The Project Gutenberg EBook of Pastoral Poems by Nicholas Breton,
Selected Poetry by George Wither, and Pastoral Poetry by William Browne
(of Tavistock)
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almost no restrictions whatsoever.
Selected Poetry by George Wither, and Pastoral Poetry by William Browne
(of Tavistock)
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.
William Browne
The Project Gutenberg EBook of Pastoral Poems by Nicholas Breton,
Selected Poetry by George Wither, and Pastoral Poetry by William Browne
(of Tavistock)
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org
Title: Pastoral Poems by Nicholas Breton,
Selected Poetry by George Wither, and
Pastoral Poetry by William Browne (of Tavistock)
Author: Nicholas Breton, George Wither, and William Browne (of Tavistock)
Editor: J. R. Tutin
Release Date: July 6, 2007 [EBook #22001]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK PASTORAL AND OTHER POEMS ***
Produced by Irma Spehar, Ralf Stephan and the Online Distributed
Proofreading Team at http://www. pgdp. net (This file was produced
from images generously made available by The Internet Archive/Canadian
Libraries)
The Pembroke Booklets
(First Series)
III
Nicholas Breton
Pastoral Poems
George Wither
Selected Poetry
William Browne
(of Tavistock)
Pastoral Poetry
[Small Ornamental Illustration]
J. R. Tutin
Hull
1906
_Large Paper Edition, limited to 250 copies_
_Turnbull & Spears, Printers, Edinburgh. _
Nicholas Breton
(1558-1626)
_Thou that wouldst find the habit of true passion,
And see a mind attired in perfect strains . . .
Look here on Breton's work. _--BEN JONSON.
George Wither
(1588-1667)
_The praises of poetry have been often sung in ancient and in modern
times; strange powers have been ascribed to it of influence over
animate and inanimate auditors; its force over fascinated crowds has
been acknowledged; but before Wither, no one ever celebrated its
power at home, the wealth and the strength which this divine gift
confers upon its possessor. Fame, and that too after death, was all
which hitherto the poets had promised themselves from this art. It
seems to have been left to Wither to discover that poetry was a
present possession, as well as a rich reversion, and that the Muse
has a promise of both lives,--of this, and of that which was to
come. _--CHARLES LAMB.
William Browne
(1591-? 1645)
_I feel an envious touch,
And tell thee Swain: that at thy fame I grutch,
Wishing the Art that makes this Poem shine,
And this thy Work (wert not thou wrongèd) mine. _
GEORGE WITHER: _To the Author_
[_of Britannia's Pastorals_].
Contents
PAGE
PREFATORY NOTE 5
NICHOLAS BRETON
A Sweet Pastoral 7
Aglaia: a Pastoral 8
Phyllida and Corydon 10
Astrophel's Song of Phyllida and Corydon 11
A Pastoral of Phyllis and Corydon 13
Corydon's Supplication to Phyllis 14
A Report Song in a Dream, between a shepherd and his nymph 15
Another of the Same 16
A Shepherd's Dream 16
A Quarrel with Love 17
A Sweet Contention between Love, his Mistress, and Beauty 18
Love: "Foolish love is only folly" 20
"Those eyes that hold the hand of every heart" 20
Sonnet: "The worldly prince doth in his sceptre hold" 21
A Sweet Lullaby 22
GEORGE WITHER
Prelude. From _The Shepherd's Hunting_ 24
A Poet's Home. From _Faire Virtue_ 27
Her Beauty. From _Faire Virtue_ 29
Rhomboidal Dirge. From _Faire Virtue_ 30
Song: "Lordly gallants! " From _Faire Virtue_ 32
Song: "Shall I, wasting in despair. " From _Faire Virtue_ 36
"Amarillis I did woo. " From _Faire Virtue_ 37
Sonnet: On a Stolen Kiss 37
A Christmas Carol 38
A Rocking Hymn 40
The Marigold 43
Sonnet: On the Death of Prince Henry 43
From a Satire written to King James I. 44
WILLIAM BROWNE
From "Britannia's Pastorals":--
To England 45
The Seasons 45
May Day Customs 46
Birds in May 46
Music on the Thames 47
A Concert of Birds 47
Flowers 48
Morning 48
Night 49
A Pleasant Grove 50
An Angler 51
A Rill 52
"Glide soft, ye silver floods" 52
"Venus by Adonis' side" 53
A Song: "Gentle Nymphs" 54
Spring Morning. I. From _The Shepherd's Pipe_ 54
" " II. " " 55
A Round 56
"Welcome, welcome, do I sing" 57
Autumn. From _The Shepherd's Pipe_ 58
The Siren's Song. From _Inner Temple Masque_ 59
The Charm. From _Inner Temple Masque_ 59
Cælia: Five Sonnets--"Lo, I the man" 60
"Why might I not for once" 60
"Fairest, when by the rules" 61
"Were't not for you" 61
"Sing soft, ye pretty birds" 62
Visions: Four Sonnets--"I saw a silver swan" 62
"A Rose, as fair as ever" 62
"Down in a valley" 63
"A gentle Shepherd" 63
Epitaphs: In Obitum 64
On the Countess Dowager of Pembroke 64
Prefatory Note
There are few issues attended with greater uncertainty than the fate of
a poet, and of the three represented herein it may be said that they
survive but tardily in public interest. Such a state of things, in spite
of all pleading, is quite beyond reason; hence the purport of this small
Anthology is at once obvious.
A group of poets graced with rarest charm and linked together by several
and varied circumstances, each one figures here in unique evidence and
bold relief of individuality. They are called of the order Spenserian;
servants at the altar to the Pastoral Muse; and, in the reckoning of
time, belong to that glorious age of great Elizabeth. Nicholas Breton
(or Britton, as it is pronounced) and William Browne were both
contributors to _England's Helicon_, of 1614, and Browne and Wither each
submitted verses for _The Shepherd's Pipe_, a publication of the same
year. The former two were, in turn, under the patronage of that most
cultured family, the Herberts, Breton being a _protégé_ of "Sidney's
sister, Pembroke's mother," whom Browne (and not Ben Jonson, as is
commonly said) eulogised thus in elegy. George Wither, being Browne's
intimate friend, was presumably not unappreciated by the kinsfolk of
George Herbert. Thus do they appear as in a bond of spiritual union.
Breton, a step-son to the poet Gascoigne, and the elder of our
fascinating trio, is conspicuous for an unswerving, whole-hearted
attachment to nature and rural scenes. It is in the pastoral lyric
where, with tenderest devotion, he pursues, untrammelled, a light and
free-born fancy. His fertile, varied muse, laden with the passionate
exaggerations of love-lorn swain, is yet charged with richest imagery
and thought, full to overflowing with joyous abandonment, and sweet with
the perfume of many flowers, culled in distant fields.
Wither, though best remembered by exploits in the political arena, is
none the less a poet of deep and purest feeling. To be sure, his best
and earlier work has all of that delightful extravagance and amorous
colouring peculiar to the age. But there is reflected a homely dignity
and mobile, felicitous vein in which the poet seems endowed with every
attribute of a melodist. Exquisite, graceful and diverse he, at times,
would soar to flights of highest inspiration and bedeck the page with
gems of rarest worth. In the heptasyllabic couplet he is decidedly
successful.
And lastly William Browne, than whom we have not a more modest and
retiring singer, here makes his bow with a slender portfolio of
excerpts. Whatever else may transpire it is certain that labour such as
his bears the assurance of unsullied happiness and overflowing joy. It
is quaint, simple, unassuming; without affectation, full of pathos, and
gently sensitive. He was a man who knew no guile, and his sweet and
artless nature is faithfully portrayed in the outpourings of an
impressionable, poetic soul. To dance with rustic maidens on the lea; to
sing by moonlight to the piper's strain; to be happy, always happy, such
is the theme, delicate and refined, of these our half-forgotten poets.
W. B. KEMPLING.
Nicholas Breton
A Sweet Pastoral
Good Muse, rock me asleep
With some sweet harmony:
The weary eye is not to keep
Thy wary company.
Sweet Love, begone awhile,
Thou knowest my heaviness:
Beauty is born but to beguile
My heart of happiness.
See how my little flock,
That loved to feed on high,
Do headlong tumble down the rock,
And in the valley die.
The bushes and the trees
That were so fresh and green,
Do all their dainty colour leese,
And not a leaf is seen.
The blackbird and the thrush,
That made the woods to ring,
With all the rest, are now at hush,
And not a note they sing.
Sweet Philomel, the bird
That hath the heavenly throat,
Doth now alas! not once afford
Recording of a note.
The flowers have had a frost,
Each herb hath lost her savour;
And Phyllida the fair hath lost
The comfort of her favour.
Now all these careful sights
So kill me in conceit,
That how to hope upon delights
It is but mere deceit.
And therefore, my sweet Muse,
Thou know'st what help is best;
Do now thy heavenly cunning use
To set my heart at rest;
And in a dream bewray
What fate shall be my friend;
Whether my life shall still decay,
Or when my sorrow end.
Aglaia: a Pastoral
Sylvan Muses, can ye sing
Of the beauty of the Spring?
Have ye seen on earth that sun
That a heavenly course hath run?
Have ye lived to see those eyes
Where the pride of beauty lies?
Have ye heard that heavenly voice
That may make Love's heart rejoice?
Have ye seen Aglaia, she
Whom the world may joy to see?
If ye have not seen all these,
Then ye do but labour leese;
While ye tune your pipes to play
But an idle roundelay;
And in sad Discomfort's den
Everyone go bite her pen;
That she cannot reach the skill
How to climb that blessed hill
Where Aglaia's fancies dwell,
Where exceedings do excell,
And in simple truth confess
She is that fair shepherdess
To whom fairest flocks a-field
Do their service duly yield:
On whom never Muse hath gazèd
But in musing is amazèd;
Where the honour is too much
For their highest thoughts to touch;
Thus confess, and get ye gone
To your places every one;
And in silence only speak
When ye find your speech too weak.
Blessèd be Aglaia yet,
Though the Muses die for it;
Come abroad, ye blessèd Muses,
Ye that Pallas chiefly chooses,
When she would command a creature
In the honour of Love's nature,
For the sweet Aglaia fair
All to sweeten all the air,
Is abroad this blessèd day;
Haste ye, therefore, come away:
And to kill Love's maladies
Meet her with your melodies.
Flora hath been all about,
And hath brought her wardrobe out;
With her fairest, sweetest flowers,
All to trim up all your bowers.
Bid the shepherds and their swains
See the beauty of their plains;
And command them with their flocks
To do reverence on the rocks;
Where they may so happy be
As her shadow but to see:
Bid the birds in every bush
Not a bird to be at hush:
But to sit, and chirp, and sing
To the beauty of the Spring:
Call the sylvan nymphs together,
Bid them bring their musicks hither.
Trees their barky silence break,
Crack yet, though they cannot speak
Bid the purest, whitest swan
Of her feathers make her fan;
Let the hound the hare go chase;
Lambs and rabbits run at base;
Flies be dancing in the sun,
While the silk-worm's webs are spun;
Hang a fish on every hook
As she goes along the brook;
So with all your sweetest powers
Entertain her in your bowers;
Where her ear may joy to hear
How ye make your sweetest quire;
And in all your sweetest vein
Still Aglaia strike her strain;
But when she her walk doth turn,
Then begin as fast to mourn;
All your flowers and garlands wither
Put up all your pipes together;
Never strike a pleasing strain
Till she come abroad again.
Phyllida and Corydon
In the merry month of May,
In a morn by break of day,
With a troop of damsels playing
Forth I rode, forsooth, a-maying,
When anon by a woodside,
Where as May was in his pride,
I espied, all alone,
Phyllida and Corydon.
Much ado there was, God wot!
He would love, and she would not:
She said, never man was true;
He says, none was false to you.
He said, he had loved her long:
She says, Love should have no wrong.
Corydon would kiss her then,
She says, maids must kiss no men,
Till they do for good and all.
Then she made the shepherd call
All the heavens to witness, truth
Never loved a truer youth.
Thus with many a pretty oath,
Yea, and nay, and faith and troth! --
Such as silly shepherds use
When they will not love abuse;
Love, which had been long deluded,
Was with kisses sweet concluded:
And Phyllida, with garlands gay,
Was made the lady of the May.
Astrophel's Song of Phyllida and Corydon
Fair in a morn (O fairest morn! ),
Was never morn so fair,
There shone a sun, though not the sun
That shineth in the air.
For the earth, and from the earth,
(Was never such a creature! )
Did come this face (was never face
That carried such a feature).
Upon a hill (O blessèd hill!
Was never hill so blessèd),
There stood a man (was never man
For woman so distressed):
This man beheld a heavenly view,
Which did such virtue give
As clears the blind, and helps the lame,
And makes the dead man live.
This man had hap (O happy man!
More happy none than he);
For he had hap to see the hap
That none had hap to see.
This silly swain (and silly swains
Are men of meanest grace):
Had yet the grace (O gracious gift! )
To hap on such a face.
He pity cried, and pity came
And pitied so his pain,
As dying would not let him die
But gave him life again.
For joy whereof he made such mirth
As all the woods did ring;
And Pan with all his swains came forth
To hear the shepherd sing;
But such a song sung never was,
Nor shall be sung again,
Of Phyllida the shepherds' queen,
And Corydon the swain.
Fair Phyllis is the shepherds' queen,
(Was never such a queen as she,)
And Corydon her only swain
(Was never such a swain as he):
Fair Phyllis hath the fairest face
That ever eye did yet behold,
And Corydon the constant'st faith
That ever yet kept flock in fold;
Sweet Phyllis is the sweetest sweet
That ever yet the earth did yield,
And Corydon the kindest swain
That ever yet kept lambs in field.
Sweet Philomel is Phyllis' bird,
Though Corydon be he that caught her,
And Corydon doth hear her sing,
Though Phyllida be she that taught her:
Poor Corydon doth keep the fields
Though Phyllida be she that owes them,
And Phyllida doth walk the meads,
Though Corydon be he that mows them:
The little lambs are Phyllis' love,
Though Corydon is he that feeds them,
The gardens fair are Phyllis' ground,
Though Corydon is he that weeds them.
Since then that Phyllis only is
The only shepherd's only queen;
And Corydon the only swain
That only hath her shepherd been,--
Though Phyllis keep her bower of state,
Shall Corydon consume away?
No, shepherd, no, work out the week,
And Sunday shall be holiday.
A Pastoral of Phyllis and Corydon
On a hill there grows a flower,
Fair befall the dainty sweet!
By that flower there is a bower,
Where the heavenly Muses meet.
In that bower there is a chair,
Fringèd all about with gold,
Where doth sit the fairest fair
That did ever eye behold.
It is Phyllis, fair and bright,
She that is the shepherds' joy,
She that Venus did despite,
And did blind her little boy.
This is she, the wise, the rich,
That the world desires to see:
This is _ipsa quæ_, the which
There is none but only she.
Who would not this face admire?
Who would not this saint adore?
Who would not this sight desire,
Though he thought to see no more?
O, fair eyes, yet let me see,
One good look, and I am gone:
Look on me, for I am he,
Thy poor silly Corydon.
Thou that art the shepherds' queen,
Look upon thy silly swain;
By thy comfort have been seen
Dead men brought to life again.
Corydon's Supplication to Phyllis
Sweet Phyllis, if a silly swain
May sue to thee for grace,
See not thy loving shepherd slain
With looking on thy face;
But think what power thou hast got
Upon my flock and me;
Thou seest they now regard me not,
But all do follow thee.
And if I have so far presumed,
With prying in thine eyes,
Yet let not comfort be consumed
That in thy pity lies;
But as thou art that Phyllis fair,
That fortune favour gives,
So let not love die in despair
That in thy favour lives.
The deer do browse upon the briar,
The birds do pick the cherries;
And will not Beauty grant Desire
One handful of her berries?
If it be so that thou hast sworn
That none shall look on thee,
Yet let me know thou dost not scorn
To cast a look on me.
But if thy beauty make thee proud,
Think then what is ordain'd;
The heavens have never yet allow'd
That love should be disdain'd.
Then lest the fates that favour love
Should curse thee for unkind,
Let me report for thy behoof,
The honour of thy mind;
Let Corydon with full consent
Set down what he hath seen,
That Phyllida with Love's content
Is sworn the shepherds' queen.
A Report Song in a Dream,
between a shepherd and
his nymph
Shall we go dance the hay? _The hay? _
Never pipe could ever play
Better shepherd's roundelay.
Shall we go sing the song? _The song? _
Never Love did ever wrong.
Fair maids, hold hands all along.
Shall we go learn to woo? _To woo? _
Never thought came ever to[o](? )
Better deed could better do.
Shall we go learn to kiss? _To kiss? _
Never heart could ever miss
Comfort where true meaning is.
Thus at base they run, _They run,_
When the sport was scarce begun;
But I waked, and all was done.
Another of the Same
Say that I should say I love ye,
Would you say 'tis but a saying?
But if Love in prayers move ye,
Will ye not be moved with praying?
Think I think that Love should know ye,
Will you think 'tis but a thinking?
But if Love the thought do show ye,
Will ye loose your eyes with winking?
Write that I do write you blessed,
Will you write 'tis but a writing?
But if Truth and Love confess it,
Will ye doubt the true inditing?
No, I say, and think, and write it,
Write, and think, and say your pleasure;
Love, and truth, and I indite it,
You are blessèd out of measure.
A Shepherd's Dream
A silly shepherd lately sat
Among a flock of sheep;
Where musing long on this and that,
At last he fell asleep.
And in the slumber as he lay,
He gave a piteous groan;
He thought his sheep were run away,
And he was left alone.
He whoop'd, he whistled, and he call'd,
But not a sheep came near him;
Which made the shepherd sore appall'd
To see that none would hear him.
But as the swain amazèd stood,
In this most solemn vein,
Came Phyllida forth of the wood,
And stood before the swain.
Whom when the shepherd did behold
He straight began to weep,
And at the heart he grew a-cold,
To think upon his sheep.
For well he knew, where came the queen,
The shepherd durst not stay:
And where that he durst not be seen,
The sheep must needs away.
To ask her if she saw his flock,
Might happen patience move,
And have an answer with a mock,
That such demanders prove.
Yet for because he saw her come
Alone out of the wood,
He thought he would not stand as dumb,
When speech might do him good;
And therefore falling on his knees,
To ask but for his sheep,
He did awake, and so did leese
The honour of his sleep.
A Quarrel with Love
Oh that I could write a story
Of love's dealing with affection!
How he makes the spirit sorry
That is touch'd with his infection.
But he doth so closely wind him,
In the plaits of will ill-pleased,
That the heart can never find him
Till it be too much diseased.
'Tis a subtle kind or spirit
Of a venom-kind of nature,
That can, like a coney-ferret,
Creep unawares upon a creature.
Never eye that can behold it,
Though it worketh first by seeing;
Nor conceit that can unfold it,
Though in thoughts be all its being.
Oh! it maketh old men witty,
Young men wanton, women idle,
While that patience weeps, for pity
Reason bite not nature's bridle.
What it is, in conjecture;
Seeking much, but nothing finding;
Like to fancy's architecture
With illusions reason blinding.
Yet, can beauty so retain it,
In the profit of her service,
That she closely can maintain it
For her servant chief on office?
In her eye she chiefly breeds it;
In her cheeks she chiefly hides it;
In her servant's faith she feeds it,
While his only heart abides it.
A Sweet Contention between Love, his Mistress, and Beauty
Love and my mistress were at strife
Who had the greatest power on me:
Betwixt them both, oh, what a life!
Nay, what a death is this to be!
She said, she did it with her eye;
He said, he did it with his dart;
Betwixt them both (a silly wretch! )
'Tis I that have the wounded heart.
She said, she only spake the word
That did enchant my peering sense;
He said, he only gave the sound
That enter'd heart without defence.
She said, her beauty was the mark
That did amaze the highest mind;
He said, he only made the mist
Whereby the senses grew so blind.
She said, that only for her sake,
The best would venture life and limb:
He said, she was too much deceiv'd;
They honour'd her because of him.
Long while, alas, she would not yield,
But it was she that rul'd the roost;[1]
Until by proof, she did confess,
If he were gone, her joy was lost.
And then she cried, "Oh, dainty love,
I now do find it is for thee,
That I am lov'd and honour'd both,
And thou hast power to conquer me. "
But, when I heard her yield to love,
Oh! how my heart did leap for joy!
That now I had some little hope
To have an end to mine annoy!
But, as too soon, before the field
The trumpets sound the overthrow,
So all too soon I joy'd too much,
For I awaked, and nothing saw. [2]
[Transcriber's note 1: The original had 'roast']
[Footnote 2: Ellis reads _so_. ]
Love
Foolish love is only folly;
Wanton love is too unholy;
Greedy love is covetous;
Idle love is frivolous;
But the gracious love is it
That doth prove the work of it.
Beauty but deceives the eye;
Flattery leads the ear awry;
Wealth doth but enchant the wit;
Want, the overthrow of it;
While in Wisdom's worthy grace,
Virtue sees the sweetest face.
There hath Love found out his life,
Peace without all thought of strife;
Kindness in Discretion's care;
Truth, that clearly doth declare
Faith doth in true fancy prove,
Lust the excrements of Love.
Then in faith may fancy see
How my love may constru'd be;
How it grows and what it seeks;
How it lives and what it likes;
So in highest grace regard it,
Or in lowest scorn discard it.
_The Passionate Shepherd. _
Those eyes that hold the hand of every heart,
That hand that holds the heart of every eye,
That wit that goes beyond all Nature's art,
The sense too deep for Wisdom to descry;
That eye, that hand, that wit, that heavenly sense
Doth show my only mistress' excellence.
O eyes that pierce into the purest heart!
O hands that hold the highest thoughts in thrall!
O wit that weighs the depth of all desert!
O sense that shews the secret sweet of all!
The heaven of heavens with heavenly power preserve thee,
Love but thyself, and give me leave to serve thee.
To serve, to live to look upon those eyes,
To look, to live to kiss that heavenly hand,
To sound that wit that doth amaze the mind,
To know that sense, no sense can understand,
To understand that all the world may know,
Such wit, such sense, eyes, hands, there are no moe.
Sonnet
The worldly prince doth in his sceptre hold
A kind of heaven in his authorities;
The wealthy miser, in his mass of gold,
Makes to his soul a kind of Paradise;
The epicure that eats and drinks all day,
Accounts no heaven, but in his hellish routs;
And she, whose beauty seems a sunny day,
Makes up her heaven but in her baby's clouts.
But, my sweet God, I seek no prince's power,
No miser's wealth, nor beauty's fading gloss,
Which pamper sin, whose sweets are inward sour,
And sorry gains that breed the spirit's loss:
No, my dear Lord, let my Heaven only be
In my Love's service, but to live to thee.
A Sweet Lullaby
Come, little babe, come, silly soul,
Thy father's shame, thy mother's grief,
Born as I doubt to all our dole,
And to thyself unhappy chief:
Sing lullaby and lap it warm,
Poor soul that thinks no creature harm.
Thou little thinkst, and less dost know
The cause of this thy mother's moan;
Thou want'st the wit to wail her woe,
And I myself am all alone;
Why dost thou weep? why dost thou wail,
And know'st not yet what thou dost ail?
Come, little wretch! Ah! silly heart,
Mine only joy, what can I more?
If there be any wrong thy smart,
That may the destinies implore,
'Twas I, I say, against my will--
I wail the time, but be thou still.
And dost thou smile? O thy sweet face!
Would God Himself He might thee see!
No doubt thou wouldst soon purchase grace,
I know right well, for thee and me,
But come to mother, babe, and play,
For father false is fled away.
Sweet boy, if it by fortune chance
Thy father home again to send,
If Death do strike me with his lance
Yet may'st thou me to him commend:
If any ask thy mother's name,
Tell how by love she purchased blame.
Then will his gentle heart soon yield:
I know him of a noble mind:
Although a lion in the field,
A lamb in town[1] thou shalt him find:
Ask blessing, babe, be not afraid!
Selected Poetry by George Wither, and Pastoral Poetry by William Browne
(of Tavistock)
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org
Title: Pastoral Poems by Nicholas Breton,
Selected Poetry by George Wither, and
Pastoral Poetry by William Browne (of Tavistock)
Author: Nicholas Breton, George Wither, and William Browne (of Tavistock)
Editor: J. R. Tutin
Release Date: July 6, 2007 [EBook #22001]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK PASTORAL AND OTHER POEMS ***
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The Pembroke Booklets
(First Series)
III
Nicholas Breton
Pastoral Poems
George Wither
Selected Poetry
William Browne
(of Tavistock)
Pastoral Poetry
[Small Ornamental Illustration]
J. R. Tutin
Hull
1906
_Large Paper Edition, limited to 250 copies_
_Turnbull & Spears, Printers, Edinburgh. _
Nicholas Breton
(1558-1626)
_Thou that wouldst find the habit of true passion,
And see a mind attired in perfect strains . . .
Look here on Breton's work. _--BEN JONSON.
George Wither
(1588-1667)
_The praises of poetry have been often sung in ancient and in modern
times; strange powers have been ascribed to it of influence over
animate and inanimate auditors; its force over fascinated crowds has
been acknowledged; but before Wither, no one ever celebrated its
power at home, the wealth and the strength which this divine gift
confers upon its possessor. Fame, and that too after death, was all
which hitherto the poets had promised themselves from this art. It
seems to have been left to Wither to discover that poetry was a
present possession, as well as a rich reversion, and that the Muse
has a promise of both lives,--of this, and of that which was to
come. _--CHARLES LAMB.
William Browne
(1591-? 1645)
_I feel an envious touch,
And tell thee Swain: that at thy fame I grutch,
Wishing the Art that makes this Poem shine,
And this thy Work (wert not thou wrongèd) mine. _
GEORGE WITHER: _To the Author_
[_of Britannia's Pastorals_].
Contents
PAGE
PREFATORY NOTE 5
NICHOLAS BRETON
A Sweet Pastoral 7
Aglaia: a Pastoral 8
Phyllida and Corydon 10
Astrophel's Song of Phyllida and Corydon 11
A Pastoral of Phyllis and Corydon 13
Corydon's Supplication to Phyllis 14
A Report Song in a Dream, between a shepherd and his nymph 15
Another of the Same 16
A Shepherd's Dream 16
A Quarrel with Love 17
A Sweet Contention between Love, his Mistress, and Beauty 18
Love: "Foolish love is only folly" 20
"Those eyes that hold the hand of every heart" 20
Sonnet: "The worldly prince doth in his sceptre hold" 21
A Sweet Lullaby 22
GEORGE WITHER
Prelude. From _The Shepherd's Hunting_ 24
A Poet's Home. From _Faire Virtue_ 27
Her Beauty. From _Faire Virtue_ 29
Rhomboidal Dirge. From _Faire Virtue_ 30
Song: "Lordly gallants! " From _Faire Virtue_ 32
Song: "Shall I, wasting in despair. " From _Faire Virtue_ 36
"Amarillis I did woo. " From _Faire Virtue_ 37
Sonnet: On a Stolen Kiss 37
A Christmas Carol 38
A Rocking Hymn 40
The Marigold 43
Sonnet: On the Death of Prince Henry 43
From a Satire written to King James I. 44
WILLIAM BROWNE
From "Britannia's Pastorals":--
To England 45
The Seasons 45
May Day Customs 46
Birds in May 46
Music on the Thames 47
A Concert of Birds 47
Flowers 48
Morning 48
Night 49
A Pleasant Grove 50
An Angler 51
A Rill 52
"Glide soft, ye silver floods" 52
"Venus by Adonis' side" 53
A Song: "Gentle Nymphs" 54
Spring Morning. I. From _The Shepherd's Pipe_ 54
" " II. " " 55
A Round 56
"Welcome, welcome, do I sing" 57
Autumn. From _The Shepherd's Pipe_ 58
The Siren's Song. From _Inner Temple Masque_ 59
The Charm. From _Inner Temple Masque_ 59
Cælia: Five Sonnets--"Lo, I the man" 60
"Why might I not for once" 60
"Fairest, when by the rules" 61
"Were't not for you" 61
"Sing soft, ye pretty birds" 62
Visions: Four Sonnets--"I saw a silver swan" 62
"A Rose, as fair as ever" 62
"Down in a valley" 63
"A gentle Shepherd" 63
Epitaphs: In Obitum 64
On the Countess Dowager of Pembroke 64
Prefatory Note
There are few issues attended with greater uncertainty than the fate of
a poet, and of the three represented herein it may be said that they
survive but tardily in public interest. Such a state of things, in spite
of all pleading, is quite beyond reason; hence the purport of this small
Anthology is at once obvious.
A group of poets graced with rarest charm and linked together by several
and varied circumstances, each one figures here in unique evidence and
bold relief of individuality. They are called of the order Spenserian;
servants at the altar to the Pastoral Muse; and, in the reckoning of
time, belong to that glorious age of great Elizabeth. Nicholas Breton
(or Britton, as it is pronounced) and William Browne were both
contributors to _England's Helicon_, of 1614, and Browne and Wither each
submitted verses for _The Shepherd's Pipe_, a publication of the same
year. The former two were, in turn, under the patronage of that most
cultured family, the Herberts, Breton being a _protégé_ of "Sidney's
sister, Pembroke's mother," whom Browne (and not Ben Jonson, as is
commonly said) eulogised thus in elegy. George Wither, being Browne's
intimate friend, was presumably not unappreciated by the kinsfolk of
George Herbert. Thus do they appear as in a bond of spiritual union.
Breton, a step-son to the poet Gascoigne, and the elder of our
fascinating trio, is conspicuous for an unswerving, whole-hearted
attachment to nature and rural scenes. It is in the pastoral lyric
where, with tenderest devotion, he pursues, untrammelled, a light and
free-born fancy. His fertile, varied muse, laden with the passionate
exaggerations of love-lorn swain, is yet charged with richest imagery
and thought, full to overflowing with joyous abandonment, and sweet with
the perfume of many flowers, culled in distant fields.
Wither, though best remembered by exploits in the political arena, is
none the less a poet of deep and purest feeling. To be sure, his best
and earlier work has all of that delightful extravagance and amorous
colouring peculiar to the age. But there is reflected a homely dignity
and mobile, felicitous vein in which the poet seems endowed with every
attribute of a melodist. Exquisite, graceful and diverse he, at times,
would soar to flights of highest inspiration and bedeck the page with
gems of rarest worth. In the heptasyllabic couplet he is decidedly
successful.
And lastly William Browne, than whom we have not a more modest and
retiring singer, here makes his bow with a slender portfolio of
excerpts. Whatever else may transpire it is certain that labour such as
his bears the assurance of unsullied happiness and overflowing joy. It
is quaint, simple, unassuming; without affectation, full of pathos, and
gently sensitive. He was a man who knew no guile, and his sweet and
artless nature is faithfully portrayed in the outpourings of an
impressionable, poetic soul. To dance with rustic maidens on the lea; to
sing by moonlight to the piper's strain; to be happy, always happy, such
is the theme, delicate and refined, of these our half-forgotten poets.
W. B. KEMPLING.
Nicholas Breton
A Sweet Pastoral
Good Muse, rock me asleep
With some sweet harmony:
The weary eye is not to keep
Thy wary company.
Sweet Love, begone awhile,
Thou knowest my heaviness:
Beauty is born but to beguile
My heart of happiness.
See how my little flock,
That loved to feed on high,
Do headlong tumble down the rock,
And in the valley die.
The bushes and the trees
That were so fresh and green,
Do all their dainty colour leese,
And not a leaf is seen.
The blackbird and the thrush,
That made the woods to ring,
With all the rest, are now at hush,
And not a note they sing.
Sweet Philomel, the bird
That hath the heavenly throat,
Doth now alas! not once afford
Recording of a note.
The flowers have had a frost,
Each herb hath lost her savour;
And Phyllida the fair hath lost
The comfort of her favour.
Now all these careful sights
So kill me in conceit,
That how to hope upon delights
It is but mere deceit.
And therefore, my sweet Muse,
Thou know'st what help is best;
Do now thy heavenly cunning use
To set my heart at rest;
And in a dream bewray
What fate shall be my friend;
Whether my life shall still decay,
Or when my sorrow end.
Aglaia: a Pastoral
Sylvan Muses, can ye sing
Of the beauty of the Spring?
Have ye seen on earth that sun
That a heavenly course hath run?
Have ye lived to see those eyes
Where the pride of beauty lies?
Have ye heard that heavenly voice
That may make Love's heart rejoice?
Have ye seen Aglaia, she
Whom the world may joy to see?
If ye have not seen all these,
Then ye do but labour leese;
While ye tune your pipes to play
But an idle roundelay;
And in sad Discomfort's den
Everyone go bite her pen;
That she cannot reach the skill
How to climb that blessed hill
Where Aglaia's fancies dwell,
Where exceedings do excell,
And in simple truth confess
She is that fair shepherdess
To whom fairest flocks a-field
Do their service duly yield:
On whom never Muse hath gazèd
But in musing is amazèd;
Where the honour is too much
For their highest thoughts to touch;
Thus confess, and get ye gone
To your places every one;
And in silence only speak
When ye find your speech too weak.
Blessèd be Aglaia yet,
Though the Muses die for it;
Come abroad, ye blessèd Muses,
Ye that Pallas chiefly chooses,
When she would command a creature
In the honour of Love's nature,
For the sweet Aglaia fair
All to sweeten all the air,
Is abroad this blessèd day;
Haste ye, therefore, come away:
And to kill Love's maladies
Meet her with your melodies.
Flora hath been all about,
And hath brought her wardrobe out;
With her fairest, sweetest flowers,
All to trim up all your bowers.
Bid the shepherds and their swains
See the beauty of their plains;
And command them with their flocks
To do reverence on the rocks;
Where they may so happy be
As her shadow but to see:
Bid the birds in every bush
Not a bird to be at hush:
But to sit, and chirp, and sing
To the beauty of the Spring:
Call the sylvan nymphs together,
Bid them bring their musicks hither.
Trees their barky silence break,
Crack yet, though they cannot speak
Bid the purest, whitest swan
Of her feathers make her fan;
Let the hound the hare go chase;
Lambs and rabbits run at base;
Flies be dancing in the sun,
While the silk-worm's webs are spun;
Hang a fish on every hook
As she goes along the brook;
So with all your sweetest powers
Entertain her in your bowers;
Where her ear may joy to hear
How ye make your sweetest quire;
And in all your sweetest vein
Still Aglaia strike her strain;
But when she her walk doth turn,
Then begin as fast to mourn;
All your flowers and garlands wither
Put up all your pipes together;
Never strike a pleasing strain
Till she come abroad again.
Phyllida and Corydon
In the merry month of May,
In a morn by break of day,
With a troop of damsels playing
Forth I rode, forsooth, a-maying,
When anon by a woodside,
Where as May was in his pride,
I espied, all alone,
Phyllida and Corydon.
Much ado there was, God wot!
He would love, and she would not:
She said, never man was true;
He says, none was false to you.
He said, he had loved her long:
She says, Love should have no wrong.
Corydon would kiss her then,
She says, maids must kiss no men,
Till they do for good and all.
Then she made the shepherd call
All the heavens to witness, truth
Never loved a truer youth.
Thus with many a pretty oath,
Yea, and nay, and faith and troth! --
Such as silly shepherds use
When they will not love abuse;
Love, which had been long deluded,
Was with kisses sweet concluded:
And Phyllida, with garlands gay,
Was made the lady of the May.
Astrophel's Song of Phyllida and Corydon
Fair in a morn (O fairest morn! ),
Was never morn so fair,
There shone a sun, though not the sun
That shineth in the air.
For the earth, and from the earth,
(Was never such a creature! )
Did come this face (was never face
That carried such a feature).
Upon a hill (O blessèd hill!
Was never hill so blessèd),
There stood a man (was never man
For woman so distressed):
This man beheld a heavenly view,
Which did such virtue give
As clears the blind, and helps the lame,
And makes the dead man live.
This man had hap (O happy man!
More happy none than he);
For he had hap to see the hap
That none had hap to see.
This silly swain (and silly swains
Are men of meanest grace):
Had yet the grace (O gracious gift! )
To hap on such a face.
He pity cried, and pity came
And pitied so his pain,
As dying would not let him die
But gave him life again.
For joy whereof he made such mirth
As all the woods did ring;
And Pan with all his swains came forth
To hear the shepherd sing;
But such a song sung never was,
Nor shall be sung again,
Of Phyllida the shepherds' queen,
And Corydon the swain.
Fair Phyllis is the shepherds' queen,
(Was never such a queen as she,)
And Corydon her only swain
(Was never such a swain as he):
Fair Phyllis hath the fairest face
That ever eye did yet behold,
And Corydon the constant'st faith
That ever yet kept flock in fold;
Sweet Phyllis is the sweetest sweet
That ever yet the earth did yield,
And Corydon the kindest swain
That ever yet kept lambs in field.
Sweet Philomel is Phyllis' bird,
Though Corydon be he that caught her,
And Corydon doth hear her sing,
Though Phyllida be she that taught her:
Poor Corydon doth keep the fields
Though Phyllida be she that owes them,
And Phyllida doth walk the meads,
Though Corydon be he that mows them:
The little lambs are Phyllis' love,
Though Corydon is he that feeds them,
The gardens fair are Phyllis' ground,
Though Corydon is he that weeds them.
Since then that Phyllis only is
The only shepherd's only queen;
And Corydon the only swain
That only hath her shepherd been,--
Though Phyllis keep her bower of state,
Shall Corydon consume away?
No, shepherd, no, work out the week,
And Sunday shall be holiday.
A Pastoral of Phyllis and Corydon
On a hill there grows a flower,
Fair befall the dainty sweet!
By that flower there is a bower,
Where the heavenly Muses meet.
In that bower there is a chair,
Fringèd all about with gold,
Where doth sit the fairest fair
That did ever eye behold.
It is Phyllis, fair and bright,
She that is the shepherds' joy,
She that Venus did despite,
And did blind her little boy.
This is she, the wise, the rich,
That the world desires to see:
This is _ipsa quæ_, the which
There is none but only she.
Who would not this face admire?
Who would not this saint adore?
Who would not this sight desire,
Though he thought to see no more?
O, fair eyes, yet let me see,
One good look, and I am gone:
Look on me, for I am he,
Thy poor silly Corydon.
Thou that art the shepherds' queen,
Look upon thy silly swain;
By thy comfort have been seen
Dead men brought to life again.
Corydon's Supplication to Phyllis
Sweet Phyllis, if a silly swain
May sue to thee for grace,
See not thy loving shepherd slain
With looking on thy face;
But think what power thou hast got
Upon my flock and me;
Thou seest they now regard me not,
But all do follow thee.
And if I have so far presumed,
With prying in thine eyes,
Yet let not comfort be consumed
That in thy pity lies;
But as thou art that Phyllis fair,
That fortune favour gives,
So let not love die in despair
That in thy favour lives.
The deer do browse upon the briar,
The birds do pick the cherries;
And will not Beauty grant Desire
One handful of her berries?
If it be so that thou hast sworn
That none shall look on thee,
Yet let me know thou dost not scorn
To cast a look on me.
But if thy beauty make thee proud,
Think then what is ordain'd;
The heavens have never yet allow'd
That love should be disdain'd.
Then lest the fates that favour love
Should curse thee for unkind,
Let me report for thy behoof,
The honour of thy mind;
Let Corydon with full consent
Set down what he hath seen,
That Phyllida with Love's content
Is sworn the shepherds' queen.
A Report Song in a Dream,
between a shepherd and
his nymph
Shall we go dance the hay? _The hay? _
Never pipe could ever play
Better shepherd's roundelay.
Shall we go sing the song? _The song? _
Never Love did ever wrong.
Fair maids, hold hands all along.
Shall we go learn to woo? _To woo? _
Never thought came ever to[o](? )
Better deed could better do.
Shall we go learn to kiss? _To kiss? _
Never heart could ever miss
Comfort where true meaning is.
Thus at base they run, _They run,_
When the sport was scarce begun;
But I waked, and all was done.
Another of the Same
Say that I should say I love ye,
Would you say 'tis but a saying?
But if Love in prayers move ye,
Will ye not be moved with praying?
Think I think that Love should know ye,
Will you think 'tis but a thinking?
But if Love the thought do show ye,
Will ye loose your eyes with winking?
Write that I do write you blessed,
Will you write 'tis but a writing?
But if Truth and Love confess it,
Will ye doubt the true inditing?
No, I say, and think, and write it,
Write, and think, and say your pleasure;
Love, and truth, and I indite it,
You are blessèd out of measure.
A Shepherd's Dream
A silly shepherd lately sat
Among a flock of sheep;
Where musing long on this and that,
At last he fell asleep.
And in the slumber as he lay,
He gave a piteous groan;
He thought his sheep were run away,
And he was left alone.
He whoop'd, he whistled, and he call'd,
But not a sheep came near him;
Which made the shepherd sore appall'd
To see that none would hear him.
But as the swain amazèd stood,
In this most solemn vein,
Came Phyllida forth of the wood,
And stood before the swain.
Whom when the shepherd did behold
He straight began to weep,
And at the heart he grew a-cold,
To think upon his sheep.
For well he knew, where came the queen,
The shepherd durst not stay:
And where that he durst not be seen,
The sheep must needs away.
To ask her if she saw his flock,
Might happen patience move,
And have an answer with a mock,
That such demanders prove.
Yet for because he saw her come
Alone out of the wood,
He thought he would not stand as dumb,
When speech might do him good;
And therefore falling on his knees,
To ask but for his sheep,
He did awake, and so did leese
The honour of his sleep.
A Quarrel with Love
Oh that I could write a story
Of love's dealing with affection!
How he makes the spirit sorry
That is touch'd with his infection.
But he doth so closely wind him,
In the plaits of will ill-pleased,
That the heart can never find him
Till it be too much diseased.
'Tis a subtle kind or spirit
Of a venom-kind of nature,
That can, like a coney-ferret,
Creep unawares upon a creature.
Never eye that can behold it,
Though it worketh first by seeing;
Nor conceit that can unfold it,
Though in thoughts be all its being.
Oh! it maketh old men witty,
Young men wanton, women idle,
While that patience weeps, for pity
Reason bite not nature's bridle.
What it is, in conjecture;
Seeking much, but nothing finding;
Like to fancy's architecture
With illusions reason blinding.
Yet, can beauty so retain it,
In the profit of her service,
That she closely can maintain it
For her servant chief on office?
In her eye she chiefly breeds it;
In her cheeks she chiefly hides it;
In her servant's faith she feeds it,
While his only heart abides it.
A Sweet Contention between Love, his Mistress, and Beauty
Love and my mistress were at strife
Who had the greatest power on me:
Betwixt them both, oh, what a life!
Nay, what a death is this to be!
She said, she did it with her eye;
He said, he did it with his dart;
Betwixt them both (a silly wretch! )
'Tis I that have the wounded heart.
She said, she only spake the word
That did enchant my peering sense;
He said, he only gave the sound
That enter'd heart without defence.
She said, her beauty was the mark
That did amaze the highest mind;
He said, he only made the mist
Whereby the senses grew so blind.
She said, that only for her sake,
The best would venture life and limb:
He said, she was too much deceiv'd;
They honour'd her because of him.
Long while, alas, she would not yield,
But it was she that rul'd the roost;[1]
Until by proof, she did confess,
If he were gone, her joy was lost.
And then she cried, "Oh, dainty love,
I now do find it is for thee,
That I am lov'd and honour'd both,
And thou hast power to conquer me. "
But, when I heard her yield to love,
Oh! how my heart did leap for joy!
That now I had some little hope
To have an end to mine annoy!
But, as too soon, before the field
The trumpets sound the overthrow,
So all too soon I joy'd too much,
For I awaked, and nothing saw. [2]
[Transcriber's note 1: The original had 'roast']
[Footnote 2: Ellis reads _so_. ]
Love
Foolish love is only folly;
Wanton love is too unholy;
Greedy love is covetous;
Idle love is frivolous;
But the gracious love is it
That doth prove the work of it.
Beauty but deceives the eye;
Flattery leads the ear awry;
Wealth doth but enchant the wit;
Want, the overthrow of it;
While in Wisdom's worthy grace,
Virtue sees the sweetest face.
There hath Love found out his life,
Peace without all thought of strife;
Kindness in Discretion's care;
Truth, that clearly doth declare
Faith doth in true fancy prove,
Lust the excrements of Love.
Then in faith may fancy see
How my love may constru'd be;
How it grows and what it seeks;
How it lives and what it likes;
So in highest grace regard it,
Or in lowest scorn discard it.
_The Passionate Shepherd. _
Those eyes that hold the hand of every heart,
That hand that holds the heart of every eye,
That wit that goes beyond all Nature's art,
The sense too deep for Wisdom to descry;
That eye, that hand, that wit, that heavenly sense
Doth show my only mistress' excellence.
O eyes that pierce into the purest heart!
O hands that hold the highest thoughts in thrall!
O wit that weighs the depth of all desert!
O sense that shews the secret sweet of all!
The heaven of heavens with heavenly power preserve thee,
Love but thyself, and give me leave to serve thee.
To serve, to live to look upon those eyes,
To look, to live to kiss that heavenly hand,
To sound that wit that doth amaze the mind,
To know that sense, no sense can understand,
To understand that all the world may know,
Such wit, such sense, eyes, hands, there are no moe.
Sonnet
The worldly prince doth in his sceptre hold
A kind of heaven in his authorities;
The wealthy miser, in his mass of gold,
Makes to his soul a kind of Paradise;
The epicure that eats and drinks all day,
Accounts no heaven, but in his hellish routs;
And she, whose beauty seems a sunny day,
Makes up her heaven but in her baby's clouts.
But, my sweet God, I seek no prince's power,
No miser's wealth, nor beauty's fading gloss,
Which pamper sin, whose sweets are inward sour,
And sorry gains that breed the spirit's loss:
No, my dear Lord, let my Heaven only be
In my Love's service, but to live to thee.
A Sweet Lullaby
Come, little babe, come, silly soul,
Thy father's shame, thy mother's grief,
Born as I doubt to all our dole,
And to thyself unhappy chief:
Sing lullaby and lap it warm,
Poor soul that thinks no creature harm.
Thou little thinkst, and less dost know
The cause of this thy mother's moan;
Thou want'st the wit to wail her woe,
And I myself am all alone;
Why dost thou weep? why dost thou wail,
And know'st not yet what thou dost ail?
Come, little wretch! Ah! silly heart,
Mine only joy, what can I more?
If there be any wrong thy smart,
That may the destinies implore,
'Twas I, I say, against my will--
I wail the time, but be thou still.
And dost thou smile? O thy sweet face!
Would God Himself He might thee see!
No doubt thou wouldst soon purchase grace,
I know right well, for thee and me,
But come to mother, babe, and play,
For father false is fled away.
Sweet boy, if it by fortune chance
Thy father home again to send,
If Death do strike me with his lance
Yet may'st thou me to him commend:
If any ask thy mother's name,
Tell how by love she purchased blame.
Then will his gentle heart soon yield:
I know him of a noble mind:
Although a lion in the field,
A lamb in town[1] thou shalt him find:
Ask blessing, babe, be not afraid!
