No More Learning

Heloise! Heloise!

The Chapel-bell tolls.

LUCIFER, starting.
What is that bell for! Are you such asses
As to keep up the fashion of midnight masses?

FRIAR CUTHBERT.
It is only a poor unfortunate brother,
Who is gifted with most miraculous powers
Of getting up at all sorts of hours,
And, by way of penance and Christian meekness,
Of creeping silently out of his cell
To take a pull at that hideous bell;
So that all monks who are lying awake
May murmur some kind of prayer for his sake,
And adapted to his peculiar weakness!

FRIAR JOHN.
From frailty and fall--

ALL.
Good Lord, deliver us all!

FRIAR CUTHBERT.
And before the bell for matins sounds,
He takes his lantern, and goes the rounds,
Flashing it into our sleepy eyes,
Merely to say it is time to arise.
But enough of that. Go on, if you please,
With your story about St. Gildas de Rhuys.

LUCIFER.
Well, it finally came to pass
That, half in fun and half in malice,
One Sunday at Mass
We put some poison into the chalice.
But, either by accident or design,
Peter Abelard kept away
From the chapel that day,
And a poor young friar, who in his stead
Drank the sacramental wine,
Fell on the steps of the altar, dead!
But look! do you see at the window there
That face, with a look of grief and despair,
That ghastly face, as of one in pain?

MONKS.
Who? where?

LUCIFER.
As I spoke, it vanished away again.

FRIAR CUTHBERT.
It is that nefarious
Siebald the Refectorarius,
That fellow is always playing the scout,
Creeping and peeping and prowling about;
And then he regales
The Abbot with scandalous tales.

LUCIFER.
A spy in the convent? One of the brothers
Telling scandalous tales of the others?
Out upon him, the lazy loon!
I would put a stop to that pretty soon,
In a way he should rue it.

MONKS.
How shall we do it!

LUCIFER.
Do you, brother Paul,
Creep under the window, close to the wall,
And open it suddenly when I call.
Then seize the villain by the hair,
And hold him there,
And punish him soundly, once for all.

FRIAR CUTHBERT.
As Saint Dunstan of old,
We are told,
Once caught the Devil by the nose!

LUCIFER.
Ha! ha! that story is very clever,
But has no foundation whatsoever.
Quick! for I see his face again
Glaring in at the window-pane;
Now! now! and do not spare your blows.

FRIAR PAUL opens the window suddenly, and seizes SIEBALD.
They beat him.

FRIAR SIEBALD.
Help! help! are you going to slay me?

FRIAR PAUL.
That will teach you again to betray me!

FRIAR SIEBALD.
Mercy! mercy!

FRIAR PAUL, shouting and beating.

Rumpas bellorum lorum
Vim confer amorum
Morum verorum rorum
Tu plena polorum!

LUCIFER.
Who stands in the doorway yonder,
Stretching out his trembling hand,
Just as Abelard used to stand,
The flash of his keen, black eyes
Forerunning the thunder?

THE MONKS, in confusion.
The Abbot! the Abbot!

FRIAR CUTHBERT.
And what is the wonder!
He seems to have taken you by surprise.

FRIAR FRANCIS.
Hide the great flagon
From the eyes of the dragon!

FRIAR CUTHBERT.
Pull the brown hood over your face!
This will bring us into disgrace!

ABBOT.
What means this revel and carouse?
Is this a tavern and drinking-house?
Are you Christian monks, or heathen devils,
To pollute this convent with your revels?
Were Peter Damian still upon earth,
To be shocked by such ungodly mirth,
He would write your names, with pen of gall,
In his Book of Gomorrah, one and all!
Away, you drunkards! to your cells,
And pray till you hear the matin-bells;
You, Brother Francis, and you, Brother Paul!
And as a penance mark each prayer
With the scourge upon your shoulders bare;
Nothing atones for such a sin
But the blood that follows the discipline.
And you, Brother Cuthbert, come with me
Alone into the sacristy;
You, who should be a guide to your brothers,
And are ten times worse than all the others,
For you I've a draught that has long been brewing,
You shall do a penance worth the doing!
Away to your prayers, then, one and all!
I wonder the very convent wall
Does not crumble and crush you in its fall!


THE NEIGHBORING NUNNERY

The ABBESS IRMINGARD Sitting with ELSIE in the moonlight.

IRMINGARD.
The night is silent, the wind is still,
The moon is looking from yonder hill
Down upon convent, and grove, and garden;
The clouds have passed away from her face,
Leaving behind them no sorrowful trace,
Only the tender and quiet grace
Of one whose heart has been healed with pardon!

And such am I. My soul within
Was dark with passion and soiled with sin.
But now its wounds are healed again;
Gone are the anguish, the terror, and pain;
For across that desolate land of woe,
O'er whose burning sands I was forced to go,
A wind from heaven began to blow;
And all my being trembled and shook,
As the leaves of the tree, or the grass of the field,
And I was healed, as the sick are healed,
When fanned by the leaves of the Holy Book!

As thou sittest in the moonlight there,
Its glory flooding thy golden hair,
And the only darkness that which lies
In the haunted chambers of thine eyes,
I feel my soul drawn unto thee,
Strangely, and strongly, and more and more,
As to one I have known and loved before;
For every soul is akin to me
That dwells in the land of mystery!
I am the Lady Irmingard,
Born of a noble race and name!
Many a wandering Suabian bard,
Whose life was dreary, and bleak, and hard,
Has found through me the way to fame.

Brief and bright were those days, and the night
Which followed was full of a lurid light.
Love, that of every woman's heart
Will have the whole, and not a part,
That is to her, in Nature's plan,
More than ambition is to man,
Her light, her life, her very breath,
With no alternative but death,
Found me a maiden soft and young,
Just from the convent's cloistered school,
And seated on my lowly stool,
Attentive while the minstrels sung.

Gallant, graceful, gentle, tall,
Fairest, noblest, best of all,
Was Walter of the Vogelweid;
And, whatsoever may betide,
Still I think of him with pride!
His song was of the summer-time,
The very birds sang in his rhyme;
The sunshine, the delicious air,
The fragrance of the flowers, were there;
And I grew restless as I heard,
Restless and buoyant as a bird,
Down soft, aerial currents sailing,
O'er blossomed orchards and fields in bloom,
And through the momentary gloom,
Of shadows o'er the landscape trailing,
Yielding and borne I knew not where,
But feeling resistance unavailing.

And thus, unnoticed and apart,
And more by accident than choice,
I listened to that single voice
Until the chambers of my heart
Were filled with it by night and day.
One night,--it was a night in May,--
Within the garden, unawares,
Under the blossoms in the gloom,
I heard it utter my own name
With protestations and wild prayers;
And it rang through me, and became
Like the archangel's trump of doom,
Which the soul hears, and must obey;
And mine arose as from a tomb.
My former life now seemed to me
Such as hereafter death may be,
When in the great Eternity
We shall awake and find it day.

It was a dream, and would not stay;
A dream, that in a single night
Faded and vanished out of sight.
My father's anger followed fast
This passion, as a freshening blast
Seeks out and fans the fire, whose rage
It may increase, but not assuage.
And he exclaimed: "No wandering bard
Shall win thy hand, O Irmingard!
For which Prince Henry of Hoheneck
By messenger and letter sues. "

Gently, but firmly, I replied:
"Henry of Hoheneck I discard!
Never the hand of Irmingard
Shall lie in his as the hand of a bride!
This said I, Walter, for thy sake
This said I, for I could not choose.
After a pause, my father spake
In that cold and deliberate tone
Which turns the hearer into stone,
And seems itself the act to be
That follows with such dread certainty
"This or the cloister and the veil! "
No other words than these he said,
But they were like a funeral wail;
My life was ended, my heart was dead.

That night from the castle-gate went down
With silent, slow, and stealthy pace,
Two shadows, mounted on shadowy steeds,
Taking the narrow path that leads
Into the forest dense and brown.
In the leafy darkness of the place,
One could not distinguish form nor face,
Only a bulk without a shape,
A darker shadow in the shade;
One scarce could say it moved or stayed.
Thus it was we made our escape!
A foaming brook, with many a bound,
Followed us like a playful hound;
Then leaped before us, and in the hollow
Paused, and waited for us to follow,
And seemed impatient, and afraid
That our tardy flight should be betrayed
By the sound our horses' hoof-beats made.
And when we reached the plain below,
We paused a moment and drew rein
To look back at the castle again;
And we saw the windows all aglow
With lights, that were passing to and fro;
Our hearts with terror ceased to beat;
The brook crept silent to our feet;
We knew what most we feared to know.
Then suddenly horns began to blow;
And we heard a shout, and a heavy tramp,
And our horses snorted in the damp
Night-air of the meadows green and wide,
And in a moment, side by side,
So close, they must have seemed but one,
The shadows across the moonlight run,
And another came, and swept behind,
Like the shadow of clouds before the wind!

How I remember that breathless flight
Across the moors, in the summer night!
How under our feet the long, white road
Backward like a river flowed,
Sweeping with it fences and hedges,
Whilst farther away and overhead,
Paler than I, with fear and dread,
The moon fled with us as we fled
Along the forest's jagged edges!

All this I can remember well;
But of what afterwards befell
I nothing further can recall
Than a blind, desperate, headlong fall;
The rest is a blank and darkness all.
When I awoke out of this swoon,
The sun was shining, not the moon,
Making a cross upon the wall
With the bars of my windows narrow and tall;
And I prayed to it, as I had been wont to pray
From early childhood, day by day,
Each morning, as in bed I lay!
I was lying again in my own room!
And I thanked God, in my fever and pain,
That those shadows on the midnight plain
Were gone, and could not come again!
I struggled no longer with my doom!

This happened many years ago.
I left my father's home to come
Like Catherine to her martyrdom,
For blindly I esteemed it so.
And when I heard the convent door
Behind me close, to ope no more,
I felt it smite me like a blow.
Through all my limbs a shudder ran,
And on my bruised spirit fell
The dampness of my narrow cell
As night-air on a wounded man,
Giving intolerable pain.

But now a better life began.
I felt the agony decrease
By slow degrees, then wholly cease,
Ending in perfect rest and peace!
It was not apathy, nor dulness,
That weighed and pressed upon my brain,
But the same passion I had given
To earth before, now turned to heaven
With all its overflowing fulness.

Alas! the world is full of peril!
The path that runs through the fairest meads,
On the sunniest side of the valley, leads
Into a region bleak and sterile!
Alike in the high-born and the lowly,
The will is feeble, and passion strong.
We cannot sever right from wrong;
Some falsehood mingles with all truth;
Nor is it strange the heart of youth
Should waver and comprehend but slowly
The things that are holy and unholy!
But in this sacred, calm retreat,
We are all well and safely shielded
From winds that blow, and waves that beat,
From the cold, and rain, and blighting heat,
To which the strongest hearts have yielded.
Here we stand as the Virgins Seven,
For our celestial bridegroom yearning;
Our hearts are lamps forever burning,
With a steady and unwavering flame,
Pointing upward, forever the same,
Steadily upward toward the heaven!

The moon is hidden behind a cloud;
A sudden darkness fills the room,
And thy deep eyes, amid the gloom,
Shine like jewels in a shroud.
On the leaves is a sound of falling rain;
A bird, awakened in its nest,
Gives a faint twitter of unrest,
Then smooths its plumes and sleeps again.
No other sounds than these I hear;
The hour of midnight must be near.
Thou art o'erspent with the day's fatigue
Of riding many a dusty league;
Sink, then, gently to thy slumber;
Me so many cares encumber,
So many ghosts, and forms of fright,
Have started from their graves to-night,
They have driven sleep from mine eyes away:
I will go down to the chapel and pray.


V.

A COVERED BRIDGE AT LUCERNE

PRINCE HENRY.
God's blessing on the architects who build
The bridges o'er swift rivers and abysses
Before impassable to human feet,
No less than on the builders of cathedrals,
Whose massive walls are bridges thrown across
The dark and terrible abyss of Death.
Well has the name of Pontifex been given
Unto the Church's head, as the chief builder
And architect of the invisible bridge
That leads from earth to heaven.

ELSIE.
How dark it grows!
What are these paintings on the walls around us?

PRINCE HENRY.
The Dance Macaber!

ELSIE.
What?

PRINCE HENRY.
The Dance of Death!
All that go to and fro must look upon it,
Mindful of what they shall be, while beneath,
Among the wooden piles, the turbulent river
Rushes, impetuous as the river of life,
With dimpling eddies, ever green and bright,
Save where the shadow of this bridge falls on it.

ELSIE.
Oh yes! I see it now!

PRINCE HENRY.
The grim musician
Leads all men through the mazes of that dance,
To different sounds in different measures moving;
Sometimes he plays a lute, sometimes a drum,
To tempt or terrify.

ELSIE.
What is this picture?

PRINCE HENRY.
It is a young man singing to a nun,
Who kneels at her devotions, but in kneeling
Turns round to look at him; and Death, meanwhile,
Is putting out the candles on the altar!

ELSIE.
Ah, what a pity 't is that she should listen
Unto such songs, when in her orisons
She might have heard in heaven the angels singing!

PRINCE HENRY.
Here he has stolen a jester's cap and bells
And dances with the Queen.

ELSIE.
A foolish jest!

PRINCE HENRY.
And here the heart of the new-wedded wife,
Coming from church with her beloved lord,
He startles with the rattle of his drum.

ELSIE.
Ah, that is sad! And yet perhaps 't is best
That she should die, with all the sunshine on her,
And all the benedictions of the morning,
Before this affluence of golden light
Shall fade into a cold and clouded gray,
Then into darkness!

PRINCE HENRY.
Under it is written,
"Nothing but death shall separate thee and me! "

ELSIE.
And what is this, that follows close upon it?

PRINCE HENRY.
Death playing on a dulcimer. Behind him,
A poor old woman, with a rosary,
Follows the sound, and seems to wish her feet
Were swifter to o'ertake him. Underneath,
The inscription reads, "Better is Death than Life. "

ELSIE.
Better is Death than Life! Ah yes! to thousands
Death plays upon a dulcimer, and sings
That song of consolation, till the air
Rings with it, and they cannot choose but follow
Whither he leads. And not the old alone,
But the young also hear it, and are still.

PRINCE HENRY.
Yes, in their sadder moments. 'T is the sound
Of their own hearts they hear, half full of tears,
Which are like crystal cups, half filled with water,
Responding to the pressure of a finger
With music sweet and low and melancholy.
Let us go forward, and no longer stay
In this great picture-gallery of Death!
I hate it! ay, the very thought of it!

ELSIE.
Why is it hateful to you?

PRINCE HENRY.
For the reason
That life, and all that speaks of life, is lovely,
And death, and all that speaks of death, is hateful.

ELSIE.
The grave itself is but a covered bridge,
Leading from light to light, through a brief darkness!
PRINCE HENRY, emerging from the bridge.
I breathe again more freely! Ah, how pleasant
To come once more into the light of day,
Out of that shadow of death! To hear again
The hoof-beats of our horses on firm ground,
And not upon those hollow planks, resounding
With a sepulchral echo, like the clods
On coffins in a churchyard! Yonder lies
The Lake of the Four Forest-Towns, apparelled
In light, and lingering, like a village maiden,
Hid in the bosom of her native mountains
Then pouring all her life into another's,
Changing her name and being! Overhead,
Shaking his cloudy tresses loose in air,
Rises Pilatus, with his windy pines.

They pass on.


THE DEVIL'S BRIDGE

PRINCE HENRY and ELSIE crossing with attendants.

GUIDE.
This bridge is called the Devil's Bridge.
With a single arch, from ridge to ridge,
It leaps across the terrible chasm
Yawning beneath us, black and deep,
As if, in some convulsive spasm,
The summits of the hills had cracked,
And made a road for the cataract
That raves and rages down the steep!

LUCIFER, under the bridge.
Ha! ha!

GUIDE.
Never any bridge but this
Could stand across the wild abyss;
All the rest, of wood or stone,
By the Devil's hand were overthrown.
He toppled crags from the precipice,
And whatsoe'er was built by day
In the night was swept away;
None could stand but this alone.

LUCIFER, under the bridge.
Ha! ha!

GUIDE.
I showed you in the valley a bowlder
Marked with the imprint of his shoulder;
As he was bearing it up this way,
A peasant, passing, cried, "Herr Je!
And the Devil dropped it in his fright,
And vanished suddenly out of sight!

LUCIFER, under the bridge.
Ha! ha!

GUIDE.
Abbot Giraldus of Einsiedel,
For pilgrims on their way to Rome,
Built this at last, with a single arch,
Under which, on its endless march,
Runs the river, white with foam,
Like a thread through the eye of a needle.
And the Devil promised to let it stand,
Under compact and condition
That the first living thing which crossed
Should be surrendered into his hand,
And be beyond redemption lost.

LUCIFER, under the bridge.
Ha! ha! perdition!

GUIDE.
At length, the bridge being all completed,
The Abbot, standing at its head,
Threw across it a loaf of bread,
Which a hungry dog sprang after;
And the rocks re-echoed with the peals of laughter,
To see the Devil thus defeated!

They pass on.

LUCIFER, under the bridge.
Ha! ha! defeated!
For journeys and for crimes like this
I let the bridge stand o'er the abyss!


THE ST. GOTHARD PASS

PRINCE HENRY.
This is the highest point. Two ways the rivers
Leap down to different seas, and as they roll
Grow deep and still, and their majestic presence
Becomes a benefaction to the towns
They visit, wandering silently among them,
Like patriarchs old among their shining tents.

ELSIE.
How bleak and bare it is! Nothing but mosses
Grow on these rocks.

PRINCE HENRY.
Yet are they not forgotten;
Beneficent Nature sends the mists to feed them.

ELSIE.
See yonder little cloud, that, borne aloft
So tenderly by the wind, floats fast away
Over the snowy peaks! It seems to me
The body of St. Catherine, borne by angels!

PRINCE HENRY.
Thou art St. Catherine, and invisible angels
Bear thee across these chasms and precipices,
Lest thou shouldst dash thy feet against a stone!

ELSIE.
Would I were borne unto my grave, as she was,
Upon angelic shoulders! Even now
I seem uplifted by them, light as air!
What sound is that?

PRINCE HENRY.
The tumbling avalanches!

ELSIE.
How awful, yet how beautiful!

PRINCE HENRY.
These are
The voices of the mountains! Thus they ope
Their snowy lips, and speak unto each other,
In the primeval language, lost to man.

ELSIE.
What land is this that spreads itself beneath us?

PRINCE HENRY.
Italy! Italy!

ELSIE.
Land of the Madonna!
How beautiful it is! It seems a garden
Of Paradise!

PRINCE HENRY.
Nay, of Gethsemane
To thee and me, of passion and of prayer!
Yet once of Paradise. Long years ago
I wandered as a youth among its bowers,
And never from my heart has faded quite
Its memory, that, like a summer sunset,
Encircles with a ring of purple light
All the horizon of my youth.

GUIDE.
O friends!
The days are short, the way before us long:
We must not linger, if we think to reach
The inn at Belinzona before vespers!

They pass on.


AT THE FOOT OF THE ALPS

A halt under the trees at noon.

PRINCE HENRY.
Here let us pause a moment in the trembling
Shadow and sunshine of the roadside trees,
And, our tired horses in a group assembling,
Inhale long draughts of this delicious breeze.
Our fleeter steeds have distanced our attendants;
They lag behind us with a slower pace;
We will await them under the green pendants
Of the great willows in this shady place.
Ho, Barbarossa! how thy mottled haunches
Sweat with this canter over hill and glade!
Stand still, and let these overhanging branches
Fan thy hot sides and comfort thee with shade!

ELSIE.
What a delightful landscape spreads before us,
Marked with a whitewashed cottage here and there!
And, in luxuriant garlands drooping o'er us,
Blossoms of grape-vines scent the sunny air.

PRINCE HENRY.
Hark! what sweet sounds are those, whose accents holy
Fill the warm noon with music sad and sweet!

ELSIE.
It is a band of pilgrims, moving slowly
On their long journey, with uncovered feet.

PILGRIMS, chanting the Hymn of St. Hildebert.
Me receptet Sion illa,
Sion David, urbs tranquilla,
Cujus faber auctor lucis,
Cujus portae lignum crucis,
Cujus claves lingua Petri,
Cujus cives semper laeti,
Cujus muri lapis vivus,
Cujus custos rex festivus!

LUCIFER, as a Friar in the procession.
Here am I, too, in the pious band,
In the garb of a barefooted Carmelite dressed!
The soles of my feet are as hard and tanned
As the conscience of old Pope Hildebrand,
The Holy Satan, who made the wives
Of the bishops lead such shameful lives,
All day long I beat my breast,
And chant with a most particular zest
The Latin hymns, which I understand
Quite as well, I think, as the rest.
And at night such lodging in barns and sheds,
Such a hurly-burly in country inns,
Such a clatter of tongues in empty heads,
Such a helter-skelter of prayers and sins!
Of all the contrivances of the time
For sowing broadcast the seeds of crime,
There is none so pleasing to me and mine
As a pilgrimage to some far-off shrine!

PRINCE HENRY.
If from the outward man we judge the inner,
And cleanliness is godliness, I fear
A hopeless reprobate, a hardened Sinner,
Must be that Carmelite now passing near.

LUCIFER.
There is my German Prince again,
Thus far on his journey to Salern,
And the lovesick girl, whose heated brain
Is sowing the cloud to reap the rain;
But it's a long road that has no turn!
Let them quietly hold their way,
I have also a part in the play.
But first I must act to my heart's content
This mummery and this merriment,
And drive this motley flock of sheep
Into the fold, where drink and sleep
The jolly old friars of Benevent.
Of a truth, it often provokes me to laugh
To see these beggars hobble along,
Lamed and maimed, and fed upon chaff,
Chanting their wonderful puff and paff,
And, to make up for not understanding the song,
Singing it fiercely, and wild, and strong!
Were it not for my magic garters and staff,
And the goblets of goodly wine I quaff,
And the mischief I make in the idle throng,
I should not continue the business long.

PILGRIMS, chanting.
In hac urbe, lux solennis,
Ver aeternum, pax perennis;
In hac odor implens caelos,
In hac semper festum melos!

PRINCE HENRY.
Do you observe that monk among the train,
Who pours from his great throat the roaring bass,
As a cathedral spout pours out the rain,
And this way turns his rubicund, round face?

ELSIE.
It is the same who, on the Strasburg square,
Preached to the people in the open air.

PRINCE HENRY.
And he has crossed o'er mountain, field, and fell,
On that good steed, that seems to bear him well,
The hackney of the Friars of Orders Gray,
His own stout legs! He, too, was in the play,
Both as King Herod and Ben Israel.
Good morrow, Friar!

FRIAR CUTHBERT.
Good morrow, noble Sir!

PRINCE HENRY.
I speak in German, for, unless I err,
You are a German.

FRIAR CUTHBERT.
I cannot gainsay you.
But by what instinct, or what secret sign,
Meeting me here, do you straightway divine
That northward of the Alps my country lies?

PRINCE HENRY.
Your accent, like St. Peter's, would betray you,
Did not your yellow beard and your blue eyes.
Moreover, we have seen your face before,
And heard you preach at the Cathedral door
On Easter Sunday, in the Strasburg square.
We were among the crowd that gathered there,
And saw you play the Rabbi with great skill,
As if, by leaning o'er so many years
To walk with little children, your own will
Had caught a childish attitude from theirs,
A kind of stooping in its form and gait,
And could no longer stand erect and straight.
Whence come you now?

FRIAR CUTHBERT.
From the old monastery
Of Hirschau, in the forest; being sent
Upon a pilgrimage to Benevent,
To see the image of the Virgin Mary,
That moves its holy eyes, and sometimes speaks,
And lets the piteous tears run down its cheeks,
To touch the hearts of the impenitent.

PRINCE HENRY.
Oh, had I faith, as in the days gone by,
That knew no doubt, and feared no mystery!

LUCIFER, at a distance.
Ho, Cuthbert! Friar Cuthbert!

FRIAR CUTHBERT.
Fare well, Prince;
I cannot stay to argue and convince.

PRINCE HENRY.
This is indeed the blessed Mary's land,
Virgin and mother of our dear redeemer!
All hearts are touched and softened at her name,
Alike the bandit, with the bloody hand,
The priest, the prince, the scholar, and the peasant,
The man of deeds, the visionary dreamer,
Pay homage to her as one ever present!
And even as children, who have much offended
A too indulgent father, in great shame,
Penitent, and yet not daring unattended
To go into his presence, at the gate
Speak with their sister, and confiding wait
Till she goes in before and intercedes;
So men, repenting of their evil deeds,
And yet not venturing rashly to draw near
With their requests an angry father's ear,
Offer to her their prayers and their confession,
And she for them in heaven makes intercession.
And if our faith had given us nothing more
Than this example of all womanhood,
So mild, so merciful, so strong, so good,
So patient, peaceful, loyal, loving, pure,
This were enough to prove it higher and truer
Than all the creeds the world had known before.

PILGRIMS, chanting afar off.
Urbs coelestis, urbs beata,
Supra petram collocata,
Urbs in portu satis tuto
De longinquo te saluto,
Te saluto, te suspiro,
Te affecto, te requiro!


THE INN AT GENOA

A terrace overlooking the sea. Night.

PRINCE HENRY.
It is the sea, it is the sea,
In all its vague immensity,
Fading and darkening in the distance!
Silent, majestical, and slow,
The white ships haunt it to and fro,
With all their ghostly sails unfurled,
As phantoms from another world
Haunt the dim confines of existence!
But ah! how few can comprehend
Their signals, or to what good end
From land to land they come and go!
Upon a sea more vast and dark
The spirits of the dead embark,
All voyaging to unknown coasts.
We wave our farewells from the shore,
And they depart, and come no more,
Or come as phantoms and as ghosts.

Above the darksome sea of death
Looms the great life that is to be,
A land of cloud and mystery,
A dim mirage, with shapes of men
Long dead and passed beyond our ken,
Awe-struck we gaze, and hold our breath
Till the fair pageant vanisheth,
Leaving us in perplexity,
And doubtful whether it has been
A vision of the world unseen,
Or a bright image of our own
Against the sky in vapors thrown.

LUCIFER, singing from the sea.
Thou didst not make it, thou canst not mend it,
But thou hast the power to end it!
The sea is silent, the sea is discreet,
Deep it lies at thy very feet;
There is no confessor like unto Death!
Thou canst not see him, but he is near;
Thou needst not whisper above thy breath,
And he will hear;
He will answer the questions,
The vague surmises and suggestions,
That fill thy soul with doubt and fear!

PRINCE HENRY.
The fisherman, who lies afloat,
With shadowy sail, in yonder boat,
Is singing softly to the Night!
But do I comprehend aright
The meaning of the words he sung
So sweetly in his native tongue?
Ah yes! the sea is still and deep.
All things within its bosom sleep!
A single step, and all is o'er;
A plunge, a bubble an no more;
And thou, dear Elsie, wilt be free
From martyrdom and agony.

ELSIE, coming from her chamber upon the terrace.
The night is calm and cloudless,
And still as still can be,
And the stars come forth to listen
To the music of the sea.
They gather, and gather, and gather,
Until they crowd the sky,
And listen, in breathless silence,
To the solemn litany.
It begins in rocky caverns,
As a voice that chants alone
To the pedals of the organ
In monotonous undertone;
And anon from shelving beaches,
And shallow sands beyond,
In snow-white robes uprising
The ghostly choirs respond.
And sadly and unceasing
The mournful voice sings on,
And the snow-white choirs still answer
Christe eleison!

PRINCE HENRY.
Angel of God! thy finer sense perceives
Celestial and perpetual harmonies!
Thy purer soul, that trembles and believes,
Hears the archangel's trumpet in the breeze,
And where the forest rolls, or ocean heaves,
Cecilia's organ sounding in the seas,
And tongues of prophets speaking in the leaves.
But I hear discord only and despair,
And whispers as of demons in the air!


AT SEA

IL PADRONE.
The wind upon our quarter lies,
And on before the freshening gale,
That fills the snow-white lateen sail,
Swiftly our light felucca flies,
Around the billows burst and foam;
They lift her o'er the sunken rock,
They beat her sides with many a shock,
And then upon their flowing dome
They poise her, like a weathercock!
Between us and the western skies
The hills of Corsica arise;
Eastward in yonder long blue line,
The summits of the Apennine,
And southward, and still far away,
Salerno, on its sunny bay.
You cannot see it, where it lies.

PRINCE HENRY.
Ah, would that never more mine eyes
Might see its towers by night or day!

ELSIE.
Behind us, dark and awfully,
There comes a cloud out of the sea,
That bears the form of a hunted deer,
With hide of brown, and hoofs of black
And antlers laid upon its back,
And fleeing fast and wild with fear,
As if the hounds were on its track!

PRINCE HENRY.
Lo! while we gaze, it breaks and falls
In shapeless masses, like the walls
Of a burnt city. Broad and red
The flies of the descending sun
Glare through the windows, and o'erhead,
Athwart the vapors, dense and dun,
Long shafts of silvery light arise,
Like rafters that support the skies!

ELSIE.
See! from its summit the lurid levin
Flashes downward without warning,
As Lucifer, son of the morning,
Fell from the battlements of heaven!