The nakedness
ofordinary
mind
167.
167.
Khenchen-Thrangu-Rinpoche-The-Spiritual-Song-of-Lodro-Thaye
47. Boastfully counting the years o fpractice,
48. Proud about dwelling in leisure,
49. Puffed up over the exertions o fsitting,
50. Chauvinist in discriminating selfabove others,
51. Keeping track ofone's ordinary discursive thoughts,
? ? THE SONG OF LODRO THAYE
19
52. Counting them to be the actual realizations on the paths and stages:
53. Such are the distinctive characteristics offoolish meditators in this degenerate age.
54. No siddha can be named who would be free o fthem
55. But because o fthe fine oral instructions o fthe exemplary lineage 56. The primordial wisdom o fultimate Mahamudra is seen.
57. Foundation Mahamudra is understanding the nature, the view. 58. Path Mahamudra is experiencing it, the meditation.
59. Fruition Mahamudra is the realization ofBuddhahood in
one's mind.
60. I am unworthy, but my guru is excellent.
61. Even though born in the degenerate age, I have goodfortune.
62. In spite o flittle perseverance, the instructions are profound.
63. What isfoundation Mahamudra?
64. It exists in two ways: the natural state and the state o fconfusion. 65. It cannot be divided into samsara or nirvana,
66. And it is devoid ofthe extremes ofadding on or taking away.
67. Not created by a cause, not altered by conditions,
68. Confusion does not make it worse.
69. Realization does not improve it.
70. Confusion is not experienced, nor is it liberation.
71. Since its essence cannot be established in any way,
72. Its expression is unimpeded and can appear in any way.
73. Encompassing all ofsamsara and nirvana, it is like space.
74. Confusion or liberation, it is the basis ofall
75. Self-illuminating, knowing, capable ofmanifestation.
76. With thefoundation consciousness
77. Being neutral, it has a cognizing aspect.
78. Empty in essence, its nature is luminous.
79. [Emptiness and luminosity] are inseparable, the heart essence
is awareness.
? ? 20 THE SPIRITUAL SONG OF LODRO THAYE
80. Unidentifiable as anything, it [resembles} space.
81. It is immaculately clear, crystaljewel.
82. It is self-knowing, self-illuminating, like the brilliance ofa
butter lamp
83. Inexpressible, it is (like} the experience ofa mute.
84. Unveiled, it is splendid transcendent wisdom.
85. Clear light, dharmakaya, sugatagarbha,
86. It is pure from the beginning and spontaneous.
87. Nobody can prove it by the use o fexamples,
88. No words can express it.
89. The dharmadhatu cannot be examined by logic.
90. This is laid down right at the beginning
91. One should dissipate all doubts.
92. Maintaining meditation sustained by the view
93. Is like a garuda soaring to the sky.
94. Devoid o fany fear or doubt
95. Meditation without the view
96. Resembles a blindperson entering a plain
97. There is no way to determine the correctpath
98. Ifwe have the view but cannot meditate
99. It is like a wealthy person consumed with avarice:
100. It does not yield results for himselfand others
101. Practicing the union ofboth is the authentic view.
102. This neutral state has an ignorant aspect,
103. Which for five reasons, one does not recognize one's own face. 104. The ocean ofco-emergent ignorance,
105. Is set in motion by waves o fconfused ego-clinging
106. Awareness becomes the "! "and its own luminosity becomes
the objects.
107. The imprints ofsubject and object become solid.
108. So that karma is accumulated and brought to fruition
? ? THE SONG OF LODRO THAYE
21
109. The water wheel o fsamsara turns continuously.
110. While {samsara] is turning, its essence remains immaculate. 111. At the very instance ofappearing, it [appearances] is devoid
oftrue reality.
112. just appearance, they are the brilliance ofthe three kayas 113. The nature o ftheir arising is unborn.
114. The unborn cannot be obstructed.
115. Between these two, there is no abiding.
116. From this mind itself. so hard to describe,
117. The various displays ofsamsara and nirvana arise.
118. Seeing them as self-liberating is the highest view.
119. Ifit is recognized, all is suchness.
120. Ifthere is nothing to refote or establish, it is the innate state. 121. When conceptual mind is transcended, there is the ultimate. 122. Path Mahamudra refers to
123. The Mahamudra ofmind itselfand the Mahamudra of
apparent existence.
124. Spontaneous mind is the dharmakaya.
125. Spontaneous appearances are the light ofthe dharmakaya.
126. When the blessings o fthe glorious lamas
127. A n d one's own karmic dispositions come together
128. One sees one's own face as ifmeeting an old acquaintance.
129. Endless explanation is useless,
130. The beginner needs a startingpoint.
131. Don't welcome or dwell on thoughts ofpast andfoture.
132. In each moment, there is the mind ofnowness.
133. In the continual, innate state
134. There is not the slightest thingfor mind to meditate on,
135. Orfor getting lostfor a moment in the confosion ofwandering
thought.
? ? 22
THE SPIRITUAL SONG OF LODRO THAYE
136. {For the mind to be} Without distraction, without meditation orfabrication is essential,
137. Fresh, relaxed and naturally clear.
138. In the space ofthe three doors offreedom,
139. Carefully establish mindfulness and awareness.
140. The balance ofmind between tight and loose must always
be kept.
141. Thus subtle, gross and strong thoughts will be pacified.
142. Remain in the state ofnatural, uncontrived mind.
143. Gradually, the four grades o fexperience will arise.
144. The sun ofluminosity will continuously shine
145. And the root ofMahamudra meditation will have been planted 146. Ifit is lacking, talk ofhigher realization
147. Resembles building a castle without a foundation.
148. Yet being too attached to it is an activity ofmara.
149. Those who have studied little, but apply great e. /fort
150. Are often seduced by seeming virtues,
151. Guiding themselves and others to the lower realms.
152. Bliss, clarity, and non-thought may be wonderful experiences, 153. But they are causes ofsamsara ifone clings to them
154. Having hammered the nail o fdevotion into your heart
155. When rock hits bone in natural awareness
156. The ultimate lineage ofblessing is transferred.
157. Not getting lost in the four types o fdeviations,
158. Not falling into the three errors,
159. Surpassing the four joys, free from the three conditions,
160. And connecting with the three ways ofarising,
161. wewon'tbetroubledbythemindofthethreegreatones.
162. The self-arisen nature is not changed by experiences.
163. It resembles the center ofa cloudless sky.
164. Self-aware, self-illuminating, it can't be put in words.
? ? THE SONG OF LODRO THAYE
23
165. It is primordial wisdom beyond analogy or concepts. 166.
The nakedness ofordinary mind
167. Without anything to understand or to boast about, 168. Is clearly seen as the dharmakaya.
169. The six sense objects appear like the moon in water,
170. In the sphere o fprimordial wisdom.
171. Whatever arises is unfobricated, the innate state.
172. Whatever is perceived has the nature o fMahamudra.
173. The phenomenal world is the great bliss o fthe dharmakaya. 174. Meditation finding naturally its own place is Shamatha, 175. Seeing the unseeable nature is Vipashyana
176. Inallphasesofstillness, movementandawareness
177. These two are not separate, but coincide.
178. The confusion ofdiscursive thought is not to be abandoned 179. The virtuous action ofthe antidotes cannot be achieved. 180. The time will come when you arrive naturally at this state. 181. When you are well established in this realization,
182. You'IIneverbeoutsideofmeditation
183. At the borderline betweenfreedom andattainment
184. Even meditation itselfhas no existence.
185. But beginners, whose discursive mind has not subsided 186. Should highly cherish meditation.
187. By means ofmeditation, experiences come up.
188. Experiences arise as adornments o fawareness.
189. Ifone wants to divide the path, there are four yogas:
190. Knowing mind's own face is "one-pointedness"
191. A n d has lesser, intermediate a n d greater stages.
192. Seeing bliss and luminosity in alternation,
193. Obtaining mastery over the concentration ofmeditative
equipoise.
194. And uninterrupted experience ofluminous appearances.
? ? 24 THE SPIRITUAL SONG OF LODRO THAYE
195. Realizing the rootlessness ofmind is "no elaboration"
196. And has lesser, intermediate, andgreater stages:
197. Realizing that arising, ceasing and abiding are empty,
198. Beingfreefrom thefundamental root ofclinging to appearances
or clinging to emptiness,
199. And cutting through all exaggerations caused by elaborating
on phenomena.
200. Mixing appearances and mind is "one-taste"
201. And has lesser, intermediate, and greater stages:
202. Mixing the dharmas o fthe two kinds into one equal taste. 203. Appearances and mind become like water poured into water. 204. And many types ofprimordial wisdom arisingfrom one taste. 205. The completepurification ofrigid mind is "non-meditation" 206. And has lesser, intermediate and greater stages:
207. Beingfree from all ideas ofmeditation and meditator.
208. Gradually purifying the imprint o fthe veils o fknowledge 209. And the mixing ofthe mother and child clear light.
210. The primordial wisdom ofthe dharmadhatu pervades space. 211. In short, asfor as meditation is concerned:
212. Ifthe mind can dwell according to our wishes, this is
one-pointedness.
213. One then sees theface ofordinary mind.
214. Realizing that there is no foundation is "no elaboration. " 215. Liberating all dualistic perception
216. In awareness is "one-taste. "
217. Transcending all conventional terms ofmeditating or
not meditating,
218. The imprints are ended. This is "non-meditation. " 219. Those on the level ofthe great yogins,
220. Starting with Naropa and Maitripa,
221. Down to my venerable lama Pema Wangpo,
? ? THE SONG OF LODRO THAYE
25
222. Those belonging to the golden garland o fthe Kagyu
223. Have gone to the dharmakaya kingdom ofnon-meditation, 224. They have purified the darkness o fthe two veils in the dhatu 225. Extended the great skill o fthe two kinds o fknowledge
226. Andopenedthetreasurythatpervadesspaceforthebenefit
o f others.
221. They remain as a refuge beyond doubt.
228. The ora/lineage has been passedfrom one to another 229. This means that it is notjust words, but the meaning
that counts.
230. Even though I am an undisciplined, vile ordinary person
231. As I am holding the sign ofyour noble lineage,
232. Please lead me quickly to the kingdom ofnon-meditation.
233. Kind ones, please completely purify my rigid mind in the dhatu. 234. Fruition Mahamudra is concerned with
235. The ground is introduced as one's own foce, the innate three
kayas;
236. The path consists in concentrating on the view and meditation; 237. And thefruition is the manifestation ofthe immaculate
three kayas.
238. The dharmakaya is the basis, emptiness without any elaboration. 239. The sambhogakaya is its brilliance, the naturally luminous.
240. The nirmanakaya is the unceasing play o fvarious manifestations 241. Encompassing all things,
242. The nature ofMahamudra is coincidence.
243. The realm o fdharmas free from accepting or rejecting.
244. Possessing the beauty ofunconditioned bliss,
245. It is the great and vast wealth ofwisdom.
246. It is the naturalform o fkindness transcending thought.
247. Because ofwisdom, one does not stay in samsara
248. Because o fcompassion, one does not stay in nirvana
? ? 26
THE SPIRITUAL SONG OF LODRO THAYE
249. Activities are spontaneously accomplished without effort. 250. The luminosities o fground and path, combine like mother
and child.
251. Ground andfruition will be joined together
252. Buddhahood is found in one's own mind.
253. The treasure that fulfills all wishes is revealed
254. E rna! What a great wonder!
255. Regarding the view o fMahamudra
256. Analysis cannot define it.
257. Therefore, throw knowledge ofmental constructions away! 258. Regarding the meditation o fMahamudra
259. Concentration on a thought cannot get through
260. Therefore abandon artificial resting in meditative equipoise. 261. Regarding the action o fMahamudra
262. Rules do not apply.
263. Therefore free yourselffrom notions o facting and not acting. 264. Regardingthefruition ofMahamudra
265. Nothing new can be attained.
266. Therefore cast away hoping, fearing, and desiring.
267. This is the profound intention o fall Kagyupas.
268. It is the only path used by all the Buddhas and bodhisattvas. 269. It is the method to turn away the confused circle o fexistence 210. It is dharma for obtaining Buddhahood in one lifetime, 271. The heart essence ofthe sutra and tantra teachings.
271. May I and all sentient beings reaching as for as space
212. Simultaneously attain realization and be liberated.
273. May we reach the supreme Mahamudra state.
? ? The Song of Lodro Thaye
commentary by
KHABJE I<HENCHEN THRANGU RINPOCHE
? ? 1
The Importance of the Lineage Lamas
IN THE WORDS OF THE BUDDHA or the sutras and the practices of Mahamudra it is especially important to supplicate the root and lineage lamas. It was said that it is most important to supplicate one's own root or main lama so that one will receive the blessings. The most important method to receive blessing is through devotion (Tib. mogu).
In the sutras of the Buddha, there were predictions stating that in later times when the dharma would degenerate, there would be ways to prevent the degeneration ofthe dharma and make it flourish. One prediction was that there would be a special individual named Lodro who would prevent or forestall this degeneration. It is said he would prevent the degeneration of the dharma "in five ways"1 and make it flourish. This was foretold by the Buddha in the King of Samadhi sutra and elsewhere.
The glorious, holy guru Lodro Thaye, also called KarmaNgakwang Yonten Gyatso, after having accomplished the realization of Mahamudra composed this spiritual song (Skt. doha, Tib. gyur). It is entitled, The Self-Arising Innate Song upon Acquiring a Mere Glimpse o f Certainty in the View and Meditation o fthe Incomparable Dakpo Kagyu. This spiritual song discusses the practice of Mahamudra meditation.
? ? 30
THE SPIRITUAL SONG OF LODRO THAYE
The most important aspect of this practice is the supplication of the root and lineage lamas. From the root guru one receives blessings. Most important in receiving blessings is to have devotion. Therefore the song begins by praising the lineage of these teachings.
I. Vajradhara, the illustrious one,
2. Said to possess eight enlightened qualities
At the very beginning ofthis spiritual song, it says that Vajradhara was exceptional because he is endowed with eight special qualities. Vajradhara is the dharmakaya and therefore has the eight qualities or aspects. On the ordinary level these are of the five elements of (1) earth, (2) water, (3) fire, (4) air or wind, and (5) space, to which are added (6) red and (7) white elements from the mother and father and (8) consciousness. 2 In the case of the dharmakaya Vajradhara, these are completely pure.
In general, our experience is that our body consists of the eight elements.
