This very young lady writer
eloquently
tells me things in Tirol one by one.
Ezra-Pound-Japan-Letters-essays
SECTIONII: 1936-66 47
50: Ezra Pound to Katue Kitasono
TLS-1 Rapallo. Sometime in October |22? 1. 1937
Dear K/K
I seem to be finding a clue/ and I think the Odes you sent are the ones I wanted.
At least they seem to be arranged thus? ? ? ? ? ?
Introduction:
Long sentence saying what the poem means. ONE LINE OF POEM and then a commentary ANOTHER LINE OF POEM then an explanation AND so FORTH.
at any rate something seems to fit Jennings' appalling translation. I haven't got much further than identifying a refrain or two.
Townsman announcement very tangled. Duncan trying to condense and merely attaining density.
envelope as a specimen document/ 1 have sent them your address AGAIN.
51: Ezra Pound to Katue Kitasono
TLS-1 On stationery imprinted: Via Marsala 12-5. Rapallo, with Gaudier-Brzeska profile head. 23 October 1937
Dear K/Kit
Your very beautiful book has just come, and I have started TRYING to read it, though some of the type forms are not as in Morrison.
I have also subscribed to the Tokyo Times. In the hope of getting a little English and French news. I wonder if it is Brinkley's old paper? I also wonder if they wd. print my news or interpretations of Eu- rope. Might be a first step toward getting to Tokyo. I think the paper is unlikely to be delivered "in all parts of China" for the next few w -ks, but the rest of their statements seem plausible.
//
ever EP
? 48 SECTIONII: 1936-66
The poems look as if you were going in for some extreme form of sim- plification, at greatest possible remove from Chinese elaboration, not that I have been able to read even a single sentence at sight.
I take it no one has tried to make poems containing quite so many simple radicals.
BUT my ignorance is appalling and my memory beneath contempt.
52: Ezra Pound to Katue Kitasono TCS-1 Via Marsala 12-5. 28 October 1937
28 Oct. getting on nicely.
nowt (oldformfornothing,butscans
ever yours E. P.
red
not
fox
nowt Now that I have found out what is black which,andhowcarefully
not they count up all the lines in crow strophes/ Am going to try
seriously to understand your book, once I have rushed thru the Odes
53: Ezra Pound to Katue Kitasono
TLS-2 On stationery imprinted: Via Marsala 12-5, Rapallo, with Gaudier-Brzeska profile head. 2 November 1937
Dear K/K
better here. )
strikes me as v^ay poetry can be very nicely written.
Here is an article or letter, either (for) Tokio Times or for VOU. Not necessary to translate more than the meaning. And that only if you think there is some use in doing it.
I have said "an occidental language" to avoid argument at the start, but English is indicated for all translation from ideogram
ever EP
? SECTIONII: 1936-66 49
1. because it is richest in monosyllables
2. because it is least cluttered with syntax, and does not therefore put IN such a lot which isn't in ideogram
AND because a literal translation without inflection shocks us less than it wd/ french and Italians
A very skillful translator might get Japanese sound into an Italian translation but I know of no one capable of doing it.
The question to Japan is: instead of dumping cheap products which we already have too much of, in the Occident, why not send us some cheap books which we need
at least a few of us need them very badly and if they were on the market more of us would wake up to the fact that we need them.
the rest of the subject is I hope clear in the enclosed notes.
ever EP
If you translate the article, change anything you feel needs im- proving.
(vide P. S. EP)
nowt
? 50 SECTIONII: 1936-66
54: Katue Kitasono to Ezra Pound TLS-2 [n. p. ] 15 November 1937
Dear Mr. Ezra POUND,
How anxiously I was waiting your letter at this too great distance, and your two kindly letters have just arrived at me. I ought to shorten the distance between us which was made by my too long silence.
^ |^ )
[Mao Shih] are identical with ^
means odes, but in this case ( -^ ) was a family name of a person who lived in
province ( ~^ ) [Lu] of China in old time. His full name was [ ^ 'j' [Mao Heng], and it was by him that the anthology selected by Confucius, that is, ( %^ ^^ ), was handed down to posterity. Therefore ( *^ ^^ ) isalsocalled{ ^%^)-
It might be economy of time for you that I would translate ( t^ %X~ ) in English, but I fear if I should deprive of you the pleasure of exploration.
You are not an archaeologist, but a great poet, and I will remain an indifferent Japanese.
I am waiting the Townsman's appearance with the oriental virtue. My "patience" has not been yet worn out so badly as yours.
I don't know Tokio Times. I wonder if it may be a mistake for the Japan Times or the Japan Advertiser.
I always gape at my too simple letters to you. It is not because that I am "going in for some extreme form of simplification, at greatest possible remove from Chinese elaboration," but because of my poor broken English.
This must be improved as soon as possible.
Your very beautiful stamps entertain me exceedingly.
Yours very sincerely, Katue Kiiasono
55: Katue Kitasono to Ezra Pound TLS-2 [n. p. ] 11 December 1937
Dear Mr. Ezra Pound
I have received your article for Tokio Times. 1 translated it at once in
(
il- vf. l
( :^ ) means eyebrow or hair as you wrote and ( p-g" )
The four volumes I sent (
[Shih ching]. )
]
? SECTIONII: 1936-66 51
JapaneseanditwillsoonappearinVOUno. 21. I wasstrucktoknowhow earnestly those highly educated persons as you are wishing to make a special study of the orient. Your method of reading ideograph is very effective, I think.
I can not find out Tokio times even in the largest book seller's in Tokio.
Therefore I asked of my friend Mr. Y. Onishi who is on the editorial staff of the Japan Advertiser, one of the leading paper in English, to negotiate with the publisher to put up your news in their paper.
He says that the kind of news is not quite clear, and so it is desirable that you will write about that and your wish for payment (because they cannot receive any copy without payment), and, if possible, some sample pages.
It is more convenient that you will send them directly to the acting publisher and editor, Mr. Wilfrid Fleisher, The Japan Advertiser, 1-chome, Uchi-Yamashita-Cho, Kohjimachi-Ku, Tokio.
And then my friend is going to negotiate well.
X-Mas is at close hand. I have sent you X-Mas Card of "Ukiyoe. " This year's one is more beautiful than the last year's, I think.
I wished to send a card also to your daughter in America, but I don't know her address.
Will you please make me a present of your photograph? I remain
56: Katue Kitasono to Ezra Pound TLS-2 [n. p. ] 16 December 1937
Dear Mr. Ezra POUND,
This photo shows Fenollosa's grave, which my friend, a poet living in the neighbourhood of Miidera, took for me.
Fenollosa's grave situated on the hill in the grounds of Hohmyoin in Enjohji which belongs to the head temple Miidera.
There densely grow many old cypresses and maple-trees in the vicin- ity, and beautiful Lake Biwa can be looked down [on].
Fenollosa's gravestone is seen enclosed by the stone-balustrade.
There is seen, next to Fenollosa's, the grave of Mr. Bigelow who was a man of business and an intimate friend of Fenollosa.
yours very sincerely, Katue Kitasono
? 52
SECTIONII: 1936-66
It rather strikes me with sorrow to think of those honourable souls
resting on the foreign land.
Mr. and Mrs. Fenollosa had both become believers in Buddhism in
photo.
Fenollosa may be obliterated from the memories of those diplomats and
artists of flurried progress, but he still lives loved and honoured in the hearts of serious Japanese artists and people living near by his grave.
They never forget to visit it occasionally.
I think Japanese culture has much of silver-plated gold.
If it is your desire to publish Fenollosa's notes you have, I will tell it to
the Society for International Cultural Relations, though I am not sure that they will consent.
very sincerely YOURS,
Katue Kitasono
^^^
Japan.
Fenollosa's Buddhist name is o'j \^ (teishin).
Greatness of faith, sadness of faith, you will see, too, both sides in this
? SECTIONII: 1936-66 53
57: Ezra Pound to Katue Kitasono
TLS-1 Anno XVI, Via Marsala 12-5, Rapallo, with Gaudier-Brzeska profile head. 13 January 1938
Dear K/K/
The younger members of the family are more decorative. My daughter is not in America. In fact I am translating into English a little bookshehaswrittenformeinItalian. I thinkJapanesechildrenmight like it, I mean they could learn what a child of 12 sees in the Tyrol.
I shall send you a copy as soon as I get it clearly typed. and hope to have more to report in a day or so.
ever E. P.
58: Ezra Pound to Katue Kitasono
TLS-1 Anno XVI, Via Marsala 12-5, Rapallo, with Gaudier-Brzeska profile head. 18 January 1938
Dear Kitasono
If the day had 48 hours I might be civil "if not polite. " I was so happy to find the foto of
Fenollosa's tomb in yr/ letter.
Yesterday I saw proofs of Broletto
with "The Hand of Summer Writes" printed large and in the original four ideograms, with the Italian translation of
your manifesto from Townsman (aJso yr. signature).
I hope Townsman has reached you. I have finished typing my translation of Maria's booklet, and will send it to you as soon as I can sew up the pages.
THEN you will see that the occidental hand is rather like a Japanese foot. Neatness we have not.
Now we will have a little music {vide enclosure)/ and then I suppose I will have proofs of my Guide/ and then, may be, I will have time for decent letter writing.
or winter.
at any rate I will try to write again before summer autumn
ever EP
? 54 SECTIONII: 1936-66
59: Katue Kitasono to Ezra Pound TLS-2 [n. p. ] 25 January 1938
Dear Mr. Ezra POUND,
I have just received beautiful Townsman. Little did I think our patience should be repayed so brilliantly.
Your very sensible introductory sentences for VOU Club saved us from our deficiency.
Words fail to express my gratitude for your kindness.
VOU no. 21 just finished, a little delayed, will be soon sent to you. Tokio Poets Club which consists of several groups of poets living in
Tokio is to hold the second recitation party on the 29th inst.
On that day some volunteers, Englishman, Frenchman, German, and
American, are also to recite poems in each own's language.
Some poems composed by the members are to be sung too.
I am going to read a cheerful essay like a milk-Bottle.
I am trying to translate in English a collection of my brief poems
"Cactus Irland," the Japanese one of which is to be published soon. I shall be very happy if you will read them.
"M. Pom-Pom,"
Very lovely, like a shell-helicopter.
I am swelling like a pine-apple, dreaming the sun and plants of Africa.
very sincerely yours, Katue Kitasono
60: Ezra Pound to Katue Kitasono
TLS-1 Anno XVI, Via Marsala 12-5, Rapallo, with Gaudier-Brzeska profile head. 7 February 1938
Dear K/K
I hope the rest of this will reach you in time, that is a whole copy of Broletto, too busy to explain why this torn page precedes.
printed.
at least you will see from this that something is at last getting
? SECTIONII: 1936-66 55
61: Katue Kitasono to Ezra Pound TLS-2 [n. p. ] 9 February 1938
Dear Mr. Ezra Pound,
Many thanks for your letter and the photos for which I have long been desirous.
I look at your impressive appearance, and find myself in such an atmosphere as floating about the heroes in the book of great Plutarch.
This feeling seems to come of some other reason beyond those realistic reasons that you live in Italy or I respect you.
The lovely girl on the snow makes me smile again and again.
I never imagined the snow in Tyrol should be so grey coloured.
I suppose that probably you pulled the shutter of kodak without taking
off your snow-glasses.
The largest one is very picturesque. I like such an antique house and
love such a natural garden.
The literary smile in the leaves is more charmante. I am looking forward to your daughter's booklet.
Very sincerely yours, Katue Kitasono
62: Ezra Pound to Katue Kitasono
TLS-2 Anno XVI, Via Marsala 12-5, Rapallo, with Gaudier-Brzeska profile head. 9 February 1938
DearK
Am still too busy to be civil, and politeness floats as a vision/ attainable possibly in April.
Editors of Broletto and Townsman both here yesterday.
I hope Broletto has reached you. Peroni wants more news of Japan. Yr/ photo of Fenollosa's grave came just in time for second issue and has gone to print shop.
//
IMPOSSIBLE to translate Japanese poetry into Italian,
send something in very simple english prose that you, the VOU club might like Italians to know.
? 56
SECTIONII: 1936-66
if you can.
Townsman wants to print one poem each issue (that is every three months, the best poem of the VOU club/ in the original either reproduc- ing the original writing, as your signature in Broletto or in the beautiful font of type used in "Summer's Hand Writes"). You can send translation, but in each case we will want each character explained. As in the poem in my edition of Fenollosa's Chinese written character, (moon Rays etc. )
also/ what does VOU stand for? telescope word?
fl
UTAi ? ? or what
^q tf
You can choose a Japanese poem; or have the whole club choose the poem of the season which they think would be most compre- hensible in the Occident.
from editorial view point, it wd/ be preferable that the poem be the sea- son's expression of the group of Tokio poets.
That wd/ be better for the bilingual publication/ and if we give a brief lesson in ideogram in every number of Townsman, perhaps a few read- ers will start learning to read.
English is middle ground/ impossible to translate ideogramic thought into a language inflected as the latin languages are. I will contin- ue this another day. Our Purcell music has had good press/ and I have sent back 180 sheets of galley proof to Faber/
so my brevity might be excused.
63: Katue Kitasono to Ezra Pound TLS-2 Tokio, Japan. 16 March 1938
Dear Mr. Ezra Pound,
I have received Miss Maria's Book at last.
ever E
Firstly its simple original design by a good papa perfectly attracted me. No Japanese papa would make such a pleasing booklet for his daughter, even though he would buy for her an expensive camera or a pretty dress etc. which could be found easily in any department store.
? SECTIONII: 1936-66 57
I havehadnoideaaboutTyrolexceptforestsandshepherds.
This very young lady writer eloquently tells me things in Tirol one by one. I hearherasattentivelyasshewouldhavebeenveryattentivewhen she listened to Peter's tales or observed the growth of hay.
She is, too, a very amusing teller.
Now I am translating it into Japanese that children of my country may read it. I fear lest I should fail to preserve the naivety of her literature, that you have done very well.
Broletto had arrived at me before your torn page. It is almost a surprise that I can see my "Letters of Summer" reproduced so gorgeously in that beautiful magazine.
Very grateful for you and Mr. Carlo Peroni.
Now I am writing some news for BroJetto.
I enclose a poem for Townsman. I shall be glad if you will correct the
translation suitably.
I don't know at all about the sonatas of Henry Purcell but I can guess the
publication of his music will be of deep significance.
Did you explain about music and microphotography at the concert? I have read "Music and Progress" by Olga Rudge in Townsman, and so
can get some idea of your lecture.
Yesterday I received New Directions 37.
Mr. James Laughlin iv wrote me that he wants to have our poems for his
review of 1938.
The word VOU has no meaning as the word DADA.
only a sign. One day I found myself arranging whimsically these three
characters on the table of a caf6. That's all.
On the 12th, March I went to see Youngmen's Noh Plays performed on the stage of Marquis Hosokawa. It was a demonstration of young pro- fessional Noh players under the support of leading Noh players. I enclose the program.
Please give my good wishes to Miss Maria.
Ever yours, Katue Kitasono
? 58
SECTIONII: 1936-66
64: Katue Kitasono to Ezra Pound TLS-6 [n. p. ] 26 March 1938
Explanatory Notes on the Photographs TACHi (long sword)
These four swords in the photographs are called Tachi, from 70cm. to 90cm. long, chiefly used for fighting.
(4) is also called Efudachi, special in shape, worn by Samurais in court. (1), (2), (3) are for the usual wear of the general Samurais, also used for fighting, in this case Samurais of high rank hung it level on their sides by the fixings of (4).
The names of these swordsmiths as follows:
1 IchimonjiYoshihira
2 Tairano Nagamori
3 NakajimaRai
4 Shikibunojyo Nobukuni
AiKUCHi (short sword)
These three short swords are called Aikuchi, Tanto, and Sasuga, used for
self-protection.
Samurai wore it on his side with a long sword, and woman put it in a brocade bag and held between her sashes.
There are many beautiful designs of Aikuchi.
Its length is between 25cm. and 30cm.
1 Insyu Kagenaga 2 Muramasa
3 Hojyu
These above measurements are only of the blade part, excepting that part in a hilt. They were all made during the years 1100-1400.
Katue Kitasono
? SECTIONII: 1936-66 59
? 60 SECTIONII: 1936-66
? SECTIONII: 1936-66 61
II r. -iiajai'iLW* -ftii; l]hli]\<iik^^:m
1^ {
sr-i-^=^
iio-MJttru^L^at^M > ? t A /JVifH</if. f]
ii^r>><>;:! ,-^ dus'* II tvfTt'>>n! V 7J). '. )f If^r. /'iV
? 62
SECTIONII: 1936-66
NIPPONTO (Japanese Sword)
A brilliant ceremony was held to make a present of Japanese armour and sword to Premier Mussolini, on the 20th March, at Hibiya-Park, Tokio.
At this memorable event, I want to give my views about Nipponto (Japanese sword).
This is at once to tell the Japanese ideas of swords, and at the same time to make clear why we Japanese have presented Nipponto to Premier Musso- lini.
Atmidnight,stillandsilent,1 drawanoldswordandfixmyeyesonthe crystalline blade in the faint light of a candle.
This is the moment I love most, and my head becomes cool and strained. It is in this moment that 1 feel directly the lives and morals of all the ages our ancestors passed through.
These feelings grow into a praise, adoration, and worship for our ancestors, and Japanese sword symbolizes all of them.
In old times our ancestors kept their faith with swords, which not only chastised one who broke it, but chastised even its owner when he broke it himself. The sword was the last sacred judge.
A Samurai used to say, "I will never do it in the presence of my sword," or "I will do it by my sword. " The former means that he will not do such a thing because it is disgrace to his sword (the honour of a Samurai), and the latter that if he fail, his sword will settle the matter (that is, he will die).
Before 1800 the social conditions were still unsafe owing to the in- complete political system. People had to, therefore, protect themselves and their families with weapons among which were swords of excellent quality which they especially longed for. This attachment was so strong that even when to fight a duel, every one took pride in telling the antagonist the name of the maker of his sword. He said, "I will fight you with this sword, Sekinomagoroku," or "This sword, Sekinomagoroku will not forgive you. "
Thus the sword was greatly respected, and excellent swords were handed down for generations as heirlooms of the family, and it was very disgraceful and undutiful to one's ancestors to lose them.
Many old Japanese tales consist of various troubles connected with a noted sword. Indeed, Japanese swords brought forth a great many legends and tragedies just as precious stones did in Europe.
It is, therefore, to express one's highest respect that he should make a present of a sword to some person.
At the Restoration of Meiji, the Samurai class was abolished and people
? SECTIONII: 1936-66 63
were forbidden to wear a sword, but their attachment for swords has never become weak.
Most Japanese take Kendo (Japanese fencing) and Jyudo (Jyujitsu) les- sons from primary school to university.
For three weeks in winter and in summer they have especially severe exercises early in the morning, which is the most valiant sight.
In Europe Kendo has not been so widely known as Jyudo, I think, but it is Kendo that shows the mind and the figure of Samurai rather than Jyudo. WhenI holdoneoftheexcellentswordshandeddownfrommyan-
cestors, I feel my eyes are not already those of moderns, but of ancients. I feel the indomitable spirit, fearless of death, of a Spartan fighting man
comes to myself.
In conclusion I wish to add that Japan will be prosperous forever as long
as Japanese will not lose their faith in the sword.
March 26th, 1938 Katue Kitasono
65: Ezra Pound to Katue Kitasono
TLS-3 Anno XVI, Via Marsala 12-5, Rapallo, with Gaudier-Brzeska profile head. 14 May 1938
Dear K/K/
VOU 22 has come. I am very glad you have selected the vital points so well in the note on me. I learn to read all too slowly: And I forget the ideograms too fast. However I have now the Li Kil as well as the Kung and Mang and the Odes; all with some sort of translation that helps me to practice. Ideogramic dictionary wastes too much time.
The proper way for occidental to learn ideogram is with an interpage or interlinear crib.
Will you write to
Science Service
2101 Constitution Ave
Washington D. C. , U. S. A. for information re/ microfilm reader
and their service.
That ought to accelerate the availability of the 100 best ideogramic and Japanese texts in the original.
? 64 SECTIONII: 1936-66
From that we cd/ get on with at least typescript translations. Price of projectors should come down. Do you know, or can you find out what Tokio University has done along these lines?
I am doing what I can to stir up the Washington people both about mu- sic study and oriental studies by means of this new system.
It will encourage them to hear from Japan, and of course col- laboration between the two governments should follow. Here is a field where there can be no clash of interests, and where better understanding between the two peoples wd/ be automaticly promoted.
Kagekiyo and Kumasaka can not be boycotted like silk stock- ings. I hear there is a professor in the University of Formosa whose good offices we might enlist.
When dealing with government departments, it is always well to get someone whose respectability is official.
I believe I am now almost officially respectable because I am part of the Institute of Arts and Letters. But I am not really respectab- le . . . among the idiots of the more reactionary American un- iversities . . . not yet. Although a very small Western college has at last invited me to profess in the wilderness.
//another point/ you better write to Harcourt, Brace and co.
383 Madison Ave. New York
for review copy of e:e:cummings' poems. (Collected Poems. ) Laughlin will have sent you W. C. Williams' Life on the Passaic River, these are the two best American books of the season. We have a couple of good historians. W. E. Woodward, New American History/ and Claude Bowers' Tragic Era. Bowers is now ambassador to Spain.
The University of Tokio and yr/ government departments can certainly afford Argus microfilm reader-projectors.
I don't know what you Japs have done in the way of lense grinding. The Germans will certainly make much cheaper projectors soon. Poets etc/ can not afford Argus de luxe microfilm readers, simpler mechanism can be made by almost any good optician, I think. At any rate Fox recom- mended me to have one made locally.
In any case if your lense industry isn't developed, you cd/ get German lenses and do the rest as well or better than occidentals.
Delphian Quarterly, 307 North Michigan Ave. , Chicago would probably exchange with VOU, if you send them current issue of VOU and say you
? SECTIONII: 1936-66 65
wd/ like to see Olga Rudge's article on Vivaldi and my curse on Amer- ican University torpor.
there is never time enough to write everything in one letter.
ever
Ezra Pound
66: Ezra Pound to Katue Kitasono
TLS-2 Anno XVI, Via Marsala 12-5, Rapallo, with Gaudier-Brzeska profile head. 2 June 1938
Dear Kitasono
I don't yet know enough to deal properly with the rest of Fenollosa's notes. I have a good translation of the Li Ki (Bk of Cere- monies, with the original text, french and latin).
I am in the middle of de Mailla's Histoire Generaie de la Chinel transla- tion of Tong Kien Kang Mou/ but only in french; not printed with the original.
Do you know of any (good) History of Japan, translated into any eu- ropean language from original sources?
//
I have found mention of the "Ti-san" sort of notes left by Emperor Tai- tsong/ Tang a. d. 648, for his son.
I am trying to think out the "100 best books" for proper Ideogramic library/
Possibly this ought to be one of them? If it still exists.
The first government note (state ticket not bank note) that I have yet found record of is of Kao tsong 650/ but the form already de- veloped, so I suppose Tai tsong knew the system. Sane economics, very interesting.
BUT all this is Chinese/ Whether de Mailla gets round to notice of inter- course with Japan later, I dont know. At least by 800 a. d. there ought to be Japanese records// in detail/
What sort of Japanese history do you people get in schools?
? 66 SECTIONII: 1936-66
Also Japanese poetry before the Noh? Another awful blank in my ac- quaintance.
Prof. Mori seems to have treated the literature (or FenoL/ has left notes showing)
Chinese poetry/
///// Noh <2 vols of Japanese short poems. )
and a lot of notes in which the chronology isn't very clear.
Mr. Matsumiya hasn't sent on his typescript/ 1 think he is worrying too much about getting it entirely free from small defects of english. //
Pardon brevity/
(Tai tsong very respectable emperor. )
67: Ezra Pound to Katue Kitasono TCS-1 Via Marsala 12-5. 10 July 1938
Dear K
Duncan (Townsman at 6d. ) hasn't means to publish music.
E. P.
Miss R/ has played me the separate parts of Isida's. but we haven't the three instruments here to do the whole thing.
Duncan says you want it returned so am sending it.
cordiali saluti EP
68: Katue Kitasono to Ezra Pound TLS-3 Tokio, Japan. 23 July 1938
Dear Mr. Ezra Pound,
Thank you for your letters of May 5 and July 2.
In Formosa the climate is not good and I cannot encourage you to
become a professor there.
I think Tokio Imperial University or Kyoto Imperial University is most
suitable to you.
? SECTIONII: 1936-66 67
I will watch to obtain such an opportunity, if you wish.
Reading your "Notes on Micro-Photography" in May's issue of GJobe, I see how effectively this new system is acting on musical study.
Indeed it's a splendid idea to use it on the Oriental study, and of course we Japanese ought to willingly cooperate with you.
In Japan, so far as I know, nobody has turned his attention to the utilization of micro-photography on musical and Oriental studies.
I will speak about this on every occasion.
I don't think Japan is in financial embarrassment.
I am sorry I couldn't find out a Japanese history translated from the
original. I promise you to send it, as soon as I will find a good one.
As for the "Ti-San," (
790).
An anthology of Waka { i^o r^"^ ] or Vta [ -sj"/^
i^ ^^>>
) we have some records, but not so detailed. I suppose it may be just in the same degree as mentioned in
Mailla's Chinese History.
The source of Japanese poetry was ( t^ '^ -^ )
^ ^,
) (a form of short poem consisting of 31 letters [syllables]). This is in 20 volumes. Next we have Kokinsyu ( "^ ^ -? ^ ), also an anthology of waka (790-1190). And then we have Sinkokinsyu [ %'^ '^ ^ %: ] (1190-1603). Noh
( fi^L ) plays were in full flourish in this period.
Chinese poetry was carried on through all the ages, sometimes over-
whelming \NQka and sometimes being subdued by VV^aka.
Of course, this is a terribly rough explanation. I will write you again
about this more minutely.
Thank you very much for your Guide to Kulchur, a very pleasant book,
which will make the world march at double-quick for half a century. Faber & Faber wrote me to send back your essay "No, Diplomacy can
not do it" for an advance copy.
But the other day I lend it to an editor of a professional literary maga-
zine, because I wanted to let many more readers besides VOU read it. Then the editor suddenly died, and I have barely taken back your copy. But the first one page has been missing, and they are very sorry that they can
not find it out.
I have retranslated that part from the Japanese one in VOU. Will you
please improve it into your own?
50: Ezra Pound to Katue Kitasono
TLS-1 Rapallo. Sometime in October |22? 1. 1937
Dear K/K
I seem to be finding a clue/ and I think the Odes you sent are the ones I wanted.
At least they seem to be arranged thus? ? ? ? ? ?
Introduction:
Long sentence saying what the poem means. ONE LINE OF POEM and then a commentary ANOTHER LINE OF POEM then an explanation AND so FORTH.
at any rate something seems to fit Jennings' appalling translation. I haven't got much further than identifying a refrain or two.
Townsman announcement very tangled. Duncan trying to condense and merely attaining density.
envelope as a specimen document/ 1 have sent them your address AGAIN.
51: Ezra Pound to Katue Kitasono
TLS-1 On stationery imprinted: Via Marsala 12-5. Rapallo, with Gaudier-Brzeska profile head. 23 October 1937
Dear K/Kit
Your very beautiful book has just come, and I have started TRYING to read it, though some of the type forms are not as in Morrison.
I have also subscribed to the Tokyo Times. In the hope of getting a little English and French news. I wonder if it is Brinkley's old paper? I also wonder if they wd. print my news or interpretations of Eu- rope. Might be a first step toward getting to Tokyo. I think the paper is unlikely to be delivered "in all parts of China" for the next few w -ks, but the rest of their statements seem plausible.
//
ever EP
? 48 SECTIONII: 1936-66
The poems look as if you were going in for some extreme form of sim- plification, at greatest possible remove from Chinese elaboration, not that I have been able to read even a single sentence at sight.
I take it no one has tried to make poems containing quite so many simple radicals.
BUT my ignorance is appalling and my memory beneath contempt.
52: Ezra Pound to Katue Kitasono TCS-1 Via Marsala 12-5. 28 October 1937
28 Oct. getting on nicely.
nowt (oldformfornothing,butscans
ever yours E. P.
red
not
fox
nowt Now that I have found out what is black which,andhowcarefully
not they count up all the lines in crow strophes/ Am going to try
seriously to understand your book, once I have rushed thru the Odes
53: Ezra Pound to Katue Kitasono
TLS-2 On stationery imprinted: Via Marsala 12-5, Rapallo, with Gaudier-Brzeska profile head. 2 November 1937
Dear K/K
better here. )
strikes me as v^ay poetry can be very nicely written.
Here is an article or letter, either (for) Tokio Times or for VOU. Not necessary to translate more than the meaning. And that only if you think there is some use in doing it.
I have said "an occidental language" to avoid argument at the start, but English is indicated for all translation from ideogram
ever EP
? SECTIONII: 1936-66 49
1. because it is richest in monosyllables
2. because it is least cluttered with syntax, and does not therefore put IN such a lot which isn't in ideogram
AND because a literal translation without inflection shocks us less than it wd/ french and Italians
A very skillful translator might get Japanese sound into an Italian translation but I know of no one capable of doing it.
The question to Japan is: instead of dumping cheap products which we already have too much of, in the Occident, why not send us some cheap books which we need
at least a few of us need them very badly and if they were on the market more of us would wake up to the fact that we need them.
the rest of the subject is I hope clear in the enclosed notes.
ever EP
If you translate the article, change anything you feel needs im- proving.
(vide P. S. EP)
nowt
? 50 SECTIONII: 1936-66
54: Katue Kitasono to Ezra Pound TLS-2 [n. p. ] 15 November 1937
Dear Mr. Ezra POUND,
How anxiously I was waiting your letter at this too great distance, and your two kindly letters have just arrived at me. I ought to shorten the distance between us which was made by my too long silence.
^ |^ )
[Mao Shih] are identical with ^
means odes, but in this case ( -^ ) was a family name of a person who lived in
province ( ~^ ) [Lu] of China in old time. His full name was [ ^ 'j' [Mao Heng], and it was by him that the anthology selected by Confucius, that is, ( %^ ^^ ), was handed down to posterity. Therefore ( *^ ^^ ) isalsocalled{ ^%^)-
It might be economy of time for you that I would translate ( t^ %X~ ) in English, but I fear if I should deprive of you the pleasure of exploration.
You are not an archaeologist, but a great poet, and I will remain an indifferent Japanese.
I am waiting the Townsman's appearance with the oriental virtue. My "patience" has not been yet worn out so badly as yours.
I don't know Tokio Times. I wonder if it may be a mistake for the Japan Times or the Japan Advertiser.
I always gape at my too simple letters to you. It is not because that I am "going in for some extreme form of simplification, at greatest possible remove from Chinese elaboration," but because of my poor broken English.
This must be improved as soon as possible.
Your very beautiful stamps entertain me exceedingly.
Yours very sincerely, Katue Kiiasono
55: Katue Kitasono to Ezra Pound TLS-2 [n. p. ] 11 December 1937
Dear Mr. Ezra Pound
I have received your article for Tokio Times. 1 translated it at once in
(
il- vf. l
( :^ ) means eyebrow or hair as you wrote and ( p-g" )
The four volumes I sent (
[Shih ching]. )
]
? SECTIONII: 1936-66 51
JapaneseanditwillsoonappearinVOUno. 21. I wasstrucktoknowhow earnestly those highly educated persons as you are wishing to make a special study of the orient. Your method of reading ideograph is very effective, I think.
I can not find out Tokio times even in the largest book seller's in Tokio.
Therefore I asked of my friend Mr. Y. Onishi who is on the editorial staff of the Japan Advertiser, one of the leading paper in English, to negotiate with the publisher to put up your news in their paper.
He says that the kind of news is not quite clear, and so it is desirable that you will write about that and your wish for payment (because they cannot receive any copy without payment), and, if possible, some sample pages.
It is more convenient that you will send them directly to the acting publisher and editor, Mr. Wilfrid Fleisher, The Japan Advertiser, 1-chome, Uchi-Yamashita-Cho, Kohjimachi-Ku, Tokio.
And then my friend is going to negotiate well.
X-Mas is at close hand. I have sent you X-Mas Card of "Ukiyoe. " This year's one is more beautiful than the last year's, I think.
I wished to send a card also to your daughter in America, but I don't know her address.
Will you please make me a present of your photograph? I remain
56: Katue Kitasono to Ezra Pound TLS-2 [n. p. ] 16 December 1937
Dear Mr. Ezra POUND,
This photo shows Fenollosa's grave, which my friend, a poet living in the neighbourhood of Miidera, took for me.
Fenollosa's grave situated on the hill in the grounds of Hohmyoin in Enjohji which belongs to the head temple Miidera.
There densely grow many old cypresses and maple-trees in the vicin- ity, and beautiful Lake Biwa can be looked down [on].
Fenollosa's gravestone is seen enclosed by the stone-balustrade.
There is seen, next to Fenollosa's, the grave of Mr. Bigelow who was a man of business and an intimate friend of Fenollosa.
yours very sincerely, Katue Kitasono
? 52
SECTIONII: 1936-66
It rather strikes me with sorrow to think of those honourable souls
resting on the foreign land.
Mr. and Mrs. Fenollosa had both become believers in Buddhism in
photo.
Fenollosa may be obliterated from the memories of those diplomats and
artists of flurried progress, but he still lives loved and honoured in the hearts of serious Japanese artists and people living near by his grave.
They never forget to visit it occasionally.
I think Japanese culture has much of silver-plated gold.
If it is your desire to publish Fenollosa's notes you have, I will tell it to
the Society for International Cultural Relations, though I am not sure that they will consent.
very sincerely YOURS,
Katue Kitasono
^^^
Japan.
Fenollosa's Buddhist name is o'j \^ (teishin).
Greatness of faith, sadness of faith, you will see, too, both sides in this
? SECTIONII: 1936-66 53
57: Ezra Pound to Katue Kitasono
TLS-1 Anno XVI, Via Marsala 12-5, Rapallo, with Gaudier-Brzeska profile head. 13 January 1938
Dear K/K/
The younger members of the family are more decorative. My daughter is not in America. In fact I am translating into English a little bookshehaswrittenformeinItalian. I thinkJapanesechildrenmight like it, I mean they could learn what a child of 12 sees in the Tyrol.
I shall send you a copy as soon as I get it clearly typed. and hope to have more to report in a day or so.
ever E. P.
58: Ezra Pound to Katue Kitasono
TLS-1 Anno XVI, Via Marsala 12-5, Rapallo, with Gaudier-Brzeska profile head. 18 January 1938
Dear Kitasono
If the day had 48 hours I might be civil "if not polite. " I was so happy to find the foto of
Fenollosa's tomb in yr/ letter.
Yesterday I saw proofs of Broletto
with "The Hand of Summer Writes" printed large and in the original four ideograms, with the Italian translation of
your manifesto from Townsman (aJso yr. signature).
I hope Townsman has reached you. I have finished typing my translation of Maria's booklet, and will send it to you as soon as I can sew up the pages.
THEN you will see that the occidental hand is rather like a Japanese foot. Neatness we have not.
Now we will have a little music {vide enclosure)/ and then I suppose I will have proofs of my Guide/ and then, may be, I will have time for decent letter writing.
or winter.
at any rate I will try to write again before summer autumn
ever EP
? 54 SECTIONII: 1936-66
59: Katue Kitasono to Ezra Pound TLS-2 [n. p. ] 25 January 1938
Dear Mr. Ezra POUND,
I have just received beautiful Townsman. Little did I think our patience should be repayed so brilliantly.
Your very sensible introductory sentences for VOU Club saved us from our deficiency.
Words fail to express my gratitude for your kindness.
VOU no. 21 just finished, a little delayed, will be soon sent to you. Tokio Poets Club which consists of several groups of poets living in
Tokio is to hold the second recitation party on the 29th inst.
On that day some volunteers, Englishman, Frenchman, German, and
American, are also to recite poems in each own's language.
Some poems composed by the members are to be sung too.
I am going to read a cheerful essay like a milk-Bottle.
I am trying to translate in English a collection of my brief poems
"Cactus Irland," the Japanese one of which is to be published soon. I shall be very happy if you will read them.
"M. Pom-Pom,"
Very lovely, like a shell-helicopter.
I am swelling like a pine-apple, dreaming the sun and plants of Africa.
very sincerely yours, Katue Kitasono
60: Ezra Pound to Katue Kitasono
TLS-1 Anno XVI, Via Marsala 12-5, Rapallo, with Gaudier-Brzeska profile head. 7 February 1938
Dear K/K
I hope the rest of this will reach you in time, that is a whole copy of Broletto, too busy to explain why this torn page precedes.
printed.
at least you will see from this that something is at last getting
? SECTIONII: 1936-66 55
61: Katue Kitasono to Ezra Pound TLS-2 [n. p. ] 9 February 1938
Dear Mr. Ezra Pound,
Many thanks for your letter and the photos for which I have long been desirous.
I look at your impressive appearance, and find myself in such an atmosphere as floating about the heroes in the book of great Plutarch.
This feeling seems to come of some other reason beyond those realistic reasons that you live in Italy or I respect you.
The lovely girl on the snow makes me smile again and again.
I never imagined the snow in Tyrol should be so grey coloured.
I suppose that probably you pulled the shutter of kodak without taking
off your snow-glasses.
The largest one is very picturesque. I like such an antique house and
love such a natural garden.
The literary smile in the leaves is more charmante. I am looking forward to your daughter's booklet.
Very sincerely yours, Katue Kitasono
62: Ezra Pound to Katue Kitasono
TLS-2 Anno XVI, Via Marsala 12-5, Rapallo, with Gaudier-Brzeska profile head. 9 February 1938
DearK
Am still too busy to be civil, and politeness floats as a vision/ attainable possibly in April.
Editors of Broletto and Townsman both here yesterday.
I hope Broletto has reached you. Peroni wants more news of Japan. Yr/ photo of Fenollosa's grave came just in time for second issue and has gone to print shop.
//
IMPOSSIBLE to translate Japanese poetry into Italian,
send something in very simple english prose that you, the VOU club might like Italians to know.
? 56
SECTIONII: 1936-66
if you can.
Townsman wants to print one poem each issue (that is every three months, the best poem of the VOU club/ in the original either reproduc- ing the original writing, as your signature in Broletto or in the beautiful font of type used in "Summer's Hand Writes"). You can send translation, but in each case we will want each character explained. As in the poem in my edition of Fenollosa's Chinese written character, (moon Rays etc. )
also/ what does VOU stand for? telescope word?
fl
UTAi ? ? or what
^q tf
You can choose a Japanese poem; or have the whole club choose the poem of the season which they think would be most compre- hensible in the Occident.
from editorial view point, it wd/ be preferable that the poem be the sea- son's expression of the group of Tokio poets.
That wd/ be better for the bilingual publication/ and if we give a brief lesson in ideogram in every number of Townsman, perhaps a few read- ers will start learning to read.
English is middle ground/ impossible to translate ideogramic thought into a language inflected as the latin languages are. I will contin- ue this another day. Our Purcell music has had good press/ and I have sent back 180 sheets of galley proof to Faber/
so my brevity might be excused.
63: Katue Kitasono to Ezra Pound TLS-2 Tokio, Japan. 16 March 1938
Dear Mr. Ezra Pound,
I have received Miss Maria's Book at last.
ever E
Firstly its simple original design by a good papa perfectly attracted me. No Japanese papa would make such a pleasing booklet for his daughter, even though he would buy for her an expensive camera or a pretty dress etc. which could be found easily in any department store.
? SECTIONII: 1936-66 57
I havehadnoideaaboutTyrolexceptforestsandshepherds.
This very young lady writer eloquently tells me things in Tirol one by one. I hearherasattentivelyasshewouldhavebeenveryattentivewhen she listened to Peter's tales or observed the growth of hay.
She is, too, a very amusing teller.
Now I am translating it into Japanese that children of my country may read it. I fear lest I should fail to preserve the naivety of her literature, that you have done very well.
Broletto had arrived at me before your torn page. It is almost a surprise that I can see my "Letters of Summer" reproduced so gorgeously in that beautiful magazine.
Very grateful for you and Mr. Carlo Peroni.
Now I am writing some news for BroJetto.
I enclose a poem for Townsman. I shall be glad if you will correct the
translation suitably.
I don't know at all about the sonatas of Henry Purcell but I can guess the
publication of his music will be of deep significance.
Did you explain about music and microphotography at the concert? I have read "Music and Progress" by Olga Rudge in Townsman, and so
can get some idea of your lecture.
Yesterday I received New Directions 37.
Mr. James Laughlin iv wrote me that he wants to have our poems for his
review of 1938.
The word VOU has no meaning as the word DADA.
only a sign. One day I found myself arranging whimsically these three
characters on the table of a caf6. That's all.
On the 12th, March I went to see Youngmen's Noh Plays performed on the stage of Marquis Hosokawa. It was a demonstration of young pro- fessional Noh players under the support of leading Noh players. I enclose the program.
Please give my good wishes to Miss Maria.
Ever yours, Katue Kitasono
? 58
SECTIONII: 1936-66
64: Katue Kitasono to Ezra Pound TLS-6 [n. p. ] 26 March 1938
Explanatory Notes on the Photographs TACHi (long sword)
These four swords in the photographs are called Tachi, from 70cm. to 90cm. long, chiefly used for fighting.
(4) is also called Efudachi, special in shape, worn by Samurais in court. (1), (2), (3) are for the usual wear of the general Samurais, also used for fighting, in this case Samurais of high rank hung it level on their sides by the fixings of (4).
The names of these swordsmiths as follows:
1 IchimonjiYoshihira
2 Tairano Nagamori
3 NakajimaRai
4 Shikibunojyo Nobukuni
AiKUCHi (short sword)
These three short swords are called Aikuchi, Tanto, and Sasuga, used for
self-protection.
Samurai wore it on his side with a long sword, and woman put it in a brocade bag and held between her sashes.
There are many beautiful designs of Aikuchi.
Its length is between 25cm. and 30cm.
1 Insyu Kagenaga 2 Muramasa
3 Hojyu
These above measurements are only of the blade part, excepting that part in a hilt. They were all made during the years 1100-1400.
Katue Kitasono
? SECTIONII: 1936-66 59
? 60 SECTIONII: 1936-66
? SECTIONII: 1936-66 61
II r. -iiajai'iLW* -ftii; l]hli]\<iik^^:m
1^ {
sr-i-^=^
iio-MJttru^L^at^M > ? t A /JVifH</if. f]
ii^r>><>;:! ,-^ dus'* II tvfTt'>>n! V 7J). '. )f If^r. /'iV
? 62
SECTIONII: 1936-66
NIPPONTO (Japanese Sword)
A brilliant ceremony was held to make a present of Japanese armour and sword to Premier Mussolini, on the 20th March, at Hibiya-Park, Tokio.
At this memorable event, I want to give my views about Nipponto (Japanese sword).
This is at once to tell the Japanese ideas of swords, and at the same time to make clear why we Japanese have presented Nipponto to Premier Musso- lini.
Atmidnight,stillandsilent,1 drawanoldswordandfixmyeyesonthe crystalline blade in the faint light of a candle.
This is the moment I love most, and my head becomes cool and strained. It is in this moment that 1 feel directly the lives and morals of all the ages our ancestors passed through.
These feelings grow into a praise, adoration, and worship for our ancestors, and Japanese sword symbolizes all of them.
In old times our ancestors kept their faith with swords, which not only chastised one who broke it, but chastised even its owner when he broke it himself. The sword was the last sacred judge.
A Samurai used to say, "I will never do it in the presence of my sword," or "I will do it by my sword. " The former means that he will not do such a thing because it is disgrace to his sword (the honour of a Samurai), and the latter that if he fail, his sword will settle the matter (that is, he will die).
Before 1800 the social conditions were still unsafe owing to the in- complete political system. People had to, therefore, protect themselves and their families with weapons among which were swords of excellent quality which they especially longed for. This attachment was so strong that even when to fight a duel, every one took pride in telling the antagonist the name of the maker of his sword. He said, "I will fight you with this sword, Sekinomagoroku," or "This sword, Sekinomagoroku will not forgive you. "
Thus the sword was greatly respected, and excellent swords were handed down for generations as heirlooms of the family, and it was very disgraceful and undutiful to one's ancestors to lose them.
Many old Japanese tales consist of various troubles connected with a noted sword. Indeed, Japanese swords brought forth a great many legends and tragedies just as precious stones did in Europe.
It is, therefore, to express one's highest respect that he should make a present of a sword to some person.
At the Restoration of Meiji, the Samurai class was abolished and people
? SECTIONII: 1936-66 63
were forbidden to wear a sword, but their attachment for swords has never become weak.
Most Japanese take Kendo (Japanese fencing) and Jyudo (Jyujitsu) les- sons from primary school to university.
For three weeks in winter and in summer they have especially severe exercises early in the morning, which is the most valiant sight.
In Europe Kendo has not been so widely known as Jyudo, I think, but it is Kendo that shows the mind and the figure of Samurai rather than Jyudo. WhenI holdoneoftheexcellentswordshandeddownfrommyan-
cestors, I feel my eyes are not already those of moderns, but of ancients. I feel the indomitable spirit, fearless of death, of a Spartan fighting man
comes to myself.
In conclusion I wish to add that Japan will be prosperous forever as long
as Japanese will not lose their faith in the sword.
March 26th, 1938 Katue Kitasono
65: Ezra Pound to Katue Kitasono
TLS-3 Anno XVI, Via Marsala 12-5, Rapallo, with Gaudier-Brzeska profile head. 14 May 1938
Dear K/K/
VOU 22 has come. I am very glad you have selected the vital points so well in the note on me. I learn to read all too slowly: And I forget the ideograms too fast. However I have now the Li Kil as well as the Kung and Mang and the Odes; all with some sort of translation that helps me to practice. Ideogramic dictionary wastes too much time.
The proper way for occidental to learn ideogram is with an interpage or interlinear crib.
Will you write to
Science Service
2101 Constitution Ave
Washington D. C. , U. S. A. for information re/ microfilm reader
and their service.
That ought to accelerate the availability of the 100 best ideogramic and Japanese texts in the original.
? 64 SECTIONII: 1936-66
From that we cd/ get on with at least typescript translations. Price of projectors should come down. Do you know, or can you find out what Tokio University has done along these lines?
I am doing what I can to stir up the Washington people both about mu- sic study and oriental studies by means of this new system.
It will encourage them to hear from Japan, and of course col- laboration between the two governments should follow. Here is a field where there can be no clash of interests, and where better understanding between the two peoples wd/ be automaticly promoted.
Kagekiyo and Kumasaka can not be boycotted like silk stock- ings. I hear there is a professor in the University of Formosa whose good offices we might enlist.
When dealing with government departments, it is always well to get someone whose respectability is official.
I believe I am now almost officially respectable because I am part of the Institute of Arts and Letters. But I am not really respectab- le . . . among the idiots of the more reactionary American un- iversities . . . not yet. Although a very small Western college has at last invited me to profess in the wilderness.
//another point/ you better write to Harcourt, Brace and co.
383 Madison Ave. New York
for review copy of e:e:cummings' poems. (Collected Poems. ) Laughlin will have sent you W. C. Williams' Life on the Passaic River, these are the two best American books of the season. We have a couple of good historians. W. E. Woodward, New American History/ and Claude Bowers' Tragic Era. Bowers is now ambassador to Spain.
The University of Tokio and yr/ government departments can certainly afford Argus microfilm reader-projectors.
I don't know what you Japs have done in the way of lense grinding. The Germans will certainly make much cheaper projectors soon. Poets etc/ can not afford Argus de luxe microfilm readers, simpler mechanism can be made by almost any good optician, I think. At any rate Fox recom- mended me to have one made locally.
In any case if your lense industry isn't developed, you cd/ get German lenses and do the rest as well or better than occidentals.
Delphian Quarterly, 307 North Michigan Ave. , Chicago would probably exchange with VOU, if you send them current issue of VOU and say you
? SECTIONII: 1936-66 65
wd/ like to see Olga Rudge's article on Vivaldi and my curse on Amer- ican University torpor.
there is never time enough to write everything in one letter.
ever
Ezra Pound
66: Ezra Pound to Katue Kitasono
TLS-2 Anno XVI, Via Marsala 12-5, Rapallo, with Gaudier-Brzeska profile head. 2 June 1938
Dear Kitasono
I don't yet know enough to deal properly with the rest of Fenollosa's notes. I have a good translation of the Li Ki (Bk of Cere- monies, with the original text, french and latin).
I am in the middle of de Mailla's Histoire Generaie de la Chinel transla- tion of Tong Kien Kang Mou/ but only in french; not printed with the original.
Do you know of any (good) History of Japan, translated into any eu- ropean language from original sources?
//
I have found mention of the "Ti-san" sort of notes left by Emperor Tai- tsong/ Tang a. d. 648, for his son.
I am trying to think out the "100 best books" for proper Ideogramic library/
Possibly this ought to be one of them? If it still exists.
The first government note (state ticket not bank note) that I have yet found record of is of Kao tsong 650/ but the form already de- veloped, so I suppose Tai tsong knew the system. Sane economics, very interesting.
BUT all this is Chinese/ Whether de Mailla gets round to notice of inter- course with Japan later, I dont know. At least by 800 a. d. there ought to be Japanese records// in detail/
What sort of Japanese history do you people get in schools?
? 66 SECTIONII: 1936-66
Also Japanese poetry before the Noh? Another awful blank in my ac- quaintance.
Prof. Mori seems to have treated the literature (or FenoL/ has left notes showing)
Chinese poetry/
///// Noh <2 vols of Japanese short poems. )
and a lot of notes in which the chronology isn't very clear.
Mr. Matsumiya hasn't sent on his typescript/ 1 think he is worrying too much about getting it entirely free from small defects of english. //
Pardon brevity/
(Tai tsong very respectable emperor. )
67: Ezra Pound to Katue Kitasono TCS-1 Via Marsala 12-5. 10 July 1938
Dear K
Duncan (Townsman at 6d. ) hasn't means to publish music.
E. P.
Miss R/ has played me the separate parts of Isida's. but we haven't the three instruments here to do the whole thing.
Duncan says you want it returned so am sending it.
cordiali saluti EP
68: Katue Kitasono to Ezra Pound TLS-3 Tokio, Japan. 23 July 1938
Dear Mr. Ezra Pound,
Thank you for your letters of May 5 and July 2.
In Formosa the climate is not good and I cannot encourage you to
become a professor there.
I think Tokio Imperial University or Kyoto Imperial University is most
suitable to you.
? SECTIONII: 1936-66 67
I will watch to obtain such an opportunity, if you wish.
Reading your "Notes on Micro-Photography" in May's issue of GJobe, I see how effectively this new system is acting on musical study.
Indeed it's a splendid idea to use it on the Oriental study, and of course we Japanese ought to willingly cooperate with you.
In Japan, so far as I know, nobody has turned his attention to the utilization of micro-photography on musical and Oriental studies.
I will speak about this on every occasion.
I don't think Japan is in financial embarrassment.
I am sorry I couldn't find out a Japanese history translated from the
original. I promise you to send it, as soon as I will find a good one.
As for the "Ti-San," (
790).
An anthology of Waka { i^o r^"^ ] or Vta [ -sj"/^
i^ ^^>>
) we have some records, but not so detailed. I suppose it may be just in the same degree as mentioned in
Mailla's Chinese History.
The source of Japanese poetry was ( t^ '^ -^ )
^ ^,
) (a form of short poem consisting of 31 letters [syllables]). This is in 20 volumes. Next we have Kokinsyu ( "^ ^ -? ^ ), also an anthology of waka (790-1190). And then we have Sinkokinsyu [ %'^ '^ ^ %: ] (1190-1603). Noh
( fi^L ) plays were in full flourish in this period.
Chinese poetry was carried on through all the ages, sometimes over-
whelming \NQka and sometimes being subdued by VV^aka.
Of course, this is a terribly rough explanation. I will write you again
about this more minutely.
Thank you very much for your Guide to Kulchur, a very pleasant book,
which will make the world march at double-quick for half a century. Faber & Faber wrote me to send back your essay "No, Diplomacy can
not do it" for an advance copy.
But the other day I lend it to an editor of a professional literary maga-
zine, because I wanted to let many more readers besides VOU read it. Then the editor suddenly died, and I have barely taken back your copy. But the first one page has been missing, and they are very sorry that they can
not find it out.
I have retranslated that part from the Japanese one in VOU. Will you
please improve it into your own?
