Then the father died, and his son also ob-
tained employment in the government offices.
tained employment in the government offices.
Warner - World's Best Literature - v07 - Cic to Cuv
It is seldom danger is so pressing that
there is not time enough for reason to do its work, young
officer; therefore let us await its biddings. "
"For my own part," said Paul Hover, looking about him
with no equivocal expression of concern, "I acknowledge that
should this dry bed of weeds get fairly in a flame, a bee would
have to make a flight higher than common to prevent his wings
from scorching. Therefore, old trapper, I agree with the cap-
tain, and say, mount and run. ”
## p. 4035 (#405) ###########################################
JAMES FENIMORE COOPER
4035
"Ye are wrong-ye are wrong; man is not a beast to follow
the gift of instinct, and to snuff up his knowledge by a taint
in the air or a rumbling in the sound; but he must see and
reason, and then conclude. So follow me a little to the left,
where there is a rise in the ground, whence we may make our
reconnoitrings. "
The old man waved his hand with authority, and led the way
without further parlance to the spot he had indicated, followed
by the whole of his alarmed companions. An eye less practiced
than that of the trapper might have failed in discovering the
gentle elevation to which he alluded, and which looked on the
surface of the meadow like a growth a little taller than common.
When they reached the place, however, the stunted grass itself
announced the absence of that moisture which had fed the rank
weeds of most of the plain, and furnished a clue to the evidence
by which he had judged of the formation of the ground hidden.
beneath. Here a few minutes were lost in breaking down the
tops of the surrounding herbage, which, notwithstanding the ad-
vantage of their position, rose even above the heads of Mid-
dleton and Paul, and in obtaining a lookout that might command
a view of the surrounding sea of fire.
The frightful prospect added nothing to the hopes of those
who had so fearful a stake in the result. Although the day
was beginning to dawn, the vivid colors of the sky contin-
ued to deepen, as if the fierce element were bent on an impious
rivalry of the light of the sun. Bright flashes of flame shot up
here and there along the margin of the waste, like the nimble.
coruscations of the North, but far more angry and threatening
in their color and changes. The anxiety on the rigid features
of the trapper sensibly deepened, as he leisurely traced these
evidences of a conflagration, which spread in a
in a broad belt
about their place of refuge, until he had encircled the whole
horizon.
Shaking his head, as he again turned his face to the point
where the danger seemed nighest and most rapidly approaching,
the old man said:
"Now have we been cheating ourselves with the belief that
we had thrown these Tetons from our trail, while here is proof
enough that they not only know where we lie, but that they
intend to smoke us out, like so many skulking beasts of prey.
See: they have lighted the fire around the whole bottom at the
## p. 4036 (#406) ###########################################
4036
JAMES FENIMORE COOPER
same moment, and we are as completely hemmed in by the
devils as an island by its waters. "
"Let us mount and ride! " cried Middleton; "is life not worth
a struggle? "
"Whither would ye go? Is a Teton horse a salamander that
can walk amid fiery flames unhurt, or do you think the Lord
will show his might in your behalf, as in the days of old, and
carry you harmless through such a furnace as you may see
glowing beneath yonder red sky? There are Sioux too hem.
ming the fire with their arrows and knives on every side of us,
or I am no judge of their murderous deviltries. "
"We will ride into the centre of the whole tribe," returned
the youth fiercely, "and put their manhood to the test. "
"Ay, it's well in words, but what would it prove in deeds?
Here is a dealer in bees, who can teach you wisdom in a matter
like this. "
"Now for that matter, old trapper," said Paul, stretching his
athletic form like a mastiff conscious of his strength, "I am on
the side of the captain, and am clearly for a race against the
fire, though it line me into a Teton wigwam. Here is Ellen,
who will »
"Of what use, of what use are your stout hearts, when the
element of the Lord is to be conquered as well as human men?
Look about you, friends; the wreath of smoke that is rising
from the bottoms plainly says that there is no outlet from the
spot, without crossing a belt of fire. Look for yourselves, my
men; look for yourselves: if you can find a single opening, I
will engage to follow. "
The examination which his companions so instantly and so
intently made, rather served to assure them of their desperate
situation than to appease their fears. Huge columns of smoke
were rolling up from the plain and thickening in gloomy masses
around the horizon; the red glow which gleamed upon their
enormous folds, now lighting their volumes with the glare of the
conflagration and now flashing to another point as the flame
beneath glided ahead, leaving all behind enveloped in awful
darkness, and proclaiming louder than words the character of the
imminent and approaching danger.
"This is terrible! " exclaimed Middleton, folding the trembling
Inez to his heart. "At such a time as this, and in such a
manner!
>>>
## p. 4037 (#407) ###########################################
JAMES FENIMORE COOPER
4037
"The gates of heaven are open to all who truly believe,"
murmured the pious devotee in his bosom.
"This resignation is maddening! But we are men, and will
make a struggle for our lives! How now, my brave and spirited
friend, shall we yet mount and push across the flames, or shall
we stand here, and see those we most love perish in this fright-
ful manner, without an effort? »
"I am for a swarming time and a flight before the hive is
too hot to hold us," said the bee-hunter, to whom it will be at
once seen that Middleton addressed himself. "Come, old trap-
per, you must acknowledge this is but a slow way of getting
out of danger. If we tarry here much longer, it will be in the
fashion that the bees lie around the straw after the hive has
been smoked for its honey. You may hear the fire begin
to roar already, and I know by experience that when the flames
once get fairly into the prairie grass, it is no sloth that can
outrun it. "
"Think you,” returned the old man, pointing scornfully at
the mazes of the dry and matted grass which environed them,
"that mortal feet can outstrip the speed of fire on such a path?
If I only knew now on which side these miscreants lay! "
"What say you, friend Doctor," cried the bewildered Paul,
turning to the naturalist with that sort of helplessness with
which the strong are often apt to seek aid of the weak, when
human power is baffled by the hand of a mightier Being; "what
say you have you no advice to give away in a case of life and
death? "
The naturalist stood, tablets in hand, looking at the awful
spectacle with as much composure as if the conflagration had
been lighted in order to solve the difficulties of some scientific
problem. Aroused by the question of his companion, he turned
to his equally calm though differently occupied associate, the
trapper, demanding with the most provoking insensibility to the
urgent nature of their situation:
"Venerable hunter, you have often witnessed similar pris-
matic experiments—"
He was rudely interrupted by Paul, who struck the tablets
from his hands with a violence that betrayed the utter intellect-
ual confusion which had overset the equanimity of his mind.
Before time was allowed for remonstrance, the old man, who had
continued during the whole scene like one much at loss how to
## p. 4038 (#408) ###########################################
4038
JAMES FENIMORE COOPER
proceed, though also like one who was rather perplexed than
alarmed, suddenly assumed a decided air, as if he no longer
doubted on the course it was most advisable to pursue.
"It is time to be doing," he said, interrupting the controversy
that was about to ensue between the naturalist and the bee-
hunter; "it is time to leave off books and moanings, and to be
doing.
>>
«<
"You have come to your recollections too late, miserable old
man," cried Middleton; the flames are within a quarter of a
mile of us, and the wind is bringing them down in this quarter
with dreadful rapidity. "
"Anan! the flames! I care but little for the flames. If I
only knew how to circumvent the cunning of the Tetons as I
know how to cheat the fire of its prey, there would be nothing
needed but thanks to the Lord for our deliverance. Do you call
this a fire? If you had seen what I have witnessed in the east-
ern hills, when mighty mountains were like the furnace of a
smith, you would have known what it was to fear the flames
and to be thankful that you were spared! Come, lads, come:
'tis time to be doing now, and to cease talking; for yonder curl-
ing flame is truly coming on like a trotting moose. Put hands
upon this short and withered grass where we stand, and lay bare
the 'arth. "
"Would you think to deprive the fire of its victims in this
childish manner? " exclaimed Middleton.
A faint but solemn smile passed over the features of the old
man as he answered:-
:-
"Your gran'ther would have said that when the enemy was
nigh, a soldier could do no better than to obey. "
The captain felt the reproof, and instantly began to imitate
the industry of Paul, who was tearing the decayed herbage from
the ground in a sort of desperate compliance with the trapper's
direction. Even Ellen lent her hands to the labor, nor was it
long before Inez was seen similarly employed, though none
amongst them knew why or wherefore. When life is thought
to be the reward of labor, men are wont to be industrious. A
very few moments sufficed to lay bare a spot of some twenty
feet in diameter. Into one edge of this little area the trapper
brought the females, directing Middleton and Paul to cover their
light and inflammable dresses with the blankets of the party.
So soon as this precaution was observed, the old man approached
## p. 4039 (#409) ###########################################
JAMES FENIMORE COOPER
4939
the opposite margin of the grass which still environed them in.
a tall and dangerous circle, and selecting a handful of the driest
of the herbage, he placed it over the pan of his rifle. The light
combustible kindled at the flash. Then he placed the little flame
in a bed of the standing fog, and withdrawing from the spot to
the centre of the ring, he patiently awaited the result.
The subtle element seized with avidity upon its new fuel, and
in a moment forked flames were gliding among the grass, as the
tongues of ruminating animals are seen rolling among their food,
apparently in quest of its sweetest portions.
"Now," said the old man, holding up a finger, and laughing
in his peculiarly silent manner, "you shall see fire fight fire!
Ah's me! many is the time I have burnt a smooty path, from
wanton laziness to pick my way across a tangled bottom. "
"But is this not fatal? " cried the amazed Middleton; « are
you not bringing the enemy nigher to us instead of avoiding
it ? »
"Do you scorch so easily? your gran'ther had a tougher skin.
But we shall live to see-we shall all live to see. "
The experience of the trapper was in the right. As the fire
gained strength and heat, it began to spread on three sides, dying
of itself on the fourth for want of aliment. As it increased, and
the sullen roaring announced its power, it cleared everything
before it, leaving the black and smoking soil far more naked
than if the scythe had swept the place. The situation of the
fugitives would have still been hazardous, had not the area en-
larged as the flame encircled them. But by advancing to the
spot where the trapper had kindled the grass, they avoided the
heat, and in a very few moments the flames began to recede in
every quarter, leaving them enveloped in a cloud of smoke, but
perfectly safe from the torrent of fire that was still furiously
rolling onwards.
The spectators regarded the simple expedient of the trapper
with that species of wonder with which the courtiers of Ferdi-
nand are said to have viewed the manner in which Columbus
made his egg stand on its end, though with feelings that were
filled with gratitude instead of envy.
## p. 4040 (#410) ###########################################
4040
COPERNICUS
(1473-1543)
BY EDWARD S. HOLDEN
T HAS been the fortune of other men than Copernicus to
render immense services to science: but it has never before
been given to any philosopher to alter, for every thinking
man, his entire view of the world; to face the whole human race in
a new direction; to lay the foundations for all subsequent intellectual
progress. To comprehend the new universe which he opened to
mankind, it is necessary to understand something of the age in which
he lived, and its critical relations to the past and future.
The life of Copernicus covered the years 1473 to 1543. The
astronomy of the Greeks came to its flower with Ptolemy (circa
A. D. 150), who was followed by a host of able commentators. Their
works were mostly lost in some one of the several destructions of the
Alexandrian library. Many important treatises survived, of course,
though Grecian science was then dead. Bagdad became the seat of
astronomy under the Abbasside Caliphs. It is said that Al Mamun
(circa A. D. 827) stipulated in a treaty with the Emperor for copies
of the manuscripts of Greek philosophers in the Constantinople
libraries, and that these were translated for the benefit of Arabian
scholars. The Arabs carried this learning, improved in many details,
to the lands they conquered. Bagdad, Cordova, Seville, Tangier,
have been successively the homes of exact science. Under the
Moguls the seat of astronomy was transferred to Samarkand (1405).
It was not firmly rooted in Europe until Tycho Brahe built Ura-
nienborg in Denmark in 1576.
The Arabs touched Europe in Spain (711-1492) and through the
Crusaders (1099). The ancient Ptolemaic system of the world, which
counted the earth as the centre of the universe, was successively
amended by new devices,
"With centric and eccentric scribbled o'er,
Cycle and epicycle, orb in orb->
until it had reached a complexity past belief. King Alfonso X. of
Castile expended an enormous sum for the construction of the
Alfonsine Tables (1252), which were designed to give, by a com-
paratively simple calculation, the positions of the sun and planets
for past and future epochs,-employing the theories of Ptolemy as a
## p. 4041 (#411) ###########################################
COPERNICUS
4041
basis. Alfonso's critical remark upon these theories is well known:
to wit, that if he had been present at the creation, he could have
given the Creator much good advice. As the determination of the
places of the planets (their latitudes and longitudes) became more
exact, it was increasingly difficult to account for their observed
movements by the devices introduced by Ptolemy. New contrivances
were required, and each successive epicycle made the system more
complex and cumbrous. It was on the point of breaking by its own
weight.
There is hardly a glimmer of scientific light in the darkness of
the two centuries following. From Roger Bacon (1214-94) to the
birth of Leonardo da Vinci (1452) there is scarcely a single date to
record except that of 1438, when the art of printing was invented –
or re-invented-in Europe.
The writings of Purbach (1460) and of Regiomontanus (1471)
brought astronomy in Germany to the same level as the Arabian
science of five centuries earlier in Spain, and marked the begin-
ning of a new era for Northern lands. In Italy the impulse was
earlier felt, though it manifested itself chiefly in literature. Math-
ematics was not neglected, however, at the ancient University of
Bologna; and it was to Bologna that Copernicus came as a student in
1496.
The voyages of Columbus in 1492 and of Vasco da Gama in 1498
were other signs of the same impulsion which was manifest through
out the Western lands.
Nicolas Copernicus was born in 1473, in the town of Thorn in
Poland. His father was originally from Bohemia, and his mother was
the sister of the Bishop of Ermeland. The father died when the lad
was but ten years old, and left him to the care of his uncle. His
studies were prosecuted at the best schools and at the University of
Cracow, where he followed the courses in medicine, and became in
due time a doctor. Mathematics and astronomy were ardently studied
under learned professors, and the young man also became a skillful
artist in painting. At the termination of his studies he turned his
face towards Italy, entered the universities of Padua and Bologna,
and finally received the appointment of Professor of Mathematics at
Rome in 1499, at the age of twenty-seven years. Here his duties
were to expound the theories of Ptolemy as taught in the 'Almagest,'
and he became entirely familiar with their merits and with their
deficiencies.
Astronomers everywhere were asking themselves if there might
not be simpler methods of accounting for the movements of the
planets and of predicting their situations in the sky than the Ptole-
maic methods, loaded down as they were with new complexities.
## p. 4042 (#412) ###########################################
COPERNICUS
4042
We know that these questions occupied Copernicus during the seven
years of his stay in Italy, 1496 to 1502. made a few astronomical
observations then and subsequently, but he was not a born observer
like his successor Tycho Brahe. His observations were directed
towards determining the positions of the planets, as a test of the
tables by which these positions had been predicted; and they were
sufficient to show the shortcomings of the accepted Ptolemaic theory.
He was a theoretical astronomer, but his theory was controlled by
observation.
In 1502 Copernicus returned to his native land and at once entered
holy orders. In 1510 he became canon of Frauenburg, a small town
not far from Königsberg. Here he divided his time between his re-
ligious duties, the practice of medicine, and the study of astronomy
a peaceful life, one would say, and likely to be free from vexa-
tions.
-
It became necessary for the priest to leave his cloister, however,
to defend the interests of the Church in a lawsuit against the
Knights of the Teutonic Order. The lawsuit was won at last, but
Copernicus had raised up powerful enemies. His conclusions with
regard to the motion of the earth were not yet published, but it was
known that he entertained such opinions. Here was an opportunity
for his enemies to bring him to ridicule and to disgrace, which was
not neglected. Troupes of strolling players were employed to turn
himself and his conclusions into ridicule; and it requires no imagina-
tion to conceive that they were perfectly successful before the audi-
ences of the day. But these annoyances fell away in time. The
reputation of the good physician and the good priest conquered his
townsfolk, while the scholars of Europe were more and more im-
pressed with his learning.
His authority grew apace. He was consulted on practical affairs,
such as the financial conduct of the mint. In 1507 he had begun to
write a treatise on the motion of the heavenly bodies - 'De Revolu-
tionibus Orbium Cœlestium'-and he appears to have brought it to
completion about 1514. It is replete with interest to astronomers,
but there are few passages suitable for quotation in a summary like
the present. The manuscript was touched and retouched from time
to time; and finally in 1541, when he was nearly seventy years of
age, he confided it to a disciple in Nuremberg to be printed. In the
month of May, 1543, the impression was completed, and the final
sheets were sent to the author. They reached him when he was on
his death-bed, a few days before he died.
His epitaph is most humble:-"I do not ask the pardon accorded
to Paul; I do not hope for the grace given to Peter. I beg only
the favor which You have granted to the thief on the cross. " His
## p. 4043 (#413) ###########################################
COPERNICUS
4043
legacy to the world was an upright useful life, and a volume con-
taining an immortal truth:
-
The earth is not the centre of the universe; the earth is in motion
around the sun.
The conception that the earth might revolve about the sun was
no new thing. The ancients had considered this hypothesis among
others. Ptolemy made the earth the centre of all the celestial
motions. As the motions became more precisely known, Ptolemy's
hypothesis required new additions, and it was finally overloaded.
It is the merit of Copernicus that he reversed the ancient process of
thought and inquired what hypothesis would fit observed facts, and
not what additions must be made to an a priori assumption to repre-
sent observations. He showed clearly and beyond a doubt that the
facts were represented far better by the theory that the sun was the
centre of motion of the earth, and not only of the earth, but of all the
planets. He says:-
"By no other combination have I been able to find so admirable a sym-
metry in the separate parts of the great whole, so harmonious a union
between the motions of the celestial bodies, as by placing the torch of the
world that Sun which governs all the family of the planets in their circu-
lar revolutions—on his royal throne, in the midst of Nature's temple. »*
He did not demonstrate this arrangement to be the true one. It
was left to Galileo to prove that Venus had phases like our moon,
and hence that its light was sunlight, and that its motion was helio-
centric. The direct service of Copernicus to pure astronomy lay in
his method. What theory will best fit the facts? How shall we test
the theory by observation? Indirectly he laid the foundations for the
reformation of astronomy by Kepler and Galileo; for Newton's work-
ing out of the conception of the sun as a centre of force as well as
a centre of motion; for the modern ideas of the relations between
force and matter.
The Church, which regarded all sciences as derivatives of the-
ology, placed the work of Copernicus on the Index Expurgatorius at
Rome, 1616. The Reformation maintained an official silence the
But
mooted questions. Luther condemned the theory of Copernicus.
the service of Copernicus to mankind was immense, revolutionary,-
incalculable. For thousands of years the earth, with its inhabitants,
was the centre of a universe created for its benefit. At one step all
this was changed, and man took his modest place. He became a
creature painfully living on a small planet—one of many-revolving
*Quoted from the French of Flammarion's 'Life of Copernicus,' page 122.
## p. 4044 (#414) ###########################################
COPERNICUS
4044
around one of the smaller stars or suns; and that sun was only one of
the millions upon millions shining in the stellar vault. Man's position
in the universe was destroyed. The loss of kingship would seem to
be intolerable, were it not that it was by a man, after all, that Man
was dethroned. All our modern thought, feeling, action, is profoundly
modified by the consequences of the dictum of Copernicus-" The
earth is not the centre of the universe. " Mankind was faced in a new
direction by that pronouncement. Modern life became possible.
Modern views became inevitable. The end is not yet. When in
future ages the entire history of the race is written, many names
now dear to us will be ignored: they have no vital connection with
the progress of the race. But one name is sure of a place of honor:
Copernicus will not be forgotten by our remotest descendants.
Edward S. Holden
## p. 4045 (#415) ###########################################
4045
FRANÇOIS COPPÉE
(1842-)
BY ROBERT SANDERSON
MONG writers of the present day whose influence on French
letters is strongly felt, François Coppée occupies a foremost
rank. Indeed, poets of the new generation look up to him
as a master and take him for a model. Born in 1842, at the age of
twenty-four he first began to draw attention by the publication in 1866
of a number of poems, collected under the name of 'Le Reliquaire'
(The Reliquary or Shrine). Since then he has gone on writing poems,
plays, and novels; but it is on his work as a poet that his fame will
stand. We cannot do better than turn to
one of his books, not for his biography
alone, but also for the manner of thinking
and feeling of this author. Toute une
Jeunesse (An Entire Youth) is not strictly
an autobiography; but Coppée informs us
that the leading character in this work,
Amédée Violette, felt life as he felt it
when a child and young man.
Here we learn that Coppée's father was
a clerk in the War Offices, earning barely
enough to keep his family. The boy was
of weakly constitution, nervous and senti-
mental. The mother died; François grew
up with his three sisters, two of whom painted for a living, while
the third kept house.
Then the father died, and his son also ob-
tained employment in the government offices.
FRANÇOIS COPPÉE
François's boyhood and part of his youth were spent in sadness,
almost misery; and the shadow cast over his life by this gloomy
period of his existence is very perceptible in the poet's writings. It
did not however make him a cynic, a pessimist, or a rebel against the
existing social conditions. To be sure, his verse is not unfrequently
ironical; but it is the irony of fate that the poet makes you keenly
feel, although he touches it with a light hand. The recollection of
those joyless days filled Coppée with an immense feeling of sadness
and sympathy for all who suffer on this earth, especially for those
who struggle on, bravely concealing from all eyes their griefs and
## p. 4046 (#416) ###########################################
4046
FRANÇOIS COPPÉE
sorrows. His life, he tells us, was composed of desires and reveries.
His only consolation was in his literary work. He felt the inclina-
tion and the need of expressing in a way both simple and sincere
what passed under his eyes; of extracting what humble ideal there
might be in the small folk with whom he had lived, in the melan-
choly landscapes of the Parisian suburbs where his childhood had
been spent,-in short, to paint from nature. He made the attempt,
felt that he was successful, and lived then the best and noblest
hours of his life; hours in which the artist, already a master of his
instrument and having still that abundance and vivacity of sensations
of youth, writes the first work that he knows to be good, and writes
it with complete disinterestedness, without even thinking that others
will see it; working for himself alone, for the sole joy of producing,
of pouring out his whole imagination and his whole heart. Hours of
pure enthusiasm, Coppée goes on to say, and of perfect happiness,
that he will nevermore find when he shall have bitten into the
savory fruit of success, when he shall be spurred on by the feverish
desire for fame! Delightful and sacred hours, that can be compared
only to the rapture of first love!
Rising at six, Coppée would vigorously begin his battle with
words, ideas, pictures. At nine he left for his office. There, having
blackened with ink a sufficient number of government foolscap
sheets, he would find himself with two or three spare hours, which
he employed in reading and taking notes. Every night found him
up until twelve at his writing-table. The whole of Sunday was
given to his favorite occupation of writing verse. Such a continuous
effort, he says, kept up in his mind that ardor, spirit, and excite-
ment without which no poetical production is possible.
Such was Coppée's life until, his name becoming known, he
earned enough with his pen to give himself up entirely to his art.
Then came his success with 'Le Passant' (The Passer-by: 1869), a
one-act play; and the following year, the war, the siege of Paris,
through which Coppée served in the militia. "Amédée Violette" has
now become famous, and his reputation as a poet rests upon the
sincerity of his work. He is esteemed for the dignity of his life,
wholly taken up with art; and in the world of French letters his
place is in the very first rank. He lives out of the world, in the
close intimacy of those he loves, and knows nothing of the wretch-
edness of vanity and ambition. Like many writers and thinkers of
the present day, he feels the weariness of life, and finds oblivion in
the raptures of poetry and dreams. Such is the man: a wonderfully
delicate organization, of a modest shrinking nature, - notice the
name of Violette he gives himself, -sensitive to a degree of morbid-
ness.
3
E
## p. 4047 (#417) ###########################################
FRANÇOIS COPPÉE
4047
The Academy elected him a member in 1884. Let us now con-
sider the writer. The general character of Coppée's poetry is tender
and melancholy, and the greater part of his work may be summed up
as the glorification of the lowly, the weak, the ill-favored by nature
or fortune; his heroes are chosen by preference among those who
fill the humblest stations in life. One naturally associates poetry
with a higher order of things than those presented to our eyes by
the contemplation of daily events; but Coppée possesses the art of
extracting from the humblest creature, from the meanest occupation,
the beautiful, the poetic, the ideal. In the treatment in familiar
verse of these commonplace subjects, Coppée is an accomplished
master; and therein lies his originality, and there also will be found
his best work. The poems comprised in the collections called 'Les
Humbles,' 'Contes et Poésies,' and certain stanzas of Promenades et
Intérieurs,' contain the best specimens of this familiar and sympa-
thetic style of poetry.
There is another key that Coppée touches in his poems, with a
light and tender hand; a tone difficult to analyze,—the expression of
one's inner emotions, especially that of love; a yearning for an ideal
affection of woman; the feeling buried in the hearts of all who have
lived, loved, and suffered; regret in comparing what is with what
might have been: all these varied emotions more easily felt than
defined, all that the French sum up by the term vécu, have been ren-
dered by Coppée in some of the poems contained in 'Le Reliquaire,'
in 'Intimites,' 'Le Cahier Rouge' (The Red Note-Book), 'Olivier,'
under whose name the poet has portrayed himself; 'L'Exilée'; 'Les
Mois' (The Months), in the collection having for title 'Les Récits et
les Élégies'; 'Arrière-Saison' (Martinmas, or what in this country
might be called Indian Summer).
The patriotic chord resounds in several of Coppée's composi-
tions, usually straightforward, manly; here and there however with
a slight touch of chauvinism. The 'Lettre d'un Mobile Breton,' a
letter written by a Breton soldier to his parents during the siege of
Paris; 'Plus de Sang! ' (No More Blood! ) Aux Amputés de la
Guerre (To the Maimed in Battle), will serve to illustrate Coppée's
treatment of subjects inspired by the events of the war, the siege,
and the Commune.
Among the various well-known poems of this writer, the fame of
which was increased by their being recited in Parisian salons by
skilled artists, should be mentioned 'Les Aïeules' (The Grandmothers);
'La Grève des Forgerons' (The Blacksmiths' Strike); 'Le Naufragé›
(The Shipwrecked Sailor); and 'La Bénédiction,' an episode of the
taking of Saragossa by the French in 1809.
## p. 4048 (#418) ###########################################
4048
FRANÇOIS COPPÉE
one.
François Coppée has written for the stage; but he is too elegiac,
too sentimental a poet to be a first-class playwright, although some
of his plays have met with great success: 'Le Passant' (The
Passer-by: 1869), a one-act comedy whose great charm lies in the
expression of suffering love; 'Le Luthier de Crémone' (The Musical
Instrument Maker of Cremona: 1876), probably the best of his
dramatic compositions, a one-act comedy in which the leading char-
acter is again one of the humble,- Filippo the hunchback, whose
deformity covers a brave heart and a magnanimous spirit; and
'Pour la Couronne' (For the Crown: 1895), a five-act drama with
more action than is usually found in Coppée's plays. The scene is
laid in the Balkans. The character of Constantine Brancomir, who is
falsely accused of selling his country to the Turks and submits to an
ignominious punishment to save his father's memory, is a very noble
With these exceptions, Coppée's plays lack action. Remaining
titles are: 'Deux Douleurs' (Two Sorrows), a one-act drama, the
story of two women who love the same man, and from being rivals
become reconciled at his death; 'Fais ce que Dois' (Do What You
Ought), a dramatic episode in one act, of a patriotic nature, -some-
what commonplace, however; 'L'Abandonnée,' a two-act drama pre-
senting the picture of a young girl abandoned by her lover, who
meets again with him at her death-bed in a hospital ward; 'Les
Bijoux de la Déliverance' (The Jewels of Ransom, Freedom), simply a
scene, in which a lady dressed for the ball suddenly reflects that the
foreigner is still occupying the territory of France until the payment
of the ransom, and removes her glittering jewels to be used for a
nobler purpose. Still other plays are 'Le Rendezvous,' 'La Guerre
de Cent Ans' (The Hundred Years' War), 'Le Trésor (The Treas-
ure), 'Madame de Maintenon,' 'Severo Torelli,' 'Les Jacobites'; and
'Le Pater' (The Father), which was prohibited by the French
government in 1889.
In common with other modern French writers, with Daudet, Mau-
passant, and others, Coppée excels in the writing of tales.
His prose
is remarkable for the same qualities that appear in his poetical
works: sympathy, tenderness, marked predilection for the weak, the
humble, and especially a masterly treatment of subjects essentially
Parisian and modern. These contes or tales have been collected under
various titles:-Contes en Prose'; 'Vingt Contes Nouveaux' (Twenty
New Tales); 'Longues et Brèves' (Long and Short Ones); Contes
Tout Simples (Simple Stories). The following may be mentioned as
among some of the best of this writer's prose tales:-'Le Morceau
de Pain (The Piece of Bread); 'Une Mort Volontaire' (A Voluntary
Death); 'Le Pain Bénit' (The Consecrated Bread); 'La Soeur de
Lait' (The Foster-Sister); 'Un Accident'; 'Les Vices du Capitaine';
## p. 4049 (#419) ###########################################
FRANÇOIS COPPÉE
4049
'Les Sabots du Petit Wolff'; 'Mon Ami Meutrier' (My Friend Meu-
trier).
Coppée's other prose works are 'Une Idylle Pendant le Siége,'
'Henriette,' 'Rivales,' nouvelles or novelettes; 'Toute une Jeu-
nesse'; 'Mon Franc-Parler' (Freely Spoken Words), essays on differ-
ent subjects, books, authors, celebrities, etc.
Robert Lanterns
THE PARRICIDE
From For the Crown'
The scene represents a rocky plateau in the Balkans. In the background
and centre of the stage, a ruined Roman triumphal arch. A huge
signal-pyre is prepared for firing, near the path. Beside it burns a
torch, stuck into the rock. On all sides are pine-trees and crags.
In the distance are the Balkans, with snowy summits. It is the
middle of a fine starlight night. Michael Brancomir, solus:
HAVE promised - have sworn.
I
'Tis the moment, the place —
Michael, naught is left but to hold to thy oath.
What calm! Far below there, the torrent scarce drips —
Othorgul soon will come: I shall speedily hear
On the old Roman high-road the tramp of his horse;
I shall see him approach, he, the foe, 'neath the arch
Built by Dacia's conqueror, Trajan the Great.
What matters it? Ripe for all daring am I,
Basilide! Ah, thy amorous arms, whence I come,
Have embraces to stifle and smother remorse.
Yes, thy hand have I kissed, pointing out shame's abyss;
With joy throbs my heart that I love thee to crime!
And since crime must ensue that thy pleasure be done,
I feel in such treason an awful content.
Enmeshed in the night of thy locks, I have sworn
That in place of the Turk, should the Prince of the Pit
Rise up with a sneer and stretch forth to my hand
This crown I desire, all with hell-fires aglow,
To thee, Basilide, my seared hand should it bring!
Starry night! All thy splendors undaunted I meet.
VII-254
## p. 4050 (#420) ###########################################
4050
FRANÇOIS COPPÉE
[Perceiving his son Constantine suddenly approaching over the rocks at the
right hand, exclaims, loud and harshly:-]
What's there? Do I dream? Near the crag there's a man!
Ho, prowler! stand off, 'tis forbid to approach!
The command is most strict.
Further back, and at once!
Further back there, I say!
Constantine [drawing nearer] -
Michael
Constantine
Michael-
Constantine! Thou, my son!
Constantine
Michael
What brings thee here,- say,—
To this waste at this hour of the night? Tell me, too,
Why so trembling thy lip? why so pallid thy face?
What thy errand ?
Say, rather, what doest thou here?
First, my answer! My patience thou bring'st to an end!
Say, what brings thee thus here?
Constantine -
Duty, father. I know.
Michael [starting back]—
What "knowest" thou, boy?
Fear not, father! 'Tis I.
Constantine -
That the clamor of arms
In the Balkans will rise-the Turk comes-that yon pyre
Has beside it this moment no warder of faith-
That this night, if all Christendom's world shall be saved,
I shall fire yonder signal, in spite even of — you!
Michael [aside]-
-
Michael-
Yes.
Damnation!
Constantine-
Just God! To a demon defiance I cast-
And the spirit of hell takes the shape of my son!
[Aloud. ] What madness inspires thee? What folly, what dream?
Constantine-
Nay, spare thyself, father, the shame of a lie.
Thy bargain is made-thy throne offered - the Turk
Meets thee here. I know all I have heard all, I say!
――――
-
―――
Or no! Let it be, 'tis not true!
Let it be I'm abused-that a horror I dream;
That a madness beset me; that truth is with thee;
That when such a compact of shame thou didst make,
Thy aim was deceiving the traitress, whose kiss
Thou hadst wiped from thy lips, rushing forth into night.
I divine it-thy traitorous part is a ruse!
'Tis alone for thy country, the war for the Cross,
## p. 4051 (#421) ###########################################
FRANÇOIS COPPÉE
4051
That the mask of disloyalty shadows thy face.
To fire with thine own hand yon signal thou'rt here.
Othorgul in an ambush shall fall and be crushed;
On the Balkans, the girdle of fire - our defense.
Shall flare from Iskren to remote Kilandar —
Ah, I wake! I cast from me this nightmare of shame.
Take the torch, light the pyre- let it burst to its blaze!
Michael-
So suspected I stand? So my son is a spy?
A new order, sooth! What, the heir of my name
Dares to ask to my face if a treason I work!
Since when did a father endure to be told
That his son sets his ears to the cracks of the door?
Say, when did I ask thy opinions? Since when
Does the chief take his orderly's counsels in war?
I deign no reply to thy insolent charge.
Thou hast not now to learn that my frown means «< Obey. "
Hearken then: 'tis my wish to abide here alone
This night at the post. To the fortress at once!
Choose the path the most short! Get thee hence, boy, I
say.
The signal I light when shall seem to me good.
In the weal of our land I am not to be taught.
I have spoken. Return to thy post, sir. Obey!
Constantine -
It is true, then! No hideous dream of disgrace!
The villainy ripe to its finish! I stay.
Michael-
Thou darest?
Constantine-
Ay, father, thy wrath I can brook.
It is love, yes, the last throbs of love for thyself
That have drawn me to seek thee alone on these heights,
To stand between thee and that hideous crime.
―――――
Filial duty? Obedience unto my chief?
To the winds with them both! In my heart rules one
thought-
I would save thee to God must I render account
-
Michael-
Constantine-
I must rescue my country, must pluck thee from shame.
Give place there, I say! Stand aside from that torch!
Let the mountain heights glow with their fires!
No, by God!
O father, bethink thee! O father, beware!
From above God looks down, and the eyes of the stars.
## p. 4052 (#422) ###########################################
4052
FRANÇOIS COPPÉE
Of myself I have asked, when thy treason I knew,
What by honor was set? -where lay duty from me?
Alas, it was clear! To denounce to the world
Thy plot-and thyself—and that woman most vile;
To unmask too thy spy. But for thee this means death!
(Death held in reserve through the torture's dread scenes)
It means in an instant thy glory effaced.
I have pictured thy end at the gibbet, through me.
I could not denounce thee! I held back in dread
From the part of a son who to death yields a sire.
I could not endure that thy name so renowned
Should be scorned-that thy glory should take such dark
flight.
Time is swift.
Give me place!
But at present I act as I must.
I shall kindle yon signal, I say.
Calm the woes of thy country! — appease Heaven's wrath!
Think, think, that my silence has turned from thyself
A death on a scaffold, and tortures before.
Think, think that my silence had meant for thee chains,
And the doomsman's dread hand laying clutch upon thee. . .
O father, thou wilt not that I should-regret!
Michael-
_____
Too late. Regret now to have saved thus my life.
O son too devoted, best gained were thy wish
Hadst thou told all- hadst seen me a Judas, disgraced,
Cut down by my soldiers before thine own eyes.
The worse now for thee! Thy heart questions, disputes;
That thing whereon mine is resolved, that I do.
Who has nothing foreseen, he can nothing prevent:
I permit that no hand yonder beacon shall fire.
Constantine-
Thou wouldst yield then, defenseless, our ancient frontier?
Thou wilt suffer the Turk to make Europe his prey,
To all Christendom's ruin-
Michael-
Constantine-
And thy Christ, and thy God?
Spite of God, king I would be, will be!
Michael-
Constantine-
'Tis ingrate to me.
Michael-
Has God made of me king?
Say-perhaps.
Oft a crown is too large for a traitorous head.
It can suddenly prove a garrote - for the stake.
Thou insultest! The folly is passing all bounds!
## p. 4053 (#423) ###########################################
FRANÇOIS COPPÉE
4053
Constantine [in sudden emotion] -
-
Michael
Ah yes, I am wrong! O my father, forgive! —
What I utter I know not; for aid I must call!
To my help, then, O memories great of days sped,
Ye evenings of rapture that followed fights won.
Come, turmoils of booty, flags snatched as in sheaves,
Shouts of joy and of pride when from fray I returned
And felt on my forehead, blood-scarred, his hot kiss! -
O ye visions like these, of past glory, crowd thick!
The valor of old years, of old time the deeds,
Quick, rank yourselves here, face this wretchedest man,
Bring a blush to his face at his treason so vile!
Speak, speak to him! Say that at morn, in the town,
The standards that hang at the gates of his halls
Will stoop, as he passes, to smite at his face.
Say, oh say, to this hero become renegade,
That the soldiers long dead on his battle-fields past
In this hour know the crime unexampled he plots,-
That they whisper in dread, 'twixt themselves, 'neath the
earth,
And if passes some wanderer to-night by their graves,
Indignant the murmur is breathed through the grass.
there is not time enough for reason to do its work, young
officer; therefore let us await its biddings. "
"For my own part," said Paul Hover, looking about him
with no equivocal expression of concern, "I acknowledge that
should this dry bed of weeds get fairly in a flame, a bee would
have to make a flight higher than common to prevent his wings
from scorching. Therefore, old trapper, I agree with the cap-
tain, and say, mount and run. ”
## p. 4035 (#405) ###########################################
JAMES FENIMORE COOPER
4035
"Ye are wrong-ye are wrong; man is not a beast to follow
the gift of instinct, and to snuff up his knowledge by a taint
in the air or a rumbling in the sound; but he must see and
reason, and then conclude. So follow me a little to the left,
where there is a rise in the ground, whence we may make our
reconnoitrings. "
The old man waved his hand with authority, and led the way
without further parlance to the spot he had indicated, followed
by the whole of his alarmed companions. An eye less practiced
than that of the trapper might have failed in discovering the
gentle elevation to which he alluded, and which looked on the
surface of the meadow like a growth a little taller than common.
When they reached the place, however, the stunted grass itself
announced the absence of that moisture which had fed the rank
weeds of most of the plain, and furnished a clue to the evidence
by which he had judged of the formation of the ground hidden.
beneath. Here a few minutes were lost in breaking down the
tops of the surrounding herbage, which, notwithstanding the ad-
vantage of their position, rose even above the heads of Mid-
dleton and Paul, and in obtaining a lookout that might command
a view of the surrounding sea of fire.
The frightful prospect added nothing to the hopes of those
who had so fearful a stake in the result. Although the day
was beginning to dawn, the vivid colors of the sky contin-
ued to deepen, as if the fierce element were bent on an impious
rivalry of the light of the sun. Bright flashes of flame shot up
here and there along the margin of the waste, like the nimble.
coruscations of the North, but far more angry and threatening
in their color and changes. The anxiety on the rigid features
of the trapper sensibly deepened, as he leisurely traced these
evidences of a conflagration, which spread in a
in a broad belt
about their place of refuge, until he had encircled the whole
horizon.
Shaking his head, as he again turned his face to the point
where the danger seemed nighest and most rapidly approaching,
the old man said:
"Now have we been cheating ourselves with the belief that
we had thrown these Tetons from our trail, while here is proof
enough that they not only know where we lie, but that they
intend to smoke us out, like so many skulking beasts of prey.
See: they have lighted the fire around the whole bottom at the
## p. 4036 (#406) ###########################################
4036
JAMES FENIMORE COOPER
same moment, and we are as completely hemmed in by the
devils as an island by its waters. "
"Let us mount and ride! " cried Middleton; "is life not worth
a struggle? "
"Whither would ye go? Is a Teton horse a salamander that
can walk amid fiery flames unhurt, or do you think the Lord
will show his might in your behalf, as in the days of old, and
carry you harmless through such a furnace as you may see
glowing beneath yonder red sky? There are Sioux too hem.
ming the fire with their arrows and knives on every side of us,
or I am no judge of their murderous deviltries. "
"We will ride into the centre of the whole tribe," returned
the youth fiercely, "and put their manhood to the test. "
"Ay, it's well in words, but what would it prove in deeds?
Here is a dealer in bees, who can teach you wisdom in a matter
like this. "
"Now for that matter, old trapper," said Paul, stretching his
athletic form like a mastiff conscious of his strength, "I am on
the side of the captain, and am clearly for a race against the
fire, though it line me into a Teton wigwam. Here is Ellen,
who will »
"Of what use, of what use are your stout hearts, when the
element of the Lord is to be conquered as well as human men?
Look about you, friends; the wreath of smoke that is rising
from the bottoms plainly says that there is no outlet from the
spot, without crossing a belt of fire. Look for yourselves, my
men; look for yourselves: if you can find a single opening, I
will engage to follow. "
The examination which his companions so instantly and so
intently made, rather served to assure them of their desperate
situation than to appease their fears. Huge columns of smoke
were rolling up from the plain and thickening in gloomy masses
around the horizon; the red glow which gleamed upon their
enormous folds, now lighting their volumes with the glare of the
conflagration and now flashing to another point as the flame
beneath glided ahead, leaving all behind enveloped in awful
darkness, and proclaiming louder than words the character of the
imminent and approaching danger.
"This is terrible! " exclaimed Middleton, folding the trembling
Inez to his heart. "At such a time as this, and in such a
manner!
>>>
## p. 4037 (#407) ###########################################
JAMES FENIMORE COOPER
4037
"The gates of heaven are open to all who truly believe,"
murmured the pious devotee in his bosom.
"This resignation is maddening! But we are men, and will
make a struggle for our lives! How now, my brave and spirited
friend, shall we yet mount and push across the flames, or shall
we stand here, and see those we most love perish in this fright-
ful manner, without an effort? »
"I am for a swarming time and a flight before the hive is
too hot to hold us," said the bee-hunter, to whom it will be at
once seen that Middleton addressed himself. "Come, old trap-
per, you must acknowledge this is but a slow way of getting
out of danger. If we tarry here much longer, it will be in the
fashion that the bees lie around the straw after the hive has
been smoked for its honey. You may hear the fire begin
to roar already, and I know by experience that when the flames
once get fairly into the prairie grass, it is no sloth that can
outrun it. "
"Think you,” returned the old man, pointing scornfully at
the mazes of the dry and matted grass which environed them,
"that mortal feet can outstrip the speed of fire on such a path?
If I only knew now on which side these miscreants lay! "
"What say you, friend Doctor," cried the bewildered Paul,
turning to the naturalist with that sort of helplessness with
which the strong are often apt to seek aid of the weak, when
human power is baffled by the hand of a mightier Being; "what
say you have you no advice to give away in a case of life and
death? "
The naturalist stood, tablets in hand, looking at the awful
spectacle with as much composure as if the conflagration had
been lighted in order to solve the difficulties of some scientific
problem. Aroused by the question of his companion, he turned
to his equally calm though differently occupied associate, the
trapper, demanding with the most provoking insensibility to the
urgent nature of their situation:
"Venerable hunter, you have often witnessed similar pris-
matic experiments—"
He was rudely interrupted by Paul, who struck the tablets
from his hands with a violence that betrayed the utter intellect-
ual confusion which had overset the equanimity of his mind.
Before time was allowed for remonstrance, the old man, who had
continued during the whole scene like one much at loss how to
## p. 4038 (#408) ###########################################
4038
JAMES FENIMORE COOPER
proceed, though also like one who was rather perplexed than
alarmed, suddenly assumed a decided air, as if he no longer
doubted on the course it was most advisable to pursue.
"It is time to be doing," he said, interrupting the controversy
that was about to ensue between the naturalist and the bee-
hunter; "it is time to leave off books and moanings, and to be
doing.
>>
«<
"You have come to your recollections too late, miserable old
man," cried Middleton; the flames are within a quarter of a
mile of us, and the wind is bringing them down in this quarter
with dreadful rapidity. "
"Anan! the flames! I care but little for the flames. If I
only knew how to circumvent the cunning of the Tetons as I
know how to cheat the fire of its prey, there would be nothing
needed but thanks to the Lord for our deliverance. Do you call
this a fire? If you had seen what I have witnessed in the east-
ern hills, when mighty mountains were like the furnace of a
smith, you would have known what it was to fear the flames
and to be thankful that you were spared! Come, lads, come:
'tis time to be doing now, and to cease talking; for yonder curl-
ing flame is truly coming on like a trotting moose. Put hands
upon this short and withered grass where we stand, and lay bare
the 'arth. "
"Would you think to deprive the fire of its victims in this
childish manner? " exclaimed Middleton.
A faint but solemn smile passed over the features of the old
man as he answered:-
:-
"Your gran'ther would have said that when the enemy was
nigh, a soldier could do no better than to obey. "
The captain felt the reproof, and instantly began to imitate
the industry of Paul, who was tearing the decayed herbage from
the ground in a sort of desperate compliance with the trapper's
direction. Even Ellen lent her hands to the labor, nor was it
long before Inez was seen similarly employed, though none
amongst them knew why or wherefore. When life is thought
to be the reward of labor, men are wont to be industrious. A
very few moments sufficed to lay bare a spot of some twenty
feet in diameter. Into one edge of this little area the trapper
brought the females, directing Middleton and Paul to cover their
light and inflammable dresses with the blankets of the party.
So soon as this precaution was observed, the old man approached
## p. 4039 (#409) ###########################################
JAMES FENIMORE COOPER
4939
the opposite margin of the grass which still environed them in.
a tall and dangerous circle, and selecting a handful of the driest
of the herbage, he placed it over the pan of his rifle. The light
combustible kindled at the flash. Then he placed the little flame
in a bed of the standing fog, and withdrawing from the spot to
the centre of the ring, he patiently awaited the result.
The subtle element seized with avidity upon its new fuel, and
in a moment forked flames were gliding among the grass, as the
tongues of ruminating animals are seen rolling among their food,
apparently in quest of its sweetest portions.
"Now," said the old man, holding up a finger, and laughing
in his peculiarly silent manner, "you shall see fire fight fire!
Ah's me! many is the time I have burnt a smooty path, from
wanton laziness to pick my way across a tangled bottom. "
"But is this not fatal? " cried the amazed Middleton; « are
you not bringing the enemy nigher to us instead of avoiding
it ? »
"Do you scorch so easily? your gran'ther had a tougher skin.
But we shall live to see-we shall all live to see. "
The experience of the trapper was in the right. As the fire
gained strength and heat, it began to spread on three sides, dying
of itself on the fourth for want of aliment. As it increased, and
the sullen roaring announced its power, it cleared everything
before it, leaving the black and smoking soil far more naked
than if the scythe had swept the place. The situation of the
fugitives would have still been hazardous, had not the area en-
larged as the flame encircled them. But by advancing to the
spot where the trapper had kindled the grass, they avoided the
heat, and in a very few moments the flames began to recede in
every quarter, leaving them enveloped in a cloud of smoke, but
perfectly safe from the torrent of fire that was still furiously
rolling onwards.
The spectators regarded the simple expedient of the trapper
with that species of wonder with which the courtiers of Ferdi-
nand are said to have viewed the manner in which Columbus
made his egg stand on its end, though with feelings that were
filled with gratitude instead of envy.
## p. 4040 (#410) ###########################################
4040
COPERNICUS
(1473-1543)
BY EDWARD S. HOLDEN
T HAS been the fortune of other men than Copernicus to
render immense services to science: but it has never before
been given to any philosopher to alter, for every thinking
man, his entire view of the world; to face the whole human race in
a new direction; to lay the foundations for all subsequent intellectual
progress. To comprehend the new universe which he opened to
mankind, it is necessary to understand something of the age in which
he lived, and its critical relations to the past and future.
The life of Copernicus covered the years 1473 to 1543. The
astronomy of the Greeks came to its flower with Ptolemy (circa
A. D. 150), who was followed by a host of able commentators. Their
works were mostly lost in some one of the several destructions of the
Alexandrian library. Many important treatises survived, of course,
though Grecian science was then dead. Bagdad became the seat of
astronomy under the Abbasside Caliphs. It is said that Al Mamun
(circa A. D. 827) stipulated in a treaty with the Emperor for copies
of the manuscripts of Greek philosophers in the Constantinople
libraries, and that these were translated for the benefit of Arabian
scholars. The Arabs carried this learning, improved in many details,
to the lands they conquered. Bagdad, Cordova, Seville, Tangier,
have been successively the homes of exact science. Under the
Moguls the seat of astronomy was transferred to Samarkand (1405).
It was not firmly rooted in Europe until Tycho Brahe built Ura-
nienborg in Denmark in 1576.
The Arabs touched Europe in Spain (711-1492) and through the
Crusaders (1099). The ancient Ptolemaic system of the world, which
counted the earth as the centre of the universe, was successively
amended by new devices,
"With centric and eccentric scribbled o'er,
Cycle and epicycle, orb in orb->
until it had reached a complexity past belief. King Alfonso X. of
Castile expended an enormous sum for the construction of the
Alfonsine Tables (1252), which were designed to give, by a com-
paratively simple calculation, the positions of the sun and planets
for past and future epochs,-employing the theories of Ptolemy as a
## p. 4041 (#411) ###########################################
COPERNICUS
4041
basis. Alfonso's critical remark upon these theories is well known:
to wit, that if he had been present at the creation, he could have
given the Creator much good advice. As the determination of the
places of the planets (their latitudes and longitudes) became more
exact, it was increasingly difficult to account for their observed
movements by the devices introduced by Ptolemy. New contrivances
were required, and each successive epicycle made the system more
complex and cumbrous. It was on the point of breaking by its own
weight.
There is hardly a glimmer of scientific light in the darkness of
the two centuries following. From Roger Bacon (1214-94) to the
birth of Leonardo da Vinci (1452) there is scarcely a single date to
record except that of 1438, when the art of printing was invented –
or re-invented-in Europe.
The writings of Purbach (1460) and of Regiomontanus (1471)
brought astronomy in Germany to the same level as the Arabian
science of five centuries earlier in Spain, and marked the begin-
ning of a new era for Northern lands. In Italy the impulse was
earlier felt, though it manifested itself chiefly in literature. Math-
ematics was not neglected, however, at the ancient University of
Bologna; and it was to Bologna that Copernicus came as a student in
1496.
The voyages of Columbus in 1492 and of Vasco da Gama in 1498
were other signs of the same impulsion which was manifest through
out the Western lands.
Nicolas Copernicus was born in 1473, in the town of Thorn in
Poland. His father was originally from Bohemia, and his mother was
the sister of the Bishop of Ermeland. The father died when the lad
was but ten years old, and left him to the care of his uncle. His
studies were prosecuted at the best schools and at the University of
Cracow, where he followed the courses in medicine, and became in
due time a doctor. Mathematics and astronomy were ardently studied
under learned professors, and the young man also became a skillful
artist in painting. At the termination of his studies he turned his
face towards Italy, entered the universities of Padua and Bologna,
and finally received the appointment of Professor of Mathematics at
Rome in 1499, at the age of twenty-seven years. Here his duties
were to expound the theories of Ptolemy as taught in the 'Almagest,'
and he became entirely familiar with their merits and with their
deficiencies.
Astronomers everywhere were asking themselves if there might
not be simpler methods of accounting for the movements of the
planets and of predicting their situations in the sky than the Ptole-
maic methods, loaded down as they were with new complexities.
## p. 4042 (#412) ###########################################
COPERNICUS
4042
We know that these questions occupied Copernicus during the seven
years of his stay in Italy, 1496 to 1502. made a few astronomical
observations then and subsequently, but he was not a born observer
like his successor Tycho Brahe. His observations were directed
towards determining the positions of the planets, as a test of the
tables by which these positions had been predicted; and they were
sufficient to show the shortcomings of the accepted Ptolemaic theory.
He was a theoretical astronomer, but his theory was controlled by
observation.
In 1502 Copernicus returned to his native land and at once entered
holy orders. In 1510 he became canon of Frauenburg, a small town
not far from Königsberg. Here he divided his time between his re-
ligious duties, the practice of medicine, and the study of astronomy
a peaceful life, one would say, and likely to be free from vexa-
tions.
-
It became necessary for the priest to leave his cloister, however,
to defend the interests of the Church in a lawsuit against the
Knights of the Teutonic Order. The lawsuit was won at last, but
Copernicus had raised up powerful enemies. His conclusions with
regard to the motion of the earth were not yet published, but it was
known that he entertained such opinions. Here was an opportunity
for his enemies to bring him to ridicule and to disgrace, which was
not neglected. Troupes of strolling players were employed to turn
himself and his conclusions into ridicule; and it requires no imagina-
tion to conceive that they were perfectly successful before the audi-
ences of the day. But these annoyances fell away in time. The
reputation of the good physician and the good priest conquered his
townsfolk, while the scholars of Europe were more and more im-
pressed with his learning.
His authority grew apace. He was consulted on practical affairs,
such as the financial conduct of the mint. In 1507 he had begun to
write a treatise on the motion of the heavenly bodies - 'De Revolu-
tionibus Orbium Cœlestium'-and he appears to have brought it to
completion about 1514. It is replete with interest to astronomers,
but there are few passages suitable for quotation in a summary like
the present. The manuscript was touched and retouched from time
to time; and finally in 1541, when he was nearly seventy years of
age, he confided it to a disciple in Nuremberg to be printed. In the
month of May, 1543, the impression was completed, and the final
sheets were sent to the author. They reached him when he was on
his death-bed, a few days before he died.
His epitaph is most humble:-"I do not ask the pardon accorded
to Paul; I do not hope for the grace given to Peter. I beg only
the favor which You have granted to the thief on the cross. " His
## p. 4043 (#413) ###########################################
COPERNICUS
4043
legacy to the world was an upright useful life, and a volume con-
taining an immortal truth:
-
The earth is not the centre of the universe; the earth is in motion
around the sun.
The conception that the earth might revolve about the sun was
no new thing. The ancients had considered this hypothesis among
others. Ptolemy made the earth the centre of all the celestial
motions. As the motions became more precisely known, Ptolemy's
hypothesis required new additions, and it was finally overloaded.
It is the merit of Copernicus that he reversed the ancient process of
thought and inquired what hypothesis would fit observed facts, and
not what additions must be made to an a priori assumption to repre-
sent observations. He showed clearly and beyond a doubt that the
facts were represented far better by the theory that the sun was the
centre of motion of the earth, and not only of the earth, but of all the
planets. He says:-
"By no other combination have I been able to find so admirable a sym-
metry in the separate parts of the great whole, so harmonious a union
between the motions of the celestial bodies, as by placing the torch of the
world that Sun which governs all the family of the planets in their circu-
lar revolutions—on his royal throne, in the midst of Nature's temple. »*
He did not demonstrate this arrangement to be the true one. It
was left to Galileo to prove that Venus had phases like our moon,
and hence that its light was sunlight, and that its motion was helio-
centric. The direct service of Copernicus to pure astronomy lay in
his method. What theory will best fit the facts? How shall we test
the theory by observation? Indirectly he laid the foundations for the
reformation of astronomy by Kepler and Galileo; for Newton's work-
ing out of the conception of the sun as a centre of force as well as
a centre of motion; for the modern ideas of the relations between
force and matter.
The Church, which regarded all sciences as derivatives of the-
ology, placed the work of Copernicus on the Index Expurgatorius at
Rome, 1616. The Reformation maintained an official silence the
But
mooted questions. Luther condemned the theory of Copernicus.
the service of Copernicus to mankind was immense, revolutionary,-
incalculable. For thousands of years the earth, with its inhabitants,
was the centre of a universe created for its benefit. At one step all
this was changed, and man took his modest place. He became a
creature painfully living on a small planet—one of many-revolving
*Quoted from the French of Flammarion's 'Life of Copernicus,' page 122.
## p. 4044 (#414) ###########################################
COPERNICUS
4044
around one of the smaller stars or suns; and that sun was only one of
the millions upon millions shining in the stellar vault. Man's position
in the universe was destroyed. The loss of kingship would seem to
be intolerable, were it not that it was by a man, after all, that Man
was dethroned. All our modern thought, feeling, action, is profoundly
modified by the consequences of the dictum of Copernicus-" The
earth is not the centre of the universe. " Mankind was faced in a new
direction by that pronouncement. Modern life became possible.
Modern views became inevitable. The end is not yet. When in
future ages the entire history of the race is written, many names
now dear to us will be ignored: they have no vital connection with
the progress of the race. But one name is sure of a place of honor:
Copernicus will not be forgotten by our remotest descendants.
Edward S. Holden
## p. 4045 (#415) ###########################################
4045
FRANÇOIS COPPÉE
(1842-)
BY ROBERT SANDERSON
MONG writers of the present day whose influence on French
letters is strongly felt, François Coppée occupies a foremost
rank. Indeed, poets of the new generation look up to him
as a master and take him for a model. Born in 1842, at the age of
twenty-four he first began to draw attention by the publication in 1866
of a number of poems, collected under the name of 'Le Reliquaire'
(The Reliquary or Shrine). Since then he has gone on writing poems,
plays, and novels; but it is on his work as a poet that his fame will
stand. We cannot do better than turn to
one of his books, not for his biography
alone, but also for the manner of thinking
and feeling of this author. Toute une
Jeunesse (An Entire Youth) is not strictly
an autobiography; but Coppée informs us
that the leading character in this work,
Amédée Violette, felt life as he felt it
when a child and young man.
Here we learn that Coppée's father was
a clerk in the War Offices, earning barely
enough to keep his family. The boy was
of weakly constitution, nervous and senti-
mental. The mother died; François grew
up with his three sisters, two of whom painted for a living, while
the third kept house.
Then the father died, and his son also ob-
tained employment in the government offices.
FRANÇOIS COPPÉE
François's boyhood and part of his youth were spent in sadness,
almost misery; and the shadow cast over his life by this gloomy
period of his existence is very perceptible in the poet's writings. It
did not however make him a cynic, a pessimist, or a rebel against the
existing social conditions. To be sure, his verse is not unfrequently
ironical; but it is the irony of fate that the poet makes you keenly
feel, although he touches it with a light hand. The recollection of
those joyless days filled Coppée with an immense feeling of sadness
and sympathy for all who suffer on this earth, especially for those
who struggle on, bravely concealing from all eyes their griefs and
## p. 4046 (#416) ###########################################
4046
FRANÇOIS COPPÉE
sorrows. His life, he tells us, was composed of desires and reveries.
His only consolation was in his literary work. He felt the inclina-
tion and the need of expressing in a way both simple and sincere
what passed under his eyes; of extracting what humble ideal there
might be in the small folk with whom he had lived, in the melan-
choly landscapes of the Parisian suburbs where his childhood had
been spent,-in short, to paint from nature. He made the attempt,
felt that he was successful, and lived then the best and noblest
hours of his life; hours in which the artist, already a master of his
instrument and having still that abundance and vivacity of sensations
of youth, writes the first work that he knows to be good, and writes
it with complete disinterestedness, without even thinking that others
will see it; working for himself alone, for the sole joy of producing,
of pouring out his whole imagination and his whole heart. Hours of
pure enthusiasm, Coppée goes on to say, and of perfect happiness,
that he will nevermore find when he shall have bitten into the
savory fruit of success, when he shall be spurred on by the feverish
desire for fame! Delightful and sacred hours, that can be compared
only to the rapture of first love!
Rising at six, Coppée would vigorously begin his battle with
words, ideas, pictures. At nine he left for his office. There, having
blackened with ink a sufficient number of government foolscap
sheets, he would find himself with two or three spare hours, which
he employed in reading and taking notes. Every night found him
up until twelve at his writing-table. The whole of Sunday was
given to his favorite occupation of writing verse. Such a continuous
effort, he says, kept up in his mind that ardor, spirit, and excite-
ment without which no poetical production is possible.
Such was Coppée's life until, his name becoming known, he
earned enough with his pen to give himself up entirely to his art.
Then came his success with 'Le Passant' (The Passer-by: 1869), a
one-act play; and the following year, the war, the siege of Paris,
through which Coppée served in the militia. "Amédée Violette" has
now become famous, and his reputation as a poet rests upon the
sincerity of his work. He is esteemed for the dignity of his life,
wholly taken up with art; and in the world of French letters his
place is in the very first rank. He lives out of the world, in the
close intimacy of those he loves, and knows nothing of the wretch-
edness of vanity and ambition. Like many writers and thinkers of
the present day, he feels the weariness of life, and finds oblivion in
the raptures of poetry and dreams. Such is the man: a wonderfully
delicate organization, of a modest shrinking nature, - notice the
name of Violette he gives himself, -sensitive to a degree of morbid-
ness.
3
E
## p. 4047 (#417) ###########################################
FRANÇOIS COPPÉE
4047
The Academy elected him a member in 1884. Let us now con-
sider the writer. The general character of Coppée's poetry is tender
and melancholy, and the greater part of his work may be summed up
as the glorification of the lowly, the weak, the ill-favored by nature
or fortune; his heroes are chosen by preference among those who
fill the humblest stations in life. One naturally associates poetry
with a higher order of things than those presented to our eyes by
the contemplation of daily events; but Coppée possesses the art of
extracting from the humblest creature, from the meanest occupation,
the beautiful, the poetic, the ideal. In the treatment in familiar
verse of these commonplace subjects, Coppée is an accomplished
master; and therein lies his originality, and there also will be found
his best work. The poems comprised in the collections called 'Les
Humbles,' 'Contes et Poésies,' and certain stanzas of Promenades et
Intérieurs,' contain the best specimens of this familiar and sympa-
thetic style of poetry.
There is another key that Coppée touches in his poems, with a
light and tender hand; a tone difficult to analyze,—the expression of
one's inner emotions, especially that of love; a yearning for an ideal
affection of woman; the feeling buried in the hearts of all who have
lived, loved, and suffered; regret in comparing what is with what
might have been: all these varied emotions more easily felt than
defined, all that the French sum up by the term vécu, have been ren-
dered by Coppée in some of the poems contained in 'Le Reliquaire,'
in 'Intimites,' 'Le Cahier Rouge' (The Red Note-Book), 'Olivier,'
under whose name the poet has portrayed himself; 'L'Exilée'; 'Les
Mois' (The Months), in the collection having for title 'Les Récits et
les Élégies'; 'Arrière-Saison' (Martinmas, or what in this country
might be called Indian Summer).
The patriotic chord resounds in several of Coppée's composi-
tions, usually straightforward, manly; here and there however with
a slight touch of chauvinism. The 'Lettre d'un Mobile Breton,' a
letter written by a Breton soldier to his parents during the siege of
Paris; 'Plus de Sang! ' (No More Blood! ) Aux Amputés de la
Guerre (To the Maimed in Battle), will serve to illustrate Coppée's
treatment of subjects inspired by the events of the war, the siege,
and the Commune.
Among the various well-known poems of this writer, the fame of
which was increased by their being recited in Parisian salons by
skilled artists, should be mentioned 'Les Aïeules' (The Grandmothers);
'La Grève des Forgerons' (The Blacksmiths' Strike); 'Le Naufragé›
(The Shipwrecked Sailor); and 'La Bénédiction,' an episode of the
taking of Saragossa by the French in 1809.
## p. 4048 (#418) ###########################################
4048
FRANÇOIS COPPÉE
one.
François Coppée has written for the stage; but he is too elegiac,
too sentimental a poet to be a first-class playwright, although some
of his plays have met with great success: 'Le Passant' (The
Passer-by: 1869), a one-act comedy whose great charm lies in the
expression of suffering love; 'Le Luthier de Crémone' (The Musical
Instrument Maker of Cremona: 1876), probably the best of his
dramatic compositions, a one-act comedy in which the leading char-
acter is again one of the humble,- Filippo the hunchback, whose
deformity covers a brave heart and a magnanimous spirit; and
'Pour la Couronne' (For the Crown: 1895), a five-act drama with
more action than is usually found in Coppée's plays. The scene is
laid in the Balkans. The character of Constantine Brancomir, who is
falsely accused of selling his country to the Turks and submits to an
ignominious punishment to save his father's memory, is a very noble
With these exceptions, Coppée's plays lack action. Remaining
titles are: 'Deux Douleurs' (Two Sorrows), a one-act drama, the
story of two women who love the same man, and from being rivals
become reconciled at his death; 'Fais ce que Dois' (Do What You
Ought), a dramatic episode in one act, of a patriotic nature, -some-
what commonplace, however; 'L'Abandonnée,' a two-act drama pre-
senting the picture of a young girl abandoned by her lover, who
meets again with him at her death-bed in a hospital ward; 'Les
Bijoux de la Déliverance' (The Jewels of Ransom, Freedom), simply a
scene, in which a lady dressed for the ball suddenly reflects that the
foreigner is still occupying the territory of France until the payment
of the ransom, and removes her glittering jewels to be used for a
nobler purpose. Still other plays are 'Le Rendezvous,' 'La Guerre
de Cent Ans' (The Hundred Years' War), 'Le Trésor (The Treas-
ure), 'Madame de Maintenon,' 'Severo Torelli,' 'Les Jacobites'; and
'Le Pater' (The Father), which was prohibited by the French
government in 1889.
In common with other modern French writers, with Daudet, Mau-
passant, and others, Coppée excels in the writing of tales.
His prose
is remarkable for the same qualities that appear in his poetical
works: sympathy, tenderness, marked predilection for the weak, the
humble, and especially a masterly treatment of subjects essentially
Parisian and modern. These contes or tales have been collected under
various titles:-Contes en Prose'; 'Vingt Contes Nouveaux' (Twenty
New Tales); 'Longues et Brèves' (Long and Short Ones); Contes
Tout Simples (Simple Stories). The following may be mentioned as
among some of the best of this writer's prose tales:-'Le Morceau
de Pain (The Piece of Bread); 'Une Mort Volontaire' (A Voluntary
Death); 'Le Pain Bénit' (The Consecrated Bread); 'La Soeur de
Lait' (The Foster-Sister); 'Un Accident'; 'Les Vices du Capitaine';
## p. 4049 (#419) ###########################################
FRANÇOIS COPPÉE
4049
'Les Sabots du Petit Wolff'; 'Mon Ami Meutrier' (My Friend Meu-
trier).
Coppée's other prose works are 'Une Idylle Pendant le Siége,'
'Henriette,' 'Rivales,' nouvelles or novelettes; 'Toute une Jeu-
nesse'; 'Mon Franc-Parler' (Freely Spoken Words), essays on differ-
ent subjects, books, authors, celebrities, etc.
Robert Lanterns
THE PARRICIDE
From For the Crown'
The scene represents a rocky plateau in the Balkans. In the background
and centre of the stage, a ruined Roman triumphal arch. A huge
signal-pyre is prepared for firing, near the path. Beside it burns a
torch, stuck into the rock. On all sides are pine-trees and crags.
In the distance are the Balkans, with snowy summits. It is the
middle of a fine starlight night. Michael Brancomir, solus:
HAVE promised - have sworn.
I
'Tis the moment, the place —
Michael, naught is left but to hold to thy oath.
What calm! Far below there, the torrent scarce drips —
Othorgul soon will come: I shall speedily hear
On the old Roman high-road the tramp of his horse;
I shall see him approach, he, the foe, 'neath the arch
Built by Dacia's conqueror, Trajan the Great.
What matters it? Ripe for all daring am I,
Basilide! Ah, thy amorous arms, whence I come,
Have embraces to stifle and smother remorse.
Yes, thy hand have I kissed, pointing out shame's abyss;
With joy throbs my heart that I love thee to crime!
And since crime must ensue that thy pleasure be done,
I feel in such treason an awful content.
Enmeshed in the night of thy locks, I have sworn
That in place of the Turk, should the Prince of the Pit
Rise up with a sneer and stretch forth to my hand
This crown I desire, all with hell-fires aglow,
To thee, Basilide, my seared hand should it bring!
Starry night! All thy splendors undaunted I meet.
VII-254
## p. 4050 (#420) ###########################################
4050
FRANÇOIS COPPÉE
[Perceiving his son Constantine suddenly approaching over the rocks at the
right hand, exclaims, loud and harshly:-]
What's there? Do I dream? Near the crag there's a man!
Ho, prowler! stand off, 'tis forbid to approach!
The command is most strict.
Further back, and at once!
Further back there, I say!
Constantine [drawing nearer] -
Michael
Constantine
Michael-
Constantine! Thou, my son!
Constantine
Michael
What brings thee here,- say,—
To this waste at this hour of the night? Tell me, too,
Why so trembling thy lip? why so pallid thy face?
What thy errand ?
Say, rather, what doest thou here?
First, my answer! My patience thou bring'st to an end!
Say, what brings thee thus here?
Constantine -
Duty, father. I know.
Michael [starting back]—
What "knowest" thou, boy?
Fear not, father! 'Tis I.
Constantine -
That the clamor of arms
In the Balkans will rise-the Turk comes-that yon pyre
Has beside it this moment no warder of faith-
That this night, if all Christendom's world shall be saved,
I shall fire yonder signal, in spite even of — you!
Michael [aside]-
-
Michael-
Yes.
Damnation!
Constantine-
Just God! To a demon defiance I cast-
And the spirit of hell takes the shape of my son!
[Aloud. ] What madness inspires thee? What folly, what dream?
Constantine-
Nay, spare thyself, father, the shame of a lie.
Thy bargain is made-thy throne offered - the Turk
Meets thee here. I know all I have heard all, I say!
――――
-
―――
Or no! Let it be, 'tis not true!
Let it be I'm abused-that a horror I dream;
That a madness beset me; that truth is with thee;
That when such a compact of shame thou didst make,
Thy aim was deceiving the traitress, whose kiss
Thou hadst wiped from thy lips, rushing forth into night.
I divine it-thy traitorous part is a ruse!
'Tis alone for thy country, the war for the Cross,
## p. 4051 (#421) ###########################################
FRANÇOIS COPPÉE
4051
That the mask of disloyalty shadows thy face.
To fire with thine own hand yon signal thou'rt here.
Othorgul in an ambush shall fall and be crushed;
On the Balkans, the girdle of fire - our defense.
Shall flare from Iskren to remote Kilandar —
Ah, I wake! I cast from me this nightmare of shame.
Take the torch, light the pyre- let it burst to its blaze!
Michael-
So suspected I stand? So my son is a spy?
A new order, sooth! What, the heir of my name
Dares to ask to my face if a treason I work!
Since when did a father endure to be told
That his son sets his ears to the cracks of the door?
Say, when did I ask thy opinions? Since when
Does the chief take his orderly's counsels in war?
I deign no reply to thy insolent charge.
Thou hast not now to learn that my frown means «< Obey. "
Hearken then: 'tis my wish to abide here alone
This night at the post. To the fortress at once!
Choose the path the most short! Get thee hence, boy, I
say.
The signal I light when shall seem to me good.
In the weal of our land I am not to be taught.
I have spoken. Return to thy post, sir. Obey!
Constantine -
It is true, then! No hideous dream of disgrace!
The villainy ripe to its finish! I stay.
Michael-
Thou darest?
Constantine-
Ay, father, thy wrath I can brook.
It is love, yes, the last throbs of love for thyself
That have drawn me to seek thee alone on these heights,
To stand between thee and that hideous crime.
―――――
Filial duty? Obedience unto my chief?
To the winds with them both! In my heart rules one
thought-
I would save thee to God must I render account
-
Michael-
Constantine-
I must rescue my country, must pluck thee from shame.
Give place there, I say! Stand aside from that torch!
Let the mountain heights glow with their fires!
No, by God!
O father, bethink thee! O father, beware!
From above God looks down, and the eyes of the stars.
## p. 4052 (#422) ###########################################
4052
FRANÇOIS COPPÉE
Of myself I have asked, when thy treason I knew,
What by honor was set? -where lay duty from me?
Alas, it was clear! To denounce to the world
Thy plot-and thyself—and that woman most vile;
To unmask too thy spy. But for thee this means death!
(Death held in reserve through the torture's dread scenes)
It means in an instant thy glory effaced.
I have pictured thy end at the gibbet, through me.
I could not denounce thee! I held back in dread
From the part of a son who to death yields a sire.
I could not endure that thy name so renowned
Should be scorned-that thy glory should take such dark
flight.
Time is swift.
Give me place!
But at present I act as I must.
I shall kindle yon signal, I say.
Calm the woes of thy country! — appease Heaven's wrath!
Think, think, that my silence has turned from thyself
A death on a scaffold, and tortures before.
Think, think that my silence had meant for thee chains,
And the doomsman's dread hand laying clutch upon thee. . .
O father, thou wilt not that I should-regret!
Michael-
_____
Too late. Regret now to have saved thus my life.
O son too devoted, best gained were thy wish
Hadst thou told all- hadst seen me a Judas, disgraced,
Cut down by my soldiers before thine own eyes.
The worse now for thee! Thy heart questions, disputes;
That thing whereon mine is resolved, that I do.
Who has nothing foreseen, he can nothing prevent:
I permit that no hand yonder beacon shall fire.
Constantine-
Thou wouldst yield then, defenseless, our ancient frontier?
Thou wilt suffer the Turk to make Europe his prey,
To all Christendom's ruin-
Michael-
Constantine-
And thy Christ, and thy God?
Spite of God, king I would be, will be!
Michael-
Constantine-
'Tis ingrate to me.
Michael-
Has God made of me king?
Say-perhaps.
Oft a crown is too large for a traitorous head.
It can suddenly prove a garrote - for the stake.
Thou insultest! The folly is passing all bounds!
## p. 4053 (#423) ###########################################
FRANÇOIS COPPÉE
4053
Constantine [in sudden emotion] -
-
Michael
Ah yes, I am wrong! O my father, forgive! —
What I utter I know not; for aid I must call!
To my help, then, O memories great of days sped,
Ye evenings of rapture that followed fights won.
Come, turmoils of booty, flags snatched as in sheaves,
Shouts of joy and of pride when from fray I returned
And felt on my forehead, blood-scarred, his hot kiss! -
O ye visions like these, of past glory, crowd thick!
The valor of old years, of old time the deeds,
Quick, rank yourselves here, face this wretchedest man,
Bring a blush to his face at his treason so vile!
Speak, speak to him! Say that at morn, in the town,
The standards that hang at the gates of his halls
Will stoop, as he passes, to smite at his face.
Say, oh say, to this hero become renegade,
That the soldiers long dead on his battle-fields past
In this hour know the crime unexampled he plots,-
That they whisper in dread, 'twixt themselves, 'neath the
earth,
And if passes some wanderer to-night by their graves,
Indignant the murmur is breathed through the grass.
