No More Learning

O thou, whose chariot rolled on Fortune's wheel,
Triumphant Sylla! Thou, who didst subdue
Thy country's foes ere thou wouldst pause to feel
The wrath of thy own wrongs, or reap the due
Of hoarded vengeance till thine eagles flew
O'er prostrate Asia;--thou, who with thy frown
Annihilated senates--Roman, too,
With all thy vices, for thou didst lay down
With an atoning smile a more than earthly crown--

LXXXIV.

The dictatorial wreath,--couldst thou divine
To what would one day dwindle that which made
Thee more than mortal? and that so supine
By aught than Romans Rome should thus be laid?
She who was named eternal, and arrayed
Her warriors but to conquer--she who veiled
Earth with her haughty shadow, and displayed
Until the o'er-canopied horizon failed,
Her rushing wings--Oh! she who was almighty hailed!

LXXXV.

Sylla was first of victors; but our own,
The sagest of usurpers, Cromwell! --he
Too swept off senates while he hewed the throne
Down to a block--immortal rebel! See
What crimes it costs to be a moment free
And famous through all ages! But beneath
His fate the moral lurks of destiny;
His day of double victory and death
Beheld him win two realms, and, happier, yield his breath.

LXXXVI.

The third of the same moon whose former course
Had all but crowned him, on the self-same day
Deposed him gently from his throne of force,
And laid him with the earth's preceding clay.
And showed not Fortune thus how fame and sway,
And all we deem delightful, and consume
Our souls to compass through each arduous way,
Are in her eyes less happy than the tomb?
Were they but so in man's, how different were his doom!

LXXXVII.

And thou, dread statue! yet existent in
The austerest form of naked majesty,
Thou who beheldest, mid the assassins' din,
At thy bathed base the bloody Caesar lie,
Folding his robe in dying dignity,
An offering to thine altar from the queen
Of gods and men, great Nemesis! did he die,
And thou, too, perish, Pompey? have ye been
Victors of countless kings, or puppets of a scene?

LXXXVIII.

And thou, the thunder-stricken nurse of Rome!
She-wolf! whose brazen-imaged dugs impart
The milk of conquest yet within the dome
Where, as a monument of antique art,
Thou standest:--Mother of the mighty heart,
Which the great founder sucked from thy wild teat,
Scorched by the Roman Jove's ethereal dart,
And thy limbs blacked with lightning--dost thou yet
Guard thine immortal cubs, nor thy fond charge forget?

LXXXIX.

Thou dost;--but all thy foster-babes are dead--
The men of iron; and the world hath reared
Cities from out their sepulchres: men bled
In imitation of the things they feared,
And fought and conquered, and the same course steered,
At apish distance; but as yet none have,
Nor could, the same supremacy have neared,
Save one vain man, who is not in the grave,
But, vanquished by himself, to his own slaves a slave,

XC.

The fool of false dominion--and a kind
Of bastard Caesar, following him of old
With steps unequal; for the Roman's mind
Was modelled in a less terrestrial mould,
With passions fiercer, yet a judgment cold,
And an immortal instinct which redeemed
The frailties of a heart so soft, yet bold.
Alcides with the distaff now he seemed
At Cleopatra's feet, and now himself he beamed.

XCI.

And came, and saw, and conquered. But the man
Who would have tamed his eagles down to flee,
Like a trained falcon, in the Gallic van,
Which he, in sooth, long led to victory,
With a deaf heart which never seemed to be
A listener to itself, was strangely framed;
With but one weakest weakness--vanity:
Coquettish in ambition, still he aimed
At what? Can he avouch, or answer what he claimed?

XCII.

And would be all or nothing--nor could wait
For the sure grave to level him; few years
Had fixed him with the Caesars in his fate,
On whom we tread: For THIS the conqueror rears
The arch of triumph! and for this the tears
And blood of earth flow on as they have flowed,
An universal deluge, which appears
Without an ark for wretched man's abode,
And ebbs but to reflow! --Renew thy rainbow, God!

XCIII.

What from this barren being do we reap?
Our senses narrow, and our reason frail,
Life short, and truth a gem which loves the deep,
And all things weighed in custom's falsest scale;
Opinion an omnipotence, whose veil
Mantles the earth with darkness, until right
And wrong are accidents, and men grow pale
Lest their own judgments should become too bright,
And their free thoughts be crimes, and earth have too much light.

XCIV.

And thus they plod in sluggish misery,
Rotting from sire to son, and age to age,
Proud of their trampled nature, and so die,
Bequeathing their hereditary rage
To the new race of inborn slaves, who wage
War for their chains, and rather than be free,
Bleed gladiator-like, and still engage
Within the same arena where they see
Their fellows fall before, like leaves of the same tree.

XCV.

I speak not of men's creeds--they rest between
Man and his Maker--but of things allowed,
Averred, and known,--and daily, hourly seen--
The yoke that is upon us doubly bowed,
And the intent of tyranny avowed,
The edict of Earth's rulers, who are grown
The apes of him who humbled once the proud,
And shook them from their slumbers on the throne;
Too glorious, were this all his mighty arm had done.

XCVI.

Can tyrants but by tyrants conquered be,
And Freedom find no champion and no child
Such as Columbia saw arise when she
Sprung forth a Pallas, armed and undefiled?
Or must such minds be nourished in the wild,
Deep in the unpruned forest, midst the roar
Of cataracts, where nursing nature smiled
On infant Washington? Has Earth no more
Such seeds within her breast, or Europe no such shore?

XCVII.

But France got drunk with blood to vomit crime,
And fatal have her Saturnalia been
To Freedom's cause, in every age and clime;
Because the deadly days which we have seen,
And vile Ambition, that built up between
Man and his hopes an adamantine wall,
And the base pageant last upon the scene,
Are grown the pretext for the eternal thrall
Which nips Life's tree, and dooms man's worst--his second fall.

XCVIII.

Yet, Freedom! yet thy banner, torn, but flying,
Streams like the thunder-storm AGAINST the wind;
Thy trumpet-voice, though broken now and dying,
The loudest still the tempest leaves behind;
Thy tree hath lost its blossoms, and the rind,
Chopped by the axe, looks rough and little worth,
But the sap lasts,--and still the seed we find
Sown deep, even in the bosom of the North;
So shall a better spring less bitter fruit bring forth.

XCIX.

There is a stern round tower of other days,
Firm as a fortress, with its fence of stone,
Such as an army's baffled strength delays,
Standing with half its battlements alone,
And with two thousand years of ivy grown,
The garland of eternity, where wave
The green leaves over all by time o'erthrown:
What was this tower of strength? within its cave
What treasure lay so locked, so hid? --A woman's grave.

C.

But who was she, the lady of the dead,
Tombed in a palace? Was she chaste and fair?
Worthy a king's--or more--a Roman's bed?
What race of chiefs and heroes did she bear?
What daughter of her beauties was the heir?
How lived--how loved--how died she? Was she not
So honoured--and conspicuously there,
Where meaner relics must not dare to rot,
Placed to commemorate a more than mortal lot?

CI.

Was she as those who love their lords, or they
Who love the lords of others? such have been
Even in the olden time, Rome's annals say.
Was she a matron of Cornelia's mien,
Or the light air of Egypt's graceful queen,
Profuse of joy; or 'gainst it did she war,
Inveterate in virtue? Did she lean
To the soft side of the heart, or wisely bar
Love from amongst her griefs? --for such the affections are.

CII.

Perchance she died in youth: it may be, bowed
With woes far heavier than the ponderous tomb
That weighed upon her gentle dust, a cloud
Might gather o'er her beauty, and a gloom
In her dark eye, prophetic of the doom
Heaven gives its favourites--early death; yet shed
A sunset charm around her, and illume
With hectic light, the Hesperus of the dead,
Of her consuming cheek the autumnal leaf-like red.

CIII.

Perchance she died in age--surviving all,
Charms, kindred, children--with the silver grey
On her long tresses, which might yet recall,
It may be, still a something of the day
When they were braided, and her proud array
And lovely form were envied, praised, and eyed
By Rome--But whither would Conjecture stray?
Thus much alone we know--Metella died,
The wealthiest Roman's wife: Behold his love or pride!

CIV.

I know not why--but standing thus by thee
It seems as if I had thine inmate known,
Thou Tomb! and other days come back on me
With recollected music, though the tone
Is changed and solemn, like the cloudy groan
Of dying thunder on the distant wind;
Yet could I seat me by this ivied stone
Till I had bodied forth the heated mind,
Forms from the floating wreck which ruin leaves behind;

CV.

And from the planks, far shattered o'er the rocks,
Built me a little bark of hope, once more
To battle with the ocean and the shocks
Of the loud breakers, and the ceaseless roar
Which rushes on the solitary shore
Where all lies foundered that was ever dear:
But could I gather from the wave-worn store
Enough for my rude boat, where should I steer?
There woos no home, nor hope, nor life, save what is here.

CVI.

Then let the winds howl on! their harmony
Shall henceforth be my music, and the night
The sound shall temper with the owlet's cry,
As I now hear them, in the fading light
Dim o'er the bird of darkness' native site,
Answer each other on the Palatine,
With their large eyes, all glistening grey and bright,
And sailing pinions. --Upon such a shrine
What are our petty griefs? --let me not number mine.

CVII.

Cypress and ivy, weed and wallflower grown
Matted and massed together, hillocks heaped
On what were chambers, arch crushed, column strown
In fragments, choked-up vaults, and frescoes steeped
In subterranean damps, where the owl peeped,
Deeming it midnight:--Temples, baths, or halls?
Pronounce who can; for all that Learning reaped
From her research hath been, that these are walls--
Behold the Imperial Mount! 'tis thus the mighty falls.

CVIII.

There is the moral of all human tales:
'Tis but the same rehearsal of the past,
First Freedom, and then Glory--when that fails,
Wealth, vice, corruption--barbarism at last.
And History, with all her volumes vast,
Hath but ONE page,--'tis better written here,
Where gorgeous Tyranny hath thus amassed
All treasures, all delights, that eye or ear,
Heart, soul could seek, tongue ask--Away with words! draw near,

CIX.

Admire, exult--despise--laugh, weep--for here
There is such matter for all feeling:--Man!
Thou pendulum betwixt a smile and tear,
Ages and realms are crowded in this span,
This mountain, whose obliterated plan
The pyramid of empires pinnacled,
Of Glory's gewgaws shining in the van
Till the sun's rays with added flame were filled!
Where are its golden roofs? where those who dared to build?

CX.

Tully was not so eloquent as thou,
Thou nameless column with the buried base!
What are the laurels of the Caesar's brow?
Crown me with ivy from his dwelling-place.
Whose arch or pillar meets me in the face,
Titus or Trajan's? No; 'tis that of Time:
Triumph, arch, pillar, all he doth displace,
Scoffing; and apostolic statues climb
To crush the imperial urn, whose ashes slept sublime,

CXI.

Buried in air, the deep blue sky of Rome,
And looking to the stars; they had contained
A spirit which with these would find a home,
The last of those who o'er the whole earth reigned,
The Roman globe, for after none sustained
But yielded back his conquests:--he was more
Than a mere Alexander, and unstained
With household blood and wine, serenely wore
His sovereign virtues--still we Trajan's name adore.

CXII.

Where is the rock of Triumph, the high place
Where Rome embraced her heroes? where the steep
Tarpeian--fittest goal of Treason's race,
The promontory whence the traitor's leap
Cured all ambition? Did the Conquerors heap
Their spoils here? Yes; and in yon field below,
A thousand years of silenced factions sleep--
The Forum, where the immortal accents glow,
And still the eloquent air breathes--burns with Cicero!

CXIII.

The field of freedom, faction, fame, and blood:
Here a proud people's passions were exhaled,
From the first hour of empire in the bud
To that when further worlds to conquer failed;
But long before had Freedom's face been veiled,
And Anarchy assumed her attributes:
Till every lawless soldier who assailed
Trod on the trembling Senate's slavish mutes,
Or raised the venal voice of baser prostitutes.

CXIV.

Then turn we to our latest tribune's name,
From her ten thousand tyrants turn to thee,
Redeemer of dark centuries of shame--
The friend of Petrarch--hope of Italy--
Rienzi! last of Romans! While the tree
Of freedom's withered trunk puts forth a leaf,
Even for thy tomb a garland let it be--
The forum's champion, and the people's chief--
Her new-born Numa thou, with reign, alas! too brief.

CXV.

Egeria! sweet creation of some heart
Which found no mortal resting-place so fair
As thine ideal breast; whate'er thou art
Or wert,--a young Aurora of the air,
The nympholepsy of some fond despair;
Or, it might be, a beauty of the earth,
Who found a more than common votary there
Too much adoring; whatsoe'er thy birth,
Thou wert a beautiful thought, and softly bodied forth.

CXVI.

The mosses of thy fountain still are sprinkled
With thine Elysian water-drops; the face
Of thy cave-guarded spring, with years unwrinkled,
Reflects the meek-eyed genius of the place,
Whose green wild margin now no more erase
Art's works; nor must the delicate waters sleep,
Prisoned in marble, bubbling from the base
Of the cleft statue, with a gentle leap
The rill runs o'er, and round, fern, flowers, and ivy creep,

CXVII.

Fantastically tangled; the green hills
Are clothed with early blossoms, through the grass
The quick-eyed lizard rustles, and the bills
Of summer birds sing welcome as ye pass;
Flowers fresh in hue, and many in their class,
Implore the pausing step, and with their dyes
Dance in the soft breeze in a fairy mass;
The sweetness of the violet's deep blue eyes,
Kissed by the breath of heaven, seems coloured by its skies.

CXVIII.

Here didst thou dwell, in this enchanted cover,
Egeria! thy all heavenly bosom beating
For the far footsteps of thy mortal lover;
The purple Midnight veiled that mystic meeting
With her most starry canopy, and seating
Thyself by thine adorer, what befell?
This cave was surely shaped out for the greeting
Of an enamoured Goddess, and the cell
Haunted by holy Love--the earliest oracle!

CXIX.

And didst thou not, thy breast to his replying,
Blend a celestial with a human heart;
And Love, which dies as it was born, in sighing,
Share with immortal transports? could thine art
Make them indeed immortal, and impart
The purity of heaven to earthly joys,
Expel the venom and not blunt the dart--
The dull satiety which all destroys--
And root from out the soul the deadly weed which cloys?

CXX.

Alas! our young affections run to waste,
Or water but the desert: whence arise
But weeds of dark luxuriance, tares of haste,
Rank at the core, though tempting to the eyes,
Flowers whose wild odours breathe but agonies,
And trees whose gums are poison; such the plants
Which spring beneath her steps as Passion flies
O'er the world's wilderness, and vainly pants
For some celestial fruit forbidden to our wants.

CXXI.

O Love! no habitant of earth thou art--
An unseen seraph, we believe in thee,--
A faith whose martyrs are the broken heart,
But never yet hath seen, nor e'er shall see,
The naked eye, thy form, as it should be;
The mind hath made thee, as it peopled heaven,
Even with its own desiring phantasy,
And to a thought such shape and image given,
As haunts the unquenched soul--parched--wearied--wrung--and riven.

CXXII.

Of its own beauty is the mind diseased,
And fevers into false creation;--where,
Where are the forms the sculptor's soul hath seized?
In him alone. Can Nature show so fair?
Where are the charms and virtues which we dare
Conceive in boyhood and pursue as men,
The unreached Paradise of our despair,
Which o'er-informs the pencil and the pen,
And overpowers the page where it would bloom again.

CXXIII.

Who loves, raves--'tis youth's frenzy--but the cure
Is bitterer still; as charm by charm unwinds
Which robed our idols, and we see too sure
Nor worth nor beauty dwells from out the mind's
Ideal shape of such; yet still it binds
The fatal spell, and still it draws us on,
Reaping the whirlwind from the oft-sown winds;
The stubborn heart, its alchemy begun,
Seems ever near the prize--wealthiest when most undone.

CXXIV.

We wither from our youth, we gasp away--
Sick--sick; unfound the boon, unslaked the thirst,
Though to the last, in verge of our decay,
Some phantom lures, such as we sought at first--
But all too late,--so are we doubly curst.
Love, fame, ambition, avarice--'tis the same--
Each idle, and all ill, and none the worst--
For all are meteors with a different name,
And death the sable smoke where vanishes the flame.

CXXV.

Few--none--find what they love or could have loved:
Though accident, blind contact, and the strong
Necessity of loving, have removed
Antipathies--but to recur, ere long,
Envenomed with irrevocable wrong;
And Circumstance, that unspiritual god
And miscreator, makes and helps along
Our coming evils with a crutch-like rod,
Whose touch turns hope to dust--the dust we all have trod.

CXXVI.

Our life is a false nature--'tis not in
The harmony of things,--this hard decree,
This uneradicable taint of sin,
This boundless upas, this all-blasting tree,
Whose root is earth, whose leaves and branches be
The skies which rain their plagues on men like dew--
Disease, death, bondage, all the woes we see--
And worse, the woes we see not--which throb through
The immedicable soul, with heart-aches ever new.

CXXVII.

Yet let us ponder boldly--'tis a base
Abandonment of reason to resign
Our right of thought--our last and only place
Of refuge; this, at least, shall still be mine:
Though from our birth the faculty divine
Is chained and tortured--cabined, cribbed, confined,
And bred in darkness, lest the truth should shine
Too brightly on the unprepared mind,
The beam pours in, for time and skill will couch the blind.

CXXVIII.

Arches on arches! as it were that Rome,
Collecting the chief trophies of her line,
Would build up all her triumphs in one dome,
Her Coliseum stands; the moonbeams shine
As 'twere its natural torches, for divine
Should be the light which streams here, to illume
This long explored but still exhaustless mine
Of contemplation; and the azure gloom
Of an Italian night, where the deep skies assume

CXXIX.

Hues which have words, and speak to ye of heaven,
Floats o'er this vast and wondrous monument,
And shadows forth its glory. There is given
Unto the things of earth, which Time hath bent,
A spirit's feeling, and where he hath leant
His hand, but broke his scythe, there is a power
And magic in the ruined battlement,
For which the palace of the present hour
Must yield its pomp, and wait till ages are its dower.

CXXX.

O Time! the beautifier of the dead,
Adorner of the ruin, comforter
And only healer when the heart hath bled--
Time! the corrector where our judgments err,
The test of truth, love,--sole philosopher,
For all beside are sophists, from thy thrift,
Which never loses though it doth defer--
Time, the avenger! unto thee I lift
My hands, and eyes, and heart, and crave of thee a gift:

CXXXI.

Amidst this wreck, where thou hast made a shrine
And temple more divinely desolate,
Among thy mightier offerings here are mine,
Ruins of years--though few, yet full of fate:
If thou hast ever seen me too elate,
Hear me not; but if calmly I have borne
Good, and reserved my pride against the hate
Which shall not whelm me, let me not have worn
This iron in my soul in vain--shall THEY not mourn?

CXXXII.

And thou, who never yet of human wrong
Left the unbalanced scale, great Nemesis!
Here, where the ancients paid thee homage long--
Thou, who didst call the Furies from the abyss,
And round Orestes bade them howl and hiss
For that unnatural retribution--just,
Had it but been from hands less near--in this
Thy former realm, I call thee from the dust!
Dost thou not hear my heart? --Awake! thou shalt, and must.

CXXXIII.

It is not that I may not have incurred
For my ancestral faults or mine the wound
I bleed withal, and had it been conferred
With a just weapon, it had flowed unbound.
But now my blood shall not sink in the ground;
To thee I do devote it--THOU shalt take
The vengeance, which shall yet be sought and found,
Which if _I_ have not taken for the sake--
But let that pass--I sleep, but thou shalt yet awake.

CXXXIV.

And if my voice break forth, 'tis not that now
I shrink from what is suffered: let him speak
Who hath beheld decline upon my brow,
Or seen my mind's convulsion leave it weak;
But in this page a record will I seek.
Not in the air shall these my words disperse,
Though I be ashes; a far hour shall wreak
The deep prophetic fulness of this verse,
And pile on human heads the mountain of my curse!

CXXXV.

That curse shall be forgiveness. --Have I not--
Hear me, my mother Earth! behold it, Heaven! --
Have I not had to wrestle with my lot?
Have I not suffered things to be forgiven?
Have I not had my brain seared, my heart riven,
Hopes sapped, name blighted, Life's life lied away?
And only not to desperation driven,
Because not altogether of such clay
As rots into the souls of those whom I survey.

CXXXVI.

From mighty wrongs to petty perfidy
Have I not seen what human things could do?
From the loud roar of foaming calumny
To the small whisper of the as paltry few
And subtler venom of the reptile crew,
The Janus glance of whose significant eye,
Learning to lie with silence, would SEEM true,
And without utterance, save the shrug or sigh,
Deal round to happy fools its speechless obloquy.

CXXXVII.

But I have lived, and have not lived in vain:
My mind may lose its force, my blood its fire,
And my frame perish even in conquering pain,
But there is that within me which shall tire
Torture and Time, and breathe when I expire:
Something unearthly, which they deem not of,
Like the remembered tone of a mute lyre,
Shall on their softened spirits sink, and move
In hearts all rocky now the late remorse of love.

CXXXVIII.

The seal is set. --Now welcome, thou dread Power
Nameless, yet thus omnipotent, which here
Walk'st in the shadow of the midnight hour
With a deep awe, yet all distinct from fear:
Thy haunts are ever where the dead walls rear
Their ivy mantles, and the solemn scene
Derives from thee a sense so deep and clear
That we become a part of what has been,
And grow unto the spot, all-seeing but unseen.

CXXXIX.

And here the buzz of eager nations ran,
In murmured pity, or loud-roared applause,
As man was slaughtered by his fellow-man.
And wherefore slaughtered? wherefore, but because
Such were the bloody circus' genial laws,
And the imperial pleasure. --Wherefore not?
What matters where we fall to fill the maws
Of worms--on battle-plains or listed spot?
Both are but theatres where the chief actors rot.

CXL.

I see before me the Gladiator lie:
He leans upon his hand--his manly brow
Consents to death, but conquers agony,
And his drooped head sinks gradually low--
And through his side the last drops, ebbing slow
From the red gash, fall heavy, one by one,
Like the first of a thunder-shower; and now
The arena swims around him: he is gone,
Ere ceased the inhuman shout which hailed the wretch who won.

CXLI.
He heard it, but he heeded not--his eyes
Were with his heart, and that was far away;
He recked not of the life he lost nor prize,
But where his rude hut by the Danube lay,
THERE were his young barbarians all at play,
THERE was their Dacian mother--he, their sire,
Butchered to make a Roman holiday--
All this rushed with his blood--Shall he expire,
And unavenged? --Arise! ye Goths, and glut your ire!

CXLII.

But here, where murder breathed her bloody steam;
And here, where buzzing nations choked the ways,
And roared or murmured like a mountain-stream
Dashing or winding as its torrent strays;
Here, where the Roman million's blame or praise
Was death or life, the playthings of a crowd,
My voice sounds much--and fall the stars' faint rays
On the arena void--seats crushed, walls bowed,
And galleries, where my steps seem echoes strangely loud.

CXLIII.

A ruin--yet what ruin! from its mass
Walls, palaces, half-cities, have been reared;
Yet oft the enormous skeleton ye pass,
And marvel where the spoil could have appeared.
Hath it indeed been plundered, or but cleared?
Alas! developed, opens the decay,
When the colossal fabric's form is neared:
It will not bear the brightness of the day,
Which streams too much on all, years, man, have reft away.

CXLIV.

But when the rising moon begins to climb
Its topmost arch, and gently pauses there;
When the stars twinkle through the loops of time,
And the low night-breeze waves along the air,
The garland-forest, which the grey walls wear,
Like laurels on the bald first Caesar's head;
When the light shines serene, but doth not glare,
Then in this magic circle raise the dead:
Heroes have trod this spot--'tis on their dust ye tread.

CXLV.

'While stands the Coliseum, Rome shall stand;
When falls the Coliseum, Rome shall fall;
And when Rome falls--the World. ' From our own land
Thus spake the pilgrims o'er this mighty wall
In Saxon times, which we are wont to call
Ancient; and these three mortal things are still
On their foundations, and unaltered all;
Rome and her Ruin past Redemption's skill,
The World, the same wide den--of thieves, or what ye will.

CXLVI.

Simple, erect, severe, austere, sublime--
Shrine of all saints and temple of all gods,
From Jove to Jesus--spared and blest by time;
Looking tranquillity, while falls or nods
Arch, empire, each thing round thee, and man plods
His way through thorns to ashes--glorious dome!
Shalt thou not last? --Time's scythe and tyrants' rods
Shiver upon thee--sanctuary and home
Of art and piety--Pantheon! --pride of Rome!

CXLVII.

Relic of nobler days, and noblest arts!
Despoiled yet perfect, with thy circle spreads
A holiness appealing to all hearts--
To art a model; and to him who treads
Rome for the sake of ages, Glory sheds
Her light through thy sole aperture; to those
Who worship, here are altars for their beads;
And they who feel for genius may repose
Their eyes on honoured forms, whose busts around them close.

CXLVIII.

There is a dungeon, in whose dim drear light
What do I gaze on? Nothing: Look again!
Two forms are slowly shadowed on my sight--
Two insulated phantoms of the brain:
It is not so: I see them full and plain--
An old man, and a female young and fair,
Fresh as a nursing mother, in whose vein
The blood is nectar:--but what doth she there,
With her unmantled neck, and bosom white and bare?

CXLIX.

Full swells the deep pure fountain of young life,
Where ON the heart and FROM the heart we took
Our first and sweetest nurture, when the wife,
Blest into mother, in the innocent look,
Or even the piping cry of lips that brook
No pain and small suspense, a joy perceives
Man knows not, when from out its cradled nook
She sees her little bud put forth its leaves--
What may the fruit be yet? --I know not--Cain was Eve's.

CL.

But here youth offers to old age the food,
The milk of his own gift:--it is her sire
To whom she renders back the debt of blood
Born with her birth. No; he shall not expire
While in those warm and lovely veins the fire
Of health and holy feeling can provide
Great Nature's Nile, whose deep stream rises higher
Than Egypt's river:--from that gentle side
Drink, drink and live, old man! heaven's realm holds no such tide.

CLI.

The starry fable of the milky way
Has not thy story's purity; it is
A constellation of a sweeter ray,
And sacred Nature triumphs more in this
Reverse of her decree, than in the abyss
Where sparkle distant worlds:--Oh, holiest nurse!
No drop of that clear stream its way shall miss
To thy sire's heart, replenishing its source
With life, as our freed souls rejoin the universe.

CLII.

Turn to the mole which Hadrian reared on high,
Imperial mimic of old Egypt's piles,
Colossal copyist of deformity,
Whose travelled phantasy from the far Nile's
Enormous model, doomed the artist's toils
To build for giants, and for his vain earth,
His shrunken ashes, raise this dome: How smiles
The gazer's eye with philosophic mirth,
To view the huge design which sprung from such a birth!

CLIII.

But lo! the dome--the vast and wondrous dome,
To which Diana's marvel was a cell--
Christ's mighty shrine above his martyr's tomb!
I have beheld the Ephesian's miracle--
Its columns strew the wilderness, and dwell
The hyaena and the jackal in their shade;
I have beheld Sophia's bright roofs swell
Their glittering mass i' the sun, and have surveyed
Its sanctuary the while the usurping Moslem prayed;

CLIV.

But thou, of temples old, or altars new,
Standest alone--with nothing like to thee--
Worthiest of God, the holy and the true,
Since Zion's desolation, when that he
Forsook his former city, what could be,
Of earthly structures, in his honour piled,
Of a sublimer aspect? Majesty,
Power, Glory, Strength, and Beauty, all are aisled
In this eternal ark of worship undefiled.

CLV.

Enter: its grandeur overwhelms thee not;
And why? it is not lessened; but thy mind,
Expanded by the genius of the spot,
Has grown colossal, and can only find
A fit abode wherein appear enshrined
Thy hopes of immortality; and thou
Shalt one day, if found worthy, so defined,
See thy God face to face, as thou dost now
His Holy of Holies, nor be blasted by his brow.

CLVI.

Thou movest--but increasing with th' advance,
Like climbing some great Alp, which still doth rise,
Deceived by its gigantic elegance;
Vastness which grows--but grows to harmonise--
All musical in its immensities;
Rich marbles--richer painting--shrines where flame
The lamps of gold--and haughty dome which vies
In air with Earth's chief structures, though their frame
Sits on the firm-set ground--and this the clouds must claim.

CLVII.

Thou seest not all; but piecemeal thou must break
To separate contemplation, the great whole;
And as the ocean many bays will make,
That ask the eye--so here condense thy soul
To more immediate objects, and control
Thy thoughts until thy mind hath got by heart
Its eloquent proportions, and unroll
In mighty graduations, part by part,
The glory which at once upon thee did not dart.

CLVIII.

Not by its fault--but thine: Our outward sense
Is but of gradual grasp--and as it is
That what we have of feeling most intense
Outstrips our faint expression; e'en so this
Outshining and o'erwhelming edifice
Fools our fond gaze, and greatest of the great
Defies at first our nature's littleness,
Till, growing with its growth, we thus dilate
Our spirits to the size of that they contemplate.

CLIX.

Then pause and be enlightened; there is more
In such a survey than the sating gaze
Of wonder pleased, or awe which would adore
The worship of the place, or the mere praise
Of art and its great masters, who could raise
What former time, nor skill, nor thought could plan;
The fountain of sublimity displays
Its depth, and thence may draw the mind of man
Its golden sands, and learn what great conceptions can.

CLX.

Or, turning to the Vatican, go see
Laocoon's torture dignifying pain--
A father's love and mortal's agony
With an immortal's patience blending:--Vain
The struggle; vain, against the coiling strain
And gripe, and deepening of the dragon's grasp,
The old man's clench; the long envenomed chain
Rivets the living links,--the enormous asp
Enforces pang on pang, and stifles gasp on gasp.

CLXI.

Or view the Lord of the unerring bow,
The God of life, and poesy, and light--
The Sun in human limbs arrayed, and brow
All radiant from his triumph in the fight;
The shaft hath just been shot--the arrow bright
With an immortal's vengeance; in his eye
And nostril beautiful disdain, and might
And majesty, flash their full lightnings by,
Developing in that one glance the Deity.

CLXII.

But in his delicate form--a dream of Love,
Shaped by some solitary nymph, whose breast
Longed for a deathless lover from above,
And maddened in that vision--are expressed
All that ideal beauty ever blessed
The mind within its most unearthly mood,
When each conception was a heavenly guest--
A ray of immortality--and stood
Starlike, around, until they gathered to a god?

CLXIII.

And if it be Prometheus stole from heaven
The fire which we endure, it was repaid
By him to whom the energy was given
Which this poetic marble hath arrayed
With an eternal glory--which, if made
By human hands, is not of human thought
And Time himself hath hallowed it, nor laid
One ringlet in the dust--nor hath it caught
A tinge of years, but breathes the flame with which 'twas wrought.

CLXIV.

But where is he, the pilgrim of my song,
The being who upheld it through the past?
Methinks he cometh late and tarries long.
He is no more--these breathings are his last;
His wanderings done, his visions ebbing fast,
And he himself as nothing:--if he was
Aught but a phantasy, and could be classed
With forms which live and suffer--let that pass--
His shadow fades away into Destruction's mass,

CLXV.

Which gathers shadow, substance, life, and all
That we inherit in its mortal shroud,
And spreads the dim and universal pall
Thro' which all things grow phantoms; and the cloud
Between us sinks and all which ever glowed,
Till Glory's self is twilight, and displays
A melancholy halo scarce allowed
To hover on the verge of darkness; rays
Sadder than saddest night, for they distract the gaze,

CLXVI.

And send us prying into the abyss,
To gather what we shall be when the frame
Shall be resolved to something less than this
Its wretched essence; and to dream of fame,
And wipe the dust from off the idle name
We never more shall hear,--but never more,
Oh, happier thought! can we be made the same:
It is enough, in sooth, that ONCE we bore
These fardels of the heart--the heart whose sweat was gore.

CLXVII.

Hark! forth from the abyss a voice proceeds,
A long, low distant murmur of dread sound,
Such as arises when a nation bleeds
With some deep and immedicable wound;
Through storm and darkness yawns the rending ground.
The gulf is thick with phantoms, but the chief
Seems royal still, though with her head discrowned,
And pale, but lovely, with maternal grief
She clasps a babe, to whom her breast yields no relief.

CLXVIII.

Scion of chiefs and monarchs, where art thou?
Fond hope of many nations, art thou dead?
Could not the grave forget thee, and lay low
Some less majestic, less beloved head?
In the sad midnight, while thy heart still bled,
The mother of a moment, o'er thy boy,
Death hushed that pang for ever: with thee fled
The present happiness and promised joy
Which filled the imperial isles so full it seemed to cloy.

CLXIX.

Peasants bring forth in safety. --Can it be,
O thou that wert so happy, so adored!
Those who weep not for kings shall weep for thee,
And Freedom's heart, grown heavy, cease to hoard
Her many griefs for One; for she had poured
Her orisons for thee, and o'er thy head
Beheld her Iris. --Thou, too, lonely lord,
And desolate consort--vainly wert thou wed!
The husband of a year! the father of the dead!

CLXX.

Of sackcloth was thy wedding garment made:
Thy bridal's fruit is ashes; in the dust
The fair-haired Daughter of the Isles is laid,
The love of millions! How we did entrust
Futurity to her! and, though it must
Darken above our bones, yet fondly deemed
Our children should obey her child, and blessed
Her and her hoped-for seed, whose promise seemed
Like star to shepherd's eyes; 'twas but a meteor beamed.

CLXXI.

Woe unto us, not her; for she sleeps well:
The fickle reek of popular breath, the tongue
Of hollow counsel, the false oracle,
Which from the birth of monarchy hath rung
Its knell in princely ears, till the o'erstrung
Nations have armed in madness, the strange fate
Which tumbles mightiest sovereigns, and hath flung
Against their blind omnipotence a weight
Within the opposing scale, which crushes soon or late,--

CLXXII.

These might have been her destiny; but no,
Our hearts deny it: and so young, so fair,
Good without effort, great without a foe;
But now a bride and mother--and now THERE!
How many ties did that stern moment tear!
From thy Sire's to his humblest subject's breast
Is linked the electric chain of that despair,
Whose shock was as an earthquake's, and oppressed
The land which loved thee so, that none could love thee best.

CLXXIII.

Lo, Nemi! navelled in the woody hills
So far, that the uprooting wind which tears
The oak from his foundation, and which spills
The ocean o'er its boundary, and bears
Its foam against the skies, reluctant spares
The oval mirror of thy glassy lake;
And, calm as cherished hate, its surface wears
A deep cold settled aspect nought can shake,
All coiled into itself and round, as sleeps the snake.

CLXXIV.

And near Albano's scarce divided waves
Shine from a sister valley;--and afar
The Tiber winds, and the broad ocean laves
The Latian coast where sprung the Epic war,
'Arms and the Man,' whose reascending star
Rose o'er an empire,--but beneath thy right
Tully reposed from Rome;--and where yon bar
Of girdling mountains intercepts the sight,
The Sabine farm was tilled, the weary bard's delight.

CLXXV.

But I forget. --My pilgrim's shrine is won,
And he and I must part,--so let it be,--
His task and mine alike are nearly done;
Yet once more let us look upon the sea:
The midland ocean breaks on him and me,
And from the Alban mount we now behold
Our friend of youth, that ocean, which when we
Beheld it last by Calpe's rock unfold
Those waves, we followed on till the dark Euxine rolled

CLXXVI.

Upon the blue Symplegades: long years--
Long, though not very many--since have done
Their work on both; some suffering and some tears
Have left us nearly where we had begun:
Yet not in vain our mortal race hath run,
We have had our reward--and it is here;
That we can yet feel gladdened by the sun,
And reap from earth, sea, joy almost as dear
As if there were no man to trouble what is clear.

CLXXVII.

Oh! that the Desert were my dwelling-place,
With one fair Spirit for my minister,
That I might all forget the human race,
And, hating no one, love but only her!
Ye Elements! --in whose ennobling stir
I feel myself exalted--can ye not
Accord me such a being? Do I err
In deeming such inhabit many a spot?
Though with them to converse can rarely be our lot.

CLXXVIII.

There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society where none intrudes,
By the deep Sea, and music in its roar:
I love not Man the less, but Nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the Universe, and feel
What I can ne'er express, yet cannot all conceal.

CLXXIX.

Roll on, thou deep and dark blue Ocean--roll!
Ten thousand fleets sweep over thee in vain;
Man marks the earth with ruin--his control
Stops with the shore;--upon the watery plain
The wrecks are all thy deed, nor doth remain
A shadow of man's ravage, save his own,
When for a moment, like a drop of rain,
He sinks into thy depths with bubbling groan,
Without a grave, unknelled, uncoffined, and unknown.

CLXXX.

His steps are not upon thy paths,--thy fields
Are not a spoil for him,--thou dost arise
And shake him from thee; the vile strength he wields
For earth's destruction thou dost all despise,
Spurning him from thy bosom to the skies,
And send'st him, shivering in thy playful spray
And howling, to his gods, where haply lies
His petty hope in some near port or bay,
And dashest him again to earth:--there let him lay.

CLXXXI.

The armaments which thunderstrike the walls
Of rock-built cities, bidding nations quake,
And monarchs tremble in their capitals.
The oak leviathans, whose huge ribs make
Their clay creator the vain title take
Of lord of thee, and arbiter of war;
These are thy toys, and, as the snowy flake,
They melt into thy yeast of waves, which mar
Alike the Armada's pride, or spoils of Trafalgar.

CLXXXII.

Thy shores are empires, changed in all save thee--
Assyria, Greece, Rome, Carthage, what are they?
Thy waters washed them power while they were free
And many a tyrant since: their shores obey
The stranger, slave, or savage; their decay
Has dried up realms to deserts: not so thou,
Unchangeable save to thy wild waves' play--
Time writes no wrinkle on thine azure brow--
Such as creation's dawn beheld, thou rollest now.

CLXXXIII.

Thou glorious mirror, where the Almighty's form
Glasses itself in tempests; in all time,
Calm or convulsed--in breeze, or gale, or storm,
Icing the pole, or in the torrid clime
Dark-heaving;--boundless, endless, and sublime--
The image of Eternity--the throne
Of the Invisible; even from out thy slime
The monsters of the deep are made; each zone
Obeys thee: thou goest forth, dread, fathomless, alone.

CLXXXIV.

And I have loved thee, Ocean! and my joy
Of youthful sports was on thy breast to be
Borne like thy bubbles, onward: from a boy
I wantoned with thy breakers--they to me
Were a delight; and if the freshening sea
Made them a terror--'twas a pleasing fear,
For I was as it were a child of thee,
And trusted to thy billows far and near,
And laid my hand upon thy mane--as I do here.

CLXXXV.

My task is done--my song hath ceased--my theme
Has died into an echo; it is fit
The spell should break of this protracted dream.
The torch shall be extinguished which hath lit
My midnight lamp--and what is writ, is writ--
Would it were worthier! but I am not now
That which I have been--and my visions flit
Less palpably before me--and the glow
Which in my spirit dwelt is fluttering, faint, and low.

CLXXXVI.

Farewell! a word that must be, and hath been--
A sound which makes us linger; yet, farewell!
Ye, who have traced the Pilgrim to the scene
Which is his last, if in your memories dwell
A thought which once was his, if on ye swell
A single recollection, not in vain
He wore his sandal-shoon and scallop shell;
Farewell! with HIM alone may rest the pain,
If such there were--with YOU, the moral of his strain.



Footnotes:

{1} Lady Charlotte Harley, daughter of the Earl of Oxford.








End of Project Gutenberg's Childe Harold's Pilgrimage, by Lord Byron

*** END OF THIS PROJECT GUTENBERG EBOOK CHILDE HAROLD'S PILGRIMAGE ***

***** This file should be named 5131. txt or 5131. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/5/1/3/5131/

Produced by Les Bowler

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
www. gutenberg. org/license.


Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.

1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.

1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1. E. Unless you have removed all references to Project Gutenberg:

1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org

1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.