No More Learning

33. THE LOVER'S APPEAL.

And wilt thou leave me thus?
Say nay! say nay! for shame,
To save thee from the blame
Of all my grief and grame.
And wilt thou leave me thus?
Say nay! say nay!

And wilt thou leave me thus,
That hath loved thee so long
In wealth and woe among:
And is thy heart so strong
As for to leave me thus?
Say nay! say nay!

And wilt thou leave me thus,
That hath given thee my heart
Never for to depart
Neither for pain nor smart:
And wilt thou leave me thus?
Say nay! say nay!

And wilt thou leave me thus,
And have no more pity
Of him that loveth thee?
Alas! thy cruelty!
And wilt thou leave me thus?
Say nay! say nay!

SIR T. WYAT.




34. THE NIGHTINGALE.

As it fell upon a day
In the merry month of May,
Sitting in a pleasant shade
Which a grove of myrtles made,
Beasts did leap and birds did sing,
Trees did grow and plants did spring,
Every thing did banish moan
Save the Nightingale alone.
She, poor bird, as all forlorn,
Lean'd her breast against a thorn,
And there sung the dolefullest ditty,
That to hear it was great pity.
Fie, fie, fie, now would she cry;
Tereu, tereu, by and by:
That to hear her so complain
Scarce I could from tears refrain;
For her griefs so lively shown
Made me think upon mine own.
--Ah! thought I, thou mourn'st in vain,
None takes pity on thy pain:
Senseless trees, they cannot hear thee,
Ruthless beasts, they will not cheer thee;
King Pandion, he is dead,
All thy friends are lapp'd in lead:
All thy fellow birds do sing
Careless of thy sorrowing:
Even so, poor bird, like thee,
None alive will pity me.

R. BARNEFIELD.




35.

Care-charmer Sleep, son of the sable Night,
Brother to Death, in silent darkness born,
Relieve my anguish, and restore the light;
With dark forgetting of my care return.

And let the day be time enough to mourn
The shipwreck of my ill adventured youth:
Let waking eyes suffice to wail their scorn,
Without the torment of the night's untruth.

Cease, dreams, the images of day-desires,
To model forth the passions of the morrow;
Never let rising Sun approve you liars
To add more grief to aggravate my sorrow:

Still let me sleep, embracing clouds in vain,
And never wake to feel the day's disdain.

S. DANIEL.




36. MADRIGAL.

Take O take those lips away
That so sweetly were forsworn,
And those eyes, the break of day,
Lights that do mislead the morn:
But my kisses bring again,
Bring again--
Seals of love, but seal'd in vain,
Seal'd in vain!

W. SHAKESPEARE.




37. LOVE'S FAREWELL.

Since there's no help, come let us kiss and part,--
Nay, I have done, you get no more of me;
And I am glad, yea glad with all my heart,
That thus so cleanly I myself can free;

Shake hands for ever, cancel all our vows,
And when we meet at any time again,
Be it not seen in either of our brows
That we one jot of former love retain.

Now at the last gasp of love's latest breath,
When his pulse failing, passion speechless lies,
When faith is kneeling by his bed of death,
And innocence is closing up his eyes,

--Now if thou wouldst, when all have given him over,
From death to life thou might'st him yet recover!

M. DRAYTON.




38. TO HIS LUTE.

My lute, be as thou wert when thou did'st grow
With thy green mother in some shady grove,
When immelodious winds but made thee move,
And birds their ramage did on thee bestow.

Since that dear Voice which did thy sounds approve,
Which wont in such harmonious strains to flow,
Is reft from Earth to tune those spheres above,
What art thou but a harbinger of woe?

Thy pleasing notes be pleasing notes no more,
But orphan's wailings to the fainting ear;
Each stroke a sigh, each sound draws forth a tear;
For which be silent as in woods before:

Or if that any hand to touch thee deign,
Like widow'd turtle still her loss complain.

W. DRUMMOND.




39. BLIND LOVE.

O me! what eyes hath love put in my head
Which have no correspondence with true sight:
Or if they have, where is my judgment fled
That censures falsely what they see aright?

If that be fair whereon my false eyes dote,
What means the world to say it is not so?
If it be not, then love doth well denote,
Love's eye is not so true as all men's: No,

How can it? O how can love's eye be true,
That is so vex'd with watching and with tears?
No marvel then though I mistake my view:
The sun itself sees not till heaven clears.

O cunning Love! with tears thou keep'st me blind,
Lest eyes well-seeing thy foul faults should find!

W. SHAKESPEARE.




40. THE UNFAITHFUL SHEPHERDESS.

While that the sun with his beams hot
Scorched the fruits in vale and mountain,
Philon the shepherd, late forgot,
Sitting beside a crystal fountain,
In shadow of a green oak tree
Upon his pipe this song play'd he:
Adieu Love, adieu Love, untrue Love,
Untrue Love, untrue Love, adieu Love;
Your mind is light, soon lost for new love.

So long as I was in your sight
I was your heart, your soul, and treasure;
And evermore you sobb'd and sigh'd
Burning in flames beyond all measure:
--Three days endured your love to me,
And it was lost in other three!
Adieu Love, adieu Love, untrue Love,
Untrue Love, untrue Love, adieu Love;
Your mind is light, soon lost for new love.

Another Shepherd you did see
To whom your heart was soon enchained;
Full soon your love was leapt from me,
Full soon my place he had obtained.
Soon came a third, your love to win,
And we were out and he was in.
Adieu Love, adieu Love, untrue Love,
Untrue Love, untrue Love, adieu Love;
Your mind is light, soon lost for new love.

Sure you have made me passing glad
That you your mind so soon removed,
Before that I the leisure had
To choose you for my best beloved:
For all your love was past and done
Two days before it was begun:--
Adieu Love, adieu Love, untrue Love,
Untrue Love, untrue Love, adieu Love;
Your mind is light, soon lost for new love.

ANON.




41. A RENUNCIATION.

If women could be fair, and yet not fond,
Or that their love were firm, not fickle still,
I would not marvel that they make men bond
By service long to purchase their good will;
But when I see how frail those creatures are,
I muse that men forget themselves so far.

To mark the choice they make, and how they change,
How oft from Phoebus they do flee to Pan;
Unsettled still, like haggards wild they range,
These gentle birds that fly from man to man;
Who would not scorn and shake them from the fist,
And let them fly, fair fools, which way they list?

Yet for disport we fawn and flatter both,
To pass the time when nothing else can please,
And train them to our lure with subtle oath,
Till, weary of their wiles, ourselves we ease;
And then we say when we their fancy try,
To play with fools, O what a fool was I!

E. VERE, EARL OF OXFORD.




42.

Blow, blow, thou winter wind,
Thou art not so unkind
As man's ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heigh ho! sing heigh ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then, heigh ho! the holly!
This life is most jolly.

Freeze, freeze, thou bitter sky,
That dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remember'd not.
Heigh ho! sing heigh ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then heigh ho, the holly!
This life is most jolly.

W. SHAKESPEARE.




43. MADRIGAL.

My thoughts hold mortal strife;
I do detest my life,
And with lamenting cries
Peace to my soul to bring
Oft call that prince which here doth monarchise:
--But he, grim grinning King,
Who caitiffs scorns, and doth the blest surprise,
Late having deck'd with beauty's rose his tomb,
Disdains to crop a weed, and will not come.

W. DRUMMOND.




44. DIRGE OF LOVE.

Come away, come away, Death,
And in sad cypres let me be laid;
Fly away, fly away, breath;
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O prepare it!
My part of death no one so true
Did share it.

Not a flower, not a flower sweet,
On my black coffin let there be strown;
Not a friend, not a friend greet
My poor corpse, where my bones shall thrown:
A thousand thousand sighs to save,
Lay me, O where
Sad true lover never find my grave,
To weep there.

W. SHAKESPEARE.




45. FIDELE.

Fear no more the heat o' the sun,
Nor the furious winter's rages:
Thou thy worldly task hast done,
Home art gone, and ta'en thy wages:
Golden lads and girls all must,
As chimney-sweepers, come to dust.

Fear no more the frown o' the great,
Thou art past the tyrant's stroke;
Care no more to clothe and eat;
To thee the reed is as the oak:
The sceptre, learning, physic, must
All follow this, and come to dust.

Fear no more the lightning flash
Nor the all-dreaded thunder-stone;
Fear not slander, censure rash;
Thou hast finish'd joy and moan:
All lovers young, all lovers must
Consign to thee, and come to dust.

W. SHAKESPEARE.




46. A SEA DIRGE.

Full fathom five thy father lies:
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange;
Sea-nymphs hourly ring his knell:
Hark! now I hear them,--
Ding, dong, Bell.

W. SHAKESPEARE.




47. A LAND DIRGE.

Call for the robin-redbreast and the wren,
Since o'er shady groves they hover
And with leaves and flowers do cover
The friendless bodies of unburied men.
Call unto his funeral dole
The ant, the field-mouse, and the mole
To rear him hillocks that shall keep him warm
And (when gay tombs are robb'd) sustain no harm;
But keep the wolf far thence, that's foe to men,
For with his nails he'll dig them up again.

J. WEBSTER.




48. POST MORTEM.

If Thou survive my well-contented day
When that churl Death my bones with dust shall cover,
And shalt by fortune once more re-survey
These poor rude lines of thy deceased lover:

Compare them with the bettering of the time,
And though they be outstripp'd by every pen,
Reserve them for my love, not for their rhyme
Exceeded by the height of happier men.

O then vouchsafe me but this loving thought--
"Had my friend's muse grown with this growing age,
A dearer birth than this his love had brought,
To march in ranks of better equipage:

But since he died, and poets better prove,
Theirs for their style I'll read, his for his love. "

W. SHAKESPEARE.




49. THE TRIUMPH OF DEATH.

No longer mourn for me when I am dead
Than you shall hear the surly sullen bell
Give warning to the world, that I am fled
From this vile world, with vilest worms to dwell;

Nay, if you read this line, remember not
The hand that writ it; for I love you so,
That I in your sweet thoughts would be forgot
If thinking on me then should make you woe.

O if, I say, you look upon this verse
When I perhaps compounded am with clay
Do not so much as my poor name rehearse,
But let your love even with my life decay;

Lest the wise world should look into your moan,
And mock you with me after I am gone.

W. SHAKESPEARE.




50. MADRIGAL.

Tell me where is Fancy bred,
Or in the heart or in the head?
How begot, how nourished?
Reply, reply.
It is engender'd in the eyes,
With gazing fed; and Fancy dies
In the cradle where it lies:
Let us all ring fancy's knell;
I'll begin it,--Ding, dong, bell.
--Ding, dong, bell.

W. SHAKESPEARE.




51. CUPID AND CAMPASPE.

Cupid and my Campaspe play'd
At cards for kisses; Cupid paid:
He stakes his quiver, bow, and arrows,
His mother's doves, and team of sparrows;
Loses them too; then down he throws
The coral of his lip, the rose
Growing on's cheek (but none knows how);
With these, the crystal of his brow,
And then the dimple on his chin;
All these did my Campaspe win:
At last he set her both his eyes--
She won, and Cupid blind did rise.
O Love! has she done this to thee?
What shall, alas! become of me?

J. LYLYE.




52.

Pack, clouds, away, and welcome day,
With night we banish sorrow;
Sweet air blow soft, mount larks aloft
To give my Love good-morrow!
Wings from the wind to please her mind,
Notes from the lark I'll borrow;
Bird, prune thy wing, nightingale sing,
To give my Love good-morrow;
To give my Love good-morrow
Notes from them both I'll borrow.

Wake from thy nest, Robin-redbreast!
Sing, birds, in every furrow;
And from each hill, let music shrill
Give my fair Love good-morrow!
Blackbird and thrush in every bush,
Stare, linnet, and cock-sparrow!
You pretty elves, amongst yourselves
Sing my fair Love good-morrow;
To give my Love good-morrow
Sing birds, in every furrow!

T. HEYWOOD.




53. PROTHALAMION.

Calm was the day, and through the trembling air
Sweet-breathing Zephyrus did softly play--
A gentle spirit, that lightly did delay
Hot Titan's beams, which then did glister fair;
When I, (whom sullen care,
Through discontent of my long fruitless stay
In princes' court, and expectation vain
Of idle hopes, which still do fly away
Like empty shadows, did afflict my brain)
Walk'd forth to ease my pain
Along the shore of silver-streaming Thames;
Whose rutty bank, the which his river hems,
Was painted all with variable flowers,
And all the meads adorn'd with dainty gems
Fit to deck maidens' bowers,
And crown their paramours
Against the bridal day, which is not long:
Sweet Thames! run softly, till I end my song.

There in a meadow by the river's side,
A flock of nymphs I chanced to espy,
All lovely daughters of the flood thereby,
With goodly greenish locks all loose untied
As each had been a bride;
And each one had a little wicker basket
Made of fine twigs, entrailed curiously,
In which they gather'd flowers to fill their flasket,
And with fine fingers cropt full feateously
The tender stalks on high.
Of every sort which in that meadow grew
They gather'd some; the violet, pallid blue,
The little daisy that at evening closes,
The virgin lily and the primrose true:
With store of vermeil roses,
To deck their bridegrooms' posies
Against the bridal day, which was not long:
Sweet Thames! run softly, till I end my song.

With that I saw two swans of goodly hue
Come softly swimming down along the lee;
Two fairer birds I yet did never see;
The snow which doth the top of Pindus strow,
Did never whiter show,
Nor Jove himself, when he a swan would be
For love of Leda, whiter did appear;
Yet Leda was (they say) as white as he,
Yet not so white as these, nor nothing near;
So purely white they were,
That even the gentle stream, the which them bare,
Seem'd foul to them, and bade his billows spare
To wet their silken feathers, lest they might
Soil their fair plumes with water not so fair,
And mar their beauties bright
That shone as Heaven's light
Against their bridal day, which was not long:
Sweet Thames! run softly, till I end my song.

Eftsoons the nymphs, which now had flowers their fill,
Ran all in haste to see that silver brood
As they came floating on the crystal flood;
Whom when they saw, they stood amazed still
Their wondering eyes to fill;
Them seem'd they never saw a sight so fair
Of fowls, so lovely, that they sure did deem
Them heavenly born, or to be that same pair
Which through the sky draw Venus' silver team;
For sure they did not seem
To be begot of any earthly seed,
But rather angels, or of angels' breed;
Yet were they bred of summer's heat, they say,
In sweetest season, when each flower and weed
The earth did fresh array;
So fresh they seem'd as day,
Even as their bridal day, which was not long:
Sweet Thames! run softly, till I end my song.

Then forth they all out of their baskets drew
Great store of flowers, the honour of the field,
That to the sense did fragrant odours yield,
All which upon those goodly birds they threw
And all the waves did strew,
That like old Peneus' waters they did seem
When down along by pleasant Tempe's shore
Scatter'd with flowers, through Thessaly they stream,
That they appear, through lilies' plenteous store,
Like a bride's chamber-floor.
Two of those nymphs meanwhile two garlands bound
Of freshest flowers which in that mead they found,
The which presenting all in trim array,
Their snowy foreheads therewithal they crown'd
Whilst one did sing this lay
Prepar'd against that day,
Against their bridal day, which was not long:
Sweet Thames! run softly, till I end my song.

"Ye gentle birds! the world's fair ornament,
And Heaven's glory, whom this happy hour
Doth lead unto your lovers' blissful bower,
Joy may you have, and gentle hearts content
Of your loves complement;
And let fair Venus, that is queen of love,
With her heart-quelling son upon you smile,
Whose smile, they say, hath virtue to remove
All love's dislike, and friendship's faulty guile
For ever to assoil.
Let endless peace your steadfast hearts accord,
And blessed plenty wait upon your board;
And let your bed with pleasures chaste abound,
That fruitful issue may to you afford
Which may your foes confound,
And make your joys redound
Upon your bridal day, which is not long:
Sweet Thames! run softly, till I end my song. "

So ended she; and all the rest around
To her redoubled that her undersong,
Which said their bridal day should not be long:
And gentle Echo from the neighbour ground
Their accents did resound.
So forth those joyous birds did pass along
Adown the lee that to them murmur'd low,
As he would speak but that he lack'd a tongue,
Yet did by signs his glad affection show,
Making his stream run slow.
And all the fowl which in his flood did dwell
'Gan flock about these twain, that did excel
The rest, so far as Cynthia doth shend
The lesser stars. So they, enranged well,
Did on those two attend,
And their best service lend
Against their wedding day, which was not long:
Sweet Thames! run softly, till I end my song.

At length they all to merry London came,
To merry London, my most kindly nurse,
That to me gave this life's first native source,
Though from another place I take my name,
An house of ancient fame:
There when they came whereas those bricky towers
The which on Thames' broad aged back do ride,
Where now the studious lawyers have their bowers,
There whilome wont the Templar-knights to bide,
Till they decay'd through pride:
Next whereunto there stands a stately place,
Where oft I gained gifts and goodly grace
Of that great lord, which therein wont to dwell,
Whose want too well now feels my friendless case;
But ah! here fits not well
Old woes, but joys to tell
Against the bridal day, which is not long:
Sweet Thames! run softly, till I end my song.

Yet therein now doth lodge a noble peer,
Great England's glory and the world's wide wonder,
Whose dreadful name late thro' all Spain did thunder,
And Hercules' two pillars standing near
Did make to quake and fear:
Fair branch of honour, flower of chivalry!
That fillest England with thy triumphs' fame
Joy have thou of thy noble victory,
And endless happiness of thine own name
That promiseth the same;
That through thy prowess and victorious arms,
Thy country may be freed from foreign harms,
And great Eliza's glorious name may ring
Through all the world, fill'd with thy wide alarms
Which some brave Muse may sing
To ages following,
Upon the bridal day, which is not long:
Sweet Thames! run softly till I end my song.

From those high towers this noble lord issuing,
Like radiant Hesper, when his golden hair
In th' ocean billows he hath bathed fair,
Descended to the river's open viewing
With a great train ensuing.
Above the rest were goodly to be seen
Two gentle knights of lovely face and feature,
Beseeming well the bower of any queen,
With gifts of wit and ornaments of nature,
Fit for so goodly stature,
That like the twins of Jove they seem'd in sight
Which deck the baldric of the Heavens bright;
They two, forth pacing to the river's side,
Received those two fair brides, their love's delight;
Which, at th' appointed tide,
Each one did make his bride
Against their bridal day, which is not long:
Sweet Thames! run softly, till I end my song.

E. SPENSER.




54. THE HAPPY HEART.

Art thou poor, yet hast thou golden slumbers?
O sweet content!
Art thou rich, yet is thy mind perplexed?
O punishment!
Dost thou laugh to see how fools are vexed
To add to golden numbers, golden numbers?
O sweet content! O sweet, O sweet content!
Work apace, apace, apace, apace;
Honest labour bears a lovely face;
Then hey nonny nonny, hey nonny nonny!

Canst drink the waters of the crisped spring?
O sweet content!
Swimm'st thou in wealth, yet sink'st in thine own tears?
O punishment!
Then he that patiently want's burden bears,
No burden bears, but is a king, a king!
O sweet content! O sweet, O sweet content!
Work apace, apace, apace, apace;
Honest labour bears a lovely face;
Then hey nonny nonny, hey nonny nonny!

T. DEKKER.




55.

This Life, which seems so fair,
Is like a bubble blown up in the air
By sporting children's breath,
Who chase it everywhere
And strive who can most motion it bequeath.
And though it sometimes seem of its own might
Like to an eye of gold to be fix'd there,
And firm to hover in that empty height,
That only is because it is so light.
--But in that pomp it doth not long appear;
For when 'tis most admired, in a thought,
Because it erst was nought, it turns to nought.

W. DRUMMOND.




56. SOUL AND BODY.

Poor Soul, the centre of my sinful earth,
Fool'd by those rebel powers that thee array,
Why dost thou pine within, and suffer dearth,
Painting thy outward walls so costly gay?

Why so large cost, having so short a lease,
Dost thou upon thy fading mansion spend?
Shall worms, inheritors of this excess,
Eat up thy charge? is this thy body's end?

Then, Soul, live thou upon thy servant's loss,
And let that pine to aggravate thy store;
Buy terms divine in selling hours of dross;
Within be fed, without be rich no more:--

So shall thou feed on death, that feeds on men,
And death once dead, there's no more dying then.

W. SHAKESPEARE.




57. LIFE.

The World's a bubble, and the Life of Man
Less than a span:
In his conception wretched, from the womb
So to the tomb;
Curst from his cradle, and brought up to years
With cares and fears.
Who then to frail mortality shall trust,
But limns on water, or but writes in dust.

Yet whilst with sorrow here we live opprest,
What life is best?
Courts are but only superficial schools
To dandle fools:
The rural parts are turn'd into a den
Of savage men:
And where's a city from foul vice so free,
But may be term'd the worst of all the three?

Domestic cares afflict the husband's bed,
Or pains his head:
Those that live single, take it for a curse,
Or do things worse:
Some would have children: those that have them, moan
Or wish them gone:
What is it, then, to have, or have no wife,
But single thraldom, or a double strife?

Our own affections still at home to please
Is a disease:
To cross the seas to any foreign soil,
Peril and toil:
Wars with their noise affright us; when they cease,
We are worse in peace;--
What then remains, but that we still should cry
For being born, or, being born, to die

LORD BACON




58. THE LESSONS OF NATURE.

Of this fair volume which we World do name
If we the sheets and leaves could turn with care,
Of Him who it corrects, and did it frame,
We clear might read the art and wisdom rare:

Find out His power which wildest powers doth tame,
His providence extending everywhere,
His justice which proud rebels doth not spare,
In every page, no period of the same.

But silly we, like foolish children, rest
Well pleased with colour'd vellum, leaves of gold,
Fair dangling ribbands, leaving what is best,
On the great Writer's sense ne'er taking hold;

Or if by chance we stay our minds on aught,
It is some picture on the margin wrought.

W. DRUMMOND.




59.

Doth then the world go thus, doth all thus move?
Is this the justice which on Earth we find?
Is this that firm decree which all doth bind?
Are these your influences, Powers above?

Those souls which vice's moody mists most blind,
Blind Fortune, blindly, most their friend doth prove;
And they who thee, poor idle Virtue! love,
Ply like a feather toss'd by storm and wind.

Ah! if a Providence doth sway this all,
Why should best minds groan under most distress?
Or why should pride humility make thrall,
And injuries the innocent oppress?

Heavens! hinder, stop this fate; or grant a time
When good may have, as well as bad, their prime!

W. DRUMMOND.




60. THE WORLD'S WAY.

Tired with all these, for restful death I cry--
As, to behold desert a beggar born,
And needy nothing trimm'd in jollity,
And purest faith unhappily forsworn,

And gilded honour shamefully misplaced,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgraced,
And strength by limping sway disabled

And art made tongue-tied by authority,
And folly, doctor-like, controlling skill,
And simple truth miscall'd simplicity,
And captive Good attending captain Ill:--

--Tired with all these, from these would I be gone,
Save that, to die, I leave my Love alone.

W. SHAKESPEARE.




61. SAINT JOHN BAPTIST.

The last and greatest Herald of Heaven's King
Girt with rough skins, hies to the deserts wild,
Among that savage brood the woods forth bring,
Which he more harmless found than man, and mild.

His food was locusts, and what there doth spring
With honey that from virgin hives distill'd;
Parch'd body, hollow eyes, some uncouth thing
Made him appear, long since from earth exiled.

There burst he forth: All ye whose hopes rely
On God, with me amidst these deserts mourn,
Repent, repent, and from old errors turn!
--Who listen'd to his voice, obey'd his cry?

Only the echoes, which he made relent,
Rung from their flinty caves, Repent! Repent!

W. DRUMMOND.





SECOND BOOK.

SUMMARY.


This division, embracing the latter eighty years of the seventeenth
century, contains the close of our Early poetical style and the
commencement of the Modern. In Dryden we see the first master of the
new: in Milton, whose genius dominates here as Shakespeare's in the
former book,--the crown and consummation of the early period. Their
splendid Odes are far in advance of any prior attempts, Spenser's
excepted: they exhibit the wider and grander range which years and
experience and the struggles of the time conferred on Poetry. Poetry now
gave expression to political feeling, to religious thought, to a high
philosophic statesmanship in writers such as Marvell, Herbert, and
Wotton: whilst in Marvell and Milton, again, we find the first noble
attempts at pure description of nature, destined in our own ages to be
continued and equalled. Meanwhile the poetry of simple passion, although
before 1660 often deformed by verbal fancies and conceits of thought,
and afterward by levity and an artificial tone,--produced in Herrick and
Waller some charming pieces of more finished art than the Elizabethan:
until in the courtly compliments of Sedley it seems to exhaust itself,
and lie almost dormant for the hundred years between the days of Wither
and Suckling and the days of Burns and Cowper. --That the change from our
early style to the modern brought with it at first a loss of nature and
simplicity is undeniable: yet the far bolder and wider scope which
Poetry took between 1620 and 1700, and the successful efforts then made
to gain greater clearness in expression, in their results have been no
slight compensation.





62. ODE ON THE MORNING OF CHRIST'S NATIVITY.

This is the month, and this the happy morn
Wherein the Son of Heaven's Eternal King
Of wedded maid and virgin mother born,
Our great redemption from above did bring;
For so the holy sages once did sing
That He our deadly forfeit should release,
And with His Father work us a perpetual peace.

That glorious Form, that Light unsufferable,
And that far-beaming blaze of Majesty
Wherewith He wont at Heaven's high council-table
To sit the midst of Trinal Unity,
He laid aside; and, here with us to be,
Forsook the courts of everlasting day,
And chose with us a darksome house of mortal clay.

Say, heavenly Muse, shall not thy sacred vein
Afford a present to the Infant God?
Hast thou no verse, no hymn, or solemn strain
To welcome Him to this His new abode,
Now while the heaven, by the sun's team untrod,
Hath took no print of the approaching light,
And all the spangled host keep watch in squadrons bright?

See how from far, upon the eastern road,
The star-led wizards haste with odours sweet:
O run, prevent them with thy humble ode
And lay it lowly at his blessed feet;
Have thou the honour first thy Lord to greet,
And join thy voice unto the angel quire
From out His secret altar touch'd with hallow'd fire.

THE HYMN.

It was the Winter wild
While the heaven-born Child
All meanly wrapt in the rude manger lies
Nature in awe to Him
Had doff'd her gaudy trim,
With her great Master so to sympathise:
It was no season then for her
To wanton with the sun, her lusty paramour.

Only with speeches fair
She woos the gentle air
To hide her guilty front with innocent snow;
And on her naked shame,
Pollute with sinful blame,
The saintly veil of maiden white to throw;
Confounded, that her Maker's eyes
Should look so near upon her foul deformities.

But He, her fears to cease,
Sent down the meek-eyed Peace,
She crown'd with olive green, came softly sliding
Down through the turning sphere
His ready harbinger,
With turtle wing the amorous clouds dividing;
And waving wide her myrtle wand,
She strikes a universal peace through sea and land.

No war, or battle's sound
Was heard the world around:
The idle spear and shield were high up hung;
The hooked Chariot stood
Unstain'd with hostile blood;
The trumpet spake not to the armed throng;
And kings sat still with awful eye,
As if they surely knew their sovran Lord was by.

But peaceful was the night
Wherin the Prince of Light
His reign of peace upon the earth began:
The winds, with wonder whist,
Smoothly the waters kist
Whispering new joys to the mild ocean--
Who now hath quite forgot to rave,
While birds of calm sit brooding on the charmed wave.

The stars with deep amaze
Stand fix'd in steadfast gaze,
Bending one way their precious influence;
And will not take their flight
For all the morning light,
Or Lucifer that often warn'd them thence;
But in their glimmering orbs did glow,
Until their Lord Himself bespake, and bid them go.

And though the shady gloom
Had given day her room,
The sun himself withheld his wonted speed,
And hid his head for shame,
As his inferior flame
The new-enlightn'd world no more should need:
He saw a greater Sun appear
Then his bright throne, or burning axletree, could bear.

The shepherds on the lawn
Or ere the point of dawn
Sate simply chatting in a rustic row;
Full little thought they then
That the mighty Pan
Was kindly come to live with them below;
Perhaps their loves, or else their sheep
Was all that did their silly thoughts so busy keep.

When such music sweet
Their hearts and ears did greet
As never was by mortal finger strook--
Divinely-warbled voice
Answering the stringed noise,
As all their souls in blissful rapture took:
The air, such pleasure loth to lose,
With thousand echoes still prolongs each heavenly close.

Nature that heard such sound
Beneath the hollow round
Of Cynthia's seat the airy region thrilling,
Now was almost won
To think her part was done,
And that her reign had here its last fulfilling;
She knew such harmony alone
Could hold all heaven and earth in happier union.

At last surrounds their sight
A globe of circular light
That with long beams the shamefaced night array'd;
The helmed Cherubim
And sworded Seraphim,
Are seen in glittering ranks with wings display'd,
Harping in loud and solemn quire
With unexpressive notes, to Heaven's new-born Heir.

Such music (as 'tis said)
Before was never made
But when of old the sons of morning sung,
While the Creator great
His constellations set
And the well-balanced world on hinges hung;
And cast the dark foundations deep,
And bid the weltering waves their oozy channel keep.

Ring out, ye crystal spheres!
Once bless our human ears,
If ye have power to touch our senses so;
And let your silver chime
Move in melodious time;
And let the bass of heaven's deep organ blow;
And with your ninefold harmony
Make up full concert to the angelic symphony.

For if such holy Song
Enwrap our fancy long,
Time will run back, and fetch the age of gold;
And speckled vanity
Will sicken soon and die,
And leprous sin will melt from earthly mould;
And Hell itself will pass away,
And leave her dolorous mansions to the peering day.

Yea, Truth and Justice then
Will down return to men,
Orb'd in a rainbow; and, like glories wearing,
Mercy will sit between
Throned in celestial sheen,
With radiant feet the tissued clouds down steering;
And Heaven, as at some festival,
Will open wide the gates of her high palace hall.

But wisest Fate says No;
This must not yet be so;
The Babe yet lies in smiling infancy
That on the bitter cross
Must redeem our loss;
So both Himself and us to glorify:
Yet first to those ychain'd in sleep
The wakeful trump of doom must thunder through the deep;

With such a horrid clang
As on mount Sinai rang
While the red fire and smouldering clouds outbrake:
The aged Earth agast
With terrour of that blast
Shall from the surface to the centre shake,
When at the worlds last session,
The dreadful Judge in middle air shall spread His throne.

And then at last our bliss
Full and perfect is,
But now begins; for from this happy day
The old Dragon, under ground
In straiter limits bound,
Not half so far casts his usurped sway;
And, wroth to see his Kingdom fail,
Swinges the scaly horrour of his folded tail.

The oracles are dumb;
No voice or hideous hum
Runs through the arched roof in words deceiving:
Apollo from his shrine
Can no more divine,
With hollow shriek the steep of Delphos leaving:
No nightly trance or breathed spell
Inspires the pale-eyed priest from the prophetic cell.

The lonely mountains o'er
And the resounding shore
A voice of weeping heard, and loud lament;
From haunted spring, and dale
Edged with poplar pale
The parting Genius is with sighing sent;
With flower-inwoven tresses torn
The nymphs in twilight shade of tangled thickets mourn.

In consecrated earth
And on the holy hearth,
The Lars and Lemures moan with midnight plaint;
In urns, and altars round
A drear and dying sound
Affrights the Flamens at their service quaint;
And the chill marble seems to sweat,
While each peculiar Power forgoes his wonted seat.

Peor and Baalim
Forsake their temples dim,
With that twice-batter'd god of Palestine
And mooned Ashtaroth
Heaven's queen and mother both,
Now sits not girt with tapers' holy shine;
The Lybic Hammon shrinks his horn,
In vain the Tyrian maids their wounded Thammuz mourn.

And sullen Moloch, fled,
Hath left in shadows dread
His burning idol all of blackest hue;
In vain with cymbals' ring
They call the grisly king,
In dismal dance about the furnace blue;
The brutish gods of Nile as fast
Isis and Orus, and the dog Anubis, haste.

Nor is Osiris seen
In Memphian grove, or green,
Trampling the unshower'd grass with lowings loud:
Nor can he be at rest
Within his sacred chest;
Naught but profoundest hell can be his shroud;
In vain with timbrell'd anthems dark
The sable stoled sorcerers bear his worshipt ark.

He feels from Juda's land
The dreaded infant's hand;
The rays of Bethlehem blind his dusky eyn;
Nor all the gods beside
Longer dare abide,
Nor Typhon huge ending in snaky twine:
Our Babe, to shew his Godhead true,
Can in his swaddling bands control the damned crew.

So, when the sun in bed
Curtain'd with cloudy red
Pillows his chin upon an orient wave,
The flocking shadows pale
Troop to the infernal jail,
Each fetter'd ghost slips to his several grave;
And the yellow-skirted fays
Fly after the night-steeds, leaving their moon-loved maze.

But see, the Virgin blest
Hath laid her Babe to rest;
Time is, our tedious song should here have ending:
Heavens youngest-teemed star,
Hath fixed her polish'd car,
Her sleeping Lord with hand-maid lamp attending:
And all about the courtly stable
Bright-harness'd angels sit in order serviceable.

J. MILTON.




63. SONG FOR ST CECILIA'S DAY,

1687.

From Harmony, from heavenly Harmony
This universal frame began:
When nature underneath a heap
Of jarring atoms lay
And could not heave her head,
The tuneful voice was heard from high
Arise, ye more than dead!
Then cold, and hot, and moist, and dry
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.

What passion cannot Music raise and quell?
When Jubal struck the chorded shell
His listening brethren stood around,
And, wondering, on their faces fell
To worship that celestial sound.
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly and so well.
What passion cannot Music raise and quell?

The trumpet's loud clangor
Excites us to arms,
With shrill notes of anger,
And mortal alarms.
The double double double beat
Of the thundering drum
Cries "Hark! the foes come;
Charge, charge, 'tis too late to retreat! "

The soft complaining flute
In dying notes discovers
The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.

Sharp violins proclaim
Their jealous pangs and desperation,
Fury, frantic indignation,
Depth of pains, and height of passion
For the fair, disdainful dame.

But oh! what art can teach,
What human voice can reach
The sacred organ's praise?
Notes inspiring holy love,
Notes that wing their heavenly ways
To mend the choirs above.
Orpheus could lead the savage race,
And trees uprooted left their place
Sequacious of the lyre:
But bright Cecilia raised the wonder higher:
When to her Organ vocal breath was given
An angel heard, and straight appear'd--
Mistaking Earth for Heaven!

_Grand Chorus_:

As from the power of sacred lays
The spheres began to move,
And sung the great Creator's praise
To all the blest above;
So when the last and dreadful hour
This crumbling pageant shall devour,
The trumpet shall be heard on high,
The dead shall live, the living die,
And Music shall untune the sky.

J. DRYDEN.




64. ON THE LATE MASSACRE IN PIEMONT.

Avenge, O Lord! Thy slaughter'd Saints, whose bones
Lie scatter'd on the Alpine mountains cold;
Even them who kept Thy truth so pure of old
When all our fathers worshipt stocks and stones.

Forget not: In Thy book record their groans
Who were Thy sheep, and in their ancient fold
Slain by the bloody Piemontese, that roll'd
Mother with infant down the rocks. Their moans

The vales redoubled to the hills, and they
To Heaven. Their martyr'd blood and ashes sow
O'er all the Italian field, where still doth sway
The triple tyrant, that from these may grow
A hundred-fold, who, having learnt Thy way,
Early may fly the Babylonian woe.

J. MILTON.




65. HORATIAN ODE UPON CROMWELL'S RETURN FROM IRELAND.

The forward youth that would appear,
Must now forsake his Muses dear,
Nor in the shadows sing
His numbers languishing.

'Tis time to leave the books in dust,
And oil the unused armour's rust,
Removing from the wall
The corslet of the hall.

So restless Cromwell could not cease
In the inglorious arts of peace,
But through adventurous war
Urged his active star:

And like the three-fork'd lightning first
Breaking the clouds where it was nurst,
Did thorough his own side
His fiery way divide:

For 'tis all one to courage high
The emulous, or enemy;
And with such, to enclose
Is more than to oppose;

Then burning through the air he went
And palaces and temples rent;
And Caesar's head at last
Did through his laurels blast.

'Tis madness to resist or blame
The face of angry heaven's flame;
And if we would speak true,
Much to the Man is due

Who, from his private gardens, where
He lived reserved and austere
(As if he his highest plot
To plant the bergamot)

Could by industrious valour climb
To ruin the great work of time,
And cast the Kingdoms old
Into another mould.

Though Justice against Fate complain,
And plead the ancient Rights in vain--
But those do hold or break
As men are strong or weak;

Nature, that hateth emptiness,
Allows of penetration less,
And therefore must make room
Where greater spirits come.

What field of all the civil war
Where his were not the deepest scar?
And Hampton shows what part
He had of wiser art,

Where, twining subtle fears with hope,
He wove a net of such a scope
That Charles himself might chase
To Carisbrook's narrow case;

That thence the Royal actor borne
The tragic scaffold might adorn:
While round the armed bands
Did clap their bloody hands;

He nothing common did or mean
Upon that memorable scene,
But with his keener eye
The axe's edge did try;

Nor call'd the Gods, with vulgar spite,
To vindicate his helpless right;
But bow'd his comely head
Down, as upon a bed.

--This was that memorable hour
Which first assured the forced power:
So when they did design
The Capitol's first line,

A Bleeding Head, where they begun,
Did fright the architects to run;
And yet in that the State
Foresaw its happy fate!

And now the Irish are ashamed
To see themselves in one year tamed:
So much one man can do
That does both act and know.

They can affirm his praises best,
And have, though overcome, confest
How good he is, how just
And fit for highest trust;

Nor yet grown stiffer with command,
But still in the Republic's hand--
How fit he is to sway
That can so well obey!

He to the Commons' feet presents
A Kingdom for his first year's rents,
And (what he may) forbears
His fame, to make it theirs:

And has his sword and spoils ungirt
To lay them at the Public's skirt.
So when the falcon high
Falls heavy from the sky,

She, having kill'd, no more doth search
But on the next green bough to perch,
Where, when he first does lure,
The falconer has her sure.

--What may not then our Isle presume
While victory his crest does plume?
What may not others fear
If thus he crowns each year!

As Caesar he, ere long, to Gaul,
To Italy an Hannibal,
And to all states not free
Shall climacteric be.

The Pict no shelter now shall find
Within his parti-colour'd mind,
But, from this valour, sad
Shrink underneath the plaid--

Happy, if in the tufted brake
The English hunter him mistake,
Nor lay his hounds in near
The Caledonian deer.

But Thou, the War's and Fortune's son,
March indefatigably on;
And for the last effect
Still keep the sword erect:

Besides the force it has to fright
The spirits of the shady night,
The same arts that did gain
A power, must it maintain.

A. MARVELL.




66. LYCIDAS

_Elegy on a Friend drowned in the Irish Channel. _

Yet once more, O ye laurels, and once more
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint, and sad occasion dear
Compels me to disturb your season due:
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer:
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.

Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string;
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn:
And as he passes, turn
And bid fair peace be to my sable shroud.

For we were nursed upon the self-same hill,
Fed the same flock by fountain, shade, and rill:
Together both, ere the high lawns appear'd
Under the opening eye-lids of the morn,
We drove a-field, and both together heard
What time the gray-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven's descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Temper'd to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.

But, O the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods, and desert caves,
With wild thyme and the gadding vine o'ergrown,
And all their echoes, mourn.
The willows and the hazel copses green
Shall now no more be seen
Fanning their joyous leaves to thy soft lays:--
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherds' ear.

Where were ye, Nymphs, when the remorseless deep
Closed o'er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream--
Had ye been there--for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When by the rout that made the hideous roar
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?

Alas! what boots it with incessant care
To tend the homely, slighted, shepherd's trade
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera's hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears
And slits the thin-spun life. "But not the praise,"
Phoebus replied, and touch'd my trembling ears;
"Fame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies:
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed. "

O fountain Arethuse, and thou honour'd flood
Smooth-sliding Mincius, crown'd with vocal reeds!
That strain I heard was of a higher mood:
But now my oat proceeds,
And listens to the herald of the sea
That came in Neptune's plea;
He ask'd the waves, and ask'd the felon winds,
What hard mishap hath doom'd this gentle swain?