No More Learning

(_A man with keys at his girdle has come in while she speaks. There is a
general murmur of "The porter! the porter! "_)

PORTER

Demons were here. I sat beside the door
In my stone niche, and two owls passed me by,
Whispering with human voices.

OLD PEASANT

God forsakes us.

CATHLEEN

Old man, old man, He never closed a door
Unless one opened. I am desolate,
Because of a strange thought that's in my heart;
But I have still my faith; therefore be silent;
For surely He does not forsake the world,
But stands before it modelling in the clay
And moulding there His image. Age by age
The clay wars with His fingers and pleads hard
For its old, heavy, dull and shapeless ease;
But sometimes--though His hand is on it still--
It moves awry and demon hordes are born.

(PEASANTS _cross themselves_. )

Yet leave me now, for I am desolate,
I hear a whisper from beyond the thunder.

(_She comes from the oratory door. _)

Yet stay an instant. When we meet again
I may have grown forgetful. Oona, take
These two--the larder and the dairy keys.

(_To the_ PORTER. )

But take you this. It opens the small room
Of herbs for medicine, of hellebore,
Of vervain, monkshood, plantain, and self-heal.
The book of cures is on the upper shelf.

PORTER

Why do you do this, lady; did you see
Your coffin in a dream?

CATHLEEN

Ah, no, not that.
But I have come to a strange thought. I have heard
A sound of wailing in unnumbered hovels,
And I must go down, down--I know not where--
Pray for all men and women mad from famine;
Pray, you good neighbours.

(_The_ PEASANTS _all kneel_. COUNTESS CATHLEEN _ascends the steps to the
door of the oratory, and turning round stands there motionless for a
little, and then cries in a loud voice_:)

Mary, Queen of angels,
And all you clouds on clouds of saints, farewell!

END OF SCENE III.




SCENE IV


SCENE. --_A wood near the Castle, as in Scene II. A group of_
PEASANTS _pass_.

FIRST PEASANT

I have seen silver and copper, but not gold.

SECOND PEASANT

It's yellow and it shines.

FIRST PEASANT

It's beautiful.
The most beautiful thing under the sun,
That's what I've heard.

THIRD PEASANT

I have seen gold enough.

FOURTH PEASANT

I would not say that it's so beautiful.

FIRST PEASANT

But doesn't a gold piece glitter like the sun?
That's what my father, who'd seen better days,
Told me when I was but a little boy--
So high--so high, it's shining like the sun,
Round and shining, that is what he said.

SECOND PEASANT

There's nothing in the world it cannot buy.

FIRST PEASANT

They've bags and bags of it.

(_They go out. _ _The two_ MERCHANTS _follow silently_. _Then_ ALEEL
_passes over the stage singing_. )

ALEEL

Impetuous heart be still, be still,
Your sorrowful love can never be told,
Cover it up with a lonely tune.
He who could bend all things to His will
Has covered the door of the infinite fold
With the pale stars and the wandering moon.

END OF SCENE IV.




SCENE V


SCENE. --_The house of_ SHEMUS RUA. _There is an alcove at the back
with curtains; in it a bed, and on the bed is the body of_ MARY
_with candles round it_. _The two_ MERCHANTS _while they speak put
a large book upon a table, arrange money, and so on_.

FIRST MERCHANT

Thanks to that lie I told about her ships
And that about the herdsman lying sick,
We shall be too much thronged with souls to-morrow.

SECOND MERCHANT

What has she in her coffers now but mice?

FIRST MERCHANT

When the night fell and I had shaped myself
Into the image of the man-headed owl,
I hurried to the cliffs of Donegal,
And saw with all their canvas full of wind
And rushing through the parti-coloured sea
Those ships that bring the woman grain and meal.
They're but three days from us.

SECOND MERCHANT

When the dew rose
I hurried in like feathers to the east,
And saw nine hundred oxen driven through Meath
With goads of iron. They're but three days from us.

FIRST MERCHANT

Three days for traffic.

(PEASANTS _crowd in with_ TEIG _and_ SHEMUS. )

SHEMUS

Come in, come in, you are welcome.
That is my wife. She mocked at my great masters,
And would not deal with them. Now there she is;
She does not even know she was a fool,
So great a fool she was.

TEIG

She would not eat
One crumb of bread bought with our master's money,
But lived on nettles, dock, and dandelion.

SHEMUS

There's nobody could put into her head
That Death is the worst thing can happen us.
Though that sounds simple, for her tongue grew rank
With all the lies that she had heard in chapel.
Draw to the curtain. (TEIG _draws it_. ) You'll not play the fool
While these good gentlemen are there to save you.

SECOND MERCHANT

Since the drought came they drift about in a throng,
Like autumn leaves blown by the dreary winds.
Come, deal--come, deal.

FIRST MERCHANT

Who will come deal with us?

SHEMUS

They are out of spirit, sir, with lack of food,
Save four or five. Here, sir, is one of these;
The others will gain courage in good time.

MIDDLE-AGED-MAN

I come to deal--if you give honest price.

FIRST MERCHANT (_reading in a book_)

"John Maher, a man of substance, with dull mind,
And quiet senses and unventurous heart.
The angels think him safe. " Two hundred crowns,
All for a soul, a little breath of wind.

THE MAN

I ask three hundred crowns. You have read there
That no mere lapse of days can make me yours.

FIRST MERCHANT

There is something more writ here--"Often at night
He is wakeful from a dread of growing poor,
And thereon wonders if there's any man
That he could rob in safety. "

A PEASANT

Who'd have thought it?
And I was once alone with him at midnight.

ANOTHER PEASANT

I will not trust my mother after this.

FIRST MERCHANT

There is this crack in you--two hundred crowns.

A PEASANT

That's plenty for a rogue.

ANOTHER PEASANT

I'd give him nothing.

SHEMUS

You'll get no more--so take what's offered you.

(_A general murmur, during which the_ MIDDLE-AGED MAN _takes money, and
slips into background, where he sinks on to a seat_. )

FIRST MERCHANT

Has no one got a better soul than that?
If only for the credit of your parishes,
Traffic with us.

A WOMAN

What will you give for mine?

FIRST MERCHANT (_reading in book_)

"Soft, handsome, and still young"--not much, I think.
"It's certain that the man she's married to
Knows nothing of what's hidden in the jar
Between the hour-glass and the pepper-pot. "

THE WOMAN

The scandalous book.

FIRST MERCHANT

"Nor how when he's away
At the horse fair the hand that wrote what's hid
Will tap three times upon the window-pane. "

THE WOMAN

And if there is a letter, that is no reason
Why I should have less money than the others.

FIRST MERCHANT

You're almost safe, I give you fifty crowns.

(_She turns to go. _)

A hundred, then.

SHEMUS

Woman, have sense--come, come.
Is this a time to haggle at the price?
There, take it up. There, there. That's right.

(_She takes them and goes into the crowd. _)

FIRST MERCHANT

Come, deal, deal, deal. It is but for charity
We buy such souls at all; a thousand sins
Made them our Master's long before we came.

(ALEEL _enters_. )

ALEEL

Here, take my soul, for I am tired of it.
I do not ask a price.

SHEMUS

Not ask a price?
How can you sell your soul without a price?
I would not listen to his broken wits;
His love for Countess Cathleen has so crazed him
He hardly understands what he is saying.

ALEEL

The trouble that has come on Countess Cathleen,
The sorrow that is in her wasted face,
The burden in her eyes, have broke my wits,
And yet I know I'd have you take my soul.

FIRST MERCHANT

We cannot take your soul, for it is hers.

ALEEL

No, but you must. Seeing it cannot help her
I have grown tired of it.

FIRST MERCHANT

Begone from me,
I may not touch it.

ALEEL

Is your power so small?
And must I bear it with me all my days?
May you be scorned and mocked!

FIRST MERCHANT

Drag him away.
He troubles me.

(TEIG _and_ SHEMUS _lead_ ALEEL _into the crowd_. )

SECOND MERCHANT

His gaze has filled me, brother,
With shaking and a dreadful fear.

FIRST MERCHANT

Lean forward
And kiss the circlet where my Master's lips
Were pressed upon it when he sent us hither;
You shall have peace once more.

(SECOND MERCHANT _kisses the gold circlet that is about the head of the_
FIRST MERCHANT. )

I, too, grow weary,
But there is something moving in my heart
Whereby I know that what we seek the most
Is drawing near--our labour will soon end.
Come, deal, deal, deal, deal, deal; are you all dumb?
What, will you keep me from our ancient home,
And from the eternal revelry?

SECOND MERCHANT

Deal, deal.

SHEMUS

They say you beat the woman down too low.

FIRST MERCHANT

I offer this great price: a thousand crowns
For an old woman who was always ugly.

(_An old_ PEASANT WOMAN _comes forward, and he takes up a book and
reads_:)

There is but little set down here against her.
"She has stolen eggs and fowl when times were bad,
But when the times grew better has confessed it;
She never missed her chapel of a Sunday
And when she could, paid dues. " Take up your money.

OLD WOMAN

God bless you, sir. (_She screams. _) Oh, sir, a pain went through me!

FIRST MERCHANT

That name is like a fire to all damned souls.

(_Murmur among the_ PEASANTS, _who shrink back from her as she goes
out_. )

A PEASANT

How she screamed out!

SECOND PEASANT

And maybe we shall scream so.

THIRD PEASANT

I tell you there is no such place as hell.

FIRST MERCHANT

Can such a trifle turn you from your profit?
Come, deal; come, deal.

MIDDLE-AGED MAN

Master, I am afraid.

FIRST MERCHANT

I bought your soul, and there's no sense in fear
Now the soul's gone.

MIDDLE-AGED MAN

Give me my soul again.

WOMAN (_going on her knees and clinging to_
MERCHANT)

And take this money too, and give me mine.

SECOND MERCHANT

Bear bastards, drink or follow some wild fancy;
For sighs and cries are the soul's work,
And you have none.

(_Throws the woman off. _)

PEASANT

Come, let's away.

ANOTHER PEASANT

Yes, yes.

ANOTHER PEASANT

Come quickly; if that woman had not screamed
I would have lost my soul.

ANOTHER PEASANT

Come, come away.

(_They turn to door, but are stopped by shouts of "Countess Cathleen!
Countess Cathleen! "_)

CATHLEEN (_entering_)

And so you trade once more?

FIRST MERCHANT

In spite of you.
What brings you here, saint with the sapphire eyes?

CATHLEEN

I come to barter a soul for a great price.

SECOND MERCHANT

What matter, if the soul be worth the price?

CATHLEEN

The people starve, therefore the people go
Thronging to you. I hear a cry come from them
And it is in my ears by night and day,
And I would have five hundred thousand crowns
That I may feed them till the dearth go by.

FIRST MERCHANT

It may be the soul's worth it.

CATHLEEN

There is more:
The souls that you have bought must be set free.

FIRST MERCHANT

We know of but one soul that's worth the price.

CATHLEEN

Being my own it seems a priceless thing.

SECOND MERCHANT

You offer us----

CATHLEEN

I offer my own soul.

A PEASANT

Do not, do not, for souls the like of ours
Are not precious to God as your soul is.
O! what would Heaven do without you, lady?

ANOTHER PEASANT

Look how their claws clutch in their leathern gloves.

FIRST MERCHANT

Five hundred thousand crowns; we give the price.
The gold is here; the souls even while you speak
Have slipped out of our bond, because your face
Has shed a light on them and filled their hearts.
But you must sign, for we omit no form
In buying a soul like yours.

SECOND MERCHANT

Sign with this quill
It was a feather growing on the cock
That crowed when Peter dared deny his Master,
And all who use it have great honour in Hell.

(CATHLEEN _leans forward to sign_. )

ALEEL (_rushing forward and snatching the
pen from her_)

Leave all things to the builder of the heavens.

CATHLEEN

I have no thoughts; I hear a cry--a cry.

ALEEL (_casting the pen on the ground_)

I have seen a vision under a green hedge,
A hedge of hips and haws--men yet shall hear
The Archangels rolling Satan's empty skull
Over the mountain-tops.

FIRST MERCHANT

Take him away.

(TEIG _and_ SHEMUS _drag him roughly away so that he falls upon the
floor among the_ PEASANTS. CATHLEEN _picks up parchment and signs, then
turns towards the_ PEASANTS. )

CATHLEEN

Take up the money, and now come with me;
When we are far from this polluted place
I will give everybody money enough.

(_She goes out, the_ PEASANTS _crowding round her and kissing her
dress_. ALEEL _and the two_ MERCHANTS _are left alone_. )

SECOND MERCHANT

We must away and wait until she dies,
Sitting above her tower as two grey owls,
Waiting as many years as may be, guarding
Our precious jewel; waiting to seize her soul.

FIRST MERCHANT

We need but hover over her head in the air,
For she has only minutes. When she signed
Her heart began to break. Hush, hush, I hear
The brazen door of Hell move on its hinges,
And the eternal revelry float hither
To hearten us.

SECOND MERCHANT

Leap feathered on the air
And meet them with her soul caught in your claws.

(_They rush out. _ ALEEL _crawls into the middle of the room_. _The
twilight has fallen and gradually darkens as the scene goes on. There is
a distant muttering of thunder and a sound of rising storm. _)

ALEEL

The brazen door stands wide, and Balor comes
Borne in his heavy car, and demons have lifted
The age-weary eyelids from the eyes that of old
Turned gods to stone; Barach, the traitor, comes
And the lascivious race, Cailitin,
That cast a druid weakness and decay
Over Sualtem's and old Dectera's child;
And that great king Hell first took hold upon
When he killed Naisi and broke Deirdre's heart
And all their heads are twisted to one side,
For when they lived they warred on beauty and peace
With obstinate, crafty, sidelong bitterness.

(_He moves about as though the air above him was full of spirits_. OONA
_enters_. )

Crouch down, old heron, out of the blind storm.
OONA

Where is the Countess Cathleen? All this day
Her eyes were full of tears, and when for a moment
Her hand was laid upon my hand it trembled,
And now I do not know where she is gone.

ALEEL

Cathleen has chosen other friends than us,
And they are rising through the hollow world.
Demons are out, old heron.

OONA

God guard her soul.

ALEEL

She's bartered it away this very hour,
As though we two were never in the world.

(_He points downward. _)

First, Orchill, her pale, beautiful head
Her body shadowy as vapour drifting
Under the dawn, for she who awoke desire
Has but a heart of blood when others die;
About her is a vapoury multitude
Of women alluring devils with soft laughter;
Behind her a host heat of the blood made sin,
But all the little pink-white nails have grown
To be great talons.

(_He seizes_ OONA _and drags her into the middle of the room and points
downward with vehement gestures_. _The wind roars. _)

They begin a song
And there is still some music on their tongues.

OONA (_casting herself face downwards on the floor_)

O, Maker of all, protect her from the demons,
And if a soul must need be lost, take mine.

(ALEEL _kneels beside her, but does not seem to hear her words_. _The_
PEASANTS _return_. _They carry the_ COUNTESS CATHLEEN _and lay her upon
the ground before_ OONA _and_ ALEEL. _She lies there as if dead. _)

OONA

O, that so many pitchers of rough clay
Should prosper and the porcelain break in two!

(_She kisses the hands of_ CATHLEEN. )

A PEASANT

We were under the tree where the path turns,
When she grew pale as death and fainted away.
And while we bore her hither cloudy gusts
Blackened the world and shook us on our feet;
Draw the great bolt, for no man has beheld
So black, bitter, blinding, and sudden a storm.

(_One who is near the door draws the bolt. _)

CATHLEEN

O, hold me, and hold me tightly, for the storm
Is dragging me away.

(OONA _takes her in her arms_. A WOMAN _begins to wail_. )

PEASANT

Hush!

PEASANTS

Hush!

PEASANT WOMEN

Hush!

OTHER PEASANT WOMEN

Hush!

CATHLEEN (_half rising_)

Lay all the bags of money in a heap,
And when I am gone, old Oona, share them out
To every man and woman: judge, and give
According to their needs.

A PEASANT WOMAN

And will she give
Enough to keep my children through the dearth?

ANOTHER PEASANT WOMAN

O, Queen of Heaven, and all you blessed saints,
Let us and ours be lost so she be shriven.

CATHLEEN

Bend down your faces, Oona and Aleel;
I gaze upon them as the swallow gazes
Upon the nest under the eave, before
She wander the loud waters. Do not weep
Too great a while, for there is many a candle
On the High Altar though one fall. Aleel,
Who sang about the dancers of the woods,
That know not the hard burden of the world,
Having but breath in their kind bodies, farewell!
And farewell, Oona, you who played with me,
And bore me in your arms about the house
When I was but a child and therefore happy,
Therefore happy, even like those that dance.
The storm is in my hair and I must go.

(_She dies. _)

OONA

Bring me the looking-glass.

(A WOMAN _brings it to her out of the inner room_. OONA _holds it over
the lips of_ CATHLEEN. _All is silent for a moment. And then she speaks
in a half scream_:)

O, she is dead!

A PEASANT

She was the great white lily of the world.

A PEASANT

She was more beautiful than the pale stars.

AN OLD PEASANT WOMAN

The little plant I love is broken in two.

(ALEEL _takes looking-glass from_ OONA _and flings it upon the floor so
that it is broken in many pieces_. )

ALEEL

I shatter you in fragments, for the face
That brimmed you up with beauty is no more:
And die, dull heart, for she whose mournful words
Made you a living spirit has passed away
And left you but a ball of passionate dust.
And you, proud earth and plumy sea, fade out!
For you may hear no more her faltering feet,
But are left lonely amid the clamorous war
Of angels upon devils.

(_He stands up; almost every one is kneeling, but it has grown so dark
that only confused forms can be seen. _)

And I who weep
Call curses on you, Time and Fate and Change,
And have no excellent hope but the great hour
When you shall plunge headlong through bottomless space.

(_A flash of lightning followed immediately by thunder. _)

A PEASANT WOMAN

Pull him upon his knees before his curses
Have plucked thunder and lightning on our heads.

ALEEL

Angels and devils clash in the middle air,
And brazen swords clang upon brazen helms.

(_A flash of lightning followed immediately by thunder. _)

Yonder a bright spear, cast out of a sling,
Has torn through Balor's eye, and the dark clans
Fly screaming as they fled Moytura of old.

(_Everything is lost in darkness. _)

AN OLD MAN

The Almighty wrath at our great weakness and sin
Has blotted out the world and we must die.

(_The darkness is broken by a visionary light. The_ PEASANTS _seem to be
kneeling upon the_ _rocky slope of a mountain, and vapour full of storm
and ever-changing light is sweeping above them and behind them. Half in
the light, half in the shadow, stand armed angels. Their armour is old
and worn, and their drawn swords dim and dinted. They stand as if upon
the air in formation of battle and look downward with stern faces. The_
PEASANTS _cast themselves on the ground_. )

ALEEL

Look no more on the half-closed gates of Hell,
But speak to me, whose mind is smitten of God,
That it may be no more with mortal things,
And tell of her who lies there.

(_He seizes one of the angels. _)

Till you speak
You shall not drift into eternity.

THE ANGEL

The light beats down; the gates of pearl are wide
And she is passing to the floor of peace,
And Mary of the seven times wounded heart
Has kissed her lips, and the long blessed hair
Has fallen on her face; The Light of Lights
Looks always on the motive, not the deed,
The Shadow of Shadows on the deed alone.

(ALEEL _releases the_ ANGEL _and kneels_. )

OONA

Tell them who walk upon the floor of peace
That I would die and go to her I love;
The years like great black oxen tread the world,
And God the herdsman goads them on behind
And I am broken by their passing feet.

(_A sound of far-off horns seems to come from the heart of the Light.
The vision melts away, and the forms of the kneeling_ PEASANTS _appear
faintly in the darkness_. )




THE ROSE


"_Sero te amavi, Pulchritudo tam antiqua et tam nova! Sero te
amavi. _"

S. AUGUSTINE.


TO LIONEL JOHNSON


TO THE ROSE UPON THE ROOD OF TIME


_Red Rose, proud Rose, sad Rose of all my days!
Come near me, while I sing the ancient ways:
Cuchulain battling with the bitter tide;
The Druid, gray, wood-nurtured, quiet-eyed,
Who cast round Fergus dreams, and ruin untold;
And thine own sadness, whereof stars, grown old
In dancing silver sandalled on the sea,
Sing in their high and lonely melody.
Come near, that no more blinded by man's fate,
I find under the boughs of love and hate,
In all poor foolish things that live a day,
Eternal beauty wandering on her way. _

_Come near, come near, come near--Ah, leave me still
A little space for the rose-breath to fill!
Lest I no more hear common things that crave;
The weak worm hiding down in its small cave,_
_The field mouse running by me in the grass,
And heavy mortal hopes that toil and pass;
But seek alone to hear the strange things said
By God to the bright hearts of those long dead,
And learn to chaunt a tongue men do not know.
Come near; I would, before my time to go,
Sing of old Eire and the ancient ways:
Red Rose, proud Rose, sad Rose of all my days. _


FERGUS AND THE DRUID


FERGUS

The whole day have I followed in the rocks,
And you have changed and flowed from shape to shape.
First as a raven on whose ancient wings
Scarcely a feather lingered, then you seemed
A weasel moving on from stone to stone,
And now at last you wear a human shape,
A thin gray man half lost in gathering night.

DRUID

What would you, king of the proud Red Branch kings?

FERGUS

This would I say, most wise of living souls:
Young subtle Concobar sat close by me
When I gave judgment, and his words were wise,
And what to me was burden without end,
To him seemed easy, so I laid the crown
Upon his head to cast away my care.

DRUID

What would you, king of the proud Red Branch kings?

FERGUS

I feast amid my people on the hill,
And pace the woods, and drive my chariot wheels
In the white border of the murmuring sea;
And still I feel the crown upon my head.

DRUID

What would you?

FERGUS

I would be no more a king
But learn the dreaming wisdom that is yours.

DRUID

Look on my thin gray hair and hollow cheeks
And on these hands that may not lift the sword
This body trembling like a wind-blown reed.
No woman loves me, no man seeks my help,
Because I be not of the things I dream.

FERGUS

A wild and foolish labourer is a king,
To do and do and do, and never dream.

DRUID

Take, if you must, this little bag of dreams;
Unloose the cord, and they will wrap you round.

FERGUS

I see my life go dripping like a stream
From change to change; I have been many things,
A green drop in the surge, a gleam of light
Upon a sword, a fir-tree on a hill,
An old slave grinding at a heavy quern,
A king sitting upon a chair of gold,
And all these things were wonderful and great;
But now I have grown nothing, being all,
And the whole world weighs down upon my heart:
Ah! Druid, Druid, how great webs of sorrow
Lay hidden in the small slate-coloured bag!


THE DEATH OF CUCHULAIN


A man came slowly from the setting sun,
To Forgail's daughter, Emer, in her dun,
And found her dyeing cloth with subtle care,
And said, casting aside his draggled hair:
"I am Aleel, the swineherd, whom you bid
"Go dwell upon the sea cliffs, vapour hid;
"But now my years of watching are no more. "

Then Emer cast the web upon the floor,
And stretching out her arms, red with the dye,
Parted her lips with a loud sudden cry.

Looking on her, Aleel, the swineherd, said:
"Not any god alive, nor mortal dead,
"Has slain so mighty armies, so great kings,
"Nor won the gold that now Cuchulain brings. "

"Why do you tremble thus from feet to crown? "

Aleel, the swineherd, wept and cast him down
Upon the web-heaped floor, and thus his word:
"With him is one sweet-throated like a bird. "

"Who bade you tell these things? " and then she cried
To those about, "Beat him with thongs of hide
"And drive him from the door. "

And thus it was:
And where her son, Finmole, on the smooth grass
Was driving cattle, came she with swift feet,
And called out to him, "Son, it is not meet
"That you stay idling here with flocks and herds. "

"I have long waited, mother, for those words:
"But wherefore now? "

"There is a man to die;
"You have the heaviest arm under the sky. "

"My father dwells among the sea-worn bands,
"And breaks the ridge of battle with his hands. "

"Nay, you are taller than Cuchulain, son. "

"He is the mightiest man in ship or dun. "

"Nay, he is old and sad with many wars,
"And weary of the crash of battle cars. "

"I only ask what way my journey lies,
"For God, who made you bitter, made you wise. "

"The Red Branch kings a tireless banquet keep,
"Where the sun falls into the Western deep.
"Go there, and dwell on the green forest rim;
"But tell alone your name and house to him
"Whose blade compels, and bid them send you one
"Who has a like vow from their triple dun. "

Between the lavish shelter of a wood
And the gray tide, the Red Branch multitude
Feasted, and with them old Cuchulain dwelt,
And his young dear one close beside him knelt,
And gazed upon the wisdom of his eyes,
More mournful than the depth of starry skies,
And pondered on the wonder of his days;
And all around the harp-string told his praise,
And Concobar, the Red Branch king of kings,
With his own fingers touched the brazen strings.
At last Cuchulain spake, "A young man strays
"Driving the deer along the woody ways.
"I often hear him singing to and fro,
"I often hear the sweet sound of his bow,
"Seek out what man he is. "

One went and came.
"He bade me let all know he gives his name
"At the sword point, and bade me bring him one
"Who had a like vow from our triple dun. "

"I only of the Red Branch hosted now,"
Cuchulain cried, "have made and keep that vow. "

After short fighting in the leafy shade,
He spake to the young man, "Is there no maid
"Who loves you, no white arms to wrap you round,
"Or do you long for the dim sleepy ground,
"That you come here to meet this ancient sword? "

"The dooms of men are in God's hidden hoard. "

"Your head a while seemed like a woman's head
"That I loved once. "

Again the fighting sped,
But now the war rage in Cuchulain woke,
And through the other's shield his long blade broke,
And pierced him.

"Speak before your breath is done. "
"I am Finmole, mighty Cuchulain's son. "

"I put you from your pain. I can no more. "

While day its burden on to evening bore,
With head bowed on his knees Cuchulain stayed;
Then Concobar sent that sweet-throated maid,
And she, to win him, his gray hair caressed;
In vain her arms, in vain her soft white breast.
Then Concobar, the subtlest of all men,
Ranking his Druids round him ten by ten,
Spake thus, "Cuchulain will dwell there and brood,
"For three days more in dreadful quietude,
"And then arise, and raving slay us all.
"Go, cast on him delusions magical,
"That he might fight the waves of the loud sea. "
And ten by ten under a quicken tree,
The Druids chaunted, swaying in their hands
Tall wands of alder, and white quicken wands.

In three days' time, Cuchulain with a moan
Stood up, and came to the long sands alone:
For four days warred he with the bitter tide;
And the waves flowed above him, and he died.


THE ROSE OF THE WORLD


Who dreamed that beauty passes like a dream?
For these red lips, with all their mournful pride,
Mournful that no new wonder may betide,
Troy passed away in one high funeral gleam,
And Usna's children died.

We and the labouring world are passing by:
Amid men's souls, that waver and give place,
Like the pale waters in their wintry race,
Under the passing stars, foam of the sky,
Lives on this lonely face.

Bow down, archangels, in your dim abode:
Before you were, or any hearts to beat,
Weary and kind one lingered by His seat;
He made the world to be a grassy road
Before her wandering feet.


THE ROSE OF PEACE


If Michael, leader of God's host
When Heaven and Hell are met,
Looked down on you from Heaven's door-post
He would his deeds forget.

Brooding no more upon God's wars
In his Divine homestead,
He would go weave out of the stars
A chaplet for your head.

And all folk seeing him bow down,
And white stars tell your praise,
Would come at last to God's great town,
Led on by gentle ways;

And God would bid His warfare cease.
Saying all things were well;
And softly make a rosy peace,
A peace of Heaven with Hell.


THE ROSE OF BATTLE


Rose of all Roses, Rose of all the World!
The tall thought-woven sails, that flap unfurled
Above the tide of hours, trouble the air,
And God's bell buoyed to be the water's care;
While hushed from fear, or loud with hope, a band
With blown, spray-dabbled hair gather at hand.
_Turn if you may from battles never done_,
I call, as they go by me one by one,
_Danger no refuge holds; and war no peace,
For him who hears love sing and never cease,
Beside her clean-swept hearth, her quiet shade:
But gather all for whom no love hath made
A woven silence, or but came to cast
A song into the air, and singing past
To smile on the pale dawn; and gather you
Who have sought more than is in rain or dew
Or in the sun and moon, or on the earth,_
_Or sighs amid the wandering, starry mirth,
Or comes in laughter from the sea's sad lips
And wage God's battles in the long gray ships.
The sad, the lonely, the insatiable,
To these Old Night shall all her mystery tell;
God's bell has claimed them by the little cry
Of their sad hearts, that may not live nor die. _

Rose of all Roses, Rose of all the World!
You, too, have come where the dim tides are hurled
Upon the wharves of sorrow, and heard ring
The bell that calls us on; the sweet far thing.
Beauty grown sad with its eternity
Made you of us, and of the dim gray sea.
Our long ships loose thought-woven sails and wait,
For God has bid them share an equal fate;
And when at last defeated in His wars,
They have gone down under the same white stars,
We shall no longer hear the little cry
Of our sad hearts, that may not live nor die.


A FAERY SONG


_Sung by the people of faery over Diarmuid and Grania, who lay in
their bridal sleep under a Cromlech. _

We who are old, old and gay,
O so old!
Thousands of years, thousands of years,
If all were told:

Give to these children, new from the world,
Silence and love;
And the long dew-dropping hours of the night,
And the stars above:

Give to these children, new from the world,
Rest far from men.
Is anything better, anything better?
Tell us it then:

Us who are old, old and gay,
O so old!
Thousands of years, thousands of years,
If all were told.


THE LAKE ISLE OF INNISFREE


I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:
Nine bean rows will I have there, a hive for the honey bee,
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight's all a glimmer, and noon a purple glow,
And evening full of the linnet's wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements gray,
I hear it in the deep heart's core.


A CRADLE SONG


"_Coth yani me von gilli beg,
'N heur ve thu more a creena_. "

The angels are stooping
Above your bed;
They weary of trooping
With the whimpering dead.

God's laughing in heaven
To see you so good;
The Shining Seven
Are gay with His mood.

I kiss you and kiss you,
My pigeon, my own;
Ah, how I shall miss you
When you have grown.


THE PITY OF LOVE


A pity beyond all telling
Is hid in the heart of love:
The folk who are buying and selling
The clouds on their journey above
The cold wet winds ever blowing
And the shadowy hazel grove
Where mouse-gray waters are flowing
Threaten the head that I love.


THE SORROW OF LOVE


The quarrel of the sparrows in the eaves,
The full round moon and the star-laden sky,
And the loud song of the ever-singing leaves,
Had hid away earth's old and weary cry.

And then you came with those red mournful lips,
And with you came the whole of the world's tears
And all the trouble of her labouring ships,
And all the trouble of her myriad years.

And now the sparrows warring in the eaves,
The curd-pale moon, the white stars in the sky,
And the loud chaunting of the unquiet leaves,
Are shaken with earth's old and weary cry.


WHEN YOU ARE OLD


When you are old and gray and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty will love false or true;
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face.

And bending down beside the glowing bars
Murmur, a little sadly, how love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.


THE WHITE BIRDS


I would that we were, my beloved, white birds on the foam of the sea!
We tire of the flame of the meteor, before it can fade and flee;
And the flame of the blue star of twilight, hung low
on the rim of the sky,
Has awaked in our hearts, my beloved, a sadness that may not die.

A weariness comes from those dreamers, dew dabbled, the lily and rose;
Ah, dream not of them, my beloved, the flame of the meteor that goes,
Or the flame of the blue star that lingers hung low
in the fall of the dew:
For I would we were changed to white birds on the
wandering foam: I and you!

I am haunted by numberless islands, and many a Danaan shore,
Where Time would surely forget us, and Sorrow come near us no more;
Soon far from the rose and the lily, and fret of the flames would we be,
Were we only white birds, my beloved, buoyed out on the foam of the sea!


A DREAM OF DEATH


I dreamed that one had died in a strange place
Near no accustomed hand;
And they had nailed the boards above her face
The peasants of that land,
Wondering to lay her in that solitude,
And raised above her mound
A cross they had made out of two bits of wood,
And planted cypress round;
And left her to the indifferent stars above
Until I carved these words:
_She was more beautiful than thy first love,
But now lies under boards_.


A DREAM OF A BLESSED SPIRIT


All the heavy days are over;
Leave the body's coloured pride
Underneath the grass and clover,
With the feet laid side by side.

One with her are mirth and duty,
Bear the gold embroidered dress,
For she needs not her sad beauty,
To the scented oaken press.

Hers the kiss of Mother Mary,
The long hair is on her face;
Still she goes with footsteps wary,
Full of earth's old timid grace.

With white feet of angels seven
Her white feet go glimmering
And above the deep of heaven,
Flame on flame and wing on wing.


WHO GOES WITH FERGUS?


Who will go drive with Fergus now,
And pierce the deep wood's woven shade,
And dance upon the level shore?
Young man, lift up your russet brow,
And lift your tender eyelids, maid,
And brood on hopes and fears no more.

And no more turn aside and brood
Upon Love's bitter mystery;
For Fergus rules the brazen cars,
And rules the shadows of the wood,
And the white breast of the dim sea
And all dishevelled wandering stars.


THE MAN WHO DREAMED OF FAERYLAND


He stood among a crowd at Drumahair;
His heart hung all upon a silken dress,
And he had known at last some tenderness,
Before earth made of him her sleepy care;
But when a man poured fish into a pile,
It seemed they raised their little silver heads,
And sang how day a Druid twilight sheds
Upon a dim, green, well-beloved isle,
Where people love beside star-laden seas;
How Time may never mar their faery vows
Under the woven roofs of quicken boughs:
The singing shook him out of his new ease.

He wandered by the sands of Lisadill;
His mind ran all on money cares and fears,
And he had known at last some prudent years
Before they heaped his grave under the hill;
But while he passed before a plashy place,
A lug-worm with its gray and muddy mouth
Sang how somewhere to north or west or south
There dwelt a gay, exulting, gentle race;
And how beneath those three times blessed skies
A Danaan fruitage makes a shower of moons,
And as it falls awakens leafy tunes:
And at that singing he was no more wise.

He mused beside the well of Scanavin,
He mused upon his mockers: without fail
His sudden vengeance were a country tale,
Now that deep earth has drunk his body in;
But one small knot-grass growing by the pool
Told where, ah, little, all-unneeded voice!
Old Silence bids a lonely folk rejoice,
And chaplet their calm brows with leafage cool,
And how, when fades the sea-strewn rose of day,
A gentle feeling wraps them like a fleece,
And all their trouble dies into its peace:
The tale drove his fine angry mood away.

He slept under the hill of Lugnagall;
And might have known at last unhaunted sleep
Under that cold and vapour-turbaned steep,
Now that old earth had taken man and all:
Were not the worms that spired about his bones
A-telling with their low and reedy cry,
Of how God leans His hands out of the sky,
To bless that isle with honey in His tones;
That none may feel the power of squall and wave
And no one any leaf-crowned dancer miss
Until He burn up Nature with a kiss:
The man has found no comfort in the grave.


THE DEDICATION TO A BOOK OF STORIES SELECTED FROM THE IRISH NOVELISTS


There was a green branch hung with many a bell
When her own people ruled in wave-worn Eire;
And from its murmuring greenness, calm of faery,
A Druid kindness, on all hearers fell.

It charmed away the merchant from his guile,
And turned the farmer's memory from his cattle,
And hushed in sleep the roaring ranks of battle,
For all who heard it dreamed a little while.

Ah, Exiles wandering over many seas,
Spinning at all times Eire's good to-morrow!
Ah, worldwide Nation, always growing Sorrow!
I also bear a bell branch full of ease.

I tore it from green boughs winds tossed and hurled,
Green boughs of tossing always, weary, weary!
I tore it from the green boughs of old Eire,
The willow of the many-sorrowed world.

Ah, Exiles, wandering over many lands!
My bell branch murmurs: the gay bells bring laughter,
Leaping to shake a cobweb from the rafter;
The sad bells bow the forehead on the hands.

A honeyed ringing: under the new skies
They bring you memories of old village faces,
Cabins gone now, old well-sides, old dear places;
And men who loved the cause that never dies.


THE LAMENTATION OF THE OLD PENSIONER


I had a chair at every hearth,
When no one turned to see,
With "Look at that old fellow there,
"And who may he be? "
And therefore do I wander now,
And the fret lies on me.

The road-side trees keep murmuring
Ah, wherefore murmur ye,
As in the old days long gone by,
Green oak and poplar tree?
The well-known faces are all gone
And the fret lies on me.


THE BALLAD OF FATHER GILLIGAN


The old priest Peter Gilligan
Was weary night and day;
For half his flock were in their beds,
Or under green sods lay.

Once, while he nodded on a chair,
At the moth-hour of eve,
Another poor man sent for him,
And he began to grieve.