No More Learning

that e'er my muse has reason
To wyte her countrymen wi' treason!
But monie daily weet their weason
Wi' liquors nice,
An' hardly, in a winter's season,
E'er spier her price.

Wae worth that brandy, burning trash!
Fell source o' monie a pain an' brash!
Twins monie a poor, doylt, druken hash,
O' half his days;
An' sends, beside, auld Scotland's cash
To her warst faes.

Ye Scots, wha wish auld Scotland well,
Ye chief, to you my tale I tell,
Poor plackless devils like mysel',
It sets you ill,
Wi' bitter, dearthfu' wines to mell,
Or foreign gill.

May gravels round his blather wrench,
An' gouts torment him inch by inch,
Wha twists his gruntle wi' a glunch
O' sour disdain,
Out owre a glass o' whiskey punch
Wi' honest men;

O whiskey! soul o' plays an' pranks!
Accept a Bardie's gratefu' thanks!
When wanting thee, what tuneless cranks
Are my poor verses!
Thou comes--they rattle i' their ranks
At ither's a----s!

Thee, Ferintosh! O sadly lost!
Scotland lament frae coast to coast!
Now colic grips, an' barkin' hoast,
May kill us a';
For loyal Forbes' charter'd boast,
Is ta'en awa.

Thae curst horse-leeches o' th' Excise,
Wha mak the whiskey stells their prize!
Haud up thy han', Deil! ance, twice, thrice!
There, seize the blinkers!
An' bake them up in brunstane pies
For poor d--n'd drinkers.

Fortune! if thou'll but gie me still
Hale breeks, a scone, an' whiskey gill,
An' rowth o' rhyme to rave at will,
Tak' a' the rest,
An' deal't about as thy blind skill
Directs thee best.

* * * * *




XXXVIII.

THE AUTHOR'S

EARNEST CRY AND PRAYER

TO THE

SCOTCH REPRESENTATIVES

IN THE

HOUSE OF COMMONS.

'Dearest of distillation! last and best! ----
------How art thou lost! --------'

PARODY ON MILTON

["This Poem was written," says Burns, "before the act anent the
Scottish distilleries, of session 1786, for which Scotland and the
author return their most grateful thanks. " Before the passing of this
lenient act, so sharp was the law in the North, that some distillers
relinquished their trade; the price of barley was affected, and
Scotland, already exasperated at the refusal of a militia, for which
she was a petitioner, began to handle her claymore, and was perhaps
only hindered from drawing it by the act mentioned by the poet. In an
early copy of the poem, he thus alludes to Colonel Hugh Montgomery,
afterwards Earl of Eglinton:--

"Thee, sodger Hugh, my watchman stented,
If bardies e'er are represented,
I ken if that yere sword were wanted
Ye'd lend yere hand;
But when there's aught to say anent it
Yere at a stand. "

The poet was not sure that Montgomery would think the compliment to
his ready hand an excuse in full for the allusion to his unready
tongue, and omitted the stanza. ]


Ye Irish lords, ye knights an' squires,
Wha represent our brughs an' shires,
An' doucely manage our affairs
In Parliament,
To you a simple Bardie's prayers
Are humbly sent.

Alas! my roupet Muse is hearse!
Your honours' hearts wi' grief 'twad pierce,
To see her sittin' on her a--e
Low i' the dust,
An' scriechin' out prosaic verse,
An' like to brust!

Tell them wha hae the chief direction,
Scotland an' me's in great affliction,
E'er sin' they laid that curst restriction
On aqua-vitae;
An' rouse them up to strong conviction,
An' move their pity.

Stand forth, an' tell yon Premier youth,
The honest, open, naked truth:
Tell him o' mine an' Scotland's drouth,
His servants humble:
The muckie devil blaw ye south,
If ye dissemble!

Does ony great man glunch an' gloom?
Speak out, an' never fash your thumb!
Let posts an' pensions sink or soom
Wi' them wha grant 'em:
If honestly they canna come,
Far better want 'em.

In gath'rin votes you were na slack;
Now stand as tightly by your tack;
Ne'er claw your lug, an' fidge your back,
An' hum an' haw;
But raise your arm, an' tell your crack
Before them a'.

Paint Scotland greetin' owre her thrizzle,
Her mutchkin stoup as toom's a whissle:
An' damn'd excisemen in a bussle,
Seizin' a stell,
Triumphant crushin't like a mussel
Or lampit shell.

Then on the tither hand present her,
A blackguard smuggler, right behint her,
An' cheek-for-chow, a chuffie vintner,
Colleaguing join,
Picking her pouch as bare as winter
Of a' kind coin.

Is there, that bears the name o' Scot,
But feels his heart's bluid rising hot,
To see his poor auld mither's pot
Thus dung in staves,
An' plunder'd o' her hindmost groat
By gallows knaves?

Alas! I'm but a nameless wight,
Trode i' the mire out o' sight!
But could I like Montgomeries fight,
Or gab like Boswell,
There's some sark-necks I wad draw tight,
An' tie some hose well.

God bless your honours, can ye see't,
The kind, auld, canty carlin greet,
An' no get warmly on your feet,
An' gar them hear it!
An' tell them with a patriot heat,
Ye winna bear it?

Some o' you nicely ken the laws,
To round the period an' pause,
An' wi' rhetorie clause on clause
To mak harangues:
Then echo thro' Saint Stephen's wa's
Auld Scotland's wrangs.

Dempster, a true blue Scot I'se warran';
Thee, aith-detesting, chaste Kilkerran;[46]
An' that glib-gabbet Highland baron,
The Laird o' Graham;[47]
An' ane, a chap that's damn'd auldfarren,
Dundas his name.

Erskine, a spunkie Norland billie;
True Campbells, Frederick an' Hay;
An' Livingstone, the bauld Sir Willie:
An' monie ithers,
Whom auld Demosthenes or Tully
Might own for brithers.

Arouse, my boys! exert your mettle,
To get auld Scotland back her kettle:
Or faith! I'll wad my new pleugh-pettle,
Ye'll see't or lang,
She'll teach you, wi' a reekin' whittle,
Anither sang.

This while she's been in crankous mood,
Her lost militia fir'd her bluid;
(Deil na they never mair do guid,
Play'd her that pliskie! )
An' now she's like to rin red-wud
About her whiskey.

An' L--d, if once they pit her till't,
Her tartan petticoat she'll kilt,
An' durk an' pistol at her belt,
She'll tak the streets,
An' rin her whittle to the hilt,
I' th' first she meets!

For God sake, sirs, then speak her fair,
An' straik her cannie wi' the hair,
An' to the muckle house repair,
Wi' instant speed,
An' strive, wi' a' your wit and lear,
To get remead.

Yon ill-tongu'd tinkler, Charlie Fox,
May taunt you wi' his jeers an' mocks;
But gie him't het, my hearty cocks!
E'en cowe the cadie!
An' send him to his dicing box,
An' sportin' lady.

Tell yon guid bluid o' auld Boconnock's
I'll be his debt twa mashlum bonnocks,
An' drink his health in auld Nanse Tinnock's[48]
Nine times a-week,
If he some scheme, like tea an' winnocks,
Wad kindly seek.

Could he some commutation broach,
I'll pledge my aith in guid braid Scotch,
He need na fear their foul reproach
Nor erudition,
Yon mixtie-maxtie queer hotch-potch,
The Coalition.

Auld Scotland has a raucle tongue;
She's just a devil wi' a rung;
An' if she promise auld or young
To tak their part,
Tho' by the neck she should be strung,
She'll no desert.

An' now, ye chosen Five-and-Forty,
May still your mither's heart support ye,
Then, though a minister grow dorty,
An' kick your place,
Ye'll snap your fingers, poor an' hearty,
Before his face.

God bless your honours a' your days,
Wi' sowps o' kail and brats o' claise,
In spite o' a' the thievish kaes,
That haunt St. Jamie's:
Your humble Poet signs an' prays
While Rab his name is.

POSTSCRIPT.

Let half-starv'd slaves in warmer skies
See future wines, rich clust'ring, rise;
Their lot auld Scotland ne'er envies,
But blythe and frisky,
She eyes her freeborn, martial boys,
Tak aff their whiskey.

What tho' their Phoebus kinder warms,
While fragrance blooms and beauty charms!
When wretches range, in famish'd swarms,
The scented groves,
Or hounded forth, dishonour arms
In hungry droves.

Their gun's a burden on their shouther;
They downa bide the stink o' powther;
Their bauldest thought's a' hank'ring swither
To stan' or rin,
Till skelp--a shot--they're aff, a' throther
To save their skin.

But bring a Scotsman frae his hill,
Clap in his check a Highland gill,
Say, such is royal George's will,
An' there's the foe,
He has nae thought but how to kill
Twa at a blow.

Nae could faint-hearted doubtings tease him;
Death comes, wi' fearless eye he sees him;
Wi' bluidy han' a welcome gies him;
An' when he fa's,
His latest draught o' breathin' lea'es him
In faint huzzas!

Sages their solemn een may steek,
An' raise a philosophic reek,
An' physically causes seek,
In clime an' season;
But tell me whiskey's name in Greek,
I'll tell the reason.

Scotland, my auld, respected mither!
Tho' whiles ye moistify your leather,
Till whare ye sit, on craps o' heather
Ye tine your dam;
Freedom and whiskey gang thegither! --
Tak aff your dram!

FOOTNOTES:

[Footnote 46: Sir Adam Ferguson. ]

[Footnote 47: The Duke of Montrose. ]

[Footnote 48: A worthy old hostess of the author's in Mauchline, where
he sometimes studies politics over a glass of guid auld Scotch drink. ]

* * * * *




XXXIX.

ADDRESS TO THE UNCO GUID,

OR THE

RIGIDLY RIGHTEOUS.

"My son, these maxims make a rule,
And lump them ay thegither;
The Rigid Righteous is a fool,
The Rigid Wise anither:
The cleanest corn that e'er was dight
May hae some pyles o' caff in;
So ne'er a fellow-creature slight
For random fits o' daffin. "

SOLOMON. --Eccles. ch. vii. ver. 16.

["Burns," says Hogg, in a note on this Poem, "has written more from
his own heart and his own feelings than any other poet. External
nature had few charms for him; the sublime shades and hues of heaven
and earth never excited his enthusiasm: but with the secret fountains
of passion in the human soul he was well acquainted. " Burns, indeed,
was not what is called a descriptive poet: yet with what exquisite
snatches of description are some of his poems adorned, and in what
fragrant and romantic scenes he enshrines the heroes and heroines of
many of his finest songs! Who the high, exalted, virtuous dames were,
to whom the Poem refers, we are not told. How much men stand indebted
to want of opportunity to sin, and how much of their good name they
owe to the ignorance of the world, were inquiries in which the poet
found pleasure. ]


I.

O ye wha are sae guid yoursel',
Sae pious and sae holy,
Ye've nought to do but mark and tell
Your neibor's fauts and folly!
Whase life is like a weel-gaun mill,
Supply'd wi' store o' water,
The heaped happer's ebbing still,
And still the clap plays clatter.

II.

Hear me, ye venerable core,
As counsel for poor mortals,
That frequent pass douce Wisdom's door
For glaikit Folly's portals;
I, for their thoughtless, careless sakes,
Would here propone defences,
Their donsie tricks, their black mistakes,
Their failings and mischances.

III.

Ye see your state wi' theirs compar'd,
And shudder at the niffer,
But cast a moment's fair regard,
What maks the mighty differ?
Discount what scant occasion gave,
That purity ye pride in,
And (what's aft mair than a' the lave)
Your better art o' hiding.

IV.

Think, when your castigated pulse
Gies now and then a wallop,
What ragings must his veins convulse,
That still eternal gallop:
Wi' wind and tide fair i' your tail,
Right on ye scud your sea-way;
But in the teeth o' baith to sail,
It makes an unco lee-way.

V.

See social life and glee sit down,
All joyous and unthinking,
'Till, quite transmugrify'd, they're grown
Debauchery and drinking;
O would they stay to calculate
Th' eternal consequences;
Or your more dreaded hell to state,
D--mnation of expenses!

VI.

Ye high, exalted, virtuous dames,
Ty'd up in godly laces,
Before ye gie poor frailty names,
Suppose a change o' cases;
A dear lov'd lad, convenience snug,
A treacherous inclination--
But, let me whisper, i' your lug,
Ye're aiblins nae temptation.

VII.

Then gently scan your brother man,
Still gentler sister woman;
Though they may gang a kennin' wrang,
To step aside is human:
One point must still be greatly dark,
The moving why they do it:
And just as lamely can ye mark,
How far perhaps they rue it.

VIII.

Who made the heart, 'tis He alone
Decidedly can try us,
He knows each chord--its various tone,
Each spring--its various bias:
Then at the balance let's be mute,
We never can adjust it;
What's done we partly may compute,
But know not what's resisted.

* * * * *




XL.

TAM SAMSON'S ELEGY. [49]

"An honest man's the noblest work of God. "

POPE.

[Tam Samson was a west country seedsman and sportsman, who loved a
good song, a social glass, and relished a shot so well that he
expressed a wish to die and be buried in the moors. On this hint Burns
wrote the Elegy: when Tam heard o' this he waited on the poet, caused
him to recite it, and expressed displeasure at being numbered with the
dead: the author, whose wit was as ready as his rhymes, added the Per
Contra in a moment, much to the delight of his friend. At his death
the four lines of Epitaph were cut on his gravestone. "This poem has
always," says Hogg, "been a great country favourite: it abounds with
happy expressions.

'In vain the burns cam' down like waters,
An acre braid. '

What a picture of a flooded burn! any other poet would have given us a
long description: Burns dashes it down at once in a style so graphic
no one can mistake it.

'Perhaps upon his mouldering breast
Some spitefu' moorfowl bigs her nest. '

Match that sentence who can. "]


Has auld Kilmarnock seen the deil?
Or great M'Kinlay[50] thrawn his heel?
Or Robinson[51] again grown weel,
To preach an' read?
"Na, waur than a'! " cries ilka chiel,
Tam Samson's dead!

Kilmarnock lang may grunt an' grane,
An' sigh, an' sob, an' greet her lane,
An' cleed her bairns, man, wife, an wean,
In mourning weed;
To death, she's dearly paid the kane,
Tam Samson's dead!

The brethren o' the mystic level
May hing their head in woefu' bevel,
While by their nose the tears will revel,
Like ony bead;
Death's gien the lodge an unco devel,
Tam Samson's dead!

When Winter muffles up his cloak,
And binds the mire like a rock;
When to the lochs the curlers flock,
Wi' gleesome speed,
Wha will they station at the cock?
Tam Samson's dead!

He was the king o' a' the core,
To guard or draw, or wick a bore,
Or up the rink like Jehu roar
In time o' need;
But now he lags on death's hog-score,
Tam Samson's dead!

Now safe the stately sawmont sail,
And trouts be-dropp'd wi' crimson hail,
And eels weel ken'd for souple tail,
And geds for greed,
Since dark in death's fish-creel we wail
Tam Samson dead.

Rejoice, ye birring patricks a';
Ye cootie moor-cocks, crousely craw;
Ye maukins, cock your fud fu' braw,
Withouten dread;
Your mortal fae is now awa'--
Tam Samson's dead!

That woefu' morn be ever mourn'd
Saw him in shootin' graith adorn'd,
While pointers round impatient burn'd,
Frae couples freed;
But, Och! he gaed and ne'er return'd!
Tam Samson's dead!

In vain auld age his body batters;
In vain the gout his ancles fetters;
In vain the burns cam' down like waters,
An acre braid!
Now ev'ry auld wife, greetin', clatters,
Tam Samson's dead!

Owre many a weary hag he limpit,
An' ay the tither shot he thumpit,
Till coward death behind him jumpit,
Wi' deadly feide;
Now he proclaims, wi' tout o' trumpet,
Tam Samson's dead!

When at his heart he felt the dagger,
He reel'd his wonted bottle swagger,
But yet he drew the mortal trigger
Wi' weel-aim'd heed;
"L--d, five! " he cry'd, an' owre did stagger;
Tam Samson's dead!

Ilk hoary hunter mourn'd a brither;
Ilk sportsman youth bemoan'd a father;
Yon auld grey stane, amang the heather,
Marks out his head,
Whare Burns has wrote in rhyming blether
Tam Samson's dead!

There low he lies, in lasting rest;
Perhaps upon his mould'ring breast
Some spitefu' muirfowl bigs her nest,
To hatch an' breed;
Alas! nae mair he'll them molest!
Tam Samson's dead!

When August winds the heather wave,
And sportsmen wander by yon grave,
Three volleys let his mem'ry crave
O' pouther an' lead,
'Till echo answer frae her cave
Tam Samson's dead!

Heav'n rest his soul, whare'er he be!
Is th' wish o' mony mae than me;
He had twa fauts, or may be three,
Yet what remead?
Ae social, honest man want we:
Tam Samson's dead!

* * * * *

EPITAPH.

Tam Samson's weel-worn clay here lies,
Ye canting zealots spare him!
If honest worth in heaven rise,
Ye'll mend or ye win near him.

* * * * *

PER CONTRA.

Go, Fame, an' canter like a filly
Thro' a' the streets an' neuks o' Killie,
Tell ev'ry social honest billie
To cease his grievin',
For yet, unskaith'd by death's gleg gullie,
Tam Samson's livin'.

FOOTNOTES:

[Footnote 49: When this worthy old sportsman went out last muirfowl
season, he supposed it was to be, in Ossian's phrase, "the last of his
fields. "]

[Footnote 50: A preacher, a great favourite with the million. _Vide_
the Ordination, stanza II]

[Footnote 51: Another preacher, an equal favourite with the few, who
was at that time ailing. For him see also the Ordination, stanza IX. ]

* * * * *




XLI.

LAMENT,

OCCASIONED BY THE UNFORTUNATE ISSUE

OF A

FRIEND'S AMOUR.

"Alas! how oft does goodness wound itself!
And sweet affection prove the spring of woe. "

HOME.

[The hero and heroine of this little mournful poem, were Robert Burns
and Jean Armour. "This was a most melancholy affair," says the poet in
his letter to Moore, "which I cannot yet bear to reflect on, and had
very nearly given me one or two of the principal qualifications for a
place among those who have lost the chart and mistaken the reckoning
of rationality. " Hogg and Motherwell, with an ignorance which is
easier to laugh at than account for, say this Poem was "written on the
occasion of Alexander Cunningham's darling sweetheart alighting him
and marrying another:--she acted a wise part. " With what care they had
read the great poet whom they jointly edited in is needless to say:
and how they could read the last two lines of the third verse and
commend the lady's wisdom for slighting her lover, seems a problem
which defies definition. This mistake was pointed out by a friend, and
corrected in a second issue of the volume. ]


I.

O thou pale orb, that silent shines,
While care-untroubled mortals sleep!
Thou seest a wretch who inly pines,
And wanders here to wail and weep!
With woe I nightly vigils keep,
Beneath thy wan, unwarming beam,
And mourn, in lamentation deep,
How life and love are all a dream.

II.

A joyless view thy rays adorn
The faintly marked distant hill:
I joyless view thy trembling horn,
Reflected in the gurgling rill:
My fondly-fluttering heart, be still:
Thou busy pow'r, Remembrance, cease!
Ah! must the agonizing thrill
For ever bar returning peace!

III.

No idly-feign'd poetic pains,
My sad, love-lorn lamentings claim;
No shepherd's pipe--Arcadian strains;
No fabled tortures, quaint and tame:
The plighted faith; the mutual flame;
The oft-attested Pow'rs above;
The promis'd father's tender name;
These were the pledges of my love!

IV.

Encircled in her clasping arms,
How have the raptur'd moments flown!
How have I wish'd for fortune's charms,
For her dear sake, and hers alone!
And must I think it! --is she gone,
My secret heart's exulting boast?
And does she heedless hear my groan?
And is she ever, ever lost?

V.

Oh! can she bear so base a heart,
So lost to honour, lost to truth,
As from the fondest lover part,
The plighted husband of her youth!
Alas! life's path may be unsmooth!
Her way may lie thro' rough distress!
Then, who her pangs and pains will soothe,
Her sorrows share, and make them less?

VI.
Ye winged hours that o'er us past,
Enraptur'd more, the more enjoy'd,
Your dear remembrance in my breast,
My fondly-treasur'd thoughts employ'd,
That breast, how dreary now, and void,
For her too scanty once of room!
Ev'n ev'ry ray of hope destroy'd,
And not a wish to gild the gloom!

VII.

The morn that warns th' approaching day,
Awakes me up to toil and woe:
I see the hours in long array,
That I must suffer, lingering slow.
Full many a pang, and many a throe,
Keen recollection's direful train,
Must wring my soul, ere Phoebus, low,
Shall kiss the distant, western main.

VIII.

And when my nightly couch I try,
Sore-harass'd out with care and grief,
My toil-beat nerves, and tear-worn eye,
Keep watchings with the nightly thief:
Or if I slumber, fancy, chief,
Reigns haggard-wild, in sore affright:
Ev'n day, all-bitter, brings relief,
From such a horror-breathing night.

IX.

O! thou bright queen, who o'er th' expanse
Now highest reign'st, with boundless sway!
Oft has thy silent-marking glance
Observ'd us, fondly-wand'ring, stray!
The time, unheeded, sped away,
While love's luxurious pulse beat high,
Beneath thy silver-gleaming ray,
To mark the mutual kindling eye.

X.

Oh! scenes in strong remembrance set!
Scenes never, never to return!
Scenes, if in stupor I forget,
Again I feel, again I burn!
From ev'ry joy and pleasure torn,
Life's weary vale I'll wander thro';
And hopeless, comfortless, I'll mourn
A faithless woman's broken vow.

* * * * *




XLII.

DESPONDENCY.

AN ODE.

["I think," said Burns, "it is one of the greatest pleasures attending
a poetic genius, that we can give our woes, cares, joys, and loves an
embodied form in verse, which to me is ever immediate ease. " He
elsewhere says, "My passions raged like so many devils till they got
vent in rhyme. " That eminent painter, Fuseli, on seeing his wife in a
passion, said composedly, "Swear my love, swear heartily: you know not
how much it will ease you! " This poem was printed in the Kilmarnock
edition, and gives a true picture of those bitter moments experienced
by the bard, when love and fortune alike deceived him. ]


I.

Oppress'd with grief, oppress'd with care,
A burden more than I can bear,
I set me down and sigh:
O life! thou art a galling load,
Along a rough, a weary road,
To wretches such as I!
Dim-backward as I cast my view,
What sick'ning scenes appear!
What sorrows yet may pierce me thro'
Too justly I may fear!
Still caring, despairing,
Must be my bitter doom;
My woes here shall close ne'er
But with the closing tomb!

II.

Happy, ye sons of busy life,
Who, equal to the bustling strife,
No other view regard!
Ev'n when the wished end's deny'd,
Yet while the busy means are ply'd,
They bring their own reward:
Whilst I, a hope-abandon'd wight,
Unfitted with an aim,
Meet ev'ry sad returning night
And joyless morn the same;
You, bustling, and justling,
Forget each grief and pain;
I, listless, yet restless,
Find every prospect vain.

III.

How blest the solitary's lot,
Who, all-forgetting, all forgot,
Within his humble cell,
The cavern wild with tangling roots,
Sits o'er his newly-gather'd fruits,
Beside his crystal well!
Or, haply, to his ev'ning thought,
By unfrequented stream,
The ways of men are distant brought,
A faint collected dream;
While praising, and raising
His thoughts to heav'n on high,
As wand'ring, meand'ring,
He views the solemn sky.

IV.

Than I, no lonely hermit plac'd
Where never human footstep trac'd,
Less fit to play the part;
The lucky moment to improve,
And just to stop, and just to move,
With self-respecting art:
But, ah! those pleasures, loves, and joys,
Which I too keenly taste,
The solitary can despise,
Can want, and yet be blest!
He needs not, he heeds not,
Or human love or hate,
Whilst I here, must cry here
At perfidy ingrate!

V.

Oh! enviable, early days,
When dancing thoughtless pleasure's maze,
To care, to guilt unknown!
How ill exchang'd for riper times,
To feel the follies, or the crimes,
Of others, or my own!
Ye tiny elves that guiltless sport,
Like linnets in the bush,
Ye little know the ills ye court,
When manhood is your wish!
The losses, the crosses,
That active man engage!
The fears all, the tears all,
Of dim declining age!

* * * * *




[Illustration: "THE COTTER'S SATURDAY NIGHT. "]

XLIII.

THE

COTTER'S SATURDAY NIGHT.

INSCRIBED TO ROBERT AIKEN, ESQ.

"Let not ambition mock their useful toil,
Their homely joys, and destiny obscure:
Nor grandeur hear, with a disdainful smile,
The short and simple annals of the poor. "

GRAY

[The house of William Burns was the scene of this fine, devout, and
tranquil drama, and William himself was the saint, the father, and the
husband, who gives life and sentiment to the whole. "Robert had
frequently remarked to me," says Gilbert Burns, "that he thought there
was something peculiarly venerable in the phrase, 'Let us worship
God! ' used by a decent sober head of a family, introducing family
worship. " To this sentiment of the author the world is indebted for
the "Cotter's Saturday Night. " He owed some little, however, of the
inspiration to Fergusson's "Farmer's Ingle," a poem of great merit.
The calm tone and holy composure of the Cotter's Saturday Night have
been mistaken by Hogg for want of nerve and life. "It is a dull,
heavy, lifeless poem," he says, "and the only beauty it possesses, in
my estimation, is, that it is a sort of family picture of the poet's
family. The worst thing of all, it is not original, but is a decided
imitation of Fergusson's beautiful pastoral, 'The Farmer's Ingle:' I
have a perfect contempt for all plagiarisms and imitations. "
Motherwell tries to qualify the censure of his brother editor, by
quoting Lockhart's opinion--at once lofty and just, of this fine
picture of domestic happiness and devotion. ]


I.

My lov'd, my honour'd, much respected friend!
No mercenary bard his homage pays;
With honest pride, I scorn each selfish end:
My dearest meed, a friend's esteem and praise:
To you I sing, in simple Scottish lays,
The lowly train in life's sequester'd scene;
The native feelings strong, the guileless ways;
What Aiken in a cottage would have been;
Ah! tho' his work unknown, far happier there, I ween!

II.

November chill blaws loud wi' angry sugh;
The short'ning winter-day is near a close;
The miry beasts retreating frae the pleugh:
The black'ning trains o' craws to their repose:
The toil-worn Cotter frae his labour goes,
This night his weekly moil is at an end,
Collects his spades, his mattocks, and his hoes,
Hoping the morn in ease and rest to spend,
And weary, o'er the moor, his course does homeward bend.

III.

At length his lonely cot appears in view,
Beneath the shelter of an aged tree;
Th' expectant wee-things, toddlin', stacher thro'
To meet their Dad, wi' flichterin' noise an' glee.
His wee bit ingle, blinkin' bonnily.
His clean hearth-stane, his thriftie Wifie's smile,
The lisping infant prattling on his knee,
Does a' his weary kiaugh and care beguile,
An' makes him quite forget his labour and his toil.

IV.

Belyve, the elder bairns come drapping in,
At service out amang the farmers roun':
Some ca' the pleugh, some herd, some tentie rin
A cannie errand to a neebor town:
Their eldest hope, their Jenny, woman grown,
In youthfu' bloom, love sparkling in her e'e,
Comes hame, perhaps to shew a braw new gown,
Or deposite her sair won penny-fee,
To help her parents dear, if they in hardship be.

V.

With joy unfeign'd, brothers and sisters meet,
An' each for other's welfare kindly spiers:
The social hours, swift-wing'd, unnotic'd, fleet;
Each tells the unco's that he sees or hears;
The parents, partial, eye their hopeful years;
Anticipation forward points the view.
The Mother, wi' her needle an' her shears,
Gars auld claes look amaist as weel's the new;
The Father mixes a' wi' admonition due.

VI.

Their master's an' their mistress's command,
The younkers a' are warned to obey;
And mind their labours wi' an eydent hand,
An' ne'er, tho' out of sight, to jauk or play:
"And O! be sure to fear the Lord alway!
And mind your duty, duly, morn and night!
Lest in temptation's path ye gang astray,
Implore His counsel and assisting might:
They never sought in vain, that sought the Lord aright! "

VII.

But, hark! a rap comes gently to the door;
Jenny, wha kens the meaning o' the same,
Tells how a neebor lad cam o'er the moor,
To do some errands, and convoy her hame.
The wily Mother sees the conscious flame
Sparkle in Jenny's e'e, and flush her cheek,
With heart-struck anxious care, inquires his name,
While Jenny hafflins is afraid to speak;
Weel pleas'd the Mother hears it's nae wild, worthless rake.

VIII.

Wi' kindly welcome, Jenny brings him ben;
A strappan youth; he taks the Mother's eye;
Blythe Jenny sees the visit's no ill ta'en;
The Father cracks of horses, pleughs, and kye.
The youngster's artless heart o'erflows wi' joy,
But blate, an laithfu', scarce can weel behave;
The Mother, wi' a woman's wiles, can spy
What makes the youth sae bashfu' and sae grave;
Weel pleas'd to think her bairn's respected like the lave.

IX.

O happy love! Where love like this is found!
O heart-felt raptures! --bliss beyond compare!
I've paced much this weary, mortal round,
And sage experience bids me this declare--
"If heaven a draught of heavenly pleasure spare,
One cordial in this melancholy vale,
'Tis when a youthful, loving, modest pair,
In other's arms, breathe out the tender tale,
Beneath the milk-white thorn that scents the ev'ning gale. "

X.

Is there, in human form, that bears a heart--
A wretch! a villain! lost to love and truth!
That can, with studied, sly, ensnaring art,
Betray sweet Jenny's unsuspecting youth?
Curse on his perjur'd arts! dissembling smooth!
Are honour, virtue, conscience, all exil'd?
Is there no pity, no relenting ruth,
Points to the parents fondling o'er their child?
Then paints the ruin'd maid, and their distraction wild?

XI.

But now the supper crowns their simple board,
The halesome parritch, chief of Scotia's food:
The soupe their only hawkie does afford,
That 'yont the hallan snugly chows her cood:
The dame brings forth in complimental mood,
To grace the lad, her weel-hain'd kebbuck, fell,
An' aft he's prest, an' aft he ca's it guid;
The frugal wifie, garrulous, will tell,
How 'twas a towmond auld, sin' lint was i' the bell.

XII.

The cheerfu' supper done, wi' serious face,
They, round the ingle, form a circle wide;
The Sire turns o'er, with patriarchal grace,
The big ha'-Bible, ance his father's pride;
His bonnet rev'rently is laid aside,
His lyart haffets wearing thin an' bare;
Those strains that once did sweet in Zion glide,
He wales a portion with judicious care;
And 'Let us worship GOD! ' he says, with solemn air.

XIII.

They chant their artless notes in simple guise;
They tune their hearts, by far the noblest aim:
Perhaps Dundee's wild-warbling measures rise,
Or plaintive Martyrs, worthy of the name;
Or noble Elgin beets the heaven-ward flame,
The sweetest far of Scotia's holy lays:
Compar'd with these, Italian trills are tame;
The tickl'd ear no heart-felt raptures raise;
Nae unison hae they with our Creator's praise.

XIV.

The priest-like Father reads the sacred page,
How Abram was the friend of God on high;
Or, Moses bade eternal warfare wage
With Amalek's ungracious progeny;
Or how the royal bard did groaning lie
Beneath the stroke of Heaven's avenging ire;
Or Job's pathetic plaint, and wailing cry;
Or rapt Isaiah's wild, seraphic fire;
Or other holy seers that tune the sacred lyre.

XV.

Perhaps the Christian volume is the theme,
How guiltless blood for guilty man was shed;
How HE, who bore in Heaven the second name,
Had not on earth whereon to lay his head:
How His first followers and servants sped,
The precepts sage they wrote to many a land:
How he who lone in Patmos banished,
Saw in the sun a mighty angel stand;
And heard great Bab'lon's doom pronounc'd by Heaven's command.

XVI.

Then kneeling down, to HEAVEN'S ETERNAL KING,
The Saint, the Father, and the Husband prays:
Hope 'springs exulting on triumphant wing,'[52]
That thus they all shall meet in future days:
There ever bask in uncreated rays,
No more to sigh, or shed the bitter tear,
Together hymning their Creator's praise,
In such society, yet still more dear:
While circling Time moves round in an eternal sphere.

XVII.

Compar'd with this, how poor Religion's pride,
In all the pomp of method and of art,
When men display to congregations wide,
Devotion's ev'ry grace, except the heart!
The Pow'r, incens'd, the pageant will desert,
The pompous strain, the sacerdotal stole;
But haply, in some cottage far apart,
May hear, well pleas'd, the language of the soul;
And in His book of life the inmates poor enrol.

XVIII.

Then homeward all take off their sev'ral way;
The youngling cottagers retire to rest:
Their Parent-pair their secret homage pay,
And proffer up to Heaven the warm request,
That HE, who stills the raven's clam'rous nest,
And decks the lily fair in flow'ry pride,
Would, in the way His wisdom sees the best,
For them and for their little ones provide;
But, chiefly, in their hearts with grace divine preside.

XIX.

From scenes like these, old Scotia's grandeur springs,
That makes her lov'd at home, rever'd abroad:
Princes and lords are but the breath of kings,
"An honest man's the noblest work of GOD;"[53]
And certes, in fair virtue's heav'nly road,
The cottage leaves the palace far behind;
What is a lordship's pomp? a cumbrous load,
Disguising oft the wretch of human kind,
Studied in arts of Hell, in wickedness refin'd!

XX.

O Scotia! my dear, my native soil!
For whom my warmest wish to Heaven is sent!
Long may thy hardy sons of rustic toil
Be blest with health, and peace, and sweet content!
And, O! may heaven their simple lives prevent
From luxury's contagion, weak and vile!
Then, howe'er crowns and coronets be rent,
A virtuous populace may rise the while,
And stand a wall of fire around their much-lov'd Isle.

XXI.

O Thou! who pour'd the patriotic tide
That stream'd through Wallace's undaunted heart:
Who dar'd to nobly stem tyrannic pride,
Or nobly die, the second glorious part,
(The patriot's God, peculiarly Thou art,
His friend, inspirer, guardian, and reward! )
O never, never, Scotia's realm desert;
But still the patriot, and the patriot bard,
In bright succession raise, her ornament and guard!

FOOTNOTES:

[Footnote 52: Pope. ]

[Footnote 53: Pope. ]

* * * * *




XLIV.

THE FIRST PSALM.

[This version was first printed in the second edition of the poet's
work. It cannot be regarded as one of his happiest compositions: it is
inferior, not indeed in ease, but in simplicity and antique rigour of
language, to the common version used in the Kirk of Scotland. Burns
had admitted "Death and Dr. Hornbook" into Creech's edition, and
probably desired to balance it with something at which the devout
could not cavil. ]


The man, in life wherever plac'd,
Hath happiness in store,
Who walks not in the wicked's way,
Nor learns their guilty lore!

Nor from the seat of scornful pride
Casts forth his eyes abroad,
But with humility and awe
Still walks before his GOD.

That man shall flourish like the trees
Which by the streamlets grow;
The fruitful top is spread on high,
And firm the root below.

But he whose blossom buds in guilt
Shall to the ground be cast,
And, like the rootless stubble, tost
Before the sweeping blast.

For why? that GOD the good adore
Hath giv'n them peace and rest,
But hath decreed that wicked men
Shall ne'er be truly blest.

* * * * *




XLV.

THE FIRST SIX VERSES

OF THE

NINETIETH PSALM.

[The ninetieth Psalm is said to have been a favourite in the household
of William Burns: the version used by the Kirk, though unequal,
contains beautiful verses, and possesses the same strain of sentiment
and moral reasoning as the poem of "Man was made to Mourn. " These
verses first appeared in the Edinburgh edition; and they might have
been spared; for in the hands of a poet ignorant of the original
language of the Psalmist, how could they be so correct in sense and
expression as in a sacred strain is not only desirable but necessary? ]


O Thou, the first, the greatest friend
Of all the human race!
Whose strong right hand has ever been
Their stay and dwelling place!

Before the mountains heav'd their heads
Beneath Thy forming hand,
Before this ponderous globe itself
Arose at Thy command;

That Pow'r which rais'd and still upholds
This universal frame,
From countless, unbeginning time
Was ever still the same.

Those mighty periods of years
Which seem to us so vast,
Appear no more before Thy sight
Than yesterday that's past.

Thou giv'st the word: Thy creature, man,
Is to existence brought;
Again thou say'st, "Ye sons of men,
Return ye into nought! "

Thou layest them, with all their cares,
In everlasting sleep;
As with a flood Thou tak'st them off
With overwhelming sweep.

They flourish like the morning flow'r,
In beauty's pride array'd;
But long ere night, cut down, it lies
All wither'd and decay'd.

* * * * *




XLVI.

TO A MOUNTAIN DAISY,

ON TURNING ONE DOWN WITH THE PLOUGH IN

APRIL, 1786.

[This was not the original title of this sweet poem: I have a copy in
the handwriting of Burns entitled "The Gowan. " This more natural name
he changed as he did his own, without reasonable cause; and he changed
it about the same time, for he ceased to call himself Burness and his
poem "The Gowan," in the first edition of his works. The field at
Mossgiel where he turned down the Daisy is said to be the same field
where some five months before he turned up the Mouse; but this seems
likely only to those who are little acquainted with tillage--who think
that in time and place reside the chief charms of verse; and who feel
not the beauty of "The Daisy," till they seek and find the spot on
which it grew. Sublime morality and the deepest emotions of the soul
pass for little with those who remember only what the genius loves to
forget. ]


Wee, modest, crimson-tipped flow'r,
Thou's met me in an evil hour;
For I maun crush amang the stoure
Thy slender stem:
To spare thee now is past my pow'r,
Thou bonnie gem.

Alas! it's no thy neebor sweet,
The bonnie lark, companion meet!
Bending thee 'mang the dewy weet,
Wi' spreckl'd breast,
When upward-springing, blythe, to greet
The purpling east.

Cauld blew the bitter-biting north
Upon thy early, humble birth;
Yet cheerfully thou glinted forth
Amid the storm,
Scarce rear'd above the parent earth
Thy tender form.

The flaunting flowers our gardens yield,
High shelt'ring woods and wa's maun shield
But thou, beneath the random bield
O' clod or stane,
Adorns the histie stibble-field,
Unseen, alane.

There, in thy scanty mantle clad,
Thy snawie bosom sunward spread,
Thou lifts thy unassuming head
In humble guise;
But now the share uptears thy bed,
And low thou lies!

Such is the fate of artless maid,
Sweet flow'ret of the rural shade!
By love's simplicity betray'd,
And guileless trust,
'Till she, like thee, all soil'd, is laid
Low i' the dust.

Such is the fate of simple bard,
On life's rough ocean luckless starr'd!
Unskilful he to note the card
Of prudent lore,
'Till billows rage, and gales blow hard,
And whelm him o'er!

Such fate to suffering worth is giv'n,
Who long with wants and woes has striv'n,
By human pride or cunning driv'n
To mis'ry's brink,
'Till wrenched of every stay but Heav'n,
He, ruin'd, sink!

Ev'n thou who mourn'st the Daisy's fate,
That fate is thine--no distant date;
Stern Ruin's ploughshare drives, elate,
Full on thy bloom,
'Till crush'd beneath the furrow's weight,
Shall be thy doom!

* * * * *




XLVII.

EPISTLE TO A YOUNG FRIEND.

MAY, 1786.

[Andrew Aikin, to whom this poem of good counsel is addressed, was one
of the sons of Robert Aiken, writer in Ayr, to whom the Cotter's
Saturday Night is inscribed. He became a merchant in Liverpool, with
what success we are not informed, and died at St. Petersburgh. The
poet has been charged with a desire to teach hypocrisy rather than
truth to his "Andrew dear;" but surely to conceal one's own thoughts
and discover those of others, can scarcely be called hypocritical: it
is, in fact, a version of the celebrated precept of prudence,
"Thoughts close and looks loose. " Whether he profited by all the
counsel showered upon him by the muse we know not: he was much
respected--his name embalmed, like that of his father, in the poetry
of his friend, is not likely soon to perish. ]


I.

I lang hae thought, my youthfu' friend,
A something to have sent you,
Though it should serve nae ither end
Than just a kind memento;
But how the subject-theme may gang,
Let time and chance determine;
Perhaps it may turn out a sang,
Perhaps, turn out a sermon.

II.

Ye'll try the world soon, my lad,
And, Andrew dear, believe me,
Ye'll find mankind an unco squad,
And muckle they may grieve ye:
For care and trouble set your thought,
Ev'n when your end's attain'd;
And a' your views may come to nought,
Where ev'ry nerve is strained.

III.

I'll no say men are villains a';
The real, harden'd wicked,
Wha hae nae check but human law,
Are to a few restricked;
But, och! mankind are unco weak,
An' little to be trusted;
If self the wavering balance shake,
It's rarely right adjusted!

IV.

Yet they wha fa' in Fortune's strife,
Their fate we should na censure,
For still th' important end of life
They equally may answer;
A man may hae an honest heart,
Tho' poortith hourly stare him;
A man may tak a neebor's part,
Yet hae nae cash to spare him.

V.

Ay free, aff han' your story tell,
When wi' a bosom crony;
But still keep something to yoursel'
Ye scarcely tell to ony.