No More Learning

Oh vain the up-straining of the hands
In the chamber late at night,
Oh vain the complainings, the hot demands,
The prayers for a sound, the tears for a sight.

No word from over the starry line,
No motion felt in the dark,
And never a day gives ever a sign
Or a dream sets seal with palpable mark.

And O my God, how slight it were,
How nothing, thou All! to thee,
That a kiss or a whisper might fall from her
Down by the way of Time to me:

Or some least grace of the body of love,
-- Mere wafture of floating-by,
Mere sense of unseen smiling above,
Mere hint sincere of a large blue eye,

Mere dim receipt of sad delight
From Nearness warm in the air,
What time with the passing of the night
She also passed, somehow, somewhere.

____
Baltimore, 1876.




A Ballad of Trees and the Master.



Into the woods my Master went,
Clean forspent, forspent.
Into the woods my Master came,
Forspent with love and shame.
But the olives they were not blind to Him,
The little gray leaves were kind to Him:
The thorn-tree had a mind to Him
When into the woods He came.

Out of the woods my Master went,
And He was well content.
Out of the woods my Master came,
Content with death and shame.
When Death and Shame would woo Him last,
From under the trees they drew Him last:
'Twas on a tree they slew Him -- last
When out of the woods He came.

____
Baltimore, November, 1880.




A Florida Sunday.



From cold Norse caves or buccaneer Southern seas
Oft come repenting tempests here to die;
Bewailing old-time wrecks and robberies,
They shrive to priestly pines with many a sigh,
Breathe salutary balms through lank-lock'd hair
Of sick men's heads, and soon -- this world outworn --
Sink into saintly heavens of stirless air,
Clean from confessional. One died, this morn,
And willed the world to wise Queen Tranquil: she,
Sweet sovereign Lady of all souls that bide
In contemplation, tames the too bright skies
Like that faint agate film, far down descried,
Restraining suns in sudden thoughtful eyes
Which flashed but now. Blest distillation rare
Of o'er-rank brightness filtered waterwise
Through all the earths in heaven -- thou always fair,
Still virgin bride of e'er-creating thought --
Dream-worker, in whose dream the Future's wrought --
Healer of hurts, free balm for bitter wrongs --
Most silent mother of all sounding songs --
Thou that dissolvest hells to make thy heaven --
Thou tempest's heir, that keep'st no tempest leaven --
But after winds' and thunders' wide mischance
Dost brood, and better thine inheritance --
Thou privacy of space, where each grave Star
As in his own still chamber sits afar
To meditate, yet, by thy walls unpent,
Shines to his fellows o'er the firmament --
Oh! as thou liv'st in all this sky and sea
That likewise lovingly do live in thee,
So melt my soul in thee, and thine in me,
Divine Tranquillity!

Gray Pelican, poised where yon broad shallows shine,
Know'st thou, that finny foison all is mine
In the bag below thy beak -- yet thine, not less?
For God, of His most gracious friendliness,
Hath wrought that every soul, this loving morn,
Into all things may be new-corporate born,
And each live whole in all: I sail with thee,
Thy Pelican's self is mine; yea, silver Sea,
In this large moment all thy fishes, ripples, bights,
Pale in-shore greens and distant blue delights,
White visionary sails, long reaches fair
By moon-horn'd strands that film the far-off air,
Bright sparkle-revelations, secret majesties,
Shells, wrecks and wealths, are mine; yea, Orange-trees,
That lift your small world-systems in the light,
Rich sets of round green heavens studded bright
With globes of fruit that like still planets shine,
Mine is your green-gold universe; yea, mine,
White slender Lighthouse fainting to the eye
That wait'st on yon keen cape-point wistfully,
Like to some maiden spirit pausing pale,
New-wing'd, yet fain to sail
Above the serene Gulf to where a bridegroom soul
Calls o'er the soft horizon -- mine thy dole
Of shut undaring wings and wan desire --
Mine, too, thy later hope and heavenly fire
Of kindling expectation; yea, all sights,
All sounds, that make this morn -- quick flights
Of pea-green paroquets 'twixt neighbor trees,
Like missives and sweet morning inquiries
From green to green, in green -- live oaks' round heads,
Busy with jays for thoughts -- grays, whites and reds
Of pranked woodpeckers that ne'er gossip out,
But alway tap at doors and gad about --
Robins and mocking-birds that all day long
Athwart straight sunshine weave cross-threads of song,
Shuttles of music -- clouds of mosses gray
That rain me rains of pleasant thoughts alway
From a low sky of leaves -- faint yearning psalms
Of endless metre breathing through the palms
That crowd and lean and gaze from off the shore
Ever for one that cometh nevermore --
Palmettos ranked, with childish spear-points set
Against no enemy -- rich cones that fret
High roofs of temples shafted tall with pines --
Green, grateful mangroves where the sand-beach shines --
Long lissome coast that in and outward swerves,
The grace of God made manifest in curves --
All riches, goods and braveries never told
Of earth, sun, air and heaven -- now I hold
Your being in my being; I am ye,
And ye myself; yea, lastly, Thee,
God, whom my roads all reach, howe'er they run,
My Father, Friend, Beloved, dear All-One,
Thee in my soul, my soul in Thee, I feel,
Self of my self. Lo, through my sense doth steal
Clear cognizance of all selves and qualities,
Of all existence that hath been or is,
Of all strange haps that men miscall of chance,
And all the works of tireless circumstance:
Each borders each, like mutual sea and shore,
Nor aught misfits his neighbor that's before,
Nor him that's after -- nay, through this still air,
Out of the North come quarrels, and keen blare
Of challenge by the hot-breath'd parties blown;
Yet break they not this peace with alien tone,
Fray not my heart, nor fright me for my land,
-- I hear from all-wards, allwise understand,
The great bird Purpose bears me twixt her wings,
And I am one with all the kinsmen things
That e'er my Father fathered. Oh, to me
All questions solve in this tranquillity:
E'en this dark matter, once so dim, so drear,
Now shines upon my spirit heavenly-clear:
Thou, Father, without logic, tellest me
How this divine denial true may be,
-- How `All's in each, yet every one of all
Maintains his Self complete and several. '

____
Tampa, Florida, 1877.




To My Class: On Certain Fruits and Flowers Sent Me in Sickness.



If spicy-fringed pinks that blush and pale
With passions of perfume, -- if violets blue
That hint of heaven with odor more than hue, --
If perfect roses, each a holy Grail
Wherefrom the blood of beauty doth exhale
Grave raptures round, -- if leaves of green as new
As those fresh chaplets wove in dawn and dew
By Emily when down the Athenian vale
She paced, to do observance to the May,
Nor dreamed of Arcite nor of Palamon, --
If fruits that riped in some more riotous play
Of wind and beam that stirs our temperate sun, --
If these the products be of love and pain,
Oft may I suffer, and you love, again.

____
Baltimore, Christmas, 1880.




On Violet's Wafers, Sent Me When I Was Ill.



Fine-tissued as her finger-tips, and white
As all her thoughts; in shape like shields of prize,
As if before young Violet's dreaming eyes
Still blazed the two great Theban bucklers bright
That swayed the random of that furious fight
Where Palamon and Arcite made assize
For Emily; fresh, crisp as her replies,
That, not with sting, but pith, do oft invite
More trial of the tongue; simple, like her,
Well fitting lowlihood, yet fine as well,
-- The queen's no finer; rich (though gossamer)
In help to him they came to, which may tell
How rich that him SHE'LL come to; thus men see,
Like Violet's self e'en Violet's wafers be.

____
Baltimore, 1881.




Ireland.

Written for the Art Autograph during the Irish Famine, 1880.



Heartsome Ireland, winsome Ireland,
Charmer of the sun and sea,
Bright beguiler of old anguish,
How could Famine frown on thee?

As our Gulf-Stream, drawn to thee-ward,
Turns him from his northward flow,
And our wintry western headlands
Send thee summer from their snow,

Thus the main and cordial current
Of our love sets over sea, --
Tender, comely, valiant Ireland,
Songful, soulful, sorrowful Ireland, --
Streaming warm to comfort thee.

____
Baltimore, 1880.




Under the Cedarcroft Chestnut.



Trim set in ancient sward, his manful bole
Upbore his frontage largely toward the sky.
We could not dream but that he had a soul:
What virtue breathed from out his bravery!

We gazed o'erhead: far down our deepening eyes
Rained glamours from his green midsummer mass.
The worth and sum of all his centuries
Suffused his mighty shadow on the grass.

A Presence large, a grave and steadfast Form
Amid the leaves' light play and fantasy,
A calmness conquered out of many a storm,
A Manhood mastered by a chestnut-tree!

Then, while his monarch fingers downward held
The rugged burrs wherewith his state was rife,
A voice of large authoritative Eld
Seemed uttering quickly parables of life:

`How Life in truth was sharply set with ills;
A kernel cased in quarrels; yea, a sphere
Of stings, and hedge-hog-round of mortal quills:
How most men itched to eat too soon i' the year,

`And took but wounds and worries for their pains,
Whereas the wise withheld their patient hands,
Nor plucked green pleasures till the sun and rains
And seasonable ripenings burst all bands

`And opened wide the liberal burrs of life. '
There, O my Friend, beneath the chestnut bough,
Gazing on thee immerged in modern strife,
I framed a prayer of fervency -- that thou,

In soul and stature larger than thy kind,
Still more to this strong Form might'st liken thee,
Till thy whole Self in every fibre find
The tranquil lordship of thy chestnut tree.

____
Tampa, Florida, February, 1877.




An Evening Song.



Look off, dear Love, across the sallow sands,
And mark yon meeting of the sun and sea,
How long they kiss in sight of all the lands.
Ah! longer, longer, we.

Now in the sea's red vintage melts the sun,
As Egypt's pearl dissolved in rosy wine,
And Cleopatra night drinks all. 'Tis done,
Love, lay thine hand in mine.

Come forth, sweet stars, and comfort heaven's heart;
Glimmer, ye waves, round else unlighted sands.
O night! divorce our sun and sky apart
Never our lips, our hands.

____
1876.




-----------------------------------------------------------------
| "A Sunrise Song" leads a group of seven short poems |
| overlooked in earlier editions. Six of these, beginning with |
| "On a Palmetto", were unrevised pencillings of late date, |
| excepting the lines of 1866 to J. D. H. |
-----------------------------------------------------------------




A Sunrise Song.



Young palmer sun, that to these shining sands
Pourest thy pilgrim's tale, discoursing still
Thy silver passages of sacred lands,
With news of Sepulchre and Dolorous Hill,

Canst thou be he that, yester-sunset warm,
Purple with Paynim rage and wrack desire,
Dashed ravening out of a dusty lair of Storm,
Harried the west, and set the world on fire?

Hast thou perchance repented, Saracen Sun?
Wilt warm the world with peace and dove-desire?
Or wilt thou, ere this very day be done,
Blaze Saladin still, with unforgiving fire?

____
Baltimore, 1881.




On a Palmetto.



Through all that year-scarred agony of height,
Unblest of bough or bloom, to where expands
His wandy circlet with his bladed bands
Dividing every wind, or loud or light,
To termless hymns of love and old despite,
Yon tall palmetto in the twilight stands,
Bare Dante of these purgatorial sands
That glimmer marginal to the monstrous night.
Comes him a Southwind from the scented vine,
It breathes of Beatrice through all his blades,
North, East or West, Guelph-wind or Ghibelline,
'Tis shredded into music down the shades;
All sea-breaths, land-breaths, systol, diastol,
Sway, minstrels of that grief-melodious Soul.

____
1880.




Struggle.



My soul is like the oar that momently
Dies in a desperate stress beneath the wave,
Then glitters out again and sweeps the sea:
Each second I'm new-born from some new grave.




Control.



O Hunger, Hunger, I will harness thee
And make thee harrow all my spirit's glebe.
Of old the blind bard Herve sang so sweet
He made a wolf to plow his land.




To J. D. H.

(Killed at Surrey C. H. , October, 1866. )



. . . . .

Dear friend, forgive a wild lament
Insanely following thy flight.
I would not cumber thine ascent
Nor drag thee back into the night;

But the great sea-winds sigh with me,
The fair-faced stars seem wrinkled, old,
And I would that I might lie with thee
There in the grave so cold, so cold!

Grave walls are thick, I cannot see thee,
And the round skies are far and steep;
A-wild to quaff some cup of Lethe,
Pain is proud and scorns to weep.

My heart breaks if it cling about thee,
And still breaks, if far from thine.
O drear, drear death, to live without thee,
O sad life -- to keep thee mine.

. . . . .




Marsh Hymns.

Between Dawn and Sunrise.



Were silver pink, and had a soul,
Which soul were shy, which shyness might
A visible influence be, and roll
Through heaven and earth -- 'twere thou, O light!

O rhapsody of the wraith of red,
O blush but yet in prophecy,
O sun-hint that hath overspread
Sky, marsh, my soul, and yonder sail.




Thou and I.



So one in heart and thought, I trow,
That thou might'st press the strings and I might draw the bow
And both would meet in music sweet,
Thou and I, I trow.

____
1881.




The Hard Times in Elfland.

A Story of Christmas Eve.



Strange that the termagant winds should scold
The Christmas Eve so bitterly!
But Wife, and Harry the four-year-old,
Big Charley, Nimblewits, and I,

Blithe as the wind was bitter, drew
More frontward of the mighty fire,
Where wise Newfoundland Fan foreknew
The heaven that Christian dogs desire --

Stretched o'er the rug, serene and grave,
Huge nose on heavy paws reclined,
With never a drowning boy to save,
And warmth of body and peace of mind.

And, as our happy circle sat,
The fire well capp'd the company:
In grave debate or careless chat,
A right good fellow, mingled he:

He seemed as one of us to sit,
And talked of things above, below,
With flames more winsome than our wit,
And coals that burned like love aglow.

While thus our rippling discourse rolled
Smooth down the channel of the night,
We spoke of Time: thereat, one told
A parable of the Seasons' flight.

"Time was a Shepherd with four sheep.
In a certain Field he long abode.
He stood by the bars, and his flock bade leap
One at a time to the Common Road.

"And first there leapt, like bird on wing,
A lissome Lamb that played in the air.
I heard the Shepherd call him `Spring':
Oh, large-eyed, fresh and snowy fair

"He skipped the flowering Highway fast,
Hurried the hedgerows green and white,
Set maids and men a-yearning, passed
The Bend, and gamboll'd out of sight.

"And next marched forth a matron Ewe
(While Time took down a bar for her),
Udder'd so large 'twas much ado
E'en then to clear the barrier.

"Full softly shone her silken fleece
What stately time she paced along:
Each heartsome hoof-stroke wrought increase
Of sunlight, substance, seedling, song,

"In flower, in fruit, in field, in bird,
Till the great globe, rich fleck'd and pied,
Like some large peach half pinkly furred,
Turned to the sun a glowing side

"And hung in the heavenly orchard, bright,
None-such, complete.
Then, while the Ewe
Slow passed the Bend, a blur of light,
The Shepherd's face in sadness grew:

"`Summer! ' he said, as one would say
A sigh in syllables. So, in haste
(For shame of Summer's long delay,
Yet gazing still what way she paced),

"He summoned Autumn, slanting down
The second bar. Thereover strode
A Wether, fleeced in burning brown,
And largely loitered down the Road.

"Far as the farmers sight his shape
Majestic moving o'er the way,
All cry `To harvest,' crush the grape,
And haul the corn and house the hay,

"Till presently, no man can say,
(So brown the woods that line that end)
If yet the brown-fleeced Wether may,
Or not, have passed beyond the Bend.

"Now turn I towards the Shepherd: lo,
An aged Ram, flapp'd, gnarly-horn'd,
With bones that crackle o'er the snow,
Rheum'd, wind-gall'd, rag-fleec'd, burr'd and thorn'd.

"Time takes the third bar off for him,
He totters down the windy lane.
'Tis Winter, still: the Bend lies dim.
O Lamb, would thou wouldst leap again! "

Those seasons out, we talked of these:
And I (with inward purpose sly
To shield my purse from Christmas trees
And stockings and wild robbery

When Hal and Nimblewits invade
My cash in Santa Claus's name)
In full the hard, hard times surveyed;
Denounced all waste as crime and shame;

Hinted that "waste" might be a term
Including skates, velocipedes,
Kites, marbles, soldiers, towers infirm,
Bows, arrows, cannon, Indian reeds,

Cap-pistols, drums, mechanic toys,
And all th' infernal host of horns
Whereby to strenuous hells of noise
Are turned the blessed Christmas morns;

Thus, roused -- those horns! -- to sacred rage,
I rose, forefinger high in air,
When Harry cried (SOME war to wage),
"Papa, is hard times ev'ywhere?

"Maybe in Santa Claus's land
It isn't hard times none at all! "
Now, blessed Vision! to my hand
Most pat, a marvel strange did fall.

Scarce had my Harry ceased, when "Look! "
He cried, leapt up in wild alarm,
Ran to my Comrade, shelter took
Beneath the startled mother's arm.

And so was still: what time we saw
A foot hang down the fireplace! Then,
With painful scrambling scratched and raw,
Two hands that seemed like hands of men

Eased down two legs and a body through
The blazing fire, and forth there came
Before our wide and wondering view
A figure shrinking half with shame,

And half with weakness. "Sir," I said,
-- But with a mien of dignity
The seedy stranger raised his head:
"My friends, I'm Santa Claus," said he.

But oh, how changed! That rotund face
The new moon rivall'd, pale and thin;
Where once was cheek, now empty space;
Whate'er stood out, did now stand in.

His piteous legs scarce propped him up:
His arms mere sickles seemed to be:
But most o'erflowed our sorrow's cup
When that we saw -- or did not see --

His belly: we remembered how
It shook like a bowl of jelly fine:
An earthquake could not shake it now;
He HAD no belly -- not a sign.

"Yes, yes, old friends, you well may stare:
I HAVE seen better days," he said:
"But now, with shrinkage, loss and care,
Your Santa Claus scarce owns his head.

"We've had such hard, hard times this year
For goblins! Never knew the like.
All Elfland's mortgaged! And we fear
The gnomes are just about to strike.

"I once was rich, and round, and hale.
The whole world called me jolly brick;
But listen to a piteous tale.
Young Harry, -- Santa Claus is sick!

"'Twas thus: a smooth-tongued railroad man
Comes to my house and talks to me:
`I've got,' says he, `a little plan
That suits this nineteenth century.

"`Instead of driving, as you do,
Six reindeer slow from house to house,
Let's build a Grand Trunk Railway through
From here to earth's last terminus.

"`We'll touch at every chimney-top
(An Elevated Track, of course),
Then, as we whisk you by, you'll drop
Each package down: just think, the force

"`You'll save, the time! -- Besides, we'll make
Our millions: look you, soon we will
Compete for freights -- and then we'll take
Dame Fortune's bales of good and ill

"`(Why, she's the biggest shipper, sir,
That e'er did business in this world! ):
Then Death, that ceaseless Traveller,
Shall on his rounds by us be whirled.

"`When ghosts return to walk with men,
We'll bring 'em cheap by steam, and fast:
We'll run a Branch to heaven! and then
We'll riot, man; for then, at last

"`We'll make with heaven a contract fair
To call, each hour, from town to town,
And carry the dead folks' souls up there,
And bring the unborn babies down! '

"The plan seemed fair: I gave him cash,
Nay, every penny I could raise.
My wife e'er cried, `'Tis rash, 'tis rash:'
How could I know the stock-thief's ways?

"But soon I learned full well, poor fool!
My woes began, that wretched day.
The President plied me like a tool.
In lawyer's fees, and rights of way,

"Injunctions, leases, charters, I
Was meshed as in a mighty maze.
The stock ran low, the talk ran high:
Then quickly flamed the final blaze.

"With never an inch of track -- 'tis true!
The debts were large . . . the oft-told tale.
The President rolled in splendor new
-- He bought my silver at the sale.

"Yes, sold me out: we've moved away.
I've had to give up everything.
My reindeer, even, whom I . . . pray,
Excuse me" . . . here, o'er-sorrowing,

Poor Santa Claus burst into tears,
Then calmed again: "my reindeer fleet,
I gave them up: on foot, my dears,
I now must plod through snow and sleet.

"Retrenchment rules in Elfland, now;
Yes, every luxury is cut off.
-- Which, by the way, reminds me how
I caught this dreadful hacking cough:

"I cut off the tail of my Ulster furred
To make young Kris a coat of state.
That very night the storm occurred!
Thus we became the sport of Fate.

"For I was out till after one,
Surveying chimney-tops and roofs,
And planning how it could be done
Without my reindeers' bouncing hoofs.

"`My dear,' says Mrs. Claus, that night
(A most superior woman she! )
`It never, never can be right
That you, deep-sunk in poverty,

"`This year should leave your poor old bed,
And trot about, bent down with toys,
(There's Kris a-crying now for bread! )
To give to other people's boys.

"`Since you've been out, the news arrives
The Elfs' Insurance Company's gone.
Ah, Claus, those premiums! Now, our lives
Depend on yours: thus griefs go on.

"`And even while you're thus harassed,
I do believe, if out you went,
You'd go, in spite of all that's passed,
To the children of that President! '

"Oh, Charley, Harry, Nimblewits,
These eyes, that night, ne'er slept a wink.
My path seemed honeycombed with pits.
Naught could I do but think and think.

"But, with the day, my courage rose.
Ne'er shall my boys, MY boys (I cried),
When Christmas morns their eyes unclose,
Find empty stockings gaping wide!

"Then hewed and whacked and whittled I;
The wife, the girls and Kris took fire;
They spun, sewed, cut, -- till by and by
We made, at home, my pack entire! "

(He handed me a bundle, here. )
"Now, hoist me up: there, gently: quick!
Dear boys, DON'T look for much this year:
Remember, Santa Claus is sick! "

____
Baltimore, December, 1877.






Dialect Poems.






A Florida Ghost.



Down mildest shores of milk-white sand,
By cape and fair Floridian bay,
Twixt billowy pines -- a surf asleep on land --
And the great Gulf at play,

Past far-off palms that filmed to nought,
Or in and out the cunning keys
That laced the land like fragile patterns wrought
To edge old broideries,

The sail sighed on all day for joy,
The prow each pouting wave did leave
All smile and song, with sheen and ripple coy,
Till the dusk diver Eve

Brought up from out the brimming East
The oval moon, a perfect pearl.
In that large lustre all our haste surceased,
The sail seemed fain to furl,

The silent steersman landward turned,
And ship and shore set breast to breast.
Under a palm wherethrough a planet burned
We ate, and sank to rest.
But soon from sleep's dear death (it seemed)
I rose and strolled along the sea
Down silver distances that faintly gleamed
On to infinity.

Till suddenly I paused, for lo!
A shape (from whence I ne'er divined)
Appeared before me, pacing to and fro,
With head far down inclined.

`A wraith' (I thought) `that walks the shore
To solve some old perplexity. '
Full heavy hung the draggled gown he wore;
His hair flew all awry.

He waited not (as ghosts oft use)
To be `dearheaven'd! ' and `oh'd! '
But briskly said: "Good-evenin'; what's the news?
Consumption? After boa'd?

"Or mebbe you're intendin' of
Investments? Orange-plantin'? Pine?
Hotel? or Sanitarium? What above
This yea'th CAN be your line?

"Speakin' of sanitariums, now,
Jest look 'ee here, my friend:
I know a little story, -- well, I swow,
Wait till you hear the end!

"Some year or more ago, I s'pose,
I roamed from Maine to Floridy,
And, -- see where them Palmettos grows?
I bought that little key,

"Cal'latin' for to build right off
A c'lossal sanitarium:
Big surf! Gulf breeze! Jest death upon a cough!
-- I run it high, to hum!

"Well, sir, I went to work in style:
Bought me a steamboat, loaded it
With my hotel (pyazers more'n a mile! )
Already framed and fit,

"Insured 'em, fetched 'em safe around,
Put up my buildin', moored my boat,
COM-plete! then went to bed and slept as sound
As if I'd paid a note.

"Now on that very night a squall,
Cum up from some'eres -- some bad place!
An' blowed an' tore an' reared an' pitched an' all,
-- I had to run a race

"Right out o' bed from that hotel
An' git to yonder risin' ground,
For, 'twixt the sea that riz and rain that fell,
I pooty nigh was drowned!

"An' thar I stood till mornin' cum,
Right on yon little knoll of sand,
FreQUENTly wishin' I had stayed to hum
Fur from this tarnal land.

"When mornin' cum, I took a good
Long look, and -- well, sir, sure's I'm ME --
That boat laid right whar that hotel had stood,
And HIT sailed out to sea!

"No: I'll not keep you: good-bye, friend.
Don't think about it much, -- preehaps
Your brain might git see-sawin', end for end,
Like them asylum chaps,

"For here *I* walk, forevermore,
A-tryin' to make it gee,
How one same wind could blow my ship to shore
And my hotel to sea! "

____
Chadd's Ford, Pennsylvania, 1877.




Uncle Jim's Baptist Revival Hymn.

By Sidney and Clifford Lanier.

[Not long ago a certain Georgia cotton-planter, driven to desperation
by awaking each morning to find that the grass had
quite outgrown the cotton overnight, and was likely to choke it,
in defiance of his lazy freedmen's hoes and ploughs,
set the whole State in a laugh by exclaiming to a group of fellow-sufferers:
"It's all stuff about Cincinnatus leaving the plough to go into politics
FOR PATRIOTISM; he was just a-runnin' from grass! "

This state of things -- when the delicate young rootlets of the cotton
are struggling against the hardier multitudes of the grass-suckers --
is universally described in plantation parlance by the phrase "in the grass";
and Uncle Jim appears to have found in it so much similarity
to the condition of his own ("Baptis'") church, overrun, as it was,
by the cares of this world, that he has embodied it in the refrain
of a revival hymn such as the colored improvisator of the South
not infrequently constructs from his daily surroundings.
He has drawn all the ideas of his stanzas from the early morning phenomena of
those critical weeks when the loud plantation-horn is blown before daylight,
in order to rouse all hands for a long day's fight against the common enemy
of cotton-planting mankind.

In addition to these exegetical commentaries, the Northern reader
probably needs to be informed that the phrase "peerten up" means substantially
`to spur up', and is an active form of the adjective "peert"
(probably a corruption of `pert'), which is so common in the South,
and which has much the signification of "smart" in New England, as e. g. ,
a "peert" horse, in antithesis to a "sorry" -- i. e. , poor, mean, lazy one. ]



Solo. -- Sin's rooster's crowed, Ole Mahster's riz,
De sleepin'-time is pas';
Wake up dem lazy Baptissis,
Chorus. -- Dey's mightily in de grass, grass,
Dey's mightily in de grass.

Ole Mahster's blowed de mornin' horn,
He's blowed a powerful blas';
O Baptis' come, come hoe de corn,
You's mightily in de grass, grass,
You's mightily in de grass.

De Meth'dis team's done hitched; O fool,
De day's a-breakin' fas';
Gear up dat lean ole Baptis' mule,
Dey's mightily in de grass, grass,
Dey's mightily in de grass.

De workmen's few an' mons'rous slow,
De cotton's sheddin' fas';
Whoop, look, jes' look at de Baptis' row,
Hit's mightily in de grass, grass,
Hit's mightily in de grass.

De jay-bird squeal to de mockin'-bird: "Stop!
Don' gimme none o' yo' sass;
Better sing one song for de Baptis' crop,
Dey's mightily in de grass, grass,
Dey's mightily in de grass. "

And de ole crow croak: "Don' work, no, no;"
But de fiel'-lark say, "Yaas, yaas,
An' I spec' you mighty glad, you debblish crow,
Dat de Baptissis's in de grass, grass,
Dat de Baptissis's in de grass! "

Lord, thunder us up to de plowin'-match,
Lord, peerten de hoein' fas',
Yea, Lord, hab mussy on de Baptis' patch,
Dey's mightily in de grass, grass,
Dey's mightily in de grass.

____
1876.




"Nine from Eight".



I was drivin' my two-mule waggin,
With a lot o' truck for sale,
Towards Macon, to git some baggin'
(Which my cotton was ready to bale),
And I come to a place on the side o' the pike
Whar a peert little winter branch jest had throw'd
The sand in a kind of a sand-bar like,
And I seed, a leetle ways up the road,
A man squattin' down, like a big bull-toad,
On the ground, a-figgerin' thar in the sand
With his finger, and motionin' with his hand,
And he looked like Ellick Garry.
And as I driv up, I heerd him bleat
To hisself, like a lamb: "Hauh? nine from eight
Leaves nuthin' -- and none to carry? "

And Ellick's bull-cart was standin'
A cross-wise of the way,
And the little bull was a-expandin',
Hisself on a wisp of hay.
But Ellick he sat with his head bent down,
A-studyin' and musin' powerfully,
And his forrud was creased with a turrible frown,
And he was a-wurken' appearently
A 'rethmetic sum that wouldn't gee,
Fur he kep' on figgerin' away in the sand
With his finger, and motionin' with his hand,
And I seed it WAS Ellick Garry.
And agin I heard him softly bleat
To hisself, like a lamb: "Hauh? nine from eight
Leaves nuthin' -- and none to carry! "

I woa'd my mules mighty easy
(Ellick's back was towards the road
And the wind hit was sorter breezy)
And I got down off'n my load,
And I crep' up close to Ellick's back,
And I heerd him a-talkin' softly, thus:
"Them figgers is got me under the hack.
I caint see how to git out'n the muss,
Except to jest nat'ally fail and bus'!
My crap-leen calls for nine hundred and more.
My counts o' sales is eight hundred and four,
Of cotton for Ellick Garry.
Thar's eight, ought, four, jest like on a slate:
Here's nine and two oughts -- Hauh? nine from eight
Leaves nuthin' -- and none to carry.

"Them crap-leens, oh, them crap-leens!
I giv one to Pardman and Sharks.
Hit gobbled me up like snap-beans
In a patch full o' old fiel'-larks.
But I thought I could fool the crap-leen nice,
And I hauled my cotton to Jammel and Cones.
But shuh! 'fore I even had settled my price
They tuck affidavy without no bones
And levelled upon me fur all ther loans
To the 'mount of sum nine hundred dollars or more,
And sold me out clean for eight hundred and four,
As sure as I'm Ellick Garry!
And thar it is down all squar and straight,
But I can't make it gee, fur nine from eight
Leaves nuthin' -- and none to carry. "

Then I says "Hello, here, Garry!
However you star' and frown
Thare's somethin' fur YOU to carry,
Fur you've worked it upside down! "
Then he riz and walked to his little bull-cart,
And made like he neither had seen nor heerd
Nor knowed that I knowed of his raskilly part,
And he tried to look as if HE wa'nt feared,
And gathered his lines like he never keered,
And he driv down the road 'bout a quarter or so,
And then looked around, and I hollered "Hello,
Look here, Mister Ellick Garry!
You may git up soon and lie down late,
But you'll always find that nine from eight
Leaves nuthin' -- and none to carry. "

____
Macon, Georgia, 1870.




"Thar's more in the Man than thar is in the Land".



I knowed a man, which he lived in Jones,
Which Jones is a county of red hills and stones,
And he lived pretty much by gittin' of loans,
And his mules was nuthin' but skin and bones,
And his hogs was flat as his corn-bread pones,
And he had 'bout a thousand acres o' land.

This man -- which his name it was also Jones --
He swore that he'd leave them old red hills and stones,
Fur he couldn't make nuthin' but yallerish cotton,
And little o' THAT, and his fences was rotten,
And what little corn he had, HIT was boughten
And dinged ef a livin' was in the land.

And the longer he swore the madder he got,
And he riz and he walked to the stable lot,
And he hollered to Tom to come thar and hitch
Fur to emigrate somewhar whar land was rich,
And to quit raisin' cock-burrs, thistles and sich,
And a wastin' ther time on the cussed land.

So him and Tom they hitched up the mules,
Pertestin' that folks was mighty big fools
That 'ud stay in Georgy ther lifetime out,
Jest scratchin' a livin' when all of 'em mought
Git places in Texas whar cotton would sprout
By the time you could plant it in the land.

And he driv by a house whar a man named Brown
Was a livin', not fur from the edge o' town,
And he bantered Brown fur to buy his place,
And said that bein' as money was skace,
And bein' as sheriffs was hard to face,
Two dollars an acre would git the land.

They closed at a dollar and fifty cents,
And Jones he bought him a waggin and tents,
And loaded his corn, and his wimmin, and truck,
And moved to Texas, which it tuck
His entire pile, with the best of luck,
To git thar and git him a little land.

But Brown moved out on the old Jones' farm,
And he rolled up his breeches and bared his arm,
And he picked all the rocks from off'n the groun',
And he rooted it up and he plowed it down,
Then he sowed his corn and his wheat in the land.

Five years glid by, and Brown, one day
(Which he'd got so fat that he wouldn't weigh),
Was a settin' down, sorter lazily,
To the bulliest dinner you ever see,
When one o' the children jumped on his knee
And says, "Yan's Jones, which you bought his land. "

And thar was Jones, standin' out at the fence,
And he hadn't no waggin, nor mules, nor tents,
Fur he had left Texas afoot and cum
To Georgy to see if he couldn't git sum
Employment, and he was a lookin' as hum-
Ble as ef he had never owned any land.

But Brown he axed him in, and he sot
Him down to his vittles smokin' hot,
And when he had filled hisself and the floor
Brown looked at him sharp and riz and swore
That, "whether men's land was rich or poor
Thar was more in the MAN than thar was in the LAND. "

____
Macon, Georgia, 1869.




Jones's Private Argyment.



That air same Jones, which lived in Jones,
He had this pint about him:
He'd swear with a hundred sighs and groans,
That farmers MUST stop gittin' loans,
And git along without 'em:

That bankers, warehousemen, and sich
Was fatt'nin' on the planter,
And Tennessy was rotten-rich
A-raisin' meat and corn, all which
Draw'd money to Atlanta:

And the only thing (says Jones) to do
Is, eat no meat that's boughten:
`But tear up every I, O, U,
And plant all corn and swear for true
To quit a-raisin' cotton! '

Thus spouted Jones (whar folks could hear,
-- At Court and other gatherin's),
And thus kep' spoutin' many a year,
Proclaimin' loudly far and near
Sich fiddlesticks and blatherin's.

But, one all-fired sweatin' day,
It happened I was hoein'
My lower corn-field, which it lay
'Longside the road that runs my way
Whar I can see what's goin'.

And a'ter twelve o'clock had come
I felt a kinder faggin',
And laid myself un'neath a plum
To let my dinner settle sum,
When 'long come Jones's waggin,

And Jones was settin' in it, SO:
A-readin' of a paper.
His mules was goin' powerful slow,
Fur he had tied the lines onto
The staple of the scraper.

The mules they stopped about a rod
From me, and went to feedin'
'Longside the road, upon the sod,
But Jones (which he had tuck a tod)
Not knowin', kept a-readin'.

And presently says he: "Hit's true;
That Clisby's head is level.
Thar's one thing farmers all must do,
To keep themselves from goin' tew
Bankruptcy and the devil!

"More corn! more corn! MUST plant less ground,
And MUSTN'T eat what's boughten!
Next year they'll do it: reasonin's sound:
(And, cotton will fetch 'bout a dollar a pound),
THARFORE, I'LL plant ALL cotton! "

____
Macon, Georgia, 1870.




The Power of Prayer; or, The First Steamboat up the Alabama.

By Sidney and Clifford Lanier.



You, Dinah! Come and set me whar de ribber-roads does meet.
De Lord, HE made dese black-jack roots to twis' into a seat.
Umph, dar! De Lord have mussy on dis blin' ole nigger's feet.

It 'pear to me dis mornin' I kin smell de fust o' June.
I 'clar', I b'lieve dat mockin'-bird could play de fiddle soon!
Dem yonder town-bells sounds like dey was ringin' in de moon.

Well, ef dis nigger IS been blind for fo'ty year or mo',
Dese ears, DEY sees the world, like, th'u' de cracks dat's in de do'.
For de Lord has built dis body wid de windows 'hind and 'fo'.

I know my front ones IS stopped up, and things is sort o' dim,
But den, th'u' DEM, temptation's rain won't leak in on ole Jim!
De back ones show me earth enough, aldo' dey's mons'ous slim.

And as for Hebben, -- bless de Lord, and praise His holy name --
DAT shines in all de co'ners of dis cabin jes' de same
As ef dat cabin hadn't nar' a plank upon de frame!

Who CALL me? Listen down de ribber, Dinah! Don't you hyar
Somebody holl'in' "Hoo, Jim, hoo? " My Sarah died las' y'ar;
IS dat black angel done come back to call ole Jim f'om hyar?

My stars, dat cain't be Sarah, shuh! Jes' listen, Dinah, NOW!
What KIN be comin' up dat bend, a-makin' sich a row?
Fus' bellerin' like a pawin' bull, den squealin' like a sow?

De Lord 'a' mussy sakes alive, jes' hear, -- ker-woof, ker-woof --
De Debble's comin' round dat bend, he's comin' shuh enuff,
A-splashin' up de water wid his tail and wid his hoof!

I'se pow'ful skeered; but neversomeless I ain't gwine run away:
I'm gwine to stand stiff-legged for de Lord dis blessed day.
YOU screech, and swish de water, Satan! I'se a gwine to pray.

O hebbenly Marster, what thou willest, dat mus' be jes' so,
And ef Thou hast bespoke de word, some nigger's bound to go.
Den, Lord, please take ole Jim, and lef young Dinah hyar below!

'Scuse Dinah, 'scuse her, Marster; for she's sich a little chile,
She hardly jes' begin to scramble up de homeyard stile,
But dis ole traveller's feet been tired dis many a many a mile.

I'se wufless as de rotten pole of las' year's fodder-stack.
De rheumatiz done bit my bones; you hear 'em crack and crack?
I cain'st sit down 'dout gruntin' like 'twas breakin' o' my back.

What use de wheel, when hub and spokes is warped and split, and rotten?
What use dis dried-up cotton-stalk, when Life done picked my cotton?
I'se like a word dat somebody said, and den done been forgotten.

But, Dinah! Shuh dat gal jes' like dis little hick'ry tree,
De sap's jes' risin in her; she do grow owdaciouslee --
Lord, ef you's clarin' de underbrush, don't cut her down, cut me!

I would not proud persume -- but I'll boldly make reques';
Sence Jacob had dat wrastlin'-match, I, too, gwine do my bes';
When Jacob got all underholt, de Lord he answered Yes!

And what for waste de vittles, now, and th'ow away de bread,
Jes' for to strength dese idle hands to scratch dis ole bald head?
T'ink of de 'conomy, Marster, ef dis ole Jim was dead!

Stop; -- ef I don't believe de Debble's gone on up de stream!
Jes' now he squealed down dar; -- hush; dat's a mighty weakly scream!
Yas, sir, he's gone, he's gone; -- he snort way off, like in a dream!

O glory hallelujah to de Lord dat reigns on high!
De Debble's fai'ly skeered to def, he done gone flyin' by;
I know'd he couldn' stand dat pra'r, I felt my Marster nigh!

You, Dinah; ain't you 'shamed, now, dat you didn' trust to grace?
I heerd you thrashin' th'u' de bushes when he showed his face!
You fool, you think de Debble couldn't beat YOU in a race?

I tell you, Dinah, jes' as shuh as you is standin' dar,
When folks starts prayin', answer-angels drops down th'u' de a'r.
YAS, DINAH, WHAR 'OULD YOU BE NOW, JES' 'CEPTIN' FUR DAT PRA'R?

____
Baltimore, 1875.






Unrevised Early Poems.

These unrevised poems are not necessarily exponents of Mr. Lanier's
later teaching, but are offered as examples of his youthful spirit,
his earlier methods and his instructive growth. To many friends
they present in addition a wealth of dear associations.
But, putting Mr. Lanier upon trial as an artist, it is fair to remember
that probably none of these poems would have been republished by him
without material alterations, the slightest of which
no other hand can be authorized to make.






The Jacquerie. A Fragment.



Chapter I.

Once on a time, a Dawn, all red and bright
Leapt on the conquered ramparts of the Night,
And flamed, one brilliant instant, on the world,
Then back into the historic moat was hurled
And Night was King again, for many years.
-- Once on a time the Rose of Spring blushed out
But Winter angrily withdrew it back
Into his rough new-bursten husk, and shut
The stern husk-leaves, and hid it many years.
-- Once Famine tricked himself with ears of corn,
And Hate strung flowers on his spiked belt,
And glum Revenge in silver lilies pranked him,
And Lust put violets on his shameless front,
And all minced forth o' the street like holiday folk
That sally off afield on Summer morns.
-- Once certain hounds that knew of many a chase,
And bare great wounds of antler and of tusk
That they had ta'en to give a lord some sport,
-- Good hounds, that would have died to give lords sport --
Were so bewrayed and kicked by these same lords
That all the pack turned tooth o' the knights and bit
As knights had been no better things than boars,
And took revenge as bloody as a man's,
Unhoundlike, sudden, hot i' the chops, and sweet.
-- Once sat a falcon on a lady's wrist,
Seeming to doze, with wrinkled eye-lid drawn,
But dreaming hard of hoods and slaveries
And of dim hungers in his heart and wings.
Then, while the mistress gazed above for game,
Sudden he flew into her painted face
And hooked his horn-claws in her lily throat
And drove his beak into her lips and eyes
In fierce and hawkish kissing that did scar
And mar the lady's beauty evermore.
-- And once while Chivalry stood tall and lithe
And flashed his sword above the stricken eyes
Of all the simple peasant-folk of France:
While Thought was keen and hot and quick,
And did not play, as in these later days,
Like summer-lightning flickering in the west
-- As little dreadful as if glow-worms lay
In the cool and watery clouds and glimmered weak --
But gleamed and struck at once or oak or man,
And left not space for Time to wave his wing
Betwixt the instantaneous flash and stroke:
While yet the needs of life were brave and fierce
And did not hide their deeds behind their words,
And logic came not 'twixt desire and act,
And Want-and-Take was the whole Form of life:
While Love had fires a-burning in his veins,
And hidden Hate could flash into revenge:
Ere yet young Trade was 'ware of his big thews
Or dreamed that in the bolder afterdays
He would hew down and bind old Chivalry
And drag him to the highest height of fame
And plunge him thence in the sea of still Romance
To lie for aye in never-rusted mail
Gleaming through quiet ripples of soft songs
And sheens of old traditionary tales; --
On such a time, a certain May arose
From out that blue Sea that between five lands
Lies like a violet midst of five large leaves,
Arose from out this violet and flew on
And stirred the spirits of the woods of France
And smoothed the brows of moody Auvergne hills,
And wrought warm sea-tints into maidens' eyes,
And calmed the wordy air of market-towns
With faint suggestions blown from distant buds,
Until the land seemed a mere dream of land,
And, in this dream-field Life sat like a dove
And cooed across unto her dove-mate Death,
Brooding, pathetic, by a river, lone.
Oh, sharper tangs pierced through this perfumed May.
Strange aches sailed by with odors on the wind
As when we kneel in flowers that grow on graves
Of friends who died unworthy of our love.
King John of France was proving such an ache
In English prisons wide and fair and grand,
Whose long expanses of green park and chace
Did ape large liberty with such success
As smiles of irony ape smiles of love.
Down from the oaks of Hertford Castle park,
Double with warm rose-breaths of southern Spring
Came rumors, as if odors too had thorns,
Sharp rumors, how the three Estates of France,
Like old Three-headed Cerberus of Hell
Had set upon the Duke of Normandy,
Their rightful Regent, snarled in his great face,
Snapped jagged teeth in inch-breadth of his throat,
And blown such hot and savage breath upon him,
That he had tossed great sops of royalty
Unto the clamorous, three-mawed baying beast.
And was not further on his way withal,
And had but changed a snarl into a growl:
How Arnold de Cervolles had ta'en the track
That war had burned along the unhappy land,
Shouting, `since France is then too poor to pay
The soldiers that have bloody devoir done,
And since needs must, pardie! a man must eat,
Arm, gentlemen! swords slice as well as knives! '
And so had tempted stout men from the ranks,
And now was adding robbers' waste to war's,
Stealing the leavings of remorseless battle,
And making gaunter the gaunt bones of want:
How this Cervolles (called "Arch-priest" by the mass)
Through warm Provence had marched and menace made
Against Pope Innocent at Avignon,
And how the Pope nor ate nor drank nor slept,
Through godly fear concerning his red wines.
For if these knaves should sack his holy house
And all the blessed casks be knocked o' the head,
HORRENDUM! all his Holiness' drink to be
Profanely guzzled down the reeking throats
Of scoundrels, and inflame them on to seize
The massy coffers of the Church's gold,
And steal, mayhap, the carven silver shrine
And all the golden crucifixes? No! --
And so the holy father Pope made stir
And had sent forth a legate to Cervolles,
And treated with him, and made compromise,
And, last, had bidden all the Arch-priest's troop
To come and banquet with him in his house,
Where they did wassail high by night and day
And Father Pope sat at the board and carved
Midst jokes that flowed full greasily,
And priest and soldier trolled good songs for mass,
And all the prayers the Priests made were, `pray, drink,'
And all the oaths the Soldiers swore were, `drink! '
Till Mirth sat like a jaunty postillon
Upon the back of Time and urged him on
With piquant spur, past chapel and past cross:
How Charles, King of Navarre, in long duress
By mandate of King John within the walls
Of Crevacoeur and then of strong Alleres,
In faithful ward of Sir Tristan du Bois,
Was now escaped, had supped with Guy Kyrec,
Had now a pardon of the Regent Duke
By half compulsion of a Paris mob,
Had turned the people's love upon himself
By smooth harangues, and now was bold to claim
That France was not the Kingdom of King John,
But, By our Lady, his, by right and worth,
And so was plotting treason in the State,
And laughing at weak Charles of Normandy.
Nay, these had been like good news to the King,
Were any man but bold enough to tell
The King what [bitter] sayings men had made
And hawked augmenting up and down the land
Against the barons and great lords of France
That fled from English arrows at Poictiers.
POICTIERS, POICTIERS: this grain i' the eye of France
Had swelled it to a big and bloodshot ball
That looked with rage upon a world askew.
Poictiers' disgrace was now but two years old,
Yet so outrageous rank and full was grown
That France was wholly overspread with shade,
And bitter fruits lay on the untilled ground
That stank and bred so foul contagious smells
That not a nose in France but stood awry,
Nor boor that cried not FAUGH! upon the air.


Chapter II.

Franciscan friar John de Rochetaillade
With gentle gesture lifted up his hand
And poised it high above the steady eyes
Of a great crowd that thronged the market-place
In fair Clermont to hear him prophesy.
Midst of the crowd old Gris Grillon, the maimed,
-- A wretched wreck that fate had floated out
From the drear storm of battle at Poictiers.
A living man whose larger moiety
Was dead and buried on the battle-field --
A grisly trunk, without or arms or legs,
And scarred with hoof-cuts over cheek and brow,
Lay in his wicker-cradle, smiling.
"Jacques,"
Quoth he, "My son, I would behold this priest
That is not fat, and loves not wine, and fasts,
And stills the folk with waving of his hand,
And threats the knights and thunders at the Pope.
Make way for Gris, ye who are whole of limb!
Set me on yonder ledge, that I may see. "
Forthwith a dozen horny hands reached out
And lifted Gris Grillon upon the ledge,
Whereon he lay and overlooked the crowd,
And from the gray-grown hedges of his brows
Shot forth a glance against the friar's eye
That struck him like an arrow.
Then the friar,
With voice as low as if a maiden hummed
Love-songs of Provence in a mild day-dream:
"And when he broke the second seal, I heard
The second beast say, Come and see.
And then
Went out another horse, and he was red.
And unto him that sat thereon was given
To take the peace of earth away, and set
Men killing one another: and they gave
To him a mighty sword.