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The Project Gutenberg EBook of The Early Poems of Alfred Lord Tennyson, by
Alfred Lord Tennyson

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org


Title: The Early Poems of Alfred Lord Tennyson

Author: Alfred Lord Tennyson

Posting Date: October 24, 2012 [EBook #8601]
Release Date: August, 2005
First Posted: July 27, 2003

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK EARLY POEMS OF ALFRED LORD TENNYSON ***




Produced by Jonathan Ingram, Clytie Siddall, Charles Franks,
and the Online Distributed Proofreading Team










THE EARLY POEMS

OF

ALFRED LORD TENNYSON



EDITED WITH A CRITICAL INTRODUCTION. COMMENTARIES AND NOTES,

TOGETHER WITH THE VARIOUS READINGS,

A TRANSCRIPT OF THE POEMS TEMPORARILY AND FINALLY SUPPRESSED

AND A BIBLIOGRAPHY



BY

JOHN CHURTON COLLINS




PREFACE

A Critical edition of Tennyson's poems has long been an acknowledged
want. He has taken his place among the English Classics, and as a
Classic he is, and will be, studied, seriously and minutely, by many
thousands of his countrymen, both in the present generation as well as
in future ages. As in the works of his more illustrious brethren, so in
his trifles will become subjects of curious interest, and assume an
importance of which we have no conception now. Here he will engage the
attention of the antiquary, there of the social historian. Long after
his politics, his ethics, his theology have ceased to be immediately
influential, they will be of immense historical significance. A
consummate artist and a consummate master of our language, the process
by which he achieved results so memorable can never fail to be of
interest, and of absorbing interest, to critical students.

I must, I fear, claim the indulgence due to one who attempts, for the
first time, a critical edition of a text so perplexingly voluminous in
variants as Tennyson's. I can only say that I have spared neither time
nor labour to be accurate and exhaustive. I have myself collated, or
have had collated for me, every edition recorded in the British Museum
Catalogue, and where that has been deficient I have had recourse to
other public libraries, and to the libraries of private friends. I am
not conscious that I have left any variant unrecorded, but I should not
like to assert that this is the case. Tennyson was so restlessly
indefatigable in his corrections that there may lurk, in editions of the
poems which I have not seen, other variants; and it is also possible
that, in spite of my vigilance, some may have escaped me even in the
editions which have been collated, and some may have been made at a date
earlier than the date recorded. But I trust this has not been the case.

Of the Bibliography I can say no more than that I have done my utmost to
make it complete, and that it is very much fuller than any which has
hitherto appeared. That it is exhaustive I dare not promise.

With regard to the Notes and Commentaries, I have spared no pains to
explain everything which seemed to need explanation. There are, I think,
only two points which I have not been able to clear up, namely, the name
of the friend to whom the 'Palace of Art' was addressed, and the name
of the friend to whom the 'Verses after Reading a Life and Letters'
were addressed. I have consulted every one who would be likely to throw
light on the subject, including the poet's surviving sister, many of his
friends, and the present Lord Tennyson, but without success; so the
names, if they were not those of some imaginary person, appear to be
irrecoverable. The Prize Poem, 'Timbuctoo', as well as the poems which
were temporarily or finally suppressed in the volumes published in 1830
and 1832 have been printed in the Appendix: those which were
subsequently incorporated in his Works, in large type; those which he
never reprinted, in small.

The text here adopted is that of 1857, but Messrs. Macmillan, to whom I
beg to express my hearty thanks, have most generously allowed me to
record all the variants which are still protected by copyright. I have
to thank them, too, for assistance in the Bibliography. I have also to
thank Mr. J. T. Wise for his kindness in lending me the privately
printed volume containing the 'Morte d'Arthur, Dora,' etc.





INTRODUCTION

I

The development of Tennyson's genius, methods, aims and capacity of
achievement in poetry can be studied with singular precision and fulness
in the history of the poems included in the present volume. In 1842 he
published the two volumes which gave him, by almost general consent, the
first place among the poets of his time, for, though Wordsworth was
alive, Wordsworth's best work had long been done. These two volumes
contained poems which had appeared before, some in 1830 and some in
1832, and some which were then given to the world for the first time, so
that they represent work belonging to three eras in the poet's life,
poems written before he had completed his twenty-second year and
belonging for the most part to his boyhood, poems written in his early
manhood, and poems written between his thirty-first and thirty-fourth
year.

The poems published in 1830 had the following title-page:

"Poems, Chiefly Lyrical, by Alfred Tennyson.
London: Effingham Wilson, Royal Exchange, 1830".

They are fifty-six in number and the titles are:--


Claribel. ?
Lilian. ?
Isabel. ?
Elegiacs. +
The "How" and the "Why".
Mariana. ?
To----. Madeline.
The Merman.
The Mermaid. ?
Supposed Confessions of a second-rate sensitive mind not in unity with
itself. +
The Burial of Love.
To--(Sainted Juliet dearest name. )
Song. The Owl. ?
Second Song. To the same. ?
Recollections of the Arabian Nights. ?
Ode to Memory. ?
Song. (I'the the glooming light. )
Song. (A spirit haunts. ) ?
Adeline. ?
A Character. ?
Song. (The lint-white and the throstle cock. )
Song. (Every day hath its night. )
The Poet. ?
The Poet's Mind. ?
Nothing will die. +
All things will die. +
Hero to Leander.
The Mystic.
The Dying Swan. ?
A Dirge. ?
The Grasshopper.
Love, Pride and Forgetfulness.
Chorus (in an unpublished drama written very early).
Lost Hope.
The Deserted House. +@
The Tears of Heaven.
Love and Sorrow.
To a Lady Sleeping.
Sonnet. (Could I outwear my present state of woe. )
Sonnet. (Though Night hath climbed her peak of highest noon. )
Sonnet. (Shall the hag Evil die with child of Good. )
Sonnet. (The pallid thunderstricken sigh for gain. )
Love.
Love and Death. ?
The Kraken. +
The Ballad of Oriana. ?
Circumstance. ?
English War Song.
National Song.
The Sleeping Beauty. ?
Dualisms.
We are Free.
The Sea-Fairies. +@
Sonnet
to J. M. K. ?
[Greek (transliterated): oi rheontes] ?


? Of these the poems marked ? appeared in the edition of 1842, and
were not much altered.

+ Those marked + were, in addition to the italicised poems, afterwards
included among the 'Juvenilia' in the collected works (1871-1872),
though excluded from all preceding editions of the poems.

+@ Those marked @+ were restored in editions previous to the first
collected editions of the works.




In December, 1832, appeared a second volume (it is dated on the
title-page, 1833):

"Poems by Alfred Tennyson. London: Moxon, MDCCCXXXIII. "

This contains thirty poems:--


Sonnet. (Mine be the strength of spirit fierce and free. ) #
To--. (All good things have not kept aloof. ) #
Buonaparte. #
Sonnet I. (O Beauty passing beauty, sweetest Sweet. )
Sonnet II. (But were I loved, as I desire to be. ) #
The Lady of Shalott. ? +
Mariana in the South. ? +
Eleanore. ?
The Miller's Daughter. ? +
[Greek: phainetai moi kaenos isos theoisin hemmen anaer] ?
? none. ? +
The Sisters. ?
To--. (With the Palace of Art. )
The Palace of Art ? +
The May Queen. ?
New Year's Eve. ?
The Hesperides.
The Lotos Eaters. ?
Rosalind. #
A Dream of Fair Women ? +
Song. (Who can say. )
Margaret. ?
Kate.
Sonnet. Written on hearing of the outbreak of the Polish Insurrection.
Sonnet. On the result of the late Russian invasion of Poland. #
Sonnet. (As when with downcast eyes we muse and brood. ) #
O Darling Room.
To Christopher North.
The Death of the Old Year. ?
To J. S. ?


? Of these the poems marked ? were included in the edition of 1842;

+ those marked + being greatly altered and in some cases almost
rewritten,

@ those marked @ being practically unaltered.

# To those reprinted in the collected works # is added.






In 1842 appeared the two volumes which contained, in addition to the
selections made from the two former volumes, several new poems:--

"Poems by Alfred Tennyson. In two volumes. London: Edward Moxon,
MDCCCXLII. "

The first volume is divided into two parts:

(1) Selections from the poems published in 1830, 'Claribel' to the
'Sonnet to J. M. K. ' inclusive.

(2) Selections from the poems of 1832, 'The Lady of Shalott' to 'The
Goose' inclusive.

The second volume contains poems then, with two exceptions, first
published.


INTRODUCTION

The Epic.
Morte d'Arthur.
The Gardener's Daughter.
Dora.
Audley Court.