the death of his father, Montaigne, then thirty-eight years
old, retired from the practice of law, at Bordeaux, and settled himself
on his estate. Though he had been a man of pleasure, and sometimes a
courtier, his studious habits now grew on him, and he loved the compass,
staidness, and independence of the country gentleman's life. He took
up his economy in good earnest, and made his farms yield the most.
Downright and plain-dealing, and abhorring to be deceived or to
deceive, he was esteemed in the country for his sense and probity. In
the civil wars of the League, which converted every house into a fort,
Montaigne kept his gates open, and his house without defense. All
parties freely came and went, his courage and honor being universally
esteemed. The neighboring lords and gentry brought jewels and papers
to him for safekeeping. Gibbon reckons, in these bigoted times, but
two men of liberality in France,--Henry IV. and Montaigne.
Montaigne is the frankest and honestest of all writers. His French
freedom runs into grossness; but he has anticipated all censures by
the bounty of his own confessions. In his times, books were written
to one sex only, and almost all were written in Latin; so that, in a
humorist, a certain nakedness of statement was permitted, which our
manners, of a literature addressed equally to both sexes, do not allow.
But, though a biblical plainness, coupled with a most uncanonical
levity, may shut his pages to many sensitive readers, yet the offence
is superficial. He parades it: he makes the most of it; nobody can
think or say worse of him than he does. He pretends to most of the
vices; and, if there be any virtue in him, he says, it got in by
stealth. There is no man, in his opinion, who has not deserved hanging
five or six times; and he pretends no exception in his own behalf.
"Five or six as ridiculous stories," too, he says, "can be told of me,
as of any man living. " But, with all this really superfluous frankness,
the opinion of an invincible probity grows into every reader's mind.
"When I the most strictly and religiously confess myself, I find that
the best virtue I have has in it some tincture of vice; and I am afraid
that Plato, in his purest virtue (I, who am as sincere and perfect a
lover of virtue of that stamp as any other whatever), if he had
listened, and laid his ear close to himself, would have heard some
jarring sound of human mixture; but faint and remote, and only to be
perceived by himself. "
Here is an impatience and fastidiousness at color or pretense of any
kind. He has been in courts so long as to have conceived a furious
disgust at appearances; he will indulge himself with a little cursing
and swearing; he will talk with sailors and gypsies, use flash and
street ballads; he has stayed indoors till he is deadly sick; he will
to the open air, though it rain bullets. He has seen too much of
gentlemen of the long robe, until he wishes for cannibals; and is so
nervous, by factitious life, that he thinks, the more barbarous man
is, the better he is. He likes his saddle. You may read theology, and
grammar, and metaphysics elsewhere. Whatever you get here, shall smack
of the earth and of real life, sweet, or smart, or stinging. He makes
no hesitation to entertain you with the records of his disease; and
his journey to Italy is quite full of that matter. He took and kept
this position of equilibrium. Over his name, he drew an emblematic
pair of scales, and wrote, _Que sais-je? _ under it. As I look at
his effigy opposite the title-page, I seem to hear him say, "You may
play old Poz, if you will; you may rail and exaggerate,--I stand here
for truth, and will not, for all the states, and churches, and revenues,
and personal reputations of Europe, overstate the dry fact, as I see
it; I will rather mumble and prose about what I certainly know,--my
house and barns; my father, my wife, and my tenants; my old lean bald
pate; my knives and forks; what meats I eat, and what drinks I prefer;
and a hundred straws just as ridiculous,--than I will write, with a
fine crow-quill, a fine romance. I like gray days, and autumn and
winter weather. I am gray and autumnal myself, and think an undress,
and old shoes that do not pinch my feet, and old friends who do not
constrain me, and plain topics where I do not need to strain myself
and pump my brains, the most suitable. Our condition as men is risky
and ticklish enough. One cannot be sure of himself and his fortune an
hour, but he may be whisked off into some pitiable or ridiculous plight.
Why should I vapor and play the philosopher, instead of ballasting,
the best I can, this dancing balloon? So, at least, I live within
compass, keep myself ready for action, and can shoot the gulf, at last,
with decency. If there be anything farcical in such a life, the blame
is not mine; let it lie at fate's and nature's door. "
The Essays, therefore, are an entertaining soliloquy on every random
topic that comes into his head; treating everything without ceremony,
yet with masculine sense. There have been men with deeper insight;
but, one would say, never a man with such abundance of thoughts; he
is never dull, never insincere, and has the genius to make the reader
care for all that he cares for.
The sincerity and marrow of the man reaches to his sentences. I know
not anywhere the book that seems less written. It is the language of
conversation transferred to a book. Cut these words, and they would
bleed; they are vascular and alive. One has the same pleasure in it
that we have in listening to the necessary speech of men about their
work, when any unusual circumstance give momentary importance to the
dialogue. For blacksmiths and teamsters do not trip in their speech;
it is a shower of bullets. It is Cambridge men who correct themselves,
and begin again at every half-sentence, and, moreover, will pun, and
refine too much, and swerve from the matter to the expression. Montaigne
talks with shrewdness, knows the world, and books, and himself, and
uses the positive degree; never shrieks, or protests, or prays; no
weakness, no convulsion, no superlative; does not wish to jump out of
his skin, or play any antics, or annihilate space or time; but is stout
and solid; tastes every moment of the day; likes pain, because it makes
him feel himself, and realize things; as we pinch ourselves to know
that we are awake. He keeps the plain; he rarely mounts or sinks; likes
to feel solid ground, and the stones underneath. His writing has no
enthusiasms, no aspiration; contented, self-respecting, and keeping
the middle of the road. There is but one exception,--in his love for
Socrates. In speaking of him, for once his cheek flushes, and his style
rises to passion.
Montaigne died of a quinsy, at the age of sixty, in 1592. When he came
to die, he caused the mass to be celebrated in his chamber. At the age
of thirty-three, he had been married. "But," he says, "might I have
had my own will, I would not have married Wisdom herself, if she would
have had me; but 'tis to much purpose to evade it, the common custom
and use of life will have it so. Most of my actions are guided by
example, not choice. " In the hour of death he gave the same weight to
custom. _Que sais-je? _ What do I know.
