notational
anagram of 'HCH', theM: oocur at 55\1.
McHugh-Roland-1976-The-Sigla-of-Finnegans-Wake
He relItllins unaffocted by the ruinous housing: 'Thus Ix hd<' be
eventually say. (s. . 6. 1}).
The remainder of the chapter is overshadowed by the marrLage
of the ci,y and the river, beglnning at 546. 29. Had the Liffey ( A) turned her hack and left her bed, one might ",It wbat rival intlu- encc drew her. But it was vasdy (Jlherwise. m oonfined the river beTWccn banks and walls, lea ding her from Leix! ip {o the Looplinc Bridge (s. . 7"5- ,6). At RinR'end he perfonned another part of Ihe fraru;biK ceremony: 'he Lord ~yor burls a apear int" Ihe Ka tu delimit the ciIY" extension ('my dart '" Ihmw', 547. 20).
Land was rttlairned in thi. region (547. 23-4) and the len bridges between OJapcliwd and the river'. mouth were built (547. 29-30).
Ships' siren. were heard. m proceed. to detail his beautification of the city for hi. bride: M mentio"" the manufacture of women', dothing, fasbions, novelties, tbe importation of e. otic food, the pr<>CC1'inn. of tit<: Dublin trades guilds, exhibitions, millie halls ~ndpm",,,,imes. Next(55'? 2'-552. 07)heOOmes'". . . entialcivic architecture, lhe oomtruction of tbe Grand and Royal Canal. ,
public convenience" universities, tbe Bank of Ireland (formerly die Parliament HouK), railway termini and catbedral? . He gives
a roU ofhonour ofarchil<<=lund sculp. o,. . : Richard C. . . . . . d s, Mary Redmond, James Gandon, Sir Thorn. . Deane, Oliver Shepperd, Edward Smyth, Parke Neville, Thorn. . Heaton, B. B. Sloney, John Henry Foley, Sir Thoma, Fam:ll, Jobn Van NoS! , Homo T homeycrofl and John Hogan (552. 10- 12).
The f"",1paragraph orcS urbaniution brought 10 the point
" ) . W. . ""rton, Reo. J WIrit<. . . . . m<I Rev. R. Wd. h, A H,,,ory of'''' G,IY of DwM;. I, 95-8 t<<>>UII" the """''''''r?
TbeCity 21
? 22 The Sigla of Fim"gtms W". k~
whore t1u: injuries vi. ited by mon the ri""r', flanks are so extensive that IK> blade ofgra. . can <merge further from the stony scar ti. ,ue (553,06), S""en W<lndrous stalUes ar<: set up whilst an aureole of distant barl<ryfield$ ,upplies IJ1llrerial f"" the ""st Guinnesi ! lre_ wery, AI . he end m stands back like a rill8JIl'lSler warehing the (ir~'Ulati<m of the populace, drawn by . . varkty of (ircus hoeses,
Tbe priorities and juxtap"'itions in 'Havelh Otilders' IJ1lly appear grotesque, ignoble, sid: "" aff~. <<l. T o under-stand Joyce'. ca<icarur<: of hi, na. iv. city we should com""r<: the Dublin of
Uly. . . . as tre-. . ted by J. C. C. May,,"
Hi, commitment to Parnellism in the face of praclical alrerruttives must be =gni~ed as another an<mpt 10 view . . puresituation what historically i. partofan ongoing pro- cess, thereby relievinj hi. char. ocu:. . of the n. . . d to commil
them'l<'lves 'l<'rio""ly to the nighnn. a. r<: of history. The division betWttn '904 and the time when the book was
writt. . , and published W<lrx, to a like end. Intervening ""ents . tf~I such IJ1lllter-s as lone-for instance the "". ious ironies of'Aeol",,' ar<: augmented by iii location in an ar<:a of the city . ince halk,w<:d by na,i<)IU. lisl sen. imenl-bm such ironies are in themselves disahling: (hey do n<lt comp~ca. e bycutting across obvious surface meanings, but instead ~r . i,uationsallthe mor<: completely from their intended conscqucnttund enable them to be exploited as more or less pure medium. Dublin, in 1oyce's exiled vision, moves into an ar<:. between dream and fac\. Phy,ical
absence and t<mporal dis! aru:<: eTUlb! e a focus a<) con- <x. n""ed tha. the city must have seemed 10 bim "Imoo! like. """Ie model of. reality that was in itself tOO close and 100 intense.
AbrMhMm Bradley King
Ifwecont". . ! themofbooI<1withthatofbookIIIwe$tt in the firs! cue a pass;"" victim of xenophobia and in ,he IICCOOd a sadistic in. trument of "Ppression. In 111. 4 Oppr<:ni(ln proceeds on a priva. e instead of a public leveL Comparing 111. 3 with 1. 3- 4 we may call if ITT'. comment on the populace u """"",,d 10 their et>mment 00 bim. Similarly Wt can compar<: 111. 4 with 1. ,-1: it il . gain a guKfcd tOur. Tlu: landscap<: bow"". . is no longer primi-
>O'Som<~""tbtDub! ;"of(J! ),-",,',in'(J! ),-,,. ,'"-"'. . . . op<u, <<I. L- 1Ioruw:o_ (Pam, Di<licr '9"14), \>>.
? ? ? ? ? ? ? live, bUI Ihorouahly Iubdutd and dtcllCiriclt. d. 111-4 """. . . witb ? revinv of pe. . . . . . wirin who ""0 be raptttivdy r<<Ogiuttd u
lC"A,C,"'\. ,K,0. 0,mand. . . . ~ t. . . . ,. itionr. . . . . . ,111. 3may b<o "UUtstW in VUl. l'_206;
m talks then pietur.
A ludden di,location at 558. 32 Iran,port. UI to a bedroom M:t. Can\(:nmen are aiven inStruclioruo and the tint of the four tableaux of 111. 4 begin? . AI Jack Dalton hat ,! >own," eKb tableau openJ with.
notational anagram of 'HCH', theM: oocur at 55\1. 21-1.
-<t"
. _- . . . . .
_. -
-.
-- -
-
. '
. --
. - -
- ---
Abraham Bradley Ki"ll 13
~ PI--"i. Parl<'. ftomDillonCoooJn~,N",rJt[)J,I,. . CilJ'
P~ . ,
a>td &r. W_ (Dublin, Co<hoIic T",do Socioty ,. ,. . ,,). n. . chun:b a. . adjoi. . . "'"'Hou! cby,heCburdoyard';die,. ,. . . ;. tho M'I,ri. . . Fon. Noo. . aloo """ S,. . Fon (Whanon'. F,,",, : OIL '), >. . t6. 0(), Buloher". Wood (0&0. 011), The"~A=s (Il,. " ], the Kina'> Hou. . (>4>>), FIItf)' GI. n(]. o. o,-''',}7j. p, S26. 1. . . . l),ao. . netftdd Rood ('6. . . . '0), Vicuepl Lod. . (,64. ')), 0Ii<f Sca-ctory'. LodF ('6. . . . I, ) ond Half Mil< Hollow (s/i,. <>1 ).
" ? MUilc I. . <u<c', in A WOot< 1"'"'_ oc! . Oi. . Hart""" Prj", Scm, 1J-16.
? ? 2~ The Sill. of FiffMI~'" W. . . t.
}64-<l4, S82. 30 and SI)O. l. 4. TMy ~ KCOmpanicd by lIilLs 0( m and . . . in dilf=1 rdaovoc positions. They tthibi, IlICCflIivdy wider foci. ibc firs, tableau taUs in only Ihe interior of m'l houx or pub. This, aC(:Ol"ding to 06. . j. Q9, might be the Mullinpr Inn in ChopeH:wd, a region 0( Dublin namt<! from bolde, who wa, said to ",,"ve ",,"d a bower and a chapel tllere. A letter of S May
1933 f. . . . . . . . LuciaJoyce to Fnnk Budgen confirm, ,IIi,: 'The pdn- cipal bistro, lie [Joyce1 SlY", W I. the MuUinjOar Inn, of which in
W. LP. \Work in Prog'H. 1Ihe big man Is . . . urncd '" be land_ lord. '" ibc second tlIblcau extend. til the adja""nt Phoenix Park. Fii;ur< , will be found u. m. 1 in undcntandinl the survey 0( the Pari< in S6-4-<l4-S6S. oS. ? 11M: third takes in lhe Oatuy, KinastO\O. "tI IlId Bbdtrod:. wagon_line (Sh. ll), which pi,," SeapOinl (SU. 1S). Thefour'h~ntheentire~lCmhori2On,withtho: lundisk of ""'" ~ cmerlilll from the $<:II.
BDth the oecond and third tableaux include: relurns III Ihe houoc. The fortn(:r al",coo. tains a pa. . . . '" (S67. '3-570. , , ) panlldin, . be inciden, in 1. 2 whero 'he Kin, bestows the name Harwick<< upon
m. A due ro the origin of ,hi? ? ppcars in VI. B. 2' . ~I:
Bndky m """""I K""
Abnh1m Bradley Kin" who is named al 29+14, "'"as 1. . . onI Mayor of Dublin in 1811 durin, wbicb y. -r Geo. gt: IV rifitcd the city. Multirudc:s were Ctlticed by the finl peacdul yisil of an Englisb monarch. The Queen, who w:u dying It the lime, did """ acc<>mpany George. There wit alto a f. lse ,llIrt from Holyllead,
put baok by comnry winds. S67. 13- ,6thcrefore antllluneH: 'Dc you r>Ot ",,"vo lleard that, the qu,",n lying abroad from fury IIfthe gales . . . II. . . liege of latecntll dil";'ties . hall c<:>me on their bay tomorrow. ' Gffi<ieanivt<! lt Howth on 12 August and procled(d
\0 the Lord-Lieutenant's ""identt in Pboeni>: Pari<, where he drank hiI s"bjecrt' health in a bumper of . . . hisUy punch before a u. . . . . ,,&-
On ' 7 August 600,000 ~'e wilnC5Kd 1M King', prnocs- lion 10 Dublin a . stle. Persons on horseback wen: CXpcctt<! 1O W tar 'Bluecoal,withcoronationbunon,buff,orwhite_ iSICOOII'(note 567. 2S). The CIlVlllcadc ",,"lted It the top of Sackville Street where a barrier gate in the form of ~ triwnphal arcb had been ",ccted.
Her< Athlonc PounuiVll. nt (who incidentally aPPH" ilt ~9fl. 12),
? . nended by lWO dragoons, demanded entry in the name of the Lord_Lieut~nan[. fuving au,horiztd. admi. . ion the Lord Mayor delivettd the ,woed and k~ of m. , ~ity on a ,ilver ",Iver '" the King. I Quote from Saunder's Newsk,u. of 20 AuguSt:
The Lord Mayor, in p~nting the Address, hod the honnue ofkiMing his 1>bj<:$'y's hand; but, when in 'he acl Qf ri'ing, hi. M. :oj<:$ty, in 'he most graciou$ manner, addre?
eventually say. (s. . 6. 1}).
The remainder of the chapter is overshadowed by the marrLage
of the ci,y and the river, beglnning at 546. 29. Had the Liffey ( A) turned her hack and left her bed, one might ",It wbat rival intlu- encc drew her. But it was vasdy (Jlherwise. m oonfined the river beTWccn banks and walls, lea ding her from Leix! ip {o the Looplinc Bridge (s. . 7"5- ,6). At RinR'end he perfonned another part of Ihe fraru;biK ceremony: 'he Lord ~yor burls a apear int" Ihe Ka tu delimit the ciIY" extension ('my dart '" Ihmw', 547. 20).
Land was rttlairned in thi. region (547. 23-4) and the len bridges between OJapcliwd and the river'. mouth were built (547. 29-30).
Ships' siren. were heard. m proceed. to detail his beautification of the city for hi. bride: M mentio"" the manufacture of women', dothing, fasbions, novelties, tbe importation of e. otic food, the pr<>CC1'inn. of tit<: Dublin trades guilds, exhibitions, millie halls ~ndpm",,,,imes. Next(55'? 2'-552. 07)heOOmes'". . . entialcivic architecture, lhe oomtruction of tbe Grand and Royal Canal. ,
public convenience" universities, tbe Bank of Ireland (formerly die Parliament HouK), railway termini and catbedral? . He gives
a roU ofhonour ofarchil<<=lund sculp. o,. . : Richard C. . . . . . d s, Mary Redmond, James Gandon, Sir Thorn. . Deane, Oliver Shepperd, Edward Smyth, Parke Neville, Thorn. . Heaton, B. B. Sloney, John Henry Foley, Sir Thoma, Fam:ll, Jobn Van NoS! , Homo T homeycrofl and John Hogan (552. 10- 12).
The f"",1paragraph orcS urbaniution brought 10 the point
" ) . W. . ""rton, Reo. J WIrit<. . . . . m<I Rev. R. Wd. h, A H,,,ory of'''' G,IY of DwM;. I, 95-8 t<<>>UII" the """''''''r?
TbeCity 21
? 22 The Sigla of Fim"gtms W". k~
whore t1u: injuries vi. ited by mon the ri""r', flanks are so extensive that IK> blade ofgra. . can <merge further from the stony scar ti. ,ue (553,06), S""en W<lndrous stalUes ar<: set up whilst an aureole of distant barl<ryfield$ ,upplies IJ1llrerial f"" the ""st Guinnesi ! lre_ wery, AI . he end m stands back like a rill8JIl'lSler warehing the (ir~'Ulati<m of the populace, drawn by . . varkty of (ircus hoeses,
Tbe priorities and juxtap"'itions in 'Havelh Otilders' IJ1lly appear grotesque, ignoble, sid: "" aff~. <<l. T o under-stand Joyce'. ca<icarur<: of hi, na. iv. city we should com""r<: the Dublin of
Uly. . . . as tre-. . ted by J. C. C. May,,"
Hi, commitment to Parnellism in the face of praclical alrerruttives must be =gni~ed as another an<mpt 10 view . . puresituation what historically i. partofan ongoing pro- cess, thereby relievinj hi. char. ocu:. . of the n. . . d to commil
them'l<'lves 'l<'rio""ly to the nighnn. a. r<: of history. The division betWttn '904 and the time when the book was
writt. . , and published W<lrx, to a like end. Intervening ""ents . tf~I such IJ1lllter-s as lone-for instance the "". ious ironies of'Aeol",,' ar<: augmented by iii location in an ar<:a of the city . ince halk,w<:d by na,i<)IU. lisl sen. imenl-bm such ironies are in themselves disahling: (hey do n<lt comp~ca. e bycutting across obvious surface meanings, but instead ~r . i,uationsallthe mor<: completely from their intended conscqucnttund enable them to be exploited as more or less pure medium. Dublin, in 1oyce's exiled vision, moves into an ar<:. between dream and fac\. Phy,ical
absence and t<mporal dis! aru:<: eTUlb! e a focus a<) con- <x. n""ed tha. the city must have seemed 10 bim "Imoo! like. """Ie model of. reality that was in itself tOO close and 100 intense.
AbrMhMm Bradley King
Ifwecont". . ! themofbooI<1withthatofbookIIIwe$tt in the firs! cue a pass;"" victim of xenophobia and in ,he IICCOOd a sadistic in. trument of "Ppression. In 111. 4 Oppr<:ni(ln proceeds on a priva. e instead of a public leveL Comparing 111. 3 with 1. 3- 4 we may call if ITT'. comment on the populace u """"",,d 10 their et>mment 00 bim. Similarly Wt can compar<: 111. 4 with 1. ,-1: it il . gain a guKfcd tOur. Tlu: landscap<: bow"". . is no longer primi-
>O'Som<~""tbtDub! ;"of(J! ),-",,',in'(J! ),-,,. ,'"-"'. . . . op<u, <<I. L- 1Ioruw:o_ (Pam, Di<licr '9"14), \>>.
? ? ? ? ? ? ? live, bUI Ihorouahly Iubdutd and dtcllCiriclt. d. 111-4 """. . . witb ? revinv of pe. . . . . . wirin who ""0 be raptttivdy r<<Ogiuttd u
lC"A,C,"'\. ,K,0. 0,mand. . . . ~ t. . . . ,. itionr. . . . . . ,111. 3may b<o "UUtstW in VUl. l'_206;
m talks then pietur.
A ludden di,location at 558. 32 Iran,port. UI to a bedroom M:t. Can\(:nmen are aiven inStruclioruo and the tint of the four tableaux of 111. 4 begin? . AI Jack Dalton hat ,! >own," eKb tableau openJ with.
notational anagram of 'HCH', theM: oocur at 55\1. 21-1.
-<t"
. _- . . . . .
_. -
-.
-- -
-
. '
. --
. - -
- ---
Abraham Bradley Ki"ll 13
~ PI--"i. Parl<'. ftomDillonCoooJn~,N",rJt[)J,I,. . CilJ'
P~ . ,
a>td &r. W_ (Dublin, Co<hoIic T",do Socioty ,. ,. . ,,). n. . chun:b a. . adjoi. . . "'"'Hou! cby,heCburdoyard';die,. ,. . . ;. tho M'I,ri. . . Fon. Noo. . aloo """ S,. . Fon (Whanon'. F,,",, : OIL '), >. . t6. 0(), Buloher". Wood (0&0. 011), The"~A=s (Il,. " ], the Kina'> Hou. . (>4>>), FIItf)' GI. n(]. o. o,-''',}7j. p, S26. 1. . . . l),ao. . netftdd Rood ('6. . . . '0), Vicuepl Lod. . (,64. ')), 0Ii<f Sca-ctory'. LodF ('6. . . . I, ) ond Half Mil< Hollow (s/i,. <>1 ).
" ? MUilc I. . <u<c', in A WOot< 1"'"'_ oc! . Oi. . Hart""" Prj", Scm, 1J-16.
? ? 2~ The Sill. of FiffMI~'" W. . . t.
}64-<l4, S82. 30 and SI)O. l. 4. TMy ~ KCOmpanicd by lIilLs 0( m and . . . in dilf=1 rdaovoc positions. They tthibi, IlICCflIivdy wider foci. ibc firs, tableau taUs in only Ihe interior of m'l houx or pub. This, aC(:Ol"ding to 06. . j. Q9, might be the Mullinpr Inn in ChopeH:wd, a region 0( Dublin namt<! from bolde, who wa, said to ",,"ve ",,"d a bower and a chapel tllere. A letter of S May
1933 f. . . . . . . . LuciaJoyce to Fnnk Budgen confirm, ,IIi,: 'The pdn- cipal bistro, lie [Joyce1 SlY", W I. the MuUinjOar Inn, of which in
W. LP. \Work in Prog'H. 1Ihe big man Is . . . urncd '" be land_ lord. '" ibc second tlIblcau extend. til the adja""nt Phoenix Park. Fii;ur< , will be found u. m. 1 in undcntandinl the survey 0( the Pari< in S6-4-<l4-S6S. oS. ? 11M: third takes in lhe Oatuy, KinastO\O. "tI IlId Bbdtrod:. wagon_line (Sh. ll), which pi,," SeapOinl (SU. 1S). Thefour'h~ntheentire~lCmhori2On,withtho: lundisk of ""'" ~ cmerlilll from the $<:II.
BDth the oecond and third tableaux include: relurns III Ihe houoc. The fortn(:r al",coo. tains a pa. . . . '" (S67. '3-570. , , ) panlldin, . be inciden, in 1. 2 whero 'he Kin, bestows the name Harwick<< upon
m. A due ro the origin of ,hi? ? ppcars in VI. B. 2' . ~I:
Bndky m """""I K""
Abnh1m Bradley Kin" who is named al 29+14, "'"as 1. . . onI Mayor of Dublin in 1811 durin, wbicb y. -r Geo. gt: IV rifitcd the city. Multirudc:s were Ctlticed by the finl peacdul yisil of an Englisb monarch. The Queen, who w:u dying It the lime, did """ acc<>mpany George. There wit alto a f. lse ,llIrt from Holyllead,
put baok by comnry winds. S67. 13- ,6thcrefore antllluneH: 'Dc you r>Ot ",,"vo lleard that, the qu,",n lying abroad from fury IIfthe gales . . . II. . . liege of latecntll dil";'ties . hall c<:>me on their bay tomorrow. ' Gffi<ieanivt<! lt Howth on 12 August and procled(d
\0 the Lord-Lieutenant's ""identt in Pboeni>: Pari<, where he drank hiI s"bjecrt' health in a bumper of . . . hisUy punch before a u. . . . . ,,&-
On ' 7 August 600,000 ~'e wilnC5Kd 1M King', prnocs- lion 10 Dublin a . stle. Persons on horseback wen: CXpcctt<! 1O W tar 'Bluecoal,withcoronationbunon,buff,orwhite_ iSICOOII'(note 567. 2S). The CIlVlllcadc ",,"lted It the top of Sackville Street where a barrier gate in the form of ~ triwnphal arcb had been ",ccted.
Her< Athlonc PounuiVll. nt (who incidentally aPPH" ilt ~9fl. 12),
? . nended by lWO dragoons, demanded entry in the name of the Lord_Lieut~nan[. fuving au,horiztd. admi. . ion the Lord Mayor delivettd the ,woed and k~ of m. , ~ity on a ,ilver ",Iver '" the King. I Quote from Saunder's Newsk,u. of 20 AuguSt:
The Lord Mayor, in p~nting the Address, hod the honnue ofkiMing his 1>bj<:$'y's hand; but, when in 'he acl Qf ri'ing, hi. M. :oj<:$ty, in 'he most graciou$ manner, addre?
