It can only be achieved, if at all, through relinquishing hold, through comprehending the flow of the universe, through discarding the superfluous, through eliminating
inappropriate
desires.
Like-Water-or-Clouds-The-Tang-Dynasty
From this period come the earliest Chinese poetry, the Book of Songs, and the compilation of the Classic historical and ritual texts.
Confucianism dates from around 500BC. Confucius promoted the concept of an ordered social structure governed by morally based conventions and rituals. The highest virtue is 703? the life of benevolence, humanity, and conscience. Taoism also probably dates from this period, its oldest text, the Tao Te Ching of the possibly mythical teacher Lao Tzu, establishing its concept of the Way, the matrix of energy underlying the vortex of the natural
32
? world, and the life that is lived in harmony with the flows of existence.
The Chi? in Dynasty, which in turn in 206BC gave way to the great Han, was established about 250BC and by 221BC the Chi? in had consolidated the Empire to rule all of China. With Capitals at Chi? ang-an (modern Xian) and Loyang, in Central China, the Empire stretched from Korea and Vietnam in the southeast to Central Asia in the northwest. From this period dates the terracotta army at Xian, found in the vicinity of the tomb of the First Chi? in Emperor. Chi? in built the first Great Wall that the Han used as an effective military barrier against border incursions.
Through military strength, taxation, legal decree, and cultural unity the Han Emperors established the strong central government that characterised later China. They extended trade routes across Asia to Persia, India, Arabia and Rome. The unified regime based on an educated elite, Confucian in spirit with a Taoist
33
? admixture, encouraged art and the civilised life. Bronze and lacquer work produced was of rare beauty. Calligraphy flourished furthering the copying and study of the Five Classics, and ceramic production was advanced. This basically agrarian society, with its emphasis on family, filial piety, the subservience of women, Confucian-educated officials, strong central Imperial control, defended borders, and a common moral and legal cultural framework set the pattern for later Dynasties.
The luxury of the Imperial Court, the presence of Imperial concubines and eunuchs, and the principle of exogamy, that is the requirement of the Emperors to marry a subject outside the line of patrilineal descent, were fatal weaknesses in successive Dynasties. Centralised dependence, coupled with the use of foreign generals to defend the borders allowing them to create distinct decentralised power bases, and the influence of Imperial consorts on the Emperor, led to the demise of the Han. The rise of
34
? consortsi? families and the influence of the Court eunuchs created powerful inner threats to the throne. It guaranteed court intrigue and strife based on fear, greed and ambition. It was an inherent weakness of the system that the later Ti? ang also experienced.
Han China that existed for over four hundred years dissolved in rebellion, and was followed by a complex period of warring kingdoms and dynasties that lasted from 220 to 589AD. Taoism as a philosophy of retreat and self-cultivation flourished in this Age of Division. As did Buddhism born in India but introduced to China by 65AD. It offered a philosophy of enlightenment, based on an analysis of suffering and the renunciation of attachment to the world. It had affinities of attitude with Taoism in its quietism, disengagement, and disciplined spirituality. It involved compassion, release from
35
? caste and gender distinctions, and the superiority of the private mind to the public persona.
Taoism and Buddhism with an accretion of icons, divinities, magical practices, temples, and scriptures, became popular religions. Through the latter part of this period of instability, the north and south were politically separate. Northern China laid strong emphasis on Confucian ideals and ethics, on mastery of the histories and classics, and on public service. The Southern aristocracies encouraged a literary and artistic world where the life of convivial conversation, and the practise of calligraphy, poetry and painting, led to intellectual artistic sensibility being valued highly. Throughout the period China retained a common language and culture that was enriched and developed in a more personal way, and this continuity offset the effects of continual disorder and dislocation, and preserved the desire for strong, centralised government as a means to ensure peace and stability.
36
? Ti? ao Chien (also called Tao Y ? an-ming, 365- 427AD) is the great southern poet of this period. He is the fully formed individual, quitting political life to live in the quietist Taoist manner on his small tract of land. His poetry is the poetry of friendship and family, enjoyment of music, wine, and literature, withdrawal from public affairs, and immersion in the rational cultivation of art, nature and the self. He provided an archetype for later men of letters. He is the self-contained single one who finds a way to live undisturbed by external events and in harmony with nature.
37
? %? 0? ? ,9:70? 41? 9? 0? %,4
The Tao is the impersonal anonymous neutral matrix underpinning every manifestation. It is the nature of reality and the means by which the universe operates. In terms of Western science we could call it Energy. The 2,3? 1089,9? 438 of it would be the entities of the microcosmic world of particle physics, the objects and processes of the macrocosm, and the configurations of forces and forms in which those energies can appear through time. What is its 70,? ? 9? ? Well what ? 8 energy or force? What ? 8? gravity or inertia? What ? 8 a sub-atomic particle? We can only reply with ? 4? things work and move and configure and change. We can only answer with observation and theory. The e? ? ? ,9? is forever mysterious, untouchable, numinous. It is the given. We employ names to try and describe it, like substance, matter, and force. We can manipulate their symbols within a mathematical framework
38
? ? and thereby describe the transformations of energy, but the world itself is forever as it appears to us, and no more. Reality ? 8 appearance.
Who is satisfied with that? We ? 34? ? ? irrationally, that appearances are illusion and deception while realities are fundamental and independent of our existence. We ? 34? ? the world is real. But we cannot truly name or touch that which makes it so. Modern physics attempts through mathematics to model and thereby describe the intangible and ambiguous nature of the subatomic quantum world whose particle nature exists alongside its probabilistic wave nature with complementary validity.
We fail in any attempt to visualise what the e? reali? entity is that can be described by alternative and radically different mathematics, described that is as probability wave ,3/ particle. It is in one sense a bounded form observed to be at a fairly precise location in space with a fairly precise velocity. In another
39
? sense it only exists as a continuum of energy, giving a statistical likelihood of an entity being observed as a tightly bounded form, at any particular fairly precise location with a fairly precise velocity. Measurement of both velocity and position simultaneously is thwarted in the act of observation and this uncertainty principle emphasises the strangeness of the quantum universe. We cannot even say that the unobserved particle is in any place at all. Observation gives it reality for us.
As we examine dynamic systems like water or clouds we discover bounded but non- repeating patterns, and random fluctuation. When we examine natural shapes there are infinite levels, endless scaling, of precise fractal detail, and there are sudden transitions. Weather patterns may progress in a stately fashion then non-linear changes allow tiny disturbances to initiate vast effects. Our lives rely on bounded and unambiguous entities and processes, yet at the core of the quantum universe, and of
40
? unstable systems, is chance, an intrinsic randomness that is of the very nature of reality. At the microcosmic level we rely on the statistical probabilities of ambiguous event expressed in mathematical terms. In fluid systems like water or clouds we do find self- referencing structure. But we still exist in a universe of turbulent flow, of whorls and spirals, entanglement and elusiveness. There is infinite detail in finite spaces. There are infinite lines in bounded areas. The river remains, but the currents shift, and the water patterns vary endlessly. The cloudbank passes over, but its clouds separate and recombine, and their configurations alter continuously.
If we can free ourselves from the idea that there are only fixed forms, clear boundaries, nameable entities, and ultimate certainties then we enter the world of the Tao. The Tao encompasses the fixed and the nameable as manifestations of energy, but the totality is fluid, unnameable and ultimately random. This is what
41
? it means to say that the Tao is indifferent: that it is directionless: that it is formless: that it is uncarved: that it is a matrix: that it is the spirit of the feminine: that it gives rise to the myriad creatures. The Tao is not reducible to its components and its manifestations: it encompasses them. e? Silent and empty, alone and unchanging, it has no namei? says Lao Tzu e? so I call it the Way. i? e? The Way is empty but nothing can fill it. i? e? Without possession, without demands, without authority it is mysterious virtue. i?
The Tao is behind that ceaseless flow of process and pattern that we see in nature, where nature is the universe untouched by the human. Within the water and the clouds are vortices of energy. Within the bounded object are random flickering patterns of underlying sub-atomic structure. The boundaries are continually eroding and altering. We also are a part of nature, where nature is the totality that includes us. Every human being is a continuously changing network
42
? of energies and forms. The mind is a set of parallel hierarchical processes. The instant, the object, the thought, the movement, the world itself are impermanent. Every moment is a unique configuration of what is. The past configuration neither exists nor returns. The future configuration does not yet exist and is in its entirety unknowable. The moment is itself imprecise. The configuration is itself ungraspable. Name it and it shifts. Grasp it and it changes. Like clouds in the wind, like water in the river, the reality is evanescent, a vast movement, a loosely connected web. Things that last long enough to be named make up our useful world of reliable objects, discernible process, and stable patterns. They are the myriad creatures. The Tao is uncarved: a feminine matrix. e? The spirit of the valley never diesi? says the Tao Te Ching e? its name is the mysterious feminine. The mysterious feminine is called the root of heaven and earth. i?
43
? %,4? 82? ,3/? %? ,4? ? ? ? ? 03
What did Taoism mean in ancient China as a way of life? Taoism is a mental attitude. It is not a system of thought because it denies the validity of systemisation. It is not a religion because in its pure form it has no use for divinities. It is not a rigorous discipline because it seeks to evade inappropriate goal-driven behaviour. Analysis and definition, naming and theorising are anathema to it. Taoism denies the validity of the scientific project. It denies the validity of the work ethic. It denies the usefulness of ambitions and desires, grasping and craving. To those who say e? My life feels emptyi? Taoism would respond by saying e? That is because you are trying to fill it. i? To those who say e? My life is without purposei? Taoism would reply e? That is because you are trying to give it a purpose. i? The only aim of Taoism is to be in harmony with the Tao, with inner and outer nature. The result of that
44
? ? harmony is tranquility.
It can only be achieved, if at all, through relinquishing hold, through comprehending the flow of the universe, through discarding the superfluous, through eliminating inappropriate desires. It involves respect for ? :? ? 0? that is inaction and non-intervention. It can be approached through 9? :? ? ,3? ? spontaneity. Its movements are like a flag in the wind, or a ball on a mountain stream. Taoism despite this is in no way world-rejecting. The Taoist is independent, self-sufficient. The Taoist works as necessary to sustain his life, and stops when he has achieved the essential. The Taoist takes pleasure in things that are harmless, which connect to the flow of nature and the Tao. The Taoist acts only when it is valuable to do so, and desists when the effect has been achieved.
In the arts the Way is simplicity within subtlety. In everyday life the Way is balance within moderation. It encourages retreat and withdrawal, silence and stillness but is neither hostile nor humourless. The Taoist is moral
45
? because the Taoist life is both non-intrusive and non-grasping. Equally the Taoist does not proselytise or seek to convince, offers compassion but does not set out on a mission to relieve suffering. Non-involvement leaves others free. The Way is open to anyone who finds it. The Taoist tends the field and garden, tries to follow nature, and attempts to achieve and create harmony.
There are some similarities with the aspirations and practices of the Vedantic Yoga schools. There is a like emphasis on discriminating between the transient creatures and the permanent Tao. On renouncing futile activity and adopting a stance of ? : ? 0? , non- action, the passivity of the Yin. But where Yogic thought yearns for disengagement the Taoist merely disengages. Where Yogic practise strives for control of the self, through restraint, discontinuance of desired but inappropriate activity, indifference to the polar opposites, concentration and faith, the Taoist forgets the
46
? self altogether and is absorbed into the natural. Taoism is a simple acceptance and acquiescence, a lyrical and harmonious attitude of mind, that rejects the absurdities of the creature striving always to create something alien, the human opposed to nature. It avoids and eludes whatever damages or destroys tranquility of mind and spiritual peace. It sees the human best exemplified in the sincerity and simplicity of the tiny infant. The true spirit keeps a childi? s heart.
e? There are four things that do not leave people in peacei? says the Lieh Tzu e? trying to live for ever, needing to be known, wanting high status, desiring wealth. . . . . their lives are controlled by the external. But those who accept their destiny do not desire to endlessly prolong life, those who love honour do not need fame, those who reject power do not want status, and those who are without strong desires have no use for wealth. . . these people live according to internal things. i?
47
? There is a story of the Zen Master who passed on to his only disciple the famous and valuable text that had been annotated and handed down for seven generations from master to master. e? You had better keep it if it is so valuable, said the disciple e? I am satisfied as I am. i? e? I know that, but even soi? said the Master e? you must keep it. Here. i? Feeling its sudden weight in his hands the disciple instantly flung it into the fire. e? What are you doing, what are you doing! i? shouted the Master. e? What are you saying, what are you saying? i? replied the disciple.
e? Find your true facei? said Hui-neng the sixth patriarch of Zen e? the one you had before you were borni? . It is the self that is uncarved, in front of that universe that is unnameable. Then there is no need for religions or moral codes. Released, the crystal child of the self defeats the great dragon. As in Buddhist thought, the Wheel turns in the sky without being turned. Everything becomes in itself spontaneous reality. It is as it is, without mind or nature. Taoism is the way to
48
? live a life on earth, respecting the body and the mind, existing simply, naturally, and harmoniously, in peace, as a free spirit. And there is consequently lightness, calm, and tolerance, a balance and a depth, reflected in Taoist art and literature.
Ti? ao Chi? ien (365-427AD) was one of the poets whose life exemplified the practise of the Taoist Way. He was a minor official but later withdrew from public involvement. He celebrated the relinquishment of that life where he viewed himself as having been e? too long a prisoner, captive in a cagei? . He writes about a quiet way of existence, among friends and family, about the practise of simple pleasures, creating poems, cultivating his land, and enjoying natural beauty. His poetry is like a Sung Dynasty landscape painting with himself a tiny figure in the scene. Drinking wine is a means of escaping excessive introspection.
49
? ? Enjoying nature without intervening in it is a means of escaping analysis and definition. The private rather than the public life satisfies and the personal is enough, while the Tao is intrinsically unknowable and wordless.
The Taoist life is centred on nature. No separation is conceived between the sacred and profane, there are only the harmonious and the inharmonious. A human being is one of the myriad creatures, modest in scale. Conformity with the Tao, with the order of the universe, is all that is necessary to the true life. Therefore the Taoist does not seek to change the natural except in accord with absolute necessity. Nature is not to be despoiled for inappropriate material gain. The Taoist needs neither ambitions nor moral code. The Taoist may be a recluse living in the hills, a wanderer among mountains and rivers, a gardener or a poet, in a humble occupation, or free of all except essential occupation. The Taoist cultivates detachment from the worldi? s affairs and concern for the unchanging and
50
? eternal. The Taoist embraces the mysterious and feminine, the dark and evanescent, the indistinct and rarified, the empty and minute, the tentative and hesitant, the turbid and vacant, the childishly simple and the foolishly obvious, the muddled and indifferent, the shapeless and dim.
Ti? ao Chi? ien reveals that absence of analysis, in his poems, that is the essence of Tao. It is not an absence of profundity. The deep is simple. The profound is obvious. He is without complex logic and artificial rhetoric. He is without conformity but without pride. He rejects power in order to be weak, and discipline in order to be natural, but he is neither undisciplined nor subservient, neither immoral nor crude. His foolishness is full of intelligence. His simplicity is not uncultivated. His weakness cannot be manipulated. His naturalness is imbued with ethical understanding.
In the first of his two poems titled e? Returning to Live in the Countryi? he evokes that life which evades public confusion to live in accord with
51
? ? ? nature and the true self. Elements of nature, mountains and hills, trees and streams, are mentioned but not described. They are there to point towards the Tao not to analyse it. The names of natural features are designed to evoke the natural framework not to provide complex metaphors. The Vortex is subtly present, as air, water, smoke, mist, and winding lanes. The life described is simple. The human need is in the end the same as that of other creatures, birds or fish. It is the freedom the caged bird wants or the fish in its pool. It allows the mind to achieve e? space and silencei? .
In the second poem it is human transience which is the theme and by implication the continuum of nature. That which has vanished is set against the continuity of that which endures. The myriad creatures are contrasted with the eternal Vortex of the natural world.
His poem e? Drinking the Winei? evokes the inner silence of the Taoist. It endorses the simplicity of life, the satisfaction to be had in
52
? ? ? appreciation of natural beauty, the tranquility gained by release from action, the elusiveness and indefinability of the Tao. Wine is a way to release spontaneity, to forget the world, to become part of the Way. It is a formal irresponsibility! The poem points to the unknowable essence of the natural world and therefore of life itself, where knowing what things do never takes us to what they inescapably are, never enables us to get at their whatness, their e? quiddityi? . That they are - is mysterious. Though we push and poke at matter, though we study and analyse process, their reality in the vortex always gleams beyond us. Existence is not an attribute of things. The poem expresses the indifferent placidity of the Vortex. Filled with energy, a raging torrent, it is nevertheless detached, neutral. It is the calm surface without hostility even while it is the ceaseless movement without benevolence. Language and intellectual analysis do not get us closer to the essence. It is beyond mind and
53
? words. The landscape of the poem is one of remoteness, minuteness, and rarefaction. The hills are distant, the flights of birds dwindle, the air is thinned. Light is about to fade. e? Blunt the sharpi? says the Tao Te Ching e? untie the knots, dim the glare. i?
e? Reading the Classic of Hills and Seasi? is again a poem of the simple life. e? One glance finds all of heaven and earthi? . Ti? ao Chi? ien points back to a passage from the Tao Te Ching on the virtues of non-action. The way of life recommended is neither spiritually lazy nor parasitic. The Taoist cultivates the land and garden, has an artistic sensibility and appreciation, develops the self but has compassion for others. If tranquility is denied because one is caught in the worldi? s net, it can still be an aspiration and a focus of personal values. e? Without going out, one can know the world. Without looking out, one can see the way. The further we go the less we know. Therefore
54
? ? the wise see without stirring, know without looking, achieve without doingi? .
The Taoists frequently tease the Confucians. They see them as compelled to wander about in order to find employment and office, e? perching here and perching therei?
Confucianism dates from around 500BC. Confucius promoted the concept of an ordered social structure governed by morally based conventions and rituals. The highest virtue is 703? the life of benevolence, humanity, and conscience. Taoism also probably dates from this period, its oldest text, the Tao Te Ching of the possibly mythical teacher Lao Tzu, establishing its concept of the Way, the matrix of energy underlying the vortex of the natural
32
? world, and the life that is lived in harmony with the flows of existence.
The Chi? in Dynasty, which in turn in 206BC gave way to the great Han, was established about 250BC and by 221BC the Chi? in had consolidated the Empire to rule all of China. With Capitals at Chi? ang-an (modern Xian) and Loyang, in Central China, the Empire stretched from Korea and Vietnam in the southeast to Central Asia in the northwest. From this period dates the terracotta army at Xian, found in the vicinity of the tomb of the First Chi? in Emperor. Chi? in built the first Great Wall that the Han used as an effective military barrier against border incursions.
Through military strength, taxation, legal decree, and cultural unity the Han Emperors established the strong central government that characterised later China. They extended trade routes across Asia to Persia, India, Arabia and Rome. The unified regime based on an educated elite, Confucian in spirit with a Taoist
33
? admixture, encouraged art and the civilised life. Bronze and lacquer work produced was of rare beauty. Calligraphy flourished furthering the copying and study of the Five Classics, and ceramic production was advanced. This basically agrarian society, with its emphasis on family, filial piety, the subservience of women, Confucian-educated officials, strong central Imperial control, defended borders, and a common moral and legal cultural framework set the pattern for later Dynasties.
The luxury of the Imperial Court, the presence of Imperial concubines and eunuchs, and the principle of exogamy, that is the requirement of the Emperors to marry a subject outside the line of patrilineal descent, were fatal weaknesses in successive Dynasties. Centralised dependence, coupled with the use of foreign generals to defend the borders allowing them to create distinct decentralised power bases, and the influence of Imperial consorts on the Emperor, led to the demise of the Han. The rise of
34
? consortsi? families and the influence of the Court eunuchs created powerful inner threats to the throne. It guaranteed court intrigue and strife based on fear, greed and ambition. It was an inherent weakness of the system that the later Ti? ang also experienced.
Han China that existed for over four hundred years dissolved in rebellion, and was followed by a complex period of warring kingdoms and dynasties that lasted from 220 to 589AD. Taoism as a philosophy of retreat and self-cultivation flourished in this Age of Division. As did Buddhism born in India but introduced to China by 65AD. It offered a philosophy of enlightenment, based on an analysis of suffering and the renunciation of attachment to the world. It had affinities of attitude with Taoism in its quietism, disengagement, and disciplined spirituality. It involved compassion, release from
35
? caste and gender distinctions, and the superiority of the private mind to the public persona.
Taoism and Buddhism with an accretion of icons, divinities, magical practices, temples, and scriptures, became popular religions. Through the latter part of this period of instability, the north and south were politically separate. Northern China laid strong emphasis on Confucian ideals and ethics, on mastery of the histories and classics, and on public service. The Southern aristocracies encouraged a literary and artistic world where the life of convivial conversation, and the practise of calligraphy, poetry and painting, led to intellectual artistic sensibility being valued highly. Throughout the period China retained a common language and culture that was enriched and developed in a more personal way, and this continuity offset the effects of continual disorder and dislocation, and preserved the desire for strong, centralised government as a means to ensure peace and stability.
36
? Ti? ao Chien (also called Tao Y ? an-ming, 365- 427AD) is the great southern poet of this period. He is the fully formed individual, quitting political life to live in the quietist Taoist manner on his small tract of land. His poetry is the poetry of friendship and family, enjoyment of music, wine, and literature, withdrawal from public affairs, and immersion in the rational cultivation of art, nature and the self. He provided an archetype for later men of letters. He is the self-contained single one who finds a way to live undisturbed by external events and in harmony with nature.
37
? %? 0? ? ,9:70? 41? 9? 0? %,4
The Tao is the impersonal anonymous neutral matrix underpinning every manifestation. It is the nature of reality and the means by which the universe operates. In terms of Western science we could call it Energy. The 2,3? 1089,9? 438 of it would be the entities of the microcosmic world of particle physics, the objects and processes of the macrocosm, and the configurations of forces and forms in which those energies can appear through time. What is its 70,? ? 9? ? Well what ? 8 energy or force? What ? 8? gravity or inertia? What ? 8 a sub-atomic particle? We can only reply with ? 4? things work and move and configure and change. We can only answer with observation and theory. The e? ? ? ,9? is forever mysterious, untouchable, numinous. It is the given. We employ names to try and describe it, like substance, matter, and force. We can manipulate their symbols within a mathematical framework
38
? ? and thereby describe the transformations of energy, but the world itself is forever as it appears to us, and no more. Reality ? 8 appearance.
Who is satisfied with that? We ? 34? ? ? irrationally, that appearances are illusion and deception while realities are fundamental and independent of our existence. We ? 34? ? the world is real. But we cannot truly name or touch that which makes it so. Modern physics attempts through mathematics to model and thereby describe the intangible and ambiguous nature of the subatomic quantum world whose particle nature exists alongside its probabilistic wave nature with complementary validity.
We fail in any attempt to visualise what the e? reali? entity is that can be described by alternative and radically different mathematics, described that is as probability wave ,3/ particle. It is in one sense a bounded form observed to be at a fairly precise location in space with a fairly precise velocity. In another
39
? sense it only exists as a continuum of energy, giving a statistical likelihood of an entity being observed as a tightly bounded form, at any particular fairly precise location with a fairly precise velocity. Measurement of both velocity and position simultaneously is thwarted in the act of observation and this uncertainty principle emphasises the strangeness of the quantum universe. We cannot even say that the unobserved particle is in any place at all. Observation gives it reality for us.
As we examine dynamic systems like water or clouds we discover bounded but non- repeating patterns, and random fluctuation. When we examine natural shapes there are infinite levels, endless scaling, of precise fractal detail, and there are sudden transitions. Weather patterns may progress in a stately fashion then non-linear changes allow tiny disturbances to initiate vast effects. Our lives rely on bounded and unambiguous entities and processes, yet at the core of the quantum universe, and of
40
? unstable systems, is chance, an intrinsic randomness that is of the very nature of reality. At the microcosmic level we rely on the statistical probabilities of ambiguous event expressed in mathematical terms. In fluid systems like water or clouds we do find self- referencing structure. But we still exist in a universe of turbulent flow, of whorls and spirals, entanglement and elusiveness. There is infinite detail in finite spaces. There are infinite lines in bounded areas. The river remains, but the currents shift, and the water patterns vary endlessly. The cloudbank passes over, but its clouds separate and recombine, and their configurations alter continuously.
If we can free ourselves from the idea that there are only fixed forms, clear boundaries, nameable entities, and ultimate certainties then we enter the world of the Tao. The Tao encompasses the fixed and the nameable as manifestations of energy, but the totality is fluid, unnameable and ultimately random. This is what
41
? it means to say that the Tao is indifferent: that it is directionless: that it is formless: that it is uncarved: that it is a matrix: that it is the spirit of the feminine: that it gives rise to the myriad creatures. The Tao is not reducible to its components and its manifestations: it encompasses them. e? Silent and empty, alone and unchanging, it has no namei? says Lao Tzu e? so I call it the Way. i? e? The Way is empty but nothing can fill it. i? e? Without possession, without demands, without authority it is mysterious virtue. i?
The Tao is behind that ceaseless flow of process and pattern that we see in nature, where nature is the universe untouched by the human. Within the water and the clouds are vortices of energy. Within the bounded object are random flickering patterns of underlying sub-atomic structure. The boundaries are continually eroding and altering. We also are a part of nature, where nature is the totality that includes us. Every human being is a continuously changing network
42
? of energies and forms. The mind is a set of parallel hierarchical processes. The instant, the object, the thought, the movement, the world itself are impermanent. Every moment is a unique configuration of what is. The past configuration neither exists nor returns. The future configuration does not yet exist and is in its entirety unknowable. The moment is itself imprecise. The configuration is itself ungraspable. Name it and it shifts. Grasp it and it changes. Like clouds in the wind, like water in the river, the reality is evanescent, a vast movement, a loosely connected web. Things that last long enough to be named make up our useful world of reliable objects, discernible process, and stable patterns. They are the myriad creatures. The Tao is uncarved: a feminine matrix. e? The spirit of the valley never diesi? says the Tao Te Ching e? its name is the mysterious feminine. The mysterious feminine is called the root of heaven and earth. i?
43
? %,4? 82? ,3/? %? ,4? ? ? ? ? 03
What did Taoism mean in ancient China as a way of life? Taoism is a mental attitude. It is not a system of thought because it denies the validity of systemisation. It is not a religion because in its pure form it has no use for divinities. It is not a rigorous discipline because it seeks to evade inappropriate goal-driven behaviour. Analysis and definition, naming and theorising are anathema to it. Taoism denies the validity of the scientific project. It denies the validity of the work ethic. It denies the usefulness of ambitions and desires, grasping and craving. To those who say e? My life feels emptyi? Taoism would respond by saying e? That is because you are trying to fill it. i? To those who say e? My life is without purposei? Taoism would reply e? That is because you are trying to give it a purpose. i? The only aim of Taoism is to be in harmony with the Tao, with inner and outer nature. The result of that
44
? ? harmony is tranquility.
It can only be achieved, if at all, through relinquishing hold, through comprehending the flow of the universe, through discarding the superfluous, through eliminating inappropriate desires. It involves respect for ? :? ? 0? that is inaction and non-intervention. It can be approached through 9? :? ? ,3? ? spontaneity. Its movements are like a flag in the wind, or a ball on a mountain stream. Taoism despite this is in no way world-rejecting. The Taoist is independent, self-sufficient. The Taoist works as necessary to sustain his life, and stops when he has achieved the essential. The Taoist takes pleasure in things that are harmless, which connect to the flow of nature and the Tao. The Taoist acts only when it is valuable to do so, and desists when the effect has been achieved.
In the arts the Way is simplicity within subtlety. In everyday life the Way is balance within moderation. It encourages retreat and withdrawal, silence and stillness but is neither hostile nor humourless. The Taoist is moral
45
? because the Taoist life is both non-intrusive and non-grasping. Equally the Taoist does not proselytise or seek to convince, offers compassion but does not set out on a mission to relieve suffering. Non-involvement leaves others free. The Way is open to anyone who finds it. The Taoist tends the field and garden, tries to follow nature, and attempts to achieve and create harmony.
There are some similarities with the aspirations and practices of the Vedantic Yoga schools. There is a like emphasis on discriminating between the transient creatures and the permanent Tao. On renouncing futile activity and adopting a stance of ? : ? 0? , non- action, the passivity of the Yin. But where Yogic thought yearns for disengagement the Taoist merely disengages. Where Yogic practise strives for control of the self, through restraint, discontinuance of desired but inappropriate activity, indifference to the polar opposites, concentration and faith, the Taoist forgets the
46
? self altogether and is absorbed into the natural. Taoism is a simple acceptance and acquiescence, a lyrical and harmonious attitude of mind, that rejects the absurdities of the creature striving always to create something alien, the human opposed to nature. It avoids and eludes whatever damages or destroys tranquility of mind and spiritual peace. It sees the human best exemplified in the sincerity and simplicity of the tiny infant. The true spirit keeps a childi? s heart.
e? There are four things that do not leave people in peacei? says the Lieh Tzu e? trying to live for ever, needing to be known, wanting high status, desiring wealth. . . . . their lives are controlled by the external. But those who accept their destiny do not desire to endlessly prolong life, those who love honour do not need fame, those who reject power do not want status, and those who are without strong desires have no use for wealth. . . these people live according to internal things. i?
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? There is a story of the Zen Master who passed on to his only disciple the famous and valuable text that had been annotated and handed down for seven generations from master to master. e? You had better keep it if it is so valuable, said the disciple e? I am satisfied as I am. i? e? I know that, but even soi? said the Master e? you must keep it. Here. i? Feeling its sudden weight in his hands the disciple instantly flung it into the fire. e? What are you doing, what are you doing! i? shouted the Master. e? What are you saying, what are you saying? i? replied the disciple.
e? Find your true facei? said Hui-neng the sixth patriarch of Zen e? the one you had before you were borni? . It is the self that is uncarved, in front of that universe that is unnameable. Then there is no need for religions or moral codes. Released, the crystal child of the self defeats the great dragon. As in Buddhist thought, the Wheel turns in the sky without being turned. Everything becomes in itself spontaneous reality. It is as it is, without mind or nature. Taoism is the way to
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? live a life on earth, respecting the body and the mind, existing simply, naturally, and harmoniously, in peace, as a free spirit. And there is consequently lightness, calm, and tolerance, a balance and a depth, reflected in Taoist art and literature.
Ti? ao Chi? ien (365-427AD) was one of the poets whose life exemplified the practise of the Taoist Way. He was a minor official but later withdrew from public involvement. He celebrated the relinquishment of that life where he viewed himself as having been e? too long a prisoner, captive in a cagei? . He writes about a quiet way of existence, among friends and family, about the practise of simple pleasures, creating poems, cultivating his land, and enjoying natural beauty. His poetry is like a Sung Dynasty landscape painting with himself a tiny figure in the scene. Drinking wine is a means of escaping excessive introspection.
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? ? Enjoying nature without intervening in it is a means of escaping analysis and definition. The private rather than the public life satisfies and the personal is enough, while the Tao is intrinsically unknowable and wordless.
The Taoist life is centred on nature. No separation is conceived between the sacred and profane, there are only the harmonious and the inharmonious. A human being is one of the myriad creatures, modest in scale. Conformity with the Tao, with the order of the universe, is all that is necessary to the true life. Therefore the Taoist does not seek to change the natural except in accord with absolute necessity. Nature is not to be despoiled for inappropriate material gain. The Taoist needs neither ambitions nor moral code. The Taoist may be a recluse living in the hills, a wanderer among mountains and rivers, a gardener or a poet, in a humble occupation, or free of all except essential occupation. The Taoist cultivates detachment from the worldi? s affairs and concern for the unchanging and
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? eternal. The Taoist embraces the mysterious and feminine, the dark and evanescent, the indistinct and rarified, the empty and minute, the tentative and hesitant, the turbid and vacant, the childishly simple and the foolishly obvious, the muddled and indifferent, the shapeless and dim.
Ti? ao Chi? ien reveals that absence of analysis, in his poems, that is the essence of Tao. It is not an absence of profundity. The deep is simple. The profound is obvious. He is without complex logic and artificial rhetoric. He is without conformity but without pride. He rejects power in order to be weak, and discipline in order to be natural, but he is neither undisciplined nor subservient, neither immoral nor crude. His foolishness is full of intelligence. His simplicity is not uncultivated. His weakness cannot be manipulated. His naturalness is imbued with ethical understanding.
In the first of his two poems titled e? Returning to Live in the Countryi? he evokes that life which evades public confusion to live in accord with
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? ? ? nature and the true self. Elements of nature, mountains and hills, trees and streams, are mentioned but not described. They are there to point towards the Tao not to analyse it. The names of natural features are designed to evoke the natural framework not to provide complex metaphors. The Vortex is subtly present, as air, water, smoke, mist, and winding lanes. The life described is simple. The human need is in the end the same as that of other creatures, birds or fish. It is the freedom the caged bird wants or the fish in its pool. It allows the mind to achieve e? space and silencei? .
In the second poem it is human transience which is the theme and by implication the continuum of nature. That which has vanished is set against the continuity of that which endures. The myriad creatures are contrasted with the eternal Vortex of the natural world.
His poem e? Drinking the Winei? evokes the inner silence of the Taoist. It endorses the simplicity of life, the satisfaction to be had in
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? ? ? appreciation of natural beauty, the tranquility gained by release from action, the elusiveness and indefinability of the Tao. Wine is a way to release spontaneity, to forget the world, to become part of the Way. It is a formal irresponsibility! The poem points to the unknowable essence of the natural world and therefore of life itself, where knowing what things do never takes us to what they inescapably are, never enables us to get at their whatness, their e? quiddityi? . That they are - is mysterious. Though we push and poke at matter, though we study and analyse process, their reality in the vortex always gleams beyond us. Existence is not an attribute of things. The poem expresses the indifferent placidity of the Vortex. Filled with energy, a raging torrent, it is nevertheless detached, neutral. It is the calm surface without hostility even while it is the ceaseless movement without benevolence. Language and intellectual analysis do not get us closer to the essence. It is beyond mind and
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? words. The landscape of the poem is one of remoteness, minuteness, and rarefaction. The hills are distant, the flights of birds dwindle, the air is thinned. Light is about to fade. e? Blunt the sharpi? says the Tao Te Ching e? untie the knots, dim the glare. i?
e? Reading the Classic of Hills and Seasi? is again a poem of the simple life. e? One glance finds all of heaven and earthi? . Ti? ao Chi? ien points back to a passage from the Tao Te Ching on the virtues of non-action. The way of life recommended is neither spiritually lazy nor parasitic. The Taoist cultivates the land and garden, has an artistic sensibility and appreciation, develops the self but has compassion for others. If tranquility is denied because one is caught in the worldi? s net, it can still be an aspiration and a focus of personal values. e? Without going out, one can know the world. Without looking out, one can see the way. The further we go the less we know. Therefore
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? ? the wise see without stirring, know without looking, achieve without doingi? .
The Taoists frequently tease the Confucians. They see them as compelled to wander about in order to find employment and office, e? perching here and perching therei?
