No More Learning

There is a Book
By seraphs writ with beams of heavenly light,
On which the eyes of God not rarely look,

A chronicle of actions just and bright--
There all thy deeds, my faithful Mary, shine;
And since, thou own'st that praise, I spare thee mine.

W. COWPER.




162. TO MARY.

The twentieth year is well nigh past
Since first our sky was overcast;
Ah would that this might be the last!
My Mary!

Thy spirits have a fainter flow,
I see thee daily weaker grow--
'Twas my distress that brought thee low,
My Mary!

Thy needles, once a shining store,
For my sake restless heretofore,
Now rust disused, and shine no more;
My Mary!

For though thou gladly wouldst fulfil
The same kind office for me still,
Thy sight now seconds not thy will,
My Mary!

But well thou play'dst the housewife's part,
And all thy threads with magic art
Have wound themselves about this heart,
My Mary!

Thy indistinct expressions seem
Like language utter'd in a dream;
Yet me they charm, whate'er the theme,
My Mary!

Thy silver locks, once auburn bright
Are still more lovely in my sight
Than golden beams of orient light,
My Mary!

For could I view nor them nor thee,
What sight worth seeing could I see?
The sun would rise in vain for me,
My Mary!

Partakers of thy sad decline
Thy hands their little force resign;
Yet gently press'd, press gently mine,
My Mary!

Such feebleness of limbs thou prov'st
That now at every step thou mov'st
Upheld by two; yet still thou lov'st,
My Mary!

And still to love, though press'd with ill,
In wintry age to feel no chill,
With me is to be lovely still,
My Mary!

But ah! by constant heed I know
How oft the sadness that I show
Transforms thy smiles to looks of woe,
My Mary!

And should my future lot be cast
With much resemblance of the past
Thy worn-out heart will break at last--
My Mary!

W. COWPER.




163. THE DYING MAN IN HIS GARDEN.

Why, Damon, with the forward day
Dost thou thy little spot survey,
From tree to tree, with doubtful cheer,
Pursue the progress of the year,
What winds arise, what rains descend,
When thou before that year shalt end?

What do thy noontide walks avail,
To clear the leaf, and pick the snail,
Then wantonly to death decree
An insect usefuller than thee?
Thou and the worm are brother-kind,
As low, as earthy, and as blind.

Vain wretch! canst thou expect to see
The downy peach make court to thee?
Or that thy sense shall ever meet
The bean-flower's deep-embosom'd sweet
Exhaling with an evening blast?
Thy evenings then will all be past!

Thy narrow pride, thy fancied green
(For vanity's in little seen),
All must be left when Death appears,
In spite of wishes, groans, and tears;
Nor one of all thy plants that grow
But Rosemary will with thee go.

G. SEWELL.




164. TO-MORROW.

In the downhill of life, when I find I'm declining,
May my lot no less fortunate be
Than a snug elbow-chair can afford for reclining,
And a cot that o'erlooks the wide sea;
With an ambling pad-pony to pace o'er the lawn,
While I carol away idle sorrow,
And blithe as the lark that each day hails the dawn
Look forward with hope for to-morrow.

With a porch at my door, both for shelter and shade too,
As the sunshine or rain may prevail;
And a small spot of ground for the use of the spade too,
With a barn for the use of the flail:
A cow for my dairy, a dog for my game,
And a purse when a friend wants to borrow;
I'll envy no nabob his riches or fame,
Nor what honours await him to-morrow.

From the bleak northern blast may my cot be completely
Secured by a neighbouring hill;
And at night may repose steal upon me more sweetly
By the sound of a murmuring rill:
And while peace and plenty I find at my board,
With a heart free from sickness and sorrow,
With my friends may I share what to-day may afford,
And let them spread the table to-morrow.

And when I at last must throw off this frail covering
Which I've worn for three-score years and ten,
On the brink of the grave I'll not seek to keep hovering,
Nor my thread wish to spin o'er again:
But my face in the glass I'll serenely survey,
And with smiles count each wrinkle and furrow;
As this old worn-out stuff, which is threadbare to-day
May become everlasting to-morrow.

-- COLLINS.




165.

Life! I know not what thou art,
But know that thou and I must part;
And when, or how, or where we met
I own to me's a secret yet.

Life! we've been long together
Through pleasant and through cloudy weather;
'Tis hard to part when friends are dear--
Perhaps 'twill cost a sigh, a tear;
--Then steal away, give little warning,
Choose thine own time;
Say not Good Night,--but in some brighter clime
Bid me Good Morning.

A L. BARBAULD.





FOURTH BOOK.


SUMMARY.


It proves sufficiently the lavish wealth of our own age in Poetry, that
the pieces which, without conscious departure from the standard of
Excellence, render this Book by far the longest, were with very few
exceptions composed during the first thirty years the nineteenth
century. Exhaustive reasons can hardly be given for the strangely sudden
appearance of individual genius: but none, in the Editor's judgment, can
be less adequate than that which assigns the splendid national
achievements of our recent poetry, to an impulse from the frantic
follies and criminal wars that at the time disgraced the least
essentially civilised of our foreign neighbours. The first French
Revolution was rather, in his opinion, one result, and in itself by no
means the most important, of that far wider and greater spirit which
through enquiry and doubt, through pain and triumph, sweeps mankind
round the circles of its gradual development: and it is to this that we
must trace the literature of modern Europe. But, without more detailed
discussion on the motive causes of Scott, Wordsworth, Campbell, Keats,
and Shelley, we may observe that these Poets, with others, carried to
further perfection the later tendencies of the Century preceding, in
simplicity of narrative, reverence for human Passion and Character in
every sphere, and impassioned love of Nature:--that, whilst maintaining
on the whole the advances in art made since the Restoration, they
renewed the half-forgotten melody and depth of tone which marked the
best Elizabethan writers:--that, lastly, to what was thus inherited they
added a richness in language and a variety in metre, a force and fire in
narrative, a tenderness and bloom in feeling, an insight into the finer
passages of the Soul and the inner meanings of the landscape, a larger
and wiser Humanity,--hitherto hardly attained, and perhaps unattainable
even by predecessors of not inferior individual genius. In a word, the
Nation which, after the Greeks in their glory, has been the most gifted
of all nations for Poetry, expressed in these men the highest strength
and prodigality of its nature. They interpreted the age to itself--hence
the many phases of thought and style they present:--to sympathise with
each, fervently and impartially, without fear and without fancifulness,
is no doubtful step in the higher education of the Soul. For, as with
the Affections and the Conscience, Purity in Taste is absolutely
proportionate to Strength:--and when once the mind has raised itself to
grasp and to delight in Excellence, those who love most will be found to
love most wisely.





166. ON FIRST LOOKING INTO CHAPMAN'S HOMER.

Much have I travell'd in the realms of gold
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.

Oft of one wide expanse had I been told
That deep-brow'd Homer ruled as his demesne:
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:

--Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez, when with eagle eyes

He stared at the Pacific--and all his men
Look'd at each other with a wild surmise--
Silent, upon a peak in Darien.

J. KEATS.




167. ODE ON THE POETS.

Bards of Passion and of Mirth
Ye have left your souls on earth!
Have ye souls in heaven too,
Doubled-lived in regions new?
--Yes, and those of heaven commune
With the spheres of sun and moon;
With the noise of fountains wonderous
And the parle of voices thunderous;
With the whisper of heaven's trees
And one another, in soft ease
Seated on Elysian lawns
Browsed by none but Dian's fawns;
Underneath large blue-bells tented,
Where the daisies are rose-scented,
And the rose herself has got
Perfume which on earth is not;
Where the nightingale doth sing
Not a senseless, tranced thing,
But divine melodious truth;
Philosophic numbers smooth;
Tales and golden histories
Of heaven and its mysteries.

Thus ye live on high, and then
On the earth ye live again;
And the souls ye left behind you
Teach us, here, the way to find you
Where your other souls are joying,
Never slumber'd, never cloying.
Here, your earth-born souls still speak
To mortals, of their little week;
Of their sorrows and delights;
Of their passions and their spites;
Of their glory and their shame;
What doth strengthen and what maim:--
Thus ye teach us, every day,
Wisdom, though fled far away.

Bards of Passion and of Mirth
Ye have left your souls on earth!
Ye have souls in heaven too,
Double-lived in regions new!

J. KEATS.




168. LOVE.

All thoughts, all passions, all delights,
Whatever stirs this mortal frame,
All are but ministers of Love,
And feed his sacred flame.

Oft in my waking dreams do I
Live o'er again that happy hour,
When midway on the mount I lay
Beside the ruin'd tower.

The moonshine stealing o'er the scene
Had blended with the lights of eve;
And she was there, my hope, my joy,
My own dear Genevieve!

She lean'd against the armed man,
The statue of the armed knight;
She stood and listen'd to my lay,
Amid the lingering light.

Few sorrows hath she of her own
My hope! my joy! my Genevieve!
She loves me best, whene'er I sing
The songs that make her grieve.

I play'd a soft and doleful air,
I sang an old and moving story--
An old rude song, that suited well
That ruin wild and hoary.

She listen'd with a flitting blush,
With downcast eyes and modest grace;
For well she knew, I could not choose
But gaze upon her face.

I told her of the Knight that wore
Upon his shield a burning brand;
And that for ten long years he woo'd
The Lady of the Land.

I told her how he pined: and ah!
The deep, the low, the pleading tone
With which I sang another's love,
Interpreted my own.

She listen'd with a flitting blush,
With downcast eyes, and modest grace;
And she forgave me, that I gazed
Too fondly on her face.

But when I told the cruel scorn
That crazed that bold and lovely Knight,
And that he cross'd the mountain-woods,
Nor rested day nor night;

That sometimes from the savage den,
And sometimes from the darksome shade,
And sometimes starting up at once
In green and sunny glade.

There came and look'd him in the face
An angel beautiful and bright;
And that he knew it was a Fiend,
This miserable Knight!

And that unknowing what he did,
He leap'd amid a murderous band,
And saved from outrage worse than death
The Lady of the Land;

And how she wept, and clasp'd his knees;
And how she tended him in vain;
And ever strove to expiate
The scorn that crazed his brain;

And that she nursed him in a cave,
And how his madness went away,
When on the yellow forest-leaves
A dying man he lay;

--His dying words--but when I reach'd
That tenderest strain of all the ditty,
My faltering voice and pausing harp
Disturb'd her soul with pity!

All impulses of soul and sense
Had thrill'd my guileless Genevieve;
The music and the doleful tale,
The rich and balmy eve;

And hopes, and fears that kindle hope,
An undistinguishable throng,
And gentle wishes long subdued,
Subdued and cherish'd long!

She wept with pity and delight,
She blush'd with love, and virgin shame;
And like the murmur of a dream,
I heard her breathe my name.

Her bosom heaved--she stepp'd aside,
As conscious of my look she stept--
Then suddenly, with timorous eye
She fled to me and wept.

She half enclosed me with her arms,
She press'd me with a meek embrace;
And bending back her head, look'd up,
And gazed upon my face.

'Twas partly love, and partly fear,
And partly 'twas a bashful art,
That I might rather feel, than see.
The swelling of her heart.

I calm'd her fears, and she was calm,
And told her love with virgin pride;
And so I won my Genevieve,
My bright and beauteous Bride.

S. T. COLERIDGE.




169. ALL FOR LOVE.

O talk not to me of a name great in story;
The days of our youth are the days of our glory;
And the myrtle and ivy of sweet two-and-twenty
Are worth all your laurels, though ever so plenty.

What are garlands and crowns to the brow that is wrinkled?
'Tis but as a dead flower with May-dew besprinkled:
Then away with all such from the head that is hoary--
What care I for the wreaths that can only give glory?

O Fame! --if I e'er took delight in thy praises,
'Twas less for the sake of thy high-sounding phrases,
Than to see the bright eyes of the dear one discover
She thought that I was not unworthy to love her.

There chiefly I sought thee, there only I found thee;
Her glance was the best of the rays that surround thee;
When it sparkled o'er aught that was bright in my story,
I knew it was love, and I felt it was glory.

LORD BYRON.




170. THE OUTLAW.

O Brignall banks are wild and fair,
And Greta woods are green,
And you may gather garlands there
Would grace a summer-queen.
And as I rode by Dalton-Hall
Beneath the turrets high,
A Maiden on the castle-wall
Was singing merrily:
"O, Brignall banks are fresh and fair,
And Greta woods are green;
I'd rather rove with Edmund there
Than reign our English queen. "

"If, Maiden, thou wouldst wend with me,
To leave both tower and town,
Thou first must guess what life lead we
That dwell by dale and down.
And if thou canst that riddle read,
As read full well you may,
Then to the greenwood shalt thou speed
As blithe as Queen of May. "
Yet sung she "Brignall banks are fair,
And Greta woods are green;
I'd rather rove with Edmund there
Than reign our English queen.

"I read you by your bugle-horn
And by your palfrey good,
I read you for a ranger sworn
To keep the King's greenwood. "
"A Ranger, Lady, winds his horn,
And 'tis at peep of light;
His blast is heard at merry morn,
And mine at dead of night. "
Yet sung she, "Brignall banks are fair,
And Greta woods are gay;
I would I were with Edmund there
To reign his Queen of May!

"With burnish'd brand and musketoon
So gallantly you come,
I read you for a bold Dragoon,
That lists the tuck of drum. "
"I list no more the tuck of drum,
No more the trumpet hear;
But when the beetle sounds his hum
My comrades take the spear.
And O! though Brignall banks be fair,
And Greta woods be gay,
Yet mickle must the maiden dare,
Would reign my Queen of May!

"Maiden! a nameless life I lead,
A nameless death I'll die;
The fiend whose lantern lights the mead
Were better mate than I!
And when I'm with my comrades met
Beneath the greenwood bough,
What once we were we all forget,
Nor think what we are now.

_Chorus. _

Yet Brignall banks are fresh and fair,
And Greta woods are green,
And you may gather flowers there
Would grace a summer-queen.

SIR W. SCOTT.




171.

There be none of Beauty's daughters
With a magic like Thee;
And like music on the waters
Is thy sweet voice to me:
When, as if its sound were causing
The charmed ocean's pausing,
The waves lie still and gleaming,
And the lull'd winds seem dreaming
And the midnight moon is weaving
Her bright chain o'er the deep,
Whose breast is gently heaving,
As an infant's asleep:
So the spirit bows before thee
To listen and adore thee;
With a full but soft emotion,
Like the swell of Summer's ocean.

LORD BYRON.




172. LINES TO AN INDIAN AIR.

I arise from dreams of Thee
In the first sweet sleep of night,
When the winds are breathing low
And the stars are shining bright:
I arise from dreams of thee,
And a spirit in my feet
Hath led me--who knows how?
To thy chamber-window, Sweet!

The wandering airs they faint
On the dark, the silent stream--
The champak odours fail
Like sweet thoughts in a dream;
The nightingale's complaint,
It dies upon her heart,
As I must on thine,
Oh, beloved as thou art!

Oh lift me from the grass!
I die! I faint, I fail!
Let thy love in kisses rain
On my lips and eyelids pale.
My cheek is cold and white, alas!
My heart beats loud and fast;
O! press it to thine own again
Where it will break at last.

P. B. SHELLEY.




173.

She walks in beauty, like the night
Of cloudless climes and starry skies,
And all that's best of dark and bright
Meets in her aspect and her eyes,
Thus mellow'd to that tender light
Which heaven to gaudy day denies.

One shade the more, one ray the less,
Had half impair'd the nameless grace
Which waves in every raven tress
Or softly lightens o'er her face,
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.

And on that cheek, and o'er that brow
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow
But tell of days in goodness spent,--
A mind at peace with all below,
A heart whose love is innocent.

LORD BYRON.




174.

She was a phantom of delight
When first she gleam'd upon my sight;
A lovely apparition, sent
To be a moment's ornament;
Her eyes as stars of twilight fair;
Like Twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay.

I saw her upon nearer view,
A spirit, yet a woman too!
Her household motions light and free,
And steps of virgin-liberty;
A countenance in which did meet
Sweet records, promises as sweet;
A creature not too bright or good
For human nature's daily food,
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears, and smiles.

And now I see with eye serene
The very pulse of the machine;
A being breathing thoughtful breath,
A traveller between life and death:
The reason firm, the temperate will,
Endurance, foresight, strength, and skill;
A perfect woman, nobly plann'd,
To warn, to comfort, and command;
And yet a Spirit still, and bright
With something of an angel-light.

W. WORDSWORTH.




175.

She is not fair to outward view
As many maidens be;
Her loveliness I never knew
Until she smiled on me.
O then I saw her eye was bright,
A well of love, a spring of light.

But now her looks are coy and cold,
To mine they ne'er reply,
And yet I cease not to behold
The love-light in her eye:
Her very frowns are fairer far
Than smiles of other maidens are.

H. COLERIDGE.




176.

I fear thy kisses, gentle maiden;
Thou needest not fear mine;
My spirit is too deeply laden
Ever to burthen thine.

I fear thy mien, thy tones, thy motion;
Thou needest not fear mine;
Innocent is the heart's devotion
With which I worship thine.

P. B. SHELLEY.




177. THE LOST LOVE.

She dwelt among the untrodden ways
Beside the springs of Dove;
A maid whom there were none to praise,
And very few to love.

A violet by a mossy stone
Half hidden from the eye!
--Fair as a star, when only one
Is shining in the sky.

She lived unknown, and few could know
When Lucy ceased to be;
But she is in her grave, and O!
The difference to me!

W. WORDSWORTH.




178.

I travell'd among unknown men
In lands beyond the sea;
Nor, England! did I know till then
What love I bore to thee.

'Tis past, that melancholy dream!
Nor will I quit thy shore
A second time, for still I seem
To love thee more and more.

Among thy mountains did I feel
The joy of my desire;
And she I cherish'd turn'd her wheel
Beside an English fire.

Thy mornings showed, thy nights conceal'd,
The bowers where Lucy play'd;
And thine too is the last green field
That Lucy's eyes survey'd.

W. WORDSWORTH.




179. THE EDUCATION OF NATURE.

Three years she grew in sun and shower;
Then Nature said, "A lovelier flower
On earth was never sown;
This child I to myself will take;
She shall be mine, and I will make
A lady of my own.

"Myself will to my darling be
Both law and impulse: and with me
The girl, in rock and plain,
In earth and heaven, in glade and bower
Shall feel an overseeing power
To kindle or restrain.

"She shall be sportive as the fawn
That wild with glee across the lawn
Or up the mountain springs;
And her's shall be the breathing balm,
And her's the silence and the calm
Of mute insensate things.

"The floating clouds their state shall lend
To her; for her the willow bend;
Nor shall she fail to see
E'en in the motions of the storm
Grace that shall mould the maiden's form
By silent sympathy.
"The stars of midnight shall be dear
To her; and she shall lean her ear
In many a secret place
Where rivulets dance their wayward round,
And beauty born of murmuring sound
Shall pass into her face.

"And vital feelings of delight
Shall rear her form to stately height,
Her virgin bosom swell;
Such thoughts to Lucy I will give
While she and I together live
Here in this happy dell. "

Thus Nature spake--The work was done--
How soon my Lucy's race was run!
She died, and left to me
This heath, this calm and quiet scene;
The memory of what has been,
And never more will be.

W. WORDSWORTH.




180.

A slumber did my spirit seal;
I had no human fears:
She seem'd a thing that could not feel
The touch of earthly years.

No motion has she now, no force;
She neither hears nor sees;
Roll'd round in earth's diurnal course
With rocks, and stones, and trees!

W. WORDSWORTH.




181. LORD ULLIN'S DAUGHTER.

A Chieftain to the Highlands bound
Cries "Boatman, do not tarry!
And I'll give thee a silver pound
To row us o'er the ferry! "

"Now who be ye, would cross Lochgyle
This dark and stormy water? "
"O I'm the chief of Ulva's isle,
And this, Lord Ullin's daughter.

"And fast before her father's men
Three days we've fled together,
For should he find us in the glen,
My blood would stain the heather.

"His horsemen hard behind us ride--
Should they our steps discover,
Then who will cheer my bonny bride
When they have slain her lover? "

Out spoke the hardy Highland wight
"I'll go, my chief, I'm ready:
It is not for your silver bright,
But for your winsome lady:--

"And by my word! the bonny bird
In danger not shall tarry;
So though the waves are raging white
I'll row you o'er the ferry. "

By this the storm grew loud apace,
The water-wraith was shrieking;
And in the scowl of heaven each face
Grew dark as they were speaking.

But still as wilder blew the wind
And as the night grew drearer,
Adown the glen rode armed men,
Their trampling sounded nearer.

"O haste thee, haste! " the lady cries,
"Though tempests round us gather;
I'll meet the raging of the skies,
But not an angry father. "

The boat has left a stormy land,
A stormy sea before her,--
When O! too strong for human hand
The tempest gather'd o'er her.

And still they row'd amidst the roar
Of waters fast prevailing:
Lord Ullin reach'd that fatal shore,--
His wrath was changed to wailing.

For, sore dismay'd, through storm and shade
His child he did discover:--
One lovely hand she stretch'd for aid,
And one was round her lover.

"Come back! come back! " he cried in grief,
"Across this stormy water:
And I'll forgive your Highland chief,
My daughter! --O my daughter! "

'Twas vain: the loud waves lash'd the shore,
Return or aid preventing:
The waters wild went o'er his child,
And he was left lamenting.

T. CAMPBELL.




182. JOCK O' HAZELDEAN.

"Why weep ye by the tide, ladie?
Why weep ye by the tide?
I'll wed ye to my youngest son,
And ye sall be his bride:
And ye sall be his bride, ladie,
Sae comely to be seen"--
But aye she loot the tears doon fa'
For Jock o' Hazeldean.

"Now let this wilfu' grief be done,
And dry that cheek so pale;
Young Frank is chief of Errington
And lord of Langley-dale;
His step is first in peaceful ha',
His sword in battle keen"--
But aye she loot the tears down fa'
For Jock o' Hazeldean.

"A chain of gold ye shall not lack,
Nor braid to bind your hair,
Nor mettled hound, nor managed hawk
Nor palfrey fresh and fair;
And you the foremost o' them a'
Shall ride our forest queen"--
But aye she loot the tears down fa'
For Jock o' Hazeldean.

The kirk was deck'd at morning-tide,
The tapers glimmer'd fair;
The priest and bridegroom wait the bride,
And dame and knight are there:
They sought her baith by bower and ha';
The ladie was not seen!
She's o'er the Border, and awa'
Wi' Jock o' Hazeldean.

SIR W. SCOTT.




183. FREEDOM AND LOVE.

How delicious is the winning
Of a kiss at love's beginning,
When two mutual hearts are sighing
For the knot there's no untying!

Yet remember, 'midst your wooing,
Love has bliss, but Love has ruing;
Other smiles may make you fickle,
Tears for other charms may trickle.

Love he comes, and Love he tarries,
Just as fate or fancy carries;
Longest stays, when sorest chidden;
Laughs and flies, when press'd and bidden.

Bind the sea to slumber stilly,
Bind its odour to the lily,
Bind the aspen ne'er to quiver,
Then bind Love to last for ever.

Love's a fire that needs renewal
Of fresh beauty for its fuel:
Love's wing moults when caged and captured,
Only free, he soars enraptured.

Can you keep the bee from ranging
Or the ringdove's neck from changing?
No! nor fetter'd Love from dying
In the knot there's no untying.

T. CAMPBELL.




184. LOVE'S PHILOSOPHY.

The fountains mingle with the river
And the rivers with the ocean,
The winds of heaven mix for ever
With a sweet emotion;
Nothing in the world is single,
All things by a law divine
In one another's being mingle--
Why not I with thine?

See the mountains kiss high heaven
And the waves clasp one another;
No sister-flower would be forgiven
If it disdain'd its brother:
And the sunlight clasps the earth,
And the moonbeams kiss the sea--
What are all these kissings worth,
If thou kiss not me?

P. B. SHELLEY.




185. ECHOES.

How sweet the answer Echo makes
To Music at night
When, roused by lute or horn, she wakes,
And far away o'er lawns and lakes
Goes answering light!

Yet Love hath echoes truer far
And far more sweet
Than e'er, beneath the moonlight's star,
Of horn or lute or soft guitar
The songs repeat.

'Tis when the sigh,--in youth sincere
And only then,
The sigh that's breathed for one to hear--
Is by that one, that only Dear
Breathed back again.

T. MOORE.




186. A SERENADE.

Ah! County Guy, the hour is nigh,
The sun has left the lea,
The orange-flower perfumes the bower,
The breeze is on the sea.
The lark, his lay who trill'd all day,
Sits hush'd his partner nigh;
Breeze, bird, and flower confess the hour,
But where is County Guy?

The village maid steals through the shade
Her shepherd's suit to hear;
To Beauty shy, by lattice high,
Sings high-born Cavalier.
The star of Love, all stars above,
Now reigns o'er earth and sky,
And high and low the influence know--
But where is County Guy?

SIR W. SCOTT.




187. TO THE EVENING STAR.

Gem of the crimson-colour'd Even,
Companion of retiring day,
Why at the closing gates of heaven,
Beloved Star, dost thou delay?

So fair thy pensile beauty burns
When soft the tear of twilight flows;
So due thy plighted love returns
To chambers brighter than the rose;

To Peace, to Pleasure, and to love
So kind a star thou seem'st to be,
Sure some enamour'd orb above
Descends and burns to meet with thee.

Thine is the breathing, blushing hour
When all unheavenly passions fly,
Chased by the soul-subduing power
Of Love's delicious witchery.

O! sacred to the fall of day
Queen of propitious stars, appear,
And early rise, and long delay
When Caroline herself is here!

Shine on her chosen green resort
Whose trees the sunward summit crown,
And wanton flowers, that well may court
An angel's feet to tread them down:--

Shine on her sweetly scented road
Thou star of evening's purple dome,
That lead'st the nightingale abroad,
And guid'st the pilgrim to his home.

Shine where my charmer's sweeter breath
Embalms the soft exhaling dew,
Where dying winds a sigh bequeath
To kiss the cheek of rosy hue:--

Where, winnow'd by the gentle air,
Her silken tresses darkly flow
And fall upon her brow so fair,
Like shadows on the mountain snow.

Thus, ever thus, at day's decline
In converse sweet to wander far--
O bring with thee my Caroline,
And thou shalt be my Ruling Star!

T. CAMPBELL.




188. TO THE NIGHT.

Swiftly walk over the western wave,
Spirit of Night!
Out of the misty eastern cave
Where all the long and lone daylight
Thou wovest dreams of joy and fear
Which make thee terrible and dear,--
Swift be thy flight!

Wrap thy form in a mantle gray,
Star-inwrought!
Blind with thine hair the eyes of day,
Kiss her until she be wearied out,
Then wander o'er city, and sea, and land,
Touching all with thine opiate wand--
Come, long-sought!

When I arose and saw the dawn,
I sigh'd for thee;
When light rode high, and the dew was gone,
And noon lay heavy on flower and tree,
And the weary Day turn'd to his rest,
Lingering like an unloved guest,
I sigh'd for thee.

Thy brother Death came, and cried,
Wouldst thou me?
Thy sweet child Sleep, the filmy-eyed,
Murmur'd like a noon-tide bee
Shall I nestle near thy side?
Wouldst thou me? --And I replied
No, not thee!

Death will come when thou art dead,
Soon, too soon--
Sleep will come when thou art fled;
Of neither would I ask the boon
I ask of thee, beloved Night--
Swift be thine approaching flight,
Come soon, soon!

P. B. SHELLEY.




189. TO A DISTANT FRIEND.

Why art thou silent! Is thy love a plant
Of such weak fibre that the treacherous air
Of absence withers what was once so fair?
Is there no debt to pay, no boon to grant?

Yet have my thoughts for thee been vigilant,
Bound to thy service with unceasing care--
The mind's least generous wish a mendicant
For nought but what thy happiness could spare.

Speak! --though this soft warm heart, once free to hold
A thousand tender pleasures, thine and mine,
Be left more desolate, more dreary cold
Than a forsaken bird's-nest fill'd with snow
'Mid its own bush of leafless eglantine--
Speak, that my torturing doubts their end may know!

W. WORDSWORTH.




190.

When we two parted
In silence and tears,
Half broken-hearted
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this!

The dew of the morning
Sunk chill on my brow;
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame:
I hear thy name spoken,
And share in its shame.

They name thee before me,
A knell to mine ear;
A shudder comes o'er me--
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well:
Long, long shall I rue thee
Too deeply to tell.

In secret we met:
In silence I grieve
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee? --
With silence and tears.

LORD BYRON.




191. HAPPY INSENSIBILITY.

In a drear-nighted December,
Too happy, happy Tree
Thy branches ne'er remember
Their green felicity:
The north cannot undo them
With a sleety whistle through them,
Nor frozen thawings glue them
From budding at the prime.

In a drear-nighted December
Too happy, happy Brook
Thy bubblings ne'er remember
Apollo's summer look;
But with a sweet forgetting
They stay their crystal fretting,
Never, never petting
About the frozen time.

Ah! would 'twere so with many
A gentle girl and boy!
But were there ever any
Writhed not at passed joy?
To know the change and feel it,
When there is none to heal it
Nor numbed sense to steal it--
Was never said in rhyme.

J. KEATS.




192.

Where shall the lover rest
Whom the fates sever
From his true maiden's breast
Parted for ever?
Where, through groves deep and high
Sounds the far billow,
Where early violets die
Under the willow.
Eleu loro
Soft shall be his pillow.

There, through the summer day
Cool streams are laving:
There, while the tempests sway,
Scarce are boughs waving;
There thy rest shalt thou take,
Parted for ever,
Never again to wake
Never, O never!
Eleu loro
Never, O never!

Where shall the traitor rest,
He, the deceiver,
Who would win maiden's breast,
Ruin, and leave her?
In the lost battle,
Borne down by the flying,
Where mingles war's rattle
With groans of the dying;
Eleu loro
There shall he be lying.

Her wing shall the eagle flap
O'er the falsehearted;
His warm blood the wolf shall lap
Ere life be parted:
Shame and dishonour sit
By his grave ever;
Blessing shall hallow it
Never, O never!
Eleu loro
Never, O never!

SIR W. SCOTT.




193. LA BELLE DAME SANS MERCI.

"O what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has wither'd from the lake,
And no birds sing.

"O what can ail thee, knight-at-arms,
So haggard and so woe-begone?
The squirrel's granary is full,
And the harvest's done.

"I see a lily on thy brow
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too. "

"I met a lady in the meads,
Full beautiful--a faery's child,
Her hair was long, her foot was light,
And her eyes were wild.

"I made a garland for her head,
And bracelets too, and fragrant zone;
She look'd at me as she did love,
And made sweet moan.

"I set her on my pacing steed
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery's song.

"She found me roots of relish sweet,
And honey wild and manna-dew,
And sure in language strange she said,
'I love thee true. '

"She took me to her elfin grot,
And there she wept, and sigh'd full sore,
And there I shut her wild wild eyes
With kisses four.

"And there she lulled me asleep,
And there I dream'd--Ah! woe betide!
The latest dream I ever dream'd
On the cold hill's side.

"I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried--'La belle Dame sans Merci
Hath thee in thrall! '

"I saw their starved lips in the gloam
With horrid warning gaped wide,
And I awoke and found me here,
On the cold hill's side.

"And this is why I sojourn here
Alone and palely loitering,
Though the sedge is wither'd from the lake,
And no birds sing. "

J. KEATS.




194. THE ROVER.

"A weary lot is thine, fair maid,
A weary lot is thine!
To pull the thorn thy brow to braid,
And press the rue for wine.
A lightsome eye, a soldier's mien,
A feather of the blue,
A doublet of the Lincoln green--
No more of me you knew,
My Love!
No more of me you knew.

"The morn is merry June, I trow,
The rose is budding fain;
But she shall bloom in winter snow
Ere we two meet again. "
He turn'd his charger as he spake
Upon the river shore,
He gave the bridle-reins a shake,
Said "Adieu for evermore,
My Love!
And adieu for evermore. "

SIR W. SCOTT.




195. THE FLIGHT OF LOVE.

When the lamp is shatter'd,
The light in the dust lies dead--
When the cloud is scatter'd,
The rainbow's glory is shed.
When the lute is broken,
Sweet tones are remember'd not;
When the lips have spoken,
Loved accents are soon forgot.

As music and splendour
Survive not the lamp and the lute,
The heart's echoes render
No song when the spirit is mute--
No song but sad dirges,
Like the wind through a ruin'd cell,
Or the mournful surges
That ring the dead seaman's knell.

When hearts have once mingled,
Love first leaves the well-built nest;
The weak one is singled
To endure what it once possest.
O Love! who bewailest
The frailty of all things here,
Why choose you the frailest
For your cradle, your home, and your bier?

Its passions will rock thee
As the storms rock the ravens on high;
Bright reason will mock thee
Like the sun from a wintry sky.
From thy nest every rafter
Will rot, and thine eagle home
Leave thee naked to laughter,
When leaves fall and cold winds come.

P. B. SHELLEY.




196. THE MAID OF NEIDPATH.

O lovers' eyes are sharp to see,
And lovers' ears in hearing;
And love, in life's extremity
Can lend an hour of cheering.
Disease had been in Mary's bower
And slow decay from mourning,
Though now she sits on Neidpath's tower
To watch her Love's returning.

All sunk and dim her eyes so bright,
Her form decay'd by pining,
Till through her wasted hand, at night,
You saw the taper shining.
By fits a sultry hectic hue
Across her cheek was flying;
By fits so ashy pale she grew
Her maidens thought her dying.