— a guide to the
understanding
of the Homeric
question, iii.
question, iii.
Nietzsche - v18 - Epilogue, Index
125.
Anticipator,the,the man with views beyond his time,vi. 248.
Antigone, a type of Greek womanhood, ii. 23.
Anti-nihilist, the superman foretold, xiii. 117.
Anti-paganism, its rise, xiv. 160 ; its demand which Chris-
tianity everywhere fitted, 160.
Antipodes, the distinction of having one's own, xii. 69.
Antiquarian, the, his spirit of reverence, v. 24; his limited
field, 26; his habit may degrade a considerable
talent, 27; history as revered by, 24; the need
and use of a knowledge of the past, 30.
Antiquity, philology as the science of, viii. 1 1 2; a great value
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
7
## p. 8 (#62) ###############################################
INDEX—NIETZSCHE
of, viii. 118; the false enthusiasm for, 120; the
preferenceof philologists for, 123; two prejudices
why antiquity should be classic, 126; prejudices
for the preference for antiquity, 127; clear im-
pressions of, not to the interest of the profession
of philology, 129; how a superficiality in its con-
ception has been brought about, 134; its relation
to humanism, 135; culture not alone attained
through its study, 139; the origin of the philo-
logist in, 139; taught at the wrong time of life,
147 ; matters in which we are instructed by, 148;
at the twilight of antiquity, 168; Christianity
and the guilt of, 173; a subject for the con-
sideration of pure science, 178; the worship of
classical antiquity as it was to be seen in Italy,
179; what is antiquity now? 180; the main
standpoints from which to consider its import-
ance, 181.
Antiquity, the splendid colouring of, alluded to, x. 185.
Antisemitism, Wagner's, x. 136.
— the sentiment of, among the Germans, xii. 207.
— the Jews, a most fatal people, xvi. 154; possible for
a Christian to be antisemitic without compre-
hending that he himself is the final consequence
of Judaism, 155; the relative worth of lies and
convictions, 212; the convictions of antisemites
instanced, 213.
See also under " Jews. "
Antithesis, on, vi. 179.
Aphorism, the, readers of, vii. 69; the success of, 82; in
praise of, 83.
The volumes referred to under numbers are as follow:—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
8
## p. 9 (#63) ###############################################
APHORISM—APOLLONIAN
Aphorism, the, on the coining and deciphering of, xiii. 12.
— as one of the forms of eternity, xvi. i11; Nietzsche's
ambition—to say in ten sentences what everyone
else says in a whole book, i11.
Aphrodite, Parmenides and, ii. 118-9; the power of, and
its result, 119.
— of Phoenician origin, viii. 160.
— the Christian diabolisation of, and its results, ix. 78.
Apollo, as deity of plastic art, the Apollonian, i. 21; also the
soothsaying god, 24; his majestically rejecting
attitude, 30; his demands as ethical deity, 40;
and those from his disciples, 40; as the repre-
sentative of one world of art, 121; his true
function, 1S6.
— his fight with Marsyas alluded to, ii. 56.
— and the younger philologists, iii. 79.
— as the god of rhythm, x. 119.
Apollonian, the, the contrast between, and "Dionysian,"
analogous to that existing between dreamland
and drunkenness, i. 22-8; as evinced in the dia-
logue of Greek tragedy, 72; the nature of the
jEschylean Prometheus, 79; the antithesis be-
tween the "Apollonian " and the " Dionysian,"
121-8; and operatic development, 142; frat-
ernal union of, with the " Dionysian " in tragedy,
167 ; compared with the "Dionysian," 186.
— the antithesis, "Apollonian-Dionysian," set forth, ii.
36 et seq.
— the twin states of art manifestation, xv. 240; what is
expressed by, 416; its antagonism with the
"Dionysian" in the Greek soul, 416.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
9
## p. 10 (#64) ##############################################
INDEX—NIETZSCHE
Apollonian, the, its presentment in The Birth of Tragedy,
xvii. 69.
Apollonian ecstasy, on, xvi. 67.
Apollonian Greek, the, his view of the effects wrought by
the "Dionysian," i. 41.
Apophthegms and Interludes, (Chap, iv. ) xii. 85-101.
Apostasy from the free spirit, ix. 58.
Apostates, the (Zarathustra's discourse), xi. 217-23;
their lackof courage, 218; of the light-dreading
type, 219-20; the mousetraps of the heart set for
susceptible simpletons, 220; those who become
nightwatchmen, 221.
Appearance, and how it becomes actuality, vi. 70.
— historical and natural, ix. 281.
— the consciousness of, x. 88.
— the world of, xv. 70.
Applause, on, vii. 21.
— the thinker and, x. 256.
Aquila, as the opposite to Rome, xvii. 103.
Aquinas (Thomas), quoted, xiii. 51.
Arcadia, idyllic scene in (et in Arcadia ego), vii. 346.
Archilochus, placed side by side with Homer on gems, i.
43; the first subjective artist, 44; the non-artist
proper? 44; the first lyrist of the Greeks, 45;
a new age of poetry begins with, 52; alluded to,
47-
Architecture, its influence on religious feelings, vi. 130;
not now understood—we having outgrown the
symbolism of lines and figures, 197; and music,
198.
— and the baroque style, vii. 75.
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
IO
## p. 11 (#65) ##############################################
ARCHITECTURE—ARISTOCRACY
Architecture, of halls for thinkers and places for reflection,
x. 217.
— the expression of power, xvi. 69.
Argument, "one refutation is no refutation," vii. 299; on
seeking to improve a bad argument, 348.
— where the state of mind is of more value than, ix. 35.
Arguments provoke mistrust, vii. 142.
Ariadne, her famous conversation with Dionysus on the
island of Naxos, xvi. 75.
Arianism, the law book of Manu criticised, xiv. 123; its
influence on the Jews, the Egyptians, Plato, and
the Germanic Middle Ages, 125; as an affirmative
religion, and the product of a ruling caste, 126.
Aristides, ii. 56.
Aristocrats of the mind, their quiet fruitfulness, vi. 189.
Aristocracy, wealth as the origin of a nobility of race, vi.
35».
— the danger of the noble man, xi. 48; the hero in the
soul, 49.
— the essentials of a good and healthy aristocracy, xii.
225; the individual inside the aristocratic or-
ganization, 226.
— the origin of the aristocratic judgment " good," xiii.
19-20; the master's right of giving names, 20; the
root idea out of which "good " in the sense of
"with a soul of high calibre" has developed,
22-3; the priestly caste, and the concepts "clean"
and "unclean," 26; the resentment of the aris-
tocratic man fulfils and exhausts itself in an im-
mediate reaction, 37.
— Descartes on the sovereignty of the will, xiv. 77.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
II
## p. 12 (#66) ##############################################
INDEX—NIETZSCHE
Aristocracy, its representative belief, xv. 206; hatred of
aristocracy always uses hatred of monarchy as a
mask, 207; the higher form of—the exploiters,
306; the cause of aristocratic aloofness from the
mob, 345; the weakening of aristocracy means to
abolish strong love, lofty attitudes of mind, and
the feeling of individuality, 351.
Aristocracy, the, the bearing of, ix. 203; the future
of, 204; and the ideal of victorious wisdom,
204.
Aristocracy of intellect, xv. 353; the new aristocracy, 359.
Aristocratic societies, the preliminary condition for the
elevation of the type "Man," xii. 223; on cor-
ruption in, 224; the exploiting character of, 226;
a Greek polis and Venice instanced as, 234;
the establishment of types in, 235.
— have left the idea "Barbarian" on all the tracks in
which they have marched, xiii. 40.
— the gregarious instinct and that of an aristocratic
society, xiv. 45; the preservation of herd moral-
ity insisted on, 107.
Ariston, of Chios, his medico-moral formula, x. 163.
Aristophanes, Euripides in The Frogs of, i. 88; the inclu-
sion of Euripides and Socrates together in the
Aristophanic comedy, 102; his unerring in-
stinct in perceiving the symptoms of degenerate
culture, 132.
— his religious unconcern, vi. 128.
— untranslatable into German, xii. 41; copy of one of
his works found under the pillow of Plato's death-
bed, 42.
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
12
## p. 13 (#67) ##############################################
ARISTOTLE—ARROGANCE
Aristotle, music in the age of, i. 52; his observation on the
Greek chorus alluded to, 56; quoted with refer-
ence to the Greek chorus, 111; the catharsis of,
170.
— in agreement with Hesiod over the Eris goddesses, ii.
55 ; his list of contests, 56; his attack on Homer,
56; quoted with reference to Thales and Anaxa-
goras, 90; alluded to, 83.
— a guide to the understanding of the Homeric
question, iii. 154; his admiration of Homer
alluded to, 157.
— quoted, iv. 41.
— his views of tragedy, vi. 190; alluded to, 242, 245.
— the desire to find something fixed, and, viii. 168.
— quoted on marriage, ix. 241 ; his nature instanced,
309; the springs of happiness, 382.
— his doctrines in France, x. 70; his saying on the sub-
ject of small women alluded to, 106; and the aim
of Greek tragedy, 112-3; the distinction between
ethos and pathos, 246.
— philosophy as refined by, xiv. 369.
— as methodologist, xv. 3; hisprincipium contradictions,
31; his misunderstanding with regard to tragic
emotions, 285.
— a saying of, quoted, xvi. 1; the tragic feeling not under-
stood by, 119; his attitude to pity, 132.
Armed peace a sign of a bellicose disposition, vii. 337.
Armies, their uses, vii. 336.
Army, the, its functions, vii. 152-4.
Arria, wife of Thrasea Paetus the Stoic, her holy lie, vii. 236.
Arrogance, a weed which spoils one's harvest, vi. 289.
Human. , ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
13
## p. 14 (#68) ##############################################
INDEX—NIETZSCHE
Arrogance, its relation to states of truth, vii. 24.
— of the nature of, ix. 260.
Art, the hostility of Christianity to, i. 10; duplexity of the
"Apollonian " and " Dionysian," 21; no true art
without objectivity, 44 ; the Socratic opposition
to the tragic need of, 120; the attainment of the
great goal of, in the union of the "Apollonian"
and "Dionysian," 167.
— the mysterious connection between the State and, ii.
12; metaphor in, 188.
— the university and, iii. 130.
— and the enterprise at Bayreuth, iv. 104 ; the tragic art
work at Bayreuth, 128; prevents the bow from
snapping, 130; old forms of. and music, 138; and
the abject slaves of incorrect feeling, 141; the
task assigned to modern art, 143; the voice of
Wagner's art, 145 ; Wagner in, 172 ; Wagner and
the evolution of, 188.
— the aesthetic dilettanti and monumental art, v. 22;
effect of art and history, 58.
— as a raiser of the dead, vi. 154; its animation, 156;
raises its head when creeds relax, 156; its use of
rhythm, 157 ; the art of the ugly soul, 157 ; the
dangerous tendency of art upon the artist, 162;
the individual creations of histrionic and plastic
art, 163 ; not meant for philosophers and natural
scientists, 164; our criticisms of, subject to the
truthfulness of our sensations, 164-5 , wnat 1s
needful to a work of, 174; unfinished works of—
Corriger la fortune, 175; present-day art and seri-
ousness, 176; old doubts upon its effects, 190; the
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
14
## p. 19 (#69) ##############################################
. Asceticism—atrwje
sche's reverence for, in so far as it is honourable,
205; his dislike of coquettish bugs and whited
^' sepulchres, 205.
Asceticism, the Christian form of, vi. 138 et seq.
— limits regarding, ix. 278.
— Nietzsche's desire to naturalise, xv. 336; spoilt by
having been abused by the Church, 336.
Ascetics, their diatribes against the senses, xvi. 28.
Asianism, vii. 112.
Ass festival, The (Zarathustra's discourse), xi. 384-8. 1
Assailants of intellectual movements, vii. 104.
Assertions surer than arguments, vii. 142.
Assyrians, the, xvi. 156.
Astrology, the teaching of, vi. 17.
Atavism, the origin of the learned shown in their methods
and works, x. 287-90.
— on inherited bad instincts, xii 239.
Atavist, the, and the forerunner, vi. 388.
Atheism, Zarathustra encounters the ugliest man—the
murderer of God, xi. 320-6.
— and accepted refutations regarding God, xii. 72.
— examined and defined, xiii. 207.
— drew Nietzsche to Schopenhauer, xvii. 78.
Athene, the ideal of, vii. 94.
Athens, debauchery at, vii. 312; alluded to, 314.
— Plato's allusion to the beautiful boys of Athens,xvi. 78.
— its climate, xvii. 33.
Athos, Mount, the Hesychasts of, xiii. 171.
Atomism, well refuted, but still retaining dangerous
phases, xii. 19.
Atridae, the, their family curse, i. 35.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
19
## p. 20 (#70) ##############################################
INDEX—NIETZSCHE
Attack, how we should, vii. 355.
Attention, the, the command of, vii. 130.
Attic tragedy, as the product of the strife of the antithesis
between "Apollonian " and "Dionysian " art,i. 22.
Attitudes, those who love, and regard virtue as a sort of
attitude, xi. i11.
— not in keeping with greatness, xvii. 53.
Auerbach (Berthold), iii. 58.
— his distorted style, iv. 87.
Augustine, Saint, x. 316.
— his passion for God, xii. 70; alluded to, 122.
Augustus, the Emperor, on the last words of, x. 74.
Author, the, the upright, the best, Draconian law against,
vi. 180; the sin against the reader's intellect,
180; relationship of, to the public, 184; the
interesting life of his book, 188; his joy in old
age, knowing his treasures safe, 189; describes
the feelings and adventures of others, 190; the
case of Homer and Achilles, 189.
— what the reader brings to and expects from, vii. 249.
Authority, on the acquiring of, xiv. 119.
Authors, the misfortune of clear and the good fortune of
obscure, vi. 178; good narrators bad explainers,
182; the writings of acquaintances, 183;
rhythmical sacrifices, 183; necessity of bad
authors, 185.
— and short-sighted persons, vii. 265.
— sources of the loquacity of, x. 130; the writers of
learned books, 325; traits of the craftsman, 327.
Autobiography, the discussion of matters of faith in, iv. 23.
Authors, the fate of some famous, xiii. 179; moral—what
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
20
## p. 21 (#71) ##############################################
AVIATION—BAD
sensible man nowadays writes one honest word
about himself? 180.
Aviation predicted, vi. 248.
Awakening, The (Zarathustra's discourse), xi. 379-83.
Awkwardness and politeness, ix. 297.
Axioms in a thousand years from now, x. 173.
Babylon, her Dionysian festivals, i. 29.
Baccha, the, of Euripides, a protest against the practica-
bility of its own tendencies, i. 94 et seq.
Bach, the rise and influence of, i. 151.
— the texts of his Cantatas referred to, ii. 41.
— in musical development, vi. 197.
— his luminous inner life, vii. 143; an estimation of
his music, 267.
— Wagner's way of speaking of him, viii. 91; Wagner not
the good official that Bach was, 93; his splendid
life alluded to, 93; his natural nobility, 99.
— the dedication of his High Mass, xiii. 220.
— of a strong race, now extinct, xvii. 45.
Bacon (Francis, Lord), v. 44.
— quoted, viii. 154.
— as representing an attack on the philosophical spirit,
xii. 210.
Anticipator,the,the man with views beyond his time,vi. 248.
Antigone, a type of Greek womanhood, ii. 23.
Anti-nihilist, the superman foretold, xiii. 117.
Anti-paganism, its rise, xiv. 160 ; its demand which Chris-
tianity everywhere fitted, 160.
Antipodes, the distinction of having one's own, xii. 69.
Antiquarian, the, his spirit of reverence, v. 24; his limited
field, 26; his habit may degrade a considerable
talent, 27; history as revered by, 24; the need
and use of a knowledge of the past, 30.
Antiquity, philology as the science of, viii. 1 1 2; a great value
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
7
## p. 8 (#62) ###############################################
INDEX—NIETZSCHE
of, viii. 118; the false enthusiasm for, 120; the
preferenceof philologists for, 123; two prejudices
why antiquity should be classic, 126; prejudices
for the preference for antiquity, 127; clear im-
pressions of, not to the interest of the profession
of philology, 129; how a superficiality in its con-
ception has been brought about, 134; its relation
to humanism, 135; culture not alone attained
through its study, 139; the origin of the philo-
logist in, 139; taught at the wrong time of life,
147 ; matters in which we are instructed by, 148;
at the twilight of antiquity, 168; Christianity
and the guilt of, 173; a subject for the con-
sideration of pure science, 178; the worship of
classical antiquity as it was to be seen in Italy,
179; what is antiquity now? 180; the main
standpoints from which to consider its import-
ance, 181.
Antiquity, the splendid colouring of, alluded to, x. 185.
Antisemitism, Wagner's, x. 136.
— the sentiment of, among the Germans, xii. 207.
— the Jews, a most fatal people, xvi. 154; possible for
a Christian to be antisemitic without compre-
hending that he himself is the final consequence
of Judaism, 155; the relative worth of lies and
convictions, 212; the convictions of antisemites
instanced, 213.
See also under " Jews. "
Antithesis, on, vi. 179.
Aphorism, the, readers of, vii. 69; the success of, 82; in
praise of, 83.
The volumes referred to under numbers are as follow:—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
8
## p. 9 (#63) ###############################################
APHORISM—APOLLONIAN
Aphorism, the, on the coining and deciphering of, xiii. 12.
— as one of the forms of eternity, xvi. i11; Nietzsche's
ambition—to say in ten sentences what everyone
else says in a whole book, i11.
Aphrodite, Parmenides and, ii. 118-9; the power of, and
its result, 119.
— of Phoenician origin, viii. 160.
— the Christian diabolisation of, and its results, ix. 78.
Apollo, as deity of plastic art, the Apollonian, i. 21; also the
soothsaying god, 24; his majestically rejecting
attitude, 30; his demands as ethical deity, 40;
and those from his disciples, 40; as the repre-
sentative of one world of art, 121; his true
function, 1S6.
— his fight with Marsyas alluded to, ii. 56.
— and the younger philologists, iii. 79.
— as the god of rhythm, x. 119.
Apollonian, the, the contrast between, and "Dionysian,"
analogous to that existing between dreamland
and drunkenness, i. 22-8; as evinced in the dia-
logue of Greek tragedy, 72; the nature of the
jEschylean Prometheus, 79; the antithesis be-
tween the "Apollonian " and the " Dionysian,"
121-8; and operatic development, 142; frat-
ernal union of, with the " Dionysian " in tragedy,
167 ; compared with the "Dionysian," 186.
— the antithesis, "Apollonian-Dionysian," set forth, ii.
36 et seq.
— the twin states of art manifestation, xv. 240; what is
expressed by, 416; its antagonism with the
"Dionysian" in the Greek soul, 416.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
9
## p. 10 (#64) ##############################################
INDEX—NIETZSCHE
Apollonian, the, its presentment in The Birth of Tragedy,
xvii. 69.
Apollonian ecstasy, on, xvi. 67.
Apollonian Greek, the, his view of the effects wrought by
the "Dionysian," i. 41.
Apophthegms and Interludes, (Chap, iv. ) xii. 85-101.
Apostasy from the free spirit, ix. 58.
Apostates, the (Zarathustra's discourse), xi. 217-23;
their lackof courage, 218; of the light-dreading
type, 219-20; the mousetraps of the heart set for
susceptible simpletons, 220; those who become
nightwatchmen, 221.
Appearance, and how it becomes actuality, vi. 70.
— historical and natural, ix. 281.
— the consciousness of, x. 88.
— the world of, xv. 70.
Applause, on, vii. 21.
— the thinker and, x. 256.
Aquila, as the opposite to Rome, xvii. 103.
Aquinas (Thomas), quoted, xiii. 51.
Arcadia, idyllic scene in (et in Arcadia ego), vii. 346.
Archilochus, placed side by side with Homer on gems, i.
43; the first subjective artist, 44; the non-artist
proper? 44; the first lyrist of the Greeks, 45;
a new age of poetry begins with, 52; alluded to,
47-
Architecture, its influence on religious feelings, vi. 130;
not now understood—we having outgrown the
symbolism of lines and figures, 197; and music,
198.
— and the baroque style, vii. 75.
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
IO
## p. 11 (#65) ##############################################
ARCHITECTURE—ARISTOCRACY
Architecture, of halls for thinkers and places for reflection,
x. 217.
— the expression of power, xvi. 69.
Argument, "one refutation is no refutation," vii. 299; on
seeking to improve a bad argument, 348.
— where the state of mind is of more value than, ix. 35.
Arguments provoke mistrust, vii. 142.
Ariadne, her famous conversation with Dionysus on the
island of Naxos, xvi. 75.
Arianism, the law book of Manu criticised, xiv. 123; its
influence on the Jews, the Egyptians, Plato, and
the Germanic Middle Ages, 125; as an affirmative
religion, and the product of a ruling caste, 126.
Aristides, ii. 56.
Aristocrats of the mind, their quiet fruitfulness, vi. 189.
Aristocracy, wealth as the origin of a nobility of race, vi.
35».
— the danger of the noble man, xi. 48; the hero in the
soul, 49.
— the essentials of a good and healthy aristocracy, xii.
225; the individual inside the aristocratic or-
ganization, 226.
— the origin of the aristocratic judgment " good," xiii.
19-20; the master's right of giving names, 20; the
root idea out of which "good " in the sense of
"with a soul of high calibre" has developed,
22-3; the priestly caste, and the concepts "clean"
and "unclean," 26; the resentment of the aris-
tocratic man fulfils and exhausts itself in an im-
mediate reaction, 37.
— Descartes on the sovereignty of the will, xiv. 77.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
II
## p. 12 (#66) ##############################################
INDEX—NIETZSCHE
Aristocracy, its representative belief, xv. 206; hatred of
aristocracy always uses hatred of monarchy as a
mask, 207; the higher form of—the exploiters,
306; the cause of aristocratic aloofness from the
mob, 345; the weakening of aristocracy means to
abolish strong love, lofty attitudes of mind, and
the feeling of individuality, 351.
Aristocracy, the, the bearing of, ix. 203; the future
of, 204; and the ideal of victorious wisdom,
204.
Aristocracy of intellect, xv. 353; the new aristocracy, 359.
Aristocratic societies, the preliminary condition for the
elevation of the type "Man," xii. 223; on cor-
ruption in, 224; the exploiting character of, 226;
a Greek polis and Venice instanced as, 234;
the establishment of types in, 235.
— have left the idea "Barbarian" on all the tracks in
which they have marched, xiii. 40.
— the gregarious instinct and that of an aristocratic
society, xiv. 45; the preservation of herd moral-
ity insisted on, 107.
Ariston, of Chios, his medico-moral formula, x. 163.
Aristophanes, Euripides in The Frogs of, i. 88; the inclu-
sion of Euripides and Socrates together in the
Aristophanic comedy, 102; his unerring in-
stinct in perceiving the symptoms of degenerate
culture, 132.
— his religious unconcern, vi. 128.
— untranslatable into German, xii. 41; copy of one of
his works found under the pillow of Plato's death-
bed, 42.
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
12
## p. 13 (#67) ##############################################
ARISTOTLE—ARROGANCE
Aristotle, music in the age of, i. 52; his observation on the
Greek chorus alluded to, 56; quoted with refer-
ence to the Greek chorus, 111; the catharsis of,
170.
— in agreement with Hesiod over the Eris goddesses, ii.
55 ; his list of contests, 56; his attack on Homer,
56; quoted with reference to Thales and Anaxa-
goras, 90; alluded to, 83.
— a guide to the understanding of the Homeric
question, iii. 154; his admiration of Homer
alluded to, 157.
— quoted, iv. 41.
— his views of tragedy, vi. 190; alluded to, 242, 245.
— the desire to find something fixed, and, viii. 168.
— quoted on marriage, ix. 241 ; his nature instanced,
309; the springs of happiness, 382.
— his doctrines in France, x. 70; his saying on the sub-
ject of small women alluded to, 106; and the aim
of Greek tragedy, 112-3; the distinction between
ethos and pathos, 246.
— philosophy as refined by, xiv. 369.
— as methodologist, xv. 3; hisprincipium contradictions,
31; his misunderstanding with regard to tragic
emotions, 285.
— a saying of, quoted, xvi. 1; the tragic feeling not under-
stood by, 119; his attitude to pity, 132.
Armed peace a sign of a bellicose disposition, vii. 337.
Armies, their uses, vii. 336.
Army, the, its functions, vii. 152-4.
Arria, wife of Thrasea Paetus the Stoic, her holy lie, vii. 236.
Arrogance, a weed which spoils one's harvest, vi. 289.
Human. , ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
13
## p. 14 (#68) ##############################################
INDEX—NIETZSCHE
Arrogance, its relation to states of truth, vii. 24.
— of the nature of, ix. 260.
Art, the hostility of Christianity to, i. 10; duplexity of the
"Apollonian " and " Dionysian," 21; no true art
without objectivity, 44 ; the Socratic opposition
to the tragic need of, 120; the attainment of the
great goal of, in the union of the "Apollonian"
and "Dionysian," 167.
— the mysterious connection between the State and, ii.
12; metaphor in, 188.
— the university and, iii. 130.
— and the enterprise at Bayreuth, iv. 104 ; the tragic art
work at Bayreuth, 128; prevents the bow from
snapping, 130; old forms of. and music, 138; and
the abject slaves of incorrect feeling, 141; the
task assigned to modern art, 143; the voice of
Wagner's art, 145 ; Wagner in, 172 ; Wagner and
the evolution of, 188.
— the aesthetic dilettanti and monumental art, v. 22;
effect of art and history, 58.
— as a raiser of the dead, vi. 154; its animation, 156;
raises its head when creeds relax, 156; its use of
rhythm, 157 ; the art of the ugly soul, 157 ; the
dangerous tendency of art upon the artist, 162;
the individual creations of histrionic and plastic
art, 163 ; not meant for philosophers and natural
scientists, 164; our criticisms of, subject to the
truthfulness of our sensations, 164-5 , wnat 1s
needful to a work of, 174; unfinished works of—
Corriger la fortune, 175; present-day art and seri-
ousness, 176; old doubts upon its effects, 190; the
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
14
## p. 19 (#69) ##############################################
. Asceticism—atrwje
sche's reverence for, in so far as it is honourable,
205; his dislike of coquettish bugs and whited
^' sepulchres, 205.
Asceticism, the Christian form of, vi. 138 et seq.
— limits regarding, ix. 278.
— Nietzsche's desire to naturalise, xv. 336; spoilt by
having been abused by the Church, 336.
Ascetics, their diatribes against the senses, xvi. 28.
Asianism, vii. 112.
Ass festival, The (Zarathustra's discourse), xi. 384-8. 1
Assailants of intellectual movements, vii. 104.
Assertions surer than arguments, vii. 142.
Assyrians, the, xvi. 156.
Astrology, the teaching of, vi. 17.
Atavism, the origin of the learned shown in their methods
and works, x. 287-90.
— on inherited bad instincts, xii 239.
Atavist, the, and the forerunner, vi. 388.
Atheism, Zarathustra encounters the ugliest man—the
murderer of God, xi. 320-6.
— and accepted refutations regarding God, xii. 72.
— examined and defined, xiii. 207.
— drew Nietzsche to Schopenhauer, xvii. 78.
Athene, the ideal of, vii. 94.
Athens, debauchery at, vii. 312; alluded to, 314.
— Plato's allusion to the beautiful boys of Athens,xvi. 78.
— its climate, xvii. 33.
Athos, Mount, the Hesychasts of, xiii. 171.
Atomism, well refuted, but still retaining dangerous
phases, xii. 19.
Atridae, the, their family curse, i. 35.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
19
## p. 20 (#70) ##############################################
INDEX—NIETZSCHE
Attack, how we should, vii. 355.
Attention, the, the command of, vii. 130.
Attic tragedy, as the product of the strife of the antithesis
between "Apollonian " and "Dionysian " art,i. 22.
Attitudes, those who love, and regard virtue as a sort of
attitude, xi. i11.
— not in keeping with greatness, xvii. 53.
Auerbach (Berthold), iii. 58.
— his distorted style, iv. 87.
Augustine, Saint, x. 316.
— his passion for God, xii. 70; alluded to, 122.
Augustus, the Emperor, on the last words of, x. 74.
Author, the, the upright, the best, Draconian law against,
vi. 180; the sin against the reader's intellect,
180; relationship of, to the public, 184; the
interesting life of his book, 188; his joy in old
age, knowing his treasures safe, 189; describes
the feelings and adventures of others, 190; the
case of Homer and Achilles, 189.
— what the reader brings to and expects from, vii. 249.
Authority, on the acquiring of, xiv. 119.
Authors, the misfortune of clear and the good fortune of
obscure, vi. 178; good narrators bad explainers,
182; the writings of acquaintances, 183;
rhythmical sacrifices, 183; necessity of bad
authors, 185.
— and short-sighted persons, vii. 265.
— sources of the loquacity of, x. 130; the writers of
learned books, 325; traits of the craftsman, 327.
Autobiography, the discussion of matters of faith in, iv. 23.
Authors, the fate of some famous, xiii. 179; moral—what
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
20
## p. 21 (#71) ##############################################
AVIATION—BAD
sensible man nowadays writes one honest word
about himself? 180.
Aviation predicted, vi. 248.
Awakening, The (Zarathustra's discourse), xi. 379-83.
Awkwardness and politeness, ix. 297.
Axioms in a thousand years from now, x. 173.
Babylon, her Dionysian festivals, i. 29.
Baccha, the, of Euripides, a protest against the practica-
bility of its own tendencies, i. 94 et seq.
Bach, the rise and influence of, i. 151.
— the texts of his Cantatas referred to, ii. 41.
— in musical development, vi. 197.
— his luminous inner life, vii. 143; an estimation of
his music, 267.
— Wagner's way of speaking of him, viii. 91; Wagner not
the good official that Bach was, 93; his splendid
life alluded to, 93; his natural nobility, 99.
— the dedication of his High Mass, xiii. 220.
— of a strong race, now extinct, xvii. 45.
Bacon (Francis, Lord), v. 44.
— quoted, viii. 154.
— as representing an attack on the philosophical spirit,
xii. 210.
